[now-playing] - the blow monkeys - animal magic - 1986
5 notes
·
View notes
https://x.com/theblowmonkeys/status/1698708681653735775?s=12&t=LLNFipaP9wLEsc-wLDpSiQ
Maybe a new album?
💙💙💙💙💙💙💙💙💙💙
13 notes
·
View notes
Release: February 1, 1986
Lyrics:
I just got your message baby
So sad to see you fade away
(What in the world is this feeling?)
(Catch a breath and leave me reeling)
It'll get you in the end
It's God's revenge
Oh, I know I should come clean
But I prefer to deceive
(Everyday I walk alone)
(And pray that God won't see me)
I know it's wrong
I know it's wrong
Tell me why
Is it I'm digging your scene
I know I'll die
Baby
I'd like to think that I was just myself again
They put you in a home to fill in
Oh, but I wouldn't call that living
(I'm like a boy among men)
(I'd like a permanent friend)
Oh, tell me why
Is it I'm digging your scene
I know I'll die
Baby
I'd like to think that I was just myself again
I just got your message baby
So sad to see you fade away
(I'm like a boy among men)
(I'd like a permanent friend)
Oh, tell me why
Is it I'm digging your scene
I know I'll die
Baby
Oh, come on baby
Oh, Tell me why
Is it I'm digging your scene
I know I'll die
Baby
Oh, come on baby
Songwriter: Robert Howard
SongFacts:
👉📖
4 notes
·
View notes
The Metro #670
This week on The Metro, Warlock Jeff Ivins brings you the following bands for your time warp to the 1980s: The Belle Stars, Bucks Fizz, Shalamar, UB40 with Chrissie Hynde, Stray Cats, The Art Of Noise, The Blow Monkeys, Dexys Midnight Runners, Grandmaster Flash & The Furious Five, Kool & The Gang, Harold Faltermeyer, Madness, Frankie Goes To Hollywood, Japan, Level 42, Shakin’ Stevens, and…
View On WordPress
8 notes
·
View notes
The Blow Monkeys - Digging Your Scene
Music Video
Artist
The Blow Monkeys
Composer
Dr. Robert
Lyricist
Dr. Robert
Produced
Peter Wilson
Dr. Robert
Adam Moesley
Credit
Dr. Robert - Lead vocals, Guitar
Mick Anker - Bass guitar
Neville Henry - Tenor Saxophone
Tony Kiley - Drums
Peter Wilson - Keyboards, String arrangements
Luís Jardim - Percussion
Axel Kroll - Drum programming
Dixie Peach - Backing vocals
Morris Michael - Backing vocals
Released
April 7 1986
Streaming
2 notes
·
View notes
TELL ME WHYYYY IS IT IM DIGGING YOURR SCEENEE I KNOW ILL DIEEEEEEEE BAABBYYYY OH TELL ME WHYYY IS IT IM DIGGING YOURR SCEENEEEEE I KNOW ILL DIEEEEE BAABYYY
10 notes
·
View notes
Advertising in the music trade press, this week in 1989.
Context follows...
"Be free with your love" was Spandau Ballet's big comeback single, a big and breezy and brassy pop song. Lyric was a bit naff, Tony Hadley's voice rocked, and the instrumental break was awesome. Didn't quite make the top 40, and that's the last we heard of Spandau Ballet.
Jason Donovan introduced himself to Canadian programmers in the pages of RPM. "Too many broken hearts" remains the ultimate 1989 record, squealing guitars and the S-A-W drum pattern.
"The best reason to play Jason Donovan is because he's exceptional." Looking back on his career: yeah, the lad's done good.
Choices was the singles collection from the Blow Monkeys. Doctor Robert and his backing band came through the sophistipop scene, and never quite hit the top tier of fame like Tears For Fears and The Eurythmics did.
The band combined sharp social commentary with funky pop grooves, veering towards dance music at this late stage in their career. Dr Robert was always a left-wing critic, but edged his barbs with more wit and humour than certain Paul Wellers we could mention.
Lead single from this greatest hits album was "Choice?", a cracking dance groove with vocals from Sylvia Tella, and a three-minute deconstruction of R D Laing's "Public Choice" bullshit theory. (Or of the Section 28 attempt to legalise homophobia, as contemporaneous reports had it. Or both.)
"That's the way", an attempt at a comeback for Katrina and the Waves. They'd had a big hit with "Walking on sunshine" four summers ago, and been ever-present on radio with songs like "Sun street" and "Do you want crying".
But a second signature hit had evaded the group. Would this be the breakhrough they craved? And if it was, should they have released it a month earlier when it was still sunny outside?
Katrina and the Waves continued to plug away, to diminishing returns. They next crossed the public radar in early 1997, when they turned up amongst the has-beens and never-weres competing for the Eurovision Song Contest prize... but that's another story.
0 notes
0 notes
Just like opening a can of fizzy pop!
(Which is a treat for me, since I don’t drink soda very often.)
0 notes