#The Stranger From The Bus Stop

[das-sena]

𝘾𝙝𝙤𝙤𝙨𝙚 𝙮𝙤𝙪𝙧 𝙗̶𝙤̶𝙮̶𝙛̶𝙧̶𝙞̶𝙚̶𝙣̶𝙙̶ 𝙛𝙖𝙫𝙤𝙧𝙞𝙩𝙚 𝙫𝙞𝙨𝙪𝙖𝙡 𝙣𝙤𝙫𝙚𝙡 𝙗𝙤𝙮

Eu estive jogando alguns desses jogos e fiquei com vontade fazer algo parecido com o que eu tinha feito com os personagens de slasher a um tempinho atrás.

Não sei porque coloquei o pobre Micah no meio desses bastardos, ele é o único normal ali, o único não lunático, a única opção boa...(mas eu escolho o Tate)

[maleyanderecafe]

The Stranger from the Bus Stop (Visual Novel)

Created: puresouldef

Genre: Romance/Horror

I think to be honest, there's only really one "yandere" ending for this game, and that's because the yandere in question kind of gives up if you tell him to go away. Normally I wouldn't really write a recommendation on these types of games, but I do find the idea of him writing on the door pretty intriguing, and the placeholder MC's expressions are pretty funny, so I'm just gonna write about it.

The story starts out with the MC recalling an old coworker called Mari and how she committed suicide. Due to this, the MC feels guilty of not being able to do more to prevent it and promises to themselves to help someone if they ever find someone in need. After work, the MC goes to the bus stop to go home, however finds a strange man waiting at the bus stop. They have the option to talk to him or simply walk home.

Talking to the man leads to them giving him their scarf because they seem cold, before walking home when the bus doesn't arrive. As the next couple of days continue, the MC feels as if someone is watching them, and finds strange numbers being carved into their door, causing them to be stressed. They even call the cops, however, they seem unhelpful and get phone calls from a strange person. They eventually meet the strange man at the bus stop again, whom they talk about the strange occurrences, and he asks if we would want him to walk us home.

Accepting it leads to him following the MC home, where he reveals that he has been stalking them and writing the numbers on their door, pinning them down in the process.

Being a bit more shy, the MC instead finds the man carving numbers on the door. He reveals that the numbers are the dates and times that they have met. The MC, scared, tells them to leave and they promise to never come back. This makes the MC calm down, but wistfully thinking about how the numbers should have been finished on the door.

Similarly, being more bold has the MC call the cops on the man, however, they come too late. They find a ID card in their room, revealing that the man's name is Reis.

Walking home and not interacting with the man leads to a bad ending where the next day, the MC finds out that they committed suicide by running in front of the bus, leaving the MC feeling extremely guilty.

Like I said, there's only really one ending where Reis reveals himself as the yandere, and it is kind of unfortunate he sort of just peace's out when the MC tells him to leave (though, who knows, maybe he's still stalking them and the MC just doesn't notice). Still I think it's a good instance of seeing how exactly the obsession of Reis grows from a simple kind act- which to me is always fun to explore. Reis himself seems more or less harmless, considering he doesn't really do anything very forceful except stalk the MC and carving the dates on the door. Unfortunately we don't get too much else on him other that he must have been really suicidal before the MC showed him some kindness, but it still does show how such a small act really can make someone extremely obsessed over someone.

Normally I'm not the biggest fan of having a black blob of an MC, but I do appreciate the different expressions this MC has. It makes it a lot more entertaining to play and some of the expressions are really funny to look at. Still considering that you're making a game that has the MC emote this much, you'd think you would have a more interesting design for a character. I think it's also nice that the MC has a motivation for being nice to Reis instead of the MC just being standardly nice with very little characterization.

Overall, a good short game. It is a complete game as well, which is pretty rare these days. I think for what it's worth, it was pretty fun. If you are interested in it, please give it a try. The translation is a little wonky at times, but I think it adds to the charm.

[artmusuemoshi]

Accidentally made blade while drawing the recent visual novel game I played (Game Name: The stranger from the bus stop)

[whynotimtired]

Thinking about how there was like half a day where mike knew it was requited....

[cryptidplays]

It's Saturday!

And in today's video… I play The Stranger From The Bus Stop: A psychological horror (yandere) visual novel where you have an odd encounter at the bus stop, and the day after you begin to notice numbers have been carved into your apartment door.

[are-we-really-doing-this]

Would you share an umbrella with this strange, sexy man?

[seilon]

you know you’re fucked when Somebody That I Used To Know hits way too close to home and makes you feel something in your chest

[dailyeca]

why dont u like cars eca

what's there to like about em.

[sar3nka]

Today was such a fever dream... I went out with my white face paint on to test how it stays on. And while walking around the city I got super sad. Out of nowhere a bunch of punks approached me and told me I look sick, why am I sad, and if I wanna join them. I spent the whole day with them under some bridge, they got drunk, I held some girls hand when she was pissing (lol). We cried and yelled and danced around. Thank god for punks and goths fr!!!

[spaghett-onaplate]

.

[verysleepyfrog]

chance of seeing a sweet little kitty taking a nap in someone’s front window! chance of seeing the clouds above you passing by slowly and getting the feeling that you’re on an island drifting through an open sea! live another day

[inflagrante-delicatessen]

&&

[thehmn]

Never underestimate the power of subtle body language to help those around you without causing a scene.

I use “stepping in front of insensitive/nosey assholes to block their view of a person they’re starring at” a lot. No words exchanged. Just getting between them (sometimes while starring back at them if they’re being extra weird) and they always seem to either realize what they’re doing or be jolted out of it. Either way it has never ended in a confrontation, just silent looks.

A kinda weird use of body language happened some time ago while I was standing at a bus stop near a train station. Right next to me stood a very short woman who I guessed to be from India based on her looks and dress, and around us were nothing but men. I’m very standard height for a Scandinavian woman so I’ve never felt short or tall in any group, but she looked tiny next to all these men packed tightly around us. I’m not sure why but I felt like she was uncomfortable with all these men towering over her and for some reason my response to that was to subtly change my stance so my front faced her a bit more. Not full on, but the way most friends stand next to each other, while still looking away from her. I don’t know why I thought that would be comforting to her because it could just as easily have come off as threatening, but after a few seconds she moved a bit closer to me. And then a bit closer. And then slightly closer. All without anyone else in the group moving. We stood like that until the bus arrived and then we went to separate seats.

So never be afraid to silently signal to strangers that you’re on their side or that they can fuck right off. People tend to respond better to that than words in my experience unless they’re already looking for a fight.

[suguann]

✎. he’s nice. well, that’s what everyone’s been telling you.

tags. fem!reader, mild dubcon, possessive and obsessive behavior, simon is an excon, non-linear narrative for future chapters [18+ only]

part one | part two

He’s always been a little obsessed with pretty things, even as a child.

It only makes sense that the habit would follow him into adulthood.

He sees you once while he’s walking by the bus stop. A timid thing wrapped up in an oversized sweater and parka coat, not looking up from the little book in your lap until the bus stops before you and takes you away.

The next time he sees you, he makes sure to come a few minutes earlier, lighting a cigarette and keeping his distance while he watches you read the same book from the day before. Simon knows it’s you, the girl from the letters, even if it’s a big city. It has to be—his pretty, lonely, silly girl.

He thinks about walking up to you just to make sure, but he doesn’t really need to. The address on the envelope brought him here, and you’re the only one he’s seen wearing a university sweater in this neighborhood.

But when he hesitates too long, a boy starts talking to you, and he watches you smile at somebody else.

Simon runs his thumb over his bottom lip and takes a deep breath to fill his chest with the soothing feeling of menthol and the burning taste of nicotine, trying to relax his white-knuckle grip on his steering wheel. 

You’ll learn, he thinks, when the bus drives off, and the boy doesn’t follow you on. He’s a patient man—it’s possibly one of his finer qualities.

He lets his car idle as he climbs out before crushing his cigarette bud underneath his shoe, straightening his black tie, and crossing the street. The boy sees him and freezes, but Simon can only laugh, wiping blood off his cheek several seconds later.

You’ll learn.

He’s nice.

Well, that’s what everyone’s been telling you. But nice, you've learned, can mean any number of things: a nice laugh, a nice house, a nice job, et cetera.

But how he holds himself—tall, broad, and dangerous—hardly screams nice.

It’s funny because you don’t remember seeing him around the office before—the company, including IT, occupies only four floors in the building. 

Someone tells you he’s a friend of a friend. This initially sounds odd until Rose, the office gossip, says he’s someone rich who helps fund the company's social events. Hence, the crisp suit and the wide berth of space you’d give someone who wields their smile like a weapon. 

You quickly look away twice when you find that smile aimed at you, heat traveling up to your hairline at an alarming rate.

It doesn’t matter anyway. He’s not your type. 

“Enjoying the party?” 

You nearly jump out of your skin at the deep voice so close to your ear. Careful not to spill your drink, you turn your head to find him smiling down at you with a sharp curl of his mouth.

Then he’s in front of you, eyes dark and crinkling in the corners.

“Uh, yeah. It’s not bad, though,” you squeak nervously when you realize you haven’t answered him. “It’s different from what I’m used to.”

He raises an amused brow. “Oh? And what might that be?”

He’s intimidating up close, and you take a small sip of your drink to ease your nerves. “Well, no kegs or trashy music playing, and boys with egos bigger than the room.”

The man lets out a low chuckle as he considers your honest reply, and you swear you see something ripple across his features, but when you blink, it’s gone. “I suppose that differs from top-shelf liquor and live bands, huh? Which is better?”

You shrug. “Well, it depends on who you ask.” 

“I’m asking you.”

“Honest answer?” 

He nods. 

“Neither. I don’t really care for parties.”

“Then it’s quite unfortunate that you found yourself at one tonight.” He seems privately amused, in on a joke you have no part of. Then he says, “You want to get out of here?”

“I probably shouldn’t follow a stranger home,” you tell him bashfully.

“That’s very responsible of you. Then how about I get you a drink? There’s a hotel across the street, and the bar’s not shit.”

You bite your lip, and his big, warm hand is on the small of your back before you say anything. It must’ve been written all over your face like he knew you would say yes.

He’s ever the gentleman, unlike most boys your age. Though, perhaps that’s the difference. He isn’t a boy—nothing about him can hardly be described as such. This fact becomes a bit overwhelming and more evident once he has you on your back, thighs nearly up to your ears, and held in place by a firm, intricately tattooed forearm.

His smile—almost too sharp to be nice—makes your chest do this silly thing when he says, “Let’s play a game.” 

You whisper into the night air. “What kind of game?”

“It’s simple. You tell me yes or no.”

Your brows furrow, unsure of the rules of the game. “But—”

The slap against your cunt isn’t harsh, but it’s the suddenness of it, how no one has ever thought to touch you like that, is what makes you squeak and tremble underneath him—the rings on his fingers sharpening the sting—trying to scurry up the bed, but hindered by his iron grip.

“Yes or no?”

“Y-yes.”

“There’s a girl,” and then his fingertips drop down to where you're slippery-wet and sensitive, moving in hard, tight circles until you're clenching down on a curse between your teeth. "Messy little cunt."

It's too much, you think when he plugs two fingers (feeling like three of your own) into your pussy. The muscles in his shoulders roll as he shoves his fingers in and out, batting your hands away when you try to get him to slow down. Too much, too—

“It’s not. I want you to cum like this,” he says, teasing, nudging your clit with his thumb and swirling it in tight spit-slick circles; you have no choice but to chase that bright light feeling until you cum, sticky and sweaty. 

Just like he promised you would, your orgasm is a shivery thing, molten heat, incandescent, settling in your veins until it pours out of you like liquid wax against the scratchy hotel sheets, but he doesn’t stop. Instead, his fingers curl up and press into where you’re soft and tender.

He smiles. “This is fun, isn’t it, love?”

“I can’t,” you whimper, not exactly answering him. “No more, please.”

His eyes, already pupil-fat, go dark at hearing you beg, nostrils flaring. Please, the key for the small amount of mercy he grants you as he replaces his fingers with his mouth, pressing a chaste kiss to your clit and lightly sucking it into his mouth. His lips are just there, and then they’re gone.

“Say it again.”

Your response is a wet little hiccup at the back of your throat. “W-what?”

“Beg me.”

“Please.”

“Again,” he says one more time.

“Please, please, please…”

It’s all you can think to say, strung between that dreamy space and reality, that you don’t even notice him flipping you onto your tummy with ease, not until the light in the room is blotted out as he leans over you. He wraps a hand into the scruff of your neck and presses your face into the bed, the other tucked under your hips to keep them at the right angle—held down with nowhere to go.

He leaves biting open-mouthed kisses across your shoulders and the back of your neck—Simon—he manages to tell you his name from one little bruise to the next. Somewhere between the buzz in your ears, you hear him telling you that he wants you to moan it for him, nice and loud.

The haze clears a little, however, at the metal clink of a belt and the sound of a zipper coming undone before you feel his cock prodding you open—raw, without a condom.

“There you go. Lay there, and just—just give me what I fucking want,” Simon rasps as if you could actually move with his hands pinning you in place. 

There are many things you should feel: scared of his words, trapped by the rings digging into tender flesh, by his thighs forcefully pushing yours apart. The red flags look more like flashing lights at this point.

Instead, you feel wanted—your walls tighten around his cock, fluttering, pulling him deeper inside, letting him turn you inside out. A small smile buried into the pillow.

[homunculus-argument]

I just had the most finnish social interaction of my life.

For backstory, Finland has a bottle/beverage can recycling system where most drink containers have a return deposit of a few cents - from 10 to 40 cents depending on the size of the bottle or can. All grocery stores and most convenience kiosks have a bottle return machine (which english wikipedia apparenly refers to as "reverse vending machines", which amuses me) where you can return the empty containers and receive a receipt which the cash register trades for money. The return isn't much but they add up surprisingly quick, and it's pretty common for people who are in the need for such cash to seek for and collect bottles and cans for recycling money.

I was going on errands on foot today, and had gotten myself an energy drink as a little treat on my way. Once I had gone through it I naturally held onto the bottle instead of throwing it to the trash, because bottles are money and 20 cents is 20 cents. On my way I saw an old man with a long grey beard, in a dirty t-shirt, approaching slowly on a bicycle. As he got closer he looked at me, glanced at my bottle and then back to me, while I looked him in the eye, glanced at the scraggly plastic bag hanging from his bike handle, and then back to him. Had his bag been full of recycling cans like I had first assumed, I would have stopped him right there and asked him if he'd like to have my empty bottle as well.

However, he had other assorted stuff in the bag, and therefore it would have been rude of me to assume that he is gathering bottles, and in return it would have been rude of him to stop me on my way to ask me if the bottle is empty and whether I'd like to be rid of it. But I saw him glance at the bottle and he saw me glancing at his bag, so both had reason to assume that he had more use for it than I would. But stopping strangers to address them like that is rude, so we passed each other without saying a word.

However, I was a stride away from a bus stop (which he had just passed) and I paused for a second to put my empty bottle on top of the trash can attached to the bus shelter. Looking over my shoulder to look at the old man, I saw him turning to look over his shoulder at me. So I nodded at him and he nodded at me, turning his bike around to retrieve the bottle as I left it there and kept walking. Neither one had said a word, but with a few seconds of eye contact, two pointed glances and a few quick nods, we managed to communicate through mutual assumptions, context clues and vague gestures that we could both do each other a favour.

[after-witch]

Bait [Yandere Geto x Reader]

Title: Bait [Yandere Geto x Reader]

Synopsis: You're taken as bait, but will Geto even bother? Companion piece to Fever Pitch and Bus Stop.

Word count: 3100ish

notes: yandere, kidnapped reader (er, twice?); violence against reader; some non-graphic blood and violence 

There is a thin line separating your world at all times. It might be white or gold or every color under the sun, but it doesn’t matter, because you are the only one who can see it. The only one who knows what categories fall on either side of this decisive line. 

On one side, there is something like comfort to be found. Something like acceptance. It is the world where you sit quietly when Geto tells you to be with him; the world where your heart flutters when he asks you to comb through his hair, or undress him for the day, or bring him his meal. A world where you are his good pet, and that is enough.

But on the other side, there is only one singular certainty:

He will get bored of you.

He will no longer find your compliance endearing. He will kill you, or discard you on the streets, and you’re not sure which is worse.

You’ve never been able to decide how much of his behavior towards you is actually endearment, and how much is a vague interest in the novelty of your compliance. Maybe it’s pointless to decide, because that thought always comes in cold and creeping: you’ll be gone, in a flash, like a wayward candle left on in the night. Dead or alive but without him, and isn’t that just about the same thing?

That thought slithers its way around you even in some of your best moments. When he pats the cushion behind him--a cushion, instead of the bare floor--and instructs you to comb out his hair for the evening. When the water is warm and your bodies are wet and close, and afterwards, you smell almost the same. At least for the night.

He’ll get bored of you, that reality hisses, and that will be that. Not even the twins could save you, if they were so inclined. You’re not sure if they would be, if it came down to Geto wanting to be rid of you. Sometimes, they are warm--sitting with you, reading with you, tending to you. Asking for your opinion like you are, perhaps, a person after all. At other times, they keep to themselves; watch you with something that might be wariness.

Nanako and Mimiko are the reason you are here, under his thumb, at his feet. They saw you and wanted you--like a mother, you think, when you’re feeling sentimental--and they got what they wanted. Geto told you this, once, your knees banging against the floor from where he dropped you like a bad dog. 

And you don’t think he’s lying. Even here, now, in the sitting room with the girls, they seem to still like you overall. 

Still.

If Geto wanted you to go away, you would.

And it’s this sole thought that pushes past the primal surge of adrenaline that comes when a rough bag is suddenly, crudely shoved down over your head.

He’s getting rid of me.

Over your heartbeat, though, you hear sounds that don’t match up with those bitter thoughts that whispered at your back for ages.

It’s not Geto in the room; not Geto who put a bag over your head.

The girls are shouting something--a yelp of surprise?--and there are too many strange voices, too many conflicting sounds. Someone’s fumbling with your arms, and you can feel the scratch of rope, but something about that awful yelp from one of the girls gives you the strength to shove them aside, to rip the bag off your head.

Strangers. There are strangers in the room. Strange men wearing black face masks, with their arms on the girls, rough and cruel. They’re carrying rope, too--to tie them up? To take them? To hurt them?

No. No.

You don’t have a plan. You don’t have the time or ability to think of one. Your body simply launches itself at the men, who aren’t expecting it, who trip and stumble when  you throw your entire body weight against them to get them away from the girls.

“Run!” Your voice sounds foreign to your ears.

And the girls--oh, it makes your heart feel fuzzy--hesitate to leave you. But then they grip each other’s hands and run away. The sight makes your heart soar, for a moment. 

They’re safe. They’ll get to Geto, and be safe.

And you--

You grunt against a stinking cloth shoved over your mouth and nose, and inhale a sharp, pungent scent that makes you gag. You blink against the coming grayness as you fall to your knees. Unconsciousness doesn’t come swiftly, and there’s an uncomfortable dizziness as your hands are tied behind your back, and someone hoists you roughly over their shoulder.

You can just make out what one of them says before you pass out--

“Fuck, I don’t know. Just--just grab her instead. He must like her, to let her around those kids.”

--

The sensation when the world gradually returns to you is a familiar one: you’ve been tied up. But instead of soft silks tightly pinning you to the bed, or winding around your body only to be hidden by your layers of clothing, it’s rough rope that keeps you bound to a cold metal chair.

The room that you’re in, when your eyesight returns with a blurry fog, is not Geto’s comfortable apartments but a bare room with concrete walls. The only decorations are--the realization comes with a dull acceptance--bloodstains against the wall, on the floor.

Ah.

This is where you die.

A sound--muffled, still, but a jarring screen all the same--makes you jerk your head. It’s another metal chair. But the person sitting in this one isn’t tied up--it’s a man, wearing a gray suit and puffing a cigarette that glows in the dimly lit space.

“Wakey, wakey.” 

He blows a puff of gray cigarette smoke into your face, and you cough, throat acidic and burning. 

It takes you some time to realize that it’s certainly one of the men who took you, who wanted to take--and maybe there is some justice in the world, because it seems they got away--the girls. There’s a bandage on his face and a vague memory comes back to you; your own hand reaching across his face, clawing at him with your carefully trimmed nails. 

There are other men behind him, quiet, watching the two of you with their hands folded. There are probably countless of these men, waiting for orders, in the rest of the building. 

“You hear me yet? Or are you still all fucked up?” His eyes narrow; his voice is gruff, no-nonsense. There’s some grit behind it. You wonder how much of his gruffness is because their plans were thwarted, and how much is because you managed to get a good dig into his flesh. Maybe both. 

Your lips part, and you feel a film of stickiness keeping your mouth together peeling as you lick the inside to give yourself some sort of moisture. Your voice comes out hoarse and dry, despite your efforts.

“I… can hear you.” 

Your hands flex from their bound position behind your back, pressed harshly against the chair. There’s no way to get out of this, not on your own. And you are on your own, because Geto would not bother getting you from here. 

You can imagine what happened as clearly as anything, despite the lingering effects of whatever drug they used on you.

The girls would run immediately to Geto, and tell him what happened. He would look them over to make sure they weren’t hurt. He would ask who attacked them, how many, what they looked like, and if they could remember any other identifiers. Then he would probably think back to who might have done this… someone with a grudge? Some enemy he’s made? 

It would only be then that he would realize the girls said you had been taken, and he would sigh. Perhaps he'd be annoyed that he lost his pet, but that would be the end of that. It would be too much of a hassle to get you, too much of a bother. He’d need a plan and perhaps men to back him up and heaven knows you weren’t worth…

Your head snaps to the side, pain blossoming on your cheek, as the gruff voice huffs out from above you.

He slapped you.

“Are you even fucking listening to me?”

You’re not trying to be distracted. Really. It would be better to stay focused, since you’re going to die here. Maybe you can think about your life from before all this, that would surely be a more pleasant ending than spending your last moments dwelling on Geto leaving you here.

“Sorry,” you say, out of reflex, more than anything.

The man sighs and runs a scarred hand over his hair. He takes another puff of his cigarette. 

“I said, you’re our bait for that greedy sorcerer. Once he shows up, we’ll do this on our terms, and our boss’ll get his curse removed in exchange for keeping your pretty little head intact.”

You don’t mean to do it, you swear you don’t. The reaction comes from deep inside you, from that part of you that’s been stepping over the line where you know that you’ll eventually be discarded by the man who took over your life.

Your lips quirk. And then, from your stomach, into your chest, it happens: you laugh. A harsh, almost braying sound that bounces off the bloodied concrete walls. 

The man’s face contorts, and perhaps he might hit you again, but there’s something freeing in this moment that makes you not care. What’s another slap to the face, when your blood will spray the flat end of those walls before the night is over? Whenever they realize that Geto won’t be coming for you, that you’re the worst bait they could have possibly chosen.

That you’re simply a pet that’s more trouble than you’re worth. 

The feeble jerk your body makes when he screeches his chair back and gets in your face, hot cigarette dangling from his lips, is reflexive. You’re not scared of him, or what he might do--you’ve faced far worse.

Spittle hits your sore cheek when he growls out--

“What the fuck is so funny?” 

You don’t tell him--

What’s so fucking funny is that they think Geto will actually come for you. That he’ll deign to respond to their blackmail, the heavy presumption of it all, just to rescue you.

A trinket. A pet. A toy.

You smile, and wait to die.

--

Surprises are not something Geto particularly enjoys, unless they end up working to his advantage. And there is a keen sense, as he picks up the sudden sounds of scuffles and running feet and shouts, that this is not going to be a surprise he welcomes.

Something in him turns dull and heavy when he sees the girls running down the hall, hair askew, missing the smiles they often sport around him--instead, their faces are etched in worry, fear, and a terrible sort of uncertainty that he hasn’t seen in them in years.

Everything connects together like an unwanted puzzle. The sounds of a scuffle. The girls with their gasping breaths, their flailing limbs, words that tumble out together like spilled marbles--

“They took her.”

Her.

You.

You, whom he expected to find sitting quietly, sweetly, with Nanako and Mimiko when he returned to you in an hour or two. Yet everything was wrong. Topsy-turvy. There would be no quiet evening where you looked up at him with ridiculous doe eyes, hoping to please him, eager to do whatever he told you.

There would be no warm satisfaction in his gut at the sight, no pleasant tingling in his skin as he bade you to do as he pleased. 

Instead, he would be spending his time retrieving you, and what if–the thought comes, and it’s disturbing how much the thought seems to weigh him down. What if you’re already dead? Disposed of, a corpse? 

No. He shakes his head. They wanted you as bait, clearly; or rather, wanted the girls. Pride puffs in him that you protected them, at least. A small lightness in a sea of grey. 

Still–you were gone, and uncertainty weighed heavy in the air as he weighed the best options for retrieving you. 

It was an unpleasant surprise, after all.

They--whoever they were, it did not matter. Perhaps the girls already told him, but their identity wasn’t important. Not only because Geto didn’t have the slightest care over who they were, but because they would be dead in a matter of hours, if not sooner.

No one disrespects him like this and lives. 

The thought of their filthy monkey hands dirtying you, a pet he had risen up from the lowest of the low into something more palatable and pleasant, made acrid bile climb into his throat.

Oh, you were beneath him, of course. There was no doubting that. But the stench of these stranger’s mediocrity and ape-like helplessness would coat you like dust, undoing so much of his hard work. 

Geto collects only the finest things and oh, it had taken time, but you now counted among them. 

He doesn’t need a plan. Why would he, to counteract a foolish kidnapping perpetuated by some half-baked mafia gang? They stood no chance against him. Even without his curses. He’s not sure he’d even release curses against these monkeys; it would be a waste of time and talent. 

All he does is nod to the girls, who have curled up on his sofa, holding each other tight.

“I’ll be back.”

At this, they smile, and he can see their breaths coming easier, their shoulders relaxing down. 

He doesn’t even need to tell them that he won’t be coming back alone. 

It is, as with so many things, a certainty. 

--

The lingering pain after they left you alone was not too awful. Yes, your lip was bleeding--the man wore metal rings--and your neck was sure to bruise, if you were left alive long enough for the skin to get all mottled. 

But you had expected the pain, and that made it easier to manage while you waited for them to return. They would probably kill you now. A gun to the head, you think. They wouldn’t want to waste time with messier and slower implements, unless they were that angry about their “bait” plan failing.

You had expected the pain, and now you expect the door to open, for those no-nonsense guards to come through and simply pull out a gun and that would be that. Would there be pain? For a moment, maybe, but hopefully not more. 

You don’t expect what actually happens.

Shouts--that quickly turn to screams. 

Clanging of metal, the sound of something being struck and sliced. 

Thumping, an awful, dull sound; like a carcass at the butchershop being let off its chain.

And then that door in front of you creaking open to reveal the last person in the world you ever expected to see in the doorway.

Geto.

Geto, with blood sprayed on his face, gore clotting on his clothes.

It’s so unexpected that you don’t believe it until he’s behind you, the familiar warmth of his body turned upside down with the new stench of metallic blood, mingled the scent of your own sweat, the lingering puffs of cigarette smoke.

It’s not until he’s made you stand up, that he’s right in front of you, tilting your chin up to look at him that the realization comes.

He came for you.

He killed for you.

It’s too much--it’s too much to realize the reality beyond that line was bullshit the entire time. It’s too much to realize that you were, perhaps, worth something after all. Too much to see Geto covered in blood and wonder, briefly, if he had been hurt in the process of your rescue.

It’s too much, all of it, and you black out.

From adrenaline, from injuries, or perhaps from sheer disbelief.

--

When you wake up, you are sitting on the floor of Geto’s spacious bathroom. Disorientation keeps you on the floor for too long, because then there are hands--Geto’s--on you, pulling you to unsteady feet.

Despite the swaying of your body, there is something grounding about all this. You, and Geto, in this familiar space. 

Geto stands in front of you, face impassive, still covered in specks of blood. The reek of his blood covered clothing is stronger in this space, an invasion of stinking metal.

“Strip,” he tells you. Your body obeys before your mind registers the command fully, hands trembling as you peel off clothing stuck to you by sweat and a bit of blood. Most of it wasn’t yours.

He tsks at your naked form, and shame creeps down your collarbone--stopping cold when he opens his mouth again. 

“Remove my clothing.” Another order, obeyed just as quickly, but perhaps with more brightness than you thought possible. If he still wants you to do this, it means he doesn’t find you too disgusting, does he? He can’t, if he’s allowing you to touch him like this. 

He doesn’t give the clothing a second glance--he’ll probably burn it, and yours too--as he steps toward the tub. 

The bath has already been prepared, though without the usual luxuries Geto asks you to slip in for him; lotions and salts, dried flowers and oils. 

Still, it is a comfort when Geto steps into the tub. It is all familiar to you, expected--welcomed, even. The way the water sloshes as Geto steps inside, the warm heat of the water rising to greet you as he beckons you closer. The firm, damp grip of his hand as he steadies you, lest you slip and annoy him.

"Wash this filthy monkey blood off me," he says, when you’ve settled in, his voice soft and clipped.

 Is he angry with you, you wonder, or the people he’s killed? Would he think on this later, and decide that it was far too troublesome to go after you in the end? Maybe the next time you were a target, he wouldn’t save you after all. He’d leave you to die and mutter that once was quite enough. He--

“Well?”

“Sorry,” you murmur, not a reflex this time but a genuine apology.  You were making him wait. That wouldn’t do.

So you take up the cloth and gently wipe at his face and body, where those flecks of blood have sprayed onto him like troublesome paint. You go slow, soft, just like he’s taught you to do. 

It’s the softness of the moment that pushes the words from your mouth. If he had not brought you here, if you two were not together in the warm, naked intimacy of the water, you might never have dared to ask.

“Why did you save me?”

You don’t even stop wiping at his skin, dipping the cloth into the water and watching it run red. Not until he grips your wrists with his wet fingers, making you drop the cloth. 

He pulls your hands closer to his mouth and presses a kiss to your damp skin. Soft. Gentle. A streak of blood near his mouth catches on your skin.

“I merely took back what is mine.” His eyes roam over you; you, the pet he owns, the pet he’s created.  How cold his words are. Strict, no-nonsense. What you’ve come to expect from him.

And yet, and yet--

He presses his lips to your knuckles again, and inhales the scent of you, all traces of cigarette smoke  on your hands washed away with the bathwater.