#PA 1x05

[hazbinbossbrainrot]

Proof that Huskerdust have feelings for each other

• In 1x04 Throughout the entirety of the song Loser, Baby Husk becomes consensual , gentle, and chivalrous with Angel (who pretty much joined in after being accepted for who he is with a “Baby, that’s fine by me”

<> Husk protectively told Angel to “stay down” (very boyfriend-coded if you ask me 😏) and then seconds later became awestruck by the fact that he could defend himself (whilst showing his true colours)

<> However at the end of the episode the tension of sexual attraction between them is definitely there

• In 1x05 it’s a little bit harder to tell since the episode “Dad Beat Dad” was mainly focused on Lucifer’s father/daughter and Charlie’s relationship.

But we do see two snippets of Angel and Husk on the sidelines comically eating popcorn as Alastor defended the hotel later on (after Lucifer caused it) and another scene where Lucifer and Charlie are arguing.

<> Husk makes a pre-drink for Angel without being asked whilst he talks to Mimzy (which I thought was actually really cute ☺️)

• In 1x06 When at the club Consent first off Angel listened to Husk’s advice after Cherri suggested they get “fucked up” by doing drugs

<> After Niffty gets drunk Huskerdust literally become her parents 😂 (also Husk praised Angel for standing up to Valentino before placing his paw on back)

• In 1x07 Again, similar to “Dad Beat Dad” there’s a brief Huskerdust moment where two things happen; 1. Angel wraps his arm around Husk. 2. Husk frowns shortly at Vaggie before it changed to a smile and his eyes dilated (slightly) after Angel embraced him

• In 1x08 Before the war with the angels (Exorcists) Angel decided to spend his last night at the hotel with Husk who had flirtatiously acknowledged that he had really changed

Bonus:

You can also hear the instrumentals of Loser, Baby in the background!!! (Like… come on you cannot tell me THIS isn’t a romantic atmosphere. The Husk’s tone of “you really have changed” that’s held with so much sexual tension! Their song — literally — playing in the background?! Angel’s Anthony’s soft and hesitant “Hey…”)

<> During the amidst of the war Husk makes a social faux pas about “too many fucking angels coming” only be teased by Angel in response (which come on, let’s face it, they definitely were flirting 🤭)

<> The minute Angel got knocked down by one of the exorcist (after selflessly saving Frank one of the Egg Boiz) Husk looked feral at the person who had harmed the latter ~ like were talking “you just hit my boyfriend , how dare you.” level of protectiveness

References:

There are hundreds of meanings of the word “Likes” in this list down below (just to show evidence that it can mean “find attractive” etc as well)

Season 2: (late 2024 - early 2025)

[milamilamilax]

Sydney's mental health

I’ve read plenty of theories about Sydney’s potential health issues, particularly whether she might have lupus, but I think the show could take a different approach. There are various clues throughout the two seasons pointing at mental health issues for Sydney, which I think these point towards things potentially getting worse for Sydney as she puts too much pressure on herself - or perhaps hints of a backstory for Sydney, but the clues are definitely there. 

We’ve seen general hints about Sydney having anxiety, e.g. struggling to sleep, haunted by memories of catering, and the stomach problems she has, likely due to stress. We also know that she is closed off emotionally, to the extent that she arguably even hides the truth about her mother’s death. Although we haven’t seen it officially yet, her “c’est pas grave” tattoo feels like something someone with anxiety would say to themselves as a kind of motto.

Specific things I’ve noticed while rewatching that support this include:

Sydney talking to Carmy (1x05) about the collapse of her business “My whole shit got rocked. And there’s not a night I don’t stay up just thinking about what I could’ve done different.” Sydney refers to her shit getting rocked separately to her credit getting fucked. Notably, when talking with Marcus about the same thing (the collapse of her business) in 1x08 is how this affected her finances - her negative credit score and moving back in with her dad, so she must be thinking of something else here. (I also think this is a sign of Sydney/Carmy > Sydney/Marcus; she’s more open with Carmy when they barely know each other than she is with Marcus when they’re hanging out outside of work as friends.)

In the shots of Sydney's bedroom (also in 1x05) the choices of posters could mean something more. There are 2 film posters that we see clearly in Sydney's room: (1) Jumping' Jack Flash, a film named after a Rolling Stones song, which recounts stories of intense suffering only to come out stronger, and (2) Speed, a film about a bus that has been rigged to explode if its speed drops below 50mph. This also made me of all the references to Sydney driving and how this is a metaphor for her ambition and work ethic (see here) - could it be a reference to this drive also being a weakness?

Sydney talking to Marcus (1x08), after he compliments her for not taking a day off and getting right back to cooking: “I’m just the type, like, as soon as I stop I just *mimics falling apart*". Clearly, she’s experienced this falling apart before, but this is something we haven't seen on screen. We don’t know the timelines of Sydney’s business and exactly when it fell apart, but could it be that the collapse of Sheridan Road drove her to also collapse? (This is also the conversation where she explicitly says to Marcus "It would be weird to work in a restaurant and not completely lose your mind," but I think this is something different to her references to losing her mind when she's not working.)

Sydney talking with her dad (2x02), she differentiates The Bear from her previous business, saying: “I’m in a much better place than last time.” I found this choice of words interesting - separately, she mentions that she’s learned lots of lessons, and has a partner now, but the reference to a “better place” is distinct. What kind of “place” she was in when she started and closed Sheridan Road? It sounds like whatever her emotional and mental state was, it was at least a factor in her failure there. It’s also interesting that she didn’t mention this as one of the reasons for leaving catering when she discussed it with Carmy in 1x05: she didn’t refer to any personal factors, focusing instead on the logistical challenges (on her business getting too big too fast, and the difficulties of running it out of her garage). 

Emmanuel to Sydney (2x09): “I know you can put a lot of pressure on yourself”; Sydney responds: “why can’t we put everything that we have into everything that we can?” And then, “I don’t know if I could do another one.” This exchange isn't subtle at all, because Emmanuel is a great dad and cares about his daughter, but I find it interesting how much he is focused on the pressure Sydney puts herself under; he's no longer focusing on the risky nature of the industry or her change in plan as he was in 2x02, he’s only concerned about her wellbeing here. We know how much pressure she is in fact putting on herself (to get a star, and to generally be the best) so could she end up pushing herself too far again?

Sydney talking to Carmy (2x09) in the infamous table scene: “What if I just, like, completely melt? Like I just, fuck up and fail?” Now, at this point, we haven’t actually seen Sydney completely melt. In 1x05 and 1x06 she handles crises at the restaurant like a boss and saves the day with her quick thinking, and even with the to-go crisis in 1x08, her initial response is to try to help - what makes her throw in the towel is Carmy’s attitude towards her. She could also be referring to the final pasta dish she did for Sheridan Road, but this also didn't sound like "completely melting" to me. I think she’s remembering another time here, a different memory that we haven't seen yet - or perhaps foreshadowing melting in the future.

I’m also interested in how the writers have made Sydney so similar to both Carmy and Mikey, two characters who we know have struggled with extremely poor mental health.

Now, Sydney and Carmy's clothes (think matching jumpers, uniforms, the Thom Browne connection - see post here), language (see this post), and even their names (see here) show how similar they are. This post, however, made me realise how much the writers have also made Sydney mirror Mikey. Maybe the writers are hinting at a similar spiral (although I couldn't imagine this involving drugs specifically, which is something we've never seen referred to in the context of Sydney). 

When Mikey was spiralling, Carmy was away - he didn’t even know Mikey was using drugs, and he didn't go home in the immediate aftermath. Likewise, in 2x10, Carmy is (for all intents and purposes) away and unable to help Sydney when she begins to lose control of the situation. Just as with Mikey, Richie is the one who is available - and, this time, he’s able to save the day.

Generally, Sydney appears relatively stable on the surface, particularly when we compare her to some of the Berzatto family - but I think this is at least partly a case of her being a character who doesn't let her emotions show as much. My own theory for S3 is that the above is either hinting at a larger spiral for Sydney, or is some heavy hinting for Sydney's backstory, which I hope to God we get to see more of.

[srovatz]

Fire Country [1x05] Saison 1 Épisode 5 - Streaming VF et VostFR

Regarder Serie TV Fire Country 1x05 Streaming VOSTFR, Fire Country Saison 1 Épisode 5, Fire Country 1x05 Streaming VF

:: Streaming Maintenant ⇒ https://cutt.ly/7NTLv5i

Depuis 2022 / 60 min / Drame Créée par Joan Rater, Tony Phelan, Max Thieriot Avec Max Thieriot, Kevin Alejandro, Jordan Calloway Nationalité U.S.A.

En quête de rédemption et d'une réduction de peine de prison, Bode Donovan s'inscrit à un programme de lutte contre les incendies qui le ramène dans sa petite ville natale de Californie du Nord, où il travaille avec d'autres détenus aux côtés de pompiers pour éteindre d'énormes feux dans la région.

Émission de télévision Une émission de télévision - ou simplement une émission de télévision - est tout contenu produit pour être visionné sur un téléviseur qui peut être diffusé en direct, par satellite ou par câble, à l'exclusion des dernières nouvelles, des publicités ou des bandes-annonces qui sont généralement placées entre les émissions. Les émissions de télévision sont le plus souvent programmées pour être diffusées bien à l'avance et apparaissent sur des guides électroniques ou d'autres listes de télévision, mais les services de streaming les rendent souvent disponibles pour être visionnées à tout moment. Le contenu d'une émission de télévision peut être produit avec différentes méthodologies telles que des émissions de variétés enregistrées émanant d'une scène de studio de télévision, de l'animation ou une variété de productions cinématographiques allant des films aux séries. Les émissions qui ne sont pas produites sur une scène de studio de télévision sont généralement contractées ou autorisées à être réalisées par des sociétés de production appropriées.

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Une émission de télévision est également appelée programme de télévision ( anglais britannique : programme ), surtout s'il lui manque une structure narrative.

Aux États-Unis et au Canada, une série télévisée est généralement diffusée en épisodes qui suivent un récit et sont généralement divisés en saisons. Au Royaume-Uni, une série télévisée est une série annuelle ou semestrielle de nouveaux épisodes. (En effet, une "série" au Royaume-Uni est la même qu'une "saison" aux États-Unis et au Canada.)

Une petite collection d'épisodes peut également être appelée une série limitée ou une mini-série. Une collection unique d'épisodes peut être appelée « spécial télévisé » ou série limitée. Un film (également connu sous le nom de film) pour la télévision est initialement diffusé en tant que tel plutôt que directement sur vidéo ou sur grand écran traditionnel.

Histoire Les premières émissions de télévision étaient des émissions expérimentales et sporadiques visibles uniquement à une très courte distance de la tour de diffusion à partir des années 130. Des événements télévisés tels que les Jeux olympiques d'été de 131 en Allemagne, le couronnement du roi George VI en 137 au Royaume-Uni et la célèbre introduction de David Sarnoff à l'Exposition universelle de New York en 139 aux États-Unis ont stimulé la croissance du média, mais la Seconde Guerre mondiale a mis un arrêt du développement jusqu'après la guerre. La série mondiale de 147 a inspiré de nombreux Américains à acheter leur premier téléviseur, puis en 148, la populaire émission de radio Texaco Star Theatre a fait le pas et est devenue la première émission de variétés télévisée hebdomadaire, ce qui a valu à l'animateur Milton Berle le nom de "Mr Television", démontrant que le média était une forme de divertissement stable et moderne qui pouvait attirer les annonceurs. La première émission télévisée nationale en direct aux États-Unis a eu lieu le 4 septembre 151, lorsque le discours du président Harry Truman à la conférence du traité de paix japonais à San Francisco a été transmis sur le système de relais radio par câble et micro-ondes transcontinental d'AT&T aux stations de diffusion des marchés locaux. 1][2][3]

La première émission nationale en couleur (le Tournament of Roses Parade de 154) aux États-Unis a eu lieu le 1er janvier 154. Au cours des dix années suivantes, la plupart des émissions du réseau et presque toutes les émissions locales ont continué à être en noir et blanc. Une transition de couleur a été annoncée pour l'automne 115, au cours de laquelle plus de la moitié de toute la programmation aux heures de grande écoute du réseau serait diffusée en couleur. La première saison aux heures de grande écoute tout en couleur est arrivée un an plus tard. En 172, la dernière résistance parmi les émissions de réseau de jour converties en couleur, résultant en la première saison de réseau entièrement en couleur.

Vous trouverez ici toutes les séries télévisées et tous les films que vous pouvez diffuser en ligne, y compris les séries diffusées aujourd'hui. Si vous vous demandez ce que vous pouvez voir sur ce site, sachez que ce sont des genres qui incluent le crime, le théâtre, le mystère, les séries et les spectacles d'action et d'aventure. Merci beaucoup. Nous disons à tous ceux qui aiment nous accepter comme nouvelles ou informations sur le calendrier de la saison, les épisodes et comment vous regardez vos émissions de télévision préférées. J'espère que nous pourrons être le meilleur partenaire pour vous de trouver des recommandations pour une émission de télévision de différents pays à travers le monde. C'est tout de nous, salutations!

[awkward-sultana]

(Almost) Every Costume Per Episode + Hatice’s pink gown with white ruffles in 1x05

[aclashofcaps]

[smuganya]

polo & ander in every episode ↳ season one, episode five: “todos mienten” (part 1/2)

[mantra4ia]

Debris: speculation and what we know so far about...

Bryan

The character is from Texas, has no siblings, and his parents are both alive.

He served in MARSOC (Marine Special Forces) in Afghanistan, where he was in a military prison in some capacity (officer or detainee unclear, but an alternate reality he's called a war criminal, so he's likely detained).

FWIW, I'm a little surprised that in an alternative reality Bryan wasn't a part of Influx. He shares a similar kind of backstory with Anson Ash.

He carries a baseball on the plane like a momento stress ball (1x03).

He eats...a lot, literally thinks with his stomach, seemingly indiscriminately (#you could just pull up a chair to the buffet). Stale Peeps, weeks old sandwiches, rewarmed burritos, anything from the minibar, etc. Maybe he was a smoker in the time before and it killed his sense of taste. Or he just has an iron stomach from his time on active duty. In any case, food seems to be his unconditional OTP. I request a GIF supercut.

He seems to know a bunch of field operatives (Lester, Sharon, John the ME, Muntz, Beck from containment) from various Orbital teams, perhaps even worked cases with a few, along with everyone in Maddox's office. He's very cordial so presumably he likes them, but in stark contrast at least half seem to decidedly dislike him with baiting antagonism, some openly hostile. Sharon: "why are you smirking at me Bryan?" Muntz, the Laghari lab tech: "I've come across plenty like you...men who play by their own rules." Beck: "They only send in the A-team when they want the agents to survive...easy for you to say, I'm the one who had to tell his wife". No wonder he feels a bit ostracized. Perhaps his reputation (impulsive?) proceeds him or perhaps he's been labeled an "unlucky" partner that misfortune follows so he gets kept at a distance?

The exception to the above seems to be Gary Garcia, the former scientist that helps hide George. May be former partners if the audio during credit rolls is any indication, and knows about Bryan's health / injections. They appear close. Perhaps because they share a mentality: both presumably injured in their line of work at Orbital, and they know what it means to have to rely on yourself.

When we meet Finola and Bryan, it seems like they've been working together for a few weeks, stateside at least (Finola's quote 1x02: Been here 3 weeks, feels like 3 years) and that he's had at least two Orbital partners prior, one (Julian / Jules) that died on duty, and the other creepy Dutch guy still living, Niels. How many more partners has he been through? Is it protocol that they get reassigned/shuffled so often to follow the debris, or so as not to form attachments "This job is about being alone, it's supposed to be...we're a blip in other people's lives", or does his personality not play well with others, like from the pilot when he tells Finola "it's been a long time since I've worked with somebody who's looked at me like another human being."

Also in 1x01 when Bryan says, "So are we now saying the debris pulled [Kieran] from the ground and added meat to his bones" and Finola says no, he was cremated, Bryan looks almost disappointed like he was momentarily more hopeful than pragmatic. At first I thought this was just a lead up to introducing the fact that George Jones was alive, but maybe another plot point is that Bryan has lost someone in duty he wants back.

He carries a picture in his front pocket of a woman with some Persian/ Farsi(?) or Urdu(?) written on the back. It's hard to tell by the script, it could be neither. When confronted by that, his clone says "I can't let it go." Old flame that was lost? Or a partner of a fallen service member killed in action —I've lost brothers— that he couldn't save (is that part of Bryan's dark guilt / grief)? Civilian casualty of a Marine mission? In the pilot when he tells Isla "you have to tell her how much you need her, I know from experience...You will not be able to forgive yourself if you don't" is Bryan thinking of this woman?

EDIT: considering the next episode is called "Asalah," which could be a woman's name, maybe that's part of the text on the back of the photo. Pure speculation.

He counts on himself to be level and composed when it comes to his emotions and apologizes when he isn't. He loses that composure in the pilot when Isla talks about family therapy and fighting with her mother after Kieran's death: "I knew someone like her once." Was Bryan referring to himself, has he been through post-service therapy? Perhaps he developed a rift with his family or left home at an early age like she did?

Bryan would be great at pub trivia night. He always seems to have an odd fact ready about NASA tech, native legends, an article about a historical building that he read, Fleetwood PA, etc. He doesn't seem the type to keep facts on standby to impress, so perhaps he's a secret bibliophile even though Finola hassles him for not reading case files.

"Fin: Maybe we should run some more tests before we continue/ Bryan: I will cut bait if you want to / Fin; let's just look out for each other" 1x02 Bryan seems more cautious than impulsive, he does a good job of listening to Finola's concerns. Is that from experience? Did he get overconfident, mishandle debris, and get permanently injured, hence the frequent blood work and injections?

"This man saved my life." Why does Bryan trust Maddox implicitly? And when Maddox says in 1x07 "Investigate quietly. I want to keep the lights off. I don't want to lose anymore lives, Bryan, okay?" is that a word of warning specially for him? Does he have a body count? (see afforementioned question of frequent work partners turnover and having an unlucky reputation)

Bryan in protective of Finola when the CIA taps her apartment. It's the straw that turns his allegiance from his agency to his partner.

I still can't place why Bryan carries a baseball — it seems like it could be a red herring, but I can't get over the visual of Maddox playing catch with Dario and reading into it as some sort of surrogate bond — or why he has a chain around his neck (1x05). It's not service tags and probably not a ring, it's some kind of pendant: a large loop encircling a dull, perhaps tarnished, gray metallic disc. A patron saint? A piece of shrapnel? A piece of debris? Unclear, but it definitely has texture or an etching.

Top Bryan Quotes

"That's the job. Impossible." 1x01 Pilot

"We are supposed to be blips in these people's lives, not memories." 1x04 In Universe

"It's been a long time since I've worked with somebody who's looked at me like another human being." 1x01

"Zippo lighters, Pyrex glassware, Crayola crayons, and of course Peeps. Insane for peeps, cracklike...we owe the people of the Commonwealth of Pennsylvania a great deal of gratitude and I am not afraid to say it." 1x02 You Are Not Alone

"I've been thinking, [about] Finola.. if MI6 knew her father was still alive they would take her out of here. We need to get home before this becomes an issue...this is going to affect her." 1x03 Solar Winds, when he's not sure how her father will affect her empathetic-based decision-making

Craig: "You hated the creepy Dutch guy." / Bryan: "He was adorable."

"Well, one of my tips for survival, Muntz, is always let the other guy touch the debris first." 1x03 So is that what happened to Garcia?

To Finola "I realize I tend to forget that there's still magic to discover in the world. But not you." 1x03

"There are things that you understand about life that I don't, and I respect that. But there are things that I know that you will not find very palatable...I am going to focus on the people that we're saving and not the ones that we can't." 1x04

"If we don't act, we might not be able to stop the terraforming. There's no way we're going to be able to win all these, and I know that every cell in your body right now is screaming for you to do what you think is right. I need you to go against that. I need you to trust me." 1x04

"Finola's capable. I trust her instincts." 1x08 Spaceman

"I'm running on sugar and coffee for the rest of the day" 1x07 You Can Call Her Caroline, but really isn't that Bryan everyday?

"When I tell you that I understand, it's not empty...I lost brothers. It destroys families. There are people who can help you with what you're going through right now...There is a way to get back from this pain. I was where you were, and the darkness almost ended me. And somebody put out his hand... I want to be there for you." 1x07

"I'm trying to get back to someone. It's very important to me." 1x09 Do You Know Icarus?

[johannas-motivational-insults]

Class Dynamics in MFS 1x05

One thing I have found fascinating in Motherland: Fort Salem so far is the way classism is woven into the world, the High Atlantics vs. the shit birds and the various attitudes they carry. It’s very evident in the first episode and continues to be a theme throughout the season, but it’s most pronounced in 1x05 “Bellweather Season.” That episode takes place in a different environment than the rest, on Abigail’s home turf as she tries to wrangle her unit into being impressive to the dean of war college.

It’s honestly kind of hilarious that Abigail didn’t realize before this episode that she was going to get into war college on name alone. It was pretty obvious to Raelle, who is Abigail’s foil in terms of being poor, rural, and from an undistinguished matriline. Watching Raelle this episode was really interesting. Before they even leave the fort Abigail manages to piss her off by saying this is their chance to impress the community that matters. Which, like, yikes. I know what she meant, obviously she was referring to the people who can help them get ahead, but with all the very obvious classism she has already displayed it’s no wonder this only served to piss Raelle off. I don’t blame her for pointing out that none of those high-class people are going to be interested in conversing with her and then threatening to go off on Petra (Abigail’s mom) about how the “peasants” are getting primed to be war meat (something she actually gets close to doing).

Watching Abigail’s reactions to everything going “wrong” once they get to the event is both funny and painful. Because while her obsession with everything being perfect is annoying, it’s also stressful to watch because she has reason to be upset. It’s super important to remember is how crucial appearances are in upper class culture, including the High Atlantics. Every time the others act in a way that is unexpected we see her getting more and more frustrated and humiliated because her squad is not acting the way she wants them to. She sees this as them being uncooperative when really they are just totally unfamilar with High Atlantic customs.

That’s something we see in this episode again and again, Abigail and Petra struggling to keep up appearances while getting annoyed at the antics of the lower class shit birds. Really, it’s not like Tally and Raelle and Scylla are doing anything wrong, aside from Scylla’s whole party crashing thing. They’re just chatting and enjoying the alcohol and fancy food they’ve probably never had a chance to eat before, but they’re shirking the etiquette that Abigail is so familiar with and making her look bad. And they don’t even realize it, because how are they supposed to know how to act? Aren’t parties supposed to be fun? (Clearly not; in upper class society parties are just one more social maneuver where your behavior has to be perfect and fun is strictly out of the question.)

One great moment that contrasts the two viewpoints is when Tally sees Gerit and asks her squadmates whether or not she should go say hi. We get Raelle’s casual yet emphatic “Yeah!” and Abigail’s stressed out “No!” And Raelle at first thinks Abigail is just being hoity-toity and controlling again, but this time it’s not just about appearances. Knowing High Atlantic customs, Abigail realizes that Gerit’s sash means he’s off-limits, but Tally has no idea and runs over and starts blatantly flirting with him in public, which is humiliating for all of them (especially Tally) in retrospect.

Another scene that I really like and is a great microcosm of the class dynamics in this universe is the scene where Raelle confronts Petra. It’s really layered and both characters’ motivations come through, even if Petra has in general been presented as less sympathetic to the audience.

So, look. Raelle barging in in the middle of a conversation between Petra and some of her other older family members is a huge social faux pas, especially in a culture so set on keeping up appearances and not allowing for any sort of mess. I also don’t blame her one bit. Petra’s talking about the importance of family and that sounds super hypocritical to a young woman who has lost her mother to combat and father to conscription.

If you look at this interaction in terms of scene study, they both kind of “lose” the scene. Raelle loses more if you are evaluating in terms of power shifts, but it doesn’t turn out great for Petra either in that she ends up feeling guilty and barely manages to save face in a potentially disasterous situation. The way Petra reacts, though, is very interesting when you dissect it from both points of view. She barely even lets Raelle get started before cutting her off and talking over her. She responds with platitudes, things that are kind to say but also sound very scripted, regardless of how true they are. She tries to relate to and soothe Raelle’s grief by saying she wishes her mother could be there and giving her a hug.

From Raelle’s point of view, this was just her getting shut down again by the elitists. It confirmed her expectation that no one from that culture would listen to anything she has to say. Also, her motivation in confronting Petra was to express her grief and get some answers about how this tragedy in her life came to happen, why her mother was ripped away from her. Raelle needed answers and genuine acknowledgement of her pain, not platitudes, even if they were heartfelt. And Petra just saying what she did and hugging her did nothing but make her feel talked over and unacknowledged, again.

From Petra’s point of view, however, she was playing damage control for both her and Raelle. In her mind she was doing Raelle a favor by cutting her off before she could say anything too inflammatory and get herself into trouble. This kid was clearly not sober and behaving disgracefully for that environment (and according to military protocol) and Petra combatted this by responding gracefully. She could have shut Raelle down in much worse ways, pulling rank and punishing her for her outburst, but instead she responded with compassion. Obviously she was also saving face for herself by shutting Raelle down before she could put her on blast in front of her whole family, but it’s more complicated than that. And when Petra was hugging Raelle and again after Raelle ran off, she looked pretty troubled and guilty for a moment before pulling that mask back on.

I am always more inclined to side with the poor characters in these situations, seeing as that’s my background, and I really like how Motherland balances illuminating the privilege of the High Atlantics with illuminating their motivations. Even if Abigail’s classism and blind privilege is annoying, we see her frustrations coming from a genuine place of trying to help her unit but simply not understanding their experiences and perspectives. The Bellweathers are more than just cardboard cutouts of rich people, and I appreciate that. This show actually makes me empathize with and care about all the characters, and that’s a pretty impressive feat.

[lokiepisodio5streamingvf]

Loki Saison 1 Episode 5 [1x05] streaming Série tv français

Regarder - https://loki-episode-5-vf.blogspot.com/

Les gardiens du temps et leur organisation, la Time Variance Authority, s'avèrent ne pas être l'entité inoffensive initialement présentée, mais plutôt une façade pour quelque chose de plus néfaste. Mobius (Owen Wilson) était naturellement sceptique quant à la confiance en Loki (Tom Hiddleston) – et son explication selon laquelle Mobius et ses collègues agents étaient également des variantes, arrachées à leur passé – avant d'apprendre la vérité.

Nous cuisinons au gaz maintenant! L'avant-dernier épisode de Loki a tout mis en œuvre, et il se balance contre tout ce qui bouge. Mis à part l'histoire principale, la série est totalement à l'aise pour devenir complètement bizarre, ce qui, soyons clairs, est exactement ce que devrait être une émission sur le Trickster (et toutes ses variantes). Les réponses, la progression de l'histoire et tout ce qui est doux, doux et étrange est génial, mais c'est le noyau émotionnel entre Sylvie (Sophia Di Martino) et Loki (Tom Hiddleston) qui fait vraiment briller celui-ci. Même si vous savez que des choses terribles sont sur le point d'arriver à ces deux enfants Trickster.

Regarder Loki Laufeyson s'effondrer et décider de serrer dans ses bras quelqu'un qu'il appelle un ami est un moment tellement désarmant. Nous apprenons que Mobius (Owen Wilson) est aussi vivant que Loki, et finalement la Sylvie auto-effacée, mais rien ne peut préparer le coup chaud à l'estomac qui est son étreinte et celle de Loki. Le groupe de Kid Loki (Jack Veal), Classic Loki (Richard E. Grant), Mobius, Slyvie et Loki s'est séparé en deux équipes pour enfin aller au fond des bouffonneries qui se déroulaient à TVA. Le départ de Mobius frappe en quelque sorte aussi fort que sa mort supposée, pas un épisode précédent. « Merci pour l'étincelle ! » c'est juste une très, très bonne réplique.

Même si leur bromance est l'un des meilleurs aspects de Loki, c'est le moment entre Sylvie et Loki qui vole la vedette cette semaine. Comment vous réconciliez-vous avec le fait de ne faire confiance à personne pendant toute votre existence et de vous demander ensuite si vous pouvez faire confiance à quelqu'un que vous connaissez sans poser de questions et qui ment autant que vous ? Leur conversation simple et sincère avant que Sylvie n'essaye d'affronter le monstre est le genre de scène qui donne envie d'une série romantique sur ce que ces deux-là sont sur le point de vivre. Car rassurez-vous, ils sont sur le point de passer par là.

Les lignes émotionnelles gardent tout connecté de manière significative, mais nous traînons toujours des bêtises chaudes en marge afin que tout le monde se souvienne qu'ils regardent une émission de Loki. Exceptionnel.

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[wandavision1x05streamingvf-blog]

WandaVision 1x05 Saison 1 Épisode 5 streaming Série tv VF (français) complet gratuit

Regarder - https://wandavision-1x05-vf.blogspot.com/

Addendum de Christian: Ainsi, pendant que le chancelier écrivait sa prise, j'ai décidé de faire plus de recherches pour savoir si le nom "Tyler Hayward" était déjà apparu dans les bandes dessinées Marvel liées à Scarlet Witch. À ma grande surprise, j'ai trouvé quelque chose! La série de bandes dessinées de 1992 Darkhold: Pages From the Book of Sins présente un scénario sur un grimoire magique qui peut redonner vie à une entité démoniaque. Bien que les personnages principaux du livre soient une équipe appelée les Redeemers, d'autres magiciens Marvel comme Doctor Strange, Ghost Rider et Wanda apparaissent partout pour aider à combattre les menaces magiques - aux côtés de la mentor de Wanda, Agatha Harkness, qui pourrait être la véritable identité de notre bien-aimée. Agnès. Fait intéressant, Agnes ne faisait pas partie des résidents de Westview identifiés par Darcy et Jimmy au cours de cet épisode. Cela doit signifier qu'ils gardent sa révélation pour plus tard.

Quoi qu'il en soit, dans Darkhold # 6, un vétéran de la Seconde Guerre mondiale nommé Hayward tombe sur des pages du grimoire titulaire, qui incarnent ses ressentiments à l'égard des Japonais dans des essaims d'avions de combat zombies jusqu'à ce que Wanda et les autres l'arrêtent. Bien que Hayward soit irrité par le fait que son petit-fils Bobby Hayward ne puisse pas trouver de travail dans un hôtel, son propre prénom n'est jamais donné. Il ne semble pas y avoir une tonne de liens entre ce personnage et ce que nous savons du rôle de S.W.O.R.D. Le réalisateur Tyler Hayward jusqu'à présent, sauf pour le nom de famille et un lien avec Wanda et la magie, qui n'est pas rien.

Certains téléspectateurs se souviendront peut-être que le Darkhold est déjà apparu dans le MCU, dans les mêmes Agents de S.H.I.E.L.D. saison qui a également présenté Ghost Rider. Cette émission mettait également en vedette un personnage nommé Hayward - Brian Hayward pour être exact, qui était un agent HYDRA infiltré et membre du projet Centipede qui expérimentait un nouveau sérum de super-soldat. Maintenant, Hayward de WandaVision explique à Monica comment S.W.O.R.D. pivote vers la recherche sur les nanotechnologies expérimentales. Hmmm. Hmmm. Maintenant que mon A.I.M. la théorie a été réfutée et Wanda semble contrôler les illusions, j'hésite à penser qu'il y a une plus grande conspiration en cours ici jusqu'à ce que nous obtenions plus d'informations. Mais c'est certainement un matériau intéressant à mâcher, non?

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[jvlewis77]

I'm watching Bel-Air 1x05 "PA to LA"

[awkward-sultana]

(Almost) Every Costume Per Episode + Ahsen’s white blouse and green skirt in 1x05,6

[sunnydaleherald]

The Sunnydale Herald Newsletter, Thursday, April 26

HARMONY: Come on. Girls don't care about stuff like that. Just one look at you, and she'll forget herself, and she'll get all tingly, and it won't matter how horribly you treated her in the past and how you took her for granted, and... SPIKE: I never took her for gr– Oh. I expect Buffy would be happy enough to see me. It's just, I gave up my life for her, the world, and if I show up now, flesh and bone, my grand finale won't hold much weight. All of it... won't matter. HARMONY: Yeah – not mattering. I know that feeling well. SPIKE: Oh, come on, Harm, you matter to someone. HARMONY: I do? SPIKE: Yeah. Girl tried to frame you, didn't she? Must have mattered to her. Everybody's talking about it. HARMONY: You're right. That girl hated me. She wanted me dead. I matter.

~~Harm's Way~~

[Drabbles & Short Fiction]

French translation of the fic You don't get to rehearse (Les Miserables fusion, not rated) by myrmidryad, translated by Aledane

sunshine (Angel/Connor, M) by Marcia Elena

On ne fait pas de vaisselle sans casser quelques assiettes (Giles/Ethan, M) by Nelja (in French)

[Chaptered Fiction]

BTVS: Buffy's Godsisters Book Two Chapter 13 (crossover with The Vampire Diaries and Charmed) by MotherOfDragons20

In for a Penny Chapter 9 (Spike/Buffy, E) by bewildered and the_moonmoth

Slay Study Chapter 5 (Doctor Who crossover, G) by secooper87

My Brother. My Own. Chapter 6 (crossover with Numb3rs and The Sentinel, Xander/Spike, E) by Joan963z and TimeVortex

Spike: Guardian Angel of LA Chapter 16 (Spike/Buffy, Xander/Dawn, M) by SLPnerd

How Long Was I Gone? Chapter 6 (Buffy/Spike, M) by Raina2000

Hindsight Chapter 22 (Buffy/Spike, R) by Toften

Teen Slayer: Welcome to the Nemetom Chapter 17 (Teen Wolf crossover, Buffy, FR15) by Kittykitkat

Taking the Initiative Chapter 37 (s2 ensemble, the Initiative, FR18) by cmdruhura

Excerpts from the Journal of Alexander Harris Chapter 12 (Crossover with SU2 and Black Mask, Xander, FR15) by KevinM

Buffy Summers:Code Name Slayer -Part 4- Iron Man 3 Chapter 26 (Marvel Universe crossover, Buffy, Tony Stark, FR15) by Kittykitkat

Buffy's New Home Chapter 103 (The Vampire Diaries crossover, Buffy, FR15) by Kittykitkat

Scattered Echoes Chapter 15 (Spike/Buffy, R) by myrabeth

A Small Boat on the Ocean Chapter 54 (Spike/Buffy, PG-13) by sandy_s

[Images, Audio & Video]

Artwork: Nekid Colour Blue - Spike/Willow Wallpapers (worksafe) by blondebitz

Artwork: Spike in Blue (worksafe) by nmcil12

Artwork: Spike Blue (worksafe) by nmcil12

Artwork: The Scoobies at Hogwarts (worksafe) by lesbiangaytypelovers

Artwork: i’m not dome baking yet. i’m cookies. (Buffy, worksafe) by tarastheory

Artwork: Buffy the Vampire Slayer (Buffy, worksafe) by alkanetart (Liz Caballero)

Artwork: Drusilla cosplay (worksafe) by autumnwolfmoon89

Artwork: Banners (Willow, Buffy, worksafe) by HowiMetdaSlayer

Artwork: Banner (worksafe) by Nina

Artwork: Banners (Spike, Xander, worksafe) by Priceless

[Reviews & Recaps]

Buffy - 1x05 - Never Kill a Boy on the First Date by zoeywatchesthis

Buffy - 1x06 - The Pack by zoeywatchesthis

Buffy - 1x07 - Angel by zoeywatchesthis

BTVS Rewatch Season 3 Episode 16: Doppelgangland by thedoctorsprincess

Giles Mini - Issue # 3 - Review / Thought Post by lilyginnyblackv2

I Only Have Eyes for You Review (2×19) by OxymoronAmI

Primeval by Momo at thebuffyproject.wordpress.com

Podcast: Ep 58: Scooby Road Part 1 [Yoko Factor] by Slayerfest98

Comic Book Review: Buffy Season 11: Giles #3 by Jideobi Odunze at geekedoutnation.com

AtS 2.01 "Judgement" by Mylie

[Re: Rank the season finales] by TheComeBackKid and others

Discussion of Giles 11.03 - Released 4/25/18 (Dark Horse) hosted by Grace

Angel & Faith Season 9 Re-Read by Priceless

Default Buffy S11:Giles # 3 Issue Discussion Thread(Full Spoilers) hosted by BAF

Doublemeat Palace by debbicles and Stoney

Positives and Negatives - S6 by multiple participants

[Recs]

More Links Than A Bag Of Sausages by petzipellepingo

A Place Beyond the Rains by thewiggins recced by rahirah

Fanvid "Ready or Not" by robinsrevenge recced by locitarose

Just some fic updates around the B/A fandom [Bangel] by Mrs Gordo at the Bangel Fan Fiction Rec Thread, buffy-boards.com. Also if you are looking for a fic or fic type come and ask us!

Spike & Dawn fic recs by bespangled

Spike fanfic "Doll" by Chris G-D recced by Silver1

Family Matters by Glassdarkly recced by Rebcake and Silver1

All-penguin Spuffy fics recced by flow and others

the joys of Spike and Giles - fanfiction recs by bespangled

Classic Spander recs by Rebcake

thedothatgirl's many, many wonderful vids recced by Double Dutchess

[Community Announcements]

Thursday, April 26th, 2018 - Episode Titles at fic-promptly

Prompt: avengers/buffy crossover by glyndwr

Spring Cleaning Challenge 2018 at Twisting the Hellmouth

Fanfiction Discussion: Journey: Awakenings by Mary starting on 11th May 2018 at BuffyForums.net

Cangel fic rec request by Priceless

[Fandom Discussions]

[Re: Are you satisfied with Bangel in season 1 of Angel?] by mrsgordo84

[Willow and Tara meant a lot to kids...] by iminmymalvesword

[The Kobayashi Meru analogy for cases where there are no good choices] by dreamsofghostsandstars

How did Spike's attempted rape of Buffy ("Seeing Red" B 6.19) affect the Buffyverse? hosted by MikeB

Are you a ship fan or a character fan? hosted by Sosa lola

Would Spike have been interested in Bufy in "SH" if he didn't know about Buffy/Angel? hosted by MikeB

Are there any altruistic acts in BtVS? hosted by TriBel

[Forgiveness and how Angel and Spike deal with their past] by debbicles and others

Adieu, A Dew, I Do by Lizerrrbeathan discussed by multiple participants

Favorite Major Villains/Big Bads & Favorite Minor Villains by multiple participants

Sanctuary B/A scene by thetopher and others

Did Harmony change AT ALL after being Sired? by multiple participants

Buffy, Riley, and In to the Woods by dstaraster, badsister, and others

Buffy in the last three episodes [of season 6] by multiple participants

Why wasnt a new slayer called when Buffy died in season 5? hosted by RooRiot

The problem with Anya hosted by davect01

[Phantom Dennis] hosted by punka1977

What really happened in "Normal Again" hosted by sweetsweetunjess

What do you think about season 6? hosted by Racal1985

Why is it vampires are intelligent yet show no form of ingenuity ? hosted by shonenhikada

A Slayer's natural fighting ability hosted by A_Handful_of_Words

How did you hear about Buffy? What made you want to watch it? hosted by gisellasaurus

Xander in regards to Spike in Season 7 by SosaLola

Your ideal season 6? [of AtS] hosted by little-squirrel

[Articles, Interviews, and Other News]

BUFFY SEASON 11: GILES #3 and Arielle Jovellanos variant cover at Dark Horse Comics. Publication Date: April 25, 2018

Event: Whedoncon 2018 - May 18-20 - Los Angeles (Facebook event page with links to purchase memberships)

[smuganya]

polo & ander in every episode ↳ season one, episode five: “todos mienten” (part 2/2)

[mchristelle]

Gravity Falls Recap 1x05 The Inconveniencing

Gravity Falls Recap 1×05 The Inconveniencing

Aujourd’hui, un couple de retraités torture des enfants.

Rawwwwr !

Profitant de l’absence du boss, Wendy emmènent les jumeaux sur le toit où elle a installé un espace détente. Quand sa bande de copains débarque pour qu’elle parte s’éclater avant la fin du boulot, Dipper promet de ne pas la balancer en mimant de fermer sa bouche (ça en a pas l’air, mais c’est important). Elle descend en sautant…

[reveriedaily]

Reverie episode titles 1x01 to 1x06 confirmed

1x01: “Apertus” 1x02: “Bond. Jane Bond” 1x03: “No More Mr. Nice Guy” 1x04: “Blue Is the Coldest Color” 1x05: “Altum Somnum” 1x06: “Pas de Deux”

sources for 1x01, 1x02, 1x03, 1x06 + 1x04, 1x05