New Audio: JOVM Mainstays Otoboke Beaver Shares a New Ripper
New Audio: JOVM Mainstays Otoboke Beaver Shares a New Ripper @otobokebeaver @damnably @girlieaction @rosieboyd @delkin03
Kyoto, Japan-based garage punk outfit and JOVM MAINSTAYS Otoboke Beaver(おとぼけビ~バ~ in Japanese) — Accorinrin (vocals, guitar), Yoyoyoshie (guitar, vocals), Hirochan (bass, vocals) and Kahokiss (drums, vocals) — can trace their origins back to when the band’s members met at Kyoto University‘s music club.
Otoboke Beaver quickly built a profile both locally and nationally for their unique pairing…
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What are five songs you actually listen to? Answer then send to ten friends 🤗
Hello 😊😊😊😊😊 hmmmm i'll just go with current favs rn!!!
bad idea right? - olivia rodrigo
speed drive - charlie xcx
a dream with a baseball player - faye webster
PARDON? - otoboke beaver
Ψです I LIKE YOU - dempagumi.inc
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MUSIC FAVS OF THE YEAR 2022 LISTS:
Top 3 EPS:
1) Planet 1999 - this is our music 🎵
2) G Jones & eprom - Acid Disk 2
3) 100 gecs - Snake Eyes
Top 10 Albums:
1) Bladee & Ecco2k - Crest
2) Beach House - Once Twice Melody
3) FKA Twigs - CAPRISONGS
4) Otoboke Beaver - Super Champon!
5) Soul Glo - Diaspora Problems
6) Bladee - Spiderr
7) Alvvays - Blue Rev
8) Himera - Sharing Secrets
9) death's dynamic shroud - Darklife
10) Jockstrap - I Love You Jennifer B
Top 10 songs (in no particular order, one per album)
Himera - Kiss (ft. Hannah Diamond)
Bladee & Ecco2k - Desire Is A Trap
Hudson Mohawk - Intentions
Jessie Ware - Free Yourself
Alvvays - Easy On Your Own?
Otoboke Beaver - PARDON?
Soul Glo - Thumbsucker
100 gecs - Hey Big Man
FKA Twigs - meta angel
Bladee - DRESDEN ER
Honourable Mentions:
Jockstrap - 50/50
The Garden - Freight Yard
Willow - maybe it's my fault
It's been a fantastic year for music, so much good stuff dropped ;w; let me know your picks as well!!
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Tagged by @shimyereh — thank you! Five songs I have listened to recently:
Laura Jurd — Henry
A big friendly tune from The Big Friendly Album, a lovely and approachable jazz album with some unorthodox instrumentation. (Also my Bug Prentice bandmate Ruth Goller plays bass on the album!)
Otoboke-Beaver — PARDON?
A blast of Japanese punk about that frustrating moment when you can’t fucking hear what someone is saying. PARDON?! I heard this band for the first time earlier this month, and it’s been ages since something new excited me so much. Full of unpredictable twists and turns of shifting tempos, weird and lots of fun. I love the whole album.
Robert Wyatt — Shipbuilding
One of my chief musical influences and a disability icon for me too, Robert Wyatt’s unique voice makes this beautiful Elvis Costello song doubly poignant. Diving for dear life, when we should be diving for pearls…
Erik Satie — Gnossienne No. 1
One of my favourite Satie piano pieces. What else is there to say about it?
Randy Newman — God’s Song (That’s Why I Love Mankind)
This is up there with XTC’s Dear God as one of the all-time great anti-religion songs. Er, Merry Christmas.
—
If you’d like to share some music, consider yourself tagged!
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hehe I'm glad you liked the songs!! I also recommend romanticist - yves tumor, pardon - otoboke beaver and talk to me - red velvet (sorry for kpop)
couldn’t listen all the way through | not my thing | it’s okay | kinda catchy | ok i really like this | downloading immediately | already in my library
I <3 this song i need to listen to more of their stuff… umm i know this song and kerosene + jackie… soo good
couldn’t listen all the way through | not my thing | it’s okay | kinda catchy | ok i really like this | downloading immediately | already in my library
This is fun and theyre so right. Everybody shut the fuck up
couldn’t listen all the way through | not my thing | it’s okay | kinda catchy | ok i really like this | downloading immediately | already in my library
YAY really fun. I already know n enjoy a couple red velvet songs you dont have to apologize 4 kpop
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5 songs rn. Tagged by @asiancatboy. Your list did not put me to sleep.
Kiss me when I bleed by White lung
Sister by White lung
Pardon? by Otoboke beaver
A stinging spica by Polkadot stingray
Crush by Jennifer Paige
Tagging, as always, the girl reading this.
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hiya hiyaa im obsessed w yr music taste <33 11 and 30 !
11.
30.
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Upcoming Shows - Dec. 2023
"You forgot..." No, I didn't forget. This is not a comprehensive list.
Dec. 30 - Fishbone at the Great American Music Hall
Dec. 30-31 - Pussy Riot at the Kilowatt
Dec. 30-31 - LCD Soundsystem w/Peaches at the Bill Graham Civic Auditorium
Dec. 31 - Luna at the Fillmore
Jan. 6 - Cheekface at the Rickshaw Stop
Jan. 6 - Robyn Hitchcock at the Chapel
Jan. 11 - Pardoner at the Rickshaw Stop
Jan. 18 - Fake Fruit at the Rickshaw Stop
Jan. 19-20 - Slothrust w/Weakened Friends at the Bottom of the Hill
Jan. 21 Nellie McKay at the Ivy Room in Albany
Jan. 24 - Lydia Loveless at Cafe du Nord
Jan. 27 - Sour Widows at Thee Stork Club in Oakland
Jan. 31 - Squirrel Flower at the Bottom of the Hill
Feb. 2 - The Umbrellas at the Rickshaw Stop
Feb. 8-9 - Yo La Tengo at the Fillmore
Feb. 8-9 - Fantastic Negrito at the Chapel
Feb. 8 - Black Pumas at the Fox Theater in Oakland
Feb. 13 - The Rural Alberta Advantage at the Rickshaw Stop
Feb. 13 - David Wax Museum at the Ivy Room in Albany
Feb. 15 - Geographer at the Rickshaw Stop
Feb. 18 - Katy Kirby at the Rickshaw Stop
Feb. 20-21 - Feist at the Fillmore
Feb. 20-21 - Ty Segall at the Great American Music Hall
Feb. 24 - Otoboke Beaver at the Fillmore
Feb. 25 - Husbands at the Rickshaw Stop
Feb. 26 - Black Belt Eagle Scout at the Rickshaw Stop
Feb. 27 - Squid at the Regency Ballroom
Feb. 29 - Cherry Glazerr at August Hall
Feb. 29 - Dehd at the Great American Music Hall
Mar. 1-2 - Snail Mail at the Great American Music Hall
Mar. 2 - Evan Dando at Cafe du Nord
Mar. 5 - Arlo Parks at the Fox Theater in Oakland
Mar. 7 - Destroyer at the Chapel
Mar. 9 - Sprints at the Bottom of the Hill
Mar. 13 - Real Estate at Bimbo’s
Mar. 15 - Typhoon at the Great American Music Hall
Mar. 23 - The Lone Bellow at the Independent
Mar. 26 - Mary Timony at the Rickshaw Stop
Mar. 28 - DeVotchKa at the Great American Music Hall
Mar. 29 - Torres at Cafe du Nord
Mar. 30 - Marnie Stern at Thee Stork Club in Oakland
Mar. 30-31 - Sleater-Kinney at the Warfield
Mar. 31 - Sir Chloe at the Independent
Apr. 1 - Hurray for the Riff Raff at August Hall
Apr. 12 - Alice Phoebe Lou at the Fillmore
Apr. 13 - Chastity Belt at the Independent
Apr. 30 - Andy Shauf at The Chapel
May 1 - Andy Shauf at The Chapel
May 2 - Swans at the Great American Music Hall
May 11 - Land of Talk at the Bottom of the Hill
May 11-12 - Caroline Rose at The Chapel
May 11 - Idles at the Warfield
May 16 - The Go! Team at the Independent
May 16 - Belle & Sebastian at the Fox Theater in Oakland
May 18 - Wednesday at the Fillmore
June 4 - Yard Act at the Independent
June 6 - Echo & The Bunnymen at the Warfield
June 27 - Los Campesinos! at the Great American Music Hall
Aug. 31 - Osees at the Chapel
Sept. 1-3 - Osees at the Chapel
Sept. 21 - Peter Hook at the Warfield
Sept. 25 - Hoodoo Gurus at the Great American Music Hall
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Otoboke Beaver - Pardon? (Super Champon, 2022)
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New Video: JOVM Mainstays Otoboke Beaver Shares a Dizzying and Breakneck Ripper
New Video: JOVM Mainstays Otoboke Beaver Shares a Dizzying and Breakneck Ripper @otobokebeaver @damnably @girlieaction @rosieboyd @delkin03
Kyoto, Japan-based garage punk act Otoboke Beaver(おとぼけビ~バ~ in Japanese) — Accorinrin (vocals, guitar), Yoyoyoshie (guitar, vocals), Hirochan (bass, vocals) and Kahokiss (drums, vocals) — can trace their origins back to when the band member while being in Kyoto University‘s music club.
The Kyoto-based punk outfit quickly built a profile locally and nationally for pairing incredibly dexterous…
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Otoboke Beaver share blistering new single ‘PARDON?’
Japanese punk-rock-garage quartet Otoboke Beaver share their newest snarling track ‘PARDON?,’ the biting lead single from their new album Super Champon, out May 6 via Damnably.
A jokey recounting of a situation that the band often finds themselves in with unrelenting miscommunication of unsolicited and overzealous points of views, the simple lyrical refrains pose as an extreme contrast to the stop-start time changes and dizzying pace.
The band says, “Sometimes, the more you insist, the harder it is to understand you. We don’t have time to understand if you don’t have time to understand.”
Photo credit: Mayumi Hirata
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Jungle Indie Rock - March 2022
Here is the third playlist for 2022 of the music we posted on tumblr for your enjoyment, all bundled into a nice playlist for ya. There are 31 tracks of mixed genre for March 2022, we are unable to add any of the live video or audio we have post. The playlist contains new and emerging bands togther with established bands.
It features artist / bands from Ukraine, America, Canada, Australia, Spain, Ireland, Scotland, Japan, New Zealand and England. They are not mixed, they are in the date order which we posted them on the site. So enjoy this playlist follow it on Spotify and please feel free to share it with your friends. Reb
Tracklist
Wet Leg - Angelica (England) (UK)
Haim - Lost Track (USA)
Belle and Sebastian - Unnecessary Drama (Scotland) (UK)
PIXIES - Human Crime (USA)
Rolling Blackouts Coastal Fever - Tidal River (Australia)
Jack White (Ft. Q-Tip) – Hi-De-Ho (USA)
Florence + The Machine - Heaven Is Here (England) (UK)
Orville Peck - Daytona Sand (Canada)
We The Riot - Mad (Spain)
Khruangbin & Leon Bridges - B-Side (USA)
Florence + The Machine - My Love (England) (UK)
Band of Horses - Warning Signs (USA)
Thom Yorke - 5.17 (England) (UK)
Hollie Cook - Full Moon Baby (England) (UK)
The Linda Lindas - Growing Up (USA)
Dropkick Murphys - We Shall Overcome (USA)
Arcade Fire - The Lightning I (Canada)
Arcade Fire - The Lightning II (Canada)
Warpaint - Champion (USA)
Weezer - A Little Bit of Love (USA)
Muse - Compliance (England) (UK)
Royal Blood - Honeybrains (England) (UK)
Twenty One Pilots - The Outside (USA)
The Smile - Skrting On The Surface (England) (UK)
Beton - Kyiv Calling (Ukraine)
Fontaines D.C. - Skinty Fia (Ireland)
Crawlers - I Can't Drive (England) (UK)
Zola Jesus - Lost (USA)
Lorde - Secrets From A Girl (Who’s Seen it All) (New Zealand)
Otoboke Beaver - Pardon? (Japan)
Lifeline International - Come Together (The Beatles Cover) (VA)
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PARDON? - Otoboke Beaver from the album Super Champon
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Otoboke Beaver - Super Champon
(Hardcore Punk, Noise Rock, Metalcore)
The Kyoto punk quartet's sophomore album is a blisteringly-fast sugar rush of ferociously fun garage punk that continues to kick back against traditional norms and shows Otoboke Beaver's ability to fit so much into an almost preposterous runtime. Fitting 18 songs into just 21 minutes, Super Champon is nothing if not high-octane, bubblegum-scented glory.
☆☆☆☆½
Super Champon is more songs in less time than Otoboke Beaver's debut, and somehow ends up even better for it. Otoboke Beaver's music has always called back to the classic hardcore punk style, songs that are rarely more than a minute that fit as much as possible into every bar at unthinkably fast tempos, and they do it so well that you never feel like they're lacking in content to dig into. Being their sophomore album after their debut ITEKOMA HITS that mixed new versions of their older songs around all-news ones, Super Champon challenges the band not only to bring a whole batch of new songs to the table, but to spice things up and give a new take on their delightfully frantic sound, and they've unquestionably achieved that. Titling the album after the Japanese term "champon," which refers to a sort of clutter or hodgepodge as well as a type of Nagasaki soup thrown together in a similar way, Super Champon's wild mix of genres into the hardcore format makes for some of the most insanely fun songs this year, blends of mathcore and riot grrrl and thrash metal and J-pop and whatever else pops into Otoboke Beaver's heads that never stops being a total delight.
Where ITEKOMA HITS' power often came largely from its vocal performances atop simplistic but thrilling instrumentation, Super Champon ups the ante on both fronts. Some of these instrumental transitions are so abrupt and surprising it's remarkable that it all fits into only a minute or two at a time: how PARDON? swaps from throbbing garage rock with increasingly manic singing with rhythm changes happening all over into a thrashing hardcore breakdown where the group's thorny chants of "Shut Up! Shut Up! Shut Up!" never let up to the 43-second George and Janice where they somehow are able to stop for seconds at a time and still make so much happen within the track that it ends up one of the most electrifying moments on the entire LP. Early highlight YAKITORI throws down a genuinely grindcore drum fill as Accorinrin shouts out "Destroy!" before yelling out a hellish screech that goes right back into the bubbly J-pop style hook without a second for you to breathe. Sharp turns and blood-boiling bursts of energy are Super Champon's modus operandi, the base for which Leave me Alone! No, Stay With Me! brings on its mathcore downpour of guitars and First-Class Side-Guy is able to earworm its way inside your mind, but by being just barely over 21 minutes, the album never gets too heavy on the ears and the light bounce to all their songs ensures the music never fatigues you. It's always a ton of fun seeing what they'll do next, and Super Champon always has something new in store for you.
It also builds upon many of the ideas of individuality and rejection of Japan's societal norms that they started digging into on their debut. Where the scenes of ITEKOMA HITS often landed in more general territory, there's an unusual intimacy to the anger they have here that brings to light just how intertwined so much of their lives are with oppressive gender and relationship norms. The tense vocal introduction of I Checked Your Cellphone sounds like the seconds waiting for your partner's phone to connect to the internet before finding out what they've been doing behind your back: “I couldn’t help looking into / And he found a match on a dating app!” the band spits with a venomous tongue. They speak little of the details, but you can tell he fucked up, but Otoboke Beaver leaves it up to you to decide just what he's been doing in the shadows. The intense nature of the music doesn't take away from the narrative, but rather supports it, the internal fury of a woman being taken advantage of by an uncommitted boyfriend. I Am Not Maternal and I Won't Dish Out Salads knock down the expectations of child-rearing and casual misogyny with a comedic edge and a commitment to themselves, their powerful instrumentation and tightly-wound group vocals making it clear Otoboke Beaver are not to be fucked with. They're still a fun band by all measures, poking fun at how absurd and backwards many of these long-lived societal standards are, but as they continue to dig deeper into their relationships with modern relationships and social relations, Otoboke Beaver shows they are ready to take them down through the motivation their music provides.
Everything about Super Champon screams confidence, a quartet who understand exactly what makes their music click and makes it all so intense that you can never look away. It's such a fun album that it's hard not to scream out every word alongside them, the band taking you from 0 to 60 miles an hour like the most twisty rollercoaster you can find that never stops for a second. It's the most sour neon candy in the grocery store that blows up like a bomb the second you open the package, coated with heaps of sugar that leaves you wanting more by the time it's all over. And even while the feelings of the songs say the same, Super Champon imbues so many new musical ideas that it ends up a huge step forward from their past music, proving that modern punk doesn't need to stray too far from home to still feel progressive and forward-thinking. Though they're not the most prominent punk group out there right now, they certainly have the tenacity and power behind them to continue growing and cementing their status within it over the years, Super Champon a fantastic development for them in that regard. Otoboke Beaver's got their finger on the trigger, and when it's time for them to let the ammunition belt fire off, they don't ever miss their targets once. If you're not standing behind them, there's no chance they'll let you get away easily.
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