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#THE WEREWOLF
weirdlookindog · 28 days
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José María Martín Saurí (b. 1949) - The Werewolf, 1975
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myceliumelium · 1 year
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girl idk what to tell you, sometimes you've just gotta rip the blorbo apart
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bailiesartblog · 2 years
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“The wolf let out a gulp, almost a sob, when it saw what had happened to it; wolves are less brave than they seem.” — Angela Carter “The Wereolf”
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invisible-woe · 3 months
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— from The Werewolf by Angela Carter
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derangedrhythms · 1 year
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At midnight, especially on Walpurgisnacht, the Devil holds picnics in the graveyards and invites the witches; then they dig up fresh corpses, and eat them. Anyone will tell you that.
Angela Carter, The Bloody Chamber and Other Stories; from ‘The Werewolf’
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artaelyn · 11 months
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I don’t read lore <3 these are based entirely off of my silly imagination
Okay. Ok just stick with me I will color stuff eventually I promise
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coolcomicbookcovers · 2 months
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desertfangs · 5 months
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Are we going to talk about the fact that when Thorne meets Marius, Marius is hanging out in a Vampire Bar called The Werewolf? Like it's not just a random tavern, Marius is actively chilling at a bar that's part of the vampire connection and it seems it's a place he goes often. I am completely fascinated by this.
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chernobog13 · 2 months
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Steve Ritch as the titular The Werewolf (1956).
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artist-issues · 8 months
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So if you don't mind me asking, whats your stance on Halloween? Is that acceptable?
Gee! This is one of my favorite topics! For a more succinct, well-written response to it, with pictures and Halloween story recommendations, look at this post. Otherwise, I’m just going to ramble 😅
I’m going to answer this as if you’re asking me about the holiday, not the Michael Myers movie series (which I believe are stupid, including the original.)
Anyway, I guess the real question is…”acceptable” for what?
Acceptable as a fun thing to do? Sure. But like…do you ever stop and think about why you enjoy the things you enjoy? What makes them fun, and whether they should be treated as fun?
Not to be that person.
But what I’m saying is, you can make Christmas unacceptable. Anything can be “unacceptable” if you celebrate them the wrong way, for the wrong reasons. If you’re celebrating them flippantly, with no thought behind it.
Christmas, for example, is about celebrating the end of four dark millennia, when, in the coldest, deadest time, the Light came back and promised to stay and fix everything. It’s the end of a long, hard wait. It’s celebrating the gift of that Light. You’re allowed to be extravagant at Christmas, as long as you connect it in your mind and your heart with that idea—“I’m being extravagant to show how wonderful and worthy of specialness this occasion is.”
But check the other side of the coin. You could do Christmas wrong. Then Christmas becomes “unacceptable.” You could make Christmas about the presents; about you; about turning a profit; about making yourself feel better; about escape. You could even make it about “specialness” but you don’t know why it’s special, just that stupid phrase, “that Christmas feeling.”
If you don’t have the “why” behind the celebration, OR your “why” is something you shouldn’t even be celebrating, then the celebration becomes “unacceptable.”
Now.
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Some Christians (I assume you’re asking me because I’m a Christian, otherwise most people don’t bat an eye at celebrating Halloween) take one look at a holiday that’s been kidnapped by non-Christians and turned into a celebration of something incorrect—they take one look—and they say, “no children, we don’t celebrate Christmas. We don’t celebrate that holiday. No presents, no tree, no commercialism; it’s about JESUS!” And then they like, metaphorically shut their blinds and hunker down until the world quits celebrating. (Of course, they do the same thing, but much more often, with Halloween.)
That’s basically the same thought process as the monks who, instead of going out and changing the world, instead of correcting wrong thinking by reminding humans of the God that created their correct but corrupted impulses, they hide from the world.
You know what that teaches kids? That brightness and fun and merriment is not something Christians do. Even though everything that is good, including fun, and laughter, and light, and gift-giving, originally was invented by God.
You know what that implies? If it was made by God, it should be tied back to Him at every opportunity. As long as you do it the right way. Why do we just let our godless culture hijack everything that originally belongs to God? Why don’t we get in there, roll up our sleeves, and do it the right way?
Don’t get me started. (If you’re not enjoying this ramble just go up and click the link to the other post, it’s less rambly and answers your question more succinctly 😅)
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That’s why I’m talking about Christmas. Christmas was invented by Christians. No, they did not “steal it from the pagans.” (Anyone who thinks that hasn’t seriously reviewed history.)
God invented hope and merriment, which are the main themes of Christmas. Without the context for that hope, or that merriment, celebrating in the darkest time of year made no sense, even in Greek and Roman ages.
So the pagans were getting drunk and giving each other little effigies of human sacrifices and going door-to-door singing while naked for what?!
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To make merry, and feel good, for no logical reason in winter. Without God, there’s no reason to do anything in the dead, dark time of year other than huddle up and wait for it to be over. There’s no reason to have the hope that creates “the Christmas feeling.”
But Christians came along and said, “hey. We have a real reason for feeling hopeful and celebrating something in the hardest time of year. Let us show you how to give that urge it’s proper context.” And instead of human-sacrifice-shaped gifts, they gave gifts that reminded them of Christ’s coming; instead of singing door-to-door naked and drunk, they sang sweet carols like the ones the angels sang, Etc.
Took a bone that was painfully trying to move while out-of-joint, and popped it back into its proper socket. It was always supposed to move. It just couldn’t do it right when it was out of the proper place. Put it back where it belongs, and Ta daaa. Christmas.
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Think about that. If we didn’t have those ancient Christians who were already celebrating hope and light during the winter for the right reasons, stepping into the culture and redeeming things that were almost-right, almost-fun, but twisted by the wrong reasons—we wouldn’t have the Christmas we have today. No caroling. No lights. No trees. No Charles Dickens’ A Christmas Carol. Most importantly, no real, eternal value to make the holiday as sacred and timeless as it is.
So, with Halloween being my favorite holiday, my point is:
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Why aren’t we doing that for Halloween?
You can’t argue that “it isn’t like what we did with pagan traditions and Christmas—it’s pure evil, there’s nothing to redeem.” Because Halloween, even as we know it today, has it’s roots in Christianity, too.
Even more broadly than having its roots in Christian “practices,” it has its roots in natural human tendencies. Which point back to God and the story He’s telling, whether they like it or not. The fact that humans wanted to celebrate something in the darkest, coldest time of year to make them hopeful in the winter points to the fact that we were created for light and hope. Animals don’t do that; they hibernate. Humans don’t hibernate; they look for hope, as if there’s some source for it outside themselves.
It’s the same with Halloween. Correct impulses—wrong expression.
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At harvest time, humans saw that leaves were dying and there was this fear that they wouldn’t harvest enough—they didn’t prepare enough—they might die like the leaves around them. They might not make it through winter. On comes the imagery of death, and the idea of consequences for your actions coming back to get you—hello, goblins, ghouls, werewolves, even vampires. (I don’t care where it was being celebrated: Ireland, Guatemala, America, who cares, same impulses for the same reasons for humans around the globe.)
No wonder we started thinking up those dark creatures around that time of year. It makes sense.
NOW. Be a Christian. Put that feeling in it’s proper, truthful context—stop letting the culture define what you should do with those feelings.
Are there darkness and horrible things in the world? Yes. Sin. The consequences of sin. Can those monsters be killed? Yes. They’re scary and stronger than you, but they’re not all-powerful. What can the monsters be killed by? Christ’s sacrifice.
(Now I’m repeating what’s in the post I linked to, but I don’t care, this is one of my favorite topics, I’ll repeat myself:)
Monsters are always killed by the sacrifice of something pure, in the old stories. That’s why:
Vampires can’t see their reflection, because old mirrors had pure silver in them. The pure blood of Ellen in Nosferatu kills the vampire because she willingly sacrifices it to him.
Werewolves are slain by pure silver, or, in old stories, the blood of an innocent person, slain for others.
Frankenstein’s monster finally gives up being a creature of hate and goes to his death when he sees that his Creator was willing to sacrifice his life to right the wrong of his creation.
That’s like, handed to us on a silver platter. And you know what’s even better?
Usually the monsters were once human. We are the monsters.
Which is biblical. We’re enemies of God, incapable of good, incapable of purity, without Him. Until His pure sacrifice literally kills the monstrous part of us.
So yeah, dress up like a monster. Not just because it’s fun, but because it ends. You get to take the costume off. The scariness goes away. You’re not a monster anymore.
As long as you make that the point? Do it. I mean, jeez, the Bible uses “walking dead” imagery to refer to Christians. Monsters and monster fiction could go back to being a tool to point to truth. Halloween could be a holiday that reminds us of what we once were, and the darkness we’re saved from.
I really like Halloween. I got connected with the studio I work for by showing them a pitchbook of a Halloween-monster-themed story concept. I also love the Lord. If you can’t find a way to genuinely link the things you enjoy back to God, and the story He’s telling, take a good hard look at what you enjoy and course-correct. That goes for Halloween, or anything in life.
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weirdlookindog · 8 days
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John Bolton (b. 1951) - The Werewolf
original cover art for Tales of Terror #12, 1987
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candyredmusings · 1 year
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Blood dripping out of my mouth (ɪ ᴄᴀɴ'ᴛ ʜᴇʟᴘ ɪᴛ) I got some secrets to hide, I can't tell it
I know therе's some people around,
𝐈 𝐜𝐚𝐧 𝐬𝐦𝐞𝐥𝐥 𝐢𝐭.
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words-and-coffee · 7 months
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They will be like shadows, they will be like wraiths, grey members of a congregation of nightmare; hark! his long, wavering howl … an aria of fear made audible.
Angela Carter, The Bloody Chamber and Other Stories: The Werewolf
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Preview: Chapter 1 Rewrite
A/N: This has not been proofread yet. The werewolf meets Daniela for the first time.
The world spun around her when a new wave of nausea hit her and she swayed, struggling to keep sitting, until finally, her eyes managed to focus again…
… only for her to spot a pair of glowing golden orbs hovering above her.
She craned her neck, peering up into the darkness before her cell and as her vision slowly adjusted to the lack of light, she found herself face to face with a woman. Pale faced and with wide eyes, eagerly clutching the metal bars of the cage as she watched.
It wasn’t Cassandra.
She was dressed similarly, though, with black boots and black pants peeking out from underneath a black hooded winter cloak.
“Uh… hi?” the werewolf said, rather awkwardly.
“You must be the mutt,” her visitor spluttered, sheer uncontainable excitement bleeding into her voice and following her words with a bright giggle that seemed so misplaced in a place as dark and dreary as a dungeon.
The name didn’t come as a surprise to her, since the castle’s other inhabitants seemed to have settled on calling her ‘mutt’ – much to her dismay. Still, it was probably for the best to play along and not get onto her new visitor’s bad side, considering she didn’t know who she was dealing with, but the woman very much had golden eyes similar to Cassandra.
“I- yeah? I guess I am?”
“Cassandra told me about you,” the woman continued, clutching the bars just a little harder and shifting her weight from one foot to the other, “and about the lovely mess you made in the hall… just had to see you for myself…”
She trailed off, her eyes darting over the werewolf’s seated form, drinking her in. Unashamed and wild and hungry and a shudder trickled down the werewolf’s back, hot and cold.
“Ah- well- I hope I don’t disappoint?”
Fear should seize her heart. Terror should make her want to shut up and retreat and protect herself – but all she could do was move and reach for those metal bars and pull herself onto her feet and step towards the woman, staring deep into those golden depths.
Up close like this, the werewolf could tell they were actually slightly mismatched, one eye more of a yellow gold compared to the other’s warmer orange tone and all she could think was ‘pretty.’ Something about them was absolutely mesmerizing, in the way the pupils had dilated with excitement and how the irises was glowing brightly in the dim light of the dungeon.
The werewolf couldn’t help but lean in closer, eyes half-lidded as she was overcome by this pull that lured her in close, drowning in those golden depths– then movement caught her attention, just at the edge of her vision.
She turned her head-
Flies.
Around her, dozens of shimmering wings in the flickering light of the torches.
A multitude crawling up and down the metal bars of the cage, over her torn shirt and bare skin and onto the woman’s gloved hands and along her arms and over her shoulders, only to sneak their way under the hood and disappear beyond the collar of a white shirt beneath.
Hackles instinctively raised, the werewolf clutched the metal bars hard, recalling the way Cassandra had coalesced from a swarm of flies before her very eyes.
What was it with the castle inhabitants and flies?
“Oh, not at all… You’re kind of cute, actually,” the woman giggled, pulling the werewolf right out of her thoughts and back into the here and now, where the words slowly sept into her mind-
Cute?!
Her face fell.
That was the last word she expected to hear while imprisoned in a cell, drenched in blood and grime.
“Cute?”
“Yes~” the woman purred, peering at her from behind half-lidded eyes. “And your blood… hmmm tastes so good…” she trailed off with a barely sustained groan, a visible shudder overtaking her body, and she clutched the bars harder, pressing her forehead into the space between them. “Makes me want to have another taste…”
“Another…?”
When and how-
“Yes, I hope you don’t mind that I had a little taste while you were asleep…” Her visitor smiled – innocently as if it was the most normal thing in the world.
She raised her arm and from below the sleeve, new flies came crawling forward and she eyed them with something akin to mild interest while she held out her palm for them to sit in. “Could pick out your scent even underneath all that disgusting Lycan stink… so interesting…”
The werewolf frowned. Well, at least they agreed that the Lycans smelled repulsive…?
She pulled herself a little closer to the metal bars, watching on when the woman turned her hand and the flies seemed to obediently follow the movement, crawling to settle back down on top.
“They like you, you know?” she whispered, attention shifting back to the werewolf and meeting her gaze, her eyes warm and gentle and so strangely… alluring.
“They… do?”
The werewolf slowly raised her eyebrow, immediately looking down at them.
Could the woman… communicate with the flies? Control them? Did they have a will and opinions of their own or were they an extension of her? They were part of her body, right? Like with Cassandra?
They looked like ordinary flies – well, massive, ordinary flies.
She struggled to suppress a shudder, worried it might offend her visitor.
“Oh yes! If I’d let them, they’d be all over you, right now!” the woman giggled, mirth making her eyes erupt into a warm and strangely attractive glow, “and who can blame them? You’re just so special.”
“Special? What do you mean?”
“Well, why else would my flies be so interested in you?” she mused out loud, slipping both her arms through the space between the bars and the flies seemed to protest the sudden movement, buzzing around the two of them until they settled on the werewolf’s arms and shoulders, making her freeze in place, fighting the instinct to swat them away.
The woman’s fingers brushed over her plaid shirt, teasingly walking upwards to the collar and slowly drawing her in. “And you can feel it too, can’t you?”
“F-feel it?”
Movement against her neck, legs skittering over her skin.
“The pull.”
The woman’s voice was but a mumble, a spell and the werewolf’s eyes snapped to hers – those irises the colour of glowing embers, warm and soothing.
Fingers followed the flies and traced her neck, upwards through the stubble on the back of her neck and the werewolf’s eyelids fluttered heavily as a rush of hot and cold ran down her neck.
She should withdraw.
She should pull away and retreat and swat away the flies-
And yet she couldn’t tear her eyes away from the woman’s and couldn’t remove herself from that touch that seemed to set her body on fire either. A touch that she should hate and reject, petted like a puppy and yet all she could think about was how-
- good it felt.
So good.
Fuck.
(1,173 words, compared to the original version sitting at roughly 718.)
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bertie987 · 2 months
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“She prospered" - The Werewolf by Angela Carter
Available as a sticker, t-shirt, poster, notebook and more!
Shop here!
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artaelyn · 11 months
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Guys I swear I’m normal about this werewolf man
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