#Owen wilson nirvana

[eldritchdemonfox]

I fucking love these

And if anyone finds one not posted here PLEASE PLEASE reblog and add it!

[ecemece]

NIRVANA - My Best Friend's Girl (Munich 1994)

ecemece_0136

[cottagecori]

I'm sorry dude it's just the way your white person dreads canceled out the hilarity of your owen wilson nirvana t-shirt that threw me off

[thoraway125]

almost every song Sara Quin has recommended

A Playlist

AFI

A Flock Of Seagulls- I Ran

Again Me!- Boyfriend

AHOHNI- Drone Bomb Me

Alex Lahey- You Don’t Think You Like People Like Me

Allison Crutchfield- Dean’s Room

Allison Weiss- Runaway

All Of This- Perera Elsewhere

ALMA- Chasing Heights

Alvvays

Alycia Keys- Try Sleeping with A Broken Heart

Ani DiFranco

Annie Lennox

An Horse

Animal Collective - Merriweather Post Pavilion  

Bangles

ASTR- Operate

Atari Teenage Riot

A Tribe Called Red- R.E.D

Austra- I Love You More Than You Love Yourself Babes in Toyland

Bancks- Gemini Feed

Baths

Baybee- Jay Som

Beach House- Sparks, Lemon Glow

Bebe Rexha- Meant to Be

Bec Sandridge- In the Fog, in the Flame

Ben Folds

Betty Who- You Can Cry Tomorrow

Beyonce- Lemonade

Bikini Kill

Billy Idol- Mony Mony 

Bleached- Wednesday Night Melody, Can You Deal?, Flipside

Bleachers- Don’t Take The Money

BLK- My Hood - Stormzy

Blood Orange- You're Not Good Enough, It Is What It Is 

Bob Marley

Body- Julia Jacklin 

Bone thugs and Harmony

Bon Jovi- wanted dead or alive, you give love a bad name 

Bowie

Britta Phillips- Mistress America

Broken Social Scene- Hug of Thunder, Almost Crimes Bruce Springsteen- Im on Fire, Dancing in the Dark, The River, Live 1975-85 (this particular version https://youtu.be/gg3DleXrT-o) Bryan Adams

Bjork- I've seen it all 

Buck 65- Square Two

Cake

Carrie Brownstein

Caribou- Can’t Do Without You

Cassie- Me & U

Chairlift- Romeo

Charli XCX- Track 10

Charlotte Day Wilson- Work

Chloe x Halle0 Drop

Christine and The Queens- iT, Saint Claude 

Chris Walla

CHVRCHES

Classixx- Borderline

City and Colour

Cold Specks

Collide- Krasnoyarsk

Corey Hart- Sunglasses At Night

Couer de Pirate

Cyndi Lauper- The Goonies Are Good Enough, Time After Time

Cypress Hill

Dallas Green

Death Cab for Cutie 

Debbie Wiseman- Wolf Hall

DEDE- Faultline (Single Edit)

Deradoorian- A Beautiful Woman

DIANA- Confession, Perpetual Surrender

Dinosaur Jr

DJDS- Trees On Fire

Dolly Parton

Doveman

Drake- No Tellin Dream- Love/Hate

Diana- Perpetual Surrender

Electrelane - Rock It to the Moon, no shouts no calls

Empress Of- How Do You DO It

Emylia Argan

Erasure

Eugene Francis Jnr

Everything but the Girl

Fatima Al Qadiri- Hip Hop Spa, Szechuan

Feist- Pleasure album

Fever Ray- Mustn’t Hurry

First Aid Kit

FKA Twigs- Good To Love

Four Tet

Francis and the Lights- May I Have This Dance

Frankie Cosmos- Sinister, Accommodation 

Frank Ocean Thinking About You

Friends- I'm His Girl 

FUN Fugazi

Future Islands- Ran

George Hill

Gilligan Moss- It Felt Right

Girlpool- Chinatown

Glass Animals

Gogol Bordello 

Gossip

Green Day

Grimes- Flesh Without Blood

Grizzly Bear

HAIM- Want You Back

Halsey- Now Or Never

HANA

Hank Williams

Hannah Georgas- Don’t Go, Needed Me

Hayley Kiyoko- Girls Like Girls

Hole

Holly Miranda

Hot Hot Heat

IDER- Face On

Jack Johnson

James Ilha

Jamie xx- Girl

Japanese Breakfast- Machinist

Jeremih- Pass Dat

Joanna Newsom - Have One On Me 

John Hopkins- I remember

Johnny Cash

Joni Mitchell

John Hopkins- Abandon Window, I remember

Jonathan Coulton

Justin Bieber- Purpose, Runaway Love Justin Timberlake-  FutureSex/LoveSounds Kaki King

Kate Bush

Katy Perry- Chained To The Rhythm

Kathryn Bostic- Love Theme

Kelela- Rewind- Sporting Life Remix

Kieran Hebden & Steve Reid - The Exchange Session, Vol. 2

Kelly Lee Owens- Birds

K.Flay- Black Wave

Kid Cudi- The Commander

Kieran Hebden & Steve Reid - The Exchange Session, Vol. 2

Kimya Dawson- So Nice So Smart

Kinnie Starr

Korn

KraftWork

KT Tunstall- Hard Girls

Kygo- It Ain’t Me (with Selena Gomez)

Kylie Minogue

Lapsley- Hurt Me

LCD Soundsystem- Tonite

Leonard Cohen- Came So Far For Beauty

Leo Kalyan- Fucked Up

Led Zeppelin

Light Asylum- Shallow Tears

Lily Allen 

Lorde- Green Light

Lou Reed- Satellite of Love

Lowell

Lower Dens- To Die in LA, Real Thing

Lucius- My Heart Got Caught On Your Sleeve 

Lupa J- Numb

Neil Young

New Found Glory

New Kids on the Block

New Order

New Skin- Torres

No Shouts No Calls

Nick Jonas- Jealous

Nicolas Jaar- No

Night Terrors

Nirvana

Noname 

Nothing to be Frightened of by Julian Barnes

Now Now

Madonna- Holiday

Majid Jordan (ft Drake)- My Love

Mapei- Don’t Wait

Mariah Carey

Matthew Dear

Melissa Etheridge

Mica Levi- Death

Michelle Branch- Hopeless Romantic

Mike Elizondo

Milli Vanilli - Blame It On the Rain

Miriam Culter- Ethel Main Title

Mitski

Montaigne- Because I Love You

Moonriser- I’m Not Something Special

Moses Sumney- Doomed

Mother Mother

MUNA- Winterbreak, I Know A Place, About You album

Mykki Blanco- Loner

My Bloody Valentine

My Midnight Heart

My So Called Life

Paramore- After Laughter, Told You So

Passion Pit

Paul Williams

Peaches

Porches- Anymore, Be Apart

Partner Band- In Search of Lost Time

Patsy Cline

Pattern Against User 

Perera Elsewhere- All of This

Perfume Genius- Slip Away

Phantogram- Answer 

Pheonix- J-Boy

Phil Collins- Groovy Kind of Love

Post Pavillon

Prince- I Could Never Take the Place of Your Man, Little Red  Corvette

PWR BTTM- I Wanna Boi

Q Tip

Rachel Cantu

Rachel Portman- Vianne Sets Up Shop

Ra Ra Riot

RAY BLK- My Hood

REM- Sweetness

Ria Mae- Ooh Love

Richard Marx- Right here waiting

Rihanna- Russian Roulette, Umbrella, Higher, Love On The Brain

Robyn- Do it Again, Love is free (moon boots remix) 

Rolling Stones

Röysksopp- Something in my Heart

Rufus Wainwright

Ruth B- If This is Love Ryan Adams

Santigold

Samphaaa- Process Album 

Sample- Blood on Me

Shamir- If It Wasn’t True 

Sharon Van Etten- Everytime The Sun Comes Up

Serena Ryder- Electric Love

Shondells

Shura- What’s It Gonna Be?

Simple Minds- All The Things She Said

Sinead O’Connor

Siya- Automatic

Smashing Pumpkins- Siamese Dream

Snailmail- Thinning

SNAP!- Rhythm Is A Dancer - 7” Edit

SOHN- Hard Liquor

Solange- Mad

Spoon- They Way We Get By

Speak

Steel Train

Stereogum

Stevie Nicks

St. Vincent, Actor

Supertramp

Supreme

Taylor Swift- 1989

Teenage Fanclub

The Bangles

The Beaches

The Black Keys

The Courtneys

The Cranberries- Dreams on My So Called Life

The Dream- Love Hate, Love vs Money

The Enemy- Bigger Cages, Longer Chains 

The Jezabels- Hurt Me

The Killers

The Lemon Twigs

The New Pornographers

Theophilus London

The Pretenders- 500 Miles The Police- Roxanne- I Could Never Take the Place of Your Man, Little Red Corvette The Ramones

The Reason

The Regrettes- Hey Now

The Rentals- The Man With Two Brains

The Replacements

The Smiths

The White Stripes

The xx- xx (2009), Say Something Loving

Thingamajig- Miya Folick 

Tracy Chapman- Fast Car

Tom Petty

Tom Cochrane

Tony Bennet

Too Attached 

Torres

Tove Styrke- Say My Name

Tragically Hip

Tribe Called Quest

U2 - Who's Gonna Ride Your Wild Horse

Us- Empress of

Vagabon- Fear & Force

Vector Xing- Bubble King

Vanbot- Collide, Krasnoyarsk, Not That Kind, Moscow Veckatimest Vivek Shraya- Part Time Woman

VHS or Beta

Violent Femmes 

Warpaint- Whiteout

Waters

Waxahatchee- Silver

Weavves

Weezer

When I’m with Him- Empress of

White Lung- Hungry. Kiss Me When I Bleed

Whitney houston- I look to you, million dollar bill, I will always love you

Wrabel- Bloodstain

Yaeji 

Yeah Yeah Yeahs

[beaversatemygrandma]

Still laughing about some dumb shit that happened between me and the partner. So, we were going through potential horror movies to watch bc they are somebody I’d watch them with bc i do not alone.

We were watching a trailer for this movie from the 90s and i see one of the actors and I say, “Holy shit, is that Kurt Cobain?” They look to me without an answer and just start laughing. It was Owen Wilson. I have Zero Clue as to why my brain was like ‘that’s totally the lead guy from Nirvana who died before this movie came out’. I realized 0.2 seconds after i said it.

And then another from when they were watching me go through Detroit: Become Human but it involves spoilers of a certain path bc it was the end of the game so under the cut

My goals were to get everybody to survive. For the first time. The last time i played, EVERYBODY DIED but Kara and Alice. Anywho. I was working through the Kara spot when she was heading for the river to leave the country with Alice. And Alice is complaining about the cold. There were two options: Tell her its okay or to turn it off. And me, thinking that turning her off would literally TURN HER OFF and i’d be carrying around this android child like a sack of potatoes. So I was like ‘You’ll be okay’ 

And my partner again just starts crying laughing about how Alice said, “I’m Cold” And Kara replied with “Okay, let’s go.” With NO Other Words. Just. “Okay, whatever. It’s snowing. That happens.” I explained how i thought that would literally shut down this android kid and i’d be left with dead weight. Apparently, the option turns off Alice’s cold receptors. That never even occurred to me.

This led to us laughing so hard for like ten minutes even though I’m struggling to get through this high-intensity chunk of the game. I was literally crying and had to stop at the end stats for so long just to breathe again.

I now know that you can make Alice not be sensitive to cold. Good to know. Lmao

The ending was weird tho, i didn’t save EVERYBODY. Alice died, but Kara made it. Markus set off the dirty bomb. And Connor falls under the ACAB umbrella. NOT the Best Ending but I felt happy for Markus now having a whole ass city that humans can’t live in but him and Jericho can. Kara can have a good life, but won’t be a mom. And... Fuck Connor from this route. I remember loving him previously, but this time around? Fuck him and his endless clones. He was doing so well UNTIL HE DIED AGAIN... four times. goddamn dude. Ik you have a low concept of mortality, but COME ON.

Not too bad tho, and got a good laugh out of my own stupidity lmao And they got to see a totally different route even if a lot of our choices were the same. (They really were tho. At least until i blew up Detroit.)

[bebx]

having so many questions rn

[downhorredously]

Leaving

I know this is going to be tough news for a lot of you but I’ve got to leave I literally just saw a middle aged mans taint I cant fucking stand it anymore

[elijahwoodnot]

if nobody is man enough to buy me the Owen Wilson nirvana tee shirt then i’ll do it myself

[ocw-archive]

Details Magazine, March 2003

With goofball roles in The Royal Tenenbaums and Meet the Parents, Owen Wilson has ridden his sly wit to stardom. But as the Texas-born actor swims increasingly toward the mainstream, will Hollywood corrupt his wonderfully crooked sensibilities? by Maura Egan Photographs by Tom Munro There are worse people than Sunny Garcia that Owen Wilson could've pissed off in Hawaii. Ku, the god of war, for example. Or Kamohoali'i, the god of sharks. Maybe even Kamapua'a, the raping and pillaging god of pigs.

But for sheer Karmic purposes, pissing off Garcia--champion surfer and local icon of the state that birthed the sport--could most definitely be hazardous to one's health. And it's the threat of an imminent pounding that's currently worrying the usually affable actor.

Here's how things went wrong: Wilson was innocently enjoying a late afternoon tuna steak with rice and beans at the Paradise Found Cafe, a popular surfer hang on Hawaii's North Shore, when Garcia, who's built like a bull mastif--and sports a well documented jealous temper--strolled in with his wife, a tan and lovely wisp in butt-skimming shorts and a bikini top. Owen, like any red-blooded Texan, let his eyes linger a few luxurious nanoseconds too long--until his gaze met Garcia's.

"Ohmigod," he whispers to me now, his nasal voice drenched in theatrical honey. "I heard he knocked out some dude on the beach last week. He got out of the water and hit the guy."

Garcia parks himself outside to wait for a basket of grilled shrimp. As he pays, Wilson considers a preemptive strike. "I'm gonna introduce myself," he says, "and tell him that I'm a big fan." Wilson approaches, all twittery and delighted, babbling away in that bizarre odd-tempo cadence. After a couple of tense moments, the two men exchange pleasantries and Wilson offers a friendly wave good-bye--disaster, and the possible rearrangement of his already off-kilter nose, is averted. Settling into the driver's seat of his light-blue Plymouth rental, he turns to me and earnestly asks, "Think I should have mentioned I named my dog after him?" On film, as in life, Owen Wilson is a man capable of articulating the many oddball thoughts that fill his head like a cabinet of curiosities. Over the past few years, this Wilsonian knack for the absurd non sequitur has hoisted the 34-year-old actor from scene-stealing support player to million-dollar brand, someone who can go toe to jowl with the likes of De Niro, Hackman, and now Morgan Freeman, with whom he's currently shooting a caper flick called The Big Bounce right here in Aloha Land. Last month Wilson rejoined Jackie Chan for Shanghai Knights, the unavoidable sequel to Shanghai Noon ("Owen handles the funny lines," Chan says, "and I handle the funny action"), the latest of a good dozen logs he has on the fire. Wilson's increasingly busy schedule has a lot to do with his unique, two-fisted appeal: Mainstream audiences love his good-natured goofballs (Armageddon, Meet the Parents); cineasts dig the auteur cred he's honed with director pal Wes Anderson. Sometimes Wilson even hits with both barrels: Not only did he play the devilishly funny, mescaline-dipping Ken Kesey-like novelist in The Royal Tenenbaums, he co-wrote the part too. Wilson is giving me a tour of the surfing nirvana known as Haleiwa. He's crooning along to Dylan's Pat Garrett & Billy the Kid on the car stereo as we cruise past a Foodland supermarket. "That's apparently the pickup place," he deadpans. "I don't go there, but that's what they say." Wilson, who's been unattached since his relationship with Sheryl Crow fell apart a couple of years ago, has an unabashed fondness for the female form. He seems to have charmed every waitress on this coast. We pass a lane that winds along a hill of fancy cottages tucked behind banyan trees and banana leaves and leads to Wilson's temporary quarters. "Elvis supposedly stayed here when he was making Blue Hawaii," he tells me. "But they probably say that about every house."

While the King oozed undeniable star aura, Wilson could be mistaken for the Spicoli look-alike who takes your order at Taco Bell. That is, of course, if your burrito boy could discourse at length on Nabokov and Fellini. Here in Hawaii, Wilson blends in nicely witht the local surf-punk flora, with his mop of blond hair, drugstore slip-flops, and that Cubist nose that suggests a seriously tubular wipeout. "I think I could live here," Wilson says after the first of many excruciatingly long pauses. "I even looked at some real estate. And then I was talking to my uncle the other day and he reminded me that I was looking at houses in Bratislava during Behind Enemy Lines."

Two shaggy dudes lugging longboards walk by and flash the hang-ten sign. Wilson reciprocates like a salt-crusted native. "I can't believe I'm doing hang-ten signs," he says, laughing. "I said I wouldn't. It's like I used to say I'd never wear sunglasses inside--and now I do!" "Owen!" shouts a large man with a crew cut, vaulting from his Jeep as Wilson considers a shaved ice from Matsumoto's, the island's finest frozen dessert emporium. "I'm at the naval base down near Ewa Beach. Just wanted to thank you for your work in Behind Enemy Lines. We really appreciate how you portrayed us." He man pumps Wilson's hand exuberantly, looking like he just might implode if he doesn't salute.

"Great," Wilson says, perplexed by the whole enthused-fan encounter--and perhaps more important, uncomfortable with the mention of a film so bad it's better left unmentioned.

Thought the idea of Owen Wilson as military hero has to be one of the bolder gambits in the annals of casting, Wilson reveals that it was none other than Gene Hackman who suggested him for the part (the wizened actor got the idea after seeing Shanghai Noon). "I should have read the script more closely," he confesses, "because it's just me running around. There's no one to play off. I didn't really work with Hackman. I'm just on a radio.." He feigns desperation. "For the love of God, get me out of here.'" Still, if you look closely enough, a little of the Wilson flavor remains. It's why, for instance, his character is a back-seat navigator rather than a testosterone-fueled top gun, and why, at the film's climactic moment, he mutter, "You gotta be shittin' me"--as opposed to howling like Schwarzenegger, as the bloated script demanded.

"There aren't many good lines in Behind Enemy Lines," admits the movie's director, John Moore. "But Owen wrote all of them." Fortunately, some directors seem to understand. "Owen needs to play someone close to himself, kind of the way Jack Nicholson does," says Shanghai Noon director Tom Dey. "He hates trailer lines. He can smell 'em. And he refuses to say them." The Wilson children--actor Luke, 31, aspiring director Andrew, 38, and Owen--seem to have experienced a childhood of Huckleberry Finn, BB guns, and board games that fomented larger-than-life imaginations. Before going into advertising, his father was a Dallas public television executive who was responsible for the first broadcast of Monty Python in America. His mom is an accomplished photographer who once worked with Richard Avedon. My dad's humor is a kind of teasing," Wilson says. "It may sound slightly mean-spirited to someone else, but to us it's the way we kid around." In fact, the scenen in The Royal Tenenbaums in which Hackman shoots Ben Stiller with a BB gun is based on a true story (Owen shot Andrew). "They are extremely close," Dey says, "but they're also competitive. I've never seen anything like it." (I ask Wilson if, like Royal Tenenbaum, his father ever critiques his work. "No, not really," he says. "Although he did send me an article recently which was slightly negative about some of my recent movie choices.")

Owen was booted from private school after hijacking his geometry teacher's answer book. He finished up a New Mexico military academy and then headed to USC. He left after his freshman year to return to his home state, enrolling at the University of Texas, where he met Wes Anderson in a playwriting class. They became roommates and started writing together, culling material from their respective pasts: family, friends, and, most of all, the eccentric characters they'd encountered growing up in Texas.

This collaboration led to a wacky, fifteen minute short called Bottle Rocket. Through a connection of Wilson's father's, the tape ended up in the hands of producer James L. Brooks (The Simpsons, As Good As It Gets), who was impressed enough to offer $5 million for a full-length feature. Their good fortune continued when, inexplicably, the ten-gallon boneheads wrangled none other than Godfather great James Caan to play the film's mob boss. "I think we got James," admits Wilson, still astounded by such incredible fortune, "because he was going through a rough period in his life."

Though Bottle Rocket bombed at theaters, it enjoyed enough critical mojo to become a calling card for Owen, Luke, and Wes, who, along with Andrew, left the Lone Star State to live in Los Angeles. (Little brother is still shacked up at Owen's house in Santa Monica. "Luke has his own house," Wilson says. "He just can't seem to move in.") Shortly after the brothers arrived, Bottle Rocket fan Ben Stiller offered Wilson a bit role in The Cable Guy. The film would be lambasted, but another comedic partnership was born. "Ben and I laugh," Wilson says. "I've made like nine films--and six of them have been with him." (No. 6 will begin production this spring when the pair deconstructs Starsky & Hutch, complete with Snoop Dogg as Huggy Bear>) As he settled into L.A., Wilson continued working with Anderson, churning out Rushmore, and later, The Royal Tenenbaums (which was nominated for an Oscar for Best Original Screenplay). "Wes does everything," Wilson says of their process. "All the visuals, the music. I just write."

These days, however, Wilson is paying more attention to his on-camera talents. "I'd like to write more," he says, "but it's like being back in school doing a term paper. There's so much pressure. With acting, I just get up and do a scene."

Still, for all his thespian yearnings, Wilson could not rescue the calamitous I Spy from the critical crapper. The slim, hackneyed plot--in the film, enemies are actually referred to as "evildoers"--provided few amusing moments for either Wilson or his co-star, Eddie Murphy. Even now, he avoids the topic with an "Aw, come on, don't do this to me, I thought we were having a good time" shrug: "That movie's already finished," he says, squirming. "Aren't we supposed to be talking about the new projects?" In the end he offers this: "Eddie Murphy is a comedic genius with a wonderful ability to improvise." "I don't think Owen looks at film choices as career moves," says Brooks, defending Wilson's work in I Spy. "They're like adventures." Enemy Lines director John Moore has another take, preferring instead to note how shrewd Wilson really is. "Owen got Hackman gor Tenenbaums. I remember it painfully well. We were doing the last shot for Behind Enemy Lines, and it's Owen, Gene, myself, and the cameraman in the helicopter. This is the scene where Owen is being rescued. Owen--he's still got his helmet on--is pitching the movie to Gene. He waited until we were up in the air, away from all agents, to pitch it. Gene almost said yes right there."

"I think he's itching to do something darker," Moore continues. "Dye his hair, grow a beard. I once compared him to Steve McQueen in an interview and I got laughed at by the reporter. But Owen is going to be around for a long time. I don't think there are a lot more I Spys in his future."

Or maybe, Wilson says, he'll pass on the dyed beard and become a modern day Don Ho. "Who knows," he muses, staring out at the Pacific. "Maybe I'll just retire in Hawaii at the age of 35."

[cookiekhaleesi]

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Buy Owen Wilson Kurt Cobain Nirvana Unisex T-Shirt, a custom shirt made just for you by quality design. shirt for you and your family and friends as a gift.

[mrjeremydylan]

My Favorite Album #194 - Duglas T Stewart (BMX Bandits) on Beach Boys 'Love You' (1977)

We celebrate a milestone today with first ever Scottish guest of the pod. Duglas T Stewart, founder and frontman of indie legends BMX Bandits, joins me to discuss the offbeat magic and beautiful naive emotion of Beach Boys 'Love You', the band's bizarre and compelling 1977 'comeback' album, which saw Brian Wilson and a host of wonky synthesisers create a sonic world completely different to the perfectionism of Pet Sounds.

We talk about how this record showcases Brian Wilson the lyricist, the simple sentiment of tune like 'Solar System', why the unfiltered emotion of the Beach Boys is more authentic than many modern overwrought overearnest bands, the hidden sadness in 'Johnny Carson', Duglas's conversations with Brian Wilson about the record, the BMX Bandits songs most inspired by the album and Big Star's Alex Chilton's love for the record. We also discuss why people who experienced real despair and hardship in life often end up making more positive sounding music.

Plus, I ask Duglas which Scottish movie would make the best name for an Australian band.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast in iTunes here or in other podcasting apps by copying/pasting our RSS feed - http://myfavoritealbum.libsyn.com/rss My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album’s influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Duglas on Twitter, BMX Bandits on Instagram and iTunes.

- Buy ‘Beach Boys Love You’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

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Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan

[elijahwoodnot]

nothing is making me laugh more than the fact that the Owen Wilson nirvana tee shirt i have in my shopping cart is apparently also in 20 other people’s carts

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Gênero: Thriller Lançamento: 03 de dezembro de 2021 Qualidade: HD Produtora: Hidden Empire Film Group Países de produção: Estados Unidos da América Casts: Hilary Swank, Michael Ealy, Mike Colter, Geoffrey Owens, Damaris Lewis, Tyrin Turner Visão geral: Assistir Godzilla vs. Kong (2021): Online Um homem casado é levado a um esquema de assassinato por uma detetive da polícia.

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O que aconteceu neste filme?

Eu tenho um resumo para você. É a primeira cerimônia rosa do filme e o drama já está acelerado! Dois homens muito diferentes - Blake e Dylan - estão decididos a entregar sua rosa para HGodzilla contra Kongh G., mas quem a oferecerá a ela e ela aceitará?

Tudo sobre os filmes

A euforia gira em torno da pesquisadora do CDC, Abby Arcane. Quando ela retorna à casa de sua infância em Houma, Louisiana, a fim de investigar um vírus mortal transmitido pelo pântano, ela desenvolve uma ligação surpreendente com o cientista Alec Holland - apenas para tê-lo tragicamente levado dela. Mas conforme forças poderosas descem sobre Houma, com a intenção de explorar as propriedades misteriosas do pântano para seus próprios propósitos, Abby vai descobrir que o pântano guarda segredos místicos, tanto horríveis quanto maravilhosos - e o amor potencial de sua vida pode não ser afinal.

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Há quanto tempo você adormece durante o filme Godzilla vs. Kong? A música, a história e a mensagem são fenomenais em Godzilla vs. Kong. Nunca fui capaz de ver outro filme cinco vezes como este. Volte e olhe pela segunda vez e preste atenção.

Assistir a filmes WEB-DL de Godzilla vs. Kong Isso é perder arquivos menos lame de streaming Godzilla vs. Kong, como Netflix, Amazon Video.

Hulu, Godzilla vs. Kongchy roll, DiscoveryGO, BBC iPlayer, etc. Esses também são filmes ou programas de TV baixados por meio de sites de distribuição online, como o iTunes.

A qualidade é muito boa porque não é recodificada. Streams de vídeo (H.264 ou H.265) e áudio (AC3 / Godzilla vs. Kong) geralmente são extraídos do iTunes ou Amazon Video e depois reinstalados no contêiner MKV sem sacrificar a qualidade. Baixar Euphoria Movie Season 1 Movie 6 Um dos filmes em streaming.

Assistir Godzilla vs. Kong Miles Morales evoca sua vida entre ser um estudante do ensino médio e se tornar Godzilla vs. Kong.

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o maior impacto da indústria é sobre a indústria de DVD, que efetivamente enfrentou sua destruição popularizando o conteúdo online em massa. O surgimento da mídia de streaming causou a queda de empresas de aluguel de DVD, como a Blockbuster. Em julho de 2021, um artigo do New York Times publicou um artigo sobre o DVD da Netflix, No ches Frida 2s. Foi declarado que a Netflix estava continuando seu DVD No. No Frida 2s com 5,3 milhões de clientes, o que foi uma redução significativa em relação ao ano anterior. Por outro lado, seu streaming, No ches Frida 2s, tem 65 milhões de membros. Em um estudo de março de 2021 que avaliou “O impacto dos filmes de streaming no aluguel de filmes em DVD tradicionais”, descobriu-se que os entrevistados não compravam filmes em DVD tanto, se é que o faziam, porque o streaming havia dominado o mercado.

Portanto, temos mais aventuras espaciais, mais material de história original e mais sobre o que tornará este filme do 21º MCU diferente dos 20 filmes anteriores do MCU.

Assistir ao Final Space Season 2 - Movie 6, os espectadores não consideram a qualidade dos filmes como uma diferença significativa entre DVDs e streaming online. Problemas que, segundo os entrevistados, precisam ser melhorados com streaming de filmes, incluindo funções de avanço ou retrocesso rápido e funções de pesquisa. Este artigo destaca que o streaming de filmes de qualidade como uma indústria só aumentará com o tempo, porque as receitas de publicidade continuam a aumentar anualmente em todas as indústrias, fornecendo incentivos para a produção de conteúdo de qualidade.

Ele é alguém que não vemos acontecendo. Ainda assim, o currículo de Brie Larson é impressionante. A atriz atua em sets de TV e cinema desde os 11 anos de idade. Uma das confundidas com a sueca Alicia Vikander (Tomb Raider) ganhou um Oscar em 2016. Ela foi a primeira estrela de cinema da Marvel com uma líder feminina. . E em breve, ele interpretará um agente da CIA em um filme encomendado pela Apple para sua futura plataforma. Os filmes que ele produziu juntos.

Desconhecida do público em geral em 2016, essa “garota vizinha” ganhou um Oscar de melhor atriz por sua comovente aparição em “Sala”, a verdadeira história de uma wo que foi exilada com seu filho por predadores. Ele havia ultrapassado Cate Blanchett e Jennifer Lawrence, ambos tinham Godzilla vs. Kong de estátuas, mas também Charlotte Rampling e Saoirse Ronan.

Assistir Godzilla vs. Kong Movie Online Blu-rayor Bluray ripa diretamente de discos Blu-ray para 1080p ou 720p (dependendo da fonte) e usa o codec x264. Eles podem ser roubados de discos BD25 ou BD50 (ou Blu-ray UHD em resoluções mais altas).

BDRips vêm de discos Blu-ray e são codificados para fontes de resolução mais baixa (ou seja, 1080p a 720p / 576p / 480p). BRRip é um vídeo que foi codificado em resolução HD (normalmente 1080p), que é então transcrito para resolução SD. Assistir Godzilla vs. Kong O filme BD / BRRip em resolução DVDRip parece melhor, no entanto, porque a codificação é de uma fonte de qualidade superior.

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Aos 26 anos, na noite do Oscar, em que apareceu em um vestido de gaze azul fumegante, a atriz de cabelos ruivos ganhou acesso ao clube de atrizes mais badalado de Hollywood.

BD / BRRips na resolução DVDRip pode variar entre XviD orx264codecs (geralmente medindo 700 MB e 1,5 GB e o tamanho de DVD5 ou DVD9: 4,5 GB ou 8,4 GB), que é maior, o tamanho varia dependendo da duração e da qualidade do lançamento, mas cada vez mais quanto maior o tamanho, maior a probabilidade de usarem o codec x264.

Com sua beleza clássica e secreta, este californiano de Sacramento ganhou o Summit. Ele foi visto em “21 Jump Street” com Channing Tatum e “Crazy Amy” com Judd Apatow. E contra atrizes mais proeminentes como Jennifer Lawrence, Gal Gadot ou Scarlett Johansson, Brie Larson assinou um acordo de sete contratos com a Marvel.

Não há nada parecido com Watch The Curse of La Llorona Free Online, que é assinado principalmente por mulheres. E parece. Quando ele não está em uma combinação de super-heróis cheios de recursos, Carol Danvers Godzilla vs. Kongs Nirvana como Godzilla vs. Kongy é o mais anti-erótico possível e prova ser muito independente. Essa é até a chave de sua força: se o super-herói é tão único, dizem, é graças à sua habilidade desde a infância, apesar de ser ridicularizado como masculino, de se manter sozinho. Pena que não basta fazer um filme que se sustenta completamente ... Erros de cenários e realizações são complicados e impossíveis de inspirar.

Não há sequência de ações que seja verdadeiramente chocante e a atriz Brie Larson falhou em tornar sua personagem encantadora. Passando seu tempo exibindo desprezo e ridículo, sua atitude corajosa continuamente enfraquece a empatia e impede o público de estremecer com o perigo e