Korean-American painter Leeah Joo’s work is inspired by the enigmatic and hidden. In her illusionist paintings, she teases our predisposition to probe and uncover. Intriguing parcels in her Pojagi series are enveloped by a lavish, traditional Korean wrapping cloth and beckon to be unpacked. The richly detailed paintings of lacey drapery in her Parrhasius series present an open-ended narrative, inviting us to question what lies behind the curtain. Joo studied painting and art history at Indiana University in Bloomington and received her MFA in painting from the Yale School of Art, Her paintings have been exhibited widely in the U.S. and South Korea. She is the recipient of notable awards from the Pollock-Krasner Foundation, George Sugarman Foundation, Connecticut Commission on Arts and the Puffin Foundation. Currently, Leeah Joo lives and paints in Middlebury, Connecticut and teaches at Southern CT State University and Paier College.
Listen I'm a little drunk but... yarn crafts are so important. Textile arts are the backbone of society. All of us take our clothing and accessories and upholstery for granted and it's honestly shocking
I used to buy affordable t-shirts and they were comfy and nice, now I buy them in the same price range and they're sandpaper. They don't wick away moisture and the print comes undone after two washes. I buy denim and the crotch falls apart in months. I read about how modern Singer sewing machines are disappointing and then look at the delicate machining and the beautiful finishes on my 1857 machine and wonder if this is progress?!
Reblog if you're desperate for clothing that doesn't feel like sandpaper or if you like machines that go thunk instead of going obsolete in two years
ID: three fish embroidered on an upholstery sample with a design that looks like coral. the fish are embroidered so they appear to be swimming in between the coral. the colors are shades of olive green and beige.
Anna Maria Garthwaite (English, c. 1688-1763). Gown, ca. 1740s. Brocaded satin in coloured silks. London: Victoria and Albert Museum, T.264-1966. Given by Mrs Olive Furnivall.