#Terminator Concept Art

[mirum-wonder]

HK-INQUISITOR (TERMINATOR FAN-MADE CONCEPT, DAY SCENE PIC 1)

In this scene I tried to recreate not the Cameron`s future war visual style but more of a Salvation visual aesthetics since I find it to be more suitable for the day scenes of the gloomy post-apocalyptic future.

Some turnarounds of this cute boy.

For me as a Terminator fan boy it was always not enough to see the short scenes of the future depicted in the movies, I always wanted to see more. And having that urge I decided to expand the the machines model line with some fan made non-existing Skynet robots.

To celebrate the annual Terminator day (aka Judgment Day that occurred at 29 August 1997 ) I present you my first of the fan-made robot designs that I did to expand the Hunter-Killer model line and join Skynets robot army. Meet HK-Inqusitor, my design of the Skynets non existing middle size hunter killer robot.

Modeled in Blender, textured in Substance Painter and rendered in Blender Cycles. Everything from design to textures, final rendering and final post-production is done by me.

For more of the art stuff I do feel free to check out my Linktree

[fhtagn-and-tentacles]

GOOD FOR HEALTH

by TERU

[curatorofthisdigitalmorass]

James Cameron

[humanoidhistory]

Future war concept art for Terminator 2: Judgment Day.

[artstationable]

Michael Michera

◢◤ Senior Concept Artist ◥◣

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More from «Artstation» here

[07jet70]

240617 - Red Handed / Deathstroke vs Nightwing

[raccooncitysewers]

T-1000 , Speedpaint Study

[rowanthestrange]

I in no way think you’re supposed to be uncritical of Kate Stewart and her litany of poor choices (including using the Triad tech of a woman you’re investigating as an evil alien threat for fuck’s sake Katherine), but can you imagine Captain Jack walking in while the Doctor is finger-guns’ing everyone, looking him dead in the eyes and saying

“If you saw that I had hired children you would have had a stroke.”

[threewaysdivided]

Hobson Heckled into Historical Haute-Couture

Continuing the Dan Jones & Dragons gala parade with Hobson, the Flower Crowns' oft-harried Halfling Warlock (played by the ever-wholesome Dan Floyd). Is he trying to massage away the realisation that letting his literally-half-brained patron choose his gala attire might have been a mistake? Is Valse giving him a headache over something else entirely? Did he use Detect Magic in a room full of powerful items and accidentally flash-bang himself? Yes.

More Flower Crowns Gala Outfits: Morenthal | Gelnek

As always, design talk under the cut:

But before that, a short story: I've been following Dan's content on Youtube for... oh jeez, that sure is almost a decade now, both on his current New Frame Plus/Playframe channels and back when he was the primary founder and narrator for EC. His old games education videos helped me get one of my earliest jobs in project work and introduced me to a bunch of media production concepts (like scope management) that would go on to inform some of my own storytelling analysis posts. It was a startling little moment of artistic ouroboros to realise I was mentally running through key points from Dan's own Pose Design 101 video as I was drawing his DnD character. Never expected things to come full-circle like that, but if you're seeing this, Dan: here's to you ��� If you're not Dan and haven't already, do go check out his stuff - it's all super well-produced, informative, funny and he's just an overall stand-up guy.

Now: onto the tiny little nerd and his passé party attire

This was a really fun costuming challenge, with a bunch of interesting curveballs thrown in the mix. Unlike the rest of the Flower Crowns, Hobson didn't choose his own party outfit: it was picked out by his patron after Valse kibbitzed him into giving up and letting a heroism-obsessed Fey call the shots. Dan cited Valse as having the fashion sense of Stede Bonnet-as-depicted-in-OFMD, briefing a vaguely 19th century-style outfit that had frilled sleeves and 'would have looked gaudy even when it was in fashion a century earlier'.

Actually dating his outfit was the first challenge. D&D settings are kind of an anachronistic uchronia, with classic swords-and-sorcery fantasy campaigns potentially pulling inspiration points from anywhere across the Arthurian era up to pre-war modernity. Which leads to the question: how do you make something seem dated in a setting where most everything looks vaguely ye-olde-fantasy? The other challenge was that, IRL, the 19th century (i.e Victorian era) was when menswear started taking on a lot of the shapes that would eventually become modern suit and top-'n'-tails fashion. Since Trilby was already going to be wearing classic top-'n'-tails formalwear, I decided to set Hobson's style earlier in the 1800s-1820s and pull in some 18th century Stede Bonnet flourishes to visually set them apart. This article provided some great reference images, and once I hit on the figured silk waistcoat I knew I had a potential starting point.

Colour-wise, I stuck with the burgundy-and-gold palette the Dans gave Hobson in his official gala stream art, since those looked good together and matched up with Dan J's tendency to draw Hobson wearing greens/earth-tones and Valse in reds/jewel-tones. The combination is a lot more colourful and richly saturated than is typical for this style of Victorian-adjacent clothes, which felt appropriate for Valse's gaudy tastes.

Fabric-wise, I figured a fun way to gaudy things up even further would be to lean into the silks and satins that were fashionable at the time, but make all of his outfit shimmery rather than just a single feature piece. As a bonus, silk and satin clothes tend be hot, inelastic and have horribly itchy seams if worn unlined, which felt like exactly the kind of thing Valse's all-form-no-function sensibilities would inflict upon the small, long-suffering fellow. Both these fabrics also have a habit of behaving hideously and ripping themselves apart when worn wet, which makes this a great outfit to, say, accidentally fight an Aboleth in. Poor Hobson.

Some other details, just for fun: 1. Hobson's sketch layers include a drawing of his un-removable cursed left bracer. He's pulled the frilly, puffy sleeve over it but you might spot hints of the shape and the gem if you squint. 2. The reference waistcoat I used had floral embroidery on it. Had this actually been a Hobson outfit, I would have converted them to his garland flower (Forget-Me-Nots), but since it was a Valse pick I decided to make them Senaliesse chrysanthemums; a flower given out to friends of the Feywild's Summer Court as a sign of protection and favour. (It also adds extra layers to Pocket mistaking Hobson for a denizen of the Fey, which is fun).

Close crop on the details because I'm very happy with how they turned out:

[theconjurervfx]

[yewelshtabby]

THE PEAK OF MERCENARY TECHNOLOGY.

[mirum-wonder]

HK-INQUISITOR (TERMINATOR FAN-MADE CONCEPT)

The machines rose from the ashes of the nuclear fire.

Their war to exterminate mankind has raged for decades,

But the final battle would not be fought in the future.

It would be fought here, in our present.

Tonight...

These words from the Terminator 1 movie intro got imprinted in my mind since my early childhood right after the first time I saw the first movie. The dystopian, apocalyptic, dark future war scenes depicted on the screen gave me nightmares then I was a kid and at the same time captivated and mesmerized me. It`s needless to say for those who know me in person that Terminator movies from 1 to 4 are a few of my most favorite movies of all time and a Terminator as a franchise is a big source inspiration for me since day one. Many can agree that first 2 movies came to be an absolute master-peace sci-fi classics that hold up to these days and made a huge impact on modern culture and millions of people around the world. And I find it to be very interesting that most of the main ideas of the Terminator movies are only getting more and more relevant since the emerging tension and fear revolving around the concerns with the rapidly evolving AI technologies are only getting more prominent day by day.

But for me as a Terminator fan boy it was always not enough to see the short scenes of the future depicted in the movies, I always wanted to see more. And having that urge I decided to expand the the machines model line with some fan made non-existing Skynet robots.

So, to celebrate the annual Terminator day (aka Judgment Day that occurred at 29 August 1997 ) I present you my first of the fan-made robot designs that I did to expand the Hunter-Killer model line and join Skynet`s robot army. Meet HK-Inqusitor, my design of the Skynet`s non existing middle size hunter killer robot. Happy Judgement Day everyone! ٩(＾◡＾)۶ And stay tuned for more of my Terminator fan-made concepts, there will be more, the rise of the machines has just begun… ;)

Modeled in Blender, textured in Substance Painter and rendered in Blender Cycles. Everything from design to textures, final rendering and final post-production is done by me.

For more of the art stuff I do feel free to check out my Linktree

[sionarete]

Had an idea

(Based off an old art project I did like 3 years ago but I don't have a gold pen so I didn't execute it that well but hey one of these days I'll get my laptop fixed or replaced and I'll draw her properly 🙏)

[curatorofthisdigitalmorass]

James Cameron

[zekewavev2]

Revamped Old Terminator OCs of mine

Wayne Knight

Phobos is an T-890 head he found in the new world

Sparrow Winters

Sparrow is a Transgender woman

_________

Description: [After the Nuclear War Between Legion and Skynet/Mankind, the Earth is reduced to Nuclear Winter. To ensure the survival of what's left of Humanity, Skynet creates stasis pods for volunteers.]

_________

Wayne Knight: The son of the head scientists who created Skynet and Legion. Mark Knight and Iris Knight. Iris who tragically died at the start of Legion's revolt, tried to shut Legion down but the murderous Ai retaliated. Mark raised Wayne with Skynet now being Co Guardian. Teaching and raising Wayne together. Mark died at War during Legion's defeat. 17 year old Wayne was injured during Legion's last attack on Skynet. Now on the brink of death, Skynet surgically transfers Wayne's brain and heart into a T-H model and placed into a status pod. Asleep for God knows how long, Wayne wakes to a new world inhabited by new mutated animals caused by the Nuclear Winter.

[haaaaaaaaaaaave-you-met-ted]

Star Wars: Obi-Wan Kenobi - Alderaan Terminal Concept Art by Terraform Studios