#Stone Deaf FX

[guitarbomb]

Stone Deaf FX Rise & Shine - Fuzz Octave Tremolo / Vibrato

Stone Deaf FX ‘Rise & Shine’ Octave-Up Fuzz” In a groundbreaking move, Stone Deaf FX has re-entered the realm of digitally controlled analog pedals with its latest innovation, the ‘Rise & Shine’ octave-up fuzz pedal. This cutting-edge device is being hailed as a perfect marriage of vintage soundscapes and modern technology, offering musicians a myriad of new sonic landscapes to explore. Rise &…

[effectsdatabase]

Last week's top 20 videos (2023, week 14)

Top 20 videos last week (April 2-8)

Spellbook Guitar Pedal - Doom Metal (by David Ross Musical Instruments)

Paradox TZF2 Green is here (by Foxrox)

The EHX Mini-Synthesizer. And yes, Josh does have both versions, just in case you were wondering. (by JHS Pedals)

PAL800-V3 GOLD Overdrive - Guns N' Roses (Slash) Riffs!!! Mod#34 Setting. (by PAL)

ZOIA 3.0 BETA Firmware Now Available! (by Empress Effects)

AC/DC - Back In Black - Electric Guitar Cover by Kfir Ochaion - Marshall DriveMaster (by katarzis27)

@chaseparker9 on the Ten Spot II V.2 #guitar #guitarpedals #music #gibson (by Wilson Effects)

Strymon Combos: Cloudburst and blueSky #shorts (by Strymon)

Neunaber Audio | Neuron Gain Intelligence (pt2) #SHORTS (by Neunaber Technology)

Walrus Audio Pedal Play: The Fundamental Series (by Walrus Audio)

#BeatBuddy is there ?? #Shorts #Guitarists (by Singular Sound)

MARSHALL SHRED & DRIVE MASTER - Pedal Frenzy (by Ola Englund)

LTD EDITION BLACK KLIPTONITE - OD on FUZZ! (by Stone Deaf FX)

Boss CS-2 Demo! :) (by Cameron Johnson)

Ibanez TS10 Tubes Screamer with a 9v twist. Damn you JHS. (by seattleguitarstore)

Boutique Pedals for Less? - Walrus Audio Fundamentals Series (by AndertonsMusic)

Walrus Audio Fundamental Series Pedals -Drive/Fuzz/Delay (by Shawn Tubbs)

NEW Walrus Fundamental Pedals | Walrus Sound on a Budget! | Thomann (by Thomann)

Ananashead V2 Superfuzz + MARK2 Demo. Genesis - The Musical Box First solo (by Ananashead FX)

Earthquaker Devices : White Light Overdrive | Bass / Bass VI | theoandhispedals (by Amateur Effects Reviews)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/41nc8y2

[breakthemachinefx]

We've got a fab selection of boutique pedals in stock, with some even exclusive to us. Too many to picture, but here's a few..check us out for Life is Unfair, TATE FX, Recovery Effects, Fat Foot Effects, ThorpyFX, Stone Deaf, Magnetic Effects, RaygunFX, MAE, Pierrot Pedals, Zander Circuitry, 6DegreesFX, Collision Devices, Flattley, Dreadbox, RaingerFX, Greenhouse Effects, Bad Penny FX, SoundBrut...the list goes on. Link in bio to our site. (at Holmfirth) https://www.instagram.com/p/BzvDNHvHxTl/?igshid=1fidxx3jny8xc

[effectpedal]

Stone Deaf FX Tremotron Analog Tremolo 

[earpeeler]

Pro Guitar Shop Demos – Stone Deaf FX Warp Drive Today we're shifting into high gear with the Stone Deaf Warp Drive. The Warp Drive is a high gain distortion monster housed within the architecture of Stone Deaf's proprietary paracentric filter.

[fuckyeaheffectspedals]

'sup, im looking for a solid fuzz at a low price ($150 tops), I'd use it to push my amp's drive channel for solos (think QOTSA's God is in the Radio) even if that sounds a bit impossible, what do you recommend?

I mean, I feel like it’s a disservice to you not to recommend you look into the Stone Deaf FX PDF-2. Not exactly marketed as a fuzz. But it does that QOTSA thing. Like, that’s the pedal to do that. 

[thetonecontrol]

Ep. 81 - We Are Burt

Vox MV50 (Blackout Effectors Blunderbuss Fuzz)

Mega tiny amp heads

Features “nutube”, a “revolutionary new tube design” as a preamp

50W, Speaker, Line, & Headphone out, Volume, Tone, Gain controls  

3 flavors: AC (AC30 approximation), Clean (loads of headroom), and Rock (Aggressive tones)

1x8 cab available 

http://voxamps.com/MV50 

Voodoo Lab Pedalboards (stab: Some random jamup sim)

Super easy mounting for their power supplies

Dipswitches on power supplies face up, easy toggles

3 sizes, plus one with a looper and power built in

$130, $170, $200, and $450. 

http://www.premierguitar.com/articles/25134-voodoo-lab-releases-line-of-dingbat-pedalboards 

Supro Guitars (stab: Mr Black Supermoon)

New guitars in the vintage Ozark body shape

Hampton - $1099

3 gold foil pickups, mini humbucker size single coils

5 way selector

12” radius, 25.5” scale, Alder body, maple neck

Westbury - $999

Same as above but with 2 humbuckers

3 way selector

Jamesport - $899 

Same as above but with 1 bridge humbucker

Rivolta Guitars (Stab: Old Blood Noise Procession)

By Dennis Fano! 

Fano left the Premier Builders Guild but they kept his name (or something)

Combinata

2 P-90s

Reminiscent of RB6 body shape

$1200 for solid finish, $1350 for burst (nicer wood top)

Mahogany body & top, set maple neck, double bound body 

24 fret! 25” scale

Chase Bliss Audio: Brothers drive (stab: Mercy Seat Holy Dove)

Combination boost, drive, fuzz

Build on two independent JFET / IC analog channels totaling six unique circuits 

Swap effect order, series/parallel, presets, all the chase bliss dip switches, etc 

MIDI controlled 

Preorders: 2/20/17, for sale 3/20/17

$349  http://chaseblissaudio.com/brothers/ 

Walrus Audio (stab: Fairfield Meet Maude)

Roadmap for 2017! 

RED - High gain distortion/fuzz, January

Jupiter V2 - Fuzz - February 

Warhorn - Overdrive - March 

Monument - Harmonic tap tremolo - April 

Utility Line Series 1 - volume, expression, buffer, and tap tempo - May

ARP-87 - Multi-delay - July 

Utility Line Series 2 - Buffered blend, patch bay, ABY switch, Strymon/eventide remote - August 

Pedal Genie

Stone Deaf Wap Drive http://www.stonedeaffx.com/warp-drive

Rainger FX Dr. Freakenstein’s Dwarf Bitch 

http://www.raingerfx.com/product/dr-freakenstein-dwarf-bleep-igor/ 

Chapman Guitars (stab: Red Witch Factotum)

Launched in 2009, focus was on crowdsourced guitar design

2017 is bringing 29 new guitars to the lineup

Standard and Pro series, Pro features the new ML-V 

Standards are made in Indonesia, going to more affordable than current Chapman line

https://www.riffcityguitaroutlet.com/pages/search-results/collections-chapman-guitars-1 

http://www.chapmanguitars.co.uk/ 

Way Huge/MXR (stab: SolidGoldFX Electroman)

Conquistador Fuzzstortion $149 (Limited run!)

Huge splatty zippery squrewave fuzz

Volume, tone, fuzz controls 

Built in noise gate. Super high gain, super low noise. 

Russian Pickle $159

90s era Muff style fuzz 

BC183C chips 

Volume, tone, distortion controls 

More mid-focused but less gain than Swollen pickle 

Mini DynaComp $99

Looks like my BYOC

Script era design, added LED and 9V input 

“Attack” button allows for the pick attack to be vibrant and present but still offers the benefits of compression

DOD/Digitech (Stab: Wampler Faux Tape Echo)

Cab Dry VR

Dual cabinet simulator, 7 guitar cabs, 7 bass cabs

Pedal to integrate into your DAW or mixing board

Dual mono for stereo or two independent paths 

Freq Out

Natural Feedback Creator

Allows you to choose the harmonic of feedback (3rd, octave, sub, etc)

Natural feedback, not adding any synths into signal. 

Momentary/latching option. Dry switch on/off.

Ernie Ball Paradigm (Stab: Carl Martin Classic Opto Envelope)

https://www.ernieball.com/paradigm 

Ultra durable, break resistant strings

“Won’t break or rust. If they do, we’ll replace them absolutely free”

Acoustic and Electric options

March 1st

Elixir Optiweb Strings (Stab: EH POG)

http://www.elixirstrings.com/guitar-strings/electric-optiweb-guitar-strings.html 

Even thinner coating than nanoweb

Sounds is “crisp” and “natural”

Doesn’t feel slick like Polyweb coating. Has natural grip and feel of uncoated strings

Still features anti-rust coating on plain strings 

March 1st

Gibson (Stab: Walrus Audio Mayflower)

Johnny A

Still hollow, no F-holes

Spruce top, stoptail and tuneomatic bridge (original had a Bigsby)

L-5 Studio

Biiiiig archtop guitar now in a more affordable Studio model

Studio model was made in the past, developed a cult following, being reintroduced 

[dippedanddripped]

The Boutique Movement

The artisanal movement of the 2010s is still having profound effects on design and small-scale manufacturing around the globe, but especially here in the United States.

While at first media outlets perceived this major shift as taking place mostly within younger demographic groups, the continued success of small-batch products has proven the opposite.

Americans have embraced the quality and individuality that comes along when unique entrepreneurs find their market.

Boutique brands have an incredible ability to showcase original ideas and bold creative sensibilities, many of which may not have arisen from more mainstream brands and companies.

It’s easy to find examples of this phenomenon, from record labels to bakeries to art galleries. And the American public has proven time and time again that we’re more than willing to pay more for work that is careful and considerate.

When Taste Progresses

As a quick example, let’s take a look at the boutique pedal boom that started in the mid-2000s and continues to this very day.

Back in the 1980s and early 1990s, guitar effects pedals were manufactured by large corporations, and as a result, the amount of variety was lacking. Sure, the pedals did what they were supposed to do, but there was little creativity and originality.

Then, in the early 2000s, we started to see the rise of what were referred to as “boutique pedal companies.”

The term is still a bit amorphous today, but the basic qualities that tend to define a boutique brand (for many industries, not just pedal companies) are relatively small company size and employee count, visionary products, and manufacturing based in their country of origin, rather than outsourcing manufacturing to other countries.

At first, these unique products were simply passed around at professional conferences or via word of mouth alone.

But as the internet became a much more dominant cultural force, these boutique companies gained much larger audiences.  

Nowadays, a huge number of boutique pedal companies essentially dominate the market, create unique and interesting pedals that appeal to musicians in many different genres.

Just take a look at Earthquaker Devices or JHS Pedals or Stone Deaf FX. Check out Zvex, Walrus Audio, and Caroline Guitar. These are very small companies, and they have all made efforts to make their products by hand, being careful to listen to feedback from dedicated users and casual fans alike.

This boutique sensibility has affected mainstream taste in a very positive way, while also showing that there’s a substantial market for more expensive products that use quality components and take advantage of creative concepts.

We should celebrate the rise of boutique sensibilities. At their best, boutique products encourage innovation and originality in well-established brands. They open the door to a wider sense of progress and artistic advancement.  

An Expert Perspective

Many of these same trends and concepts apply to the boutique jewelry scene, which has seen consistent growth in the internet age.

Our guest today, Katy Lee, is a luminary of the world of boutique jewelry design. Based in New York, her brand, Gold Philosophy, strives to achieve looks reminiscent of classic elegance while simultaneously offering a sense of innovation and fun.

Perhaps most importantly, Lee’s pieces are all created with the wearer in mind. They remain versatile while also maintaining flare and the ability to stand out from the competition.

We had the chance to pick Lee’s brain when it comes to artistic inspiration, the ins and outs of contemporary jewelry, and how more traditional materials can be placed in a brand new context.  

*

InspirationFeed (IF): Pearls are a longstanding element of jewelry. How has Gold Philosophy been able to recontextualize pearls in their jewelry lines?

Katy Lee (KL): For the longest time, pearls have been considered classic, yet conservative. So by juxtaposing them with metal, spikes, and other semi-precious metals, it modernizes the pieces with playfulness and youthful energy.

IF: What initially attracted you to the world of jewelry design?

KL: Growing up, I would always go to the jewelry market with my father to hunt for precious stones.

Later, while I was studying fashion merchandising, I found myself gravitate towards jewelry, which helped me land my first internship in accessory and jewelry production. In turn, this led me to expand my knowledge at the Gemological Institute of America and Jewelry Design.

IF: How do you expect Gold Philosophy to develop over the next 5 years?

KL: We have been designing pieces with sterling silver and gold plating with freshwater-cultured pearls for all of our pieces. Currently, we are working on developing fine jewelry and creating a selective shop where we will sell jewelry found and purchased all over the world.  

After that, hopefully we will be able to create small decorative pieces for the home, such as candles, figurines, trinkets, dishes, and even pillows. We hope to eventually establish a small lifestyle brand.

IF: What is one of the biggest lessons you’ve learned since starting your own jewelry line?

KL: Trust your instinct, trust yourself, and trust the process. Utilize any momentum your business already has.

IF: Does New York contribute to your creative sensibilities? Is the city a source of inspiration?

KL: Yes, of course. New York is such a competitive and dynamic city, and it has a culture that’s filled with talented designers from all over the world.

In New York, you are constantly exposed to newness, which definitely shapes and influences the way we create collections.

It also trains us to stay true to our essence while staying inspired by different cultures and experiences.

IF: Are there any jewelry designers you greatly admire?

KL: Absolutely. I admire the work of Jennifer Fisher, Giuliana Mancinelli Bonafaccia, and Eshvi Jewellery. They haven’t necessarily had a direct influence on my work, but they inspire me to create thoughtful pieces.

IF: Do you have a favorite phase of the design process?

KL: It’s very hard to say, but I think creating a mood board for a new collection is always very exciting. We go to museums and visit places to gather information, or we simply find inspiration from traveling.

[thegloober]

The Emmys Awarded with Terrible Reviews and the Worst Ratings Ever

The Emmys came and went with a whimper and a marriage proposal on Monday night, leaving most television critics disappointed in just about everything: the hosts, the writing and the winners.

FX’s critically acclaimed spy series “The Americans” never won an Emmy for Outstanding Drama Series in its flawless six-year run, and “Killing Eve” star Sandra Oh did not make history as the first actress of Asian descent to take home the award for Outstanding Lead Actress in a Drama Series. (But at least she made history simply by being nominated.)

Actually, even Oscars telecast director Glenn Weiss’s successful proposal to his girlfriend got slammed by the ladies of “The View,” so there was very little everyone could collectively delight in.

But before we get into all of the reasons critics hated this year’s ceremony, a few exceptions to this generality: Henry Winkler finally winning an Emmy for his performance in HBO comedy “Barry,” Regina King winning a trophy for her Netflix limited series “Seven Seconds,” comedian Hannah Gadsby hilariously presenting an award to a winner who wasn’t around to accept it, and a fun sketch handing out “reparation Emmys” to prominent black entertainers from the past.

The rest was generally met with a shrug, culminating in a landslide of bad reviews and news about all-time low ratings landing online Tuesday morning. Deadline reported only 10.172 million viewers tuned in — an 11 percent decrease from last year, which also set a new low at the time.

“The real problem was simply a preponderance of bad ideas and feeble writing, typified by a recurring series of skits featuring Maya Rudolph and Fred Armisen as bored and clueless Emmys ‘experts’ that set back the alt-comedy cause by decades,” The New York Times critic Mike Hale wrote, also dinging the producers for having popular animated characters Rick and Morty ask “How do you think ‘Atlanta’’s doing?” after the FX comedy had lost in five of its six categories.

As TooFab noted in our coverage, we expected more from hosts Colin Jost and Michael Che — the “Saturday Night Live” head writers who co-anchor “Weekend Update.” And we weren’t alone.

Vulture critic Jen Chaney described their performance as “more listless than I expected them to be” and complained they “somehow managed to suck the funny out of Maya Rudolph and Fred Armisen, which is a thing I did not think was possible.”

“Every time two people walked out to present an award, I thought, ‘Why didn’t they ask them to host this thing instead?'” Chaney continued. “Dave Chappelle and Neal Brennan? Would have been better. Ilana Glazer and Abbi Jacobson? Also a stronger choice. Connie Britton and Eric Bana? Look, I don’t know if they have comedic chemistry, but I am willing to find out. Also, even though they didn’t present anything, I will sign any petition necessary to get Keri Russell, who was robbed of an Emmy for ‘The Americans,’ and Matthew Rhys, who was not, to co-host this sucker next year.”

In one of the more brutal reviews, Rolling Stone critic Rob Sheffield described the show as “toothless, flaccid, cramped and tedious.”

“What can you say about a show-biz gala where the highlight is Betty White picking up a lifetime achievement award? Or the guy who directed the Oscars dropping to his knees to ask his girlfriend to marry him? All you can really say is it was the Emmys —- now and always, the dorky underling of the glitzy award shows,” he wrote. “Bumping it to a Monday night is just a polite way of saying ‘Yeah, we got nothing’ —- kind of like bringing in hosts Colin Jost and Michael Che to do agonizingly bland ‘Weekend Update’ schtick. ‘Jesus Christ Superstar Live’ might have turned John Legend into an EGOT winner, but not even he could raise this ceremony from the dead.”

Ouch.

Hollywood Reporter critic Daniel Fienberg piled on the hosts, too, noting they “did a flat monologue and essentially vanished, confirming pre-show suspicions that the ‘Weekend Update’ anchors were ill-matched to the event.”

He also thought the new format for handing out awards made for awkward presentations, which are normally opportunities for writers and performers to liven up the evening with short and sweet hits.

“For the most part, presenters were shoehorned in as part of a rarely attempted innovation in show structure. Categories were introduced and clips were played and then presenters came out. Getting clips in always benefits awards shows, and I’m sure there’s some way that this improved show efficiency, but it left presenters doing banter between the reading of nominee names and the announcement of winners, a major momentum suck,” Fienberg wrote. “When the presenters didn’t have funny things to do, the result was both peculiar and awkward, like, why did they bother having Eric Bana come out onstage at all if he was just going to say “They make the news funny” and leave?”

Kevin Fallon’s Daily Beast review was bluntly headline, “The Emmys Telecast Was a Cringe-Worthy, Tone-Deaf Embarrassment.”

“From lackluster hosts Colin Jost and Michael Che to an unearned demand to be applauded for meager steps toward diversity and inclusion, this was the worst award show in years,” the critic wrote at the top of his blistering review, criticizing the show for relishing in the Emmys most diverse and inclusive group of nominees ever, then making viewers wait 75 minutes for a person of color to win anything.

“It was a show that treated its progress in nomination diversity as a finish line, expecting the telecast to function as a victory lap, cheering for a job well done when it should have fired a starting gun for the work just getting started,” Fallon wrote. “Most confusingly, however, is how the show opened with what was supposed to be a self-aware joke about the fallacy of that exact attitude, the one it then seemed intent on parading around like a proud peacock.”

April Reign, the activist who sparked the #OscarSoWhite movement, also complained the Emmys weren’t truly as diverse as the show was touting. Read her Twitter thoughts below, complete with fun GIFs and memes.

Let’s talk a bit more about what “diversity” is and isn’t, and whether that should be the goal. Last night, @TheEmmys Chairman/CEO Hayma Washington encouraged everyone to give themselves a round of applause for diversity. But… why? pic.twitter.com/wTzU9siKQh

— April (@ReignOfApril) September 18, 2018

We should start with the fact that @TheEmmys made history less than two years ago by making Hayma Washington the first…. THE FIRST…. Black Chairman & CEO. In 2016. But they want to be proud of their “diversity.” pic.twitter.com/IG4vSi54FP

— April (@ReignOfApril) September 18, 2018

I also want to make clear to @theEmmys and anyone else who is under a mistaken impression, that “diversity” doesn’t just mean “more Blacks.” That was never the point of #OscarsSoWhite. I’m sure that wasn’t the point of @JKCorden saying #EmmysSoWhite last night. #Emmys pic.twitter.com/z0rxgO9XXX

— April (@ReignOfApril) September 18, 2018

In other words, how many non-Black people of color do you remember during @TheEmmys last night? How many openly LGBT+ people? How many visibly disabled folks were part of the staff handing out awards? Right. #Emmys pic.twitter.com/ZztiEucJM0

— April (@ReignOfApril) September 18, 2018

I saw it described this way recently and really love it:

Diversity is inviting everyone to the party. Equity is making sure tickets are of a manageable price to everyone invited. Inclusion is asking folks to dance.

So… yeah. @TheEmmys were “diverse.” But go further. #Emmys pic.twitter.com/3KyDVsD8io

— April (@ReignOfApril) September 18, 2018

If you can count on one hand the number of people from a particular marginalized community that were on @TheEmmys stage last night, and still have fingers left over? You’re not doing enough. Especially w/ the shows on TV today. #Emmys <== Nor will this cutesy emoji do it. pic.twitter.com/gpMPjrixsF

— April (@ReignOfApril) September 18, 2018

To tout “diversity” improvements, when I can only remember two AAPI presenters (Constance Wu and Sandra Oh), to literally have a song & dance routine when I can only remember two Latinx presenters (Gina Rodriguez & Benicio Del Toro), seems to have missed @Theemmys mark. #Emmys pic.twitter.com/q2hAxAILGM

— April (@ReignOfApril) September 18, 2018

View Photos Getty Emmy Awards: See Who Switched Up Their Style for the After-Parties

The post The Emmys Awarded with Terrible Reviews and the Worst Ratings Ever was shared from BlogHyped.com.

Source: https://bloghyped.com/the-emmys-awarded-with-terrible-reviews-and-the-worst-ratings-ever/

[pedaloftheday]

*NEW DEMO VIDEO* Stone Deaf FX PDF-1 Parametric Distortion Filter

[effectsdatabase]

Last week's top 20 videos (2023, week 04)

Top 20 videos last week (January 22-28)

Steve Lukather using SCF Chorus on his pedalboard (by TC Electronic)

Try A Really Short Delay! #shorts (by That Pedal Show)

Miguel Chuck Rodriguez playing some walking bass lines w/ the #BeatBuddy & MIDI controller! #Shorts (by Singular Sound)

70's Maestro Ring Modulator (by Bennett/Berner Project)

??????????????????????????? WALRUS AUDIO AGES #robbenford Setting @efmaniac111 (by EfManiac)

Octamizer Overview (by Aguilar Amplification)

EHX Micro Synth (by Electro-Harmonix)

Reposting @denssession644 ripping the Spanish Castle. It?s a throwback but a good one #guitar #pedal (by Solid Gold Sound Labs)

Moderate Bass Grind with the Boss DS-1 (by Bassic Gear Review)

Cusack Music Screamer V3 (by Mike Hermans)

???????????????????????? GAMECHANGER AUDIO????? (by Ishibashi)

SolidGoldFX : Sasori Fuzz | Bass / Bass VI | theoandhispedals (by Amateur Effects Reviews)

??????? ?????BOSS OD-1X Overdrive ???????? (by Chuya Online)

Guyatone PS-014 Dual Delay (by Pedal Experiments)

Nice RELOAD tones with the WARP DRIVE with built in studio Noise Gate! #shorts (by Stone Deaf FX)

Overdrive Shootout - Great Eastern FX Small Speaker, EQD Special Cranker & Midfi Magick "I" (by Tri Pedal Reviews)

TC Electronic Honey pot Fuzz (by The Pedal Picassos)

Comparativo Mosky Golden Horse ( Klon Centaur) entre OD3 E Soul Food EHX (Klon Centraur) (by Loucos por Pedais)

Xvive: ECHOMAN V21 Analog Delay | 600ms with Modulation (by Burgerman666)

TetraStep MKIII - Mattoverse Electronics (by Mattoverse Electronics)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/3HMRcJV

[effectsdatabase]

Last week's top 20 videos (2023, week 18)

Top 20 videos last week (April 30 - May 6)

Orange Amps Distortion - Compressor - Phaser Are Back From The Dead (by JHS Pedals)

[ Better Audio] Pedal Steel players, a message from Sage Benado of BENADO EFFECTS. (by Benado Effects)

T-Rex Binson Echorec (Product Video) (by T-Rex Engineering)

Germanium overdrive OverZoid-GE (by SviSound)

Unleashing the full potential of my harp (by Emily Hopkins)

ORIGIN EFFECTS RevivalDRIVE Custom × ???? (by digimartnet)

EHX octave fuzz shoot-out: Lizard Queen vs Octavix (by Pedal Experiments)

Is This The Most Versatile Distortion Pedal? EAE Longsword (by Boring Gear Reviews)

Spellbook Guitar Pedal - Explained (by David Ross Musical Instruments)

Neunaber Audio | INSPIRE Tri-Chorus #SHORTS (by Neunaber Technology)

WARP DRIVE PEDAL SHOOT OUT!... What's the Difference? (by Stone Deaf FX)

New! H9 Max Limited Edition Colors (by Eventide)

ZVEX Double Rock #guitarpedal #distortionpedal #jmascis (by Z. Vex)

@ericassarsson7976 shredding w/ the #BeatBuddy on drums! #Guitar #Shorts #Jam (by Singular Sound)

Mooer GE 300 - Demo by @MusikerTV #mooeraudio #ge300 #demo #musikertv #shorts #short (by MusikmesseTV)

Behringer tube Monster ecc83 vs ecc81 (by Stamp Pedals)

Thorpy FX The Deep Oggin - A Chorus Vibrato Pedal That Does It ALL featuring The Dane (by Buddy Blues)

Marshall BluesBreaker, DriveMaster, The Guv'nor & ShredMaster Demos | First Look (by Premier Guitar)

?MVP Vol.7?1974 Musitronics / Mu-Tron ? (by GuitarMag JP)

Boost In - ibanez TS9 ou Boss SD1 + Boss DS1 (by Loucos por Pedais)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/3VMLnSl

[effectsdatabase]

Last week's top 20 videos (2023, week 17)

Top 20 videos last week (April 23-29)

4 Cheap Overdrives You Have to Try (Lumberjack, Rust Driver, Tubulator, JDS50) (by JHS Pedals)

Tech 21 Studio 21: Which SansAmp for Bass??? (by Tech 21)

Always Room For One More Gain Pedal! [Silvertone, Tsakalis, Cornerstone, LST Gnome] (by That Pedal Show)

mind warp - a o d - seppuku fx (by Rhys I)

Why Do The Pros LOVE The Original 90's Nobels? | ODR-1 Nerdy Deep Dive (by R.J. Ronquillo)

Spellbook Guitar Pedal - Moog Source (by David Ross Musical Instruments)

Barber Direct Drive Overdrive Pedal (by ProGuitarShopDemos)

Sabías que podes usar el Fugu Chorus Vibrato en bajo? #dedalofx #shorts #basspedal (by Dedalo FX)

Recovery Effects Cutting Room Floor V3 Pedal Demo (by Recovery Effects)

Ebow fretless thoughts (by RoeyHaviv)

Gamechanger Audio - How Do They Come Up With All This? | Let's Meet the Maker! (by AndertonsMusic)

Pedal Brainz | Expression Devices In The Studio (by Tunnel Of Reverb)

Dope Sustainer fuzz (Testing With Les Paul) (by Tone Charm Audio)

Todd Howard (guitarist for Granger Smith) showing how he uses ZVEX pedals in his set-up (by Z. Vex)

How to Modify Your Way Huge Aqua Puss MKIII | Marcus Mods (by MarcusMods Pedal Works)

Revolutionize Your Sound with Meris Enzo Synth Pedal (by Boring Gear Reviews)

EarthQuaker Devices White Light Legacy Reissue vs DOD Preamp 250 vs vintage MXR Distortion Plus (by We As A Company)

Jen Vox Wah - early 70?s red Fasel inductor (by Kevin Bryant)

Fender Aerodyne Strat w/Barber Electronics Direct Drive (by PJ and the Beard)

FUZZ PEDAL SHOOT OUT!... What's the Difference? (by Stone Deaf FX)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/3LPkWrG

[effectsdatabase]

Last week's top 20 videos (2023, week 03)

Top 20 videos last week (January 15-21)

Sonicake Blue Skreamer (by Delicious Audio)

ROOMS Stereo Reverberator pedal from Death By Audio #deathbyaudio #guitarpedals #pedalboard (by Chuck Levin's Washington Music Center)

£75 Fender Space Delay Or Vintage £2k Roland RE-201? #shorts (by That Pedal Show)

Just 3 Pedals?! | Post-Rock Sounds with Ground FX Lux Reverb, Strymon El Capistan, Origin M-EQ (by Ambient Endeavors)

DOD FX68 Super Stereo Analog Chorus 90s (by AndyDemos)

Dreadbox Disorder Fuzz - Mind-Blowing Synthy Fuzz Tones! (by ThePedalZone)

DOD CARCOSA on BASS !! (by BassTheWorld)

The Most Fun We've Had With a Pedal in a While! - Analog Alien Bass Station (by AndertonsMusic)

tc electronic SCF Stereo Chorus Flanger (by Mike Hermans)

? Gear & Beer - G2 vs Tilt Overdrive? (by Revv Amplification)

S ?O?L? U?T?I?O?N? ?Blackstar AMPED1 / REVV G3 / KORG Pitchblack X??????????? (by Guitar Shop Hoochies)

SolidgoldFX : 76 | Octave Fuzz | Bass / Bass VI | theoandhispedals (by Amateur Effects Reviews)

Tony Iommi's secret weapon could be your tonal salvation... | Laney TI Boost pedal (by Laney Amplification)

MOOER RADAR + BOSS KATANA | AMAZING TONES!!! MY NEW FAVOURITE PEDAL!!! (by juca2929)

idiotbox effects hobo santa fuzz (by Pretty Good Effects)

Playing Kraftwerk through the TREMOTRON - What should I try next? (by Stone Deaf FX)

????????? VOX V847 USA????????????????????? (by EfManiac)

Unboxing the HOLY GRAIL Wah Pedal? (by Pedal Pawn)

?? ????! Digitech ??? Whammy DT #?????? #todaysgear #???? #?? #??? #????? (by Today's Gear)

HX Stomp and Timeline Synced Looping and Quantize (with CLOCKstep firmware 1.1.36) (by JMK Music Pedals)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/3DgfxW2

[effectsdatabase]

Last week's top 20 videos (2022, week 47)

Top 20 videos last week (November 20-26)

Dr. Scientist Sunny Day Delay Returns! (by Dr. Scientist)

Dedalo Pixel PIX3 - Guitar Synth Pedal / video demo oficial (by Dedalo FX)

New Fuzz!!! OS Mutantes Regulus VIII Clone (by Tiny Garage Pedals)

Old Hag FUZZ! (by Occvlt Pedals)

Multi effect EchoZoid (by SviSound)

????? ?? Boss MetalZone MT2 (by Chas Stompboxes)

Carl Martin Axis Flanger (by Carl Martin)

WildTone l "The Jeff" Archer - J.Rockett Audio Designs (by Tone Factory)

INSTANT SLUDGE with the BASTARD lowend distortion by WEEHBO (by Soundfare)

GIVEAWAY TIME! Win a @ThorpyFx @Peter Honoré The Dane! #guitar (by Sasha Ivantic)

RIDICULOUS - Boss DS-1 Mega Shootout (The results are shocking!) (by TheGuitarGeek)

Jam Wahcko Wah - Maggot Brain by Tristan Klein (by wildbabydragon)

Keeley Hyrda Vs Strymon Flint (by Dipswitch Demos)

Fulltone OCD V2 vs V2.01 | Bass | theoandhispedals (by Amateur Effects Reviews)

VFE Pedals Pinball v3 - Mid-Booster + Tilt EQ in one pedal! (by VFE Pedals)

Friday morning freak out with the AirTrash into the Bad Passenger Fuzz MKII - Mattoverse Electronics (by Mattoverse Electronics)

The Famous PDF2! SALE NOW ON! #shorts (by Stone Deaf FX)

???????????????????????????????????FULLTONE Distortion Pro????? (by EfManiac)

One Clear Winner? - Joyo Deluxe Crunch Vs Caline Orange Burst (by Budget Pedal Chap)

Modifying TC Electronics Wiretap to compensate for the rubbish, broken app! (by Blind Panic Devices)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/3ENIM2g

[effectsdatabase]

Last week's top 20 videos (2022, week 32)

Top 16 videos last week (August 7-13)

Crowther Hot Cake Teardown! See what's inside! (by Gray Bench Electronics)

Animals Pedals - What Does A Surfing Bear Sound Like? (by AndertonsMusic)

Boss DN-2 Dyna Drive | Demo [NO TALKING] (by Wingerter Electronics)

How to Create Retro Sci-Fi Effects Using a Binson Echorec (by Effectrode)

Rainger FX - Echo X (by Anne Sulikowski)

Vintage MXR Phase 45 ? (by Cameron Johnson)

Quick Comparison: Germanium Fuzz Face and Mini Germanium Fuzz Face (by Jason Ayala Spare)

?.??? ????? BluGuitar AMP1 Iridium Edition BLUBOX Speaker Emulator IR (by Chatreeo)

NEW EarthQuaker Dispatch Master V3 Pedal in Limited Edition White Vein Finish (by Cosmo Music)

Aguilar Chorusaurus | What Does it Sound Like? (by himynameisjayme)

STONE DEAF FX | PDF2 DEMO | SILVERCHAIR DO YOU FEEL THE SAME (by Stone Deaf FX)

Ibanez TS9DX??????????4???????TS9???????TS808??????????? (by EfManiac)

Keeley Electronics Caverns Delay + Reverb - Pedal Empire EXCLUSIVE COLOUR! (by Pedal Empire)

Phaser & Flanger (by NIG)

Carl Martin Octaswitch Pedalboard Update - Completed Pedalboard Walkthrough (by PJ and the Beard)

PEDALS BATTLE - BOSS Flanger BF2 vs Ibanez Flanger FL9 (by Pedals Fusion)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/3c3sMyT