#Release date: November 4th 1989

[k-i-l-l-e-r-b-e-e-6-9]

[athena-gunpla]

Mobile Suit Gundam: Chronological Watch Order for the Universal Century Timeline

UC 0001

Laplace incident – the Universal Century is declared, and Laplace, the Prime Minister’s residence, is destroyed by terrorists (First few minutes of Mobile Suit Gundam Unicorn (2010) Episode 1: Day of the Unicorn)

UC 0068

Mobile Suit Gundam The Origin (2015-2018) Episode 1

UC 0071

Mobile Suit Gundam The Origin (2015-2018) Episode 2

UC 0074

Mobile Suit Gundam The Origin (2015-2018) Episode 3 first half

UC 0076

Mobile Suit Gundam The Origin (2015-2018) Episode 3 second half

UC 0077

Mobile Suit Gundam The Origin (2015-2018) Episode 4 first half

UC 0078

Mobile Suit Gundam The Origin (2015-2018) Episode 4 third quarter

UC 0079 (the One Year War):

Mobile Suit Gundam The Origin (2015-2018) Episode 4 ending, Episode 5 (January 3rd up until January 15th 0079 UC).

Mobile Suit Gundam MS IGLOO: The Hidden One Year War (2004) Episode 1: Vanishing Serpent of Loum, runs from 4th to 17th January 0079UC.

Mobile Suit Gundam The Origin (2015-2018) Episode 6 (The Battle of Loum, January 15th-16th 0079; later events in the epilogue scattered throughout the first half of the year).

Mobile Suit Gundam MS IGLOO 2: The Gravity Front Episodes (2008) Episode 1: Take Out That Angel of Death!, runs from 26th to 27th April 0079UC.

Mobile Suit Gundam MS IGLOO: The Hidden One Year War (2004) Episode 2: Howls Stained in Dusk, runs from 29th April to 11th May 0079UC.

Mobile Suit Gundam MS IGLOO 2: The Gravity Front Episodes (2008) Episode 2: Kings of the Jungle, Roll Out!, runs from 21st to 26th July 0079UC.

Mobile Suit Gundam (1979) Episodes 1-15, starts September 18th 0079UC.

Mobile Suit Gundam: Cucuruz Doan’s Island (a movie adaptation of Episode 15), around about late October 0079UC. This is set in the Mobile Suit Gundam: The Origin timeline, and thus the White Base has already visited Jaburo and all members are officially part of the Earth Federation Forces. The Guntank is replaced by a second Guncannon, Sleggar is present, and Cucuruz Doan's Island is relocated to the Canary Islands rather than Japan, although the event still precedes Operation Odessa.

Mobile Suit Gundam (1979) Episodes 16-25 (up to early November 0079UC)

Mobile Suit Gundam 08th MS Team Episodes 1-11 (October 6th 0079UC up to around 15th November 0079. Starts after 0079 Episode 10 (Garma's death), and finishes sometime after the battle of Odessa during the Zeon Asian Ground Forces retreat)

Mobile Suit Gundam MS IGLOO 2: The Gravity Front Episodes (2008) Episode 3: Odessa, Storm of Steel!, runs from 8th to 9th November 0079UC, concurrently with Operation Odessa in Episode 25 of Mobile Suit Gundam (1979). The upcoming series Requiem for Vengeance will also occur during the European front and Operation Odessa, I'll update this timeline when it releases.

Mobile Suit Gundam MS IGLOO: The Hidden One Year War (2004) Episode 3: Dance of the Orbital Ghosts, runs from 24th October to 11th November 0079UC.

Mobile Suit Gundam (1979) Episodes 25-35 occur from around November of 0079UC up until the start of December, although there aren't many exact dates for when exactly in the year each episode takes place, although The Battle of Solomon in Episode 35 takes place on 24th December 0079 UC).

Mobile Suit Gundam MS IGLOO: Apocalypse 0079 (2006) Episode 1: In the Skies of Jaburo I Saw the Sea, happens from 3rd to 7th December 0079UC, sometime after 0079 Episode 30.

Gundam 0080 War in The Pocket (1989) runs from around December 9th 0079UC up until around 12th to 25th December 0079UC.

Mobile Suit Gundam MS IGLOO: Apocalypse 0079 (2006) Episode 2: Cross the Path of Light, happens from 28th to 30th December 0079UC.

Final few episodes (around 36/37 until 43) of Mobile Suit Gundam (1979) definitively happen on December 30th and 31st 0079UC, as this is when the Battle of A Bao Qu occurs in canon.

Peace treaty with Zeon signed on 1st January 0080UC.

Mobile Suit Gundam MS IGLOO: Apocalypse 0079 (2006) Episode 3: Spirits Returning to the Cries of Thunder, happens from 31st December 0079UC until 1st January 0080UC.

UC 0080

Mobile Suit Gundam 08th MS Team Episode 12 (unspecified number of months after the end of the One Year War)

UC 0083

Mobile Suit Gundam 0083: Stardust Memory (1991-1992)

UC 0087

Mobile Suit Zeta Gundam (1985-1986)

The Gryps Conflict/Gryps War

UC 0088

Mobile Suit Gundam ZZ (1986-1987)

The First Neo-Zeon war

UC 0093

Mobile Suit Gundam: Char's Counterattack (1988)

The Second Neo-Zeon war

UC 0096

Mobile Suit Gundam Unicorn (2010-2014)

Laplace incident - occurs from around April 7th 0096UC til May 4th 0096UC

UC 0097

Mobile Suit Gundam Narrative (2018)

UC 0100

The Principality of Zeon is officially dissolved and reabsorbed back into the Earth Federation

UC 0105

Mobile Suit Gundam Hathaway (2020)

UC 120

Mobile Suit Gundam F90 (1990)

UC 0123

Mobile Suit Gundam F91 (1991)

UC 149

Zanscare Empire Declared, Zanscare War Commences

UC 0153

Mobile Suit Victory Gundam (1993-1994)

End of the Zanscare War and all key members of the imperial core

[thegreatimpersonator]

pinning my 8 theory post for the third time now because there is far too much evidence that needs to be documented!

THE BIRTH OF 8 THEORY

(LONG compilation of evidence under the cut)

then this easter egg in the commercial: (cred @22point8miles)

next up we have this ask from a lovely anon:

she added EIGHT new tour dates on 4th nov (4 = 8/2)

december 8th is a thursday (aka the perfect day for an announcement for a friday release)

this EXTREMELY IMPRESSIVE DEDUCTION

now, for those of you who still don't know what this 8 MEANS - neither do i lmaooooooooo but here are some of my best bets:

(august themed) lavender haze music video

something speak now related (8 letters in speak now)

something 1989 related

vigilante shit? (track 8)

something else 8 related

A NEW COUNTDOWN THAT ENDS ONE DAY BEFORE 8TH NOVEMBER YOU SAY? (nov 4th)

ALSO the phone was upside down for antihero and VIGILANTE SHIT AKA TRACK 8 HELLO (nov 7th)

VINDICATION - all too well short film bts posted on 8th december!!!

Haven't updated this in a while so here's proof of 8 theory (eras tour edition)

Tour kicked off on 17th March 1 + 7 = 8

August, Vigilante Shit, wanegbt, bad blood are all on the permanent setlist and what do they have in common? They're track 8s!!

4 track 8s and 2 surprise songs - 4x2 =8 again

Both shows have had surprise songs from folklore, her 8th album so far

Counting the surprise song, she sings EIGHT songs from folklore aka TS8 in total

There is only ONE spoken/poem style song which is SEVEN 1+7=8

she PERFORMS tolerateit

another win for 8 theory: speak now tv was announced on a date that adds up to 8

ANOTHER WIN FOR 8 THEORY? more likely than you think

8 references in speak now tv lyrics - 8:05, 1958,

very strange to me that she played last kiss (track 13) and dorothea (track 8)..........after referencing the time 1:38 in a music video..............both on july 8th.................you know what they say.......if the theory shoe fits..............(july 9th)

ERAS TOUR - 8 minute applause after champagne problems on the 8/8 show!

also check out - 8 theory (powerpoint night version)

1989 TV ON THE 8/9 SHOW

Eras tour documentary announced on 31st august (3+1+8+2+3=17, 1+7 =8)

*also since this is my pinned post - i track #tsusermeggie

[asteracaea]

okay these special calendar dates tho

she marks special taylor-related days on her calendars like her mom's birthday and the anniversaries of her album releases and they're a different font and color from the international holidays

here's a list of the special days she marked:

january 10 - andrea's bday

january 23 - olivia's bday

march 5 - scott (dad)'s bday

march 11 - austin's bday

march 14 - national butterfly day

july 16 - national snake day

july 24 - folklore 3rd anniversary

august 4 - national white wine day

august 23 - lover 4th anniversary

october 22 - red 11th anniversary

october 24 - debut 17th anniversary

october 25 - speak now 13th anniversary

october 27 - 1989 9th anniversary

october 29 - national cat day

november 10 - reputation 6th anniversary/meredith's bday

november 11 - fearless 15th anniversary

december 11 - evermore 3rd anniversary

december 13 - taylor's bday

december 18 - benjamin's bday

[l-1-z-a]

Lessons in Game Design, lecture by Will Wright [Recorded November 20, 2003]

Will Wright has become one of the most successful designers of interactive entertainment in the world. He began working on what would become SimCity—The City Simulator in 1985. Using a complex technique, he found a way to bring realistic simulations to desktop PCs. Previously simulations of this sort were only available to the military, scientists and academicians. However, using an easy to use graphic interface, the world of simulations opened up to consumers.

Wright co-founded Maxis (now part of Electronic Arts) with Jeff Braun in 1987. SimCity was released in 1989, and within a few months became a hit. The game has since won 24 domestic and international awards. With Fred Haslem, Wright co-designed SimEarth—The Living Planet in 1990, a simulation of a planet based on the Gaia theory of James Lovelock. In 1991, Wright and Justin McCormick designed SimAnt—The Electronic Ant Colony, a scientifically-accurate simulation of an ant colony. SimCity 2000, and SimCopter, a helicopter flight game, are also part of Wright's recent repertoire. SimCity 3000 Unlimited, the definitive version of 1999s best-selling game SimCity 3000, continued in the tradition. The long-awaited 4th generation, SimCity 4, was released in January 2003.

Taking computer entertainment to its most personal level, Wrights ground-breaking game The Sims, puts players in charge of the lives of a neighborhood of simulated people. Released in February of 2000, this wildly popular title has become a cultural phenomenon, sold millions of copies worldwide, has received numerous Game of The Years accolades, and has become the best selling PC game of all time. The Sims has inspired several expansion packs including Livin Large, House Party, Hot Date, Vacation, Unleashed, and Superstar!

The Sims Online™ enables you to take your Sims to an online world where you get to be yourself or whoever you want to be. In this world you have your own piece of land to do with as you please. In this open-ended, online world, you choose your role, your attitude and your destiny.

In this lecture, recorded in November 2003, Wright discusses various aspects of game design, human interfaces, artificial intelligence, metrics, simulation and the future of gaming.

Catalog Number: 102703077

Lot Number: X4881.2009

[13treacherous13]

remember that one tiktok where taylor drops wildest dreams tv and she’s like “when you set a date in november with red but then someone mentions 1989”??

this is the same energy.

when you re-released your third album last night but someone mentions 1989

*ps i missed the 4th of july parties at the salt box house on the coast 🥹🥹

[brn1029]

On this date in the world of music….

November 4th

2020 - Bruce Springsteen

Bruce Springsteen was at No.1 on the UK album chart with his twentieth studio album Letter to You. Since touring was not possible due to the COVID-19 pandemic, the album was promoted with an online radio station. It features three tracks originally written prior to Springsteen's 1973 debut album, Greetings from Asbury Park, N. J.: 'If I Was the Priest,' 'Janey Needs a Shooter' and 'Song for Orphans.' Springsteen came across earlier recordings of these songs with John Hammond while assembling a compilation album.

2012 - Elton John

A copyright infringement lawsuit filed by songwriter Guy Hobbs against Elton John and his songwriting partner Bernie Taupin over their hit song 'Nikita' was thrown out of court. The Judge ruled that both songs shared similar themes and phrases, but that these were prevalent in modern music.

2002 - Elton John

Elton John and his lyricist Bernie Taupin received the Music Industry Trusts Award for one of the greatest songwriting partnerships of all time.

1998 - Mark E Smith

Fall singer Mark E. Smith appeared at Manhattan Criminal Court on assault charges accused of kicking, punching and choking his girlfriend and band keyboard player Julia Nagle at a New York Hotel.

1989 - Elton John

Elton John scored his 50th UK chart hit when 'Sacrifice', entered the charts. Only Cliff Richard and Elvis Presley had also achieved this feat. Sacrifice was initially released as a single in 1989, but stalled at No.55 in the UK and at No.18 in the US. English DJ, Steve Wright, began playing the song on BBC Radio 1 and the song was then re-released as a double A-side single, along with 'Healing Hands'. (Elton had a lot of stuff going on on this date, huh?)

1979 - The Police

The Police released 'Walking on the Moon' as the second single from their second studio album, Reggatta de Blanc which became the band's second No.1 hit in the UK. Sting has said that he wrote the song when he was drunk one night after a concert in Munich. The following morning, he remembered the song and wrote it down.

1978 - Crosby Stills Nash & Young

Crosby Stills Nash & Young were sued by former bass player Greg Reeves for over a $1 million claiming he was owed from sales of their album 'Deja Vu'.

1977 - Joni Mitchell

The Last Waltz, the movie of The Bands final concert premiered in New York. The Martin Scorsese movie also featured Joni Mitchell, Dr John, Neil Young, Van Morrison, Neil Diamond, Eric Clapton.

1972 - Johnny Nash

Johnny Nash started a three week run at No.1 on the US singles chart with 'I Can See Clearly Now', his only US chart topper, it made No.5 in the UK.

1971 - The Who

The Who opened up The Rainbow Finsbury Park, London, England appearing on the first of three nights.

1970 - David Bowie

David Bowie released his third studio album, The Man Who Sold the World in the US - the first with the nucleus of what would become the "Spiders from Mars", backing band. The album was released in the UK in April the following year.

[hopelikethemoon]

Maybe Today, Maybe Forever Timeline

Now that MTMF has reached almost 150 chapters (and over 400,000 words) I figured it might be helpful for not only myself, but also for my readers if I created this handy little timeline for the series! 

You can find the post for the Release Order here.

All supplemental information can be found here on the carrd. 

1977

September 1977 - Freedom

1987

March 1987 - Day One

1988

June 1988 - Butterflies  July 1988 - Take a Hike

1989

May 1989 - Weird Dreams May 1989 - Settling June 1989 - Old Parr June 1989 - Elena August 1989 - Undercover

1990

May 1990 - Telenovela June 1990 - Loses 

1991

November 1991 - Bleed November 1991 - Stircrazy November 1991 - Cruel Dreams December 1991 - New Year

1992

August 1992 - Promises August 1992 - Hangover  August 1992 - Josie is conceived September 1992 - Bridges September 1992 - Orbit October 1992 -  Maybe October 1992 - Adjusting October 1992 - Comforted November 1992 - Missing Out November 1992 - Between the Lines November 1992 - Conclusions  November 1992 - Goldilocks  November 1992 - Used to Be Lonely December 1992 - Breakfast in Bed December 1992 -  Merry Christmas, Baby

1993 

January 1993 - A Thing For You February 1993 - Sleepy Moments April 1993 - All Ours May 1st 1993 - His Family - Josie is born May 5th 1993 - First Week July 1993 - JoJo July 1993 - First Day Back August 1993 - Relax September 1993 - Today September 1993 - Moving In September 1993 - Maybe Forever October 1993 - Stand Up October 1993 - Stress Relief November 1993 - To Feel December 1993 - San Antonio  December 1993 - A Dance Owed December 1993 - First Words

1994

January 1994 - They officially move to Miami  January 1994 - Miami  January 1994 - Partners January 1994 - Nightmare February 1994 - First Steps June 1994 - A Night Out  July 1994 - Eyes for You November 1994 - The Picnic November 1994 - First Date

1995

January 1995 - Trust January 1995 - Care July 1995 - Summer Days  July 1995 - Thoughts of Two August 1995 - Inspiration August 1995 - Birthday Interruptions September 1995 - Power Trip September 1995 - Homecoming October 1995 - Morning Fun November 1995 - Let it Out

1996 

April 1996 - What Ifs May 1996 - Ballet Practice  July 1996 - The Exam August 1996 - Distraction  August 1996 - The Three of Us August 1996 - Jealous September 1996 - Lecture  October 1996 - Vacation  October 1996 - They think Sofía is conceived  November 1996 - Positive  December 1996 - Secret Keeper December 1996 - Christmas in Laredo

1997 

January 1997 - First Time January 1997 - Baby Shower January 1997 - The Gift January 1997 - Professor  February 1997 - Sunflowers February 1997 - Wake Up March 1997 - Trouble March 1997 - The Guilty  March 1997 - The Truth March 1997 - Mr. Mom March 1997 - The Addition April 1997 - Dreams May 1997 - Stressful Times May 31st 1997 - Delivery June 1st 1997 - The Aftermath  - Sofia is born June 1997 - Going Home June 1997 - Muted Worries July 1997 - Falling Apart September 1997 - Numb September 1997 - Pretty Woman September 1997 - Cracks September 1997 - In the Dark October 1997 - Birthday  October 1997 - Together October 1997 - New Tricks October 1997 - Something New October 1997 - New Adventure November 1997 - Family You Choose  December 1997 - The Shop December 1997 - Double Fill

1998

January 1998 - Zoo Trip January 1998 - Massage January 1998 - Clandestine  January 1998 - Dinner With Friends February 1998 - Coffee February 1998 - Good Girl February 1998 - Inhale/Exhale March 2nd 1998 - Headlines March 29th 1998 - Past Connections May 4th 1998 - Proof May 1998 - California Vacation  May 22nd 1998 - I Do May 22nd 1998 - Room Service June 1998 - In the Night June 1998 - Dad I’d Like to Fu— June 1998 - Safe Word June 1998 - Summer Morning July 1998 - Beach Day July 1998 - Bed Invader July 1998 - Family Dinner August 1998 - Cherry Red August 1998 - Kindergarten  September 1998 - Girl’s Night September 1998 - Teeth September 1998 - Help October 26th 1998  - Birthday Plans October 31st 1998 - Ghosts November 1st 1998 - Haunted November 2nd 1998 - Weed November 24th 1998 - The Ranch November 1998 - Shower Quickie December 24th 1998 - Reunion  December 24th 1998 - Reunion 2 December 25th 1998 - Christmas Morning December 31st 1998 - Celebration 

1999

January 1999 - Movie Night January 1999 - Rockstar January 1999 - Therapy Session January 1999 - Steam May 1999 - Graduation May 1999 - Favorite  May 22nd 1999 - Anniversary May 22nd 1999 - Pool June 1999 - Painting  July 1999 - Adventurous  July 1999 - Lense July 1999 - Recording 

[paths-of-my-childhood-candid]

Lover Conquers All

By: Mark Sutherland for Music Week Date: November 4th 2019 issue (published online on December 13th 2019)

She’s the world’s biggest pop star, but despite her global success, Taylor Swift is also the music industry’s greatest advocate for artists’ and songwriters’ rights. And, with a ground-breaking new record deal and a bold new album, Lover, she’s not about to stop now. Music Week meets her to talk music and business...

Around this time of year, the Taylor Swift anniversaries come at you thick and fast. Nine years since her third album, Speak Now, every note of which was written entirely by Swift, hit the shelves. Five years since she released her mould-breaking pop album, 1989, and went from the world’s biggest country star to the world’s biggest pop star overnight. Two years since her Reputation record saw her become the only musician to post four successive million-plus debut sales weeks in the United States. And so on.

But today, Swift’s mind is drawn further back, to the 13th anniversary of her debut, self-titled record, and the days when her album releases weren’t automatically accompanied by mountains of hype and enough think-pieces to sink a battleship. Her journal entries from the time - helpfully reprinted as part of the deluxe editions of her new album, Lover - reveal her as an excited, optimistic teenager, but also one with a grasp of marketing strategies and label politics way beyond her years, even if she was reluctant to actually take credit for her ideas.

“It always was and it always will be an interesting dance being a young woman in the music industry,” she smiles ruefully. “We don’t have a lot of female executives, we’re working on getting more female engineers and producers but, while we are such a drastic gender minority, it’s interesting to try and figure out how to be.”

And, of course, when Swift started out she was, as she points out, “an actual kid”.

“I was planning the release of my first album when I was 15 years old,” she reminisces. “And I was a fully gangly 15, I reminded everyone of their niece! I was in this industry in Nashville and country music, where I was making album marketing calls, but I never wanted to stand up and say, ‘Yeah, that promotions plan you just complimented my label on, I thought of that! Me and my Mom thought of that!’

“When you’re a new artist you wonder how much space you can take up and, as a woman, you wonder how much space you can take up pretty much your whole period of growing up,” she continues. “For me, growing up and knowing that I was an adult was realising that I was allowed to take up space from a marketing perspective, from a business perspective, from an opinionated perspective. And that feels a lot better than constantly trying to wonder if I’m allowed to be here.”

In the intervening years, Taylor Swift has released six further, brilliant albums, growing from country starlet to all-conquering pop behemoth along the way. She takes up “more space”, as she would put it, than any other musician on the planet: a sales and now - having belatedly embraced the format with Lover - streaming phenomenon; a powerhouse stadium performer; an award-garlanded songwriter for herself and others; and a social media giant with a combined 278 million followers across Instagram, Twitter and Facebook (which would make the Taylor Nation the fourth most populous one on earth, after China, India and the US).

But her influence on music and the music industry doesn’t end there. Because, over the years, Swift has also become a leading advocate for artists’ and songwriters’ rights, in a digital landscape that doesn’t always have such matters as a priority.

In 2015, she stood up to Apple Music over its plans to not pay artist royalties during subscribers’ three-month free trials (Apple backed down immediately). She pulled her entire catalogue from Spotify in 2014 in protest that its free tier was devaluing music, sending Daniel Ek scrambling to justify his business model. When she returned in 2017, it was a crucial fillip for the streaming service’s IPO plans.

More recently, her ground-breaking new record deal with Republic Records contained clauses not only guaranteeing her ownership of her future masters, but also ensuring Universal Music will share the spoils of its Spotify shares with its artists, without any payments counting against unrecouped balances. And when her long-time former label boss Scott Borchetta sold Big Machine to Scooter Braun’s Ithaca Holdings, taking Swift’s first six albums with him, the star publicly called out what she saw as her “worst-case scenario” and stressed: “You deserve to own the art you make”. She may yet re-record her old songs in protest.

In short, Swift has, for a long time now, been unafraid to use her voice on industry matters, whether they pertain to her own stellar career or the thousands of other artists out there struggling to make a living.

All of which makes Swift not just the greatest star of our age, but perhaps the most important to the future development of the industry as a more artist-centric, songwriter-friendly business. Hers is still the life of the pop phenomenon - she spent today in Los Angeles doing promotion and photoshoots (or, in her words, “having people put make-up on me”) as Lover continues to build on huge critical acclaim and even huger initial sales. But now, she’s kicking back with her cats - one of whom seems determined to disrupt Music Week’s interview by “stampeding” through at every opportunity - and ready to talk business.

And for Swift, business is good. The impact of her joining streaming, and the decline of traditional album sales, may have prevented her from posting a fifth successive one million-plus sales debut, but Lover still sold more US copies (867,000) in its first week than any record since her own Reputation. It’s sold 117,513 copies to date in the UK, according to the Official Charts Company.

Even better, while Reputation - a record forged in the white heat of a social media snakestorm over her on-going feud with Kanye West - was plenty of show and rather less grow, Lover continues to reveal hidden depths. Reputation struck a sometimes curious contrast between the unrepentant warrior Swift she was showing to the outside world and the love story with British actor Joe Aiwyn that was quietly developing behind closed doors, but Lover is the sort of versatile, cohesive album that the streaming age was supposed to kill off.

It contains more than its fair share of pop bangers (You Need To Calm Down, Me!), but also some gorgeously-crafted acoustic tracks (Lover, Cornelia Street), some pithy political commentary (The Man, Miss America & The Heartbreak Prince) and the sort of musical diversions (Paper Rings’ irresistible rockabilly stomp, the childlike oddity of It’s Nice To Have A Friend) that no other pop superstar would have the sheer musical chops to attempt, let alone pull off.

“Taylor’s creative instincts as an artist and songwriter are brilliant,” says Monte Lipman, founder and CEO of Swift’s US label, Republic. “Our partnership represents a strategic alliance built on mutual respect, trust, and complete transparency. Her vision is extraordinary as she sets the tone for every campaign and initiative.”

No wonder David Joseph, chairman/CEO of her long-time UK label Virgin EMI’s parent company Universal Music UK, is thrilled with how things are going.

“Love Story was a fitting first single release for Taylor here - she’s loved the UK from day one and has engaged so much with her fans and teams,” says Joseph. “She really respects and values what’s going on here creatively. To see her go from playing the Students’ Union at King’s College to Wembley Stadium has been extraordinary. Taylor is an artist constantly striving for perfection, and with Lover - from my personal point of view, her most accomplished work to date adore working with her and whilst it’s been more than 10 years this still feels like the start.”

And today, Swift is keen to concentrate on the present and future. She has a starring role in Cats coming up (and a new song on the soundtrack, Beautiful Ghosts, co-written with Andrew Lloyd Webber) and, after a spectacularly intimate Paris launch show in September, festival dates and her own LoverFest to plan (UK shows will be revealed soon). Time, then, to tell the cats to calm down and sit down with Music Week to talk streaming, contracts and why she’s “obsessed” with the music industry...

Unlike with Reputation, most of the discussion around Lover seems to have been focused on the music... Absolutely! One of the ideas I had about this record, and something I’ve implemented into my life in the last couple of years is that I don’t like distractions. And, for a while, it felt like my life had to come with distractions from the music, whether it was tabloid fascination with my personal life or my friendships or what I was wearing. I realised in the last couple of years that, if I don’t give a window into distraction, people can’t try to look in and see something other than the music. I love that, if you really pour yourself into the idea that an album is still important and try really hard to make something that is worth people’s attention span, time and energy, that can still come across. Because we are living in an industry right now where everyone’s rushing towards taking us into a singles industry and, in some cases, it has become that. But there are still some cases where clearly the album is important to people.

Does it matter that some new artists won’t get to make albums the way you always have? It’s interesting. Five years ago I wrote an op-ed in the Wall Street Journal and said, maybe in the next five years, we would see artists releasing music the way that they want to. I thought that each artist would start to curate what is important to them, not just from an artistic standpoint but from a marketing standpoint. It’s really interesting to see different release plans, if you look at what Drake did and then what Beyoncé does, incredible artists who have really curated what it is to drop music in their own way. We all do it differently, which is cool. As long as people dropping just singles want to be doing that, then I’m fine with it, but if it feels like a big general wave that’s being pressured by people in power, their teams or their labels, that’s not cool. But I do really hope that in the future artists have more of a say over strategy. We’re not just supposed to make art and then hand it to a team that masterminds it.

Were you worried about putting an album on streaming on release day for the first time? Well, there are ways that streaming services could really promote the [whole] album in a more incentivised way. We could have album charts on streaming. The industry follows where they can get prizes. So you have a singles chart on streaming services which is great but, if you split things up into genre charts for example, that would really incentivise people. It’s important that we keep trying to strive to make the experience better for users but also make it more interesting for artists to keep wanting to achieve. But I really did love the experience of putting the album on streaming. I loved the immediacy, I loved that people who maybe weren’t a huge diehard fan were curious and saying, ‘I wonder what this is like’ and listening to it and deciding that they liked it.

You’d resisted streaming for a long time. Have you changed your mind about the format now? I always knew that I would enjoy the aspects of streaming that make [your music] so immediately available to so many people. That’s the part of it that I unequivocally always felt really sad I was missing out on. There wasn’t ever a day when I woke up and I was like, ‘Oh, I’m really glad that multitudes of people don’t have access to my music!’ So I always knew that streaming was an incredible mechanism and model for the future but I still don’t think we have the royalties and compensation system worked out. That’s between the labels and their artists and I realised that me, to use a gross word, ‘leveraging’ what I can bring to cut a better deal for the artists at my record label was really important for me.

How big a factor were things like that in you signing to Republic/Universal? That’s important to me because that means they’re adopting some of my ideas. If they take me on as an artist that means they really thought it through. Because with me, come opinions about how we can better our industry. I’m one of the only people in the artist realm who can be loud about it. People who are on their fifth, sixth or seventh album, we’re the only ones who can speak out, because new artists and producers and writers need to work. They need to be endearing and likeable and available to their labels and streaming services at all times. It’s up to the artists who have been around for a second to say, ‘Hey guys, the producers and the writers and the artists are the ones who are making music what it is’. And we’re in a great place in music right now thanks to them. They should be going to their mailbox and feeling like they’ve got a pension plan, rather than feeling like, ‘Oh yay, I can pay half my rent this month after this No.1 song’.

Did you have more creative freedom making Lover than on your previous albums? In my previous situation, there were creative constraints, issues that we had over the years. I’ve always given 100% to projects, I always over-delivered, thinking that that generosity would be returned to me. But I ended up finding that generosity in a new situation with a new label that understands that I deserve to own what I make. That meant so much to me because it was given over to me so freely. When someone just looks at you and says ‘Yes, you deserve what you want’, after a decade or more of being told, ‘I’m not sure you deserve what you want’ - there’s a freedom that comes with that. It’s like when people find ‘the one’ they’re like, ‘It was easy, I just knew and I felt free’. All of a sudden you’re being told you’re worth exactly, no, more than what you thought you were worth. And that made me feel I could make an album that was exactly what I wanted to make. There’s an eclectic side to Lover, a confessional side, it varies from acoustic to really poppy pop, but that’s what I like to do. And, while you would never make something artistic based on something so unromantic as a contract, it was more than that. It was a group of people saying, ‘We believe in what you’re making, go make what you want to make and you deserve to own it too’.

You’re obviously not happy about what’s happened at Big Machine since you left. But will the attention mean artists don’t find themselves in this situation in the future? I hope so. That’s the only reason that I speak out about things. The fans don’t understand these things, the public isn’t being made aware. This generation has so much information available to them so I thought it was important that the fans knew what I was going through, because I knew it was going to affect every aspect of my life and I wanted them to be the first to know. And in and amongst that group, I know there are people that want to make music some day. It involves every new artist that is reading that and going, ‘Wait, that’s what I’m signing?’ They don’t have to sign stuff that’s unfair to them. If you don’t ask the right questions and you sit in front of the wrong desk in front of the wrong person, they can take everything from you.

Songwriters are in dispute with Spotify in the US over its decision to appeal the Copyright Board decision to boost songwriting royalties. Do writers need more respect? Absolutely. In terms of the power structure, the songwriters, the producers, the engineers, the people who are breathing magic into our industry, need to be listened to. They’re not being greedy. This is legitimately an industry where people are having trouble paying their bills and they’re the most talented people we have. This isn’t them sitting in their mansions going, ‘I wish this mansion was bigger and I would like a yacht please’. This is actually people who are going to work every single day. I got into writing when I was in Nashville and it was very much like what I read about the Brill Building. You would write every day, whether you were inspired or not, and in the process I met artists and writers. Somebody would walk in and someone would say, ‘Oh, he’s still getting mailbox money from that Faith Hill cut a couple of years ago, he’s set’. That’s not a thing anymore. Mailbox money is a thing of the past and we need to remember that these are the people that create the heartbeat that we’re all dancing to or crying to.

You were clearly aware of music industry machinations from a young age... Reading back on the journal entries, I forgot how obsessed I was with the industry as a teenager. I was so fascinated by how it works and how it was changing. Every part of it was interesting to me. I had drawn the stages for most of my tours a year before I went on them. That really was fun for me as a teenager! A lot of people who start out very young in music, either don’t have a say or don’t have the will to do the business side of it, but weirdly that was so much fun for me to try and learn. I had a lot of energy when I was 16!

Are you doing similar drawings for next year’s LoverFest? Definitely. And that’s why it’s still fun for me to take on a challenge like, ‘Oh, let’s just plan our own festival’. Let’s create a bill of artists and try and make it as fun as possible for the fans. I’m so intrigued by what that’s going to be like.

Finally, when we last did an interview in 2015, you said in five years’ time you wanted to be “finding complexity in happiness”. How has that worked out? That’s exactly what’s happened with this album! I think a lot of writers have the fear of stability, emotional health and happiness. Our whole careers, people make jokes about how, ‘Just wait until you meet someone nice, you’ll run out of stuff to write about’. I was talking to [Cats director] Tom Hooper about this because he said one thing his mother taught him was, ‘Don’t ever let people tell you that you can’t make art if you’re happy’. I thought that was so amazing. He’s a creator in a completely different medium but he has been subjected to that same joke over and over again that we must be miserable to create. Lover is important to me in so many ways, but it’s so imperative for me as a human being that songwriting is not tied to my own personal misery. It’s good to know that, it really is!

[crunchyspicysalmon]

Signs as Studio Ghibli movies based on release date

Aries: Grave of the Fireflies (1988); My Neighbour Totoro (1988)

Taurus:

Gemini: Only Yesterday (1991); Porco Rosso (1992); Pom Poko (1994); Whisper of the Heart (1995)

Cancer: Kiki's Delivery Service (1989); Princess Mononoke (1997); My Neighbours the Yamadas (1999); Spirited Away (2001); The Cat Returns (2002); Ponyo (2008); Arriety (2010); From Up on Poppy Hill (2011); The Wind Rises (2013); When Marnie Was There (2014)

Leo: Castle in the Sky (1986); Tales from Earthsea (2006)

Virgo: Howl's Moving Castle (2004)*

Libra:

Scorpio: Howl's Moving Castle (2004)*

Sagittarius: The Tale of the Princess Kaguya (2013)

Capricorn:

Aquarius:

Pisces: Nausicaa of the Valley of the Wind (1984)

*Howl's Moving Castle had two separate releases - one on September 4th, 2004 in Venice, and the other on November 30th, 2004 in Japan

[444fearofgod]

one sixty five

December 16th, 1989 – Julio Giovanni de Santos is born to Amy Vitti and Manuel de Santos.

April 1991 – Amy and Manuel separate after she feels guilty/embarrassed over him having to save her during a suicide attempt.  

August 1991 – Vincent Calvetti meets Amy at a nightclub while offering her a bump of his coke. It’s love at first snort.

February 1993 – After almost two years of dating, Amy finally lets Vinny formally meet Giovanni. They hit it off almost instantly, and Gio calls him ‘dad’ right off the bat.

June 1993 – Amy enters the first depressive episode that Gio can remember.

December 1993 – For his fifth birthday, Gio receives a Gameboy from Vinny. His first video game console, and he still has it to this day.

September 1996 – After Manuel demands that he be allowed to see his son on a more regular basis, Amy and Vinny uproot with Gio and move to Boston, MA.

November 1996 – After a few good months, Amy enters her worst depressive episode in years.

December 1996 – Just a week after Gio’s 8th birthday and two days before Christmas, Amy attempts suicide and is caught/stopped by Vinny. She checks-in to a mental facility that same day for the sake of her family. Gio is in utter dismay.

February 1997 – Just in time for Valentines Day, Amy is discharged and is finally on medication for her Bipolar Disorder.

May 2000 – Gio enters his first competitive gaming tournament, which is really just a bunch of kids trying to get the most high scores on each machine in the local arcade. He puts up a good fight, but ultimately wins 2nd place, which fuels him to try and never lose ever again.

October 2003 – The first Call of Duty game comes out, and Gio is absolutely enthralled by it. He masters it almost immediately, holding weekly mini-tournaments with his friends and other kids in school.

April 2004 – Gio and Kyra officially meet for the first time.

January 2005 – His high school’s gaming club hosts a Call of Duty tourney, organized by Gio himself. He wins by a landslide, proudly taking home the measly $100 prize.

May 2005 – Gio asks Kyra to junior prom, while simultaneously asking her to be his girlfriend.

June 2007 – After graduating high school, Gio has no plans to continue his education, and focuses solely on his girlfriend, and his gaming.

November 2009 – Kyra announces her pregnancy with Gio’s child, and the man is both over the moon and scared out of his mind.

December 2009 – At another local tournament, he meets Michael and Eden Stark for the first time.

August 2010 – Luka Giovanni De Santos is born on August 4th, 2010 at 5:45 AM after Kyra spends almost three days in labor.

June 2013 – Kyra begins having an affair with a coworker of hers on weekends that Gio and Luka spend together with his side of the family.

October 2013 – Accidentally, Gio walks in on Kyra and the other man having sex in their apartment. The two break up on the spot and he moves into his own place, only able to see Luka on the weekends and some weekdays depending on Kyra’s work schedule.

February 2014 – Putting Luka to bed on February 27th, 2014, this is the last time Kyra sees her son ever again. The boy is gone by the morning, and leaves no trace. There is a widespread search across the state for him.

March 2014 – Gio is arrested on the 1st and charged for the arranged kidnapping of his son, though he is soon acquitted of all charges due to lack of evidence.

July 2017 – After taking a hiatus from Esports, Fortnite is released, and Gio gains extreme popularity almost overnight the moment he starts streaming the game.

June 2018 – Gio wins the very first Fortnite World Cup.

March 2019 – Gio moves back to Sloane from Boston and opens up Loot Llama after 2 successful years of reentering gaming culture.

June 2019 – For the second year in a row, Gio wins the Fortnite World Cup again.

[k-i-l-l-e-r-b-e-e-6-9]

Carcass - Cadaveric Incubator Of Endopar

[iamtheroger]

Queen Index Part 1: The Video Directors

I finally got round to starting this pretty big operation. I start off pretty simply with all the video directors of Queen music videos or concert videos. Just to keep this manageable to me I’ll only cover 1973-1995 (with some exceptions along the way). I’ll do this chronologically and then make a masterpost of all the different posts I’ve made.

Mike Mansfield - Director of the first promo videos of Keep Yourself Alive & Liar shot at Brewer Street in London on 9th August 1973.

Bruce Gowers - Was first used as the director of the Bohemian Rhapsody video, shot on 10th November 1975 at Elstree Studios in London.

Faced with a difficult situation, the group improvised, setting aside a budget of £3,500 and hiring director Bruce Gowers for a four-hour (might have been three - yogurtbattle) shoot that took place without storyboarding or much of any rehearsal — and found Gowers rolling tape while the band members kept one eye on the clock, intent on getting out of the shoot in time to make it to the pub before last call (they did - yogurtbattle). (x)

(BTW, I’ve seen Roger say that they left on 2 AM that night to take the bus to their first concert, but the date of the video is widely reported as 10th of November so one of those has to be wrong and right now I’m going for Roger’s memory :P)

He also directed the video for You’re My Best Friend, no exact date. Now there is a bit of confusion over this video, and this is the closest I’ve found, from Ratty’s book, that makes sense:

So it was recorded it a disused barn at Ridge Farm but not in April (as widely reported), but in mid-June (that’s when they rehearsed there). Makes far more sense as the single was released in mid-June as well.

Next up he directed the video for Somebody To Love shot both at Wessex Studios and Hyde Park in London, the former on 4th November 1976 and the latter on 18th September 1976, during the concert. Lastly, on 18th February 1977 he flew out to Miami (not as sometimes reported at Nassau Colisseum in Uniondale) to direct the video of Tie Your Mother Down in the Sportorium. The reason he never worked for Queen again afterwards, as told by him:

Gowers worked with Queen three more times before falling out with late singer Freddie Mercury because he was booked for another job. The pair had a “shouting match” in a London restaurant. “Freddie felt betrayed,” he said, “but didn't understand I was not under contract with them, and as a freelancer took work where I could get it. We never spoke properly after that.” 

He did went on to work with (amongst others) Rod Stewart, the Rolling Stones, Genesis, Bee Gees, Elton John, Michael Jackson & Prince.

Derek Burnbridge - The director of We Are The Champions, shot on 6th October 1977 at New Royal Theatre in London. This was the first time the band called on the fan club for cheap extras and the band gave an impromptu short performance afterwards. It is unknown why the band never worked with him again, but he did went on to direct videos for The Police & AC/DC.

Rock Flicks - Now, this sounds more like the name of a company than a person to me, especially as the Queen videos are the only videos found related to it, but anyway ‘Rock Flicks’ was behind the Spread Your Wings/We Will Rock You video shoot, shot in January 1978 at Roger’s new home in Surrey, the one where Freddie was drunk and everyone cold. It is therefore unknown who really directed this videos.

Dennis De Vallance - This guy worked on several Queen videos, which is odd as the band didn’t like any of them. Not like the band which is normally so perfectionistic. Anyway, he first directed the Fat Bottomed Girls video on 28th October 1978 at the Convention Center in Dallas, where Queen were playing. At the same time, the performance footage for Bicycle Race was shot, but the band hated that so much only the footage of the nude cyclists was used in the original cut. This footage is also credited to Dennis as director, and was shot on 17th September at Wimbledon Stadium in London. He later returned to direct the Love Of My Life promo video on the 25th April 1979 in Tokyo. At last, he made a good Queen video when he directed the Crazy Little Thing Called Love one, on the 22nd September 1979 at Trillion Studios in London.

Interesting side note on the Crazy video: it was choreographed by Arlene Phillips, who also choreographed the We Will Rock You musical!

Now the next one is a bit tricky, his name is written as both Jorgen Kliebenst and Jörgen Kliebenstein (it certainly isn’t the first one), but I wonder if this might be the same guy as Hans-Jürgen Kliebenstein, as that is the only person with a similar name I can found on Google who is also working for TV - Anyway, this guy, whatever his name is, directed the Don’t Stop Me Now video shot at Forrest Nationale in Belgium before Queen’s concert there on 26th January 1979.

Keith McMillan - The guy that managed to fall down an orchestra pit at the Rainbow Theatre in London while working on the video for Save Me. Because the director injured himself, the band had to return to the video shoot a week later, on 22nd December 1979 at Alexandra Palace. This guy had worked before Queen with Kate Bush and Paul McCartney (who might have recommended him to them as he was the one behind the Concerts for the People of Kampuchea that Queen performed in the same month, which Keith also directed). He later worked with Blondie and Simple Minds.

Brian Grant - Directed multiple Queen videos, with mixed successes. His first was the video for Play The Game at Trillion Studios in London on 29th May 1980. Two years later he also shot the ill-fated videos for Back Chat and Calling All Girls back-to-back, in an unknown location in July 1982. He worked with various famous acts in the 80s, amongst them Kim Wilde, Peter Gabriel, Spandau Ballet, Whitney Houston and Van Halen.

Daniella Green - Hey, a female director! She directed the video for Another One Bites The Dust, shot on the 9th August 1980 in Dallas at the Reunion Arena. Nothing else I could find about her, sadly.

Mike Hodges - Just after Queen finished work on the Flash Gordon soundtrack, they shot a video for the theme song with Flash Gordon director Mike directing it - I’ll come back to him when discussing Flash Gordon. The video was shot in November 1980 at Anvil Studios and Roger had to take a break from recording his solo album to shoot it. Mike also shot the video for Body Language (yes, that one) in April 1982 in Toronto. Here’s Mike talking about that one:

Your promo video for Queen's song Body Language was apparently the first film banned by MTV. It's certainly the most erotic piece of work you've made. How did you and the band arrive at the concept? While recording the music for FLASH GORDON, I became friendly with all the members of Queen. They were fantastic fun to work with. In fact, shortly afterwards, I shot the movie’s music video. Then Freddie Mercury approached me to do the same with a song he’d written, Body Language. There’s the eroticism you talk about - in the song itself. The concept was Freddie’s and I was only too happy to capture it on film. We completed it in a Toronto studio after a truly exhausting 24-hour (okay, that makes the lack of enthusiasm by the band even more understandable - yogurtbattle) shoot! (x)

David Mallet - Now, there’s a guy that should have his own page, so much has he done with Queen. He came to work with Queen as he had worked with David Bowie previously. His first video was the one for Under Pressure, and he went on to do the videos for Radio Ga Ga, I Want To Break Free, Hammer To Fall, Who Wants To Live Forever, I Want It All, several of Freddie’s solo videos, and some work with Queen since Freddie’s death. Other people he has worked with include Joan Jett, Def Leppard, Frankie Goes To Hollywood, Tina Turner, AC/DC and INXS.

Radio Ga Ga: Shot on the 22nd & 23rd of November 1983 at Shepperton Studios in London.

I Want To Break Free: Shot on 22nd March  (the audience part), 23rd March (the drag part), 1st April (the ballet part rehearsal) and 5th April 1984 (the ballet part performance) at Limehouse Studios in London.

Hammer To Fall: Shot on the 25th August 1984 at the Forrest Nationale in Brussels. Footage from the 24th was also used for audience shots, as not enough fans showed up.

Who Wants To Live Forever: Shot on 16th September 1986 at a warehouse in Tobacco Wharf in London (by now demolished). Of course Roger was drunk here.

I Want It All: Shot on 22nd April 1989 at Elstree Studios.

The producer on several of these videos was Jacqui Byford, mentioned in the liner notes of The Miracle.

Tim Pope - Right. This guy had previously done the oh-so-great Man On Fire video, so Queen decided to hire him to shoot the video for It’s A Hard Life. The shoot ended up lasting one week, by far the longest of any Queen video. It was shot in Munich of course, in mid-June 1984 at Arri Film Studios. Now it wasn’t just Pope, the band was getting a bit out of hand with their videos then anyway, which probably had other reasons as well. He also worked with Soft Cell, The Cure, The Cars, Hall & Oates, Talk Talk, David Bowie & Paul McCartney (there’s a bit of an eighties theme going on here).

DoRo, The Torpedo Twins or Rudi Dolezal and Hannes Rossacher - The other prominent Queen directors, from one of their favourite cities Vienna. Responsible for even more Queen videos than David Mallet, especially in Freddie’s dying days:

One Vision: Shot in August 1985 in Munich, where Queen where recording for A Kind Of Magic. Also directed the shot documentary surrounding the video.

Friends Will Be Friends: Shot at JVC Studios in London on 15th May 1986, another Fan Club call.

Breakthru: Shot in June 1989 on the Nene Valley Railway in Cambridgeshire. Starring of course Debbie.

The Invisible Man: A video for Roger’s song shot on Roger’s birthday! Not very surprising then that Freddie had those glasses on for Roger’s birthday party. Apparently there was also a birthday cake wheeled in during recording and large amounts of champagne were drunk! Date of course was 26th July 1989, location Pinewood Studios in London.

Scandal: Again at Pinewood Studios, this one was shot on 27th September 1989.

The Miracle: Shot at Elstree Studios on 23rd November 1989. Freddie was portrayed by Ross McCall, who went on to become a professional actor, playing most famously in Band of Brothers.

Innuendo: This one was actually a collaboration between Rudi Dolezal and Jerry Hibbert (mentioned in the album notes). Jerry is an animator who has also worked on Fireman Sam. The video was made in December 1990.

Headlong: Shot at Metropolis Studios in London on 23rd November 1991 and another unknown date late 1990.

I’m Going Slightly Mad: Shot on 15th February 1991 at Wembley Studios in London.

These Are The Days Of Our Lives: Shot on 30th May 1991 (Freddie’s last video) at Limestone Studios in London. Brian couldn’t attend as he was in the US promoting Innuendo, but he was later edited in, with his parts filmed in June.

The Show Must Go On: The band wasn’t in this as Freddie has become too ill, but an edited montage was release as the video in October 1991.

No-One But You: Filmed at the Bray Studios in London in 1997.

After Freddie’s death Roger and Brian also made appearances at DoRo parties in 1992 (Hannes’ 40th) and 1998 (Rudi’s 40th).

Saul Swimmer - The amongst Queen members not very popular director of We Will Rock You, by now known as Rock Montreal, filmed on the 24th and 25th November 1981. It was renamed to its current name after Queen bought out Saul in 2006, after spending 25 years trying to get of him basically.

Gavin Taylor - The director of Live At Wembley, filmed on 13th July 1986. Also directed Live At The Bowl on 5th June 1982. Sadly not with us anymore.

Zsombolyai János -The director of the Hungarian Rhapsody, filmed on 27th July 1986 in of course Budapest.

That was it for the first part of the Queen index!

[classic-rock-roller]

The Van Halen Timeline

Mostly Taken from Everybody Wants Some: The Van Halen Saga by Ian Christe, everything after March 2007 is from my own research  

October 13th, 1947: Sammy Hagar born in Monterey, California 

May 8th, 1953: Alexander Arthur van Halen born in Holland

October 10th, 1953: David Lee Roth born in Bloomington, Indiana 

June 20th, 1954: Michael Anthony Sobolewski born in Chicago, Illinois

January 26th, 1955: Edward Lodwijk van Halen born in Holland 

July 26th, 1961: Gary Cherone born in Malden, Massachusetts 

Winter 1962: Jan van Halen emigrates with his family to California 

1967: Edward gets $100 Teisco Del Ray guitar from Sears 

1971: Alex and Eddie Van Halen form the Trojan Rubber Company 

Autumn 1973: David Lee Roth joins the Van Halen brothers in Mammoth

1973: Sammy Hagar joins Montrose, records two albums, and tours heavily 

Spring 1974: Mike Sobolewski joins Van Halen, becomes Michael Anthony 

May 1976: Gene Simmons “discovers” Van Halen at the Starwood, finances unsuccessful demo tape 

1976: Sammy Hagar leaves Montrose, launches solo career 

May 1977: Ted Templeton rediscovers Van Halen, signs band to Warner Bros.

February 10th, 1978: Release of Van Halen; leading to tours with Journey, then Black Sabbath 

October 10th, 1978: Van Halen goes platinum

March 23rd, 1979: Release of Van Halen II; first headlining tour runs through October 

March 26th, 1980: Release of Women and Children First 

August 29th, 1980: Eddie Van Halen meets Valerie Bertinelli

April 11th, 1981: Eddie marries Valerie 

April 29th, 1981: Release of Fair Warning 

April 14th, 1982: Release of Diver Down

May 29th, 1983: Van Halen paid $1.5 million to play for four hundred thousand people at US Festival ‘83

January 4th, 1984: Release of 1984, featuring band’s first number 1 singe, “Jump”

September 2nd, 1984: Final show by classic lineup in Nuremberg, Germany 

December 31st, 1984: David Lee Roth releases Crazy from the Heat

1985: Cherone’s band the Dream wins MTV’s Basement Tapes

April 1985: David Lee Roth exits Van Halen 

September 1985: Eddie Van Halen announces at Farm Aid that Sammy Hagar is Van Halen’s new lead singer 

November 19th, 1985: Sammy Hagar’s ninth studio album, VOA, becomes his first platinum-selling disc

March 24th, 1986: Release date of 5150; first “Van Hagar” album sells triple platinum by October 

July 4th, 1986: Release of David Lee Roth’s platinum solo debut, Eat ‘Em and Smile 

December 1986: Jan Van Halen dies  

May 24th, 1988: Release of OU812, followed shortly by Roth’s Skyscraper 

Summer 1988: Eddie attempts sobriety while Van Halen tours with Metallica, Scorpions, and Dokken 

February 1989: Tone Lōc;s “Wild Thing” reaches number 2, a rap single that samples Van Halen’s “Jamie’s Cryin”

April 22nd, 1990: Van Halen performs at opening of Cabo Wabo Cantina in Mexico

June 8th, 1990: Extreme’s “More than Words” single hits number 1

February 2nd, 1991: Release of David Lee Roth’s A Little Ain’t Enough, his last gold record as a solo artist

March 16th, 1991: Eddie’s son Wolfgang Van Halen born

June 17th, 1991: Release of For Unlawful Carnal Knowledge, Van Halen’s third-straight number 1 album 

January 1991: Eddie debuts the EVH Music Man guitar and the Peavey 5150 amplifier line 

April 20th, 1992: Gary Cherone joins surviving members of Queen at the Freddie Mercury Tribute Concert in London

February 23rd, 1993: Release of first official live album, Right Here, Right Now

October 16th, 1993: Van Halen’s manager since 1985, Ed Leffler, dies 

March 14th, 1994: Sammy Hagar releases solo collection, Unboxed 

October 2nd, 1994: Fresh from rehab, Eddie Van Halen announces he will never drink again

January 24th, 1995: Release of Balance, the fourth consecutive number 1 studio album 

April 7th, 1995: Eddie arrested at Burbank Airport carrying a loaded gun 

April 26th, 1995: Van Halen returns to Europe after eleven years, as an opening act for Bon Jovi

Fall 1995: David Lee Roth appears in Reno and Las Vegas with a fourteen-piece band 

November 29th, 1995: Sammy Hagar marries second wife, Kari 

June 1996: Eddie and Sammy fight during a phone call; Sammy Hagar leaves Van Halen 

August 7th, 1996: Van Halen certified diamond for ten million sold

September 4th, 1996: Original members of Van Halen appear together at MTV Video Music Awards, leading to renewed quarrels 

October 4th, 1996: Alex and Eddie announce that Van Halen’s new singer will be Gary Cherone 

October 22nd, 1996: Release of Best of Volume I, with two new songs featuring Roth; despite the recent split with the band, it is his first number 1 album 

March 17th, 1998: Release of Van Halen III, the first VH . studio album not to go platinum 

November 5th, 1999: Gary Cherone leaves Van Halen

May 2000: Texas hospital confirms Eddie in outpatient cancer prevention  

Summer 2001: Van Halen completes at least three new songs with David Lee Roth

January 2002: Van Halen’s partnership with Warner Bros. ends after twenty-three years 

April 15th, 2002: David Lee Roth and Sammy Hagar announce joint forty-date summer concert tour 

May 2002: Doctors declare Eddie Van Halen cancer free 

July 2002: Eddie and Valerie Van Halen announce separation 

April 2004: Sammy’s Cabo Wabo Cantina opens a branch in basement of a Lake Tahoe casino; Cabo Wabo tequila ships over 110,000 cases for the year

June 11th, 2004: Van Halen launches reunion tour with Sammy Hagar; relations sour by the end of the summer 

November 19th, 2004: Eddie smashes two Peavey Wolfgang guitars, ending his thirteen-year partnership 

December 6th, 2005: Eddie and Valerie officially file for divorce 

January 2006: David Lee Roth replaces Howard Stern as morning radio DJ; lasts through April 

September 2006: Eddie Van Halen announces that Van Halen will tour in 2007 with his son, Wolfgang, playing bass

December 2006: Roth rehearses with a new all-Van Halen lineup

March 2007: Van Halen inducted into the Rock and Roll Hall of Fame

September 27th, 2007: Van Halen started their new tour in Charlotte, North Carolina 

March 5th, 2008: World Weekly Entertainment to CBS News reported that the reason the tour had been interrupted was Eddie Van Halen’s needing to reenter rehab

June 2nd, 2008: The tour ended at the Van Andel Arena in Grand Rapids, Michigan       

July 3rd, 2008: Van Halen headlined the Quebec City Summer Festival 

August 2010: Warner/Chappell Music extends its administration agreements with Van Halen 

January 17th, 2011: Van Halen enters the Hensen Studio C with Producer Jon Shanks 

December 26th, 2011: Their official website is updated, announcing that tickets for their 2012 tour will be available beginning January 10th, 2012 

January 5th, 2012: Van Halen plays an intimate gig at Café Wha? in New York City

January 10th, 2012: Van Halen’s single “Tattoo” makes it’s premier on radio stations 

February 7th, 2012: A Different Kind of Truth is released 

August 30th, 2012: Eddie Van Halen is diagnosed with diverticulitis and undergoes surgery, which postpones the shows in Japan 

April 20th, 2013: Van Halen performs it’s first show outside North American with Roth since 1984

February 2015: Van Halen fansite, VHND.com, announces that Van Halen is releasing their first every live album with David Lee Roth, Tokyo Dome Live in Concert 

March 24th, 2015: Van Halen announces a 39 date tour with Roth that will take place between July and October across North America   

March 31st, 2015: Tokyo Dome Live in Concert is released 

April 2015: Eddie Van Halen tells Rolling Stone that the band “will probably hunker down and do a studio album” after their tour 

January 16th, 2016: Michael Anthony clears up the rumor that he might be rejoining Van Halen 

February 26th, 2016: David Lee Roth clears up some rumors about his recently released song “Ain’t No Christmas”, saying that it has nothing to do with Van Halen 

May 25th, 2016: David Lee Roth says he believes he’ll be back with Van Halen 

August 17th, 2016: Sammy Hagar apologizes to Van Halen  

December 23rd, 2016: Rumors start to fly about Van Halen reuniting for album and 2018 tour 

March 12th, 2017: Michael Anthony says that it’s time for Roth/Hagar Van Halen tour 

June 22nd, 2017: Michael Anthony says that now is a perfect time for a reunion of the classic lineup of Van Halen 

November 2nd, 2017: Sammy Hagar says that there is no chance of a Van Halen reunion 

January 5th, 2018: Michael Anthony is interviewed for upcoming Van Halen documentary 

January 20th, 2018: Van Halen is rumored to have new music and 2018 tour 

January 29th, 2018: Eddie Van Halen sues to stop release of “5150 Vault” documentary  

[clandestinesmeetings]

I truly think she's gonna want the re-records out as soon as possible but at the same time doesn't want to overwhelm us, so in FULL clown mode I'm predicting one every two months on dates which add up to 13, minus rep of course:

2nd re-record (prob 1989) out June 7th (6+7=13)

3rd re-record out August 5th (8+5=13). I think this will be either Speak Now or Red.

4th re-record out October 3rd (10+3=13) OR if this one happens to be Speak Now or Red she may do the anniversary of the original release.

5th re-record out December 1st OR 28th (12+1=13 or 1+2+2+8=13). I think this will be Debut.

6th re-record (rep) out on its 5th anniversary, November 10th, 2022 (or if that's not allowed bc maybe she can't legally re-record until that very day, then prob like December 4th, 2022 bc 1+2+4+2+2+2=13)

[olusheyi31]

Black Music Month Profile (Day 24)(1 of 2): Wilfred "Will" Downing (born November 29, 1963, Brooklyn, New York) is an American singer and songwriter.He is married to singer Audrey Wheeler, who was a member of the R&B group Unlimited Touch. In the mid-1980s, he moved back to New York City, and worked on albums by Jennifer Holliday, Kool & the Gang, Gerald Albright, Billy Ocean, Regina Belle and Mica Paris. Later he sang with Arthur Baker's group, Wally 'Jump' Junior. In 1988, Downing signed a recording contract with 4th & Broadway Records, and his first solo album, Will Downing, was released that same year. His version of the John Coltrane piece, "A Love Supreme", reached No. 4 on the Billboard Hot Dance Club Songs chart. Downing stayed with 4th & Broadway for just one album and switched to Island Records for his second release, Come Together As One (1989). Switching labels to Mercury for his fourth outing, 1993's Love's the Place to Be, Downing scored his best-selling album to date with about 235,000 copies sold in the United States and over 300,000 copies in the UK. All the Man You Need received a Grammy Award nomination for Best Traditional R&B Album in 2000. In 2002, Downing received the International Association of African-American Music Diamond Award. Beyond performing, Downing is a spokesperson for the American Stroke Association. On tour, he conducts the charity bowling event, Strike Against Stroke, to raise funds towards awareness and education in the African American community, which is disproportionately affected. The American Heart Association recognized Downing for his efforts, honoring him as a Celebrity Ambassador. He is also a keen photographer, and self-published the 2005 coffee table book Unveiled Series I. https://www.instagram.com/p/BzFX6khhAmkuWS95n8WXmF2NavdbLDddHS4rFA0/?igshid=1sdxrqlo6d5sp