#Otherwise I'd be in trouble...
Explore tagged Tumblr posts
Text
y'all. I miss the internet.
#I think the whole network is down lol#And by this post I specifically mean using it on a computer device and not my phone#I'm EXTREMELY glad the work I got yesterday is something I can't type#Otherwise I'd be in trouble...#i'm the video game boy; i'm the one who wins! 。・゚✫ ooc
2 notes
·
View notes
Text

141 notes
·
View notes
Text
have you see this website? it looks like a useful resource if you want to look up some of the moves in a particular wrestler's repertoire, or if you dont know what theyre called
#postzon#i saw this and was like wtf this rules. how useful!! i have trouble remembering what things are called#i mean otherwise i'd be looking at ____'s top 10 coolest move compilations on youtube but this is a really nice overview#wrestling#aew#must be a blessing for ppl who regularly make CAWs
243 notes
·
View notes
Note
You doing ok?
hi
#i'm alive. simply being chewed upon by multiple things#work is more stressful than i'd like it to be. for instance i'm hoping that i submitted my time off notification for tomorrow correctly#because otherwise it might read as a no call no show and i would . like to continue having a job#now to be fair. i do have it on the system that i requested it at the beginning of the month and i emailed my supervisor about it last week#so even if i didn't submit it correctly i'm likely in the clear#but nonetheless. i also got a firm talking-to the other day and now i am on ✨thin ice✨ for dicking around too much#because they track ur idle time at my work (computer) and mine was Quite High so my supervisor was like man what the hell is this#but even though she was kind of baffled at me spending so much time dicking around#she couldn't even really be all that mad in the end because i'm still doing good numbers and have made no (zero) mistakes#so she was just like. it's kind of impressive that your numbers look this good when you literally have 50% idle time#so she goes imagine what you could do if you weren't wasting so much time#and yeah i can whip out some Really Good Numbrers when i put the effort in.#so the problem is not my numbers it's just that i'm not spending long enough doing my tasks for the day#but i don't want to drag out those tasks intentionally so i've just been upping my own standards/goals#as much as i hate giving any more of my brain power than is necessary to giant corporations#it's still easy to feel smug after you get Talked To and then immediately turn around and show off#like yeah i coulda been doing this good the whole time. literally pulling up by 20 points. i just didn't want to.#trying to keep everyone's expectations low but accidentally toed the line of um. not working enough to keep my job#...anyway. EAS national weather system issued a . hi#i haven't forgotten about all of you i'm just having trouble tracking all my shit that i got going on ✨ yaaaaaaay#im gonna post things on AO3 soon. i promise. my weakness is that i get sidetracked trying to unwind from work#...i know i said 'soon' last time. but this time for real#asks#not sexy#anonymous
55 notes
·
View notes
Text
The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter? EIFFEL My copy of what? MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual. EIFFEL Was that one of those mandatory mission training things? MINKOWSKI Yes. EIFFEL In that case, yes, I definitely did. MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck. EIFFEL Oh? MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane. MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach.
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you.
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
#Wolf 359#w359#Renee Minkowski#Doug Eiffel#Renée Minkowski#I guess I lied when I said I was halfway through at 1000 words#I hope that those who liked my preview post were up for a long read#This is over 5000 words and I still haven't said everything!#You could write a PhD thesis on this#Honestly I feel like this is full of typos and mistakes cos I was kinda tired as I proofread it but I just want to get it posted today#Otherwise I could spend even more time on it and make it even longer... (and also I want it to be out in the world)#But please do lmk if you spot a typo/mistake. I won't be offended#I'd also be interested to hear people's thoughts on any of this#Unimportant point but I'm shaking my head at Minkowski if she wouldn't let Eiffel listen to the DSSPPM instead of reading it#Audiobooks are a valid method of reading. Don't deny a man with ADHD his own approach to absorbing info!#Then again. it might have been an unfounded assumption of Eiffel's that Minkowski wouldn't have accepted him listening to it#I think in school he definitely got in trouble for boasting that he's actually read the book this time when he just watched the film#the empty man posteth
163 notes
·
View notes
Text
The crisis of the last year with student protests has made even the richest institutions aware of how much of their presumed wealth can be yanked away from them by a donor class who are increasingly inclined to exert their influence and authority in openly oligarchic ways. The obsession with safety—and the contradictions of that obsession—is as much about financial management as anything else. But that also is a wider sociocultural formation: the American upper middle-class is generally an asset class now who think about safety in the same way as universities both because all institutions with asset-based wealth have to and because they personally have to safeguard their assets in the same fashion, and face some of the same risks from liability exposure. [. . .] Moving away from the caretaker era can’t just be a matter of exposing students to risk and dismantling systems that make safety the mandatory product of an intrusive regime of surveillance and correction. If the people in charge inside the university and outside of it aren’t equally exposed to the natural consequences of their actions and decisions, all this means is forcefully communicating to students—or perhaps all young people—their relative powerlessness and vulnerability. It means deciding that the lesson you really want to teach is that it’s bad to be powerless and thus you should strive in life for power and wealth in order to be beyond consequences. Arguably, if the caretaker era and the bystander era were both aligned with a wider social ideology that was broadly shared across a generation, then this in fact the new ethos of our time—that there is no safety but in power, and that where power believes people are not being sufficiently punished for the things that power disdains, it will find a way to make consequences where there have been none.
bleak essay that nonetheless collects a lot of idle thoughts i've had in one place & puts them together with more coherence than i've ever managed
#it's also an interesting point re: the seesaw thing happening where so-called helicopter parents#are reacting to the shortcomings of their more free-range upbringing#(e.g. i was generally brought up more free-range than my peers but#(1) mom was reacting against an *uncommonly* strict upbringing#(2) fam was socioculturally located s.t. e.g. my brother's antics would be coded Boys Will Be Boys rather than. y'know. Deep Trouble#(3) people weren't fucking calling CPS when kids walked home in rural kentucky during those years lmao)#and like i'm grateful i got that.#fostered a lot of independence and trust in myself when i'm p sure i'd be a more baseline anxious/judgey person otherwise#but idk if you can really get that *back* unless you fix *gestures at essay*#like the liability obsession the piles of moneys sloshing around etc just all feels deeply Askew yaknow
19 notes
·
View notes
Text
tumblr why are you showing me pro ana content??? please stop.
#idk what i've been liking bc it's saying based on my likes#thank god i never had an ED otherwise i'd be in trouble#spooky shit#anyways stay safe out there and remember to eat and be healthy!
3 notes
·
View notes
Text
an ii/su crossover would be fun just for the trichotomy of light-based beings. inorganic light/organic light/whatever the ii contestants are
#wheucto#wheucto speaks#ii spoilers#ii 16 spoilers#for the mechanics of how i'd make the crossover work i'd have SU and II take place on the same planet_ where gems are the same but humans -#- are now objects instead. and whatever changes that entails#i'd say the world is mostly however it is in SU with companies from II... don't think II has much else to contribute there#NEways about the light-based beings trichotomy.#first off_ ii contestants are probably like some sort of hologram thing? since the way mp4 generates objects (animate or otherwise) -#- is probably because of the one shimmer that cobs abducted.#anyways. gems are created for a specific purpose. they only sort of share this with the contestants_ who may be made to act a certain way -#- but are still able to grow and change. the exact details of their creation is Unclear. and mephone mightve not created them consciously#- but he does seem to want them to be a certain way_ though they have certainly changed from their original states of being#on the other hand_ shimmers are definitely organic beings. they seem to reproduce: they have younger members of their species. they grow -#- and change. no shimmer was created for any specific reason (probably) they just... live. they Are. like humans Are#gems are definitely inorganic. a stated fact. they're closer to robots_ really.#but the contestants are in this weird inbetween state. they're made of organic light. they're made to be like a physical_ organic people. -#- but they're made by a robot. created by code. they even glitch!#also the gems and shimmers are aliens. would they have met? maybe#i heard in SU intelligent organic life is super rare - though for this AU we can just ignore that <3#since shimmers are pretty advanced its possible that the gems me them and decided not to like attack them (too much trouble or smth)#maybe a little abduction to test the shimmers' organic light. i'd seem them do something like that
6 notes
·
View notes
Text
on another note i do actually think takumi is a well written character and my favorite bit is that he gets over his inferiority complex to be a better dad. his support chain w kiragi is great imo
#feli speaks#takumi my fcuking BELOVED#it's so fucking sad u gotta play fates as corrin otherwise i'd marry him#but FINE i'll kiss subaki instead.#on that note the subaki/corrin chain is the least romantic thing ever it's hilarious#talking abt tummy troubles during ur fucking marriage proposal
5 notes
·
View notes
Note
Talk more about Soup! I'm not big into south park, but seeing your lil dude has been nice! What are his hobbies? What's his favorite soup?
AAAAHHH thank you!!! i love my little guy!!!
he's a little artist - when his mom was alive, they used to scrapbook together and that's what got him into it. he still has the book they made and is VERY protective of it, even if he doesn't like opening it anymore. he's also pretty good at rhythm games and plays on a minecraft server with the boys occasionally (he picks flowers and decorates the base while everyone else does everything else)
and funny enough, soup is one of those Bad autism foods for him. he'll stomach simple soups like chicken noodle but only if it's the kind that doesn't have vegetable chunks dfjhdjfgjdfgk. after being nicknamed soup he doesn't eat it very often at all, just thinking about it makes him feel a little sick. and word association makes him Stay Away from campbell's soup as a whole, it's like me cringing at the name of a certain company because it's my birth name
#puppy answers#anon#soup tag#let it be known he really REALLY hates being called soup#he just has trouble. expressing anything really#he's got autism neutral face. resting 'slightly concerned but otherwise unaffected' face#if he were verbal he'd have flat tone#i don't fuck with functioning labels but i'd put him at med-functioning
4 notes
·
View notes
Text
I'm kind of frustrated that I'm learning only now that I actually really like my handwriting if I'm using my "my handwriting is illegible otherwise so I write in all caps block comic lettering" and I use a brush
#took a class about comics and learned that is basically the most legible and efficient use of space#and started just writing like that because fuck now it's extra legible#I'd had enough trouble reading my own handwriting that i said fuck it#i never thought i would enjoy lettering with a brush but i like the character of the strokes a lot more#that is about as close to calligraphy as i could get#i am like 40% of the way to doing my own comic strip but unless i just throw a bunch of weird shit at the wall all at once#i need to think about it a bit more#but it looks like im doing it on purpose and not because my penmanship is ass otherwise
0 notes
Text
don't worry, they're joking! they're always joking when it would be something, like bigoted. because i'm not a bigot, obviously, i just vote for bigots - well, they're not bigots either, you can't really call someone a bigot just because they have religious views. this is the land of the free, and it's a christian nation, after all. you can pretend otherwise but let's just be real here; all our values are really based on the bible. anyway, i know you liberals get your panties in a twist - can i say that, or are you gonna cancel me, haha, #metoo - about every little joke he said and every little dramatic political view. oh, fascist this and fascist that. you are online too much, you love the word fascist because it's big and you're just paranoid about things.
well, no, i don't, like, read the policies. i have a life. and so what if they wrote - stop it, it's not a manifesto, okay? he eventually backed off from that - oh the vice president? who cares about that guy, that isn't real power. you're being dramatic, they're just spitballing. everyone makes big claims when they're out there campaigning. he just means he personally wouldn't get gay married. you want him to divorce his wife and get gay married? anyway, even if they cancelled gay marriage - it wouldn't happen, okay? nobody i know really cares about that - it'd be states-rights like those abortions you love so much. and you live in a blue state. you live in like the gay capital of the world. i don't know why it'd be so bad for you, you're borrowing trouble there.
and besides, you're missing the point of his campaign! you people want to be victims so bad you completely ignore what we're really voting for. there are tons of good things that happened because of his name and his policies - the economy, for one. oh stop, just because i can't tell you what a tariff is off the top of my head doesn't mean i don't have eyes. and stuff was better under him! well, yeah, anything good is his work, obviously. what? no, all the bad stuff was biden. and probably also obama. what do you even care about this, anyway? it's not going to effect you. it's four years.
oh my god, not the climate change argument again, i'm not getting into that. i don't care about it. if my house is beachfront that's great news for me. and we don't really know what's causing it. no, i saw you forwarded me those articles and i just laughed. what, do you think i have time to sit on my ass and read shit? huh? well, no, i like reading the babylon bee. they actually had a great article about all you climate freaks. and in the meantime, what do you want me to do? i'm not paying 4 dollars for gas. liberals love to talk about solutions but never pay for the solutions. what do you mean blocked because of congress. you gotta stop with the conspiracy shit.
no, my side doesn't have real conspiracy theories. the vaccine thing is a real thing. besides, you yourself don't like big pharma. just because i have an opinion, suddenly now you think big pharma is great? and this is serious, okay? your mom's friend's coworker has a kid that died from a heart event. i don't want you getting any more vaccines. i regret that you got them as a kid, i'd redo them. what do you mean you'd vaccinate your own kids? are you finally thinking of having some? you know i want grandkids - oh stop, i've never pressured you, i'm just saying that if you're going to get gay married, you might as well give me some normal grandkids to love.
stop, you know what i meant. what? no, he's not going to take away your right to adopt. besides, you could always use a sperm donor, haha, i know your high school ex would love to - jesus! okay! no need to snap. i'm just saying that you don't need to be married to have a kid. the only real benefit to marriage is taxes, haha. it won't change anything. oh my god, no, there won't be a rise in hate crimes. well, it's not his fault what people do in his name! he eventually spoke out against that, anyway.
what do you mean he supported them? i didn't hear him say that. oh. well, yeah, he said it, but like, he's clearly joking.
#:)#<---- dying internally#this but longer and angrier and constant#i wanted also btw the goalpost feeling i get all the time where u can't lock down 1 subject#to argue with them about#bc he's always joking!!!!! unless it's something they agree with.#so there's TONS to argue with them about#but they just slip and slide from one topic to another bc it's ''never that serious'' so even when u make a valid#and real point.... it's like . no you didn't.#anyway#THIS IS OBVI SATIRE BTW.
2K notes
·
View notes
Text
*°~There are many benefits to being a mage~°*
Includes: Fem reader x male orc, size kink, "human fetish", friends to more?
In which: Orc with a big problem confides in his mage friend who decides to help him out with a useful spell~🪄

You've been in this town for quite a while now, almost 3 years. That wasn't the original plan but It just so happened that this seaside town was more welcoming than many places you've been to on your travels. It sits at the coast of two major trade routes, connecting people of many different walks of life.
The friendliness and diversity you experienced allowed you to make a few friends you might not have otherwise.
Like the one you're sharing breakfast with right now. His name is Grimmok and he's the self-proclaimed, "Best fisherman in this damn town". He's your typical young, burley orc.
The first time you met him was in the local pub, you were intrigued when a crowd formed infront of the huge orc. He was dramatically telling one of his fisherman's tales and the small crowd hung onto his every word. He was a very good story teller and you happened to be very interested in folklore and myths. You made a habit of just walking up to him, if he didn't look busy and asking him to tell you a story. Soon it wasn't uncommon to see you sitting on the docks listening and writing intently as he waxes on about some old wives tale while repairing his nets.
Now you sit in his home, eating breakfast while he grumbles on about having to train a new fishing boy.
"The boy gets distracted by the smallest things, every time someone even resembling female walks past the docks he's panting like a dog." Grimmok bites into his ridiculously large breakfast sandwich signaling the end of his rant.
He did look more grumpy than usual when he opened the door to let you in for your weekly Sunday breakfast. His shoulder length black hair was tied into a hasty half up half down bun and his stubble looked more scruffy than usual. You can only huff in amusement at his troubles.
"Cmon, don't be too harsh on the kid. You did the same thing with Rosie Cotton, remember?"
The orc stills and huffs indignantly, scratching at his neck. This makes you grin.
"Mhm, you'd be telling me a story and then just stop in the middle of a sentence. I'd look up and sure enough there's Miss Rosie walking on by. Fiery hair flowing in the wind, cleavage spilling out her dress, swaying those hips and-"
Grimmok interrupts your overdramatic musing by flicking your pointy hat off your head.
"Hey!"
"You're acting like you didn't like looking at her too." The big guy grumbles almost like a child. He wipes his hands on his plaid pajama pants and picks up his empty plate, heading towards the sink.
You lean down to pick your hat off the floor, dust it off and mumble,
"Yeah, but I never got to bed her."
The dishes in the sink clatter a little too loudly as he tenses up. You hardly try to stifle your laugh.
"We didn't actually...she was...too small... For me to...." The orc struggles out as he wipes his plate clean.
It's quiet for a minute until you ask.
"But she did try, right? I'm pretty sure that counts, Grim."
The orc just grumbles something unintelligible. You want to sympathise with the poor guy but imagining Rosie Cotton, a "short stack" type of woman, trying to fit his massive green cock in her little pussy was pretty erotic.
"I want to feel bad for you mate but you kind of bring this on yourself. You obviously have a bit of a human fetish."
"It's not a-" The orc goes to defend himself but stops and just sighs when he realises it's no use.
"...and a size kink to boot." You mumble with toast in your mouth.
"I can't help it if I think horny humans trying desperately to take my cock is literally the hottest thing to me!" Grimmok finally lets the dam of sexual frustration burst after you've done a sufficient amount of poking at it. You always were good at getting him to actually talk about his problems.
"But the problem comes in when I actually have to fuck them, they can barely take half! How am I supposed to fuck them!? I'm too big! I'd kill them!"
You can't help but choke on your toast as a cackle forces itself from your throat. "Sorry. I'm sorry!" You struggle between snorts. Your big green friend just stands there with a grimace, arms crossed as he waits for you to finish.
You sigh and wipe your watering eyes. "Well, I'm glad you've confided in me because now I can help you." You wipe your hands clean and stand up from the orc sized table.
"You know that cool thing I can do with my hat?" You take your hat off and reach inside of it, the magic pocket space allowing you to reach your whole arm inside of it when you physically shouldn't be able to.
He nods sceptically still leaning against the sink, a bit concerned about where this is going. He thought by "help" you meant like you were going to pep talk him or something.
"We just have to do this but with...." You gesture down to your crotch.
Grim stands there, mouth slightly agape, blinking at you.
"I mean it's not exactly the same obviously." You pull your trusty spell book out of the hat before placing it back on your head while the pages of the spell book fly open to the page you want. "You basically draw this sigil on someone and then they'll be able to take whatever they can push inside no matter how big. Girth might still be an issue though..."
You explain this to him like you've explained many other spells, like you're reading him a recipe, deliberating what ingredients would work best. He doesn't even know how to react honestly.
"You're serious?"
You clap the book shut and adjust your hat on your head, smugly shrugging,
"This is what I do."
The poor guy just stumbles in disbelief.
"Magic, I mean.... Magic is what I do." You correct yourself a bit awkwardly and clear your throat, regaining your confidence.
"It's a pretty easy spell so we can try this whenever you want really."
"We?"
"Alright! Alright."
"Well yeah, unless you want me to go up to Rosie Cotton and say "Hey love, you mind if I put this sigil on your womb so my friend can finally pound your tight little-"
Grimmok rubs his face with his hands, sighing again and looking unsure. You lean against the sink next to him, barely coming up to his pecs.
"Look, it'll just be a one time thing so you can actually see if human pussy's all that and if you like it, I'm sure we can find plenty of humans who would love to try it out."
"...Alright. That sounds good."
You give a slap to his thick bicep and an encouraging "ata boy."
"and if you don't like this one, I'm sure I could find a spell that'll just make you..." He doesn't miss how you glance down at his crotch. "Smaller."
He huffs and pushes your shoulder playfully, he liked how you could always joke away the tension in any given situation. You walk up to the big wooden chair you were sitting at a second ago and pull it away from the table so that it's facing outward, struggling a bit as it's very much orc sized like most things in his house.
"Cmon. Sit."
You pat the chair, looking at him expectantly.
"Now?"
He's really not used to other people being so forward especially not when it's his mate. You shrug at him.
"Why not? I mean we can wait till you're ready, I don't mind. I have literally all day."
You put your hands behind your back and rock on your feet as you both just stand in his kitchen for about a minute...waiting. He eventually huffs and steels himself, fully committing to the idea and walking over to plop himself in the chair. He's going to put his dick inside one of his best mates.
You place your hat on the table so it doesn't get in the way of your activity and step in front of him. You levitate your spell book In front of you, looking down at the page with the sigil that's way more familiar than you're letting on.
"Okay, I'll face this way so it's less....personal." You turn around so your back is facing him. "You do still need to take off your pants though."
He smacks his teeth, "I figured that." He mumbles, pushing his soft pajama pants down to his mid thighs, immediately freeing his cock as he wasn't wearing underwear. He leaves his white long sleeve on, the sleeves folded to his elbows, giving you a perfect tease of his thick strong arms and multiple tattoos. When he looks back at you and sees that you've already disappeared your pants, he quickly looks away.
Sensing his nervousness you ask with a softer voice than before,
"can I sit?"
He clears his throat before grumbling a "Yeah."
You gently lean down and sit your naked ass onto his lap, legs open wide over his own you can see his half hard cock laying between his legs but try not to stare. Obviously Grimmock is a big guy but he's even big by orc standards so of course his cock is massive even when he isn't fully hard.
Grimmock clears his throat and jolts you out of your thoughts. You adjust a bit on top of him feeling his happy trail against your lower back. Your eyes skim the page levitating in front of you, when you finally find the incantation passage you straighten up and start chanting the ancient words in the text. Your eyes glow and the air feels static, Grim has seen magic before but the novelty never truly wears off.
An intricate shape starts to form right above your pubic bone, where your womb would be. The sigil glows brightly on your skin as Grim peers from above your head to look at it. At first glance he thinks it looks a bit demonic but then remembers he doesn't know anything about magic and decides not to mention it. When the sigil is complete you clap the book shut, immediately cutting off the static energy in the room and startling him in the process.
"That should do it."
You place the book on the table and lean back against his clothed chest, feeling the tension in his body not letting up.
"Damn, I can't believe little Miss Rosie took half of this. What a lass."
Your joke lightens the mood once again as Grimmock scoffs at you. Feeling him relax, you bring your hand down to finally touch the wetness that's been growing for awhile now. "We should still do some prep before you put it in. Is that alright?"
He nods and watches your hand disappear between your thighs. You readjust so that your boot clad feet are on either side of the chair rests. Opening yourself up to the air and to him, he can see you've already got two fingers pushing inside. He hesitates before reaching for his cock and slowly starting to stroke himself under you but it was painfully clear he was holding back.
"I know I'm not as short or.... endowed as Miss Cotton but I could put on a red wig if you'd like."
Grim huffed a laugh at the mental image of that.
"Oh wow~ Grimmie, you're soooo big and strong~"
You say in a high pitched voice (that doesn't sound anything like Rosie Cotton), using her embarrassing pet name while looking up at him and batting your eyelashes dramatically.
Grim scoffs and holds his hand over your mouth "Stop playing around." He tries to sound serious but his smile and the grumble in his chest betrays him. You laugh against his hand holding his wrist. You slowly pull his hand off your mouth and inch it gradually down your body giving him ample time to pull away. He doesn't and you move his hand to rub against your wet pussy ever so gently.
You're both looking into each other's eyes, this was not supposed to be so intimate but it doesn't look like he minds when he takes charge and slowly eases two fingers inside your aching pussy. His thick fingers stretch your pussy so good as you lightly buck into his hand, greedy pussy already hungry for more. The way he's looking down at you with so much need gets you so hot inside. A heat that only increases when he starts pumping his fingers in and out. Grim works you open with one hand and pumps his fat cock with the other.
This entire situation has you pent up and impatient so you pull his hand away and sit up, "I can take it now." He can't help but groan at your words but remains concerned at the perceived lack of prep. Whenever he fools around with humans most of the engagement is spent just doing prep so he's more than a little worried, "Are you sure?"
You don't reply as you gently take his fully hard cock from his hand, holding it up against your stomach to see how far inside you this thing could go. You both groan at the comparison between his ridiculously massive dick and your body, he reaches way past your belly button and into your stomach. Definitely more than a human could safely take. You adjust your legs so that you're almost squatting on his lap, your feet plant on the seat on either side of his hips.
You support yourself with your hand resting on the seat between his legs and lift yourself so you can rub your wetness along the length of his cock. He brings his rough hands to hold your hips gently, not applying pressure but just resting there so he can have something to hold.
You lift yourself up until his tip is in-line with your entrance, slowly rubbing it against your clit. You both groan lightly when the tip pops in and you slowly ease yourself down his cock. He's amazed at how easy your cunt swallows him. You pause half way down to adjust and give a few pumps to the rest of him before your hand leaves his cock to settle next to your other hand on the chair in front of you. He squeezes your hips a little in silent concern and you smile before easing the rest of him in, gently descending until you reach the hilt. Your pubes kiss his and he can't help but let out a weak moan at the sight and feeling of you taking all of him. Finally feeling tight walls grip the entire length of his cock has him reeling. You're overwhelmed as well, It's been a while since you've taken someone this big.
You slowly circle your hips around so that you really feel his cock against your walls deep inside you, you're obviously very pleased with yourself. Grim is seeing stars, eyes shut, head tilted back, trying to regain himself even a little while his literal dreams are coming true.
"Well, we know it works. I guess that's it then." You move to lift yourself off his cock as if your work is done.
"Nononono, Please no. Please."
Comes Grim's hasty but soft displeasure, both his thick arms circle around your waist to keep you in place as he leans against your back, head resting on your shoulder.
"What's the matter big guy?" You lean into his chest, stroke his arm and turn your head to look at him. He huffs, you know exactly what's the matter. He takes a deep breath and lifts his head to look at you.
"I need you."
Your heart jumps in your chest.
"I need you to fuck me...please."
You look up at him, wide eyes, mouth agape as he looks back down at you. The moment is almost sweet until your mouth forms into an evil grin and you snicker softly, a dreadfully familiar mischievous glint in your eyes. Grim closes his eyes and almost regrets all the choices that lead him here.
"Riiight~. I almost forgot, this is probably the first time you've actually been able to fuck someone sooo much smaller than you."
"Poor guy, you must be so pent up, huh?"
You reach down to gently hold his massive ballsack, making him suck in a breath and twitch his thighs.
All he can do is let out a choked moan of your name which only makes you chuckle.
"I can really play the part for you, if you'd like. Y'know the, "Ah, your so deep!" and "You're filling this human pussy up so good!""
You laugh when you feel his dick twitch. Poor Grim can only grip your waist and try to keep his hot face from getting hotter. He looks down at you with pleading eyes and you decide you're not so evil after all. You pat his arms and move them so he's holding your waist. He startles a little when you playfully kiss him on the cheek.
"I've got you big guy."
You lean forward again with your feet under you and start to lift yourself up very slowly until the top of his cock is juuust about to pop out. Your thighs burn as you stay there for a few seconds, teasing Grim and yourself. Grim thinks he might actually cry if you don't move.
Suddenly you grip the edge of the chair and force yourself down hard on his cock, taking him all the way to the hilt in one hard thrust. You both groan very loudly, he downright yelps with the sudden movement. You grip the chair and clench around him so hard he can't help the way he grips your waist tightly. One hand covers his mouth as he tips his head back and tries to not cum immediately. He tries to regain his breathing but you have other plans. You can feel him twitch inside you and a desperate need to be filled engulfs you.
You start thrusting up and down on his dick, moving your whole body up and down his length. It's a good thing he can't see your face because you are enjoying this way too much. Your eyes roll to the back of your head and you bite your lip, the sensation of being filled to the literal brim is intoxicating. You work yourself and him so diligently, it's no time before your thrusts become more frantic and you're right at the peak. With one final deliberate thrust you cum hard around him, clenching and unclenching like you're trying to milk him dry.
You both moan freely now, though his are more like growls. Your pulsing walls quickly lead him to his own climax, holding you close to his chest and thrusting up into your cunt, spilling hot seed deep inside your womb. You shake and squirm even more with the blissful feeling of your walls being coated with his spend.
After a few moments of you two spasming and twitching you eventually ease up and fall limply against his chest, adjusting your thighs to rest on top of his again. You breathe out a long sigh and bask in the fullness of your cunt, stroking your stomach up and down.
You're blissfully unaware of the knowing smirk that grows on his face. He cards his fingers through his hair, composing himself a little more. His warm hand joins yours in caressing up and down the expanse of your stomach and chest, loving how small you feel in his hold.
"You've done this before." His voice comes out in a low growl that makes you shiver, not expecting it. You crane your head up to see him smirking down at you and all you can do is sit and stare. He chuckles deeply,
"There ain't no way, this is your first time taking a cock this size."
You stumble for words but none come out. His hands caress your thighs and one hand comes up to gently hold your jaw. He leans down really close to your face.
"You're a size queen."
You suck in a breath and your pussy clenches involuntarily around his cock which you only noticed now hasn't gone down at all. Grim laughs louder this time.
"I should've known the second you pulled out that spellbook."
You sit there, quite embarrassed at being caught. You smack his hand away from your waist.
"Shut up, you're the one with the-"
"Yes, we both know about my kinks, you teased me about it enough which is very hypocritical of you."
Grim is just loving the way you fluster and fumble for words right now.
"Oh, so you don't have a thing for inhumanly huge cock?"
He challenges and uses both his hands to bring your naked thighs to your chest, exposing your pussy, leaking with his seed.
"So you don't like the way I stretch and fill this little human pussy?"
You can't help but whine at his dirty words and the position he's binding you into. His cock adjusting inside of you, hitting a new spot.
"If you don't, I guess I could just pull out and-"
"Nonononono... Grim Cmon."
You frantically babble your disagreement, shaking your head. He chuckles again, very pleased with himself at turning the tables on you but thankfully for you he's not as evil as you are and his dick is still painfully hard.
"Alright Darlin, I'll take care of you."
He lifts himself from the chair, leaving a puddle of both of you when he stands. He comforts your whines when he pulls out to set you ass up on the table and just stands at the edge, one hand on his hip and the other leisurely stroking his cock.
You look back at him with confusion, expecting him to just fuck you over the table already.
"If you ask nicely."
He says looking real smug, you sigh in defeat and turn your body so that you're facing him. You disappear the rest of your clothes, leaving you stark naked on the large kitchen table you were just eating breakfast at. That realisation makes him pump his cock harder.
You press your knees as close to your chest as possible and bring your hands down to your puffy, leaking pussy. You spread your folds for him with your fingers and say, as sexily as you can manage.
"Please fuck me Grim."
Grim is so fucking floored, he's cursing himself for not thinking of doing this sooner. He sighs and pumps his cock harder, lining the leaking tip up to your pussy lips. He eases it inside and the new position makes for a new sensation for both of you as different spots are brushed and tension melts away. Once he's balls deep again he gently worms his arm underneath your back to lift you up with ease. You wrap your arms around his neck for support being mindful not to pull his hair. Suddenly you're face to face, looking into his eyes for the first time since you started.
You look into his dark eyes and they relax you, this is your best friend, you trust him. His eyes leave yours to stare at your parted lips. When he sees that familiar quirk on your lips he looks back to your eyes, catching the mischievous glint. You lean closer so that your noses are just brushing against eachother. You feel his breath hitch when your lips meet his. He spares no time getting into it and moves his lips against yours. You make out while he adjusts your body in his hold, one hand on your ass and the other on your waist.
He then, without warning, lifts you up and brings you down hard thrusting the whole length of his cock into you in one hearty thrust. You break from the sloppy kiss for a moment to groan out in absolute ecstasy, loving the way he takes the lead from you effortlessly. He brings down your whole body to meet his upwards thrusts. The way he's basically using your entire body like a fleshlight makes you embarrassingly horny.
It feels like it's been years since you were fucked like this, the way your body is reacting, so sensitive you're sure you could cum again any minute. This is exasperated greatly when he brings you closer to his chest with one arm locked around you so that he can worm his other hand in-between you two and rub at your engorged clit.
You grab at his wrist as he frantically works you to your climax, you basically scream when you finally reach that high. Clenching and shaking on his cock while he holds you up with his buff arms. You cling into him so tightly, getting drool on his shirt. You even squirt a little, getting your wetness all over his cock and the floor. Your intense climax once again has him reeling. The sight of you clinging onto him, squirting and losing yourself on his cock makes his balls clench painfully as his frantic thrusts turn faster and sloppier. He reaches his climax as he holds you close, groaning into your neck, pumping another thick load deep into you.
You both stay like that for a while, coming down from your respective highs. Your fingers slowly unclench from his shirt moving down to lazily caress his chest, feeling it move with his breaths as you rest your head on his shoulder.
He slowly manoeuvres your legs so he can sit back down on the chair, holding you to his chest. His hand strokes down your back as you both soak in the warm, tranquil after glow. His breathing evens out to a steady rhythm and your eyes flutter closed.
Knock knock knock
You both jolt awake and stare at each other wide eyed and then at the front door, which is very much visible from the kitchen. You both stay quiet and he holds you closer to hide your fully naked body if the rude intruder somehow manages to break the door down.
Knock knock knock
"Uhh Mr Grimmock Sir?"
The tension in Grim's body sags when he hears who's on the other side of the door. A hand goes to massage his impending migraine.
"BOY! What do you want?!"
You can imagine the way the poor fishing boy cringes at the anger in Grim's voice.
"Sorry Sir, I was wondering if you could give me some extra lessons on the boat?"
Grim growls in frustration, you chuckle in amusement and start kissing up his neck which settles him down a little.
"Tomorrow lad, it's Sunday."
"But I was-"
"Tomorrow."
The finality in his tone seems to get through to the young man as he mutters an "Alright Sir, see you then." Before walking off, his steps getting lighter and lighter.
"He doesn't want to work all week but suddenly he wants to work on Sunday?!"
Grim's irritation is clear as he gestures to the door incredulously. You can't help but laugh at the orcs misfortune. You settle your arms around his broad shoulders, one hand playing with his hair as his hand begins to stroke down your back again.
"Thank you for...helping out"
He says, quite genuinely.
"Anytime."
You throw him a thumbs up and he has to laugh and shake his head at the award winning nonchalance. When the amusement fades though he leans forward in the chair and brings his hands lower to cup your ass cheeks.
"Anytime?"
You can feel his soft cock gradually hardening inside your pussy and you look up at him in utter disbelief.
"Unbelievable."
You shake your head and chastise him but the smile that breaks on your face rats you put. He grins and lifts you up, walking out of the kitchen. His mouth marks up your neck and his stubble tickles, dull tusks dig into the sensitive skin.
"Just unbelievable."
You mutter to yourself again as your legs hug around his waist tighter and you feel his cum dripping out of your hole, leaving a trail all the way to his bedroom.
#monsterfucker#I'm thinking of making this mage character a recurring character where I basically write about her smutty monster adventures 👀👀👀#monster x human#monster fucker#monster boyfriend#monster lover#monster x reader#monster writing#orc x reader#orc x human#nsft writing#terato#teratophillia#Mage! Reader
7K notes
·
View notes
Text
Don't worry, he does have other fantastic attributes.
Sacker of Cities His biceps bronzed in sun Man of many wiles
But I don't want to just know about his thighs! Who is this man. Help
#littlewolf bigheart#every day i am thankful that apollo's poetry is canonically bad#because otherwise I'd be in Trouble
12 notes
·
View notes
Note
Sorry if this comes off as rude, or too personal, but how do you still have the mental strength to be like you are, after everything you've gone through? Like, not to make suffering a competition, but from what you've shared, it seems like you've had to deal with so much more than most, and yet you're still able to create, engage in the things you love and enjoy, and even wish better for the people who'd only want the worst for you. As someone who hasn't been able to do any of those for a while now, or feel anything beyond a sticky sense of resentment, I'd appreciate the words of someone who's been in shit miles deeper, if that isn't too much trouble. Sorry if this whole thing sounds weird, and thanks for being one of the weird funny guys on my dash, you've given me lots of laughs when I've needed them.
Oh, wow. Uh.
I think first off- not to minimize my experiences cause my therapist says not to do that- but I have a LOT of friends and loved ones who have been through much worse and are also doing good now, so that kinda helps. Knowing that if they got through things, I can too, and they don’t think less of ME for struggling.
Secondly… I think I used to not be so happy about life. I was really angry, really sharp and ascerbic, and when people who met me matched my energy, they’d be sharp and ascerbic back. And so I’d trap myself in this place where life ALREADY sucked, and then everyone around me was awful, so I’D be awful, and it would turn into this absolute mire of bad feeding bad.
And then one day I think after a long good cry in a public toilet, I just felt… better? Not BETTER, because I still had all my problems, but I think I was riding that post-cry high you get sometimes and the sun just looked brighter, and the annoying kids around me were just… less aggravating. The dumb teen boys being idiots were less “stupid morons with no depth who don’t care and can’t think” were just… regular old dumbasses having fun. And then I said hello to someone with a smile, and they smiled back, and we had this great conversation I never would have had otherwise, and I figured out that people are kind to you when you’re kind first.
Which seems obvious, but like… it’s hard to see anyone else when you’re hurting. And so when people are cruel or rude to me, I just think… wow. People probably see you being an asshole and treat you like an asshole. You probably see your own bad attitude reflected back at you everywhere you go, just like I did, and you probably have no idea. Every stranger you meet is a rude bitch who hates your face, and you’ll never be able to go anywhere that isn’t full of tense, defensive, cranky bastards until you figure out that YOU are causing the bulk of it. Like a dog trying to run from the shit on its tail.
And the idea of living your whole life where nobody is happy to see you, nobody truly enjoys your company, everyone is walking on eggshells and waiting for you to snap on them…. That’s a pretty sad and painful way to live your whole entire life.
So like. I try to treat people kindly, and in return I get to see happy people wherever I go. I try to make them laugh, and listen to them talk, and once they do they aren’t frightening or annoying or strange anymore.
most people, at least.
So like… I don’t think “look on the bright side” is the right answer, but maybe… find something good to believe in, and hold on.
I believe that people at large are good and kind or at least trying their best, and that those who can’t or aren’t are… sort of pitiable.
They don’t know where their pain is coming from, and they can’t make it go away, and it’s been like that so long they probably think the whole world is just LIKE that. So they never really get to experience the good things. And that’s… kind of like a hell, I think, in a way.
I don’t believe in karma. I don’t think I’m religious. I just think that we all want similar things, and we all fear similar things, and the ways we go about getting to or running from those things is different.
….if any of that makes sense.
688 notes
·
View notes
Text
is this the real life?...
806 wc, gn!reader, all of them are having a mental breakdown
i saw some awesome sahsrau (self-aware hsr au) from @aventurineswife and they seemed a bit tired of making it...so i thought i'd give it a shot :p maybe ooc on some parts, sorry
the astral express who, while visiting a planet, begin to sense something amiss. it feels as if something, someone, has eyes on them occasionally.
while you're just logging in to play the game and pulling for new characters, everyone starts to freak out. what is watching over them? it can't be the aeons, something much more divine. hell, maybe even the aeons sense something is different.
himeko brews coffee while chatting quietly with welt, "you've felt it too, yes?" she asked him nervously, as if someone would hear if they were too loud. she sips her drink while glancing around every moment or so, displaying her franticness.
the express notices her off putting attitude, but before they can dwell on it, they begin to feel the same as her. it's almost like an illness, if this plague's symptoms were paranoia and impending doom.
the stellaron hunters are hardly different. kafka's smooth demeanor falters as she gazes off into the deep null of space. "who are you, divine being?" she asks into the nothingness, her sultry voice filling the otherwise empty air. as blade is sat on a couch, arms crossed over his chest, his posture seemed to be more tense than usual. of course, he was always uptight, but his behavior was extra rigid as of lately. silver wolf on the other hand, can't help but chuckle at kafka's philosophical rants and blade's silent pondering. she can tell that they're all puppets on a larger stage, meaning close to nothing in the vast universe — both her universe and yours.
aventurine, ever relaxed, has been carrying himself with a bit more of a troubled expression. his typical flamboyance has faltered and few around him have noticed. as aventurine sits on a red leather chair in an empty casino, he does not feel alone; tossing a golden coin between his fingers, aventurine begins thinking aloud. "i see you've chosen to reveal yourself, huh?" the blonde's voice is low and almost soft, as if he's trying not to offend whoever he may be speaking to.
dr. ratio's hair is a slightly unkempt, his eyebrows are pinched together much more frequently, and his papers and studies are left askew on his desk. a few members of the intellegentsia guild slowly catch onto how he's acting, and it's truly unbecoming of the infamous strict professor. his employees can be seen wearing a concerned expression when glancing over at him, yet are too afraid to inquire on his troubled state. "i will uncover whoever is ensuing this chaos amongst us all." ratio promises himself.
the xianzhou luofu is eerily quiet. the arbiter general himself has gone silent as well, as if the ship has been submerged into an ocean of solitude. jing yuan sits in his chair with his fingers intertwined atop his lap. internally, he wonders about this rumored 'creator'; are they real? is it an aeon? what does this mean for him? his companions? is something terrible on the horizon? his endless inquiries are certainly unlike him, causing the master diviner fu xuan to worry about him.
she feels that the world has been tilted also, however she's more concerned about jing yuan's scrambled state. "please, go home and rest, general." she pleads annoyedly, "mm. give me a moment, diviner fu." jing yuan replies quietly, his words melancholic. "you know as much as i do that something has changed." he states to the shorter woman.
boothill's shoes tap eagerly against the pavement that lined the roof of the building, echoing an ambience of anticipation. "what in the world are you?" the man questions the air rhetorically. he cannot, for the life of him, figure out what's causing such a stir in the mood of everyone, himself included. the silver cowboy's hand is rested on his hip, the other lifted to his neck with a finger pressed to his chin. "i dunno, but yer rackin' all our brains here.." boothill remarks, hoping that whoever is watching over him will hear it.
the enigmatic memokeeper is seen with a more defined smirk recently. black swan has taken interest is this unknown deity that has spiked fear and franticness all over the universe. she rests her palm against her chin, staring up into the stars that decorate the black outside of the express's windows. "i hope you'd be willing to speak with me, demiurge." she exclaims in a calm yet excited tone.
the head of the oak family stands in his obnoxiously large office, hands pressed against the polished table as he stares down at it. there's a few scattered documents thrown astray, but they're not important right now. all sunday can think of is you. he knows you exist, he's sure of it, and he won't rest until the day comes that you visit him and grace the world with your presence.
im so happy the eagles won the super bowl and kendricks performance was goated
dividers by @/hyuneskkami
#honkai star rail x reader#honkai star rail x you#hsr x reader#hsr x you#astral express x reader#himeko x reader#kafka x reader#blade x reader#dr ratio x reader#sunday x reader#aventurine x reader#boothill x reader#black swan x reader#jing yuan x reader#fu xuan x reader#silver wolf x reader#hsr fanfic#hsr#honkai star rail#tag flood bleehhhhh#sahsrau#self aware hsr
854 notes
·
View notes