#The Lara-Su Chronicles: Beginnings

[rondo-of-blog]

On the Beginnings of The Lara-Su Chronicles

Today is, as of writing, the last day you can pre-order The Lara-Su Chronicles: Beginnings if you want to make it into the Special Thanks section of the book. Anyone who pre-orders after will be in the app, still, but I think it goes without saying the significance of having your name make it into the first printing. You can pre-order here.

Whether you go and pre-order it now or later, or if you’re looking back at this after the book’s come out, I think it’s gonna be worth the read. Today, I feel moved to write a little about what The Lara-Su Chronicles means to me.

It all started with the Archie Sonic comics. A gag comic that metamorphosed into the bonafide superhero book it came to be known as, that was inarguably the blueprint for what Sonic comics get published today. These things aren’t predestined, no divine hand laid its knowing finger on it to move it from one to another - no, it was the freelance creators who put in the work to make Archie Sonic what it was.

And no freelancer who touched the book can be said to have had a greater impact on it than one Ken Penders. Not Mike Gallagher, who wrote the very first issues; not Scott Fulop, who oversaw the initial transformation the book underwent as the editor; not even Karl Bollers, an incredible talent whose original concepts & characters come the very closest to rivaling Ken’s.

It was Ken who wanted more for the comic, for it to become what the readers of the time wanted it to be. Ken, whose eyes were trained on the countless fan-letters that flooded in, who would test each story idea of his first on his son to determine if he was going the right direction. Sonic comics and everyone who’s helped make them over the years owe him a great deal, whether they want to admit it or not, but it was the Knuckles comic series where he truly shined.

Though it’s become fashionable in some circles to claim he ‘shoved Knuckles down reader throats,’ it doesn’t take too long a memory to remember how popular Knuckles was - and is to this day. One need only look at the incredible reaction to the reveal of Knuckles in Sonic the Hedgehog 2, and the very fact that there is going to be another Knuckles series on Paramount Plus, to know Knuckles stands out in the cast of Sonic the Hedgehog.

But where does Knuckles come from? Who is he? You can refer to wiki articles that note his species and status as a former rival of Sonic, you can watch YouTube videos collecting all the cutscenes for his story in the video game Sonic Adventure, but, as a ‘life-long fan’ of Sonic who is also a writer, I can tell you none of those get us a true insight into the interiority of Knuckles the Echidna.

You can restate his character’s premise like a dog chasing its tail, you can try and mine his angst at being so alone on his island until you’re blue in the face, but neither of those take the character himself in any kind of direction. Not forward, not backward, but stagnant. Only in the Knuckles comics did we see a true step forward, where words met action and the story of the echidna’s past finally had anything meaningful to say about the story ahead of Knuckles.

In the initial miniseries Sonic’s Friendly Nemesis Knuckles the Echidna, after B-stories and C-stories in the Archie Sonic series had laid the groundwork, Knuckles’s past came back for the first time. This was before Sonic Adventure, before Tikal and Chaos, and crucially… it was Knuckles’s story, first and foremost, not Sonic’s as it was in the end for Sonic Adventure.

The follow-up miniseries and ensuing ongoing comic series would expand upon Knuckles’s family, the society they had lived in the past as well as where they lived in the present, and even Knuckles himself. While the Chaotix may be familiar to Sonic fans, they and the Knuckles of these comics live lives and make decisions that SEGA’s characters have not and will not ever know.

In the Knuckles series, Knuckles doesn’t just reunite with his mother and eventually his father. He doesn’t just get into battles with greater stakes for his life than anything he had or would later experience in the video games, face foes more personal and meaningful than the leftovers Sonic leaves for him, and accomplish more than his official SEGA counterpart has in all the decades of history he’s had since. He gets a life - a home with people, not just an emerald and an empty island, to protect. And another soul, who starts off as an enemy, for him to fall in love with.

I’ve never met a Sonic fan who’s been able to reconcile this Knuckles with the echidna that SEGA calls Knuckles. In point of fact, every Sonic fan I’ve ever encountered considers the Knuckles series and every story of Ken’s that came before and after to bear so little resemblance to the source material as to no longer have the right to call itself Knuckles or to claim to have anything to do with what SEGA has done with the character. From their lips, this is an insult. To me, it is both the Knuckles comics’ ultimate badge of honor and greatest strength.

What’s the use of perpetually spinning your wheels and refusing to grow and change? What has Knuckles gained in the three decades since the character debuted, sitting on an island as the last survivor of a dead people? The right to mention every now and then he might take a break from being a guardian, and never seeming to follow-through on that? The right to star in animated shorts where he once again illustrates how little has changed since 1998?

I don’t say all this as a hater, either. I happen to like Sonic Team’s video games, I liked Sonic Frontiers, and heck - I’ve even enjoyed some of the comics they’ve printed in the current ongoing series of Sonic books. The simple fact remains that it’s 2024, Knuckles is still on Angel Island and he still has nothing but ghosts. In every way that matters, SEGA’s Knuckles the Echidna is as dead as his people.

Maybe SEGA does something new with the character in the future, maybe the writers they’ve entrusted with the comics become bolder with their plans, I don’t know and I don’t claim to know what will or won’t happen there. My point stands that today, all these years later, there still is no story told of SEGA’s Knuckles that gives him even half the dignity and respect that Ken’s stories have.

Now, all these years later, what is to become The Lara-Su Chronicles series of graphic novels is finally set to begin with the upcoming release of The Lara-Su Chronicles: Beginnings. In it, after a reprint of the unforgettably-excellent Mobius: 25 Years Later story, we’ll be seeing what awaits Lara-Su in the next chapter of her life and in the wake of her father’s death.

I’ve read literal hundreds of Sonic comics over the years. The Lara-Su Chronicles: Beginnings is not one of them.

But that was always the beauty of the Knuckles series, now succeeded by The Lara-Su Chronicles. It started in Sonic, but emerged from it like a butterfly from a chrysalis into something unlike anything a humble caterpillar could imagine - and the sky’s the limit.

[janetkwallace]

So, here's a redrawing of Brownie, one of the new characters that appeared in The Lara-Su Chronicles. For comparison, here's the original design:

[merychippus]

what is there to say

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[ponett]

Here it is! My new formal blog, the Ponett Gazette, is now live at the very good URL ponett.dog/blog. This is the new home for my longform writing, with a variety of things collected from Medium, Cohost (RIP), and here on Tumblr. It'll also have new original pieces starting very, very soon!

Here's some recommended reading:

My SLARPG postmortem, which I originally posted to Patreon around the game's first anniversary to reflect on how the game has done

My in-depth review of Final Fantasy XVI focusing primarily on why its story disappointed me, which is relevant again since that game just got its PC port

My retrospective on the Mega Man Battle Network series and why I love it so much

My lengthy, highly critical review of Hazbin Hotel, which unexpectedly blew up earlier this year when it was originally posted on Medium

My thoughts on the Alan Wake/Control series - originally a series of posts I made on Cohost, now collected in one place as sort of a journal of my time spent with those games I ended up loving

And of course my review of Ken Penders' The Lara-Su Chronicles: Beginnings, originally seen on @thankskenpenders. (TKP isn't going anywhere, I'm just proud of a lot of things I've written for the blog and want to save those things in the same place as my other longform writing.)

There's a lot more than just those posts, though! Go check it out! Poke around! Bookmark it, save the RSS feed, leave a comment! It has comments!

[squid-in-a-party-hat]

I Picked Up A Copy of Ken Penders' New Book, The Lara-Su Chronicles: Beginnings, and made a video going over my thoughts!

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[visionoasis]

The next fan product I review will be me eagerly waiting for my signed copy of The Lara Su Chronicles Beginnings. I can’t wait to share all the nitty gritty details for the two people who will actually end up reading my review. 😂

But I want those details documented somewhere for those who fairly do not want to give Penders money. But also I can totally see this as something that becomes lost media.

I love me a mess. This is good Sonic tea. 🫖

I’ve seen spoilers and boy howdy… I am excited let me tell you. At one point I genuinely thought this was never going to come out in a Yandere Simulator way. Where he just works on it for his whole life and then nothing. Because I want to say he announced this when I was in high school?

I just Googled it. It was in 2011 when he announced he started working on it. Almost 14 years. I was a Junior in high school at that point. So while it is a mess, and it’s… Penders…, I’m just surprised we got a product at all. Which genuinely is a bit exciting to see in a weird way.

I picked up a copy because… I’m too curious not to. I gotta read it. It’s Sonic related. And my goal is to read all side or relevant material related to the franchise. This is juicy side material. Cannot be skipped for me.

Volume 2 will be in 2039. 🤪

[orangezeppelin]

I am way behind on the party with this one, but I just released my review of The Lara-Su Chronicles: Beginnings, the only comic that I’ve needed to take Tylenol after reading. 

If you’re looking for a detailed rundown of Ken’s legal issues this isn’t the video for you (though I’ve got a good one linked in the comments below, also @thankskenpenders has a lot of good info!) but if you want to watch someone have an aneurysm over his constant re-use of his own art then you’re in for a treat. Bear in mind that this book took 10 years to create and at the end of the day it was only 30 pages of new material tacked onto reprints of an existing comic, so I think the amount of copy-pasted faces and poses is frankly unacceptable. I struggle to explain the story because frankly I’m not sure what is going on. I don’t think anyone else knows what’s going on. 

I do clown on Ken quite a bit but I had some positives to say about the book also. I’m neither a Ken Penders hater nor a Ken Penders stan, just some weirdo on the internet who loves bad art!

[roughandtumble-r]

I'm finally ready to talk about Issue 70, but before I do, there's something else I feel I should mention that I'm honestly ashamed to admit...

I was one of the only 166 people who pre-ordered The Lara-Su Chronicles: Beginnings. I am now severely re-evaluating my life decisions.

I've also been seriously considering giving even more money to more creators and works that I actually want to support, and if you're a fan of the official Sonic comics like I am, than I'd highly recommend buying them, in an official capacity that supports their creators if possible. Also, outside of just the Sonic comics by IDW, Archie, and Fleetway, and also excluding other series I've read or have had since years prior or am planning to or will buy in the future, some other series that I've bought in the past couple years that I can actually recommend to you if you're interested include The Bad Guys (book 19 just came out :3), Scott Pilgrim, Scary Godmother, Little Gloomy, Boneyard, The Underburbs, Rascal Raccoon's Raging Revenge, the Darkstalkers comics, and the Beastars, Beast Complex, Dragonball, and Soul Eater mangas. And no, it's not a coincidence that most of my favorite comics are themed around hot wolf dudes and monsters and anthros in general :3

And with that out of the way, it's time for our regularly scheduled Sonic IDW!

The first official race of the Clean Sweepstakes is beginning, and Sonic shows up with Eggman's Eggstreme Gear and a disguise known as the Phantom Rider to carry out the plan of distracting everyone while Tails and Amy sneak aboard the Restoration's ship to find how or why they were disqualified from the qualifer race.

Sonic is met with a lot of resistance from the Diamond Cutters and the rest of the Restoration's security, but he manages to evade and keep them busy for a while before Surge and Kit show up and put an end to his show for the time being, causing the audience to cheer for them, even though the Babylon Rogues end up being the winners.

Duo tells Clutch about what happened after the race, and Clutch comes up with an plan to keep Jewel (who might now be growing suspicious of Duo and Clutch) occupied and find the Phantom Rider's identity and decide what to do from there.

Meanwhile, Tails and Amy are still investigating aboard the Restoration's ship when they stumble upon Belle's disembodied hand, and they then find her tied up for reasons that will be revealed next issue.

And that's it for Issue 70!

We also got the solicits and covers for Issues 72 and 73, which are set to come out in August and September...

Being the Phantom Rider isn't easy, but there's no rest for the wicked. Sonic is caught in a literal perfect storm of a traffic jam, all while he's pursued by the relentless Jet the Hawk! Perhaps an unexpected meeting—and reveal— will help raise his spirits? Meanwhile, aboard the Restoration's ship, Tails and Amy's luck finally runs out!

This is it—the final event of the Clean Sweepstakes. Clutch closes the trap he's placed around the Restoration by using the Phantom Rider, a mysterious figure who's been disrupting the other racers, as an excuse to seize power. But with Surge and Kit about to spring a trap of their own, maybe Clutch shouldn't celebrate just yet! Meanwhile, Amy, Tails, and Belle find some friends who might hold the key to toppling Clean Sweep Inc.'s empire...if they can survive!

[robotnik-mun]

Question, and this might be a controversial one: Do you think Sally and the other Knothole Freedom Fighters could work as characters in their own original setting, separate from the Sonic franchise? Considering we’re very unlikely to see them again in Sonic media for a very long time (if ever), this is something I’ve been thinking on for a while.

I confess, I've mulled over this one myself from time to time.

On the one hand, I personally do think there is plenty to them and the more unique aspects of SatAM/Archie's setting. Sally and Bunnie's stories in particular are very compelling.

Trouble is, no matter how much there might to go on? At the end of the day they debuted as Sonic characters and as part of the Sonic franchise, and its in that context that informs a LOT about them, and in the end I don't think separating them from Sonic would really work out, because a big part of the Freedom Fighters in general is their relationship with Sonic... and with Robotnik.

Even if you ignore... well, all the insane incompetence of Penders, part of the reason why the Lara-Su Chronicles is folly is because he's banking on the idea that the characters he made are SO popular in of themselves that they don't need to be tethered to Sonic. And even then he's only doing the bare minimum on that front- "Praetoria K'nox", anyone?

For a none-Sonic example, I will relate to you the tale of Ninjara, of TMNT.

Darn you, ARMS, for making it necessary that I have to make that distinction.

Anyway. Before Alopex was a thing, Ninjara was a character who debuted in the Archie TMNT Adventures comic book series. She was a fairly popular character and a love interest to Raphael, though towards the end of the series the pair broke up. After Adventures was cancelled, ownership of her character went to her creators Chris Allan and Stephen Murphy, and the pair attempted to make her a solo act-

The end result of this? A three part story in Furrlough magazine that ultimately went unfinished, and Ninjara fading into obscurity and TMNT lore.

In short? She was popular, and there was plenty about her that was compelling, but in the end she was still best loved as a Ninja Turtles character. Its the same deal with Sally and the Freedom Fighters.

As I said, I get the impulse. I've even toyed with the notion myself, and what I discovered was that no matter what I did? There was always a sense of absence, because in the end I was still playing around with another company's toys while removing one of the big things that made me love them to begin with.

I get wanting them back in some form or the next, but ultimately I don't think going down this path is really going to pan out the way you'd hope it would.

[archiesoniconline]

Knuckles Endangered Species #1 Behind the Scenes!

It’s been a while, but it’s finally time for another behind-the-scenes look at one of our stories!  This time we’ll be covering our latest release, as well as the story that had been visualized and started the earliest in our project: Part 1 of the Endangered Species rewrite.

As usual, let’s start with the cover.  Our ex-admin in charge of the entire rewrite, The Shadow Imperator, took inspiration from the covers for Sonic the Hedgehog #211 and 245, as well as an advertisement for Sonic Chronicles: The Dark Brotherhood.  Pencils, inks and colors were all done by @drawloverlala​, who managed to brilliantly blend all the designs together into something new and exciting.

The story begins immediately where the official #243 left off, with Sonic getting KO’ed by Metal Knuckles.  The robot doppelganger is quick to remind Lien-Da of his mission to monitor her and keep her in line, which is a nod to Sonic Universe #37, where Eggman told his Grandmasters that the Metal Series will be doing just that.

Since Lien-Da is the Grandmaster of her branch of the Dark Egg Legion, we decided her Kommissar should be Gae-Na, her old confidant that hadn’t been seen since StH #118.  She was given a heavy redesign by CrimDa, sporting a more realistic cybernetic eye as well as electric batons similar to Lien-Da’s electric whips.  Her absence up until this point was due to maternity leave, having only recently given birth to her daughter Demi-Na but was left to raise the girl alone after losing her husband Kanewisher to the Egg Grapes.

 You may have noticed that when Gae-Na knocks out Amy, she doesn’t seem particularly pleased about it.  As a mother, she doesn’t relish the idea of fighting children, but will do what it takes to ensure that her daughter can grow up in a stable echidna society, even if it’s a society ruled by Eggman.

For a much more minor echidna cameo, we see the return of Syntar, who hasn’t appeared since being unceremoniously knocked out by a time-traveling Lara-Su in StH #109.  Now a sergeant in Lien-Da’s army, he’s seen leading the Albion prisoners to be legionized... only to be unceremoniously knocked out yet again by Knuckles.  Apple doesn’t fall far from the tree, I guess. 

We also see Komi-Ko comforting Bimmy Jr., a young echidna orphan whose father and namesake was tragically killed in the Egg Grapes.  Back in 243 he was only referred to as “young man”, since the legal issues at the time forbade his real name from being mentioned.

Another echidna character given a redesign by CrimDa is Crystal-La, the wife of Athair and Knuckles’ great-grandmother.  We decided to re-purpose her as the Mitre of the Albion Aurorium, in order to bring back of a glimpse of the religious aspects of echidna society that were largely ignored during Ian Flynn’s run of the comic.  Our initial redesign failed to take her significant age into account, so we made her look older in the final story.  Considering the fact that she considers her own great-grandson to be some sort of messiah, it’s easy to see that she’s gone a little kooky in her old age.

You may have noticed that Saffron Bee was also given a new wardrobe, which were actually based off of notes left by Aleah Baker for a redesign of her that was planned in the official comic  ShadImp felt strongly about giving her as big of a role in the rewrite as possible, as was the original intention.

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Knuckles using his Warp Ring to attack Syntar was an idea from ShadImp’s co-writer for the remake, TuxKnux.  It was meant to demonstrate how Knuckles has had more practice controlling Chaos Energy, another example of which we’ll see later.    

In order to calm down a terrified Bimmy Jr., Saffron gives him her Nightopian Doll, which hasn’t been seen since all the way back in the Return to Angel Island arc.  Unfortunately, this ended up triggering her PTSD of the destruction of the Golden Hive Colony, as well as Charmy’s brain damage.

This can easily be missed on a first read, but here is when we first see Julie-Su taking a cloak from a defeated Legionnaire, which ends up being important later.

The cuffs binding Team Fighters and Remington were surprisingly difficult to draw, since we needed something that could hold them in place, but also free all of them instantly when deactivated.  In the end, electric shackles powered by a nearby generator seemed like the best solution.

The mural behind Lien-Da, meant to reference the Forgotten Wars, originally had a different design that was scrapped because it didn’t make sense for such a picture to be in Albion.  It was also based off of a cutscene in Sonic Chronicles, during Imperator Ix’s final speech to Knuckles.  Eventually, the original mural design was re-purposed for Emerl’s data file in StHO #249.

This is the first time that Remington and Lien-Da have met since Enerjak’s rampage, so it was important to have the interactions between them be meaningful.  Remington may have suffered greatly during and after his time being the brainwashed Grandmaster of the Frost Legion, as well as being the son of Lien-Da’s hated brother Kragok, but he hasn’t allowed the trauma to diminish his strong sense of justice and has grown as a person because of it.

Although hostages causing a panic among their captors is generally not considered a good idea, Tails dropping the bombshell (no pun intended) that Eggman could blow up the legionnaires at any moment does help upset Lien-Da’s control of the situation, proving instrumental to her defeat later.

At this point in the story, Thrash hasn’t directly made his move yet, but the wheels are clearly in motion.  Originally ShadImp was going to have Thrash’s plan be identical to the official Endangered Species, sending all the echidnas away in a super-charged Warp Ring.  It took him a while to come up with a different plan, one that requires a sample of echidna DNA.  Incidentally, this is also Gae-Na’s only other appearance in the issue, as she was put on patrol duty after the initial battle with Team Fighters.

The showdown between Knuckles and Metal Knuckles may be seen as disappointingly short, but ShadImp made clear that he prioritized meaningful storytelling over elongated fight scenes.  Plus, Knuckles serving only as the distraction while Saffron destroys the robot with a hijacked turret and Julie-Su sneaks off incognito does a good job showcasing that the Chaotix came into the fight much better prepared than Team Fighters.

Also worthy of note is the legionnaire’s dismissive attitude towards Komi-Ko and the other Albionites.  Since about half of the Legion gave up on fighting and accepted Enerjak’s offer to migrate to Albion, it stands to reason that the ones who chose to stay are the most fanatical and loyal to the Legion’s cause.

Another minor echidna cameo is a younger Cobar, who was originally only seen in the 25 Years Later storyline.  At this point in time he’s still a member of the Legion, although his timid nature appears to be unchanged.

As well as demonstrating Remington’s character development, this scene does a good job showing that even the most loyal legionnaires are sick of the pointless wars they’ve fought in.  Lien-Da is the only truly evil person among all of them, and her grasp on them is crumbling rapidly.

As was mentioned earlier, having the disguised Julie-Su destroy the generator powering the shackles was a quick and easy way to get Team Fighters back into the action, as well as converge the two plots occurring simultaneously in this issue.

Having Wynmacher deal the final blow against Lien-Da was both an opportunity to give the non-combatant echidnas a chance to shine, as well as a callback to his very first appearance in Knuckles the Echidna #6, where he performed a similar tackle and mentioned his varsity days.

When Riggo first penciled this panel, he had drawn Kneecaps as more the size of a toddler than an infant, which was corrected in the final story.

This panel was originally going to feature some good old Sonic & Knuckles action, but ended up being only Knuckles using Thunder Arrow.  This is the other example of his improved mastery of Chaos Energy, as unlike the previous Guardians he doesn’t need to be within short range of the Master Emerald to use it.  It’s still not perfect though, as just using it once is shown to tire him out quite a bit. 

Finally, we have Thrash making his grand entrance.  He was originally drawn with an entire pack of Devil Dogs around him, but it’s actually an important plot point that he only has two with him at the moment, so this was changed in the final version.

That’s it for this post, but unlike the other stories, this one was a revision of an even earlier rewrite, one that was started on and scrapped before ASO was even a thing.  Next time, we’ll be going BEHIND behind the scenes at ShadImp’s original Endangered Species remake!

[nuttyrabbit]

At this point, Ken Penders would have to admit he majorly fucked over his own legacy for him to even BEGIN to be liked again. And he won't do that, because that would be admitting defeat. The sad thing is, had he not thrown a hissy fit over Sonic Chronicles, and left things as they were, his legacy probably would've been a positive one regardless of the quality of his work. As it is, he has zero positive legacy.

See, here’s the thing. Even if he did own up to everything he’s done and said, I doubt he’d ever be liked again, if only because of the years and years worth of dumb shit he’s said and done, not to mention the permanent stain he left on the legacy of Archie Sonic.

   At this point, his best option would be to  completely cut his ties with Sonic completely, drop The Lara Su Chronicles and any Archie related shit he’s trying, and go full bore into his own projects. Also to fuck off of Twitter and only pop up when he actually has something to show. That’s the only way I could see Penders’ reputation and career not getting even WORSE, but like you said, he wouldn’t do that because he’d never admit defeat

I will say this though: I doubt he’d have a positive legacy even if he didn’t throw a fit over Chronicles or do any of the shit he did, because at the end of the day, his run on the comic is still pretty fucking terrible.  If anything, it’d be looked at in the vein of say, Chuck Austen’s Run on X-men or Dreamwave Transformers: A laughably bad comic run that’s fun to meme on, but one that’s ultimately left in the past

[mobius-prime]

167. Sonic the Hedgehog #99

Blow By Blow

Writer: Karl Bollers Pencils: Ron Lim Colors: Frank Gagliardo

So apparently, the entirety of Sonic Adventure 2 took place in a single day. Sonic has by now, returned in the dead of night along with Tails, whom he apparently met up with after the fact outside of Knothole. They try to sneak into Sonic's room undetected, but they're caught by Sonic's parents, who, concerned, demand to know what's going on and why he has been sneaking out lately.

Good luck with that, man. Again, there has to be an incredibly different set of circumstances that took place during the adventure, because there's simply no way that Eggman blew up half the moon and made any world domination demands to the world without being noticed by everyone in Knothole, and this issue makes it seem like the entirety of the adventure took place in secret with only Sonic, Eggman, and Rouge ultimately being any the wiser (plus as I've reiterated so many times before, this planet has one hundred freaking moons, a fact I will never be truly over, so it would have much less impact in this world to blow up one moon among ninety-nine more). The next day, a parade is held in the royal family's honor, and the citizens all celebrate as they walk through the crowds. Sally is torn between being happy about the relatively-peaceful state of the kingdom currently as well as having her entire family back together, and being sad that she hasn't seen her friends in a month and a half. However, the cheerful atmosphere sobers somewhat as the Secret Service approaches the royal family to inform them of their failed excursion the other day.

Back outside Sonic's house, his parents discuss that they may have been too harsh on him after hearing his and Tails' harrowing stories, when their conversation is interrupted by Mina approaching them, wanting to see Sonic. As they go to fetch him, Nate heads to the castle to inform the royal family that he's deciphered the shadow-bot's message sent by Uncle Chuck. When he tells them that Uma Arachnis has the sword, Geoffrey gets all irritated that he and his team risked their lives for nothing, which of course is a sentiment that rings incredibly hollow considering he's the only reason the original message didn't come through clearly in the first place. With this new information, the Secret Service heads out to interrogate Kodos, who is still in Knothole's hospital, about Uma's whereabouts.

Well, it seems Sally has finally found a way to evade Geoffrey's persistent attempts to "escort" her to her friends. Meanwhile, Sonic has begun to try to tutor Mina in using her speed, but she finds it difficult to control and gets frustrated after crashing. Sonic sends Tails away so he can speak to her alone, and as Tails leaves he hears a strange noise and flies to investigate. Sonic tries to encourage Mina, who is upset at feeling like she's not as good as Sonic despite having many things in common with him, and Sonic makes a comment about her being able to help the Freedom Fighters once she's more in control in order to help her feel better. This overwhelms her with emotion, and just as Sally and her entourage approach him to finally speak to each other…

Wow, you picked literally the worst possible time to try to approach him, Sal Gal. Tails reaches the source of the commotion just in time to see Kodos slam Geoffrey through a wall, having escaped the hospital and once again ranting about the sword. He runs away from Knothole, and Sally finally decides that she's done being passive, ripping off her face cover and immediately beginning to issue orders. She gives the order for Geoffrey and the other injured Secret Service members to be taken in for medical treatment, and takes Tails and Rotor with her to go after Kodos. When someone suggests also grabbing Sonic, she sadly declines the idea, remembering Sonic's kiss with Mina a moment ago. Meanwhile, Nate becomes disturbed at hearing that Kodos' behavior is due to his exposure to the toxic atmosphere of Robotropolis, remembering that the Overlanders are all imprisoned in the city. Outside Knothole, Sally and the others don't search for very long before they encounter Uma lying near-motionless on the ground, and as Sally rushes to her side she speaks for the first - and last - time, to tell Sally where she hid the sword. It appears that after Kodos' words about not needing anyone else anymore, she had a change of heart and decided to find a way to return the sword to its rightful owners, officially making her a cool character in my eyes. Nate, within the city, approaches Sonic to tell him where Sally and the others went, and Sonic becomes disturbed that they didn't think to come to him for help, rushing away and leaving Mina behind. But where are Bunnie and Antoine in all of this, you ask? They've been noticeably absent. Well, it turns out they're in the Knothole Prison, watching over Antoine's father.

And with that, the three of them race off to catch up with Sally, Rotor and Tails, to try to recover the sword once and for all…

What Comes Around Goes Around

Writer/Pencils: Ken Penders Colors: Frank Gagliardo

Okay, look. I've defended Penders' art before. The problem is, if anything, he's somehow regressed as an artist over time. The pencils he did for earlier issues were no worse than those from any of the other artists for the comics, even being genuinely charming and cute at times. But things have changed. If any of y'all haven't seen the awful, awful redesigns he did for characters like Lien-Da, Julie-Su, and Geoffrey for his Lara-Su Chronicles comics after the whole lawsuit debacle, well, consider the art of this issue a taster for just how bad it got. Legitimately, it's just so, so ugly-looking.

But anyway, we have some catching up to do. It's been a long while since we've heard anything from the Dark Legion - not since they seemingly vaporized the Floating Island, in fact. But now we finally get to catch up with them, as they pilot their weird battleship around the world, still apparently satisfied with whatever it was that they did before. Suddenly, a wave of energy rocks the ship, and they begin to get strange readings from their instruments.

Meanwhile, Knuckles finds himself outside the ruins of the Grand Conservatory, where Julie-Su was captured just before the island disappeared. As he enters the ruins, he's shocked to find several Dark Legion lackeys grabbing her and taking her away as before, while an image of himself, in his former red form, chases after them. He's incredibly confused, until a ghostly image appears to give him some advice…

Hawking really does seem like one of the cooler Guardians, if you ask me. He fades away, leaving Knuckles still confused, though he realizes that at some point, the pain he'd been experiencing has completely faded, much to his relief. Back up on the bridge of the Legion's ship, Dimitri orders Lien-Da to go fetch Julie-Su from her cell, where she's still imprisoned with her adoptive parents. Lien-Da is indignant, still full of hatred toward her half-sister, but before she can comply, Knuckles himself shows up on the bridge, ready to confront his ancestor once more…

[thankskenpenders]

Copies of The Lara-Su Chronicles: Beginnings are out in the wild and a few bits from it are floating around online but I still don't have my copy and have no way of tracking when it will get to me so I'm just watching in horror as people post about shit like the two(!!) Julie-Su breastfeeding scenes and waiting anxiously to see what the fuck else is in this book

[thankskenpenders]

Was there a gradual shift in penders' art that led him from slightly off model but decent enough sonic style to like, his current stuff with gigantic anime-ish eyes and weirdly stretched looking humanoid bodies and shading that looks like he just discovered the dodge and burn brushes and is shading EVERYTHING IN SIGHT with them? Or has that always been his personal style outside of his work on official comics?

It's kind of a confluence of factors. The very odd faces of the characters in The Lara-Su Chronicles are the result of him trying to come up with a distinct new art style where the characters are nonetheless still vaguely recognizable. His new stories need to not "have the look or feel" of an official Sonic product, per the terms of the settlement, but he also presumably wanted to find an art style he was more comfortable with. He's a traditional American comic book guy who came up drawing humans, not noodle-limbed cartoon animals. (Even later on in his Archie days he was infamously giving Sonic characters realistic human knees.) So the end result is characters with otherwise human proportions, but also gigantic Sonic eyes that he absolutely does not know how to draw appealing expressions for. But, like, he doesn't draw like that outside of this project. When he draws a human they just look like a human.

The overly-airbrushed digital coloring is just a thing he's been doing for years, though. He learned one way how to do things when he first gained access to digital art tools and then never bothered to learn any other methods in the 20+ years since. You just don't see it as much on his Archie work because he didn't tend to color his own stories. But look at this cover he did for the unofficial Beckett Pokemon Collector magazine in 2000, for instance. This is far from his worst work, but you can see the beginnings of the TLSC coloring here:

[thankskenpenders]

I saw some talk on twitter about there being a trans character in the Lara-Su Chronicles, but didn't see this mentioned in your post, so is this really true or just a rumour? I'm trans and just like to see more trans characters in ANYTHING

Believe me when I say you do not want trans rep from Penders lmao. Please love yourself

Anyway: Ken loves to pat himself on the back on Twitter for planning to put Representation in his stories, but it's really just an ego thing for him. It makes him feel important and progressive. None of it is actually present on the page in TLSC: Beginnings despite his many declarations of how progressive these books will be.

For example, he made a big deal out of the fact that Espio's daughter Salma is autistic now and how big of a deal that is for autistic Sonic fans everywhere, but she's not actually in either of the stories here. She is on the endpaper illustration if you want to look at her godawful new design, though!

He's also spent years making a big deal out of the fact that Rotor/"The Emissary" and Cobar were supposed to be a gay couple in M25YL and how that really broke new ground for comics etc. etc., but in this book all that really results in is a single panel of the Emissary holding Cobar and going "Goddess, don't let him die on me."

And, yes, Ken did, in fact, announce on Twitter some time ago that he plans on including a trans character in The Lara-Su Chronicles. It's apparently even a character we've already met, though whether this means he's retconning a returning Archie Sonic character to be trans or it's one of the new characters is still up in the air. It's presumably an echidna based on Ken's statements about how in the new universe "Echyd'nya" society is so totally progressive and they're "not hung up on gender identity the way humans are" and transitioning is "as common as the air 1 breathes," even going as far as implying that they can spontaneously change sex like amphibians. And yet at the same time this character being trans is a secret in-universe "for reasons that will rock someone’s world."

Exactly none of this is conveyed in any way, shape, or form in the book we got.

I don't really know who the trans character is supposed to be, honestly. My first guess was Dr. Zephyr/Zephur, because their design is slightly gender ambiguous, no one every refers to them with pronouns, and they have no data file to clarify their gender. But no, it can't be them if it's supposed to be an Echyd'nya, and also Zephyr/Zephur is probably just a guy because if they were a woman Ken would've given them an hourglass figure. Maybe... Remington? Given all the shit about his unknown origins, is the Big Twist supposed to be that he was DFAB? I don't know. I just know that, whatever it is, if the story containing the reveal of who the token trans character is even gets published, it's not going to be good.