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hunxi-after-hours · 2 years

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hunxi’s danmei awards 2.0! (aka 2022 edition)

Featuring the return of some categories such as:

Best Worldbuilding

Best Interrogation of Themes (aka the “Rent-Free Award”)

Best Moment That Wrecked Me (aka the Knifiest Award)

Best Beleaguered Side Character Award

Best Unreliable Narrator

As well as never-before-seen categories like:

Best Himbo

Most Brilliant Moment of Backstabbery

Most Ambitious Scope

Most Heartwrenching Line Delivery in an Audiodrama

…and more!

This year’s candidates in the running:

《小蘑菇》 Xiao Mo Gu by 一十四洲 Yi Shi Si Zhou

《不小心救了江湖公敌》 Bu Xiao Xin Jiule Jianghu Gong Di by 六木乔 Liu Muqiao (有声漫画 audiomanhua season 1)

《无双》 Wu Shuang by 梦溪石 Meng Xishi

《问鹿三千》 Wen Lu San Qian by 光合积木 Voicegem, 吼浪文化 Houlang Studio, and 斗木獬编剧工作室 Doumuxie Screenwriting Studio

《师弟还不杀我灭口》 Shidi Hai Bu Sha Wo Mie Kou by 子鹿 Zi Lu

《默读》 Mo Du by priest

《督主有病》 Du Zhu You Bing by 杨溯 Yang Su

《海中爵》 Hai Zhong Jue by 七药 Qi Yao

《哏儿》 Gen’er by 南北逐风 Nan Bei Zhu Feng

《杀破狼》 Sha Po Lang by priest

《金牌助理之弯弯没想到》 Jin Pai Zhu Li zhi Wan Wan Mei Xiang Dao by (nominally) 非天夜翔 Fei Tian Ye Xiang and (mostly) 传奇火箭队 The Legendary Rocket Team

(unmarked spoilers, including but not limited to these titles, under the cut. for introductions of these titles, click here. for last year’s danmei awards, click here)

Best Worldbuilding

Winner: 《杀破狼》 Sha Po Lang by priest

This award goes to 《杀破狼》 Sha Po Lang for the effortless ease with which p大 manages to merge the genres of imperial intrigue, steampunk mecha, alternate history, and wuxia elements. Over the course of the novel, priest explores how the development of 紫流金-based technology leads the fictional Liang Dynasty into industrial revolution, and doesn’t hesitate to include all the negative consequences of early industrialization. So you’ve rolled out mechanical alternatives for farming? Have fun dealing with the uprisings of unemployed farmers while fending off international threats on your borders. So you want to roll out paper currency/government bonds to stimulate your war-torn economy? Good luck even getting people to trust the validity of paper the way they trust the hardness of coin. In a way, 《杀破狼》 Sha Po Lang carries on the tradition set down in priest’s earlier novel 《七爷》 Qi Ye of protagonists using decidedly underhanded methods to effect the change they wish to see in the world, and the morality thereof remains just as thorny in 《杀破狼》. what would you do in the name of peace? how much of yourself can you give away before you are no longer the same person?

oh and I have to give a shout-out to the trains in this book, I’d give this award to 《杀破狼》 Sha Po Lang for its (re-)invention of trains alone

Best Interrogation of Themes (aka the “Rent-Free Award”)

Winner: 《小蘑��》 Xiao Mo Gu by 一十四洲 Yi Shi Si Zhou

I listened to 《小蘑菇》 Xiao Mo Gu via audiodrama before I read the novel, and every time I finished an episode I would have to just sit for a few hours, processing. Despite its seemingly lighthearted premise, 《小蘑菇》 Xiao Mo Gu shows us an apocalypse in all its cruel magnificence. The oppressive atmosphere of unending martial law, the seductive proximity of despair, the omnipresence and unpredictability of death, the utter lack of justice or closure or meaning in a world slowly grinding to a halt, the vast, inhuman lengths civilization will go to in the name of survival... to this day, 《小蘑菇》 Xiao Mo Gu haunts the solemnity of my early mornings with questions like what would you condone to survive? and wherein lies the locus of meaning when everything it means to be human has been stripped away? and like. I haven’t been the same since my mushroom phase, okay

Best Beleaguered Side Character Award

Winner: Ji Bolan from 《小蘑菇》 Xiao Mo Gu by 一十四洲 Yi Shi Si Zhou

This poor man had to deal with his childhood friend growing up to be a governmentally-licensed and universally-reviled mass murderer, the complete breakdown of the laws of physics, and witnessing Lu Feng and An Zhe flirt in front of his salad soup, all during the apocalypse that he is frantically trying to solve. Frankly, he’s allowed to roast Lu Feng as much as he wants, and the fact that he’s voiced by the same person who did AD!Jiang Cheng and AD!Xiao Zheng (winner of last year’s Best Beleaguered Side Character Award) is 1) extremely funny, 2) very on-brand, and 3) further proof that being in voice actor fandom 其乐无穷

Best Moment That Wrecked Me (aka the Knifiest Award)

Winner: 《默读》 Mo Du by priest

The character of Fei Du in priest’s 《默读》 is easily the character who had me clawing at the walls the most for the better part of this year (I’m still clawing at the walls, if we’re being honest). I am in love with everything about the way priest wrote him; from his introduction as the flamboyantly aggravating playboy chasing after Tao Ran (brilliant character work there as well as brilliant comedy, 感谢陶然不弯之恩 etc etc) to the slow, methodical reveal of his backstory and how deeply, deeply traumatized he is, Fei Du is one of the most complex and intelligent and nuanced and terribly lovable meow meows characters I’ve had the good fortune to run into

To pick a single Fei Du moment? A single one? Well if I have to choose, unfortunately it’s going to have to be chapter 180 朗诵（五） for the simple reason that it hurts me:

他恨不能撕裂时空，大步闯入七年前，一把抱起那个沉默的孩子，双手捧起他从不流露的伤痕，对他说一句“对不起，我来晚了”。

[Luo Wenzhou] wished he could tear apart time, to barge back into that moment seven years ago and pick up that silent child, to cradle those hidden wounds and say to him, “I’m sorry I was late.”

“我来晚了……”

“I was late...”

直到上了救护车，费渡才好像是有了点意识，难以聚焦的目光在骆闻舟脸上停留了许久，大概是认出了他，竟露出了一个微笑。

Fei Du only seemed to recover a semblance of consciousness when they loaded him into the ambulance. His eyes, unfocused, stopped on Luo Wenzhou’s face for a while before smiling slightly.

骆闻舟艰难地看懂了他无声的唇语。

Luo Wenzhou read his words in the soundless shape of his lips with difficulty.

他说：“没有了……怪物都清理干净了，我是最后一个，你可不可以把我关在你家？”

He said, “They’re all gone... All the monsters are taken care of, I’m the last one. Can you lock me up in your house?”

I’m just. if you need me I’ll be screaming about sunflowers in the abyss

Best Unreliable Narrator

Winner: Yan Zhuoqing and the Deer God of 《问鹿三千》 Wen Lu San Qian by 光合积木 Voicegem, 吼浪文化 Houlang Studio, and 斗木獬编剧工作室 Doumuxie Screenwriting Studio

surprising shortage of unreliable narrators in this year’s contenders, but 《问鹿三千》 makes up for it by having not one, but TWO unreliable narrators involved. can you believe that BOTH of these semi-immortal dumbasses have amnesia? smh Deer God you’re literally the god of time and memory, how you’ve even gotten this far I’ve got no idea

honorable mention: Fei Du from 《默读》 by priest. this man had the audacity to say the words “我没有创伤” / “I’m not traumatized” after asking for Luo Wenzhou’s assistance in recovering some of his repressed memories that he’d blocked out because of the — you guessed it — trauma

Best Himbo

Winner: Situ Jin from 《督主有病》 Du Zhu You Bing by 杨溯 Yang Su

I think it’s safe to say that Situ Jin is a Very Good Egg With No Braincells Whatsoever. None. This man had to be bullied into a hurt/comfort scenario by his future wife, and when she came to him for comfort, grieving her father’s death, he responded to her “now I’m all alone” with “don’t cry: you’re one, I’m one, together we’re two.” proud of u for basic math, bro, but is now really the time. his other highlights include: thinking dreamily about his wife while in prison, defending innocent bystanders regardless the personal cost, and continually failing to seek medical attention while bleeding out

Side Character I’m Still Mad About (aka the Gongyi Xiao Award)

Winner: Fu Luo from 《海中爵》 Hai Zhong Jue by 七药 Qi Yao

so it turns out that I am Weak for this very specific kind of character, the one who is a Good Kid, the one who tries their best to be responsible and reasonable, the one who could honestly be a protagonist in another novel. double points if you can trust them with a spreadsheet (Bian Yanmei), triple points if they’re delightfully lowkey devoted to the actual protagonist (can I get a wahoo for the Jiangzuo Alliance in here??)

and you know what the author does? murders them with prejudice

tl;dr I’m still not over Fu Luo, because like oh man that scene was well done but also ouch

"most memeworthy/meme-able"

(this one’s for you, @presumenothing)

Winner: 《督主有病》 Du Zhu You Bing by 杨溯 Yang Su

I mean I literally—

this book is a Very Serious and Somewhat Grimdark book, but I have to say the sheer amount of misunderstandings that occur are comical in their quantity. have you ever met two people more in love with each other and less capable of uttering a single sentence about it, it is only by the grace of the author that these two didn’t murder each other before their happy ending at the many given opportunities throughout the book

"most deserving of a shenshen OST"

(this one’s also for you, @presumenothing, ty for all the brilliant category recs)

Winner: ........?

this is such an interesting award category to consider, because it’s like asking “which one of these texts would you like to hand a steak knife to gut you with,” but it also begs the question of what a shenshen OST would bring to the text that the existing music/adaptation doesn’t. it also raises the question of what kind of narrative (grand, sweeping, vast in scale or minute, gentle, heartbreaking?) would be most compatible with a shenshen OST?

my first thought was 《小蘑菇》 Xiao Mo Gu, since it has both the monumental scope and the fragile, breakable heart that shenshen OST’s are so suited for (他只是一个小蘑菇 goodbYE—), but the music of the 《小蘑菇》 Xiao Mo Gu AD is already so perfect I don’t actually want to add anything to it. my next thought would be 《问鹿三千》 Wen Lu San Qian — again, for that blend of scale and sorrow, wistfulness at what can never be and gratitude for what we have. but 《问鹿》 also has five songs already, and while a shenshen OST would be nice, it most certainly isn’t necessary

so I think I’m going to cheat and give this award to a title that isn’t even on the list of candidates this year, one that already has a shenshen OST: 《天宝伏妖录》 Tian Bao Fu Yao Lu by 非天夜翔 Fei Tian Ye Xiang, which has the great fortune to have Zhou Shen’s 《天地为念》 for its ongoing donghua title song. what a beautiful, meditative song; what an ethereal, gently sorrowful melody. extra brownie points because I maintain that Zhou Shen and 锦鲤 Jin Li (the voice of Kong Hongjun) are counterparts of each other in their respective industries, and also because I’m ride or die for both of them

"most untranslatable ever"

(category shout-out to — you guessed it — @presumenothing)

Winner: oh ABSOLUTELY 《金牌助理之弯弯没想到》 Jin Pai Zhu Li zhi Wan Wan Mei Xiang Dao by 非天夜翔 Fei Tian Ye Xiang and 传奇火箭队 The Legendary Rocket Team

I consider myself fairly proficient in audiodramas on 猫耳FM as a medium/genre now; I’m familiar with the ways script adaptation dovetails with post-production, the roles the voice directors and producers and casts play, the different twists that can happen with 报幕, what names to keep an eye out for while checking out the production team... so when I say that this audiodrama knocked me flat on the ass when I first listened to it, I really do mean that I was in no way prepared for the chaos that was to come. where do I even begin to describe it? the speed? the unhinged energy? the unending 吐槽 / roasts? the brilliant comedic pacing? the extremely 洗脑片尾曲？whatever the hell this is?

this audiodrama is not only the most untranslatable ever due to the high concentration of internet and culture-specific slang, but also apparently the most impossible to explain ever. idk. listen to this AD and lose your mind

Most Brilliant Moment of Backstabbery

Winner: ch. 116 of 《无双》 Wu Shuang by 梦溪石 Meng Xishi

I described 《无双》 Wu Shuang as “a book about roasting your rival first, saving your dynasty second,” but perhaps didn’t do justice to the sheer lengths these two will go to one-up each other. I’d like to take this moment to recognize a certain flamboyant demonic sect leader (that is somehow not Yan Wushi) for not just habitually backstabbing (gently, for funsies) his love interest but also getting some frontstabbery (once, with great intention) in as well. truly, no one out here is doing it like Feng Xiao

honorable mention: 《不小心救了江湖公敌》 Bu Xiao Xin Jiule Jianghu Gong Di by 六木乔 Liu Muqiao, for the sheer quantity of backstabbing that occurs. maybe this is simply what happens when all of your characters are professional evildoers at fluctuating levels of retirement

Best Comfort Media

Winner: 《哏儿》 Gen’er by 南北逐风 Nan Bei Zhu Feng

earlier this year, I went around asking various people: what makes a book, movie, or other text comfort media for you? listening to the answers, it occurred to me that I don’t really have texts that I turn to on a semi-regular basis to re-read or re-watch. especially because my favorite books tend to be the ones that rip my heart out through my throat, the idea of choosing a “comfort read” from among them seems somewhat, er, misguided

and then I ran into 《哏儿》 Gen’er, which is the only text I’ve chosen to carry over from last year’s danmei awards because the second season of the AD aired this year. this webnovel/AD is also, genre-wise, the outlier in this year’s awards — no magic, no speculative elements, not a single sword in sight, just slice-of-life, daily trials and tribulations, characters balancing budgets and bantering backstage and discussing art over hotpot. the cast and characters of 《哏儿》 feel real and lived-in in a way that is so deeply precious to me; at times throughout the year, I would simply cue up the beginning of S2E2 to listen to the first fifteen minutes or so to quiet down. the ongoing discussions threaded throughout the narrative about the roles of traditional culture and art in modern society, how to adapt traditional forms to contemporary values and preferences, and the ever-relevant question of how to get other people to care about things you love... 《哏儿》 hits different, hits real close to home, asks thought-provoking questions in a gentle, lighthearted manner in a way that is totally unique among the danmei works I’ve read, so here I am, conferring this new, foreign honor upon it. it’s a first for both of us!

Most Ambitious Scope

Winner: 《问鹿三千》 Wen Lu San Qian by 光合积木 Voicegem, 吼浪文化 Houlang Studio, and 斗木獬编剧工作室 Doumuxie Screenwriting Studio

I know, I know — very bold of me to give this award to an audiodrama that’s still airing, that we don’t know if it’ll ever be completed, but I still have to take a moment to yell about this completely original episodic gufeng AD, because like... wow. there is no answer key; there is no original work; there is no blueprint to work off of, no pre-existing fanbase of readers to appeal to. this entire project with its xuanhuan scope will succeed or fail based on its merits alone, and what scope it has, too — from the five voice actor songs (I guess everyone in 光合积木 can sing too??? sure that’s fine I guess) to penning scripts that play specifically to the voice actors’ strengths, to engaging with thorny dynamics of family and relationship and devotion and misalignment, I think it’s real gutsy of the 《问鹿》 creative team to embark on such a vast and ambitious project, and carry it off as well as they did. now it’s just 乖巧坐等更新.jpeg hours, fingers crossed they come back for a season 2

Best Work I Was Songbaited Into

Winner: 《小蘑菇》 Xiao Mo Gu by 一十四洲 Yi Shi Si Zhou

Definitely the first thing that even put 《小蘑菇》 Xiao Mo Gu on my radar was 奇然’s 《风过荒野》 appearing in my YouTube algorithm. The song’s arrangement is haunting, lyrical, and so unlike any other AD song I’ve ever heard. The second season’s 《极光入夜》 is also transcendent in lyrics, composition, and the fact that both of the main voice actors can sing 哎呦还让人活吗—and don’t even get me started on the beautiful piano and string covers they work into the soundtrack! 声罗万象请受我一拜！

let’s put it this way: I actually went out of my way to translate the 《小蘑菇》 songs (here and here) for how hard they go. one day I’ll get over the lines “玫瑰静默凋谢” and “审判是我于你的吻别” but today will not be that day

honorable mention: 《督主有病》 Du Zhu You Bing by 杨溯 Yang Su, for having the opposite energy of the 《默读》 AD asdlfskdfjs no less than FIVE original songs composed for a THREE season AD. I was on the fence about listening to this AD until I heard 远皓ZIL’s 《燃灯》, which immediately joined my playlist before I’d even read the book. Again, the lyricism, the arrangement, the melancholy, deeply thoughtful atmosphere of the song got me interested in exactly what kind of maddeningly angsty plot could result in these lyrics:

我愿抚拂前尘燃着灯做你归途的引 / I would brush away the dust of our past and light a lamp, and be what guides you back

只求你破迷津渡极乐回首看我在等 / I only pray that you break free from the labyrinth and deliver paradise, to look back and see me waiting

我匍匐入尘埃叩长阶奉上所有虔诚 / I crawl through the dirt, pressing my forehead to the stone steps of the long stairway, offering up all of my piety

只为听你亲将相思说那纸情书太薄 / just to hear you say, yearning for me, that this love letter is too thin

不载残生颠簸无你我苦不可脱 / it cannot carry what’s left of our tumultuous lives — without you or me, life would be bitter with no escape

Audiodrama Adaptation with the Strongest First Episode

Winner: 《督主有病》 Du Zhu You Bing by 杨溯 Yang Su

Adaptation is a delicate and tricky practice; how do you accommodate for the limits of production, the requirements of medium, when it comes to translating a work across dimensions? And particularly when it comes to AD’s, how can you capture a listener’s attention within the first few episodes, to bait them into the story and make them willing to pay money to unlock what happens next?

this award has to go to 珞玉 Luo Yu and 子穆木 Zi Mumu for their adaptation of 杨溯 Yang Su’s novel 《督主有病》 Du Zhu You Bing. The book itself runs chronologically, from the two main characters first meeting each other as children, the months they spend together, their sudden (and deeply traumatic) parting, and then resumes the narrative the next time they meet each other seven years down the line, attempting to kill each other (in their defense, it was dark, and neither of them were sure if the other survived the massacre that separated them in the first place). Episode 1 “故人来” of the AD begins with that reunion as Shen Jue, disposing of a body, finds an injured assassin just outside the palace walls. They grapple in the dark until they recognize each other, and the way post-production editing fills in their backstory through a quick, tantalizing flashback and brings the listener back out of it by overlapping young!Xiahou Lian and present!Xiahou Lian saying the same lines (“shaoye, remember: don’t look back, don’t say anything—”)... well done, well played, I sure paid money to listen to the rest of this AD

Audiodrama Adaptation with the Strongest First Ten Minutes

Winner: 《海中爵》 Hai Zhong Jue by 七药 Qi Yao

haha I think I’m hilarious, but while 《督主》 has the strongest first episode I would also like to shout out how good the first ten minutes of 《海中爵》 Hai Zhong Jue are. seamless transition from baby Hailian to adult Hailian, from quiet lullaby to sea battle, and establishing Hailian’s sass, competence, kindness, and swashbuckling swagger as well as introducing Fang Tinglan (and his shamelessness asldfksj). credit has to go to the director 齐杰, the scriptwriter 虾仁猪心@一梦还江月, and the post-production editor 时柒@丶为之奈何 for pacing the opening scene so well, and an extra special shout-out to 梅梅 (韬韬你是最棒的) for the funniest little “bye~~~” as he throws someone off a boat

Most Heartwrenching Line Delivery in an Audiodrama (aka the Knifiest Award, audio edition)

Winner: S1E7 of the 《默读》Mo Du audiodrama

I can yell for years about how talented voice actors are, but there are specific moments while listening where I have to pause for a second or ten and silently mouth “damn”

杨天翔 Yang Tianxiang’s performance as Fei Du in season 1, episode 7 of the 《默读》 Mo Du audiodrama knocks it out of the goddamn solar system with the plaza broadcast scene — this was a scene that I was pretty eh on in the novel, but after listening to it in the AD... 当! 场! 封! 神! with Yang Tianxiang’s measured delivery, the slow excavation of the depth of Fei Du’s anguish, the forced steadiness of his voice when he says “你们如果都这么狠心，为什么以前还要表现出好像很在乎我们的样子?” / “If all of you were always this cruel, why did you pretend to care about us so much in the beginning?” underlaid by the devastatingly quiet, melancholy piano backing of 《以沫》 that then kicks into the sequence that culminates in 何忠义 He Zhongyi’s “等我回来!” / “Wait for me to come home!”... (silently screams into a paper bag) I’m not okay and I haven’t been okay for months

Honorable Mentions:

S2E2 “也恨相逢” of 《督主有病》 Du Zhu You Bing by 杨溯 Yang Su: specifically for 梅梅’s line “少爷，这是我的命” / “shaoye, this is my fate.” for a scene that didn’t even exist in the original novel... hot damn wow

E12 “绝不复寡“ of 《师弟还不杀我灭口》 Shidi Hai Bu Sha Wo Mie Kou by 子鹿 Zi Lu: 锦鲤 has the range and this AD proves it! While he spends most of the AD being generally the comedic, satirical commentary, Zhong Yan/Qin Mingxi absolutely begging, tears in his voice, for Gu Xuanyan to leave him to die in this scene? look I’m not immune to this trope either

S1E13·上 of 《问鹿三千》 Wen Lu San Qian by 光合积木 Voicegem, 吼浪文化 Houlang Studio, and 斗木獬编剧工作室 Doumuxie Screenwriting Studio: (cups hands around mouth, yells) 马! 老! 师! it’s hard to explain the heartbreaking context of the line I have in mind without giving away the entire story, but 马正阳’s throat-scraping scream of “我要你爱我” / “I want you to love me!” is wince-inducing from the sheer force of the raw anguish in it

wooooo and that’s a wrap! thanks for tuning into the 2022 danmei awards :)

looking forward at my reading list, I’m not sure I’ll be doing a 2023 round since my reading is taking me in different directions and I simply might not have enough candidates to fill out a whole awards post next year (and I suspect I’ll have gone so far off the map that people won’t even have the faintest idea what I’m talking about anymore asldkfajsd)

it’s been fun!!! catch you all in the new year!!

#came for the mushroom stayed for the mushroom #saving your kingdom while burnt out: the imperial intrigue steampunk wuxia light mecha alternate historical novel #voice(bear) appreciation hours #《督主有病》#《无双》 backlog #guess who walked into and out of the abyss while y'all weren't looking #新年快乐送你们一篇博君一笑

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shookethdev · 2 years

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a o e i i er ai ei ao ou an en ang eng ong i ia iao ie iu ian in iang ing iong u ua uo uai ui uan un uang ueng ü üe üan ün a o e er ai ao ou an en ang eng yi ya yao ye you yan yin yang ying yong wu wa wo wai wei wan wen wang weng yu yue yuan yun b ba bo bai bei bao ban ben bang beng bi biao bie bian bin bing bu p pa po pai pei pao pou pan pen pang peng pi piao pie pian pin ping pu m ma mo me mai mei mao mou man men mang meng mi miao mie miu mian min ming mu f fa fo fei fou fan fen fang feng fu d da de dai dei dao dou dan den dang deng dong di diao die diu dian ding du duo dui duan dun t ta te tai tei tao tou tan tang teng tong ti tiao tie tian ting tu tuo tui tuan tun n na ne nai nei nao nou nan nen nang neng nong ni niao nie niu nian nin niang ning nu nuo nuan nü nüe l la le lai lei lao lou lan lang leng long li lia liao lie liu lian lin liang ling lu luo luan lun lü lüe g ga ge gai gei gao gou gan gen gang geng gong gu gua guo guai gui guan gun guang k ka ke kai kei kao kou kan ken kang keng kong ku kua kuo kuai kui kuan kun kuang h ha he hai hei hao hou han hen hang heng hong hu hua huo huai hui huan hun huang z za ze zi zai zei zao zou zan zen zang zeng zong zu zuo zui zuan zun c ca ce ci cai cao cou can cen cang ceng cong cu cuo cui cuan cun s sa se si sai sao sou san sen sang seng song su suo sui suan sun zh zha zhe zhi zhai zhei zhao zhou zhan zhen zhang zheng zhong zhu zhua zhuo zhuai zhui zhuan zhun zhuang ch cha che chi chai chao chou chan chen chang cheng chong chu chua chuo chuai chui chuan chun chuang sh sha she shi shai shei shao shou shan shen shang sheng shu shua shuo shuai shui shuan shun shuang r re ri rao rou ran ren rang reng rong ru rua ruo rui ruan run j ji jia jiao jie jiu jian jin jiang jing jiong ju jue juan jun q qi qia qiao qie qiu qian qin qiang qing qiong qu que quan qun x xi xia xiao xie xiu xian xin xiang xing xiong xu xue xuan xun

NAKU 🫵

#anon #asks

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eyenaku · 2 years

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Ji ji fu ji ji

#‼️mutual #get tone-d

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lyrics365 · 12 days

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Utopia (Feat. HENDERY of WayV) (Chinese Ver.)

My passion My passion zheng kai le shuang yan jing zhi de shi jie kong qi dou bei ding ge zai zhe yi shun jian jing zi de dui li mian mo sheng you shu xi de lian yao ru he gai bian cai neng gou bei kan jian shui zai deng dai li ming de lai lin shui yi jiu zai hei an zhong chuan xi qi ji zhong xun zhao zhen li bu ting bu ting qu ding yi zi ji shi shen me rang ni huai yi ceng yi shi de zi ji Uh uh…

#ZHOUMI

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screaming-apple · 3 years

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TOP 5 TV DRAMA EACH YEAR WITH THE HIGHEST BAIDU INDEX RANKING

(from 2011 to 2021/known internationally)

🔥2011:

No.1: Scarlet Heart (Bu Bu Jing Xin)

No.2: The Temptation To Go Home (Hui Jia De You Huo)

No.3: The Lock Heart Jade (Gong Suo Xin Yu)

No.4: The Glamorous Imperial Concubine (Qing Shi Huang Fei)

No.5: Palace (Gong)

🔥2012:

No.1: iPartment season 3 (Ai Qing Gong Yu)

No.2: The Magic Blade (Tian Ya Ming Yue Dao)

No.3: Locked Beaded Curtain (Gong Suo Zhu Lian)

No.4: Empresses Of The Palace (Hou Gong Zhen Huan Zhuan)

No.5: Xuan-Yuan Sword: Scar Of Sky (Xuan Yuan Jian Zhi Tian Zhi Hen)

🔥2013:

No.1: Little Daddy (Xiao Ba Ba)

No.2: We Get Married (Zan Men Jie Hun Ba)

No.3: Prince Of Lan Ling (Lan Ling Wang)

No.4: Swordsman (Jin Xiao Ao Jiang Hu)

No.5: Legend Of Lu Zhen (Lu Zhen Chuan Qi)

🔥2014:

No.1: iPartment season 4 (Ai Qing Gong Yu)

No.2: My Love From The Star (Byeoreseo On Geudae)*

No.3: Swords Of Legends (Gu Jian Qi Tan)

No.4: Boss & Me (Shan Shan Lai Le)

No.5: The Empress Of China (Wu Meiniang Chuan Qi)

🔥2015:

No.1: The Legend Of Mi Yue (Mi Yue Zhuan)

No.2: My Sunshine (He Yi Sheng Xiao Mo)

No.3: The Journey Of Flower (Hua Qian Gu)

No.4: The Lost Tomb (Dao Mu Bi Ji)

No.5: Nirvana In Fire (Lang Ya Bang)

🔥2016:

No.1: Ode To Joy (Huan Le Song)

No.2: Love O2O (Wei Wei Yi Xiao Hen Qing Cheng)

No.3: The Princess Weiyoung (Jin Xiu Wei Yang)

No.4: Go Princess Go (Tai Zi Fei Sheng Zhi Ji)

No.5: Descendants Of The Sun (Taeyang-ui Huye)*

🔥2017:

No.1: In The Name Of The People (Ren Min De Ming Yi)

No.2: The First Half Of My Life (Wo De Qian Ban Sheng)

No.3: Eternal Love (San Sheng San Shi Shi Li Tao Hua)

No.4: Princess Agents (Chu Qian Zhuan)

No.5: Ode To Joy season 2 (Huan Le Song)

🔥2018:

No.1: Story Of Yanxi Palace (Yan Xi Gong Lue)

No.2: The Story Of Minglan (Zhi Fou? Zhi Fou? Ying Shi Luo Fei Hong Shou)

No.3: Ashes Of Love (Xiang Mi Chen Chen Jin Ru Shuang)

No.4: Legend Of Fuyao (Fuyao)

No.5: Ruyi’s Royal Love In The Palace (Ruyi Zhuan)

🔥2019:

No.1: Joy Of Life (Qing Yu Nian)

No.2: Go Go Squid! (Qin Ai De, Re Ai De)

No.3: Hope All Is Well With Us (Wo Men Dou Yao Hao Hao De)

No.4: The King’s Avatar (Quan Zhi Gao Shou)

No.5: The Untamed (Chen Qing Ling)

🔥2020:

No.1: The Bad Kids (Yin Mi De Jiao Luo)

No.2: Nothing But Thirty (San Shi Er Yi)

No.3: Go Ahead (Yi Jia Ren Zhi Ming)

No.4: Find Yourself (Xia Yi Zhan Shi Xing Fu)

No.5: I Will Find You A Better Home (An Jia)

🔥2021:

No.1: Crime Crackdown (Sao Hei Feng Bao)

No.2: My Heroic Husband (Zhui Xu)

No.3: You Are My Glory (Ni Shi Wo De Rong Yao)

No.4: Word Of Honor (Shan He Ling)

No.5: Rattan (Si Teng)

(*) Korean dramas. I have no idea why there are two of them on this Chinese dramas list but okay, they are still accepted here.

The list in picture form: (You can see the Baidu index of the dramas here - click in to see better)

---

So, what do you think of this ranking? How many of these dramas do you know of/have you watched? Which is your favourite?

(The tags can not cover every drama. So I have tried my best to pick out some I think would be more well-known among international fans.)

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bookofjin · 4 years

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Annals of Chuping 1 (190)

[From Yuan Hong’s Houhanji 28]

Annals of Emperor Xiaoxian [“Filial and Offering”], Part 1

1st Year of Chuping [“Beginning Peace”]

[23 February 190 – 11 February 191]

Spring, 1st Month, xinhai [4 March], a great amnesty Under Heaven.

Palace Attendant Zhou Bi and Colonel of the City Gates Wu Qiong, argued to Dong Zhuo, saying:

In all cases the affairs of deposing and installing are great, and not attained by regular people. Yuan Shao did not comprehend the greater structure, and fearful and afraid set out and ran without having other aspirations. Now with the urgency of a bounty, circumstances are certain to make him change.

The Yuan clan have planted kindness for four generations, the students and former functionaries from their gates are everywhere Under Heaven. Suppose they gather the prominent and outstanding so as to assemble a crowd of followers. The gallant and bold will follow them and rise up, and East of the Mountains will not be possessed by Your Excellency. It is not as good as forgiving him, and designate him the Warden of a single commandery. Then Shao will delight in avoiding punishment, and there is certain to be no worries.

Zhuo considered it to be so, and therefore used Shao as Grand Warden of Bohai.

On guichou [6 March], Zhuo killed the King of Hongnong.

Zhuo sent the Prefect of the Gentlemen of the Palace, Li Ru, to advance with poisoned wine to the King, saying:

Ingesting the drugs can expel the foulness.

The King said:

I am not ill. In truth [you] wish to kill me this way.

He was not willing, they forced him. And so the King was together with Concubine Tang and the palace people to drink the drugs. The King himself sang, saying:

Heaven's Way is easy, and destiny why so hard.

Forsook the ten thousand vehicles, and withdrew to guard the border.

A traitorous subject is coercing, and fate will not be delayed.

Going away [I am] about to leave you, and depart for the hidden darkness.

Concubine Tang rose up and danced, she sang, saying:

August Heaven collapses, and Sovereign Earth crumbles.

Somebody is Emperor or King, and fate is cut short and swept away.

The dead and living have different paths, and following this [will] turn aside.

Dismayed, I am alone and solitary, and within the heart is sorrow.

Following that she wept, and those sitting there all grieved. The King spoke to Concubine Tang, saying:

You are the former consort of a king, and in the circumstances will not become the wife of a functionary or commoner. Take care of yourself, from that [I] bid farewell with you.

Thereupon he drank the drugs and died. The Emperor heard about it, he came down from his seat and thoroughly grieved.

At that time, the Inspector of Ji province, Han Fu, the Inspector of Yu province, Kong Zhou, the Inspector of Yan province, Liu Dai, the Grand Warden of Chenliu, Zhang Miao, the Grand Warden of Bohai, Yuan Shao, the Grand Warden of Donghai, Qiao Mao, the Grand Warden of Shanyang, Yuan Yi, the Grand Warden of Henan, Wang Kuang, the Chancellor of Jibei, Bao Xin, the General of the Rear, Yuan Shu, the Consultant Gentleman Cao Cao, and others all rose up with righteous troops, wanting to execute Zhuo. Their multitudes each numbered several tens of thousand people, and they pushed forward Shao as master of the oath. Shao titled himself General of Chariots and Cavalry. Cao was Acting General who Exerts the Martial.

The Grand Warden of Changsha, Sun Jian, likewise raised troops to execute Zhuo, and by the time he arrived in Nanyang, his multitude numbered several tens of thousand people. Zhuo used Jian as General who Routs the Miscreants, hoping he would be agreeable and restrained. Jian denounced Zhuo as being past his prime, and advanced to station at Yangdui. Zhuo was greatly angered, and dispatched Hu Zhen and Lü Bu to strike Jian. They fought at Jianping, and Jian greatly routed them.

Zhuo, since the troops East of the Mountains were abundant, wished to move the capital to Within the Passes. He summoned the Excellencies and Dignitaries to discuss it, saying:

Gaozu's capital was Within the Passes for eleven generations. Later during Han's middle flourishing, the eastern capital was Luoyang. From Guangwu until now there then has been twelve generations. Leaning on the the Stone-Wrapped Chamber Prophecies, [we] ought to again return the capital to Chang'an.

Among the hundred officials there were none who dared to respond. The Minister over the Masses, Yang Biao, said:

Moving the capital and changing the regulations are the great affairs of Under Heaven, and always must follow the heart of the people and ensue from what is proper for the times. Formerly Pangeng made the fifth move, and the people of Yin where altogether resentful. For that reason he composed three chapters to shed light on and explain it.

In the past when Wang Mang usurped and rebelled, he disarrayed and made chaos of the Five Constants. And in the disarray of Gengshi and the Red Eyebrows, they burnt down down Chang'an and harmed and wounded the hundred families. The population drifted away and absconded, and out of a hundred not one remained. When Guangwu accepted the instructions, he altered the capital to Luoyang, and this was appropriate for it.

Just now [we] have established and installed a sagely ruler, brilliantly raising high Han's benediction. But then for no reason to give up the ancestral temples and palace halls, abandon the former emperors' parks and mounds, the hundred families will be frightened and alarmed and not figure out these intentions. There will surely be boiling gruel and an assembly of ants, and so cause disturbance and chaos. The Stone-Wrapped Chamber Prophecies is a book of bewitching perversity, how can [we] trust and make use of it?

Zhuo changed colour and said:

Excellency Yang wishes to obstruct the strategies of the House of State? East of the Mountains, the Yellow Head-scarves make chaos, and is where thieves are rising up. Chang'an's strategic points of Yao and Han are firm, they are the important defences of the state.

Also from Right of Long [one] obtains timber, the work is not difficult. And below the Southern Mountains of Duling there are Emperor Xiaowu's old place for kilns to make brickwork, in one morning and one evening it can be managed. The palace houses and official storehouses, how are they not sufficient to talk about! The hundred families and small people, how is it sufficient to discus with them! Suppose there are [those who] go forward and come back, [we] will use our great troops to spur them on, how will they get to be by themselves?

The hundred companions all lost colour. The Grand Commandant, Huang Wan, said:

This is a great affair. Excellency Yang' speech, might it not be [you] could think about it?

The Minister of Work, Xun Shuang said:

How is the Chancellor of State enjoying moving the capital? Now East of the Mountains, troops are rising up, it is not possible to corral them in in a single day. But West of the Passes is still quiet, and for that reason we will move there to plan, as in the circumstances of Qin and Han. Stand firm and fight, without stop, and misfortune is certain to be what comes back. I will not do that.

Zhuo caused to have the ministers memorialise to dismiss the two Excellencies.

2nd Month, dinghai [probably a mistake for yihai, 28 March], the Grand Commandant, Huang Wan, and the Minister over the Masses, Yang Biao, were retired by bamboo slips.

Earlier, Zhuo made use of the opinions of Wu Qiong and Zhou Bi and selected the famous scholars of Under Heaven. When Fu and others had set out, they all raised up troops to plot against Zhuo. Zhuo considered that Qiong and Bi had sold him out, and in his heart was angry with them. Reaching the discussion on moving west, Qiong and Bi firmly admonished. Zhuo, greatly angered, said:

You Lords said [we] must draw out and employ good scholars. Zhuo followed the two lords' scheme, and did not dare to disobey the heart of Under Heaven. When the various lords arrived at their offices, they raised up troops and plotted, how can Zhuo count on [you]?

Thereupon he beheaded Qiong and Bi.

Biao and Wan were fearful and afraid, and hastened to Zhuo to apologize, saying:

It was because of small people's fondness for the old, not a wish to obstruct the affairs of state. [We] request to consider [our] shortcomings as accepting punishment.

Zhuo was not fully furious with them at the time [?], and when he killed Qiong and Bi, he had come to regret it, so for that reason the petitioned for Biao and Wan to be Brilliantly Blessed Grandees.

Zhuo used the Governor of Henan, Zhu Jun, as Grand Coachman, to be considered as deputy for himself. Jun was not willing to accept, and because of that advanced to say:

The state ought not to move, it is certainly undeserving of Under Heaven's expectations, and will complete the rift with East of the Mountains. Your Subject does not see that it is possible.

There was a minister who said:

The summons to audience was for you Lord to accept the designations, but you Lord resisted it. [We] did not ask about the affairs of moving, but you Lord put it forth. Why so?

Jun said:

To be deputy for the Chancellor of State is extremely weighty and is not something Your Subject is capable of. That moving the capital not be planned is what is pressing for Your Subject. To decline what he is not capable of, and advance what is urgent for him is what is proper for a subject.

There was a minister who said:

The affairs of moving the capital, earlier there were no plans for that, and even if there are, they have not yet been exposed. How did [you] gain knowledge of it?

Jun said:

The Chancellor of State, Dong Zhuo, arranged to make Your Subject talk about it.

The ministers were not able to bend [him] and so the great subjects of the court, and the Gentleman of the Masters of Writing, Hua Xin, and others all commended him.

Owing to that, they desisted and did not make him deputy to Zhuo. Zhuo increasingly hated him, and he feared he would certainly be destroyed by Zhuo, he therefore ran to Jing province. The Intendant of the Brilliantly Blessed, Zhao Qian, became Grand Coachman. Wang Yun became Minister over the Masses and caretaker Prefect of the Masters of Writing.

On dinghai [9 April], the Son of Heaven transferred the capital to Chang'an. Zhuo stayed behind to station at Luoyang, he thoroughly burned the palace houses, and moved the people to Chang'an.

On renchen [14 April], a white nimbus passed through the sun.

3rd Month, jisi [21 May, possibly an error for yisi, 24 April], the Chariot Drove to arrive at Chang'an. During the chaos of the Red Eyebrows, the palace houses had burnt down completely, and there was only the Exalted Temple and the Jingzhao office buildings. Thereupon they went and made the capital there.

On wuwu [10 May], Zhuo killed the Grand Tutor, Yuan Wei, and his three sons.

At that time, Yuan Shao was stationed in Henei. The Grand Warden of Chenliu, Zhang Miao, the Inspector of Yan province, Liu Dai, the Grand Warden of Dong commandery, Qiao Mao, and the Grand Warden of Shanyang, Yuan Yi, stationed at Suanzao. The General of the Rear, Yuan Shu, stationed at Nanyang.

The Inspector of Ji province, Han Fu, held a great assembly at Suanzao, wanting to make an oath. The various provinces and commanderies in turn pushed forward and yielded to each other, nobody was willing to be the one in front. The Board of Merit Official of Guangling, Zang Hong, climbed the altar holding the blood, and said:

The House of Han is ill-fortuned and the kingly guide-ropes have lost control. The traitorous subject Dong Zhuo exploits feuds to indulge in harm. Calamity is inflicted on the most venerable, cruelty flows to the hundred families. There is great fear for the loss and destruction of the altars of soil and grain, and the shearing away and overturning of the Four Seas.

The Inspector of Yan province, Liu Dai, the Inspector of Yu province, Kong Zhou, the Grand Warden of Chenliu, Zhang Miao, the Grand Warden of Dong commandery, Qiao Mao, the Grand Warden of Guangling, Chao, and others, have brought together and joined righteous troops, and together hurry to the state's difficulties.

All of us in the same oath must unite our hearts and join our strength, so as to cause a subject be steadfast, and that perished heads and lost principals are certain to not cause division. [If] there are those who pull out from this oath, they will tumble to their fate without having offspring. August Heaven and Sovereign Earth, the founders, ancestors and luminous spirits, will truly all oversee it.

The spirit of Hong's speech was sorrowful but strong, with weeping tears flowing down. Of those who heard his words, even among the squads of footsoldiers, the servants and cooks, there were none who were not excited and brought up.

Zhuo's troops were strong, and Shao and the others did not dare to be the first to advance. Cao Cao said:

[We] raised up righteous troops to punish violence and chaos, and now the multitudes have already joined together. How can you Lords be doubtful afterwards? [When we] caused Dong Zhuo to hear about the troops of East the Mountains rising up, [if he] had relied on the veneration for the kingly house, occupied the defiles of the Two Zhou, and turned to preside over Under Heaven, then even though he was without the Way in how he acted, it still would be enough to troublesome.

But now he burns down the palace houses and forcibly moves the Son of Heaven. Within the Seas shake and stir, and do not understand where to resort to. This is the time when Heaven destroys him. With a single battle Under Heaven will be settled, [we] cannot neglect it.

He guided his army to go west and fight at Xingyang. Cao's troops were greatly defeated.

At that time, the Inspector of Qing province, Jiao He, also raised troops to chastise Zhuo, [but] He and the various generals when they travelled west, did not make protective defences for the common people. When they started to cross the He, the Yellow Head-scarves had already entered their region. Qing province was flourishing and wealthy, and the army strong, [but] He looked at the robbers and ran north, not once catching the wind and dust, or mixing with the banners and drums. He excelled at divining with stalks and trusted ghosts and gods. When one enters to see his [kind of] person, Pure Talk impinge the sky. When one sets out to observe his government, rewards and penalties are in smashed disorder. The province thereupon is barren and bleak, and thoroughly becomes hills and wasteland.

Soon after, He became ill and passed on. Yuan Shao sent Zang Hong to take charge of Qing province. He consoled He's people and multitudes, and the thieves and bandits ran off and fled. Shao admired his ability, and moved him to be Grand Warden of Dong commandery.

Summer, 4th Month [22 May – 20 June], used the Great Minister of Horse, Liu Yu, as Grand Tutor.

The Prefect of the Masters of Writing, Wang Yun, memorialised, saying:

Grand Scribe Wang Li explains the Classic of Filial Piety' Six Secret Affairs. Make the Imperial Court act on them, to dispel and hold off calamity and evil. He has increasingly the body of a sage.

A decree said:

[We] have heard a king must study virtuously. [We] have not heard that Master Kong made the Classic of Filial Piety to be [like] this, and then held off evil.

Yun firmly memorialised his request, saying:

Li's studies are deep and substantial, these are the confidential mysteries of a sagely person. Act on them without reduction.

The Emperor therefore followed it. Often on auspicious days, Wang Yun, together with Wang Li, would enter to make the Emperor recite one section of the Classic of Filial Piety, and use canes and two bamboo mats to delineate the Nine Palaces on top of them [?]. On subsequent days, [he?] at times then set out from and entered them. When Yun came to harm, he then did not again act it out.

Yuan Hong says: The gods in truth are perceptive, bright, principled and straight, they comply with people and then act. For a king who esteems virtue, to abundantly make offerings to be used as banquets for Heaven and Earth can be said to be the utmost. Suppose in all regards the affairs of the Six Secrets was not the Way of a sagely person, and for a regular fellow it is in the same way still not possible, then how is it with the fates of emperors and kings!

5th Month [21 June – 19 July], the Minister of Works, Xun Shuang, passed away.

Shuang, courtesy name Ciming, was the son of the Prefect of Langling, Shu. Aged twelve, Grand Commandant Du Qiao taught him. He was recommended as Filial and Upright, and Worthy and Good. During the partisan affairs, he was proscribed and forbidden, and went in seclusion by the sea. He again went south to hide at the banks of the Han. When the partisan affair was loosened, nominations and instructions arrived criss-crossed, there was summons to be [Scholar] of the Way and Broad Scholar. In all cases he did not go.

At the beginning of Emperor Xian's reign, Dong Zhuo endorsed Shuang as Chancellor of Pingyuan. He had not yet arrived at his post, when he was summoned to be Intendant of the Brilliantly Blessed. After being in his office building for three days, he moved to Minister of Works. At that time, those who were loyal and proper had a brave forbearance, and those who held close the Way were deeply silent. Shuang had dispersed calamity at the court of Dong Zhuo, and also in the space of a ten day ranked at the pinnacle of subjects, a lordly person would use this to deride him.

Earlier, Shuang and his brothers, eight people, were titled as the “Eight Dragons”, and Shuang most of all was praised as a Ruist and for his refinement. His older brother's son Yu's fame carried weight in his generation.

6th Month, xinwei [22 July], the Brilliantly Blessed Grandee Zhong Fu became Minister of Works.

Zhuo opened up the various mounds of Luoyang and the graves and tombs of the great subjects. He destroyed the bells and bell frames that were within Luoyang city, and melted them down as coins. In all cases they did not complete the engravings. Furthermore he melted the Five zhu coins, the engravings and the outer rim were impossible to hold on to. Hence money became cheap and things expensive. One hu of grain reached several millions.

The Grand Warden of Liaodong, Gongsun Du, titled himself as Shepherd of Ping province, and erected a Temple of Shizu of Han.

When the Chanyu, Qiangqu, had been killed by the people of his state, his son Yufuluo should have been installed, [but] the people of the state installed Xubu as Chanyu, and Yufuluo went to the imperial palace to lodge a complaint. It happened that Emperor Ling collapsed, and the kingly house was in chaos. Yufuluo brought along several thousand cavalry, and, together with the White Waves thieves, he robbed the region of Ji province. The hundred families had all made tall walls and emptied the countryside, so there was little to obtain by plunder and robbery. He wished to return home to his state, but the people of state did not accept it, and he thereupon halted in Hedong.

#hhj26

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kdram-chjh · 2 years

Photo

Cdrama: The Silent Criminal (2020)

Gifs of Ending of cdrama “The Silent Criminal”

【FULL】 The Silent Criminal EP01 | 双夭记 | iQIYI

Watch this video on Youtube: https://www.youtube.com/watch?v=MRL2UE-mXGw

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bl-is-totes-my-jam · 3 months

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Guess who just binge watched all of The Silent Criminal instead of sleeping? This gal!

#the silent criminal #cdrama #Shuang Yao Ji #双夭记

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shijiegongzi · 4 years

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All the Chinese Dramas/Movies I’ve Watched or Started (85 Listed Here)

Painted Skin 1 (Hua Pi 1) (movie)

Painted Skin 2 (Hua Pi 2) (movie)

She Diao Ying Xiong Zhuan 2008 (Legend of the Condor Heroes)

Shen Diao Xia Lv 2006 (Return of the Condor Heroes)

Xiao Ao Jiang Hu 2013 (The Smiling, Proud Wanderer)

Tai Zi Fei Sheng Zhi Ji (Go Princess Go)

Huan Cheng (Ice Fantasy)

Hua Qian Gu (Journey of the Flower)

San Sheng San Shi Shi Li Tao Hua (Ten Miles of Peach Blossoms)

Chu Qiao Zhuan (Princess Agents)

Shuang Shi Chong Fei (The Eternal Love)

Legend of Fu Yao

Yan Xi Gong Lve (Yanxi Palace)

Ruyi Zhuan (Ruyi’s Royal Love in the Palace)

Zhen Hun (Guardian)

Zhifou Zhifou Yin Shi Lv Fei Hong Shou (Story of Minglan)

Xu Ni Fu Sheng Ruo Meng (Granting You a Dreamlike Life)

Bian Cheng Lang Zi (Border Town Prodigal)

Xia Zhi Mo Zhi (Rush to the Dead Summer)

Shuang Shi Chong Fei 2 (The Eternal Love 2)

She Diao Ying Xiong Zhuan 2017 (Legend of the Condor Heroes)

Xiang Mi Chen Chen Jin Ru Shuang (Ashes of Love)

Dong Gong (Goodbye My Princess)

Mei Zhe Wu Jiang (Bloody Romance)

Legend of Yunxi

Dugu Tianxia (Legend of Dugu)

Xiao Nv Hua Bu Qi (I Will Never Let You Go)

Qin Shi Li Ren Ming Yue Xin (King’s Woman)

Huan Le Song (Ode to Joy)

Huan Le Song 2 (Ode to Joy 2)

Qin Ai De, Re Ai De (Go Go Squid)

Ying Xiong 2002 (Hero) (movie)

Shi Mian Mai Fu (House of Flying Daggers) (movie)

Zhi Wo Men Dan Chun De Xiao Mei Hao (A Love So Beautiful)

Bai Fa (Princess Silver)

Zhen Huan Zhuan (Empresses in the Palace)

Bubu Jing Xin (Scarlet Heart, Chinese version)

Zhi Wo Men Nuan Nuan de Xiao Shi Guang (Put Your Head on my Shoulder)

Bai She: Yuan Qi (White Snake) (animated movie)

Chen Qing Ling (The Untamed, live action)

Mo Dao Zu Shi (Grandmaster of Demonic Cultivation, donghua)

Jing Ying Lv Shi (The Best Partner)

Qing Yun Zhi (Noble Aspirations aka Legend of Chusen)

Qing Yu Nian (Joy of Life)

Meng Hui Da Qing (Dreaming Back to the Qing Dynasty)

Legend of Hao Lan

Jiang Ye (Ever Night)

Fa Yi Qin Ming (Medical Examiner Dr. Qin) (2016 version with Zhang Ruoyun)

Wu Xin Fa Shi (Wu Xin: The Monster Killer)

Gu Hua (Talking Bones)

Xin Ling Fa Shi (The Listener)

Jiu Zhou Tian Kong Cheng 2016 (Novoland Castle in the Sky)

Wu Dong Qian Kun (Martial Universe)

Wo Zhi Dao Ni De Mi Mi (I Know Your Secret)

Da Song Bei Dou Si (Plough Department of Song Dynasty)

Ai Qing Jin Hua Lun 2018 (Evolution of Our Love)

Da Wang Bu Rong Yi (King is Not Easy)

Qing Ping Yue/Gu Cheng Bi (Serenade of Peaceful Joy/Held in the Lonely Castle)

Lang Ya Bang (Nirvana in Fire)

Xia Tan Jian Buzhi (Ancient Detective)

Gu Jin Da Zhan Qin Yong Qing (Fight and Love with a Terracotta Warrior)(movie)

Shen Tan (Detective L)

Min Guo Qi Tan (My Roommate is a Detective)

He Shen (Tientsin Mystic)

Zui Ye Wu Jian (Evil Nights)

Jue Ji Lin Jie Tian Xia (LORD Critical World)

Xiong An Xian Cheng (The Truth)

Wei Zhuang Zhe (The Disguiser)

Chuan Shuo Zhong de Chen Qianqian (Romance of Tiger and Rose)

Ru GUo Wo Niu You Ai Qing (When a Snail Falls in Love)

Xi You Ji 2019 (Tian Zhen Pai version) (Journey to the West)

Dian Xia Gong Lue (To Get Her)

Hong Lou Meng (Xiao Xi Gu version) (Dream of the Red Chamber)

Ming Xing Da Zhen Tan (Who’s the Murderer)

Hong Lou Meng 1987 (Dream of the Red Chamber)

Xiao Huan Xi (Little Reunion)

Fei Ren Zai (Non-human) (animated series)

Da Song Shao Nian Zhi (Young Blood)

Lang Ya Bang 2 (Nirvana in Fire 2)

Hei An Zhe (Death Notify: The Darker)

Hen Ji (Trace)

Jin Yi Zhi Xia (Under the Power)

Wai Ke Feng Yun (Surgeons)

Shao Nu Da Ren (Maiden Holmes)

Ren Zha Fan Pai Zi Jiu Xi Tong (Scum Villain Self-saving System)

#shijiegongzi #recs

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chaoticbluebirdconnoisseur · 4 years

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Five Mineral Drug

Five mineral powder (or wushi), also known as cold food powder (or hanshi), was one of the most widely used drugs in medieval China. I have read the paper Lebensstil und Drogen im chinesischen Mittelalter by Rudolf G. Wagner and thought that those who can’t speak German might want to know more about it as well. In this, I will explain how it was found and popularized, the people who took this, symptoms, side effects, etc.

So I picked out a few texts and translated the translations from German to English. Keep in mind that the translation had gone from being originally written in Middle Chinese to being translated to German by Wagner, and then being translated by me in English. This is not an official translation, and I don’t want it to be treated as such. I tried finding alternative translations but in the end, I had to resort to translating most of it myself. My translations (which are Wagners translations) are marked with a ・ .

And also for those not bright enough: DO NOT RECREATE THIS TRASH! DO NOT ATTEMPT TO CONSUME IT! Jesus

Five Mineral Drug Before He Yan

There is not much known about the History before He Yan’s lifetime, but we have the following statement by Qin Zhengzu in his work Hanshi san lun ・ :

Although the recipe for the cold food powder originates in the Han Dynasty, there were not many who used it. But when the shangshu (He Yan) achieved godly mental abilities (because of the drug), it spread immensely throughout the era.

In Chao Yuanfang’s work Chaoshi Zhubing Yuanhuo [1] which citates Huangfu Mi ・ :

Where the drug came from is not known. Some say Hua Tuo invented it, others say it was Zhang Ji. If one examines the truthfulness on these accounts, it was plausible for Hua Tuo’s talent to invent simple recipes (which does not apply to the five mineral powder). In a text written by Zhang Ji, there is a recipe called Houshi Hei (Black Powder by Sir Hou) and a Zushi Ying recipe, both of those, have a similar composition like the Five Mineral Powder, and the codes of conduct (for the ingestion) are more or less the same. According to those two recipes, the plant-based and the mineral-based, I deduce the origins stem from Zhang Ji and not Hua Tuo.

Remarkable is that Huangfu Mi had to speculate even though He Yan was dead for only 30 years. Rudolf G. Wagner comments that Huangfu’s explanation could ring true because Zhang Ji was known as a doctor specialized in Shanghan diseases (cold diseases). Summarized we know that the drug was probably invented in the Han Dynasty and that it was meant to be used as medicine.

He Yan and the Popularization of The Five Mineral Drug

He Yan (d. 249) was the grandson of He Jin and grandnephew of Empress Dowager He. His mother Lady Yin, who was formerly the wife of He Xian, became the concubine of Cao Cao. Although he was closely affiliated with the imperial clan (through his mother and his wife Princess Jinxiang), he was largely unrecognized by them, Wendi of Wei even calling him a ‘false son'. He stayed out of government until Mingdi of Wei’s death. He Yan cultivated a circle of friends of scholarly interests, on which he exerted influence. His contemporaries include Wang Bi, Xiahou Xuan, Deng Yang, Li Sheng, and Zhuge Dan.

At the regency of Cao Shuang, he and his circle would take great influence in the years from 240 to 249, which was known as the Zhengshi era. He and Wang Bi (226-249)achieved great scholarly achievements in Neo-Daoism, also known as Xuanxue. The cultural, scholarly, and scientific advancements were unparalleled and imitated in later years. But the regime by Cao Shuang and his co-regent Sima Yi (179-251) would prove to be highly unstable. Cao Shuang and his circle came to represent the new elites with Xuanxue as their philosophy, and Sima Yi represented the orthodox Confucian landholders, who would feel threatened by He Yan and his friends who represented in many the new powerholders. Internal strifes in Cao’s faction and Sima Yi’s short retreat from the court would result in a coup d'état against Cao. Cao Shuang, He Yan, his supporters, and their families were all executed.

For a more thorough analysis on He Yan, I highly recommend DaolunofShiji’s A Case For He Yan.

He Yan was described in the He Yan Biezhuan:” His figure and face were of outstanding beauty; when he went outside, for a walk, onlookers would fill the streets; many said he was a genius”. Further, the Weilüe states: “...in all activities white cosmetic powder did not leave his hands, when walking he looked back at his shadow.” As a dandy, outstanding debater, and philosopher, he would dictate the beauty and philosophical trends, of not only his day but for the next centuries. For example, the former standards of attractiveness were in the Late Han Dynasty a warriorlike appearance with great strength to accompany it. Because of He Yan, the standards changed to a more docile and graceful appearance.

As a trendsetter, with no doubt many admirers, he introduced the drug in the Wei elite with his description of the drug cited in the Shishuo Xinyu: “Whenever I take five-mineral powder, not only does it heal any illness I might have, but I am also aware of my spirit and intelligence becoming receptive and lucid.” It’s popularity rose in the Wei-Jin elite as following anecdotes describe:

Chao Yuanfang’s work which cites Huangfu Mi in Chaoshi Zhubing Yuanhuo・ :

In youngest times, the shangshu He Yan devoted himself to music and appreciated sex, when he took the drug for the first time, his consciousness gained more clarity and his physical strength increased. In the capital (of Wei), everyone passed the drug around... After the death of He Yan, those who took the drug multiplied, and it didn’t slow down with time.

The drug not only aids ‘spirit and intelligence’ but also increases the enjoyment of music and sex.

Cao Shuang’s biography in the Sanguozhi [2]:

Shuǎng’s drink and food and chariots and clothing, imitated the Imperial carriage; craftsmen treasures and toys, filled up his house; wives and concubines filled his Rear Courtyard, and he also secretly took the Former Emperor’s Talent concubines of seven to eight women, and his offices and officials, teachers and workers, drums and horns, elite family’s sons and daughters of thirty-three people, all became his performers and musicians. He forged Imperial Order documents, sending out Talent concubines of fifty seven women to Yè terrace, and having the Former Emperor’s Fair concubines teach and practice performance. He usurped the Grand Musician’s musical instruments, and the Military Store’s prohibited weapons. He made cavern residences, fine engraving all around, repeatedly with [Hé] Yàn and the rest meeting inside, drinking liquor and making merry.

Rudolf G. Wagner analysis that this scene is also in correlation to the five mineral powder, mainly being in a ‘cavern residence’ which helps with the side effects of the powder (I will explain the side effects later on). Also, the ‘Talented Concubines’ (who are Mingdi’s concubines), the excessive wine drinking, and the musical instruments indicate that the circumstance has been applied to fit the positives of using the drug and to alleviate the side effects.

Of course, this lifestyle would take a toll on He Yan’s health, as the powder that could ‘heal any illness’ betrayed him. As Guan Lu observed, not only He Yan but also his colleague Deng Yang were greatly weakened. The anecdote is in the Guan Lu biezhuan which you can find in his Sanguozhi biography[3]:

Deng Yang's gait is that of one whose sinews are loosed from his bones, and his pulse is unsteady. When he would stand, he totters as a man without limbs. This is the aspect of a disembodied soul. He Yan looks as if his soul was about to quit its habitation. He is bloodless, and what should be solid in him is mere vapor. He looks like rotten wood. This is the aspect of a soul even now in the dark valley.

Also the He Yan Biezhuan further states:” He had such a weakened constitution, that he couldn’t wear heavy silk anymore.” It is plausible that it is attributed to the drugs, the heavy silk could either produce more heat than he could handle, or it could apply pressure to the ulcers, you get from this drug, (but then again we will talk about the side effects later). Hao Yicheng (1757-1825) commented that if Sima Yi didn’t killed him, that he would have passed away anyway, because of the consequences of his drug use.

He Yan’s Legacy in Relation to the Drug

He Yan was the most important person concerning the rise of the drug in Wei-Jin circles. He was blamed for the moral decay of the elite, and over the centuries, criticized regularly for it. The following memorials bear witness to it:

Pei Wei’s (267-300) (whose father Pei Xiu passed away because of the drug, we will get to that later) memorial, which can be found in the Jinshu 35, criticizes Wang Yan and others for their admiration and imitating the actions of He Yan and Ruan Ji. It is explicitly mentioned that their rolemodels like themselves ran around naked, being unable to follow the rites.

Fan Ning, in the reign of Emperor Jianwen (reg. 371-373), presented in a memorial, which you can find in the Jinshu 75, in which he criticized He Yan and Wang Bi ‘That the faults of He Yan and Wang Bi are greater than Jie’s and Zhou’s faults’. Those two ‘terrible last rulers’ were considered evil, but only corrupted their own generation. He Yan and Wang Bi, on the other hand, exceeded the faults of ‘barbarians’ because their negative influence in all areas, corrupted the elite, the execution of He Yan and the establishment of a new dynasty affecting nothing to the problem. He is also implying that because the Jin elite followed He Yan’s and Wang Bi’s teachings, they couldn’t defend the north from the ‘barbarians’.

Sun Simiao (581-682) wrote in his treatise ‘Declaration of the Toxicity of the Five Mineral Powder’ which is in the Qian Jin Yao Fang ・ :

The revival medicine cold food powder or five mineral powder, according to old reports, were not known to recipe specialists, but (its use) began with the Marquis He after the end of the Han.

Since Huangfu Mi among those, who were tricked by this temptation, there were none, whose back didn’t inflame, whose bones didn’t disintegrate and who didn’t subject themselves to destruction. Since I can remember, it hasn’t struck only one from those who I knew, who came from the capital.

Su Shi (1036-1101) wrote in his memorial ‘The Memorial of Shangyang’ Lun Shangyang the following ・ :

It began with He Yan, that the people took stalactites and wushi (different word for fuzi: aconite), and gave themselves uncontrolled to wine and sex, to prolong their life. (He) Yan was in his youth rich and honored, how should one be surprised, that he took the cold food powder, to satisfy his desires? What he caused with that (that the powder spread), was enough to kill people and to destroy families. Every single day. How awful it is to die from the cold food powder - But what can I alone do? Those who take the cold food powder and whose backs are decaying (are so numerous), that they step on each other's feet!

Yu Zhengxie (1775–1840) wrote in his work Guisi Cungao the following, comparing the five mineral powder to opium ・ :

The nobles and dignitaries haven’t asked themselves if they have an illness or not, but it became fashionable with He Yan to take this drug without reason. The people of Wei and Jin took this drug and were not able to come back to their senses until the end of their lives...

The powder of Wei and Jin and the ‘pill’ of Tang and Song are the worst and are comparable with today’s opium. Under the Jin, Tang, and Song the governments, however, haven’t banned (these drugs), whereas today opium is banned; That’s how one can see that only the present government is handling the problem correctly.

The Recipe

First, we examine He Yan’s Five Mineral Powder Recipe, referenced in Sun Simiao’s (581-682) work Qian Jin Yi Fang, where mentioned in a note that if two components (sulfur and red clay containing silicon) are removed from the Wushi Gengsheng San recipe, you are left with Sanshi Gengsheng, Marquis He’s original recipe. The ingredients are listed here:

Zhongru (stalactite) 2.5 liang

Baishi Ying (milky quartz) 2.5 liang

Haige (oyster shell) 2.5 liang

Zishiying (amethyst) 2.5 liang

Fangfeng (Siler divaricum) 2.5 liang

Gualou (Trichosanthes kirilowii) 2.5 liang

Ganjiang (Zingiber officinale) 1.5 liang

Baishu (Atractylis ovata) 1.5 liang

Jiegeng (Platycodon grandiflorum) 5 fen

Xixin (Asarum Sieboldi) 5 fen

Renshen (Panax ginseng) 3 fen

Fuzi (Aconitum L.) cooked, with the removed shell 3 fen

Guixin (cinnamon tree bark from a smaller branch)

And very important is expensive wine.

As Wagner points out, his list of ingredients isn’t exact, because of the many variables the identification of those ingredients has (pharmacological variables, terms describing the ingredients, the provenance of the plants, etc.). But we can establish the most important ingredients: stalactite, aconite, and herbs such as ginger, ginseng, etc..

In Xi Kang’s (223-262) biography in the Jinshu 49, we see that stalactite could be consumed on its own ・ :

Xi Kang also met with Wang Lie, and together they went to the mountains. Lie found a stone, with the form resembling a sugar hat. Lie took half of the stone and gave the other half to Xi Kang. Both froze and turned to stone.

Donald Holzman, in his book La vie et la pensée de Hi K’ang identifies the ‘stone resembling a sugar hat’[4] as a stalactite, which is in He Yan’s recipe.

Little side note ‘turned to stone’ is indeed comparable with the slang ‘getting stoned’.

Pharmacological Effects

Before we turn to the preparation of the drug, I’d like to point out the fact that we only vaguely know what components lead to the psychoactive effect. Wagner wrote in his paper that he tried to have people knowledgeable in these regards, research with him, but it didn’t work out. If you want to learn more in this regard, I can’t help you.

Preparation of the Drug and Codes of Conduct

According to Huangfu Mi the minerals have to be prepared (I assume grinding it into a powder) and then they have to rest for 30 days. The plants are prepared on the day of ingestion.

The following texts are in Chao Yuanfang’s work Chaoshi Zhubing Yuanhuo and in Sun Simiao’s work Qian Jin Yi Fang ・ :

Those who take the Hanshi powder, take the amount of 2 liang, this amount is divided into three pastes.

At sunrise, he takes with hot, excellent wine the first paste. When the sun has moved one chang (meaning two hours), in turn, he takes the other paste. When the sun has moved a second chang, he takes the last paste, having used up everything.

After a while, he should wash his hands and feet with cold water. When the energy of the drug is working, one will feel numb. Thereupon he undresses and bathes in cold water. When the power of the drug gets stronger and the body is cooled, the mind opens to clarity, and one recovers from the hardships, even for those who lie weakened and suffering in their bed, it will improve before the day ends.

There are people of weak or strong constitution, and there is different tolerability of the drug for many. If the person using the drug is emaciated and weak, he can eat a little before taking the drug. But when the person is strong, he doesn’t need to eat...

One always has to dress cold, drink cold, eat cold, and sleep cold. The colder the better. If the drug didn’t had an effect yet, one shouldn’t bathe cold yet; if one bathes in this situation, it will result in a painful cold, blocking the drug’s effect, leaving the person shivering. Rather (if the drug is blocked) one should drink warm wine, jump, dance, and rub themselves, to achieve the effect, if one starts to get warm, then they should bathe. If the (situation where the drug hasn’t reached the effect) has been dealt with, one should stop and not overdo (the cooling). Also one should eat cold multiple times (a day), not only in the morning and evening. If one refrains from eating and getting so hungry, then it’s causing the person, to get cold, and only if he eats he will warm up.

The ingredients suggest a high content of calcium, explaining the feverish symptoms. For those symptoms of heat, it was also common to just remove the clothes and go around naked.

Further we are informed that 2 liang isn’t an universal dosage, about that Huangfu Mi writes, which is cited in Chao Yuanfang’s work Chaoshi Zhubing Yuanhuo ・ :

As far as seniors and children are concerned, who can’t tolerate (the normal amount, 2 liang) - here you can set the dosage under 2 liang. When the person is robust, you can set the dosage above two liang... Even though this medicine is excellent and can double the strength and spirit, it is indeed difficult to correctly dosage it.

Cao Xi (Yes from the imperial family) wrote also an explanation on the correct codes of conduct, which could criticize Huangfu’s suggestions which is quoted in Tamba Yasuyori’s work Ishimpo [5] ・ :

In general, one has to, when someone is taking the cold food drug, when it becomes too strong, consistently (focus on the condition) of the one taking the drug, and administer (fitting) healing recipes.

The body and liquids of the human flesh are (for different people) differing like earth and wind (as they are different in other places)Although it is said (by Huangfu Mi?), that one should drink wine, there are people who can do that, and those who cannot.

Although it is said (by Huangfu Mi?), one always has to stay cool, there are bodies of people, there are ones who can bear the cold, and those who can’t.

Although it is said (by Huangfu Mi?), one should eat and drink a lot, there are for food and drink different amounts (of digestibility).

Although it is said (by Huangfu Mi?), one should always exercise, there are different stabilities of the bone, ones who are strong and ones who are weak.

Because the people are thick and thin, old and young, have in their bodies illnesses or not, those who have much warmth and those who have much coldness, one cannot treat (the side effects) them with the same method.

A strong rise of the drug has many aspects and produces hundreds of illnesses.

As those symptoms can be useful in identifying anecdotes where someone is ‘under the influence’, as we turn to the next section.

The Stoned Nobles

Yes, Huangfu Mi called them “The Nobles turned to Stone”.

As it is mentioned the drug spread in He Yan’s lifetime and long after that. In the Guan Lu biezhuan there is instance recorded where Pei Hui asked his subordinate Zhao Kongyao why he isn’t looking well, Zhao replied ・ :”I have the misfortune, that no drug-minerals are remaining in my body.”

As Qin Zhengzu writes in his work Hanshi san lun ・:”Those who took (the powder), searched each others company.” The nobles of that time met in ‘drugparties’ which were most of the time called ‘wineparties’. The language describing those gatherings resembled those of wineparties. For example it is mentioned in the Jinshu 35 that Shi Chong (249-300) once wanted to sue Sun Lishu for not having acted according to the rites at his wineparty, but Pei Kai admonished Shi Chong by saying ・ :”You gave someone a wild drug and expect correct ritual behavior - isn’t that wrong?”

Then we of course have the parties by Cao Shuang, being prime examples of drug use. Of course the one mentioned in the Sanguozhi but also the one mentioned in Zhong Hui’s biography for his mother ・ :

At this time the Great General Cao Shuang alone held the goverment; he gave himself daily to wine until he became heavily drunk. The elder brother of Hui, the shizhong (Zhong) Yu told what happened on these parties. My mother (Zhong Hui’s mother) said:’ When they are having their fun, they are just having their fun, but it won’t last long. When those of high rank, aren’t arrogant and follow the rules and regulations, then they aren’t getting themselves in trouble. If they overdo it, a tragedy will happen. (Those who are in the government) have an excessive wastefulness. This is not the way to keep wealth and high positions’.

The seven sages of the bamboo grove were also known to be fond of the drug. We know of course that Xi Kang took stalactites, the other members showed also similar symptoms described in the following texts:

Wang Yin’s Jinshu biography cited in the Shishuo Xinyu ・ :

At the end of Wei, Ruan Ji drank heavily, neglecting himself completely, showed his hair in an unkempt state in public, and sat naked with sprawled out legs.

Liu Ling’s love for wine is well recorded, but we see him naked here as well, indicating of course this is a incident of drug use, it’s cited in the Shishuo Xinyu [6] :

Liu Ling was an inveterate drinker and indulged himself to the full. Sometimes he stripped of his clothes and sat in his room naked. Some men saw him and rebuked him. Liu Ling said, “Heaven and earth are my dwelling, and my house is my trousers. Why are you all coming into my trousers?”

Not only in the nobility was the drug popular, but emperors also took this. Emperor Huidi of Jin once had a party with youths of the nobility, it’s cited in the Jinshu 27 ・ :

Huidi hosted in the Yuankang era (291-299) a wine party with the high ranking and entertainment seeking youths (of the elite), they let their hair down and undressed in front of the slaves serving as concubines. Those who wouldn’t participate in it fell from grace, those who rejected it were criticized. Only a few nobles wouldn’t participate in it because of embarrassment, and they were presented as they would lack reverence (towards their ruler).

Interesting to see that not only the use of the drug only had a small opposition, but those who refused to participate in those drug parties were put under pressure. It was not only Huidi of Jin who used the five mineral powder but also emperor Tuoba Gui who personally beat those to death who argued against his drug use and displayed their corpses in the ‘hall of heavenly peace’.

After the fall of Western Jin the nobles took their drug culture with them south, as it is described in an anecdote with ‘The Eight Da’ which is cited in the Jinshu 49 [7]:

Humu Fuzhi, Xie Kun, Ruan Fang, Bi Zhuo, Yang Man, Huan Yi and Ruan Fu were sitting together naked and with disheveled hair in a closed room; they had already been drinking for several days. (Guang) Yi (Humu Fuzhi’s protege whom they had not seen for years, arrived and) was about to push the door open and to enter, but the guardian did not allow him (to come in). He thereupon stripped himself outside the door, put off his hat, (crept) into the dog-hole and looked at them, shouting loudly. (Humu) Fuzhi was startled and said:’Other people definitely cannot do so. That must be our Mengzi (i.e. Guang Yi)’. He immediately called him in, and together with him they (went on) drinking day and night, without stopping. Their contemporaries called them ‘the Eight da’.

The Five Mineral Drug and Women

Wagner comments on the question if women took the drug as well, that they were only sexual objects or musicians. They were not members of the circle who took them for psychoactive purposes.

But that doesn’t mean they didn’t consume it. Certainly, they didn’t participate in parties like the scholar gentry, but they used it like most as medicine. In Chao Yuanfang’s work Chaoshi Zhubing Yuanhuo [8] it says:

When a pregnant woman catches cold and suffers from serious pain in her body, and she cannot be moved because of her condition, taking a dose of Cold Food Powder in warm wine and having a cold bath can do her good. After this, if she feels numbness somewhere on her body, the area should be washed with cold water, if she feels cold, drink some doses of wine...

Considering the fact that He Yan ignored the drug’s intended purposes, it is probable that not all women of that time weren’t so strict on using it purely as medicine either.

Also worth mentioning is that women took other substances like cinnabar, in the tomb of Wang Danhu 200 pills were found, which contained cinnabar. Cinnabar was mainly used in alchemy to either achieve immortality, or immortality of the corpse (to preserve it). But in the Tang dynasty, it replaced the five mineral powder, for it was also psychoactive.[9]

Five Mineral Drug and the Common People

To clarify, the five mineral powder was a luxury commodity. The powder itself wasn’t cheap and you had to mix it with expensive wine. There were no people who could profit from peasants getting addicted, there was no point in getting someone addicted to a substance he couldn’t even in the slightest afford. The five mineral powder was in every aspect a status symbol.

And because it was a status symbol people who couldn’t afford the powder would feign to suffer from the side effects of the powder. An anecdote from the Taiping Guangji 247 states ・ :

In the Northern Wei under Xiaowendi (reg. 471-500) the princes and high dignitaries, in high numbers, took the mineral drug, they were called the Shifa, for those ‘where the mineral drug is coming up strongly’. However, there were also people, who had a fever but were not rich and high standing, but also claimed they took minerals and that the fever derived from that. Contemporaries frequently suspected that those people imitated the looks from the rich and high standing.

There was once a man who lied down in front of the gates of the market and with all seriousness assured, that he had a fever so that the people congregated around him to take a look at him. When his companion wondered (about his simulation), he told him:’The drugs are coming up strongly (I am a Shifa).’ His companion asked:’When did the high lord take the minerals?’ The man replied:’Yesterday evening I bought rice, in it I found a mineral; That one I ate and now it is coming up too strongly.’ Everyone started laughing (because the effect of the powder starts immediately, exposing himself). Since then there were only a few, who pretended to suffer from the drug.

Effects of the Five Mineral Powder

As mentioned five mineral powder was originally used as a medicine, but through He Yan, it was used as a lifestyle drug. It was recommended to be used for everyone, literally everyone. Embryos, children, adults, seniors, healthy people, sick people, weak people, and strong people. And it seems that it was not just recommended in treating every disease you might have, but also to achieve godly abilities, good looks, a lucid mind, strength and of course using it per se was a sign of extreme wealth.

Shi Huiyi (372-444) wrote, which is cited in the Ishimpo by Tamba Yasuyori ・:

The five mineral powder is among the supreme drugs. One can excellently prolong their life, nourish life, and bring harmony to one's intellect. How could (one say) that the drug can only heal illnesses?

Cao Xi wrote, which is cited in Qin Zhengzu’s work Hanshi san lun ・ :

Those who are in today’s high rank, see the basic recipe of the drug and are calling out:’This is the divine powder, with which you can hold on to your life.’ And then comes the day, where they are taking it, undress, stand in the wind and pour cold water over them.

Side Effects of the Five Mineral Powder

Wudi sent an urgent message, in which he demanded that Huangfu Mi accepts a government post. Mi answered with a submittal, referring to himself as ‘the hidden one in the grass’: ‘Since I am weakened and emaciated, I am unclear about the direction of the way. Because of my illness, I removed my hairpins, my hair is (dense) like a forest... My humble self has nothing excellent about me, I cause catastrophe’s and seek my ruin, in fear of my serious illness. Half of my body is already numb, and my right leg couldn’t support myself for 19 years. I also take the cold food powder drug and missed and confused the codes of conduct; my pain (caused by this), my suffering, my bitterness, and my sorrows last for seven years. Even in the coldest weather, I undress and eat ice, and when summer comes, it is unbearably warm, and I am shaken by the coughing. At times I am exceedingly feverish, at times I have the coldest chills; Pus is running out my ulcers, and my arms and legs are heavy. In the meantime, my suffering only got worse, as I am gasping for my life...

In the Jinshu 51 ・ Huangfu Mi describes his ailings caused by the drug, in a submittal, hoping to avoid office. He took this drug in hopes to cure his old disease (most likely a stroke), but only worsened his overall condition. As Huangfu Mi describes further implications, cited in Chao Yuanfang’s work Chaoshi Zhubing Yuanhuo ・ :

At times hands and feet hurt, and all joints want to loosen(?). On the body ulcers, form and knots raise. One sits at the bed and sits for a long time, without moving. Extreme heat is everywhere on the body and collects on one point. At times there are hard sores. When it gets worse, they turn to ulcers. When one recognizes that, the person has to wash it with cold water and rub a cold stone (over the sores). In an easy case the sores disappear after a short time; In the worst case one has to pour water over it for a few days without pause, and then it will improve. When the person has been watered for a while, he will recover eventually. But when the bumps are getting bigger and there is no improvement, one should take a knife whetstone and hold it to fire until it glows, then throw the stone in bitter wine. When the stone is in the bitter wine the stone shatters. Thereon one should grind the stone, and apply the stone mixture to the ulcers; When it has been done three times it will improve. Then one takes big worms from the toilet, grind them, and warm them up and apply the mixture to the ulcers, also that is not necessary to do more than three times, and then the healing is improved.

Huangfu Mi doesn’t write where the ulcers form but it is highly likely that they form on the back. Su Shi writes of decaying backs and according to Huangfu Mi, a son of Wang Su (195–256), Wang Liangfu, died because ‘ulcers ate his back away’.

Of course, the well-known side effect is getting feverish but there are far more, according to Chao Yuanfang’s work Chaoshi Zhubing Yuanhuo other side effects include ・ :

Swelling of the stomach, until it wants to explode

Inflamed buttocks

Stabbing pain in the heart, like needles

Dizziness, frequent falling

Pain on all limbs

Difficulty to urinate

Difficulty to defecate

Stiffening of the joints, until one cannot move or stretch

Defecating without knowing

Pain in the eyes, like needles

Tinnitus and liquids exiting the ear

Pain in the mouth, tongue is tensing, and the mouth getting so dry you can’t eat

Rotting of the testicles

Sweating secretion under the arms and ulcers (on the lymph nodes?)

Hypersomnia without being capable to wake up oneself

Swallowing a cough up, leading to an injury to the throat and to bleeding

The feeling of cold and heat change for months

Screaming loudly with a wide openend mouth and with wide openend eyes

Blindness

Insomnia

Stiffening of muscles and skin, until they are dry and feel like wood

Tendency for the eyes to pop out

Some of them can be deadly. But next to the physiological side effects, there are also the psychological side effects. Huangfu Mi writes the following, cited in Chao Yuanfang’s work Chaoshi Zhubing Yuanhuo ・ :

In general, those who take these drugs, when it came up too strongly, even when they are usually intelligent, they are getting dumb. When they are abandoned, they won’t get better. The number of those who died isn’t comprehensible. In general speaking for the stoned nobles, there are ten wrong attitudes (before ingesting the drug): 1.That they are starring angrily; 2.That they have fears or worries; 3. That they cry; 4.That they suppress defecation; 5. That they suppress hunger; 6.That they suppress thirst; 7.That they suppress heat; 8.That they suppress cold; 9.That they overexert themselves; 10.That they are sitting stiff and don’t move When one is against these ten wrong attitudes, one has to, when one wants to raise the effect of the drug, but is already stiff, always has to relax and bring harmony to the limbs; also one cannot read bitter things and not think of something worrying. If one is capable of doing that, the drug won’t come up too strongly and everything will better

If you fail in getting relaxed, similar to LSD, you are getting a ‘bad trip’. Huangfu Mi writes, which is also cited in Chao Yuanfang’s work Chaoshi Zhubing Yuanhuo ・ :

One time I felt like that, when I was sitting in front of my food and tears just kept falling. I took a knife and wanted to kill myself, but was unable to go through with it because my family noticed and took the knife away. I retreated, checked myself, and forced myself to eat and to drink cold water, after that the (desperation) stopped. That it didn’t come to a tragedy, hang on a single thread.

Wang Wei (398-425) once treated his brother with the five mineral drug, but he passed away as a consequence. Wang Wei blamed himself and wrote in a letter which is cited in the Songshu ・ :

In the past year, the powder came up too strongly; on the climax tears came to my eyes, day and night without stopping

And of course, we have Tuoba Gui, when he started taking the five mineral drug his reign was considered ‘a bad trip’

Everyone was aware of the side effects, but they didn’t attribute that as an inevitable consequence but as a case of an overdosing. It was considered safe to use as long as it was used correctly. How it was considered safe to use knew no one.

First Aid In Case of Overdose

At times it can happen, that one falls unconscious and doesn’t recognize people or circumstances. If one (wants) to move its mouth, one can’t open it. The ill person doesn’t know himself and relies on the help of others. In this case, it is necessary that one takes hot wine, for it now depends on his life. But if he can’t drink (the hot wine because of the stiff mouth), one has to kick his teeth in and force the wine down his throat. When the throat is blocked, and the wine flows out, one should not stop (pouring it in). When (the wine) flows out again, one should pour it again and repeats it for perhaps half a day. When the wine gets down, he will regain conscience, but if one stops, without the person drinking the wine, one kills the person.

This is a recommendation by Huangfu Mi cited in Chao Yuanfang’s work Chaoshi Zhubing Yuanhuo ・, it is probably self-explanatory that kicking the teeth of another person while unconscious, will at least provoke animosity, especially when the person unconscious is of higher rank like Pei Xiu. Huangfu Mi writes about his death in Chao Yuanfang’s work ・ :

Pei Xiu from Hedong took the drug and missed the codes of conduct. But because he attained the rank of Sangong, no one dared to force him to treat the (side effects of the drug). He was already beyond the stage of confusion, so that he wasn’t able to realize (what should have been necessary to do), and no one in his entourage knew how to help him. The treatment they chose for him was (giving him instead of warm wine, which would have been correct), letting him drink cold water and rinse him with cold water. When they used hundreds of shi of water on him, the cold became too much and, he died in the water.[10]

If one takes ten shi of glowing coal and pours over them 200 shi of cold water, the glowing coal will go out. Although the heat (caused) by the drug was great, it isn’t as great as the fire stemming from 10 shi stone coal. If one pours the person without interruption, the cold will be enough to kill him.

Later his son Pei Wei wrote a memorial, which you can find in the Jinshu 35, urging to correct the scale of the imperial physicians to prevent overdosing. He didn’t explicitly mention the five mineral drugs, but his background and the massive prevalence of the drug should be good indicators.

Lethality of the Five Mineral Drug

Those who survive (the intake) the longest, live for a few decades; those who live the shortest, only for five to six years. Even though I myself still see and breathe, (is that what I say), only the laugh of a drowning man.

Huangfu Mi’s description of the lethality of the drug cited in the Chaoshi Zhubing Yuanhuo ・. He also lists people who died from the drug in the following:

More and more people took this powder and refused to stop, at time, including myself. Although violent effects were not common it could take a man’s life. One of my cousins named Changhu, suffered from atrophy of the tongue almost shrunk back into his throat; Wang Liangfu of Donghai country suffered from ulcerative carbuncles on his back; Xin Changxu in western Gansu Province suffered ulceration of his back muscles; Zhao Gonglie in Shu County of Sichuan lost six of his cousins to it. All these sufferings were caused by taking cold food powder. Among these, some were quite elderly and some still young, only 5-6 years old. Though I have seen this and sighed at it, I am just like a single drowning man, laughing at those drowning. Yet patients will not take a warning from this, and stop themselves.[11]

Notes

[1] All of Huangfu Mi’s works about the five mineral powder, are only existant in citations in the Chaoshi Zhubing Yuanhuo, the Hanshi san lun and the Ishimpo.

[2] The translation of Cao Shuang’s biography was made by @xuesanguo. You can read it here.

[3] This translation I found in Guan Lu’s wikipedia page. It basically says everything Wagner has translated. But I only know for sure in this passage, I don’t know if the rest is correct.

[4] I couldn’t find a whole translation of this passage, but in Google Books the translation for Wagners ‘sugar hat’ (in German ‘Zuckerhut’), is in other versions ‘sweet meat’ or ‘cakelike stalagmite’. I personally think ‘sugar hat’ fits best.

[5] Cao Xi was the son of Cao Hui, Prince of Dongping. After the establishment of Jin he was made Duke of Linqiu. His works about the powder were also lost to time and ony citations in the Ishimpo and in the Hanshi san lun survive. Also to note the Ishimpo, which was written in around the year 984, was the first medical text in Japan.

[6]This translation is in the book World History, Volume 1

[7]This translation is in the book The Buddhist Conquest of China: The Spread and Adaptation of Buddhism in Early Medieval China by Erik Zürcher

[8]This translation is in the book History Of Medicine In Chinese Culture. Important to note is that Chao Yuanfang hasn’t quoted neither Huangfu Mi nor Cao Xi, so it could be his own recommendation, which was then followed in the Sui dynasty.

[9] For more info on Wang Danhu I recommend Entombed Epigraphy and Commemorative Culture in Early Medieval China by Timothy M. Davis, Landadel - Emigranten - Emporkömmlinge: Familienfriedhöfe des 3.-6. Jahrhunderts n. Chr. in Südchina by Annette Kieser, and Emigrantenfamilien der Östlichen Jin-Zeit im Spiegel ihrer Gräber und Grabinschrifttafeln also by Annette Kieser.

[10]The Jinshu says he drank cold wine, not cold water. In this case the Jinshu is correct, he should have had warm wine, but he was given cold wine.

[11]This translation is in the book History Of Medicine In Chinese Culture.

#Five Mineral Powder

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