#Ryan Coogler was COOKING

[namor-shuri]

[filmmarvel]

2022 Marvel Ranking

I thought it would be fun to return to my roots and make a Marvel post again! This ranking is preference based by the way.

1. Moon Knight- I think Moon Knight was the best project of the year. It was interesting, fairly unique, Oscar Isaac was amazing (along with several other leads), and I’m a huge sucker for mythology. Honestly I’m a little rusty (It’s been a while since I watched this), but as far as I can recall, my biggest complaint about this show would be the visuals. The CGI really wasn’t so good, which always throws things off for me.

2. Black Panther: Wakanda Forever- Overall, I really liked this movie, and I feel that Ryan Coogler did the absolute best he could under the tragic circumstances. It was heartbreaking, and there were some incredible performances given. My only complaints were that some of the pacing was weird, there was a bit too much going on at times, and there were a few plot holes where the audience was left to just assume what happened.

3. The Guardians of the Galaxy Holiday Special- This was actually a lot of fun! It was really funny, Drax and Mantis make a great duo, and the inclusion of Kevin Bacon was delightful. It was really quite sweet, and I’ll take whatever content I can get where the Guardians are happy (it seems like they’re heading somewhere dark for the 3rd film).

4. Thor: Love and Thunder- I have 3 primary issues with this movie. First of all, Gorr the God Butcher was severely underused, secondly, the jokes overwhelmed the plot at times which was annoying (especially because they weren’t always that funny), and third, this movie accomplished very little. Basically all it did was catch us up with what was going on with a few characters. Other than that, this film served little purpose to the MCU at large (this wouldn’t be such a big issue if it were made better). It was also pretty cheesy, and just plain cringy at times. Overall a disappointment from Taika (who I love), but it’s been incredibly irritating to see the outpouring of hatred for Taika since this movie came out. I love Taika, just because he made one bad movie doesn’t automatically cancel out all the great movies and shows he’s made.

5. Dr. Strange in the Multiverse of Madness- I was immensely looking forward to this movie, so it was overall the biggest disappointment. I found the ‘Raimi touch’ that everyone’s been praising to be overly campy and unoriginal. Plus, the dialogue was unbearable, and the whole movie kind of felt like an embarrassing rip-off. I cringed more watching this movie than any other this year, which was bizarre for a Dr. Strange movie. It didn’t feel true to his character at all. Why did I rank Thor, which was widely disliked, above this? Because despite it’s wild mediocrity, it wasn’t nearly as big a disappointment to me as this film was.

As I have become fairly disillusioned with Marvel over the past year or so, I haven’t seen everything that’s been released. Namely, I haven’t watched She-Hulk or Ms. Marvel, and at the moment, I have no intention to watch either, as I haven’t heard anything to convince me I’d find either worth my time (I’d consider Ms. Marvel but not She-Hulk). I also haven’t seen Werewolf by Night, but I’ve heard some great things about it, so I’ll definitely watch it (eventually). I’ve heard that Marvel intends to slow down, and focus on quality over quantity again in 2023, and I really hope this is true. It’s been especially disappointing to see many of the female-led projects get trampled by this recent trend in lower quality.

Also, would anyone like to see a post on visuals, colors, or characters for one of these Marvel projects? I really haven’t done much of anything on Marvel this year, I’ve got some stuff cooking but feel free to request anything!

[themovieblogonline]

Ryan Coogler and Michael B. Jordan Are Coming Back Soon!

Ryan Coogler, the directorial mastermind behind Black Panther, is teaming up with his on-screen muse, Michael B. Jordan, for a brand new movie. Mark your calendars for March 7th, 2025, because that's when this mystery movie, already dubbed an "event film", hits the big screen. Yeah, you heard that right! March 2025! Hollywood's pumpin' out these blockbusters faster than a vampire on Red Bull these days. Coogler and Jordan: A Match Made in Movie Heaven Let's be real, when Ryan Coogler and Michael B. Jordan link up, you know you're in for something epic. These two have been killin' it together since Fruitvale Station, Coogler's indie directorial debut that launched both their careers. And let's not forget Creed, the movie that basically brought the Rocky franchise back to life. Coogler directing and Jordan starring? It's a recipe for box office gold, every single time. Now, the details about this new project are tighter than Fort Knox security. No title yet, no plot synopsis, nothin'. But hey, that just leaves more room for our imaginations to run wild, right? Will it be another action-packed masterpiece like Black Panther? A heart-wrenching drama like Fruitvale Station? Or maybe, just maybe, it'll be something completely different, like... a vampire movie? (Hey, a guy can dream!) Speaking of Vampires... Speaking of vampires, with the news of Jordan starring in this mystery film, some folks online are buzzing about a possible vampire movie connection. Now, that's pure speculation, but wouldn't that be something? Jordan sinking his teeth (metaphorically, of course) into a role like that? Sign me up! One thing that surprised me about this whole project is the release date. March 2025 feels crazy close, considering they're just eyeing a spring production start. Maybe Hollywood's onto something here, though. In our fast-paced world, who wants to wait years for a movie to come out? We want it, and we want it now! One Thing's for Sure: We're Here for It! Whatever this untitled Coogler-Jordan project turns out to be, one thing's for sure: we're hyped. This duo has a proven track record of cinematic excellence, and we can't wait to see what magic they cook up next. So, stay tuned, movie lovers, because with Ryan Coogler and Michael B. Jordan at the helm, you know it's gonna be a wild ride. Source: The Hollywood Reporter Read the full article

[abcnewspr]

HIGHLIGHTS FOR ABC NEWS’ ‘GMA3: WHAT YOU NEED TO KNOW,’ JULY 3-7

The following report highlights the programming of ABC’s “GMA3: What You Need to Know” during the week of July 3-7. “GMA3: What You Need to Know” is a one-hour program co-anchored by Eva Pilgrim and DeMarco Morgan, with Dr. Jennifer Ashton as chief health and medical correspondent. The news program airs weekdays at 1:00 p.m. EDT | 12:00 p.m. CDT on ABC, and 4:00 p.m. and 6:00 p.m. EDT on ABC News Live.

Highlights of the week include the following:

Monday, July 3 —Favorite Segments You Might’ve Missed; producer Ryan Coogler and composer Kris Bowers (“Anthem”); celebrity chef and cookbook author Nick DiGiovanni (“Knife Drop”); a chat and performance by Milky Chance

Tuesday, July 4 (OAD: 6/30/23) — New York City Mayor Eric Adams and Rat Czar Kathleen Corradi; “GMA3” hosts a ‘90s summer party; author and TV host Adam Richman with a ‘90s-themed cooking demo (“The Food That Built America”); a musical performance with emcee and TV host DJ Cassidy, hip-hop duo Kid ‘n Play, rapper Rakim and rapper Treach (“DJ Cassidy’s Pass the Mic”)

Wednesday, July 5 — Secretary of Energy Jennifer Granholm and ABC News correspondent Alex Presha road trip through the “battery belt” in an electric vehicle; ABC News chief meteorologist Ginger Zee on carbon capture technology; fashion and beauty expert Blake Newby; actor Boyd Holbrook (“Indiana Jones” and “Justified: City Primeval”)

Thursday, July 6 — Singer-songwriter Jason Mraz with ABC News correspondent LZ Granderson; chef Cédric Vongerichten; chat and performance with singer-songwriter LiV Warfield

Friday, July 7 — Faith Friday with author and pastor Jonathan “JP” Pokluda (“Why Do I Do What I Don't Want to Do?”); ABC News correspondent Eva Pilgrim with actors Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu ("Joy Ride"); reality television personalities The Derrico Family (“Doubling Down with the Derricos”)

ABC Media Relations Brooks Lancaster Brooks.Lancaster@abc.com

Daniela Urso Daniela.Urso.-nd@abc.com

-- ABC --

[cinemalerta]

93rd Academy Awards Nominees

BEST PICTURE

The Father – David Parfitt, Jean-Louis Livi, and Philippe Carcassonne

Judas and the Black Messiah – Shaka King, Charles D. King, and Ryan Coogler

Mank – Ceán Chaffin, Eric Roth, and Douglas Urbanski

Minari – Christina Oh

Nomadland – Frances McDormand, Peter Spears, Mollye Asher, Dan Javey, and Chloé Zhao

Promising Young Woman – Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara

Sound of Metal – Bert Hamelinick and Sacha Ben Harroche

The Trial of the Chicago 7 – Marc Platt and Stuart Besser

BEST DIRECTOR

Lee Isaac Chung – Minari

Emerald Fennell – Promising Young Woman

David Fincher – Mank

Thomas Vinterberg – Another Round

Chloé Zhao – Nomadland

BEST ACTOR

Riz Ahmed – Sound of Metal as Ruben Stone

Chadwick Boseman (posthumous nominee) – Ma Rainey's Black Bottom as Levee Green

Anthony Hopkins – The Father as Anthony

Gary Oldman – Mank as Herman J. Mankiewicz

Steven Yeun – Minari as Jacob Yi

BEST ACTRESS

Viola Davis – Ma Rainey's Black Bottom as Ma Rainey

Andra Day – The United States vs. Billie Holiday as Billie Holiday

Vanessa Kirby – Pieces of a Woman as Martha Weiss

Frances McDormand – Nomadland as Fern

Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas

BEST SUPPORTING ACTOR

Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman

Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton

Leslie Odom Jr. – One Night in Miami... as Sam Cooke

Paul Raci – Sound of Metal as Joe

Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal

BEST SUPPORTING ACTRESS

Maria Bakalova – Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan as Tutar Sagdiyev

Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance

Olivia Colman – The Father as Anne

Amanda Seyfried – Mank as Marion Davies

Youn Yuh-jung – Minari as Soon-ja

BEST ORIGINAL SCREENPLAY

Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Will Berson, Shaka King, Keith Lucas, and Kenny Lucas

Minari – Lee Isaac Chung

Promising Young Woman – Emerald Fennell

Sound of Metal – Screenplay by Darius Marder and Abraham Marder; Story by Darius Marder and Derek Cianfrance

The Trial of the Chicago 7 – Aaron Sorkin

BEST ADAPTED SCREENPLAY

Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan – Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, and Lee Kern; Story by Baron Cohen, Hines, Swimer, and Nina Pedrad; Based on the character Borat Sagdiyev by Baron Cohen

The Father – Christopher Hampton & Florian Zeller, based on the play by Zeller

Nomadland – Chloé Zhao, based on the book by Jessica Bruder

One Night in Miami... – Kemp Powers, based on his play

The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga

BEST INTERNATIONAL FEATURE FILM

Another Round (Denmark) in Danish – directed by Thomas Vinterberg

Better Days (Hong Kong) in Mandarin – directed by Derek Tsang

Collective (Romania) in Romanian – directed by Alexander Nanau

The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania

Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić

BEST ANIMATED FEATURE FILM

Onward – Dan Scanlon and Kori Rae

Over the Moon – Glen Keane, Gennie Rin, and Peilin Chou

A Shaun the Sheep Movie: Farmageddon – Richard Phelan, Will Becher, and Paul Kewley

Soul – Pete Docter and Dana Murray

Wolfwalkers – Tomm Moore, Ross Stewart, Paul Young, and Stéphan Roelants

BEST DOCUMENTARY FEATURE

Collective – Alexander Nanau and Bianca Oana

Crip Camp – Nicole Newnham, Jim LeBrecht and Sara Bolder

The Mole Agent – Maite Alberdi and Marcela Santibáñez

My Octopus Teacher – Pippa Ehrlich, James Reed, and Craig Foster

Time – Garrett Bradley, Lauren Domino, and Kellen Quinn

BEST CINEMATOGRAPHY

Judas and the Black Messiah – Sean Bobbitt

Mank – Erik Messerschmidt

News of the World – Dariusz Wolski

Nomadland – Joshua James Richards

The Trial of the Chicago 7 – Phedon Papamichael

BEST FILM EDITING

The Father – Yorgos Lamprinos

Nomadland – Chloé Zhao

Promising Young Woman – Frédéric Thoraval

Sound of Metal – Mikkel E.G. Nielsen

The Trial of the Chicago 7 – Alan Baumgarten

BEST PRODUCTION DESIGN

The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone

Ma Rainey's Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Sroughton

Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan

Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

BEST COSTUME DESIGN

Emma – Alexandra Byrne

Ma Rainey’s Black Bottom – Ann Roth

Mank – Trish Summerville

Mulan – Bina Daigeler

Pinocchio – Massimo Cantini Parrini

BEST MAKEUP AND HAIRSTYLING

Emma – Marese Langan, Laura Allen, and Claudia Stolze

Hillbilly Elegy – Eryn Krueger Mekash, Patricia Dehaney, and Matthew Mungle

Ma Rainey's Black Bottom – Matiki Anoff, Mia Neal, and Larry M. Cherry

Mank – Kimberley Spiteri, Gigi Williams

Pinocchio – Dalia Colli, Mark Coulier, and Francesco Pegoretti

BEST VISUAL EFFECTS

Love and Monsters – Matt Sloan, Genevieve Camailleri, Matt Everitt, and Brian Cox

The Midnight Sky – Matthew Kasmir, Christopher Lawren, Max Solomon, and David Watkins

Mulan – Sean Faden, Anders Langlands, Seth Maury, and Steven Ingram

The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones, and Santiago Colomo Martinez

Tenet – Andrew Jackson, David Lee, Andrew Lockley and

BEST ORIGINAL SCORE

Da 5 Bloods – Terence Blanchard

Mank – Trent Reznor and Atticus Ross

Minari – Emile Mosseri

News of the World – James Newton Howard

Soul – Trent Reznor, Atticus Ross, and Jon Batiste

BEST ORIGINAL SONG

"Fight for You" from Judas and the Black Messiah – Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

"Hear My Voice" from The Trial of the Chicago 7 – Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

"Husavik" from Eurovision Song Contest: The Story of Fire Saga – Music and Lyric by Savan Kotecha, Fat Max Gsus, and Rickard Göransson

"Io Sì (Seen)" from The Life Ahead – Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

"Speak Now" from One Night in Miami... – Music and Lyric by Leslie Odom Jr. and Sam Ashworth

BEST SOUND

Greyhound – Warren Shaw, Michael Minkler, Beau Borders, and David Wyman

Mank – Ren Klyce, Jeremy Molod, David Parker, Nathan Nance, and Drew Kunin

News of the World – Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett

Soul – Ren Klyce, Coya Elliot, and David Parker

Sound of Metal – Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortes, and Philip Bladh

BEST LIVE ACTION SHORT FILM

Feeling Through – Doug Roland and Susan Ruzenski

The Letter Room – Elvira Lind and Sofia Sondervan

The Present – Farah Nabulsi

Two Distant Strangers – Travon Free and Martin Desmond Roe

White Eye – Tomer Shushan and Shira Hochman

BEST ANIMATED SHORT FILM

Burrow – Madeline Sharafian and Michael Capbarat

Genius Loci – Adrien Mérigeau and Amaury Ovise

If Anything Happens I Love You – Will McCormack and Michael Govier

Opera – Eric Oh

Yes-People – Gísli Darri Halldórsson and Arnar Gunnarsson

BEST DOCUMENTARY SHORT SUBJECT

Colette – Anthony Giacchino and Alice Doyard

A Concerto Is a Conversation – Ben Proudfoot and Kris Bowers

Do Not Split – Anders Hammer and Charlotte Cook

Hunger Ward – Skye Fitzgerald and Michael Shueuerman

A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan

[extrabeurre]

MANK part en tête d’une course aux Oscars bien bizarre

Je me suis réveillé tantôt, j'ai parti la cafetière, puis en checkant Twitter, je me suis dit: "Ah oui, c'est vrai, les nominations des Oscars ont été dévoilées." 

 C’est la première année depuis une éternité où je ne suis pas au poste au moment où les nominations des Oscars sont annoncées. Je l’ai déjà dit, mais je suis assez désinteressé cette année par cette course aux remises de prix où sont honorés des films que presque personne n’a pu voir sur grand écran, pandémie oblige. 

Oui, il y a d’excellents films en lice, comme Nomadland, Sound of Metal et Promising Young Woman. Il y en a aussi que je vais essayer de voir prochainement, Minari notamment. Mais je n’ai pas l’impression qu’il y ait de gros titres qui ont enflammé la planète cinéma comme par exemple Parasite, Once Upon a Time... in Hollywood ou même le divisif Joker l’an dernier.

J’ai vu Mank de David Fincher sur Netflix, j’ai trouvé ça correct, mais c’est loin d’être un film marquant pour moi. Je reviens quand même sur Nomadland, un de mes préférés de 2020 (même s’il ne sortira techniquement pas en salle au Québec avant avril 2021) - ce sera un bon moment de voir Chloé Zhao probablement remporter l’Oscar de la Meilleure réalisation. Il y a plein d’actrices et d’acteurs talentueux qui sont en nomination. Je serais content que Trent Reznor & Atticus Ross soient récompensés pour la musique de Soul. Je trouve ça plate que TENET de Christopher Nolan ait presque été complètement ignoré.

Mais dans l’ensemble, je suis assez indifférent face à tout ça. Je vais sûrement regarder le gala quand même, en espérant que ce ne soit pas un désastre avec des fenêtres Zoom comme les Golden Globes...

Best motion picture of the year

“The Father” David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers

“Judas and the Black Messiah” Shaka King, Charles D. King and Ryan Coogler, Producers

“Mank” Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers

“Minari” Christina Oh, Producer

“Nomadland” Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers

“Promising Young Woman” Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers

“Sound of Metal” Bert Hamelinck and Sacha Ben Harroche, Producers

“The Trial of the Chicago 7” Marc Platt and Stuart Besser, Producers

Achievement in directing

“Another Round” Thomas Vinterberg

“Mank” David Fincher

“Minari” Lee Isaac Chung

“Nomadland” Chloé Zhao

“Promising Young Woman” Emerald Fennell

Performance by an actor in a leading role

Riz Ahmed in “Sound of Metal”

Chadwick Boseman in “Ma Rainey’s Black Bottom”

Anthony Hopkins in “The Father”

Gary Oldman in “Mank”

Steven Yeun in “Minari”

Performance by an actor in a supporting role

Sacha Baron Cohen in “The Trial of the Chicago 7”

Daniel Kaluuya in “Judas and the Black Messiah”

Leslie Odom, Jr. in “One Night in Miami…”

Paul Raci in “Sound of Metal”

Lakeith Stanfield in “Judas and the Black Messiah”

Performance by an actress in a leading role

Viola Davis in “Ma Rainey’s Black Bottom”

Andra Day in “The United States vs. Billie Holiday”

Vanessa Kirby in “Pieces of a Woman”

Frances McDormand in “Nomadland”

Carey Mulligan in “Promising Young Woman”

Performance by an actress in a supporting role

Maria Bakalova in “Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan”

Glenn Close in “Hillbilly Elegy”

Olivia Colman in “The Father”

Amanda Seyfried in “Mank”

Yuh-Jung Youn in “Minari”

Adapted screenplay

“Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan” Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad

“The Father” Screenplay by Christopher Hampton and Florian Zeller

“Nomadland” Written for the screen by Chloé Zhao

“One Night in Miami…” Screenplay by Kemp Powers

“The White Tigers” Written for the screen by Ramin Bahrani

Original screenplay

“Judas and the Black Messiah” Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas

“Minari” Written by Lee Isaac Chung

“Promising Young Woman” Written by Emerald Fennell

“Sound of Metal” Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance

“The Trial of the Chicago 7” Written by Aaron Sorkin

Best international feature film of the year

“Another Round” Denmark

“Better Days” Hong Kong

“Collective” Romania

“The Man Who Sold His Skin” Tunisia

“Quo Vadis, Aida?” Bosnia and Herzegovina

Best animated feature film of the year

“Onward” Dan Scanlon and Kori Rae

“Over the Moon” Glen Keane, Gennie Rim and Peilin Chou

“A Shaun the Sheep Movie: Farmageddon” Richard Phelan, Will Becher and Paul Kewley

“Soul” Pete Docter and Dana Murray

“Wolfwalkers” Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

Best documentary feature

“Collective” Alexander Nanau and Bianca Oana

“Crip Camp” Nicole Newnham, Jim LeBrecht and Sara Bolder

“The Mole Agent” Maite Alberdi and Marcela Santibáñez

“My Octopus Teacher” Pippa Ehrlich, James Reed and Craig Foster

“Time” Garrett Bradley, Lauren Domino and Kellen Quinn

Achievement in cinematography

“Judas and the Black Messiah” Sean Bobbitt

“Mank” Erik Messerschmidt

“News of the World” Dariusz Wolski

“Nomadland” Joshua James Richards

“The Trial of the Chicago 7” Phedon Papamichael

Achievement in film editing

“The Father” Yorgos Lamprinos

“Nomadland” Chloé Zhao

“Promising Young Woman” Frédéric Thoraval

“Sound of Metal” Mikkel E. G. Nielsen

“The Trial of the Chicago 7” Alan Baumgarten

Achievement in music written for motion pictures (Original score)

“Da 5 Bloods” Terence Blanchard

“Mank” Trent Reznor and Atticus Ross

“Minari” Emile Mosseri

“News of the World” James Newton Howard

“Soul” Trent Reznor, Atticus Ross and Jon Batiste

Achievement in production design

“The Father” Production Design: Peter Francis; Set Decoration: Cathy Featherstone

“Ma Rainey’s Black Bottom” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton

“Mank” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

“News of the World” Production Design: David Crank; Set Decoration: Elizabeth Keenan

“Tenet” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Achievement in costume design

“Emma” Alexandra Byrne

“Ma Rainey’s Black Bottom” Ann Roth

“Mank” Trish Summerville

“Mulan” Bina Daigeler

“Pinocchio” Massimo Cantini Parrini

Achievement in sound

“Greyhound” Warren Shaw, Michael Minkler, Beau Borders and David Wyman

“Mank” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin

“News of the World” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett

“Soul” Ren Klyce, Coya Elliott and David Parker

“Sound of Metal” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Achievement in makeup and hairstyling

“Emma” Marese Langan, Laura Allen and Claudia Stolze

“Hillbilly Elegy” Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney

“Ma Rainey’s Black Bottom” Sergio Lopez-Rivera, Mia Neal and Jamika Wilson

“Mank” Gigi Williams, Kimberley Spiteri and Colleen LaBaff

“Pinocchio” Mark Coulier, Dalia Colli and Francesco Pegoretti

Achievement in visual effects

“Love and Monsters” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox

“The Midnight Sky” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins

“Mulan” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram

“The One and Only Ivan” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

“Tenet” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Best documentary short film

“Colette” Anthony Giacchino and Alice Doyard

“A Concerto Is a Conversation” Ben Proudfoot and Kris Bowers

“Do Not Split” Anders Hammer and Charlotte Cook

“Hunger Ward” Skye Fitzgerald and Michael Scheuerman

“A Love Song for Latasha” Sophia Nahli Allison and Janice Duncan

Best animated short film

“Burrow” Madeline Sharafian and Michael Capbarat

“Genius Loci” Adrien Mérigeau and Amaury Ovise

“If Anything Happens I Love You” Will McCormack and Michael Govier

“Opera” Erick Oh

“Yes-People” Gísli Darri Halldórsson and Arnar Gunnarsson

Best live action short film

“Feeling Through” Doug Roland and Susan Ruzenski

“The Letter Room” Elvira Lind and Sofia Sondervan

“The Present” Farah Nabulsi

“Two Distant Strangers” Travon Free and Martin Desmond Roe

“White Eye” Tomer Shushan and Shira Hochman

Achievement in music written for motion pictures (Original song)

“Fight For You” from “Judas and the Black Messiah” Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas

“Hear My Voice” from “The Trial of the Chicago 7” Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite

“Husavik” from “Eurovision Song Contest: The Story of Fire Saga” Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson

“Io Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)” Music by Diane Warren; Lyric by Diane Warren and Laura Pausini

“Speak Now” from “One Night in Miami…” Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

[bongaboi]

93rd Academy Awards: The List.

Best Picture

· Nomadland – Mollye Asher, Dan Janvey, Frances McDormand, Peter Spears and Chloé Zhao

o The Father – Philippe Carcassonne, Jean-Louis Livi and David Parfitt

o Judas and the Black Messiah – Ryan Coogler, Charles D. King and Shaka King

o Mank – Ceán Chaffin, Eric Roth and Douglas Urbanski

o Minari – Christina Oh

o Promising Young Woman – Ben Browning, Emerald Fennell, Ashley Fox and Josey McNamara

o Sound of Metal – Bert Hamelinck and Sacha Ben Harroche

o The Trial of the Chicago 7 – Stuart M. Besser and Marc Platt

Best Director

· Chloé Zhao – Nomadland

o Thomas Vinterberg – Another Round

o David Fincher – Mank

o Lee Isaac Chung – Minari

o Emerald Fennell – Promising Young Woman

Best Actor

· Anthony Hopkins – The Father as Anthony

· Riz Ahmed – Sound of Metal as Ruben Stone

· Chadwick Boseman (posthumous) – Ma Rainey's Black Bottom as Levee Green

Gary Oldman – Mank as Herman J. Mankiewicz

· Steven Yeun – Minari as Jacob Yi

Best Actress

· Frances McDormand – Nomadland as Fern

o Viola Davis – Ma Rainey's Black Bottom as Ma Rainey

o Andra Day – The United States vs. Billie Holiday as Billie Holiday

o Vanessa Kirby – Pieces of a Woman as Martha Weiss

o Carey Mulligan – Promising Young Woman as Cassandra "Cassie" Thomas

Best Supporting Actor

· Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton

o Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman

o Leslie Odom Jr. – One Night in Miami... as Sam Cooke

o Paul Raci – Sound of Metal as Joe

o Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal

Best Supporting Actress

· Youn Yuh-jung – Minari as Soon-ja

o Maria Bakalova – Borat Subsequent Moviefilm as Tutar Sagdiyev

o Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance

o Olivia Colman – The Father as Anne

o Amanda Seyfried – Mank as Marion Davies

Best Original Screenplay

· Promising Young Woman – Emerald Fennell

o Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Berson, King, Keith Lucas and Kenny Lucas

o Minari – Lee Isaac Chung

o Sound of Metal – Screenplay by Abraham Marder and Darius Marder; Story by Derek Cianfrance and D. Marder

o The Trial of the Chicago 7 – Aaron Sorkin

Best Adapted Screenplay

· The Father – Christopher Hampton and Florian Zeller, based on the play by Zeller

o Borat Subsequent Moviefilm – Screenplay by Sacha Baron Cohen, Peter Baynham, Jena Friedman, Anthony Hines, Lee Kern, Dan Mazer, Erica Rivinoja and Dan Swimer; Story by Baron Cohen, Hines, Nina Pedrad and Swimer; Based on the character by Baron Cohen

o Nomadland – Chloé Zhao, based on the book by Jessica Bruder

o One Night in Miami... – Kemp Powers, based on his play

o The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga

Best Animated Feature Film

· Soul – Pete Docter and Dana Murray

o Onward – Dan Scanlon and Kori Rae

o Over the Moon – Peilin Chou, Glen Keane, and Gennie Rin

o A Shaun the Sheep Movie: Farmageddon – Will Becher, Paul Kewley, and Richard Phelan

o Wolfwalkers – Tomm Moore, Stéphan Roelants, Ross Stewart and Paul Young

Best International Feature Film

· Another Round (Denmark) in Danish – directed by Thomas Vinterberg

o Better Days (Hong Kong) in Mandarin – directed by Derek Tsang

o Collective (Romania) in Romanian – directed by Alexander Nanau

o The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania

o Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić

Best Documentary Feature

· My Octopus Teacher – Pippa Ehrlich, Craig Foster and James Reed

o Collective – Alexander Nanau and Bianca Oana

o Crip Camp – Sara Bolder, Jim LeBrecht and Nicole Newnham

o The Mole Agent – Maite Alberdi and Marcela Santibáñez

o Time – Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject

· Colette – Alice Doyard and Anthony Giacchino

o A Concerto Is a Conversation – Kris Bowers and Ben Proudfoot

o Do Not Split – Charlotte Cook and Anders Hammer

o Hunger Ward – Skye Fitzgerald and Michael Shueuerman

o A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan

Best Live Action Short Film

· Two Distant Strangers – Travon Free and Martin Desmond Roe

o Feeling Through – Doug Roland and Susan Ruzenski

o The Letter Room – Elvira Lind and Sofia Sondervan

o The Present – Ossama Bawardi and Farah Nabulsi

o White Eye – Shira Hochman and Tomer Shushan

Best Animated Short Film

· If Anything Happens I Love You – Michael Govier and Will McCormack

o Burrow – Michael Capbarat and Madeline Sharafian

o Genius Loci – Adrien Mérigeau and Amaury Ovise

o Opera – Erick Oh

o Yes-People – Arnar Gunnarsson and Gísli Darri Halldórsson

Best Original Score

· Soul – Trent Reznor, Atticus Ross and Jon Batiste

o Da 5 Bloods – Terence Blanchard

o Mank – Trent Reznor and Atticus Ross

o Minari – Emile Mosseri

o News of the World – James Newton Howard

Best Original Song

· "Fight for You" from Judas and the Black Messiah – Music by D'Mile and H.E.R.; lyric by H.E.R. and Tiara Thomas

o "Hear My Voice" from The Trial of the Chicago 7 – Music by Daniel Pemberton; lyric by Celeste and Pemberton

o "Husavik" from Eurovision Song Contest: The Story of Fire Saga – Music and lyric by Rickard Göransson, Fat Max Gsus and Savan Kotecha

o "Io sì (Seen)" from The Life Ahead – Music by Diane Warren; lyric by Laura Pausini and Warren

o "Speak Now" from One Night in Miami... – Music and lyric by Sam Ashworth and Leslie Odom Jr.

Best Sound

· Sound of Metal – Jaime Baksht, Nicolas Becker, Philip Bladh, Carlos Cortés and Michelle Couttolenc

o Greyhound – Beau Borders, Michael Minkler, Warren Shaw and David Wyman

o Mank – Ren Klyce, Drew Kunin, Jeremy Molod, Nathan Nance and David Parker

o News of the World – William Miller, John Pritchett, Mike Prestwood Smith and Oliver Tarney

o Soul – Coya Elliot, Ren Klyce and David Parker

Best Production Design

· Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale

o The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone

o Ma Rainey's Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Stoughton

o News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan

o Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Cinematography

· Mank – Erik Messerschmidt

o Judas and the Black Messiah – Sean Bobbitt

o News of the World – Dariusz Wolski

o Nomadland – Joshua James Richards

o The Trial of the Chicago 7 – Phedon Papamichael

Best Makeup and Hairstyling

· Ma Rainey's Black Bottom – Sergio Lopez-Rivera, Mia Neal and Jamika Wilson

o Emma. – Laura Allen, Marese Langan and Claudia Stolze

o Hillbilly Elegy – Patricia Dehaney, Eryn Krueger Mekash and Matthew W. Mungle

o Mank – Colleen LaBaff, Kimberley Spiteri and Gigi Williams

o Pinocchio – Dalia Colli, Mark Coulier and Francesco Pegoretti

Best Costume Design

· Ma Rainey's Black Bottom – Ann Roth

o Emma. – Alexandra Byrne

o Mank – Trish Summerville

o Mulan – Bina Daigeler

o Pinocchio – Massimo Cantini Parrini

Best Film Editing

· Sound of Metal – Mikkel E.G. Nielsen

o The Father – Yorgos Lamprinos

o Nomadland – Chloé Zhao

o Promising Young Woman – Frédéric Thoraval

o The Trial of the Chicago 7 – Alan Baumgarten

Best Visual Effects

· Tenet – Scott R. Fisher, Andrew Jackson, David Lee and Andrew Lockley

o Love and Monsters – Genevieve Camailleri, Brian Cox, Matt Everitt and Matt Sloan

o The Midnight Sky – Matthew Kasmir, Chris Lawrence, Max Solomon and David Watkins

o Mulan – Sean Andrew Faden, Steve Ingram, Anders Langlands and Seth Maury

o The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez

[deqpelis]

Oscars 2021: lista completa de nominados

Tarde pero seguro. El próximo 25 de abril se entregarán las estatuillas más esperadas del cine; entre estrenos cancelados y cines transformados en salas de living y streming, llegarán finalmente los premios más ansiados por los amantes del séptimo arte.

- OSCAR NOMINATIONS 2021 -

Best Picture

THE FATHER David Parfitt, Jean-Louis Livi and Philippe Carcassonne, Producers JUDAS AND THE BLACK MESSIAH Shaka King, Charles D. King and Ryan Coogler, Producers MANK Ceán Chaffin, Eric Roth and Douglas Urbanski, Producers MINARI Christina Oh, Producer NOMADLAND Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, Producers PROMISING YOUNG WOMAN Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers SOUND OF METAL Bert Hamelinck and Sacha Ben Harroche, Producers THE TRIAL OF THE CHICAGO 7 Marc Platt and Stuart Besser, Producers

Actor in a Leading Role

Riz Ahmed in SOUND OF METAL Chadwick Boseman in MA RAINEY'S BLACK BOTTOM Anthony Hopkins in THE FATHER Gary Oldman in MANK Steven Yeun in MINARI

Actor in a Supporting Role

Sacha Baron Cohen in THE TRIAL OF THE CHICAGO 7 Daniel Kaluuya in JUDAS AND THE BLACK MESSIAH Leslie Odom, Jr. in ONE NIGHT IN MIAMI... Paul Raci in SOUND OF METAL Lakeith Stanfield in JUDAS AND THE BLACK MESSIAH

Actress in a Leading Role

Viola Davis in MA RAINEY'S BLACK BOTTOM Andra Day in THE UNITED STATES VS. BILLIE HOLIDAY Vanessa Kirby in PIECES OF A WOMAN Frances McDormand in NOMADLAND Carey Mulligan in PROMISING YOUNG WOMAN

Actress in a Supporting Role

Maria Bakalova in BORAT SUBSEQUENT MOVIEFILM: DELIVERY OF PRODIGIOUS BRIBE TO AMERICAN REGIME FOR MAKE BENEFIT ONCE GLORIOUS NATION OF KAZAKHSTAN Glenn Close in HILLBILLY ELEGY Olivia Colman in THE FATHER Amanda Seyfried in MANK Yuh-Jung Youn in MINARI

Animated Feature Film

ONWARD Dan Scanlon and Kori Rae OVER THE MOON Glen Keane, Gennie Rim and Peilin Chou A SHAUN THE SHEEP MOVIE: FARMAGEDDON Richard Phelan, Will Becher and Paul Kewley SOUL Pete Docter and Dana Murray WOLFWALKERS Tomm Moore, Ross Stewart, Paul Young and Stéphan Roelants

Cinematography

JUDAS AND THE BLACK MESSIAH Sean Bobbitt MANK Erik Messerschmidt NEWS OF THE WORLD Dariusz Wolski NOMADLAND Joshua James Richards THE TRIAL OF THE CHICAGO 7 Phedon Papamichael

Costume Design

EMMA Alexandra Byrne MA RAINEY'S BLACK BOTTOM Ann Roth MANK Trish Summerville MULAN Bina Daigeler PINOCCHIO Massimo Cantini Parrini

Directing

ANOTHER ROUND Thomas Vinterberg MANK David Fincher MINARI Lee Isaac Chung NOMADLAND Chloé Zhao PROMISING YOUNG WOMAN Emerald Fennell

Documentary (Feature)

COLLECTIVE Alexander Nanau and Bianca Oana CRIP CAMP Nicole Newnham, Jim LeBrecht and Sara Bolder THE MOLE AGENT Maite Alberdi and Marcela Santibáñez MY OCTOPUS TEACHER Pippa Ehrlich, James Reed and Craig Foster TIME Garrett Bradley, Lauren Domino and Kellen Quinn

Documentary (Short Subject)

COLETTE Anthony Giacchino and Alice Doyard A CONCERTO IS A CONVERSATION Ben Proudfoot and Kris Bowers DO NOT SPLIT Anders Hammer and Charlotte Cook HUNGER WARD Skye Fitzgerald and Michael Scheuerman A LOVE SONG FOR LATASHA Sophia Nahli Allison and Janice Duncan

Film Editing

THE FATHER Yorgos Lamprinos NOMADLAND Chloé Zhao PROMISING YOUNG WOMAN Frédéric Thoraval SOUND OF METAL Mikkel E. G. Nielsen THE TRIAL OF THE CHICAGO 7 Alan Baumgarten

International Feature Film

ANOTHER ROUND Denmark BETTER DAYS Hong Kong COLLECTIVE Romania THE MAN WHO SOLD HIS SKIN Tunisia QUO VADIS, AIDA? Bosnia and Herzegovina

Makeup and Hairstyling

EMMA Marese Langan, Laura Allen and Claudia Stolze HILLBILLY ELEGY Eryn Krueger Mekash, Matthew Mungle and Patricia Dehaney MA RAINEY'S BLACK BOTTOM Sergio Lopez-Rivera, Mia Neal and Jamika Wilson MANK Gigi Williams, Kimberley Spiteri and Colleen LaBaff PINOCCHIO Mark Coulier, Dalia Colli and Francesco Pegoretti

Music (Original Score)

DA 5 BLOODS Terence Blanchard MANK Trent Reznor and Atticus Ross MINARI Emile Mosseri NEWS OF THE WORLD James Newton Howard SOUL Trent Reznor, Atticus Ross and Jon Batiste

Music (Original Song)

"Fight For You" from JUDAS AND THE BLACK MESSIAH Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas "Hear My Voice" from THE TRIAL OF THE CHICAGO 7 Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite "Husavik" from EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson "Io Sì (Seen)" from THE LIFE AHEAD (LA VITA DAVANTI A SE) Music by Diane Warren; Lyric by Diane Warren and Laura Pausini "Speak Now" from ONE NIGHT IN MIAMI... Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Production Design

THE FATHER Production Design: Peter Francis; Set Decoration: Cathy Featherstone MA RAINEY'S BLACK BOTTOM Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Stoughton MANK Production Design: Donald Graham Burt; Set Decoration: Jan Pascale NEWS OF THE WORLD Production Design: David Crank; Set Decoration: Elizabeth Keenan TENET Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Short Film (Animated)

BURROW Madeline Sharafian and Michael Capbarat GENIUS LOCI Adrien Mérigeau and Amaury Ovise IF ANYTHING HAPPENS I LOVE YOU Will McCormack and Michael Govier OPERA Erick Oh YES-PEOPLE Gísli Darri Halldórsson and Arnar Gunnarsson

Short Film (Live Action)

FEELING THROUGH Doug Roland and Susan Ruzenski THE LETTER ROOM Elvira Lind and Sofia Sondervan THE PRESENT Farah Nabulsi TWO DISTANT STRANGERS Travon Free and Martin Desmond Roe WHITE EYE Tomer Shushan and Shira Hochman

Sound

GREYHOUND Warren Shaw, Michael Minkler, Beau Borders and David Wyman MANK Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin NEWS OF THE WORLD Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett SOUL Ren Klyce, Coya Elliott and David Parker SOUND OF METAL Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh

Visual Effects

LOVE AND MONSTERS Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox THE MIDNIGHT SKY Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins MULAN Sean Faden, Anders Langlands, Seth Maury and Steve Ingram THE ONE AND ONLY IVAN Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez TENET Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher

Writing (Adapted Screenplay)

BORAT SUBSEQUENT MOVIEFILM: DELIVERY OF PRODIGIOUS BRIBE TO AMERICAN REGIME FOR MAKE BENEFIT ONCE GLORIOUS NATION OF KAZAKHSTAN Screenplay by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern; Story by Sacha Baron Cohen & Anthony Hines & Dan Swimer & Nina Pedrad THE FATHER Screenplay by Christopher Hampton and Florian Zeller NOMADLAND Written for the screen by Chloé Zhao ONE NIGHT IN MIAMI... Screenplay by Kemp Powers THE WHITE TIGER Written for the screen by Ramin Bahrani

Writing (Original Screenplay)

JUDAS AND THE BLACK MESSIAH Screenplay by Will Berson & Shaka King; Story by Will Berson & Shaka King and Kenny Lucas & Keith Lucas MINARI Written by Lee Isaac Chung PROMISING YOUNG WOMAN Written by Emerald Fennell SOUND OF METAL Screenplay by Darius Marder & Abraham Marder; Story by Darius Marder & Derek Cianfrance THE TRIAL OF THE CHICAGO 7 Written by Aaron Sorkin

[sciencespies]

The True History Behind 'Judas and the Black Messiah'

https://sciencespies.com/history/the-true-history-behind-judas-and-the-black-messiah/

The True History Behind 'Judas and the Black Messiah'

SMITHSONIANMAG.COM | Feb. 11, 2021, 3:15 p.m.

When Chicago lawyer Jeffrey Haas first met Fred Hampton, chairman of the Illinois chapter of the Black Panther Party, he was struck by the 20-year-old activist’s “tremendous amount of energy” and charisma. It was August 1969, and Haas, 26 years old at the time, and his fellow attorneys at the People’s Law Office had just secured Hampton’s release from prison on trumped-up charges of stealing $71 worth of ice cream bars. To mark the occasion, Hampton delivered a speech at a local church, calling on the crowd to raise their right hand and repeat his words: “I am a revolutionary.”

“I couldn’t quite say that, because I thought I was a lawyer for the movement, but not necessarily of the movement,” recalls Haas, who is white. “But as Fred continued saying that, by the third or fourth time, I was shouting ‘I am a revolutionary’ like everyone else.”

Judas and the Black Messiah, a new film directed by Shaka King and co-produced by Black Panther director Ryan Coogler, deftly dramatizes this moment, capturing both Hampton’s oratorical prowess and the mounting injustices that led him and his audience to declare themselves revolutionaries. Starring Daniel Kaluuya of Get Out fame as the chairman, the movie chronicles the months preceding Hampton’s assassination in a December 1969 police raid, detailing his contributions to the Chicago community and dedication to the fight for social justice. Central to the narrative is the activist’s relationship with—and subsequent betrayal by—FBI informant William O’Neal (LaKeith Stanfield), who is cast as the Judas to Hampton’s “black messiah.”

“The Black Panthers are the single greatest threat to our national security,” says a fictionalized J. Edgar Hoover (Martin Sheen), echoing an actual assertion made by the FBI director, in the film. “Our counterintelligence program must prevent the rise of a black messiah.”

Here’s what you need to know to separate fact from fiction ahead of Judas and the Black Messiah’s debut in theaters and on HBO Max this Friday, February 12.

Is Judas and the Black Messiah based on a true story?

In short: yes, but with extensive dramatic license, particularly regarding O’Neal. As King tells the Atlantic, he worked with screenwriter Will Berson and comedians Kenny and Keith Lucas to pen a biopic of Hampton in the guise of a psychological thriller. Rather than focusing solely on the chairman, they opted to examine O’Neal—an enigmatic figure who rarely discussed his time as an informant—and his role in the FBI’s broader counterintelligence program, COINTELPRO.

“Fred Hampton came into this world fully realized. He knew what he was doing at a very young age,” says King. “Whereas William O’Neal is in a conflict; he’s confused. And that’s always going to make for a more interesting protagonist.”

Daniel Kaluuya (center) as Fred Hampton

(Glen Wilson / Warner Bros.)

Speaking with Deadline, the filmmaker adds that the crew wanted to move beyond Hampton’s politics into his personal life, including his romance with fellow activist Deborah Johnson (Dominique Fishback), who now goes by the name Akua Njeri.

“[A] lot of times when we think about these freedom fighters and revolutionaries, we don’t think about them having families … and plans for the future—it was really important to focus on that on the Fred side of things,” King tells Deadline. “On the side of O’Neal, [we wanted] to humanize him as well so that viewers of the film could leave the movie wondering, ‘Is there any of that in me?’”

Who are the film’s two central figures?

Born in a suburb of Chicago in 1948, Hampton demonstrated an appetite for activism at an early age. As Haas, who interviewed members of the Hampton family while researching his book, The Assassination of Fred Hampton: How the FBI and the Chicago Police Murdered a Black Panther, explains, “Fred just couldn’t accept injustice anywhere.” At 10 years old, he started hosting weekend breakfasts for other children from the neighborhood, cooking the meals himself in what Haas describes as a precursor to the Panthers’ free breakfast program. And in high school, he led walkouts protesting the exclusion of black students from the race for homecoming queen and calling on officials to hire more black teachers and administrators.

According to William Pretzer, a supervisory curator at the Smithsonian’s National Museum of African American History and Culture (NMAAHC), the young Hampton was keenly aware of racial injustice in his community. His mother babysat for Emmett Till prior to the 14-year-old’s murder in Mississippi in 1955; ten years after Till’s death, he witnessed white mobs attacking Martin Luther King Jr.’s Chicago crusade firsthand.

“Hampton is really influenced by the desire of the NAACP and King to make change, and the kind of resistance that they encounter,” says Pretzer. “So it’s as early as 1966 that Hampton starts to gravitate toward Malcolm X … [and his] philosophy of self-defense rather than nonviolent direct action.”

Fred Hampton speaks at a rally in Chicago’s Grant Park in September 1969

(Chicago Tribune file photo / Tribune News Service via Getty Images)

William O’Neal in a 1973 mugshot

(Fair use via Wikimedia Commons)

After graduating from high school in 1966, Hampton, as president of the local NAACP Youth Chapter, advocated for the establishment of an integrated community pool and recruited upward of 500 new members. In large part due to his proven track record of successful activism, leaders of the burgeoning Black Panther Party recruited Hampton to help launch the movement in Chicago in November 1968. By the time of his death just over a year later, he’d risen to the rank of Illinois chapter chairman and national deputy chairman.

O’Neal, on the other hand, was a habitual criminal with little interest in activism before he infiltrated the Panthers at the behest of FBI agent Roy Mitchell (portrayed in the film by Jesse Plemons). As O’Neal recalled in a 1989 interview, Mitchell offered to overlook the-then teenager’s involvement in a multi-state car theft in exchange for intel on Hampton.

“[A] fast-talking, conniving West Side black kid who thought he knew all the angles,” O’Neal, according to the Chicago Tribune, joined the party and quickly won members’ admiration with his bravado, mechanical and carpentry skills, and willingness to place himself in the thick of the action. By the time of the police raid that killed Hampton, he’d been appointed the Panthers’ chief of security.

“Unlike what we might think of an informer being a quiet person who would appear to be a listener, O’Neal was out there all the time spouting stuff,” says Haas. “People were impressed by that. … He was a ‘go do it’ guy. ‘I can fix this. I can get you money. I can do these kinds of things. And … that had an appeal for a while.”

Why did the FBI target Hampton?

Toward the beginning of Judas and the Black Messiah, Hoover identifies Hampton as a leader “with the potential to unite the Communist, the anti-war, and the New Left movements.” Later, the FBI director tells Mitchell that the black power movement’s success will translate to the loss of “[o]ur entire way of life. Rape, pillage, conquer, do you follow me?”

Once O’Neal is truly embedded within the Panthers, he discovers that the activists are not, in fact, “terrorists.” Instead, the informer finds himself dropped in the midst of a revolution that, in the words of co-founder Bobby Seale, was dedicated to “trying to make change in day-to-day lives” while simultaneously advocating for sweeping legislation aimed at achieving equality.

The Panthers’ ten-point program, penned by Seale and Huey P. Newton in 1966, outlined goals that resonate deeply today (“We want an immediate end to POLICE BRUTALITY and MURDER of Black people”) and others that were certain to court controversy (“We want all Black men to be exempt from military service” and “We want freedom for all Black men held in federal, state, county and city prisons and jails”). As Jeff Greenwald wrote for Smithsonian magazine in 2016, members “didn’t limit themselves to talk.” Taking advantage of California’s open-carry laws, for instance, beret-wearing Panthers responded to the killings of unarmed black Americans by patrolling the streets with rifles—an image that quickly attracted the condemnation of both the FBI and upper-class white Americans.

Fred Hampton (far left) attends an October 1969 rally against the trial of eight people accused of conspiracy to start a riot at the Democratic National Convention.

(Don Casper / Chicago Tribune / Tribune News Service via Getty Images)

According to Pretzer, law enforcement viewed the Panthers and similar groups as a threat to the status quo. “They are focused on police harassment, … challenging the authority figures,” he says, “focusing on social activities that everybody thinks the government should be doing something about” but isn’t, like providing health care and ensuring impoverished Americans had enough to eat.

The FBI established COINTELPRO—short for counterintelligence program—in 1956 to investigate, infiltrate and discredit dissident groups ranging from the Communist Party of the United States to the Ku Klux Klan, the Nation of Islam and the Panthers. Of particular interest to Hoover and other top officials were figures like Martin Luther King Jr., Malcolm X and Hampton, many of whom endured illegal surveillance, explicit threats and police harassment. Details of the covert program only came to light came to light in 1971, when activists stole confidential files from an FBI office in Pennsylvania and released them to the public.

Though Hampton stated that the Panthers would only resort to violence in self-defense, Hoover interpreted his words as a declaration of militant intentions.

“Because of COINTELPRO, because of the exacerbation, the harassment, the infiltration of these and agent provocateurs that they establish within these organizations, it’s a self-fulfilling prophecy from the FBI’s point of view,” Pretzer explains, “[in that] they get the violence they were expecting.”

As Haas and law partner Flint Taylor wrote for Truthout in January, newly released documents obtained through a Freedom of Information Act request confirm the lawyers’ long-held suspicion that Hoover himself was involved in the plan to assassinate Hampton.

LaKeith Stanfield (left) as William O’Neal and Jesse Plemons (right) as FBI agent Roy Mitchell

(Glen Wilson / Warner Bros.)

What events does Judas and the Black Messiah dramatize?

Set between 1968 and 1969, King’s film spotlights Hampton’s accomplishments during his brief tenure as chapter chairman before delving into the betrayals that resulted in his death. Key to Hampton’s legacy were the Panthers’ survival programs, which sought to provide access to “fundamental elements of life,” per Pretzer. Among other offerings, the organization opened free health clinics, provided free breakfasts for children, and hosted political education classes that emphasized black history and self-sufficiency. (As Hampton said in 1969, “[R]eading is so important for us that a person has to go through six weeks of our political education before we can consider [them] a member.”)

On an average day, Hampton arrived at the Panthers’ headquarters with “a staccato of orders [that] gave energy to everyone around him,” says Haas. “But it wasn’t just what he asked people to do. He was there at 6:30 in the morning, making breakfast, serving the kids, talking to their parents.”

In addition to supporting these community initiatives—one of which, the free breakfast program, paved the way for modern food welfare policies—Hampton spearheaded the Rainbow Coalition, a boundary-crossing alliance between the Panthers, the Latino Young Lords, and the Young Patriots, a group of working-class white Southerners. He also brokered peace between rival Chicago gangs, encouraging them “to focus instead on the true enemy—the government and the police,” whom the Panthers referred to as “pigs,” according to the Village Free Press.

Fred Hampton raises his right hand at an October 11, 1969, rally in Chicago.

(Photo by David Fenton / Getty Images)

Speaking with Craig Phillips of PBS’ “Independent Lens” last year, historian Lilia Fernandez, author of Brown in the Windy City: Mexicans and Puerto Ricans in Postwar Chicago, explained, “The Rainbow Coalition presented a possibility. It gave us a vision for what could be in terms of interracial politics among the urban poor.”

Meanwhile, O’Neal was balancing his duties as an informant with his rising stature within the party. Prone to dramatic tendencies, he once built a fake electric chair intended, ironically, to scare informers. He also pushed the Panthers to take increasingly aggressive steps against the establishment—actions that led “more people, and Fred in particular, [to become] dubious of him,” says Haas.

The months leading up to the December 1969 raid found Hampton embroiled in legal troubles as tensions mounted between police and the Panthers. Falsely accused of theft and assault for the July 1968 ice cream truck robbery, he was denied bail until the People’s Law Office intervened, securing his release in August 1969. Between July and November of that year, authorities repeatedly clashed with the Panthers, engaging in shootouts that resulted in the deaths of multiple party members and police officers.

Daniel Kaluuya as Fred Hampton (far left) and LaKeith Stanfield as William O’Neal (far right)

(Glen Wilson / Warner Bros.)

By late November, the FBI, working off O’Neal’s intel, had convinced Cook County State’s Attorney Edward Hanrahan and the Chicago Police Department to raid Hampton’s home as he and his fiancée Johnson, who was nine months pregnant, slept. Around 4:30 a.m. on December 4, a heavily armed, 14-person raiding party burst into the apartment, firing upward of 90 bullets at the nine Panthers inside. One of the rounds struck and killed Mark Clark, a 22-year-old Panther stationed just past the front door. Though law enforcement later claimed otherwise, the physical evidence suggests that just one shot originated within the apartment.

Johnson and two other men tried to rouse the unconscious 21-year-old Hampton, who’d allegedly been drugged earlier that night—possibly by O’Neal, according to Haas. (O’Neal had also provided the cops with a detailed blueprint of the apartment.) Forced out of the bedroom and into the kitchen, Johnson heard a cop say, “He’s barely alive. He’ll barely make it.” Two shots rang out before she heard another officer declare, “He’s good and dead now.”

What happened after Hampton’s assassination?

Judas and the Black Messiah draws to a close shortly after the raid. In the film’s final scene, a conflicted O’Neal accepts an envelope filled with cash and agrees to continue informing on the Panthers. Superimposed text states that O’Neal remained with the party until the early 1970s, ultimately earning more than $200,000 when adjusted for inflation. After he was identified as the Illinois chapter’s mole in 1973, O’Neal received a new identity through the federal witness protection program. In January 1990, the 40-year-old, who’d by then secretly returned to Chicago, ran into traffic and was struck by a car. Investigators deemed his death a suicide.

“I think he was sorry he did what he did,” O’Neal’s uncle, Ben Heard, told the Chicago Reader after his nephew’s death. “He thought the FBI was only going to raid the house. But the FBI gave [the operation] over to the state’s attorney and that was all Hanrahan wanted. They shot Fred Hampton and made sure he was dead.”

The attempt to uncover the truth about Hampton and Clark’s deaths began on the morning of December 4 and continues to this day. While one of Haas’ law partners went to the morgue to identify Hampton’s body, another took stock of the apartment, which the police had left unsecured. Haas, meanwhile, went to interview the seven survivors, four of whom had been seriously injured.

A floor plan of Fred Hampton’s apartment provided to the FBI by William O’Neal

(People’s Law Office)

Hanrahan claimed that the Panthers had opened fire on the police. But survivor testimony and physical evidence contradicted this version of events. “Bullet holes” ostensibly left by the Panthers’ shots were later identified as nail heads; blood stains found in the apartment suggested that Hampton was dragged out into the hallway after being shot in his bed at point-blank range.

Public outrage over the killings, particularly within the black community, grew as evidence discounting the authorities’ narrative mounted. As one elderly woman who stopped by the apartment to see the crime scene for herself observed, the attack “was nothing but a Northern lynching.”

Following the raid, Hanrahan charged the survivors with attempted murder. Haas and his colleagues secured Johnson’s release early enough to ensure she didn’t give birth to her son, Fred Hampton Jr., in jail, and the criminal charges were eventually dropped. But the attorneys, “not content with getting people off, decided we needed to file a civil suit” alleging a conspiracy to not only murder Hampton, but cover up the circumstances of his death, says Haas.

Over the next 12 years, Haas and his colleagues navigated challenges ranging from racist judges to defendants’ stonewalling, backroom deals between the FBI and local authorities, and even contempt charges brought against the attorneys themselves. Working from limited information, including leaked COINTELPRO documents, the team slowly pieced together the events surrounding the raid, presenting compelling evidence of the FBI’s involvement in the conspiracy.

Hampton’s fiancée, Deborah Johnson (sitting in middle, as portrayed by Dominique Fishback), gave birth to their son, Fred Hampton Jr., 25 days after the raid.

(Glen Wilson / Warner Bros.)

Though a judge dismissed the original case in 1977 following an 18-month trial, Haas and the rest of the team successfully appealed for a new hearing. In 1982, after more than a decade of protracted litigation, the defendants agreed to pay a settlement of $1.85 million to the nine plaintiffs, including Clark’s mother and Hampton’s mother, Iberia.

“I used to describe being in court like going to a dog fight every day,” says Haas. “Everything we would say would be challenged. The [defendants’ lawyers] would tell the jury everything the Panthers had ever been accused of in Chicago and elsewhere, and [the judge] would let them do that, but he wouldn’t let us really cross examine the defendants.”

Hampton’s death dealt a significant blow to the Illinois chapter of the Black Panther Party, frightening members with its demonstration of law enforcement’s reach and depriving the movement of a natural leader.

According to Pretzer, “What comes out is that the the assassination of Hampton is a classic example of law enforcement’s malfeasance and overreach and … provoking of violence.”

Today, says Haas, Hampton “stands as a symbol of young energy, struggle and revolution.”

The chairman, for his part, was keenly aware of how his life would likely end.

As he once predicted in a speech, “I don’t believe I’m going to die slipping on a piece of ice; I don’t believe I’m going to die because I got a bad heart; I don’t believe I’m going to die because of lung cancer. I believe that I’m going to be able to die doing the things I was born for. … I believe that I will be able to die as a revolutionary in the international revolutionary proletarian struggle.”

#History

[blk-renaissance]

BLK RENAISSANCE

What’s better than the old? The new mixed with the old. I know the Harlem renaissance as long since passed but there is no denying we are living in unprecedented times for black expression, PARTICUARLY BLACK expression.

Across the globe there have been new names, powerful movements and iconic statements being made by black artists who are shifting the look and feel of our culture - impacting the way we look at the future and view the past.

Lena Waithe, Issa Raye, Tyler Mitchell, Burna Boy, Ryan Coogler, Anifa Mvuemba are just some of the names on a massively growing list that are pushing the definition of black creativity to bounds that are forcing to be recognized -and copied- by those who cannot understand. It is a beautiful yet dangerous time to be black, highlighted by the atrocities against our livelihoods and the roaring praise for our success.

They say imitation is the best form of flattery. Imitation is only necessary when you wish to understand something new, grasp at some concept that God blessed others with the vision to fulfill and you with the leftovers.

Imitation is trying to make an original meal out of leftovers.

No longer shall we be forced to view any leftovers as a 5-course meal. Instead, I would like to be seated with the creators at the table please, and eat the food they have cooked straight from the source.

So with that being said,

LET THE BLK RENAISSANCE SHINE FOR ALL HISTORY BOOKS TO SEE!

[joeygoeshollywood]

My 25 Favorite Films of 2018

It’s hard to believe that 2018 is already coming to a close. Here’s my 25 favorite films from the year!

25. Black Panther

Roughly twenty films into the Marvel Cinematic Universe, the franchise certainly needed a pallet cleanser. Black Panther was certainly the antidote. Not only did we get a standalone film from a superhero we didn’t know much about, it took us on adventure in the fictional high-tech nation of Wakanda. Chadwick Boseman brings a freshness and a unique charm to the Avengers table and he’s accompanied by a very talented cast including Lupita Nyong’o, Letitia Wright, Dana Gurira, and Michael B Jordan, who was easily one of Marvel’s best villains to date. Writer/Director Ryan Coogler (Creed, Fruitvale Station) has established himself as a filmmaker on the rise and his career will not be stopping anytime soon. 

24. Boy Erased

Based on a true story, Boy Erased follows the son of a Baptist preacher and his unsettling experience at a gay conversion program. Lucas Hedges (Manchester by the Sea, Ladybird) continues to prove he’s one of the greatest actors from the millennial generation as a young man who struggles with his sexual identity. Joel Edgerton, who wrote, directed, and starred in the film, strikes a balance between intensity and raw emotion. And Nicole Kidman also gives one of her strongest performances in recent memory as the religious mother who goes on her own journey in embracing her son for who he really is. 

23. Sorry to Bother You

Sorry to Bother You cannot be defined by one genre. Part comedy, part fantasy, part sci-fi, and even part horror, this film from newcomer Boots Riley is an imaginative satire that tackles race, class, and capitalism. This marks the biggest and best role from Lakeith Standfield (Atlanta, Get Out) who stars as a telemarketer who quickly climbs the ranks only to find out that the company he works for has nefarious ambitions. There are a lot of WTF moments in this film that cannot be unseen, but it’s all worth it. 

22. Spider-Man: Into the Spider-Verse

What ended up being the best animated film of the year and of the best Spider-Man movies ever, Spider-Man: Into the Spider-Verse reimagines the origin story of this classic Marvel superhero with a new cinematic web-slinger Miles Morales, who teams up with other Spider-Men from other dimensions in order to stop the threat to all of their realities. Between the unique forms of animation, a fun script, and a solid voice cast, Into the Spider-Verse rises above in a year filled with superhero flicks.  

21. The Cloverfield Paradox

When the latest chapter in the Cloverfield franchise dropped on the night of the Super Bowl, everyone rushed to Netflix for the surprise release. And while the critics weren’t exactly kind, The Cloverfield Paradox was still a wild, captivating installment. A group of scientists in space must solve the energy crisis that is causing chaos among nations on Earth, but while doing so find themselves entangled in alternative realities. Gugu Mbathu-Raw, Daniel Brühl, Chris Dowd, David Oyelowo, John Ortiz, Ziyi Zhang, Aksel Hennie and Elizabeth Debicki round out this strong, diverse ensemble. 

20. Mission: Impossible - Fallout

At 56 years old, Tom Cruise continues to defy all odds as he keeps his now 20-year-old franchise alive. Ethan Hunt’s latest mission was fitting enough to be his last as his efforts to once again save the world also has him grappling with questions about his own mortality and the loved ones in his life. One of the best action films of the year, Fallout is a ton of fun and filled with well-choreographed sequences and stunts from Cruise himself. 

19. Bad Times at the El Royale

What is fascinating about Bad Times at the El Royale is how much it felt like a puzzle. With its non-linear editing, every scene felt like an individual puzzle piece that once they come together give you a complete picture. Drew Goddard, the mastermind behind the modern cult classic The Cabin in the Woods, returns with a 60s-era crime thriller with a superb soundtrack, awesome production design, and a stellar cast that features Jeff Bridges, Jon Hamm, Dakota Johnson, Cynthia Erivo, and Chris Hemsworth. 

18. Support the Girls

Support the Girls is a small indie comedy from Andrew Bujalski about a general manager of a sports bar and grill who reaches a boiling point with her life. Regina Hall, best known for her role in the Scary Movie franchise and more recently in Girls Trip, gives the best performance of her career as the heartwarming and heartbreaking Lisa, who while hating her job puts her young waiting staff first. Support the Girls is one of the few films that’s grounded in reality and is a comedic display of ordinary life and the struggles that come with it. 

17. A Simple Favor

What was easily the most Hitchcockian film of the year, A Simple Favor marks a sharp tonal turn from director Paul Feig (Bridesmaids, Spy). Anna Kendrick stars a single mother who investigates the strange disappearance of her new friend (played by a terrific Blake Lively). Filled with unexpected turns and a few good laughs, A Simple Favor is a sexy thriller that expanded Feig’s talents.                                                                        

16. Thoroughbreds 

Part psychological thriller, part teenage dark comedy, Thoroughbreds resembles a contemporary Heathers. Anya Taylor-Joy (The Witch, Split) stars as a girl who relies her sociopathic friend (Olivia Cooke) to plot the murder of her awful stepfather. Newcomer Cory Finley makes an outstanding feature debut and is able to strike a balance between the tragedy and humor of this unlikely friendship. 

15. A Quiet Place

John Krasinski wrote, produced, directed, and starred in his second and best feature to date, A Quiet Place. Set in a post-apocalyptic world, a family adapts to living in complete silence in order to keep themselves out of harms way from these deadly creatures who hunt their prey by the sounds they make. Despite the script with barely a page of dialogue, A Quiet Place speaks volumes with high intensity and terrifying performances from Krasinski’s wife Emily Blunt as well as from child actors Millicent Simmonds and Noah Jupe.  

14. The Death of Stalin

Veep creator Armando Iannucci knows a thing or two about satire. This time, he takes his talents to the big screen with his political comedy The Death of Stalin. As the title explains, the film follows the death of Russian dictator Joseph Stalin and the tug of war over power among his Council of Ministers. The intellectual humor in the screenplay combined with the comical performances of an ensemble cast which includes Steve Buscemi, Simon Russell Beale, Rupert Friend, Andrea Riseborough, and Jason Isaacs marks one of the best comedies of the year. 

13. Hereditary 

Like a modern day Rosemary’s Baby, Hereditary is an unsettling horror film that surrounds the supernatural occurrences of a grieving family after the passing of its estranged matriarch. Writer/Director Ari Aster masterfully crafts a remarkable yet unexplainable thriller with the help of a career-best performance from Toni Collette. 

12. Three Identical Strangers

Sometimes life is stranger than fiction and there is not a better example of that than Three Identical Strangers, a documentary that tells the real-life story about triplets who were separated at birth who discover each other’s existence in college and their journey to discover the grim circumstances that pulled them apart in the first place. What really felt more like a suspense thriller, Three Identical Strangers is an unpredictable, fascinating film about family and the bonds that hold us together. 

11. Widows

Widows is a grade-a heist film from 12 Years a Slave director Steve McQueen and Gone Girl screenwriter Gillian Flynn. Viola Davis stars as a widow who settles one final score that was all set by her dead husband (Liam Neeson). Suspenseful and emotional from beginning to end, Widows is a female-dominated drama that features one of the best ensembles of the year, including Elizabeth Debicki, Michelle Rodriguez, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, and Robert Duvall. 

10. Game Night

There was not a more laugh-out-loud funny comedy this year than Game Night. It surrounds a group of friends whose game night takes a wrong turn when what’s supposed to be a fun murder mystery becomes very real. Not only does the plot have plenty of twists and turns, the abundance of self-awareness in this wacky film elevates it from the rest. Rachel McAdams and Jason Bateman do their best comedic work in years and they’re accompanied by a hilarious ensemble cast. 

9. Overlord

You don’t often hear of WWII horror films, but Overlord certainly delivers. The J.J. Abrams-produced flick follows a troop of soldiers who stumble upon a gruesome scientific lab where humans are the unfortunate subjects. Overlord is truly an adrenaline rush and the most badass movie of the year. After all, when it comes to Americans kicking some Nazi butt, the gorier the better. 

8. Annihilation 

Annihilation is one of those remarkable films that is so hard to describe. Natalie Portman stars as a biologist who joins a pack of armed explorers in a territory of land where mysteriously the laws of nature are nonexistent. Thought-provoking, captivating, and extremely intense, this female-led sci-fi drama felt like an out-of-body experience. 

7. Crazy Rich Asians

Easily the most enjoyable film of the year, Crazy Rich Asians offers plenty of sights, laughs, and heart. Based off the best-selling novel by Kevin Kwan, this romantic comedy follows NYU professor Rachel (Fresh Off the Boat’s Constance Wu) and her struggle to win over her fiancé’s very judgmental, very crazy, and yes, very rich family. Crazy Rich Asians features eye candy visuals, a fun soundtrack, and a talented ensemble cast. 

6. Roma

Oscar-winning filmmaker Alfonso Cuarón (Gravity, Children of Men) makes his return with his most personal film yet, Roma. Set in Mexico City in the early 1970s, the Spanish-language film chronicles the life of a middle-class family a maid named Cleo (played by newcomer Yalitza Aparicio). Shot in black and white and with incredible cinematography Roma is timeless story about family, class, and the human spirit. It is easily Netflix’s best original film to date. 

5. If Beale Street Could Talk

Oscar-winning writer/director Barry Jenkins (Moonlight) makes a strong return with a tragic love story about a pregnant young woman who struggles to get her fiancé out of jail after he was wrongfully accused of a crime. Based off the book of the same name, If Beale Street Could Talk felt more like watching a play. Along with the gorgeous cinematography and a moving score, this romance is carried by its two leads Kiki Layne and Stephen James as well as Regina King, who gives an Oscar-worthy performance as Layne’s mother. 

4. Eighth Grade

Middle school is the worst and no film has captured the experience better than Bo Burnham’s debut film Eighth Grade. Despite the ever-changing times, this indie comedy manages to connect adult audiences with eighth grader Kayla Day, who struggles to navigate through her adolescence all while attempting to build her presence on social media. Young actress, Elsie Fisher gives a grounded, comical, and sometimes painful performance and Josh Hamilton gives a strong supporting performance as her single father who tries to lift her spirits. 

3. Won’t You Be My Neighbor?

If you grew up on Mister Rogers’ Neighborhood, then this film will certainly hit home. Won’t You Be My Neighbor? showcases the life of a Presbyterian minister who developed of the most iconic, impactful children’s shows in television history and the struggles he faced along the way. The documentary features interviews of his family, the crew, and cast members, all who give insight of the genius that is Fred Rogers. Won’t You Be My Neighbor? is an emotional film that, if you’re lucky, will restore your faith in humanity. And be warned; there was not a dry eye in that theater. 

2. American Animals

Director Bart Layton has an incredible gift of making hybrid films. His underrated 2012 documentary The Imposter felt more like a mystery thriller. And with American Animals, since it’s based on a true story, he injects documentary elements into what normally would be a heist film. The story surrounds these four college kids who plan to steal an extremely valuable book from the campus library. The four leads do outstanding work, but Evan Peters (of American Horror Story fame) particularly gives the best performance of his career as one of the irresponsible thieves. With great editing and strong source material, American Animals is the best film of the year that virtually no one saw.  

1. The Favourite

It’s no surprise that The Favourite is the favorite film of the year. Yorgos Lanthimos, the previously unsung filmmaker behind The Lobster and The Killing of a Sacred Deer, brings the real-life 18th Century story of Queen Anne to the 21st Century and injects his twisted sense of humor. Olivia Colman stars as the neurotic, but hilarious ruler and Emma Stone and Rachel Weisz compete for her affection. Beautifully shot and superbly written, The Favourite is a remarkable, flawless cinematic masterpiece. 

[tsunamiwavesurfing]

Get Out’s Daniel Kaluuya is in talks to star as activist Hampton with Atlanta and Sorry To Bother You star Lakeith Stanfield in talks to play William O’Neal, the man who betrayed Hampton to the FBI. Shaka King (Newlyweeds) will direct and produce from a script he wrote with Will Berson (Sea Oak).

The film will follow the rise and untimely demise of Hampton as seen through O’Neal’s eyes. It will explore how the FBI infiltrated the Black Panthers, the psychology of their informant and the notorious assassination of the young political leader who died aged only 21.

Executive producers are Sev Ohanian, Zinzi Coogler and MACRO’s Kim Roth and Poppy Hanks.

Hampton was a respected and talented grass-roots civil rights activist who rose to become chairman of the Illinois chapter of the Panthers organization and deputy chairman of the national BPP. But his charisma, oratorial skills and swift ascent marked him out as a threat in the eyes of the FBI and in 1969 he and fellow Panther Mark Clark were killed during a controversial raid by a tactical unit carrying out orders from the Chicago Police Department and the FBI. O’Neill had provided the FBI with detailed plans of Hampton’s apartment.

The deaths were initially ruled justifiable homicide and the police claimed the Panthers had initiated hostilities, but a number of investigations pointed to state-sponsored assassination and subsequent civil lawsuits led to settlements by law enforcement and Illinois’ Cook County. Thousands attended Hampton’s funeral and he was eulogized by African American leaders including Jesse Jackson and Ralph Abernathy. O’Neal remained haunted by his part in Hampton’s death until his mysterious suicide in 1990.

[maaarine]

MBTI Typing Index: Names C-D

Name starts with: A B, C D, E F,  G H, I J K L, M N O P, Q R S T, U V W X Y Z.

Mike CAHILL (ENFJ)

Agnes CALLARD (ENTP)

Anna CALVI (INFP)

Ricky CAMILLERI (ENTP)

James CAMERON (ENTP)

Alastair CAMPBELL (ENTJ)

Albert CAMUS (INTJ)

Peter CAPALDI (ENTP)

Cardi B / Belcalis ALMANZAR (ESFP)

Steve CARELL (ENTP)

Mariah CAREY (ISFJ)

George CARLIN (ENTJ)

Magnus CARLSEN (INTP)

John CARMACK (INTP)

Alan CARR (ESFP)

Jimmy CARR (ENTJ)

Jim CARREY (ENFP)

Elizabeth Jean CARROLL (ENFP)

Ryder CARROLL (INTJ)

Fabiano CARUANA (INTJ)

Julian CASABLANCAS (ISFP)

Nick CAVE (INFP)

Dick CAVETT (ENTP)

Henry CAVILL (ISFJ)

Noah CENTINEO (ISFP)

Michael CERA (INTP)

Alain CHABAT (ENTP)

Timothée CHALAMET (ISFP)

Emma CHAMBERLAIN (ESTP)

Coco CHANEL (ESTJ)

Charlamagne Tha God / Lenard MCKELVEY (ESTP)

Charli XCX / Charlotte AITCHISON (ESFP)

David CHASE (INTJ)

Jessica CHASTAIN (ENFJ)

Damien CHAZELLE (INFP)

Cher / Cherilyn SARKISIAN (ESFP)

Margaret CHO (ENFP)

Noam CHOMSKY (INTP)

Priyanka CHOPRA (ESFJ)

Christine and the Queens / Héloïse LETISSIER (INFP)

Hélène CIXOUS (INFJ)

Tom CLANCY (ISTJ)

Dodie CLARK (ENFP)

Jeremy CLARKSON (ESTJ)

John CLEESE (ENTP)

Jemaine CLEMENT (INTP)

Hillary CLINTON (ENFJ)

George CLOONEY (ENFJ)

Glenn CLOSE (INFJ)

Kurt COBAIN (INFP)

Brie CODE (INFP)

Paulo COEHLO (INFJ)

Michaela COEL (ENFP)

Ethan COEN (INTP)

Coeur de Pirate / Béatrice MARTIN (ENFP)

Emory COEHN (ISTP)

Leonard COHEN (INFJ)

Daniel COHN-BENDIT (ENFP)

Ada COLAU (ENFJ)

Stephen COLBERT (ENFP)

Lily COLE (INFJ)

Eoin COLFER (ENTP)

Jacob COLLIER (ENTP)

Michelle COLLINS (ENFP)

Olivia COLMAN (ESFP)

James COMEY (ISTJ)

Lauren CONRAD (ESFJ)

Kellyanne CONWAY (ESFJ)

Ryan COOGLER (ISFP)

Olivia COOKE (ENFP)

Bradley COOPER (ENFJ)

David COPPERFIELD (INTP)

Sofia COPPOLA (ISFP)

Brady CORBET (INTJ)

Jeremy CORBYN (ISTJ)

Enola COSNIER (ENFJ)

Nikolaj COSTER-WALDAU (ESTP)

Marion COTILLARD (ISFP)

Katie COURIC (ESFJ)

Brian COX (ENTJ)

Graham COXON (INFP)

Daniel CRAIG (ISTP)

Terry CREWS (ENFJ)

Robert CRUMB (INTP)

Mark CUBAN (ENTP)

Kieran CULKIN (ENTP)

Macaulay CULKIN (ENTP)

Benedict CUMBERBATCH (ENFJ)

Alan CUMMING (ENFP)

Whitney CUMMINGS (ENTP)

Andrew CUOMO (ESTJ)

Rivers CUOMO (INTP)

Jamie Lee CURTIS (ENFP)

Richard CURTIS (ENFJ)

Miley CYRUS (ESFP)

Noah CYRUS (ESFP)

Leonardo DA VINCI (ENTP)

Tom DALEY (ESFJ)

Salvador DALÍ (ENFP)

James DAMORE (INTP)

Damso / William KALUBI (ISTP)

Paul DANO (INFJ)

Susan DAVID (ENFJ)

Pete DAVIDSON (ESTP)

Geena DAVIS (ENFP)

Mackenzie DAVIS (ENFP)

Elizabeth DAY (ENFJ)

Daniel DAY-LEWIS (INFJ)

Hugues DAYEZ (ENFJ)

Alain DE BOTTON (INFJ)

Kevin DE BRUYNE (ISTP)

Charles DE GAULLE (ESTJ)

Pierre DE MAERE (ENFP)

Robert DE NIRO (ISTP)

Neil DEGRASSE TYSON (ENTP)

Dane DEHAAN (ISFP)

Robert DEL NAJA (ISTP)

Lana DEL REY (ISFP)

Benicio DEL TORO (ISFP)

Guillermo DEL TORO (INFP)

Rob DELANEY (ENTP)

Lea DELARIA (ESTP)

Cara DELEVINGNE (ENFP)

Julie DELPY (ENFP)

Antoine DELTOUR (ISTJ)

Claire DENIS (INFP)

Johnny DEPP (ISFP)

Alexandre DESPLAT (INFJ)

David DEUTSCH (INTP)

John DEWEY (INTJ)

Alfie DEYES (ESFP)

Poppy DEYES (ISFJ)

Cameron DIAZ (ESFP)

Philip K. DICK (INTP)

Joan DIDION (INTP)

Ani DIFRANCO (INFP)

Stephen DILLANE (INTJ)

Céline DION (ESFJ)

Peter DINKLAGE (ENTP)

Scott DISICK (ESTP)

David DOBRIK (ESFP)

Peter DOHERTY (INFP)

Lou DOILLON (ENFP)

Ethan DOLAN (ESTP)

Grayson DOLAN (ESTP)

Xavier DOLAN (ENFP)

Natalie NORMER (ENFJ)

Jamie DORNAN (ISTP)

Jack DORSEY (INTJ)

Rain DOVE (ENFP)

Maureen DOWD (ISFJ)

Robert DOWNEY Jr. (ENTP)

Arthur DREYFUS (INFP)

Adam DRIVER (ISFP)

David DUCHOVNY (ENTP)

Julia DUCOURNAU (ENTJ)

Esther DUFLO (INTP)

Jean DUJARDIN (ESTP)

Lena DUNHAM (ENFP)

Eric DUPOND-MORETTI (ESTJ)

Francis DUPUIS-DÉRI (INTJ)

Ramani DURVASULA (ENFJ)

Jacques DUTRONC (ISTP)

Ava DUVERNAY (ENFJ)

Name starts with: A B, C D, E F,  G H, I J K L, M N O P, Q R S T, U V W X Y Z.

[themovieblogonline]

Ryan Coogler and Michael B. Jordan Are Coming Back Soon!

Ryan Coogler, the directorial mastermind behind Black Panther, is teaming up with his on-screen muse, Michael B. Jordan, for a brand new movie. Mark your calendars for March 7th, 2025, because that's when this mystery movie, already dubbed an "event film", hits the big screen. Yeah, you heard that right! March 2025! Hollywood's pumpin' out these blockbusters faster than a vampire on Red Bull these days. Coogler and Jordan: A Match Made in Movie Heaven Let's be real, when Ryan Coogler and Michael B. Jordan link up, you know you're in for something epic. These two have been killin' it together since Fruitvale Station, Coogler's indie directorial debut that launched both their careers. And let's not forget Creed, the movie that basically brought the Rocky franchise back to life. Coogler directing and Jordan starring? It's a recipe for box office gold, every single time. Now, the details about this new project are tighter than Fort Knox security. No title yet, no plot synopsis, nothin'. But hey, that just leaves more room for our imaginations to run wild, right? Will it be another action-packed masterpiece like Black Panther? A heart-wrenching drama like Fruitvale Station? Or maybe, just maybe, it'll be something completely different, like... a vampire movie? (Hey, a guy can dream!) Speaking of Vampires... Speaking of vampires, with the news of Jordan starring in this mystery film, some folks online are buzzing about a possible vampire movie connection. Now, that's pure speculation, but wouldn't that be something? Jordan sinking his teeth (metaphorically, of course) into a role like that? Sign me up! One thing that surprised me about this whole project is the release date. March 2025 feels crazy close, considering they're just eyeing a spring production start. Maybe Hollywood's onto something here, though. In our fast-paced world, who wants to wait years for a movie to come out? We want it, and we want it now! One Thing's for Sure: We're Here for It! Whatever this untitled Coogler-Jordan project turns out to be, one thing's for sure: we're hyped. This duo has a proven track record of cinematic excellence, and we can't wait to see what magic they cook up next. So, stay tuned, movie lovers, because with Ryan Coogler and Michael B. Jordan at the helm, you know it's gonna be a wild ride. Source: The Hollywood Reporter Read the full article

[kickmag]

Ryan Coogler Will Produce Film About Black Panther Leader Fred Hampton

Ryan Coogler and Charles D. King's Marco production company are set to produce a new film about late Black Panther Party leader Fred Hampton. The Black Panther director and Marco, which got behind Mudbound, Fences and Roman J. Israel, Esq., will produce Jesus Was My Homeboy for Warner Brothers. Daniel Kuluuya is being considered for the role of Hampton and Lakeith Stanfield is in talks to play William O'Neal, the man who betrayed Hampton to the Chicago Police Department and FBI. The young leader was 21-years old when he was fatally shot by the authorities for his work with the party. Shaka King is the director and he co-wrote the script with Will Berson.

The story will be told from the viewpoint of O'Neal, his motive for infiltrating the Black Panther Party and how the FBI helped him. Zinzi Coogler, Sev Ohanian, Poppy Hanks and Macro's Kim Roth will executive produce Jesus Was My Homeboy.  Shaka King, The Lucas Bros. and Will Berson wrote the screenplay.

The Black Panther Party came under the scrutiny of FBI director J. Edgar Hoover who did not want an effective Black Power Movement in the United States. Hampton's charisma and ability to organize people from diverse backgrounds were seen as a threat to the establishment. Hampton and BPP member Mark Clark were killed in 1969 during an arms raid conducted by a tactical unit of the Cook County's State Attorney's Office with the Chicago Police and the FBI. Their families filed a civil suit and received a $1.85 million dollar settlement in 1982 from the City of Chicago, Cook County and the federal government. William O'Neal confessed to his involvement in the conspiracy and committed suicide in 1990.

The first film about the late leader was the 1971 documentary The Murder Of Fred Hampton which used footage of his apartment recorded by a videographer the night he was killed.

[eggymovies]

Movies Watched in 2018

Here’s a list of every movie I watched in 2018 at home or in theaters, in order. Re-watches are listed as well so some things will appear move than one.

Mr. Roosevelt (Noel Wells) Call Me By Your Name (Luca Guadagnino) Phantom Thread (Paul Thomas Anderson) Jumanji (Jake Kasdan) Split (M. Night Shyamalan) Harry Potter and the Half Blood Prince (David Yates) Harry Potter and the Deathly Hallows Part 1 (David Yates) The Post (Steven Spielberg) Good Time (Josh and Ben Safdie) I, Tonya (Craig Gillespie) Paddington 2 (Paul King) The Big Sick (Michael Showalter) Get Out (Jordan Peele) The Greatest Showman (Michael Gracey) Coco (Lee Unkrich) Black Panther (Ryan Cooler) Creed (Ryan Coogler) Black Panther (Ryan Cooler) Phantom Thread (Paul Thomas Anderson) Annihilation (Alex Garland) Thoroughbreds (Cory Finley) Before Sunrise (Richard Linklater) Before Sunset (Richard Linklater) A Wrinkle In Time (Ava Duvernay) Tomb Raider (Roar Uthaug) Justice League (Abrams/Snyder) Before Midnight (Richard Linklater) Game Night (John Francis Daley, Jonathan Goldstein) Love, Simon (Greg Berlanti) Columbus (Kagonada) Isle of Dogs (Wes Anderson) Lady Bird (Greta Gerwig) Ready Player One (Steven Spielberg) Pacific Rim: Uprising (Steve S. DeKnight) A Quiet Place (John Krasinski) Free Fire (Ben Wheatley) The Killing of a Sacred Deer (Yorgos Lanthamos) The Lovers (Azazel Jacobs) Blockers (Kay Cannon) Home Again (Hallie Meyers-Shyer) You Were Never Really Here (Lynn Ramsay) Lean on Pete (Andrew Haigh) It Comes at Night (Trey Edward Shultz) Eighth Grade (Bo Burnham) Beirut (Tony Gilroy) Avengers: Infinity War (Anthony and Joseph Russo) The Rider (Chloé Zhao) Kodachrome (Mark Raso) Tully (Jason Reitman) Rampage (Brad Peyton) Breaking In (James McTeigue) Life of the Party (Ben Falcone) Let the Sunshine In (Claire Denis) Book Club (Bill Holderman) Beast (Michael Pierce) Deadpool 2 (David Leitch) First Reformed (Paul Schader) Solo: A Star Wars Story (Ron Howard) The Seagull (Michael Mayer) On Chesil Beach (Dominic Cooke) Training Day (Antoine Fuqua) Upgrade (Leigh Whannell) Tully (Jason Reitman) The Beguiled (Sophia Coppola) The Social Network (David Fincher) Beatriz at Dinner (Miguel Arteta) Burnt (John Wells) Hereditary (Ari Aster) Ocean’s 8 (Gary Ross) Won’t You Be My Neighbor (Morgan Nelville) American Animals (Bart Layton) Hearts Beat Loud (Brett Haley) Incredibles 2 (Brad Bird) Tag (Jeff Tomsic) Faces Places (Agnes Varda, JR) Set It Up (Claire Scanlon) Jurassic World: Fallen Kingdom (J.A. Bayona) 2001: A Space Odyssey (Stanley Kubrick) Sicaro:Day of the Soldado (Stefano Sollima) Mamma Mia (Phyllida Lloyd) The Last Movie Star (Adam Rifkin) The First Purge (Gerard McMurray) Uncle Drew (Charles Stone III) Four Weddings and a Funeral (Mike Newell) Leave No Trace (Debra Granik) Ant Man and the Wasp (Peyton Reed) Coco (Lee Unkrich) Sorry To Bother You (Boots Riley) Three Identical Strangers (Tim Wandel) Skyscraper (Rawson Marshall Thurber) Killing Them Softly (Andrew Dominik) Mission Impossible: Ghost Protocol (Brad Bird) The Equalizer 2 (Antoine Fuqua) Mamma Mia 2 (Ol Parker) Don’t Worry, He Won’t Get Far On Foot (Gus Van Sant) Mission Impossible: Rogue Nation (Christopher McQuarrie) Hot Summer Nights (Elijah Bynum) Sleeping With Other People (Leslye Headland) Mission: Impossible 3 (JJ Abrams) Kicking and Screaming (Noah Baumbach) Jaws (Steven Spielberg) Mission: Impossible - Fallout (Christopher McQuarrie) A Star Is Born (Frank Pierson) Enough Said (Nicole Holofcener) Blindspotting (Carlos López Estrada) Eighth Grade (Bo Burnham) Christopher Robin (Marc Forster) Set It Up (Claire Scanlon) The Witch (David Eggers) The Spy Who Dumped Me( Susanna Fogel) Under The Tuscan Sun (Audrey Wells) Lady Bird (Greta Gerwig) The Miseducation of Cameron Post (Desiree Akhavan) Margot at the Wedding (Noah Baumbach) Out of Sight (Steven Soderbergh) Puzzle (Marc Turletaub) Never Goin’ Back (Augustine Frizzle) Crazy Rich Asians (Jon M. Chu) Like Father (Lauren Miller Rogen) Reality Bites (Ben Stiller) Before Sunrise (Richard Linklater) Gattaca (Andrew Niccol) Mission: Impossible - Fallout (Christopher McQuarrie) Please Give (Nicole Holofcener) Everybody Wants Some (Richard Linklater) We The Animals (Jeremiah Zagar) Before Sunset (Richard Linklater) Support the Girls (Andrew Bujalski) Juliet, Naked (Jesse Peretz) Operation Finale (Chris Weitz) Searching (Aneesh Chaganty) Children of Men (Alfonso Cuarón) The Wife (Björn Runge) Before Midnight (Richard Linklater) Paterson (Jim Jarmusch) Columbus (Koganada) The Predator (Shane Black) Girls Trip (Malcolm D. Lee) Madeline’s Madeline (Josephine Decker) Black Panther (Ryan Cooler) The Land of Steady Habits (Nicole Holofcener) Edge of Seventeen (Kelly Fremon Craig) Slice (Austin Vesely) Wonder Woman (Patty Jenkins) True Romance (Tony Scott) Blaze (Ethan Hawke) 20th Century Women (Mike Mills) A Simple Favor (Paul Feig) Colette (Wash Westmoreland) A Star Is Born (Bradley Cooper) The Old Man and the Gun (David Lowery) Free Solo (Jimmy Chin, Elizabeth Chai Vasarhelyi) Private Life (Tamara Jenkins) Y Tu Mama Tambien (Alfonso Cuarón) Venom (Ruben Fleischer) First Man (Damien Chazelle) Blue Valentine (Derek Cianfrance) Bad Times at the El Royale (Drew Goddard) Wildlife (Paul Dano) Beautiful Boy (Felix Van Groeningen) Halloween (David Gordon Green) Inside Llewyn Davis (Joel and Ethan Coen) mid90s (Jonah Hill) Suspiria (Luca Guadagnino) Can You Ever Forgive Me? (Marielle Heller) Bohemian Rhapsody (Bryan Singer) Boy Erased (Joel Edgerton) A Private War (Matthew Heineman) Burning (Lee Chang-dong) Green Book (Peter Farrelly) The Ballad of Buster Scruggs (Joel and Ethan Coen) Blood Simple (Joel and Ethan Coen) Border (Ali Abbasi) Widows (Steve McQueen) First Reformed (Paul Schrader) Hail Caesar (Joel and Ethan Coen) Creed II (Steven Caple Jr.) The Front Runner (Jason Reitman) A Serious Man (Joel and Ethan Coen) Thunder Road (Jim Cummings) The Ballad of Buster Scruggs (Joel and Ethan Coen) Ralph Breaks The Internet (Rich Moore, Phil Johnston) At Eternity’s Gate (Julian Schnabel) The Favourite (Yorgos Lanthimos) Copenhagen (Mark Raso) Roma (Alfonso Cuarón) Brad’s Status (Mike White) Shoplifters (Hirokazu Kore-eda) Minding The Gap (Bing Liu) La La Land (Damien Chazelle) Mary Queen of Scots (Josie Rourke) The Mule (Clint Eastwood) Minding The Gap (Bing Liu) Bumblebee (Travis Knight) Let The Sunshine In (Claire Denis) Spider-man: Into The Spiderverse (Bob Perischetti, Peter Ramsey, Rodney Rothman) Crazy, Stupid, Love (Glenn Ficarra) Love, Actually (Richard Curtis) In Bruges (Martin McDonaugh) Momentum Generation (Jeff and Michael Zimbalist) If Beale Street Could Talk (Barry Jenkins) Aquaman (James Wan) Before We Go (Chris Evans) Vice (Adam McKay) Jackass 2 (Jeff Tremaine)