#Thad mumford

[tuttle-did-it]

40 years today.

Hawkeye: Look, I know how tough it is for you to say goodbye, so I'LL say it. Maybe you're right, maybe we WILL see each other again, but just in case we don't, I want you to know how much you've meant to me. I'll never be able to shake you; whenever I see a pair of big feet or a cheesy mustache, I'll think of you. 

B.J.: Whenever I smell month-old socks, I'll think of YOU. 

Hawkeye: Or the next time somebody nails my shoe to the floor... 

B.J.: ...or when somebody gives me a martini that tastes like lighter fluid. 

Hawkeye: I'll miss you. 

B.J.: I'll miss YOU. A lot. I can't imagine what this place would've been like if I hadn't found you here.

Happy 40th to the most romantic divorce in cinematic history.

[topshelf2112-blog]

[lgbt4077]

Dan Wilcox and Thad Mumford episodes <3333

[opheliasflood]

What song makes you think of Thad?

"that's hard, especially since our music taste is so different but...probably something indie or stomp-and-clap. mumford & sons maybe - the cave? that one, it's about hope. thad's always full of it,"

@thad-spaulding

[eightmuppetynotes]

Muppet Song of the Day: "With Every Beat of My Heart"

Written by Jeff Moss

Requested by @fragglesesamemuppetz2

Happy Valentine's Day everyone!

[mash-notes]

“The Best of Enemies” is a great episode, with one of my favorite endings in the series. I love that Hawkeye’s return from R&R (or what his bunkmates think was R&R) is not seen; instead BJ and Charles gossip about him afterward as he sleeps it off. They’ve been occupied with a petty card game for days and have no idea Hawk almost lost his life. That final zoom in is inspired.

Also, shoutout to Thad Mumford, the brilliant writer and script editor. He passed away earlier this year, leaving behind a tremendous legacy.

[greensparty]

RIP Thad Mumford 1951-2018

Veteran TV writer and producer Thad Mumford has died at 67. He was nominated for Emmy Awards for his work on M*A*S*H (including that famous final episode) and he won for The Electric Company. He wrote for countless great TV shows in the 70s and 80s: Good Times, Maude, What's Happening!! , Angie, Alice, The Duck Factory (Jim Carrey’s first big break), Saturday Night Live (some sketches in 1984),  The Cosby Show,  A Different World, and  Sesame Street (he was also the voice of Dr. Thad).

That is quite a resume on its own, but my personal favorite thing he did was  ALF. Thad was the Supervising Producer of Alf’s first season 1986-87. He also wrote 4 episodes of that first season as well. He was quite the comedy writer. In the 1987 Mad Magazine parody of Alf, there is a character wearing a “Thad Mumford Alumni” sweater! Even Mad knew it was a sign of quality to have Thad Mumford on a TV show! 

The link above is the obit from Hollywood Reporter

[fieryphrazes]

Truly ONLY Dan Wilcox and Thad Mumford could have written this episode 💗💗💗 we owe them so much 💗💗💗

[henrysblake]

shout out to dan wilcox & thad mumford

[smallscreengifs]

[onlyexplorer]

After the Basquiat raid, the Orlando museum faces a credibility crisis

After the Basquiat raid, the Orlando museum faces a credibility crisis

De Groft said new evidence would emerge that would substantiate it and he went on to claim the paintings were recovered from the Los Angeles storage unit of TV screenwriter Thad Mumford, who De Groft said purchased them directly. to Basquiat in 1982. (In their affidavit, the FBI said they interviewed Mumford, who told them that “At no time in the 1980s or at any other time did I meet Jean-Michel…

[mash-notes]

MASH Notes Pre-Post Mortem

As we head into the REAL home stretch, just a few reflections about this blog that I started a year ago minus a couple of weeks. (Also, in case anyone’s interested, I don’t plan to delete or deactivate this at the end of the month, I just won’t be adhering to this strict one-season-per-month timeline.)

.

1. Forced entertainment can be completely no problem!

It’s been interesting to make myself watch MASH during every possible moment of leisure I have. Going into this, I knew that it’s what I had to do if the project had any hope of success. And it’s been, honestly, great. As I hoped I would, I’ve gained deeper appreciation of the seasons, episodes, performances, and characters that I didn’t understand before. And the ones I already loved, I just sat back and loved.

.

2. It helped with celebrity grief.

This project launched upon the death of David Ogden Stiers. I had been going back and forth about starting it, but when that news broke I decided I had to. Since then, we also lost actor Soon-Tek Oh and scriptwriter Thad Mumford. I found that, rather than twisting the knife, looking at the MASH canon had a comforting effect--such a beautiful monument to these men’s work. Oddly enough, falling in love with the series also helped me grieve the other departed members of the cast, years later, in a poignant mood worthy of the s11 episode “Who Knew?”. MASH is kind of a sentimental franchise, I guess.

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3. I learned that there are MASH fans!

I wasn’t on Tumblr before this, and I had misgivings about starting a blog here--it was an idiom unfamiliar to me that I knew I’d look awkward in. But I did, out of desperation more than anything else (the domain mashnotes dot com was like four thousand dollars, and that was before learning to build it; other blogging services were not commenter-friendly and just were ugly, idk). Before long, you fans found me and started communicating, and it made everything so much more worthwhile and fun. Even if I do eventually branch out, I’m so glad I started here. It’s nice to know MASH fans (also fans of other “old people” stuff that I like) who are so young, progressive, and/or interesting. Some are all three.

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4. The MASH trend is growing, perceptibly.

The series is being shown more, by more cable channels. Alan Alda was just given a prestigious award; Loretta Swit is getting one this week. On other social media as well as in real life, I’m noticing that people are talking about MASH. Over the summer there was a thinkpiece about it in the New Yorker, for Pete’s sake. Having spent a year on it, I’m still mystified: why now? Is the current political climate making us yearn for TV with a social conscience, or is it just that the 70s are hot, the way the 60s were ten years ago? Anyway. Whatever this trend is about, we should all be proud to be at the vanguard of it. We have tapped into something huge.

[sharengayonline]

Fan Feed and the monotones mad

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The group’s only single, “Mad”/”Sad”.

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Little Jerry and the Monotones pose for closing shot of “Proud.”

The band’s final appearance in Episode 3898.

Little Jerry and the Monotones are a rock group on Sesame Street that first appeared in Season 2 in 1971.

The members of the band were Little Jerry as the frontman, backed by Big Jeffie along with Lavender and Pumpkin Anything Muppets, usually known as Chrissy and Rockin’ Richard.

The band evolved from recurring Anything Muppet hippies that appeared in Muppet inserts, often in musical numbers, as early as Season 1. As with the nature of Anything Muppets, the physical puppets, clothes and facial features were often interchanged. One example is an insert with Grover on the word “exit,” which sees the Green AM that would become Little Jerry with black hair rather than red. (First: Episode 0210)

The first appearances of the name “Little Jerry and the Monotones” include a verbal mention in Episode 0216, and on the second Sesame Street cast album. From there, the band members became personalities named after their primary performers; Little Jerry is named after Jerry Nelson, Big Jeffie after Jeff Moss, Chrissy after Christopher Cerf, and Rockin’ Richard after Richard Hunt. The members are introduced individually by name in the song “Four.” In some performances, the names and voices for the back-up singers have been swapped (an example includes the Pumpkin Monotone having Big Jeffie’s name and voice in “Mountain of Love“).

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The band usually consisted of a quartet, but later appearances changed the line up of members, including an extra unnamed Purple Anything Muppet in the song “Body Rhythms.” In their appearance in Episode 2452 (1988), the group was reduced to a trio, consisting of Little Jerry, Big Jeffie, and another Fat Blue AM named Richie (performed by Richard Hunt). At this point, the group’s previous hippie attire were replaced with more contemporary, yet still flashy clothes. A drawing of the members as they appear in this episode can also be spotted in a framed photo in Jackman Wolf‘s studio in the 1990 video Rock & Roll. In addition, the entire original group (complete with hippie garb) appear near the end of the video reprising their hit song “Telephone Rock.” Little Chrissy of the Alphabeats has also been referenced as a member of the band in Episode 2867 and Episode 2972.

After ten years of absence, in Sesame Street Episode 3898 (2000), the group made a comeback appearance in a concert to perform “When You Move the Mouse.” The group again is pared down to a trio, with the Lavender member (also named “Richie” in this episode) redesigned with an Elvis-like pompadour on the guitar alongside Big Jeffie on piano.

Though the band members have been mostly consistent, their performers have occasionally varied, especially prior to Chris Cerf and Richard Hunt joining the show. The song “Surprise!” features an early iteration of the group; with a black-haired Lavender AM singing for Little Jerry, and Joe Raposo and Caroll Spinney providing backup vocals. Similarly, alongside Spinney, Fran Brill provides backup vocals in “Mad.” Thad Mumford can also be heard supplying backup vocals for the song “With Every Beat of My Heart,” and Kevin Clash provided Big Jeffie’s voice in Episode 2452. On occasions, Jerry Nelson has performed double-duty with providing lead vocals and backup vocals, in the songs “Proud,” “Danger” and “Telephone Rock.”

In one early appearance, the Monotones unenthusiastically assist Grover in demonstrating the word “Walk” (First: Episode 0221), where all members have a different performer than their usual primary ones. Here, Jerry Nelson performs Big Jeffie, Caroll Spinney performs the Lavender and Pumpkin AMs, and Fran Brill performs Little Jerry.

The Monotones (without Little Jerry, but Nelson can still be heard providing backing vocals) also sang back-up for Don Music, in the song “Mary Had a Bicycle.”

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Fan Feed and the monotones mad

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