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#Slimane Dazi
letterboxd-loggd · 7 days
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Only Lovers Left Alive (2013) Jim Jarmusch
September 15th 2024
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movie--posters · 1 year
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genevieveetguy · 1 year
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Le gang des Bois du Temple, Rabah Ameur-Zaïmeche (2022)
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lejournaldupeintre · 7 months
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Ten years after : Only Lovers Alive
Only Lovers Left Alive is a 2013 fantasy comedy-drama film written and directed by Jim Jarmusch, starring Tilda Swinton, Tom Hiddleston, Mia Wasikowska, Anton Yelchin, Jeffrey Wright, Slimane Dazi and John Hurt. An international coproduction between the United Kingdom and Germany, the film focuses on the romance between two vampires and was nominated for the Palme d’Or at the 2013 Cannes Film…
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speakingparts · 2 years
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UN PROPHÈTE [JACQUES AUDIARD 2009]
speaking parts’ recap
'By filmmaker Jacques Audiard’s own estimation, what happens is the “anti-Scarface,” a gangster epic of brutal, tragic and emphatically unromantic self-actualization. It’s also a parable of modern France, and maybe the first to touch this particular bundle of nerves with this much force since Albert Camus. Audiard’s arty but forthright storytelling has just the right ratio of rigor and elasticity to counterpoint the pulpy enormity of his protagonist’s arc; it’s all so determinedly, engrossingly well-played—and just as well-cast, with nonpro newcomer Tahar Rahim as the self-made thug and Niels Arestrup as the mob boss presiding over his sprawling odyssey of unsentimental education. It may be grim, but ultimately it’s a story of survival, both topical and timeless.'
[Jonathan Kiefer]
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anderwater · 2 years
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Adieu La France, Bonjour l’Algérie. Quand je t’ai quittée, combien j’ai pleuré... Farewell France, Hello Algeria. When I left you, how much I cried...
OUSSEKINE, episode 2 (2022) dir. Antoine Chevrollier
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90sagony · 3 years
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#159 Domestic study: Only Lovers Left Alive (2013)
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thelegend9798 · 2 years
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Oussekine actor Hiam Abbas: 'It is a responsibility to be part of projects where people identify themselves with the characters'
Oussekine actor Hiam Abbas: ‘It is a responsibility to be part of projects where people identify themselves with the characters’
Oussekine is a French drama series about the murder of 22-year-old French-Algerian student Malik Oussekine in the backdrop of 1986-87 mass protests against certain educational reforms in France. Malik was not a participant, but was caught up in retaliatory action by the riot police and mercilessly beaten to death. The authorities tried to hide the atrocity and paint him as a criminal not…
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megaclaudiolis · 6 years
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Rahim, Kateb and Dazi
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Only Lovers Left Alive (2013) Jim Jarmusch 16-11-2018 Really wonderful and striking vampire tale
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badmovieihave · 6 years
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Bad movie I have Only Lovers Left Alive 2013
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genevieveetguy · 2 years
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The Nile Hilton Incident, Tarik Saleh (2017)
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unetealombre · 3 years
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scenesandscreens · 7 years
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Un Prophète (2009) Director - Jacques Audiard, Cinematography - Stéphane Fontaine "I'm going to ask a favor of you, not because you work for me, but because I trust you. Understand the difference?"
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junghwwwa · 5 years
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“Terminal sud” pourrait se passer n’importe où, n’importe quand. C’est en tout cas le parti pris de son réalisateur, Rabah Ameur Zaïmiche, qui reste flou sur ces aspects-là. Mais en tant que spectateur, on est un peu perdu tout de même... Parce que les personnages ont tous un type maghrébin mais qu’il est évident que le film a été tourné dans le sud de la France, à proximité de la Camargue. Sur la route, un van est attaqué par des militaires qui dépouillent ses passagers. Le conducteur ne va pas voir la police mais le journal local qui décide de publier son histoire: ce n’est pas le premier témoignage qui va dans ce sens et il faut que ces attaques cessent. Qui sont ces hommes? De vrais militaires et de vrais policiers ou des gens déguisés? Dans ce climat inquiétant, un médecin (Ramzy Bedia) reçoit des lettres de menace. Le film est tourné avec assez peu de moyens, ce qui le rend partiellement difficilement lisible. Abah Ameur Zaïmeche soutient son discours critique par des sortes de métaphores pour compenser le manque d’argent, mais cela ne suffit pas toujours, malgré l’excellente interprétation de Ramzi Bedia qui porte le film sur ses épaules. On comprend en filigrane ce qui est dénoncé mais ça reste assez pénible à regarder et on reste à quai de ce terminal sud qui ne nous embarque pas tout-à-fait. 
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