The Galbraith in Dallas, Texas was designed by Perkins & Will and built by Suffolk Construction. The Bryan Street high-rise is unique not only because of the design but for housing a mix of affordable and market rate rental units in the downtown tower. The Galbraith building has 217 apartments, and just over half of the units are reserved for residents earning significantly below the average area median income.
The building is less than a block from a DART light rail station. There’s a fitness center, a ground floor lounge area with skyline views and an upper-level swimming pool deck overlooking the nearby Arts District.
Matthews Southwest developed the project with support from the City of Dallas Housing Finance Corp. in a venture with Volunteers of America and Urban Specialists. The property is managed by Asset Living.
© Wade Griffith Photography 2022
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Democratizing Reality: Designing for VR, AR and the Metaverse
Democratizing Reality: Designing for VR, AR and the Metaverse
Democratizing Reality: Designing for VR, AR and the Metaverse
Courtesy of Refik Anadol installation
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https://www.archdaily.com/984304/democratizing-reality-designing-for-vr-ar-and-the-metaverse
Architecture shapes our lives every day, but how can it be decentralized? At the core of efforts to design extended reality (XR)…
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Bad advice for Wayland Square
Wayland Square, on the east side of College Hill. (Photo courtesty of the Providence Journal)
Wayland Square, named for Brown University’s fourth president, on land owned long ago by one of its founders, Moses Brown, is one of the most delightful neighborhoods in the city of Providence. It has fine shops and restaurants, and hundreds of elegant single-family houses, built mostly in the vicinity…
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If you guys liked the whole "Stephs flannel matches Peter's suspenders and bow tie" thing then this costuming detail is in tgwdlm gonna fuck you up.
When we get our first scene with Paul and Emma, the two are dressed in their respective main outfits. These are the ones people tend to associate with them.
But throughout the show, as they get closer and bond, their outfits become more and more similar. Pretty soon Emma's lost the apron
Then at the professor's house, Paul loses the jacket
and by the time McNamara is infected, Paul has his sleeves rolled up and Emma's bow tie has come undone.
At this point, the two are at their most aesthetically similar, and also the closest they've been the entire show. This is moments before the helicopter crash and their failed kiss. They remain this way for a good chunk of time...until Paul comes back
It's like some fast-paced foreshadowing. Emma remains in her changed state, the same as her character, but Paul is back to square one. He's wearing the same outfit he was when they met, and they no longer align. She doesn't know who he is anymore.
I don't know if this was intentional (and if it was, no one explained it to Jon) but it plays out so damn well.
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norman bates was 27 years old running the bates motel. she should’ve been at the club
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Paul Matthews and Emma Perkins are everything to me. They are soulmates and find each other in every universe but they almost never get past the awkwardly flirting stage before the world ends. They are both losers. They find each other every time an apocalypse commences. They are the only normal people in the whole universe. They are doomed by the narrative. They hate musicals. He tips her 5 dollars and she spits on everyones coffee. They are Orpheus and Eurydice coded. They are a spark that never turns into fire. They are intimate but don't like labels. They are the only constant thing in every timeline. They are what it could have been but never meant to be. They meet in that coffee shop again and again forever. He'll order a black coffee and she'll ask him for his name. And the loop will start all over again.
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