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#Portland Oregon hotels
gaytravelinfo · 2 months
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The Hotel Zags - Portland, OR
The Hotel Zags | 515 SW Clay St, Portland, OR 97201 | 1-855-523-6914 WELCOME TO THE HOTEL ZAGS — YOUR PORTAL TO PORTLAND  The Hotel Zags is situated in downtown Portland’s Business district, one of the city’s most vibrant neighborhoods. We’re truly close to everywhere you want to be — from delicious dining to hip shopping hot spots to cultural attractions. Most are within walking distance, but…
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kojiarakiartworks · 8 months
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December 2003 PDX Portland Oregon U.S.A. 
© KOJI ARAKI Art Works
Daily life and every small thing is the gate to the universe :)
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vintage-portland · 1 year
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Portland Hotel, circa 1907
The Portland Hotel located on SW 6th Avenue between SW Morrison and SW Yamhill Street, circa 1907. City of Portland (OR) Archives, AP/89132. View this image in Efiles by clicking here.
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tattoowitchmal · 8 months
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Portland, OR.
Phot by me.
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twistydelrio · 1 year
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The Nines - Portland, OR, USA
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katoakenshield · 1 year
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The Nines - Portland, OR, USA
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kenneturner · 1 year
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Day Four, 2023 Road Trip/Cruise -- Portland, Oregon
Our stay in Portland was at the Pineapple Rose Hotel, a funky choice in Portland boutique hotels located directly across from Tom McCall Waterfront Park on the beautiful Willamette River, which is a major tributary to the Columbia River. Willamette River, Portland, Oregon Fountain in the Tom McCall Waterfront Park  Pineapple Rose Hotel (Click On Any Image To See In A Slide Show Format.)
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Pet Friendly Motels in Portland OR
Enjoy a Free Wi-Fi, Free parking service at Motel 6 Portland Or Southeast Hotel, the best choice among Portland Oregon Hotel. To book Pet Friendly Motels in Portland OR call us at +1 503-774-8876
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secretcherimaybe · 2 years
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ok, doesnt Elon musk own lots of shit? Why is even hanging out and obsessing over Twitter? What happened to his space littering company and his murder car company? What is this idoit?
If he feels the need to have bodyguards when he goes into the building why is he still going to the building?
Whatb the fuck is wrong with this guys head?
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gaytravelinfo · 6 months
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The Hotel Zags - Portland, OR
The Hotel Zags | 515 SW Clay St, Portland, OR 97201 | 1-855-523-6914 WELCOME TO THE HOTEL ZAGS — YOUR PORTAL TO PORTLAND  The Hotel Zags is situated in downtown Portland’s Business district, one of the city’s most vibrant neighborhoods. We’re truly close to everywhere you want to be — from delicious dining to hip shopping hot spots to cultural attractions. Most are within walking distance, but…
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vintage-portland · 10 months
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SW 6th Avenue, 1908
SW 6th Avenue in front of the Portland Hotel, 1908. City of Portland (OR) Archives, AP/7756. View this image in Efiles by clicking here.
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earlycuntsets · 16 days
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mcr shows on youtube pt. 3 (2007 - 2011)
-> pt. 1 (2002 - 2005)
-> pt. 2 (2005 - 2007)
-> pt. 4 (2011 - 2023)
07/31/2007 coors amphitheater chula vista ca - the academy is my beautiful romance
08/03/2007 verizon wireless amphitheater selma tx - effvee
08/04/2007 smirnoff music center dallas tx - mrsmoore710
08/05/2007 cynthia woods mitchell pavilion the woodlands tx - allyhr80
08/11/2007 ford amphitheater tampa fl - DAK
08/13/2007 walnut creek amphitheater raleigh nc - ddr2nite
08/18/2007 darien lake performing arts center darian lake ny - megaphone25
08/19/2007 nissan pavilion bristow va - the academy is my beautiful romance
08/21/2007 molson amphitheater toronto ca - Taylor & saofan20
08/22/2007 dte energy music center clarkston mi - the academy is my beautiful romance
08/24/2007 tweeter center for the performing arts bostom ma - ricola7 & the academy is my beautiful romance
08/25/2007 tweeter center camden nj - the academy is my beautiful romance
08/26/2007 new england dodge music center hartford ct - blackmariah224
08/28/2007 mohigan sun grandstand new york state fair syracuse ny - the academy is my beautiful romance
08/29/2007 pnc bank arts center holmdale nj - darkxdisco
09/01/2007 first midwest bank amphitheater tinley park il - jeana k
10/04/2007 coca cola auditorio monterrey mexico - stagglp
10/07/2007 palacio de los deportes mexico city mexico - my chemical romance official youtube
10/24/2007 maxwells hoboken nj - my chemical romance official youtube
10/30/2007 sportová hala pasienky, bratislava, slovakia - kiss955
11/04/2007 x-tray zurich switzerland - waylien87
11/11/2007 metro radio arena newcastle upon tyne england - moshmocyanide
11/12/2007 aberdeen exhibition and conference centre aberdeen scotland - t3hOutlaw
11/15/2007 o2 arena london england - the academy is my beautiful romance
11/17/2007 king's hall belfast northern ireland - xxeternalflamexx
11/28/2007 brisbane entertainment centre brisbane australia - skejemer281
12/03/2007 adelaide entertainment centre adelaide australia - zsazsalahore
12/09/2007 stadium merdeka kuala lumpur malaysia - ffillusionseb
12/11/2007 singapore expo max pavilion singapore - msliveformusic
12/14/2007 neal s.blaisdell arena honolulu - xdegrassilover92x
1/25/2008 eastwood open park manila phillipines - the academy is my beautiful romance
1/27/2008 national taiwan university sports center taipeh taiwan - the academy is my beautiful romance
1/29/2008 asia world expo hall 10 hong kong china - MCRThePatient
01/31/2008 plenary hall jakarta convention center kota administrasi jakarta pusat indonesia - mhit2
02/15/2008 vio rio rio de janiero brazil - the academy is my beautiful romance
02/17/2008  hellooch curitiba brazil - elle10one
02/19/2008  via funchal são paulo brazil - hicao182
03/29/2008 rialto theater tuscon arizona - raven pictures
03/30/2008 the joint at the hard rock hotel las vegas nv - Biancha Hidalgo
03/31/2008 the joint at the hard rock hotel las vegas nv - Donanae Dunwoody & rnm1947ebe & nachocheesechips & justsleeep
04/02/2008 san jose civic center san jose ca - daylinmychemrocks
04/06/2008 bamboozle left verizon wireless amphitheater irvine ca - jackiejackiebootysmackie
04/09/2008 crystal ballroom portland oregon - mcdreamysgirlXOXO
04/12/2008 autodromo hermanos rodriguez coca cola zero festival mexico city mexico - the academy is my beautiful romance
04/18/2008 congress theater chicago il - Ashley Tara
04/19/2008 the fillmore detriot mi - stephanie roose
04/24/2008 house of blues new orleans la - megan williams
04/25/2008 baton rouge river center baton rouge la - sam
04/28/2008 stubb's bar b cue austin tx - sue nellis
05/02/2008 beale street music festival tom lee park memphis tn - the academy is my beautiful romance
05/04/2008 lifestyle communities pavilion columbus oh - christine steele
07/31/2009 the roxy west hollywood ca - the academy is my beautiful romance
08/08/2009 maishima osaka japan - the academy is my beautiful romance
10/26/2010 backstage werk munich germany - song des tages
10/30/2010 melkweg the max amsterdam netherlands - the academy is my beautiful romance
11/22/2010 house of blues west hollywood ca - the academy is my beautiful romance
11/30/2010 p.c. richard & son theater nyc ny - the academy is my beautiful romance
12/1/2010 maida vale studios london england - the academy is my beautiful romance
12/2/2010 fuse tv studio nyc ny - koi no yokan
12/05/2010 1-800-ask-gary amphitheater tampa fl - the academy is my beautiful romance
12/06/2010 rockefeller plaza nyc ny - heather the human
12/08/2010 the midland by amc kansas city mo - the academy is my beautiful romance
12/09/2010 the daily habit los angeles ca - koi no yokan
12/11/2010 spike tv video game awards la convention center la - hidden gems & the academy is my beautiful romance
12/11/2010 kroq almost acoustic christmas gibson amphitheater universal city ca - kroq
12/15/2010 q101 twisted christmas house of blues chicago il - the academy is my beautiful romance
1/17/2011 conan burbank ca - JuanPI
1/21/2011 lopez tonight burbank ca - the academy is my beautiful romance
01/21/2011 the hollywood tower hollywood ca - the academy is my beautiful romance
02/10/2011 xfm radio studios london uk - the academy is my beautiful romance
02/22/2011 metro radio arena newcastle on tyne england - ZoneMum
02/23/2011 o2 academy brixton uk - emzlouise90
02/24/2011 o2 academy islington uk - emziixmcr
03/09/2011 kesselhaus munich germany - the academy is my beautiful romance
03.12.2011 ciutat de les artes i les ciencies valencia spain - CarlosCapBlanc3
03/20/2011 hartwall areena helsinki finland - the academy is my beautiful romance
04/23/2011 terminal 5 new york city ny - the academy is my beautiful romance
05/15/2011 carlisle lake district airport carlisle england - the academy is my beautiful romance
06/24/2011 universidad complutense de madrid madrid spain - pamyale24
06/26/2011 autodromo internazionale enzo e dino ferrara imoli italy - denis rossi
07/02/2011 coke sound up stuttgart germany - the academy is my beautiful romance
07/03/2011 dyrskuepladsen roskilde denmark - søren thomsen
07/07/2011 passeio marítimo de algés oeiras portugal - the academy is my beautiful romance
07/09/2011 roundhouse london england - slavka941
-> pt. 1 (2002 - 2005)
-> pt. 2 (2005 - 2007)
-> pt. 4 (2011 - 2023)
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cherrylng · 2 months
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My Chemical Romance - The Black Parade final US tour live report [ROCKIN'ON (July 2008)]
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MY CHEMICAL ROMANCE
The Black Parade's ‘final’ US tour. 3 West Coast shows & finale in New York follow-up report!
Text & text photo : Yukiko Amida
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13th Feb. A newsletter arrived informing us that My Chemical Romance would be touring the US from the end of March. "Before trying to make a new album, we decided to take another turn", it said, "When we started this band, we could feel you guys right in front of us. It's time to give that another go. See you soon," they wrote. I knew they would probably play one last show in the US to close it out, but I was surprised to find out that they would be travelling around the country for over a month. They had started touring the world just before the album release, starting with Summer Sonic in 2006, and had been touring without a break, with a schedule that would leave you breathless just by watching them. In the meantime, they've grown into an arena-class band thanks to the huge success of their album, and now they've dared to choose a smaller venue for the real ‘end’ of The Black Parade….. I want to see this at all costs! I want to see it too much!!! So I decided to fly to the West Coast. I decided to go to the West Coast at the beginning of April because Eddie Vedder had announced that he was going on his first solo tour around the same time, limited to 10 shows. I made the strongest dream travel plan in my history: to see Eddie twice in Vancouver, then see My Chemical Romance in San Francisco, stay at a friend's house in Bend, Oregon for a few days, see My Chemical Romance twice in Portland and return to Japan. Remembering that the Philadelphia show I was supposed to go to last May was cancelled due to food poisoning among the members, I was praying that they wouldn't eat chicken…
4th Apr. From Vancouver to San Francisco after Eddie's dense stage performance, where I had to check several times to make sure my nose wasn't bleeding. I was at the airport early in the morning at 5.30am, eating a lot of Burger King to prepare for My Chemical Romance, which was 15 hours away. I arrived at the hotel around noon and went to the front of the venue to see fans who had slept in the night before (this was the second day in San Francisco) wrapped in blankets and about 30 people already lined up. I had a reserved seat ticket that day, so I went back to the hotel and took a nap, and when I came back at the opening time, there was a long queue that surrounded the venue for one block. Every time I go to a My Chemical Romance show, especially overseas, I always think that the fans are young. And I feel they are getting younger and younger every year. While we were shivering with body warmers on, most of them were enjoying themselves in short sleeves, saying things like "Oh no, it's a bit cold…". There were a lot of kids with their parents, and I thought I must be the oldest fan who wasn't with a child, so I finally entered the venue, stood in another long queue, bought a bunch of T-shirts and took my seat. The Warfield is a historic venue where the Grateful Dead played their 15th anniversary show in 1980, and has a large theatre-like balcony with reserved seating above the standing floor. Even at the top, the steep incline gives a good view of the stage, and for a capacity of 2,000 people, it feels quite intimate. The first support act, Drive By, is already well known amongst My Chemical Romance fans (vocalist & guitarist Todd [Price]* filled in for Frank on the Japan tour last January when he had to return home to the US after a sudden illness!), and the floor was hot from early on. Billy Talent, who followed, had interrupted work on his new album to rush in and gave a performance that made you feel he was at the top of his game, with his creativity on the rise. The girls in the back were screaming so loudly that even using torn toilet paper as ear plugs hardly helped, and the double punch of Benjamin's super high-pitched vocals was already crushing my ears…….. But the next time the lights went down, I had taken out my earplugs, and when My Chemical Romance appeared on stage, the volume increased by a factor of 100 and I was surrounded by screams, but then the intro and start of ‘Thank You For The Venom’ and the huge sing-along from the start blew it all away, and I forgot about my ears.
Considering that Mikey was not present at last year's Budokan concert, I was first of all moved just by the fact that all the members were there, and furthermore, they were now brimming with energy generated by the sense of accomplishment and liberation they felt after having performed The Black Parade as their second ego and shedding that, they looked dazzlingly bright. The aggressive ‘This is How I Disappear’ was like a shower of super-high water pressure, with every single note coming down from the stage with such force that it shook the entire venue with laughable catharsis, and ‘Dead!’ was the third song to bring the crowd to a climax, and I nearly fell off the balcony when I heard the guitars that started next. Hey, this is ‘Hang 'Em High'!! This song, which continues to be the most played song on my now antique iPod mini, was finally available to me live!! It's impossible, it's even cooler than the album, the guitar is so far forward and the vocals aren't muffled at all, I want to listen to it at home with this much volume… I kept thinking about it, almost letting myself go and then rushing back to consciousness, and as I kept repeating it, I realised that it was only 2 minutes and 45 seconds long to begin with. It's a short song, so it was over in no time at all.
And then, before I could even think about it, I heard the keyboards for ‘Welcome to the Black Parade’ and suddenly my head was clear. Seeing Gerard, who had mic'd the audience several times since the start of the show, listening intently to everyone's singing, I felt I understood why My Chemical Romance had decided to do this tour one last time. They are making sure. The band has grown through the experience of making this album and living through their own fears and what "The Black Parade" was for them, for their fans, and the fans who have taken in their image and message have also grown to the point where they can sing in their own voices, "We'll carry on"—I felt that they were confirming this with their own eyes and ears. This feeling was reinforced towards the end of ‘Famous Last Words’, which Gerard began by saying, "It's still the hardest song I've ever sung". Gerard seemed relieved to hear the audience singing in a firm voice, "I am not afraid to keep on living / I am not afraid to walk this world alone", as he had stated publicly that "I'll be taking a break for the next two years, so this will be my last tour for now". Another emotional moment of the day was when Gerard returned to the dark stage after the end of ‘Cancer’ and a quiet keyboard solo, and sang (just a little bit) a slow version of their first song, 'Vampires Will Never Hurt You'. From there, the band rolled into ‘Give 'Em Hell, Kid’, followed by a vertical cover of Bob Dylan's 'Desolation Row', and closed with the classic 'Helena'. The band must have been pushing forward almost non-stop for nearly seven years since they started, but the band's uncanny energy, with not the slightest hint of fatigue or weariness, left me in awe.
8th April. We took a bus from Bend to Portland early in the morning, but to our surprise, it was completely covered in snow from late at night. But we arrived not too late, about three and a half hours, and there was no snow in Portland, but a light rain. I heard that Gerard was signing copies of “The Umbrella Academy”, a comic book he wrote himself, so I stood in line at the comic book store in the occasional sleet shower. After three freezing hours, I finally made it to Mr Way's** table and was about to have him sign my copy of the March issue of Rockin'On, which featured an interview with Mikey, when he seemed to take a liking to a full-page shot of his brother and a photo of him at the Budokan in Japan. He asked me repeatedly if he could have it, so I reluctantly, but with great pleasure, gave it to him. While I was still excited, I hit it off with a girl I met on the bus back downtown (I later discovered we were close in age and felt even closer to her……), and we decided to go to the show together. The Crystal Ballroom, the venue for the show, also has a long history, and is a popular venue for its dance floor that sways as if it were floating, and the beautiful and funky interior designed by McMenamins, which operates microbrew pubs all over Oregon and beyond. The front of the stage was packed, but the side partitioned bar area, which is only open to over-20s, was relatively empty and cosy. The day started with the dramatic ‘Sleep’, which took the audience by surprise. I had no idea that this song, which is so painful on the album, could sound so powerful in their current hands. The amazing power of the band grew with each song, with Ray's dynamic guitar playing, with his afro and physique looking even stronger, Bob's acrobatic drumming, which I have never seen before, with his hair longer and (for some reason) wearing a red flannel shirt, and Mikey, also with longer hair and more beautiful features, moving around and unleashing the bass. Frank's guitar seemed not to be in good shape that day, but his passion for playing was as strong as anyone else's. Confidence could be felt from every faint note of each sound. And speaking of confidence, Gerard, who had been persistently wearing long sleeves, was proudly showing off his upper arms as he wore sleeveless for the first time in a long time (since the hot Warped Tour, I think). The confidence that they had overcome something so huge, as if they were trying to repel the demons that had possessed them, made them look one or two sizes bigger than they were on stage. The last song of the second album, ‘I Never Told You What I Do For a Living’, was a joy to hear on this day! James, now an indispensable keyboard player, sang the Motley Crue classic ‘Home Sweet Home’ and the flow to ‘Cancer’ also made me cry.
9th Apr. Day 2 in Portland is Gerard's birthday! The mood was even more festive than usual, with a cake-shaped balloon raised by a fan at the edge of the stage. After the second song, ‘Dead!’, Gerard himself led the rendition of Happy Birthday, and even after the song, ‘This is How I Disappear’, the audience got excited with a huge chorus of “I want to listen to it one more time!” In the past two days, I've heard all three songs from "Live and Rare" that are not on the album. I was especially happy to hear ‘Kill All Your Friends’, which I had always wanted to hear live. This song was supposed to be the sixth song on The Black Parade, but was cut from the final version and released as the B-side of ‘Famous Last Words’, and when I first heard it, I thought it sounded simpler than the other songs, and I was convinced that the reason was to avoid making the album too long, but later I could see what Gerard meant when he said later, "I wish we had put it on the album". Behind the disturbing title of the song, ‘Kill All Your Friends’, there is the reality that ‘I’ am stuck in the town where I grew up, and the only time I can see ‘you’, my classmate who has left my hometown, is at someone's funeral. With the disappointment and fear that "you will leave again, and I will die here", I decided that, "I should kill my friend, because then I will see you again". It is an ironic expression of twisted feelings. And when they sing the part where they repeat "You'll never take me alive / Do what it takes to survive, 'cause I'm still here" in a live setting, they are giving each and every one of us who feels the same way the courage to stand up for ourselves. So the flow of this song and ‘I'm Not Okay’ is the strongest, and it is burned into my mind as an explosive climax that releases all the kids who are about to be torn apart by their pent-up feelings at once. I'm really glad I came to see it, thank you! I desperately suppressed the urge to get on a plane to Salt Lake City, the next venue, instead of Tokyo the next day.
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Then 8th May. I was unsure about the last New York show when it was announced after I got my West Coast tickets, but after seeing this tour I became more and more determined not to miss this finale, so I flew to New York as well. Luckily, the Honda Civic Tour, headlined by Panic at the Disco, had just arrived in New York and I was able to catch the second day of the show. The stage was cute, with flower-decorated microphones and a papier-mâché set that looked like a school play, and they played their new album "Pretty. Odd." The new album's dreamy world was recreated, and it was a pleasant surprise to see the old and new songs complementing each other better than expected at the show. Can't wait to see them again at Summer Sonic!
Finally, 9th May. It has rained heavily since this morning. Passing by the entrance to the standing area of Madison Square Garden, plastic sheets, raincoats, chairs, and bags of snacks were strewn about, a testament to the large number of people queuing in the rain. In addition to being the finale of the tour, there was another reason why this show was so special, as Mikey wrote in his 25th February newsletter. 'About a year ago now, my brother brought me here to see Smashing Pumpkins. So I looked at my brother's face and said, "This is what I want to be…… We have to do this…… Someday we're going to be on that stage." We both felt exactly the same thing. And now we can announce the realisation of that dream performance.' After warming up with Drive By and Taking Back Sunday, which Adam [Lazzara] happily said was his dad's birthday, the bass line begins as if to give Mikey the leading role. When the dream performance started with 'Give 'Em Hell, Kid,' my heart was so hot that I was almost overcome with emotion. Surrounded by fans in the arena and in the stands next to the stage, the five of them looked more nervous than ever before, but this was soon swept away by the joy of having made their dream come true, and the air was filled with a sense of celebration and thanksgiving. Midway through the show, when Gerard wanted to sit everyone [the band] down to watch the Wave, Ray apparently whispered to him that they could do it standing up, but Gerard just laughed and shook his head and said, "No, we'll make it more dramatic!" and they ended up sitting down, and it was amazing to see a really dramatic huge wave of excitement rise up and flow throughout the stands. I'll never forget the smiling faces of the audience raising their hands and the members just smiling and looking on in disbelief.
Before the final song, ‘Famous Last Words’, Gerard told us an anecdote about seeing Smashing Pumpkins at this venue, and he said that Mikey brought him there. During the interlude, Gerard picked up Mikey from behind (he was still playing the bass!) and looked so happy. The song, played with such brotherly love, was filled with more joy and hope than I could ever have imagined. Countless mobile phone lights flashed during ‘Desert Song’, and a huge chorus echoed through the last song, ‘Helena’, as if they were regretting every second that passed. The final "goodbye, goodnight" turned into a scream, and amidst truly head-splitting applause and cheers, Gerard said. "Even if we never do another show, we'll keep on living—" These last words have caused a stir, with some people thinking it means the end of the band, but when I heard them there, and now that I've written them down, I can't help but feel a little more pleased to have made it this far, and less anxious about it. It was The Black Parade that opened with the song ‘The End’ and showed me that the end is the beginning. And the end of the tour, when we see where it has led us, shows us that the place is so beautiful and that we are so much stronger for going there. When My Chemical Romance comes back to us again, we want to be able to make them proud. As one of the fans from all over the world who has been given more strength than I can take, that's all I can wish for now.
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Getting pumped up at Burger King in the morning
The Warfield before the storm
From Portland to Bend by prop plane
Return trip by bus through snowy landscape
A stylish sign at the Crystal Ballroom
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Bought a T-shirt without thinking
A flyer for Frank's Skeleton Crew / advertisement for the Portland show
A poster for a book signing with cartoonist Way-sensei (pics by Mycki)
A very personal New York specialty pancake that was treated to our correspondent Akemi Nakamura.
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The brilliant stage of PATD decorated with flowers
The poster of the fateful Smashing Pumpkins concert was found at the venue!
Translator’s Note: Sooooo I bet some of you didn't see me coming in with this translation of a MCR live report, eh? 👀
Fun fact: In Japan, My Chemical Romance’s short name isn’t called ‘MCR’, but rather shortened down as “マイケミ / Mykemi”. Just like in the western world, it’s not unusual that Japanese fans will shorten band names to make it easier to pronounce, but in this case, it was shortened based on their writing system. You can see this with Red Hot Chili Peppers / Redochiri and Smashing Pumpkins / Sumapan, for example.
*I’ve checked on who Todd Price of Drive By is and, uhhhh, yeah… other than the frankly brief Wikipedia article about the band, it turns out he had just passed away earlier this year in March. Didn’t expect that when I Googled for more information, but here we are.
**In the original text, in this particular sentence, the journalist actually referred to Gerard as ‘Way-sensei’, an honorific term of respect towards him. But this sentence was the only instance that the word ‘sensei’ was conferred onto him, so most likely this was used while he’s Gerard Way the comic book artist, not as Gerard Way of My Chemical Romance. I used ‘Mr Way’ in that sentence instead as it still conveyed a form of respect towards him.
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For the one word prompt: allergic
[a small bea & lil (platonic) backstory for tattoo artist/florist au]
//
'so let me make sure i understand you correctly,' you say, trying your best to seem unaffected and annoyed in front of both beatrice's and your parents in beatrice's childhood dining room. everything is austere and the back of your neck prickles in discomfort, years and years of it; you remind yourself to not fidget. 'you want me to, what? fly to oregon —' admittedly, an offense on beatrice's part — 'and... kidnap beatrice back to england?'
'stop being so dramatic,' your mother says, rolling her eyes. 'beatrice needs to come home. she's passing up a job in parliament to go choose to live a sinful lifestyle —'
'fine,' you say, just to stop where you know that would inevitably end up. admittedly, you do think beatrice is running away from, like, every single one of her issues, but you've never been good at talking to each other, and, anyway, no one has ever been able to force beatrice to do anything, especially not you. you doubt it'll start now. 'just send me the flight and hotel info.'
'you leave later tonight.'
'a red eye.' you resist the urge to groan. 'great.'
/
begrudgingly, portland is beautiful — green and lush and quiet for a city its size, the river meandering through its middle, all the bridges and fast-moving clouds on a relatively clear day, a barely-there warmth in the sun that signals the beginnings of real spring. you watch it all go by on your way from the airport to the address beatrice's parents had somehow found — you don't even want to know how; better to leave well enough alone, you've learned — and when you arrive at a small house, navy blue with a red door, a neatly kept pollinator garden in the front, you park your car and allow yourself to acknowledge that, well, it's kind of cute. the sun is sinking beneath the hills across the river and a chill is moving in, but the air is fresh.
you smooth down your hair, try to fix any wrinkles in your shirt, which is, of course, both fruitless and unnecessary as soon as you get out and put your favorite leather jacket on. honestly, you don't even know if beatrice is home, but there's a practical, small hybrid suv in the driveway, and you're pretty sure if you texted or called her that you'd been sent to fetch her back to london by both sets of your parents, she'd never see you. you pocket your phone and keys and walk up the little stone path to the small porch, then knock on the door. you wait while you hear some shuffling on the other side, and then it takes you a few moments to process that beatrice is standing in front of you.
apparently, her too, because she stands perfectly still for some seconds before, 'lilith?'
you take her in fully, because you can: her hair is short now, buzzed on the sides and back, swept back on the top, neat and dark, and you can see part of a tattoo on her forearm from under the soft, loose sweater she's wearing, pushed up to her elbows. she has on casual pants — navy, still well-tailored in a way you expect from her, cropped at the ankles — and blundstones, like she's getting ready to go somewhere. 'it's been, what, ten days? you're really assimilating quickly,' you say, even though you regret it as it's happening. her face goes from surprised to stormy, one you know all too well.
'piss off,' she says, and starts to close the door, but you stick your arm out and she glares but — thankfully, because she could — doesn't slam it in your face. 'if you came to convince me to go back to london, it's not going to work.'
'can you let me inside?'
she waits a beat but then sighs, still glowering, but steps aside. 'i have to leave in seven minutes.'
'hot date?'
the blush that creeps up from her chest, beneath her sweater, and spreads along her cheeks, to the tips of her ears, is also new.
'oh.'
she crosses her arms over her chest, an unspoken dare. you look around at the house: it's small, but it's been remodeled and has a beautiful open floor plan, marble countertops and a big fridge, a comfortable couch and a big tv, all warm woods and easy greens and rich oranges, mirroring the world outside. 'this is yours?'
she clenches her jaw. 'yes.'
'look,' you say, processing the fact that beatrice has apparently also purchased a house here, and hold up your hands, palms toward the ceiling. 'i come in peace.'
'there's about a 100% chance you're here at the bidding of my parents.'
'they want you to come back home, yes.'
she rolls her eyes. 'i'm an adult.'
you're twenty-seven, and beatrice is a year and a half younger than you, so that's sort of debatable, but it's not worth the argument you see written all over her posture, her stiff shoulders and ramrod straight spine, the set of her feet, ready to get into a fight. 'transparently, they did send me here with the purpose of convincing you to come back to london and do your parliament thing.'
she huffs and turns toward the kitchen and motions for you to follow; she opens the fridge and takes out two beer cans, opens them and hands one to you. a local west coast ipa, you take note of. 'no pint glasses?'
'like i said, i have to leave soon.'
'fair enough.' you lift yours in an offer for a salute — an offer of peace, more than anything — and she clinks hers with a resigned little expression, takes a long sip before putting her can down on the counter and leaning toward you.
'you know i'm not going back.'
'i do,' you say; you always had. 'mostly i wanted to see that you were, you know —'
'okay?'
it's kinder than anything that would've come out of your mouth in the moment, a hint of affection seeping in. 'sure.'
'i'm doing great.'
'clearly.'
she frowns, takes another drink. 'if you really believe all of our parents' bigoted —'
'beatrice.' she stills where she'd started to pace. 'you know that i don't. i just don't understand why you can't be a lesbian at home.'
beatrice tips her head back. 'of course you understand,' she says, more intense than you had expected. 'maybe not about being gay specifically, although, whatever, we can get into your proclivities later —'
'bea —'
'but — don't you want to have your own life?'
'you think, what, moving halfway around the world, with no warning, to help run some farm, is — '
'— is what, lilith?'
you feel yourself deflate; you take a sip of your beer because there are tears starting to burn at the corner of your eyes.
'it's a permaculture project — part science, part local politics, part business. it's a good opportunity.' she stills, glances at the time on her phone. 'and, even if it wasn't, i just — you know as well as anyone how suffocating our families are.'
you can't quite look at her yet — her sincere, golden eyes and serious frown, her freckles, things you've known since you were children whenever she was explaining something that hurt, something that mattered — but you nod. 'it's been ten days, beatrice. and you're already —' you swallow, a hurt silence sitting in the air, heavy and swarming.
but beatrice has always been braver than you. 'i need to breathe, lil. it was killing me.'
'you and your fucking flowers,' you say after you're able to gather yourself enough that you're fairly certain you won't cry. thankfully — full of more grace that you have ever been — beatrice grants you a laugh.
'why don't you stay with me,' she offers after a silence when you can't bring yourself to say anything more. 'i have a spare bedroom, and, lil —'
you reach out and squeeze her hand. 'please don't say anything.'
'just because you're allergic to any kind of affection —'
'fine.'
'yes?'
'yes.'
a smile blooms on her face that makes caving far too quickly — you want to breathe too, so badly — much more bearable. 'okay, well, i shouldn't be too late. there's leftover vietnamese food in the fridge if you're hungry, and i recorded the arsenal match from earlier.'
'plying me with katie mccabe?'
'well, i didn't know you would be failing at kidnapping me today.' she rinses out her beer can and puts it carefully in the recycling. 'kismet, if you will.'
you roll your eyes while she grabs a camel wool peacoat — one she's worn for years now, gorgeous and an inexplicable comfort, that she still has it — and then carefully pulls a pale blue beanie on. you gesture helplessly toward, well, whatever this aesthetic is. 'do you feel like, well, you?'
her smile softens. 'i think so.' she shrugs. 'more than i ever have before, at least.'
'well, i won't wait up, and i don't want to know any details.'
'it's a first date, lilith.'
'are these walls soundproof?'
'goodbye,' she says, but there's amusement in her tone and, before she leaves fully, she turns and strides back toward you and wraps you in a hug. 'i'm glad you're here.'
'me too, beatrice.' you hold onto her a moment longer than you normally would. 'she hot?'
she backs up and smacks you on the shoulder.
'have fun, bea.'
she nods. 'i'll text you when i'm headed home.'
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goodluckclove · 2 months
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Anyone who's read Blind Trust will know the basics of how a Lover's Knot is essentially a prison meant to take two overwhelmingly powerful birthrights and combine them into one identity too contended to cause much trouble.
This is unnerving for Scott and Edgar, who are very much two separate human beings. So as Migration Patterns winds down the question lingers - what would a real Lover's Knot look like? One that developed the way it was supposed to?
Cases have existed before but they have no interest in making themselves known. Luckily, there's a living Lover's Knot killing time right adjacent to Bluerose in Portland, Oregon!
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Meet Aleph Null!
Both of these people are Aleph Null. They use any pronouns since they are a cis man and a cis woman. They also don't really care enough about other people to worry about how they get referred to. They met as children and developed together until their psyches eventually merged, erasing their previous identities and creating Aleph - the name they ended up choosing for themselves.
Aleph is 124 years old, but appears to be in their mid-thirties. Their hair is not naturally greyed, but they dye it grey out of respect for their age. They live in the penthouse of the Benton Hotel in downtown Portland and enjoy a life of luxury funded by a long-time career in art forgery. In between auctions and big sales they're also known to steal from ATMs and run other smaller, less-involved scams.
They are deeply active in the kink scene of Portland, despite being romantically faithful to one very boring man. Aleph is unhinged, intoxicated - definitely a semi-immortal up to try anything once. They only cared about themselves until they met Roderick from the Stamp Museum, and now they only care about themselves and Roderick.
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This is Rod. He's like 31 and he's the manager of a small stamp museum in a dead mall. He's truly passionate about old stamps and history as a whole. Most people find him deeply boring but Aleph thinks he is the most interesting and sexually virile man they have ever met. When Aleph is done closing up the Stamp Museum that he works at for minimum wage, alongside people who space out when he starts to talk, he takes the Max back home to the Benton where he is immediately ravished by his dual-bodied lover and then fed room service and champagne.
Yeah Scott and Edgar are in for the existential crisis of their lives.
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