#Silver Snow

[juliakeyoto]

Source is bang_gu_9

[themisteriousentity]

"Golden Deer is boring though it's lackluster, the characters aren't as strong as the other paths there's less conflict-"

You fool. You absolute buffon. Golden Deer is perfectly designed. Not only does it feed into the whole "alliance" theme well by having the characters still work together despite their differences and feelings well before hitting those A supports, but it's ALSO the only route that actually puts the focus on YOU the player. Or, rather, Byleth themself

Black Eagle is about whether or not you can agree to Edelgard's ideals of acceptable sacrifice and perspective that there's only 1 way to do things. The branching happens when you decide whether or not you agree, but ultimately it just explores opposing or agreeing with Edelgard. Anything more than that is really just incidental to that main concept, whether it's Crimson Flower or Silver Snow, the entire time you're focused either on helping Edelgard achieve her goals or you're focused on showing her how wrong she is alongside the Black Eagles who think it's their duty to correct Edelgard's wrongs (and I have a whole separate thing in regards to how the cast acts in Crimson Flower verses Silver Snow). It works really well for characters designed around an empire, a domineering form of government where (usually) a singular ruler determines the course and focus

Blue Lions is focused entirely on working on past issues and learning to bring yourself into the present, but it's done almost entirely through the cast more than the player. The Blue Lions themselves all have their own traumas and deep-seated past issues that hinder or help progress. While both Blue Lions and Black Eagles have a lot in common when it comes to traumatized characters and ideology, the ideology is front and center, while in Boue Lions, their interpersonal conflicts are front and center. This shows especially in the final (non romance) scene, where Dimitri decides that his personal attachment to Edelgard and past memories still matter, and he reaches out a hand, despite her immediately trying to kill him. It's fitting for a route designed around a kingdom, which is usually built entirely on interpersonal dealings between the ruling class

Golden Deer, however, is designed very differently. Unlike the other 3 routes, the player, or more specifically Byleth, is put as the driving force instead of the Lord. And this is actually what makes Golden Deer such a good route and one with the best ending of all of them. Claude has ideals, but he isn't a person who wants to force others to follow his path like Edelgard. Claude has lived a life of strife where his past motivates him, but it doesn't chain him the same way it does Dimitri. Instead, he works on understanding everyone around him and working together towards agreed upon goals, while taking on stuff that isn't agreed upon onto himself. But more than that, while all the Lord's value your opinion, Claude is the only one who actually takes what Byleth wants (rather than just what they think about specific matters) into consideration for his plans. Repeatedly you tell Seteth in Silver Snow that you don't want to kill Edelgard, but he pushes that you have no choice. Pretty much the entire first half of Azure Moon is Dimitri ignoring you. And in Crimson Flower, you've all but completely submitted to Edelgard's will with a couple of exceptions (which actually proves my point because it's specifically in regards to the Golden Deer because you can fight the entirety of Crimson Flower while sparing all of them except for Judith). But in Verdant Wind, Claude doesn't hide that he has a problem with the church and wants Rhea gone. In Golden Wildfire, without Byleth, he's more than happy to just get rid of her without a second thought. But when Byleth is the protagonist, he goes out of his way to accommodate your wants into his plans and goals. When you express as the player that you want to reason with Edelgard and ponder if you can't walk the same path, Claude agrees with you and says he'll make it happen if he can, with the other Golden Deer mostly agreeing. When that,can't happen you both lament the fact that Edelgard gave you no choice together. He makes finding Rhea a priority, mostly because as curious as he is in general, he wants to help you find out answers only Rhea can give you. And all of the Golden Deer do this to some extent, with each other but also with you as the player. I think Hilda and Marianne's A supports with Byleth show this best personally, but that's a personal opinion. And it just works so well for a route designed around the idea of an alliance, people coming together and agreeing to work towards a goal bigger than themselves

And that's not to say the other routes aren't as good as Golden Deer, they're all equally well written, but it just makes me sad when I see people giving the Golden Deer route grief just because the characters aren't the same when it does its theme so beautifully

[slippy-socks]

linhardt fire emblem u will always be famous

[akechisstinkyfoot]

last wish

[notomys-mordax-blog]

Enlightened One Guyleth

Typically I imagine F!Byleth, but I thought I'd mix it up. the composition was a challenge since there are so many layers to this outfit.

I've been doing a lot of cell-shading lately while working on my personal projects, so I thought I'd take a break and play with cross-shading. My goal was to do minimal shading outside of the linework.

[squeaky-potat]

Silver Snow Route featuring Claude von “F*ck you” and his big fluffy kitty boyfriend.

They escaped Fódlan then lived happily ever after :3

[pioneer-over-c]

A letter, once composed

Seven years long and as tall as a tree

Reading on the wall

Efficient, efficiency

[momochanners]

FOLKSONG

Fire Emblem: Three Houses One-shot

Silver Snow Route Seteth x Byleth

A song overheard during a quiet evening at Garreg Mach monastery becomes the catalyst for the new professor and the head administrator to sit down for tea, hashing out their grouses about each other. Little do they know how much their fates are tied to one another from that moment on...

—

This fan comic is made possible with the support and encouragement of my patrons. Thank you!

[iubworks]

Seiros is now available on P@treon!

[cosmicnovaflare]

Archbishop Rhea from Fire Emblem Three Houses

[silvergarnet12]

My Secret Anna gift for Shirokuma on the FE Compendium Discord a couple of years ago.

[sothisblessmysoul]

༓ʚ Fun To Tease ɞ༓

Summary: How Edelgard, Hubert, Seteth, Hanneman, and Rhea react to having an easily flustered lover.

༓Edelgard von Hresvelg  She doesn’t mind. It’s just how you are. But Edelgard is a very cool and reliable woman, and so used to taking responsibility that she doesn’t typically realize what she has said or done until you blush, making her flustered in return. A few examples are when you were hurt and she effortlessly lifted you in bridal style or when she shielded you with her body, trapping and pinning you against the wall.

༓Hubert von Vestra  If he is being honest Hubert finds it so amusing that he actively tries to see you become flustered, a devilish smirk on his face whenever he does it. He doesn’t get too flustered by things or not as easily as you do. However, the things he will do to get a reaction out of you is bushing his hand or fingers against your skin that’s so faint it is a ghostly touch, leaving goosebumps behind. Or kisses he promised to give you but makes you work for it instead with a smirk.

༓Seteth  He doesn’t get nearly as flustered as Edelgard or Hanneman although depending on how intimate the situation is between the two of you will make him blush. But there is something so cute with how you react that it makes him subconsciously more flirtatious, more heart-racing behavior. Stolen moments are hidden away in a dark corner of the room to not get caught by others as he sneaks kisses, touches, and low whispers against your ears. Each reaction makes him chuckle in response.

༓Hanneman von Essar  Unless told why your face is often blushing it will take him a while because Hanneman can’t see someone getting flustered over his dorky self. Although if told or once he realizes it, he’ll blush as well especially if you are the one who told him. Hanneman almost feels like an awkward schoolboy who trips over his words when you respond to his actions. He is too much of a gentleman to attempt to make you react like this on purpose.

༓Rhea  Likewise to Seteth and Hubert, she finds it quite adorable. She loves your reactions so much that compared to the others, she is more aggressive, actively trying to make you a mess. Soft touches on your skin that are followed by kisses or blowing air against your ears. One favorite of Rhea’s is kissing you after she or you had something sweet to eat, it makes her almost want to eat you, making her lick your lips a little. Anyone would be shocked to see her behavior but if anyone was to comment on it, the only reply from Rhea is a closed-eye smile because it’s nearly impossible to fluster her.

[moltz23]

Did a Potential Overhaul in the Post-Timeskip Cutscenes mess up with 3H's Development? - Development Mystery/Theory

Back in 2021, Nintendo released a video called Fire Emblem : Vol 1 to celebrate the franchise's 30th anniversary. And around 30:35, the video shows the 3H Movie "Rematch", used for Chapter 17 of the Azure Moon and Verdant Wind routes.

With a catch.

It's not the same one that ended up on the final game:

A glimpse into an alternate reality?

People went wild back when they noticed Edelgard and Claude in this version are using the outfits of their Emperor & Barbsrossa classes rather than the Armored Lord and Wyvern Master ones seen in the game we got, leading to much speculation surrounding what this meant for Three Houses. And it goes without saying that, while unseen, fans suspect that Dimitri uses his Great Lord outfit rather than the High Lord's in this version. So... The heck is up with this movie???

Well, as uncovered by VincentASM from sereneforest.net, it's highly likely this take of the movie shown in the promotional Nintendo/FE video is from an early build of the game. A build so early, that Edelgard skin and eyes were more saturated, and characters still didn't use unique palettes when using generic classes (which was incidentally used in February's JP Nintendo Direct of 2019).

Your call as for which version looks better.

It doesn't just end there though; if Three Houses' datamine is anything to go by - namely, the internal order the classes have in the code - we can find evidence that can answer why the endgame lord classes were used in this variation rather than the "middle ones" early on: simply put, Armored Lord, High Lord, and Wyvern Master did not exist during most of 3H' development. In turn, this explains why the Flame Emperor Class - Edelgard's enemy-only class for Part 1 - is internally, a model swap of her Emperor class rather than Armored Lord's: the latter didn't exist during development of Part 1, so Emperor was used as a base instead.

With this evidence uncovered and the answer giving resolution to the promotional footage shown, hopes waned down for the future of 3H, and everyone moved on.

This raises two questions I haven’t seen anyone point out before, though.

How much (if any) did this change mess up the post-timeskip movies? Is it the reason why the Silver Snow Theorem happened?

To explain these inquiries further, I'll go into greater detail about each one:

1. Two Types of Animated Movies.

Corporate needs you to find the differences between these two pictures.

Three Houses uses 2 types of animated movies for important scenes. The first one (see the one on the left), was done in-house by KT through pre-rendering shenanigans with the 3H engine. Meanwhile, the second one (on the right) was outsourced to SANZIGEN.

The distinction between both is relevant because the movie showcased in the FE Castle Conversations video - as well its final version - belong to the former category. Meaning that, should the character designs get tweaked during development, in the best case scenario, as far IS & KT were concerned, swapping models should be enough to keep things up to date, which might as well be what happened with the "Rematch" movie once the House Leader's main post-timeskip designs were swapped.

But what about tweaking the other type of movies, though? The ones commissioned to the animation studio? I can't imagine the whole process being cheap in their case, more so given that 8 out of the 11 movies commissioned to SANZIGEN feature the 3H lords post-timeskip:

What's important here is that ☆ = Doesn't feature any 3H lord in any capacity.

Granted, the smartest course of action in this instance would've been to simply commission the post-timeskip movies near the end of development to avoid consistency/revision issues, for which there is a plausible chance that’s the case. After all, in the E3 2018 trailer for the game - which was the first instance we ever saw footage of it - the only animated movie outsourced seen was the one from the intro.

But... What if that’s not the case?

Call me paranoid if you want, but I raise this worry for a reason-

2. "The Theorem of What?????"

Love this banner so much.

A few months ago I did a breakdown on how 3H distributes it's movies across routes, and if there's anything that stood up a ton besides the predictable stuff, is that the game followed a clear pattern which determined which routes would get the most movies, versus which ones would get screwed instead. In my breakdown, I coined this pattern "The Silver Snow Theorem" which proposes the following:

"The amount of movies and fullscreen CGs present in a route’s main story by Part 2, is directly and inversely proportional respectively, to how much the narrative follows Silver Snow’s story beats."

And as a refresher, Silver Snow matters to the development of Three Houses because: A. That's the first route the developers worked on; and B. was used as the basis for the other 3:

Which route specifically did you create in the beginning to establish the world-building? Kusakihara: It was one of the two paths in the Empire route—the one fans refer to as the “church route”: “Silver Snow” [...] afterwards, we had Koei Tecmo’s scripting team start work on the nitty-gritty of the other house leaders and the story of their respective routes.

While Silver Snow having this much influence over the Part 2 movies is noticeable in hindsight, truth be told, I did initially brush it off as just a side effect of being used as a template for development. Looking back now though, a part of me now wonders if the Part 2 movies were first commissioned once Silver Snow was late into development and AM and VW had been already decided to borrow a ton from the route’s first half. Because if that’s the case, then there might have been cutscenes outsourced to SANZIGEN that did feature Edelgard, Dimitri and Claude with their second post-timeskip lord classes rather than one ones fans are most familiar with.

But then, it was decided during development that the house leaders would rather use different outfits instead. And this might have caused problems with budget since changing those outsourced cutscenes ain’t an easy task compared to the ones KT made in-house.

Like, seriously.

Goes without saying that all this is merely conjecture. But I feel it’s worth making the question because, to reiterate, the Silver Snow Theorem highlights that the more a route follows Silver Snow’s story beats to a tee, the more animated cutscenes (and less CGs) it gets. And given evidence points out the lord’s main post-timeskip classes fans are familiar with were a late addition… I guess y’all know where I’m going by now.

I usually don’t make threads focusing on fan theories and stuff, but this has been in my mind for a long while so I wanted to see what you guys think about it. Do you think more movies with the lord’s 2nd classes got made before the outfit swap was made? Or perhaps the issue the devs ran with that caused the Silver Snow Threorem might be due to something else entirely…? Also, what's y'all's opinion on SANZIGEN's movies compared to the ones done by KT?

[acethatlovesdinos]

I made a post way early in my blog about how certain fe3h characters would be better if they weren't so dedicated to a single other person or ideal.

for example; Seteth and Flayn are wonderful people, with unique personalities and a well-developed design and backstory.

At several points in the story, regardless of route, you can even see Seteth question some of Rhea's actions and decisions....and it left me longing for a story in which I could fight alongside the Empire but maintain a bond with my beloved saints. (I'm sorry I really just don't like the archbishop leave me be lmao). Plus she kinda loses her mind during CF too, and I'm positive they'd catch on and be concerned.

Anyway so this story is gonna take place at some point along Crimson Flower, and Reader is meant to be the former professor of the Black Eagles. Whether it's Byleth or a self-insert, that's for you to decide, anyway enough rambling let's goooo

1.6k words, angst galore

first person SetethxReader(Byleth?) Alois also makes an appearance

warnings: Literal warzone in the beginning. Reader is shot (with arrows). not sure if it counts as a warning but I used the term "saints" and "goddess" in the context where we usually would say "god" since it seemed fitting lol

~~~~~~~

I sent off the last messenger hawk, watching it fly over the horizon and out of sight.

Communication and negotiations have gone surprisingly well so far, and the Church has agreed to meet up and talk. Edelgard and I agreed that talking it out would be a good first step to avoid more bloodshed, but just in case they had other plans, we would be bringing an army with us.

The day we set for negotiating finally arrived, and we rode up to Magdred in droves. Seemed they had the same idea, as an entire army stood behind Seteth, sat nobly on his wyvern's back.

I stepped off my horse, leaving my sword with it. The only movement in the field was between the high priest and myself, slowly walking toward one another. It was eerily silent, the wind whistling through the trees hushing every other sound.

We finally met in the center of the field, and I parted my lips to speak. "Seteth. I-"

I froze, my ears perking up just in time to pick up an all-too-familiar sound. I knew what it was, but I couldn't react fast enough.

SHNK.

SHNK.

SHNK.

All at once, before I could even move, three arrows found their place deep within my chest.

My heart pounded in my ears. I stared at Seteth, shock, fear, and betrayal rampant in my expression. I was unarmed. I was there to talk. Why did they...? But his eyes seemed to share the same feelings. It...didn't make sense.

Everything was silent, all sides too taken aback to even realize what happened.

My stance swayed, I staggered for a second, then I fell, the metal pieces of my armor clanking as they met the dirt.

Hell broke loose once my head hit the ground. I heard roars from both sides as each army advanced, enveloping the field in violent noise that had been silent mere moments ago.

Someone grabbed me. I...I couldn't tell who. My eyes wouldn't focus, my body felt cold. I was pulled into a protected embrace, and a distant voice echoed in my ears as the warmth of rushed, desperate healing spells washed over me.

"Y/N! Y/N, listen to me! Keep your eyes open! I need you to stay awake, please! Hold on!"

Saints above, everything ached when my eyes opened again. My pained groan alerted the guardian at my side, Alois, who looked like he hadn't slept in days. A shaken gasp made way for a relieved sigh and a tired smile, and I could tell it took a lot of internal force for him not to hug me.

A proper look around made me realize I was in the infirmary back at Garreg Mach, and three bloodied patches of bandage stretched across my torso. Ouch. Manuela knelt by a different cot, no doubt tending to another casualty from the fight.

"I...I don't remember much. I walked up to talk, and I heard the arrows...then...?"

Alois sighed. "Yeah. We had to retreat afterward, but so did they. We're...still trying to figure things out." As if he sensed the rising panic in my mind, he immediately followed, "your class is fine. Edelgard took the lead after you fell." I nodded, relief overtaking the stabbing pain in my chest. They weren't my students anymore, but I still call them 'my kids' now and again. He smiled weakly. "...just like you to be worried about your allies despite your own injuries."

I chuckled, but the moment was brief, and I clutched my chest. The rumble of laughter just shot the pain through me. With a sigh and a stretch, I pulled myself to sit up, getting a better look at the room. As expected, there wasn't a single empty cot in the room, and my heart ached for the wounded. My eyes scanned the room then froze as my gaze set on a guest, sitting in a chair near the door. His emerald eyes locked with mine, and a sneer pulled at my lips. His name fell from my mouth like acid, as if I spat a curse between the syllables.

"Seteth."

He almost flinched at my voice, looking away with so many emotions behind his eyes. Alois put a gentle hand on my shoulder. "Ease up, kid... he's the reason you're still breathing..." I paused. The...reason? No, that couldn't be right. "...he shielded your body with his own back, Y/N. Didn't dare leave your side til the battle ended, and after the fact, he carried you here himself."

So the arms I felt before I passed out...the relief of my injuries on the field...that was...him? I scoffed. "That can't be right..."

I looked back at the holy man, who had stood up and begun to approach. Now that I got a better look at him, he was completely different than how he once held himself. Tired circles lined his eyes, and his usually perfectly styled hair lay askew. His gilded headband was gone, and after a moment's realization, so too were his priestly robes, replaced by one of Hanneman's suits. Unable to help myself, I grinned. "Oh Saints, you look terrible. You a hostage now or something? Did we capture you?" I knew it was petty and childish, but Goddess, it felt good to get back at him in some way. Watching his cheeks redden at the comment made it even better.

He sighed, familiar frustration returning to his tone. "Y/N, the answer to this predicament is simple, you need only to listen." He took a breath, crossing his arms. "I have elected to resign from my position as Rhea's right hand."

...What?

He took a deep breath. "After careful consideration, I determined it would be safer for Flayn and me to make some...adjustments." he sighed. "If you truly are the goddess incarnate as Rhea said, then I have not yet abandoned my faith, but even if you are not, then I will not stray. I...I fear Rhea has...lost herself, in her efforts to overcome this. She is not who she once was, and I feel strongly that she no longer possesses the same values she once held."

I could only laugh, if only at the irony of the situation. "You've suddenly switched sides, and ever so conveniently now that we've got the upper hand. Siding with the victors, I see....can't say I blame you."

He frowned. "Beyond that, the battle that unfolded those days ago was the last time I was going to tolerate her going behind my back." At my confusion, he continued. "I questioned the archers after the fight, specifically the three who fired at you. I had given them explicit instruction not to make a move unless the Empire struck first. We had arranged that meeting out of mutual trust, and I had full intent of respecting that."

That made me frown more. "So then, why did they-?"

He sighed. "Rhea apparently pulled them aside before we left. She told them that you would be conniving and that you would attack me when my guard was down. She told them that once you were in range, they were to fire. Those directions were not known to me until I had practically interrogated them after the battle."

He shook his head. "My negligence caused you grave injury, and I felt...fully responsible for that. At this point I can only beg your forgiveness."

I was quiet for a long while, trying to process his words. "...You and I have stood as enemies for the last five years. Why weren't you just grateful for my downfall?"

"....because...we didn't...I..." he paused, trying to find the words. "I never wanted to be your enemy. But...I was blinded by my obedience to the Archbishop, and my dedication to Seiros. I never wanted this to happen. Flayn has been more at risk in these last five years than she ever was in years past, and the sooner we can conclude this war, the better it will be for us.

I sighed. Of course it was about her. Its always her when it comes to his concerns.

"But...more than that..."

I paused. There's more?

"I am well aware that there are no excuses...but I'd like to explain why I acted how I did." He sighed. "I've seen you fight for years now, watching you lead hundreds of battles to victory. Each and every time, you looked...ethereal, almost divine....untouchable. Somehow, in your incredible strength, your elegant visage, it left my mind that you could get hurt." He frowned. "I'm sure it sounds ridiculous now, but...that was it. And...the moment I saw the arrows pierce your flesh, it felt like the rest of the world disappeared. The realization, that...you could get hurt...that...that you could...die? I just...I don't know. I couldn't....I didn't want to face the possibility of a world without you in it."

He took a deep breath.

"Y/N. That scare made me realize something I should have seen long ago...and that I wish I could have pursued at a better time. But...the truth is...it is that I love you, Y/N."

I sat silent, shocked at every word as I stared up at the fallen priest. What? After everything that unfolded, after all that happened...so much going on...this is what he has to say? I didn't even know where to begin.

My face shifted, void of any feelings, any possible thought. A cold scowl hid my confusion and frustration.

"Get out."

He paused, opening his mouth to speak, but I held up a hand to interject.

"This...really isn't a good time for something like this. Please...just go."

Seteth stared at me, so many thoughts behind his now glossy eyes, so many words under a bitten tongue, but he nodded wordlessly and excused himself from the infirmary. Alois gently put a hand on my arm, but I brushed him away and laid back down. "Not now...please." i let out a shaky breath that I didn't realize I had been holding, and hugged myself as I tried to still my racing mind and heart.

~~~~~~~~~~~~

Aaaaaaaa that went so much longer than I expected but I hope you guys liked it! Let me know if a part 2 interests anyone! Aaaaa i love writing :]

[thehumanistcrusader]

I don't think we realize just dangerous Silver Snow could be for Byleth as a character.

(EDIT: Changed the title to reflect the headcanon-esque nature of this post.)

In the other three routes, Byleth has the house leaders to anchor themselves down when they receive their divine powers. In Azure Moon and especially Verdant Wind, they are able to maintain their humanity despite their rise to godhood because they have those bonds, and in Crimson Flower, they end up losing their powers altogether. But Silver Snow? Oh, Silver Snow is a whole other ball game.

In Silver Snow, Edelgard, who in another timeline would have been the one to relieve Byleth of their divinity and perhaps even fill their life with love and compassion, instead turns on them, leaving to fulfill her own ideals. Dimitri ends up going insane from his own demons and dies at Gronder, likely not in a very nice way, too. Claude is forced to leave Fodlan for Almyra in order to save himself. Worse yet, all the other students who weren't lucky enough to join Byleth are likely dead as well.

And Rhea, the one person they've been holding out for this whole time, the one person that they had hoped would be able to turn things around, is either dead, or has retired to Zanado. Byleth was just beginning to show their humanity, to warm their stone cold heart, and what did they get for it? Nothing. Their home is ravaged by war, so many of their students, their friends are dead, and the ones that did make it out will never get to see their dear Professor grow old alongside them. Even Cyril, the youngest voiced character in the entire game, will be nothing but a blink to the immortal Byleth. Sure, Seteth and Flayn are still there, and maybe Macuil and Indech could be convinced to come hang out at Gareg Mach, but even these 4 are nothing compared to the 40+ friends that Byleth has lost.

A major part of Byleth's story is the relationship between their humanity and their divinity. Azure Moon and Verdant Wind manage to strike a balance, albeit leaning towards human and divine respectively. The Black Eagle routes, then, are the extremes. In Crimson Flower, Byleth sacrifices their divinity to embrace their humanity, finding themselves in the loving arms of close friends, and perhaps eventually, family. In Silver Snow, what does Byleth do when almost everyone they know is dead, and they must now shoulder the responsibility of leading Fodlan for all eternity? Simple. They reject their humanity, and with it the memories of happier days, and embrace their divine nature wholeheartedly. There is no longer Byleth, there is only The Enlightened One.

Fodlan is transformed into a theocracy, ruled eternally by The Enlightened One, who rules with daft precision and perfection. Thanks to the technology from Shambala, Fodlan is transformed into a technological paradise. Every building is self-powered, all foods is grown in buildings with perfect conditions, all jobs are handled by machines. There is no disease, because The Enlightened One heals all the sick. There is no crime, because The Enlightened One rains divine judgement on those who sin. There is no war, because The Enlightened One destroys all who threaten Fodlan.

However, just as The Enlightened One guards those under the wings, so too do they strike down any from outside. Under their rule, Fodlan becomes even more isolationist, to the point where had folks like Petra or Claude tried to enter Fodlan, they would have been chased off like savage bears outside of one's house, because to The Enlightened One, that is essentially what they are: savage beasts threatening their precious home.

Fodlan becomes a perfect world, and yet, because of this, there is no growth, no change, no evolution. The Enlightened One has become a cold, apathetic, and pragmatic ruler in their rejection of humanity. Fodlan becomes cold, stale, emotionless, blanketed forever...

...in silver snow.

[cosmosnout]

I personally, like to ruin my day by thinking about Sylvain's and Felix's paired ending outside of Azure moon