#Two franchises that should not be in the same image lmao

[mav-the-artist]

There's this meme going around twitter rn, and I HAD to join in on it lmao

[crackerdilez]

oh Quick question, awhile back a friend and I had found your tweet regarding the Mappyland coloring book and then mentioned with one of the images, that one mapico image was “inspired” by me. Which I highly doubt it, since I don’t think you’ve barely interacted to my art till recently but now I’m kinda curious.

were you inspired by me? If yes, That’s pretty cool! But if no, I would like to see your own take of Mapico since with my take of her unlike mappy, She’s albino, which is the reason why she has red eyes. But ether way, I’m really curious on how would you design Mapico in your style and or take. Since there’s barely any info of her, the possibilities are endless.

Hiii, sorry it took me a while to respond! Yes I was inspired by you 😭🙏I didn't interact with you before since I didn't use Tumblr as much as I have been these past days, I just scrolled through tags but barely liked/retweeted anything, but months ago I saw your Mapico once in the Mappy hashtag and went "Holy hell this is the most perfect Mapico ever!"

Making her albino and a handywoman is so cool, the red eyes mix up well with her main color palettes way more than the blue ones, also doesn't make her look like "Mappy but female", and her being a handywoman gives her more personality than just being the "Housewive and Mappy's wife", which I adore because I feel one of the main flaws in the Mappy franchise is not giving enough "personality" to its mice characters, including the own Mappy. I really hope you don't mind people taking inspiration from your headcanons, sorry about that, I should have asked beforehand 😭

I don't have a proper drawing of the family with my own headcanons, but here I made a quick Mapico drawing to show you how I think she would look like. Her uniform is inspired in her cop one from Arrangement, her normal outfit is almost the same, but she has a scarf! I headcanon she gave Happy and Rappy the scarfs they have in Mappy Kids.

Speaking of the kids, Rappy looks similar to her, same rectangle-shaped fur, here's a drawing I made of him and Happy not so long ago to give you an example (Yes, it's Mario and Luigi's pose LOL). Mapico's tail is shorter than Mappy's, so Rappy ended up having shorter tail out of the two brothers. I really need to draw the full family more polished/consistent and with my headcanons someday cuz I tend to be so inconsistent when drawing them lmao🙏

That's the most I can think of right now, but you can ask me more if you want to!

[xstarkillerx]

*let me do this again my dumb ass couldnt find the ask lmao*

dude i saw you reblogged my brian o'conner crash fanart, i was about to plug my A03 (i can't really post my delirious fantasies here since this is supposed to be a blog for my art collective 👀) BUT THEN i saw you already posted my shit here BUNNIE IT WAS YOU ALL ALONG insert iasip meme ILY <3 <3 <3

BASSE-FOSSE YOU ARE SO FAMOUS TO ME HELLLOOOOOO!!!!! It is me, you found me! I definitely should've put two and two together that the person posting art of Brian as Gabrielle and the person writing wild crash-f&f crossovers was one and the same lol. Although, as I've come to learn through your awesome recommendation that led me down a bit of a podfic rabbit hole, there are some bonkers, fantastical fics for f&f with super out there concepts but are really really well realized, which was pleasant to discover. I'm gonna keep blabbing under the read-more, because I'm so happy to have found you on tumblr, but I'll end off by saying I can't believe you posted to ao3 twice in July and I didn't know, I'm literally about to feast rn.

Anyway so nice to see you!!!!!

For anyone curious about what we're taking about, here you go!

I should take this time to say crash blew my mind, you were so right about the final scene being extremely similar to the end of the first f&f, to the point where my friend and I's reactions when we did that double feature were pretty much identical, it was so funny! We watched Crash first, and there was something about seeing that Miata finally get knocked off the highway, that was soooooooo... Like, I may be reading too much into this and I definitely don't understand the movie entirely yet, but MX-5 Miatas are one of the most personified cars out there because of their eye-like headlights and mouth-like vents, they literally look like 😃 it's so cute. Miatas are almost always portrayed as innocent, Friendly, and childlike, so to see the destruction of one (which the movie was def building up to), AND TO WATCH JAMES FUCK CATHERINE IN WRECKAGE , like it's such a good image to end on… it really drives home the irreparable effect being introduced to Vaughn's "world" had on them, like they basically went through the a fucked up version of the hero's journey and were left on the other side of the threshold not knowing how to cope, my jaw was on the floor!!! The unattainable fantasy of ultimate orgasm because of the resiliency of both cars AND human bodies, it was so good. "Maybe the next one, maybe the next one," still gives me shivers.

So watching F&F afterward was hilarious because my friend basically had the same reaction to its ending, that truck impact hit her real hard (she too wanted them to ugly fuck on the busted charger lol). I had told her that this was essentially the most blood we would ever see in the rest of the franchise which is not a lot, and we ended up having a whole conversation about comparing the fantasy set in place by both movies. The fantasy of F&F is essentially 1) the characters' inability to die/stay dead or get injured and 2) the seemingly omnipotent ability of cars to take down larger and larger vehicles, starting with 18-wheelers and progressing to yachts, trains, Humvees, planes, it's endless!! Whereas the fantasy in the world of Crash IS to die, to be scarred, marred, for every dent and scratch on your car to be mirrored on your skin until you're one and the same. It's the next evolution of man, to be melded with machine in a way that's gorey and sexual. Both works involve little family institutions, people who get it, people who have your back, and a fearless leader running the show. Where Dom Toretto literally can't die, or even lose, because it's in vin diesel's contract, Vaughn was fated to! What kind of example would he be setting for the others if he couldn't achieve the nirvana of dying on the toronto freeway.

Ugh I totally did not mean to give you an entire book report but I've been sitting on all of this for so long and I figured you of all people would understand being immensely effected by these two movies being put together lol. Anyway thanks for reaching out! I'm around if you ever wanna talk f&f, I loveeeeee the way you view that universe. Much luvvvv 🫶🫶

[clanwarrior-tumbly]

Since they're closing one for the road that you absolutely dont have to do I just thought I'd send(I'm so sorry if I sent too many)

This came to mind when I sent the headcanon where Vanessa let them all stay with her- so,

How about headcanons or a fic where Gram!Y/N gets kinda broken in the process of beating up Burntrap, but in the end everyone is able to escape the building, and fix up ol' Y/N to be almost as good as new

Honestly dunno if its incharacter but mental image of the blob helping its Gram one final time by getting them out if the others had to leave them due to maybe rubble falling and blocking the way to Y/N or something, came to mind and frankly it kinda makes me tear up abit lmao

- salt anon

"You just don't know when to quit, do you?"

"I can say the same about you."

"It's a miracle you even have a voice still."

"Yess..a voice that will haunt your dreams-"

The loud crashing of wood, stone, and marble silenced the banter between the two animatronics.

Two animatronics with a long history together that only led to generations of suffering.

They knew that only one of them was going to come out of this burning Pizzaplex alive. And they won't give up that opportunity so easily.

Burntrap's grotesque jaw clicked uncomfortably as he turned his head to see the recharge station, consumed by flames and smoke. But he didn't need that anymore.

He had all the strength he needed, plus everyone else was useless to him now. Vanny had ditched him and his grasp on the Glamrocks was lost. They were all free, along with that boy who somehow survived whatever he threw his way.

Against all odds, that homeless brat lived. Thanks to his failure to get ahold of Freddy's systems and your sudden reappearance.

Yes..he forgot to destroy one of the oldest models of his ill-fated franchise. You've been hiding here all along and he didn't realize it until it was too late.

Now you've grown quite a spine yourself, being old and wise and generous, much unlike him.

He despised that. And now he was going to make you join the others---in hell along with him if that's where he ended up again.

You heard Gregory yell out your name in panic as the rubble separated you from them, but Freddy ushered him on, as they had to get out as soon as possible.

This was your plan all along, though. To stall the bastard who took so much from you and your friends..who kept coming back over and over again to take more precious lives--both humans and bots alike.

It was so unfair. To cause so much death just so he can cheat death itself...so he can cause even more deaths.

You were sick of it. You've had enough of this foolishness.

The cycle ends here.

Despite Burntrap's horrendous condition, he proved to be a bit stronger than expected as he launched himself at you, tackling you to the ground with hateful malice in his glowing eyes.

"I will TEAR you apart...as I did all those years ago to them.." He hissed, ripping off your arm and stomping on your torso, crushing your exposed endoskeleton spine.

But his foot was stuck in the hole for a few seconds. And a few seconds was all the time you needed to grab his ankle, pushing him to the ground where he busted up one of his ears upon contact.

"I think not. You on the other hand need a taste of your own medicine!" You sneered, ignoring the sparks and oil that were now sputtering out of your chest. The flames were getting closer, and it was getting harder to fight your body's desire to shutdown.

Gritting his teeth, Burntrap grabbed a nearby brick and slugged it across your leg with all his might, breaking your casing.

With a grunt of pain you fell to one knee, and he got up to strike you across the face, making your sight glitch out for a second as he damaged your visual receptors.

You collapsed and had trouble getting up yourself, instead scooting back against the old office desk as he limped closer to you, still holding the brick.

Unfortunately you had lost your cane,leaving you absolutely defenseless.

“I should have known...that I left something behind..but I couldn’t put my finger on it. Now...I see what a mistake that was. You ruined my plans..so now I’ll ruin you.”

He raised the brick high, and you braced yourself for the moment it comes crashing down on you, destroying you for good.

Yet..nothing happened.

Was he hesitating?

You heard the sounds of a struggle and looked up, seeing a familiar black tentacle wrapped around his wrist. He snarled and turned his head, realizing the Blob was back, staring at him right in the face.

For a moment...he looked scared.

“No...not you all...not again..!!” He clawed at the slimy metal. "How are you alive?! I KILLED YOU ALL!!" A hoarse scream forced its way out of his throat, only to be ceased by another tentacle around his neck.

“That's..where you're wrong, Mr. Afton.” You chuckled. “Don't you know? Death is irrelevant...because we always come back, too.”

Blob’s faceplates opened as they let out a mechanical roar, snatching up Burntrap’s body with a larger tentacle and lifting him off the ground. He was kicking and shouting as the brick slipped from his grasp. In response the tentacle only constricted him further before he was pulled up through the giant hole in the ceiling.

Bck to the fiery inferno from whence he came.

“Thank you..my friends..” Sighing, you looked around you, wondering if this is how your story finally ends: being all alone with nothing but the bright flames as company.

You’ve only gotten to know your “grandkids” for a single night, not even getting to know their true uncorrupted-selves, but you were going to miss them dearly. You hoped they got out safely and could continue a life without killings or glitches.

But most importantly...a life without Afton.

‘I wonder if this is how that one young man felt..when the Pizza Place burned..was it this peaceful? I hope so.’

Before you could readily accept your fate, you noticed a small tentacle rise from one of the nearby holes in the ground, holding something familiar and shiny gold:

“My cane..?” You reached out to grab it, smiling as you saw Blob’s head peek out. “Thank you, but..I’m afraid it won’t do me any good anymore. There’s no way out for....”

However, you trailed off as you saw more parts of themselves go to work, moving aside random pieces of concrete. And you realized they were trying to open up an escape for you.

They carefully picked you up, guiding you to the opening where they set you down ever so gently. You did stumble a bit, but with the support of your cane you were able to keep yourself steady.

Hearing a soft growl, you turned around and saw the Blob nearly nose-to-nose with you, the red lights in Funtime Freddy’s mask dimming a little. You smiled somberly and reached up to pat their soot-covered cheek, resting your forehead against their own.

“You all did great. Now please..rest your souls, there is nothing else.”

.............

“Gregory..don’t cry. We’re all okay--or..well..we’re gonna be okay, I should say-”

“What about [y/n]? Are they gonna be okay??”

“I dunno, kid. C’mon..if we’re seen out here for too long people are gonna-”

“Why should I listen to you after all the tricks you pulled?! Are you that rabbit lady or what?!”

“L-Listen, it’s a long--”

The loud static crackles emitting from Glamrock Chica’s voicebox startled Gregory, Vanessa, and Freddy out of their argument. They looked at her in confusion, seeing her point to the burning mall’s entrance.

“What is it?” Roxanne asked, as Sun held her hand. He became her temporary guide at your request. “What do you see?”

"Y-Yeah I can barely see anything! What's Chica seeing that we aren't??"

“Hrrgm..I think it’s...” Monty tried pushing himself up to get a better look at the figure emerging from the fire. His jaw dropped open in shock the moment he recognized who it was. “No way..”

“It’s...[y/n].” Freddy uttered with disbelief, smiling widely upon realizing you were, indeed, alive. Both he and Gregory rushed over. “You’re alright! Thank goodness.”

“Oh, don’t you worry about me, dear.” You chuckled softly, glad to see the others made it out okay.

But then you abruptly collapsed, all of your servos locking up due to overheating. Everyone else ran over to you in worry, though fortunately you were still conscious enough to talk.

“I’m alright-t-t..” Your voice glitched. “Whew..I’m really outdated, huh?”

“I-It’s nothing we can’t fix, Gramps.” Gregory reassured you, looking to Freddy, who nodded in agreement.

Then Vanessa approached and knelt down to examine you. “Yeah..we’ll take care of you. And everyone else.” She promised, ignoring Gregory’s cold and cautious stare. “Let’s head to my van. I can patch you up easily. I’ve had some experience working with older models. I studied a lot of them-”

“Oh I’m sure you have.”

“Gregory-”

“Don’t bicker, you two..Vanessa will get the chance to tell her side of the story-y-y.” You told the young brunette. “Let’s all just be..grateful-l-l that we’re outta there, hm?”

The two humans looked at each other, and then back to you, deciding to put aside their previous conflict to help you.

The Glamrocks were free of the virus, as was Vanessa, and Afton was gone. Hopefully for good this time around.

Nothing else matters.

[firebrands]

stevetony fic recs: what-if wednesday | AUs

here are my recs for the @cap-ironman recweek 2020! the prompt for this list was AUs! here’s part 2 of my AU reclist, with... all the other possible AUs. lmao. as always, kudos & leave a comment if you liked the fics!!!

Soulmate AU: Leaving Promises Against Your Skin (G, 18.6k) by @nostalgicatsea

“Someday, someone will choose you, Tony,” his mother had said, her hands back to cupping his. “And no one, not your father, not anyone, can ever take that from you.”

Modern AU: the chair (G, 1.7k) by @omg-just-peachy

“Excuse me, I think you’re in my seat.”

Steve looks up from the beer he’s been nursing and blinks in the face of the man who’d spoken. He's fairly sure no one had been sitting here when he sat down. Normally, Steve would probably just apologize and slide down a seat, but he just… wasn’t in the mood for that tonight. Plus, the cocksure look on the man’s face makes him think he's up to something.

Or, Tony Stark walks into a bar and turns Steve's whole night around.

Modern AU: my heart is driftwood, floating down your coast. (M, 6k) by @kapteniron

Tonight, there’s a stranger in his backseat. That’s not unusual.

He’s also sad. That’s not unusual either.

What is unusual is that the stranger is silent.

(One night, a stranger enters Steve's taxi. Nothing is the same again.)

Modern AU: Apartment 5A (E, 11.2k) by toraten

An AU in which Steve Rogers edits comic books and Tony Stark is Tony Stark.

Actor AU: Double Exposure (T, 25.8k) by @shetlandowl

After a brief stint in the third installment of the Captain America franchise, Tony Stark was brought back to reprise his role as Iron Man in the fourth Captain America movie, Avengers Assemble. Tony had spent most of his twenties becoming a household name as a rising star in Mexican telenovelas, and Avengers Assemble is his breakout role on the big screen – and, more importantly, his introduction to the mainstream US audience.

Even after the movie is completed, Steve and Tony’s friendship remains a source of support that they instinctively rely on for encouragement and guidance. Tony’s fearless approach helps Steve break out of his comfort zone, and Steve’s solid grounding helps Tony focus on what matters.

This promotional tour is a new experience for Tony, but with Steve’s help, his learning curve isn’t so steep. Steve’s learning curve, on the other hand, is life changing.

Canon divergent AU: Wake Up Someday (T, 7.4k) by thepartyresponsible

Steve relaxes back against his chair. He takes a quick look – just checking, just making sure – over his shoulder, and he gets an unexpected and vaguely life-changing glimpse of Tony’s ass, as he bends over the pool table to line up his shot.

When he looks back, Bucky’s staring over Steve’s shoulder, a familiar, dumb, dreamy look on his face. Steve feels something catch in his chest.

“Oh,” he says. He clears his throat. God, he’s an idiot. He is an idiot. “Him, huh?”

“Yeah,” Bucky says. He catches the corner of his mouth with his teeth, but it’s not enough to fight off the stupid grin lighting up his whole damn face. “That’s the one,” he says, low and fond.

Canon divergent AU: Double Time (123.3k) by @sineala

Cassino, Italy, December 1943. Special Agent Tony Stark, former Marvels adventurer, is sent to investigate a Cosmic Cube found by the Invaders -- and it's the perfect opportunity for him to rekindle his secret romance with Steve Rogers. But when Hydra attempts to steal the Cube, an inadvertent wish for help leads to the appearance of a Tony from the future of another world: Director Stark of SHIELD. This Tony is a man with a lot on his mind. He refuses to tell them anything about the future, but he seems to know much more than he should about Captain America. And something's happened that's clearly killing him inside, but he's not talking. When Director Stark's failed attempt to return home leads to the unexpected appearance of another visitor from his universe, all the lies come undone. Now there are two wars to fight, and the second one could ruin all of them.

Pre-serum Steve AU: i'll take care of you (No rating, 2.2k) @elcorhamletlive

“Hi.”

Steve blinks. The sound of loud thunder roars outside, but he doesn’t jolt, too focused on the image in front of him to be startled by the noise.

He has no idea what to say, and he isn’t sure if the shock is because of Tony’s absolutely sodden state – his hair glued to his forehead, his clothes dripping with water, forming a small puddle in front of Steve’s door – or because he wasn’t expecting to see Tony for at least three more days.

“Hi?” he says, a little tentative, before his brain catches up to reality. In his defense, he was getting ready to sleep when Tony knocked. He looks at what Tony is holding – a wet mess that seems to have been a flower bouquet at some point. “What are you doing here?”

Pre-serum Steve AU: Tony Learns Something New (E, 11k) by @riotfalling/ @riotwritesthings

In which Tony finds out that his tiny artist boyfriend is not a nice boy. In the best possible way.

Political AU: Adjacent, Against, Upon (E, 10k) (Self rec)

Steve Rogers is running as the Mayor of somewhere, America. Tony Stark, his campaign manager, deals with a candidate who isn’t interested in lying, and just wants to do good by these citizens, god damn it.

[trickstercaptain]

JACK, MASCULINITY & BISEXUALITY.

          so I’ve made absolutely no secret of the fact that one of the big things I love about Jack as a character ( among plenty, plenty of other things ) is how he challenges traditional ideas of masculinity, and I’m gonna use this meta opportunity to elaborate on that and hopefully connect it to Jack’s sexuality ( mostly within his canon verses, though a lot of this does also apply to his modern verse ). the long and the short of it is that Jack is simultaneously allowed to be a badass and admirable to the audience and display selfishness, cowardice, his own quirks and his desire to avoid violence wherever possible. the first two demonstrate the perks of being an anti-hero, but it’s the last one that I’m going to talk about first: Jack does not like violence. he will choose methods of solving a problem that avoid, where possible, the use of brute force, even when it puts him at a disadvantage. he chooses not to shoot Will in order to escape the smithy in CotBP despite that proving to be the easiest way out, and he is told by Barbossa in that same movie that it’s likely the mutiny would not have happened if he hadn’t been such a merciful captain. we are encouraged to like him as an audience because he uses his wits to get out of trouble, and we are encouraged to like him in spite of the fact that he is the worst swordsman of the franchise, relatively speaking, and that he in fact loses every single fight he is a part of ( unless he cheats, which he does frequently ). 

        second, he is also allowed to be quirky. a lot of this links in with the idea that Jack is an archetypal trickster: he is transgressive on purpose because that is what a trickster does. he breaks the rules because it’s fun, he manipulates others because it’s fun, he gets bored easily and uses trickery and deceit to get ahead of his opponents while casting himself as a fool. tricksters also tend to have a very fluid attitude towards gender because, once again, it is another way to transgress boundaries, and there’s certainly an undeniable sense of androgyny to Jack. I’m not here to label him as anything because a) in Jack’s canon any modern ideals just wouldn’t apply and b) he is still a man and, more importantly, still benefits consistently in his narrative from being a man, so this androgyny is purely in how he outwardly expresses himself rather than the result of any internal struggle. he is experimental and individualistic and this is one of many ways in which Jack’s character draws on the rock star tradition ---- particularly the rock star tradition of challenging masculinity with the way they dressed on stage ( think Bowie, Jagger and Hendrix ).

         but this sometimes effeminate expression of his sense of self does make it more difficult to be taken seriously by others, both within his own social strata of fellow pirates and outside of it: he wears kohl that, while practical, accentuates his pretty boy, fey image, he wears his hair long and braided ( which isn’t necessarily a sign of “femininity” in itself, though he combines this with tying trinkets and beads and jewellery into it ), he sways as he walks ( again, a practical response to being on a ship for long periods of time, but isn’t something that Jack ever seeks to correct in order to appear more intimidating ) and is fond of theatrical gesturing which, yes, feeds into a stereotype but means that in no way does he carry himself in a typically masculine way. for instance, the way Jack sits: while yes there are times when he deliberately kicks his feet up on the table to occupy extra space and piss people off, he doesn’t consistently sit down in a way that emphasises his physical power or dominance ---- in fact, in the last multiple Jacks scene in AWE, when Jack is talking to himself in the brig, we see one of the clones crossing his legs with his hands on his lap as he sits on the bench ---- something I would argue is rather reserved and not overly masculine in nature.

        now there’s an argument to be made that Jack uses his effeminacy to his advantage, in the same way that a trickster would bend any rule that benefitted him, and that this isn’t the true him, but I’d argue that, while there is of course an element of using that behaviour to encourage others to dismiss him as a fool of no consequence, it is too consistent for it to be an act, particularly as it causes him as many problems as it does solutions. it’s absolutely in his nature. another great example I want to draw on is in The Price of Freedom, where Jack uses his “sexuality” ( I use this word loosely as it’s really the only way to describe what he does lmao ) to unsettle one of Teague’s lieutenants and jailors and throw him off, both while he’s been searched airport security style and while he’s trying to conspire with Christophe to break him out of Shipwreck’s cells.

“Roger, old chum, unless you want to cause me embarrassment—and yourself a lifelong case of envy—by demanding that I actually produce the goods for your delectation…er…inspection, I’d suggest you desist.” He batted his eyes at Teague’s lieutenant.

[...] Without answering, Jack abruptly turned to confront Mortensen, who was looming behind him, scarcely a handbreadth away. “I don’t care if you’re present, Roger, but must you breathe down the back of me neck?” He rolled his eyes. “Or are you trying to work up the courage to grab me backside and give it a squeeze?” He’d spoken loudly, and his voice carried to all Christophe’s crewmen. The cell-bound pirates laughed, whistled, and jeered obscene suggestions at Mortensen.

        I love this scene because it shows how Jack switches effortlessly between typically masculine and typically feminine behaviour and uses both to achieve what he wants. the seductive act of flirting with Mortensen ( despite the fact that Jack is twenty in this scene and is very likely half the age of the jailor in question lmao ) to throw him off is a very femme fatale sort of solution ( and that is an archetype that Jack plays around with a lot ), but being a man adds an element of what I spoke of earlier too ---- that he’s more likely to be dismissed as an irritating little shit and not someone who is conspiring to break someone out of the cells. he also relies on the hyper-masculinity he is surrounded by when he speaks loudly enough for all of the pirates in the cells to hear and jeer Mortensen in response, further embarrassing him and diverting his attention long enough for Jack to make his intentions to Christophe clear.

        because this is the thing about pirates, friends. yes, they were largely accepting of and/or unbothered by homosexual behaviour, and had crews who operated in a far fairer way than many merchant or naval ships of the same period, but they are still male-dominated environments. female pirates are rare as far as historical records show purely because we only know for sure that a few were women. women would, for the most part, have to adopt masculine traits in order to exist in the same space, and many would and did disguise themselves as men in order to achieve this. Jack is therefore something of an anomaly in his challenge of male gender norms ---- he could act more like your typical brutish, violent male captain and have a far easier time of it because that’s ultimately the sort of behaviour that is rewarded in this hyper masculine space, but he doesn’t, and this is where he stands out and positions himself as an outsider even in the profession he had literally branded into his arm.

        Jack has also been directly hurt by this culture of hyper masculinity, too. it’s clear that his grandmother sees him as an easy target for her abuse because he both struggled to and didn’t want to conform, and he faces similar criticism from Teague because of his non-violent personality. in his attempt to not become like Teague, too, Jack internalises his own anger and aggression which makes him self-destructive as opposed to outwardly destructive to others. Christophe is the most similar pirate in the franchise to Jack in terms of the flamboyant way in which they both present themselves ( and Jack is no doubt influenced by Christophe in that respect, though that’s another meta entirely ), but Jack does not share his ruthless, amoral personality. and he is mutinied against by Barbossa because people are easier to search when they’re dead. I’ve said it before and I’ll say it again, but it speaks to the strength of Jack’s character that he remains a largely good-hearted individual when it ultimately comes down to it, and did not contort his sense of self in order to make his life easier.

        so linking all of this into his sexuality, while Jack is bisexual by modern definitions of the word and does not have any shame associated with it due to the openness of pirates to living outside of the established norm ( and the fact that Jack grew up among these pirates, so would likely have not realised the extent of the prejudice that existed until he joined the merchant service and entered into civilised society ---- and I mean, when he did he was called a molly at one point by Mercer ), he was never properly taught how to have a healthy relationship with another man, whether romantically/sexually or not. Jack doesn’t really have many positive close relationships with other men to draw on ( Robby and Gibbs are of course the exceptions, and they are both extremely important ) and all of the betrayals in his life until Elizabeth come from men. moreover, just because pirates were more accepting of homosexual relations between men, doesn’t necessarily mean that pirates should be held up as paragons of healthy behaviour lmao, both in general and in regards to male on male relationships. ships are male dominated microcosms in the same way that all-male prisons are. and this is why Jack does develop one toxic male trait: the inability to express his emotions in a constructive and open way.

        Jack therefore, for the most part, just doesn’t like men. he knows how to get along with them, he certainly has a brothers-in-arms approach to his crewmates and isn’t beyond liking the odd one or two, like Robby and Gibbs ---- and it is certainly a theme that Jack is drawn to those soft, non-threatening, nurturing sorts of men ( to fill a void of nurturing behaviour in his life, imo ). of course he has trashy taste too thanks to the lingering damage of his crush on Christophe and living and growing up in the sort of environment that rewards hyper-masculine behaviour, but his most successful relationships with men are those he doesn’t perceive as threatening, and those who are happy to compliment rather than challenge him in his position as captain.

       meanwhile, he loves women. absolutely fucking adores them, and I don’t mean this just in a sexual way, but in a genuinely appreciative way too. he craves their company and prefers their company to men ( he is honestly so much happier sat at a table with five other women than he is sat with five other men ), and I think this is because he’s more likely to find acceptance with them than he is men, and historically speaking in his life has found greater understanding and affection and care from women than he ever has from his own sex. and I think in turn, because he too is a very non-threatening sort of man, absolutely a woman’s man like my god, is why he is generally adored so much by the women in his life in spite of his flaws and lesser traits lmao. why do Giselle and Scarlett constantly let him back into their lives?? because yes he’s fun and  good in bed but, if Jack’s list of corrected lies to them at the end of AWE is any indication, he also spends a considerable amount of time just talking to them, spending time in their company and getting to know them.

[littlepurinsesu]

V Watches MagiReco - Episode 9 Review

*Spoilers for Magia Record Anime Episode 9*

I... have mixed feelings about this episode O___O While some parts were definitely well-done (like, REALLY well-done), there were some others that left me a bit underwhelmed and wanting something more?

Don’t get me wrong, by no means was it not a good episode, because it was. But I’m gonna try my hardest to pinpoint why I felt that while some parts were amazing, others really could have been done better.

The phone conversation with Iroha and AI had some top-notch imagery going on in the background. As expected of a PMMM spin-off, every single frame probably has some deep and profound symbolism if you really wanted to pause and analyse each one. There’s never a dull moment on screen; even when all that’s happening is a phone conversation, they know how to hold your attention by giving your eyes a feast with that amazingly trippy and surreal kind of art style that PMMM is known for.

I, too, was a bit disappointed that Madoka and Homura didn’t show up, and by the looks of it, they probably won’t be making their appearance during Sana’s arc at all, which makes yet another major deviation the anime has made. But it’s not that huge of a deal to me because I know they’ll appear at some other point and I’m sure they had their reasons for making this change (hopefully for something better!). I’m happy to let the new characters take the spotlight; I actually think it’s a better choice than constantly relying on the Holy Quintet to build hype and satisfy the fans, which could actually draw attention and focus away from the main plot sometimes. This is how I personally feel, at least ^^;;

That being said, although I didn’t mind Madoka and Homura not being there, I did have some issues with Iroha’s entrance into the Rumour. It just happened... way too quickly and suddenly? I expected a bit more dialogue between the characters, especially since Yachiyo’s expression and comment about jumping off the tower not killing magical girls should have been a big indicator that she knows something (wink wink). I think that might have been a good chance to foreshadow the reveal that comes with Chapter 6, and maybe add a bit more mystery to Yachiyo’s unrevealed past. But the biggest problem I had with this scene was the way Iroha jumped lol. She just... jumped. Like it was no big deal. And it was even weirder because she technically “fell” while reaching out to catch Lil’ Kyubey, but there was hardly any reaction xD She also happened to be in the middle of a sentence while talking to Yachiyo LOL clearly that “jump” wasn’t a planned or prepared one xD I just really felt like the dialogue wasn’t finished or something was cut somewhere in there? They were talking and suddenly down she goes. I know I probably sound extremely nitpicky and this is just a minor detail that doesn’t really make much difference to the story (none at all, in fact), but I just found her apathy somewhat unrealistic and strange, which broke the immersion for me during what should have been a very crucial and heart-pounding moment. Unless Iroha’s just super brave and isn’t afraid of heights at all? Maybe? xD

Anyway, back to the positive stuff! Sana’s backstory was depicted really well. Again, absolutely amazing visuals (I especially liked the use of shoes and dinosaurs). And Sana’s bond with AI was portrayed even better than in the game, in my opinion. It was the most heartwarming and bittersweet relationship, and it’s amazing to see how AI slowly changes in Sana’s company. By the way, their chess game with little puppies and kittens was adorable omg x) I’d love to write more on Sana and AI, but I don’t really have anything specific to say except that I just really, really loved how their relationship was portrayed. Definitely the best part about this week’s episode.

And now comes my biggest complaint: Alina’s debut. As one of the most popular and interesting MagiReco characters, I’m sure the entire fandom was looking forward to how the anime would go about introducing her. I don’t know if I just set my expectations too high or anything, but her entrance was extremely underwhelming for me. And a lot of the reasons were exactly the same as my dissatisfaction with Iroha’s jump: too rushed and too many missed opportunities. She just kind of appeared out of nowhere, and while I do appreciate the “shock value”, what annoyed me was the lack of of a proper “introduction” she got. AI stated her name, and Iroha questioned if she was a member of the Wings of Magius, but we didn’t get any answers. There was no explanation on who she was or what she was doing there, how she got in and what her relationship with AI was. Game players would know, of course, but I’m concerned that anime-only viewers will have no idea what’s going on and probably also have no idea that they just met one of the most important and popular characters of the franchise right now. Essentially, they’re just gonna be seeing a very flamboyant and crazy girl enter and wreck havoc but with no explanation about why she was doing what she was doing or what her connection was with the current situation and the bigger picture of the plot thus far. She just comes in and steals the spotlight, and while game players know that she definitely deserves the spotlight given who she is, anime-only viewers are probably going to be left wondering why this random green girl just came in, who the heck she is, and why everything is about her all of a sudden.

Another crucial piece of information that got lost in that very rushed and chaotic introduction was the fact that Alina actually used the word “Doppel”, which is the first time the term has been dropped in the anime. But again, no one even responded or reacted in any way (at least do the cliche thing where the protagonist repeats “Doppel?” or something LOL), but no she just keeps rambling on and yet another crucial piece of information is lost in the shuffle. What makes it possibly even more confusing is that her Doppel really doesn’t look like the Doppels we’ve seen so far; it could pass as her shooting random bits of paint-like oozy stuff instead, so I’m really struggling to see how anime-only viewers are going to make that connection and put the pieces together.

And if her entrance was underwhelming, then her “exit” was probably even worse lol. She just... disappears xD It’s quite anticlimactic considering how it looked like we were gearing up for Sana vs. Alina, and then she just suddenly gets kicked out lmao. I get that she’ll be back really soon, but it still felt way too abrupt? I think my main gripe about everything to do with Alina’s debut can be summed up in two words: too rushed. There’s so much about her character that’s interesting and vital to the story, but everything either gets glossed over really quickly or just dropped here and there with no response from the other characters. Even if they didn’t want to get into details right away, which is also fine, they could still have slowed down and built up some mystery and tension so that we’ll want to find out more about her because we’re interested and curious, and not because we have no idea what’s going on. Her appearance should have brought some answers to the questions raised throughout the story thus far, but instead she just brought more confusion and chaos lol.

But her entrance wasn’t all negative! They absolutely nailed her mannerisms. Basically everything that makes her so infamously crazy was delivered flawlessly. Her expressions, her movements, her voice, her speech, her word choice... she definitely entered with a BANG and she’s no doubt going to leave a deep impression on viewers, whether they understand her deal or not lol. The voice-acting was also top-notch, as expected of her seiyuu. Alina’s one of those characters where you really need to hear her speaking and see her moving to experience the full extent of her "charm”, and I’d say the anime definitely delivered in that respect and portrayed her uniqueness in a strong and memorable way, so props to them for that :D

^ I really wanted to use this image for this week’s review, but it’s technically Sana’s episode so I stuck with Sana xD Oh, and another thing I definitely loved about her entrance was hearing her saying so many of her lines from the game battles ^^

... Wow I just rambled and ranted for four whole paragraphs about Alina’s introduction, sheesus... Onto some other stuff now, shall we? ^^;;

One of the most interesting things to me about AI was how her appearance changes to become more and more like Sana. This is another example where the anime is able to illustrate things that the game isn’t capable of, and while I’m not sure if it’s a change or I simply missed it in the game because of the static AI sprite, I definitely liked this little detail. It not only shows how AI slowly becomes more and more human, but also highlights the fact that her form resembling Sana implies the influence that Sana has had on her. Sana is all AI has really ever known about humans and the “real” world, and all the human feelings and emotions she gains are because of Sana. It makes perfect sense that when she takes on a more human-like appearance, it’s going to resemble Sana in some respect. The little detail with the crown near the end was also really sweet ;___;

I really do think “mixed feelings” is the best way to describe my overall impression of this week’s episode xD Sana’s backstory and her relationship with AI had me in tears, but Iroha’s jump and Alina’s debut definitely had me raising my eyebrows a few times. I can overlook the Iroha part as just me being nitpicky over a trivial detail, but I really do hope that they step up their game with Alina next week. They definitely did her justice on a surface level, but in terms of her significance and relevance to the plot, not so much. She’s such an important character and her appearance marks a major plot point, so I hope we get the explanations and clarifications needed soon.

I have even higher expectations for next week, since not only is the showdown with Alina something I’ve been looking forward to for a while, but I’m also hoping that they “rectify” some of the issues this week lol. Fingers crossed that Alina gets some better writing, and they continue doing the amazing job they’ve done so far with Sana’s story! ^^

Sorry I’m so much more “negative” this week compared to how I usually am with my reviews, but I was looking forward to Alina’s appearance so much and was really sad to feel any ounce of disappointment :( Hopefully next week’s review will be back to just me fangirling throughout hehe~

[letstalksymphogear]

Symphogear, EP. 6

Last Time on Grand Theft Auto:

Tsubasa recovers from the world’s gayest coma as Hibiki trains her mind while putting aside such silly concepts as “the love of my life” and “literally being with my girlfriend.” After cooling Miku’s paranoia with her brand new washboard abs, Genjuro prepares the team for a pizza run across the city to deliver a dangerously hot pizza pie named Durandal. Chaos emerges as the delivery is intercepted by a rival pizza gang, lead by the nefarious Gremlin known as Yukine Chris. But, before the pizza could be claimed, dedicated pizza deliverywoman Hibiki not only steals it back, but eats it, harnessing the power of the pizza and unleashing cheesy pasta based chaos around the location.

Ryoko is so into it that she taps into her superpowers and protects Hibiki after she passes out. The delivery is considered a failure, and no tip is given.

And so, the journey continues...

Meanwhile, in this weird, tricked out mansion...

Chris meditates on some water metaphors of her own.

“that pacman colored freak took only touching it to activate a cheap ass french sword that gave her weird demon powers and its taken me YEARS to use this dumb stripper outfit and the funny cane that goes with it, what the FUCK man, what even is my life”

“maybe... maybe honeybaked hams ARE that powerful...”

“NO! turkey is the superior meat! it’s healthier, lower in fat, and way more tasty! fuck you! i’ll get my goddamned revenge!”

Chris begins musing about Fine’s motivations to capture Hibiki; during these, we’re treated to some brief image flashbacks of Chris’s life.

Suddenly, those jokes about food are a lot less funny.

It doesn’t take a genius to put two and two together as to why this young woman is helping a strange nudist dominatrix spread alien terror across the city of mumblednoises, Japan. She doesn’t really have many an option on the table. It’s either help the weird kinkster with her plans, or die.

Despite everything, she has a high opinion of Fine, for the same reasons someone might have a high opinion of a television show if it were the only show they were ever exposed to. She is deeply afraid of being alone again, because she has lived through such misery that the very thought of existing out in the cold again terrifies the shit out of her.

The Sun rises casually amidst Chris’s thoughts.

“ah shit. it just hit me. i literally have spent the entire night standing here instead of actually going the fuck to sleep. goddamnit.”

On such a devious metaphorical twist, Fine stands behind her as the Sun rises.

“yeah, jokes on you. i couldnt sleep for shit either. turns out, all nude, no blankets? in japan? real bad idea.”

“thats why i decided to GO GOTH, babey! whattaya think? do i give those witchy vibes, huh? real ‘black magic woman’ santana hours? feeling cute, gonna head out with the girls and summon satan in the woods kinda aesthetic looking shit? come on, be real with me. does this not look baller?”

“you look like morticia decided to go to the grocery store to buy some wonder bread, but other than that, its a step up from your usual pussy out attitude, so sure”

“you know i decided to get some brain cells on loan from Brain Cells R Us, and ive been thinking this solomon cane stuff is solomon lame. i dont need this dumb oversized harry potter cosplay prop to get shit done. also, murder is... sorta bad? im still trying to get the brain cell stuff down.”

“i can punch just as good as goody two shoes if not better.”

“lol go do it then champ, im gonna go cut down a forest of trees now”

And so, they both just kinda... stand there.

“QUACK, NEXT SCENE, QUACK”

Meanwhile, Tsubasa is rapidly trying to rehabilitate herself from her wounds like walking like a madman, her IV drip presumably filled with Taco Bell brand Doritos Locos Tacos super spicy nacho cheese. Taco Bell: Live Mas.

“im gonna clear every fucking taco bell in your goddamned memory, kanade”

“think outside the bun! wait, what? that was a taco bell slogan? ah fuck it, im dead. what nerd’s gonna try and correct me?”

“i would, kanade. i am that nerd.”

Tsubasa is hell bent to try and understand Kanade’s simple philosophy of helping others selflessly. Unfortunately, when Kanade died, she took all the brain cells between them in the process, so coming to this epiphany is a work in progress.

“listen its a fucking miracle you are 1. alive and 2. able to have your blood run on the garbage melted plastic taco bell tries to dupe people into believing is cheese so why dont you just lie down and think of better franchises to eat from”

“no! you dont understand! taco bell is a franchise of the PEOPLE! their meals are cheap and filling and- and the chicken quesadillas are of good quality for their price! i promised kanade- my vow to the death. taco bell... ergh... now and forever... i-”

“wait. my gay senses are tingling.”

It’s Hibiki, probably running track with Miku.

“oh yeah... her... i should probably apologize to her. about trying to kill her. and then letting her almost be kidnapped. and just giving her a general hard time about something that wasn’t explained to her in the slightest for months. she’s a good bean.”

Tsubasa proceeds to never canonically apologize to Hibiki throughout the entirety of all 4 seasons of Symphogear.

Look at em run. See, it’s a metaphor, because they haven’t communicated yet and they’re running from their problems! But they’re running towards Tsubasa, who is part of the representative problem these two share! Clearly literary genius.

It’s like someone went halfway into writing an NTR plotline and went “maybe this isn’t a good idea to market our songs on.”

Hibiki is still thinking about her Hellshake Yano moment with Durandal. Mainly how she nearly killed someone with it. Hibiki is very starkly in the “killing is bad, and wrong” camp of morality, a trait currently unique to her that she’ll wind up teaching literally everyone else she meets one way or another.

Some could argue the L stands for Lydian, and they’re wrong. It stands for Lesbian.

“that was one hell of a run, hibiki! im pooped! why dont we go to the locker room and call it a day, have a nice shower and just get some dinn-”

“this is the last straw.

i clean your plates. i cook your food. we eat, shit, shower, and sleep in the same FUCKING area, and this is how you repay me? huh? you think being your wife is easy shit, hibiki? half the damn time you’re running off like clark kent having food poisoning and the other half ive gotta babysit you, the emotional equivalent of a preteen clown, to make sure your life doesn’t self destruct harder than Atlantis sinking into the ocean. im done! i am DONE. im reopening my tinder, im slamming my ass BACK into okcupid, and im gonna date some CUTE ACADEMY GIRLS that treat me BETTER than this ABSOLUTE BETRAYAL OF HEART AND IM NOT CRYING I SWEAR ITS JUST THE SWEAT IN MY EYES AND HIBIKI HOW COULD YOU-”

“oh yeah, sure! hey, lemme just do a few more laps, ive just been feeling judgmental about myself and my figure, you know? gotta push myself further...”

“o-oh yeah, sure. no worries, ill wait for you. love you too, hibiki...”

The girls bathe together, as good friends typically do.

“hey you ever notice the showers here have like, weird psuedo-luxurious minipools to bathe in? like, how rich is this school?”

“whoever made this place is either rich or a pervert. or both, probably!”

Miku remarks that Hibiki has changed since she’s entered Lydian, in a manner most unheterosexual.

“oh FUCK you really DO have washboard abs now! ohhh my god.”

“damn, those abs were heavenly. let’s get pancakes later.”

I won’t screenshot it but something to note is that they actually wear each other’s corresponding underwear colors (or even, if you want to examine more closely, each other’s underwear). Here’s an equivalent scene to give you the mental image.

This is the face of someone who knows what they want and already have it. Such is the power of Kohinata Miku.

Meanwhile, Genjuro comes back from the funeral of the guy the Americans filled violently and with impunity.

“yo that all black look looks baller. i should borrow that look... id look pretty gothy in it.”

“ryoko i sympathize with your sharp, fashionista eye but this was for a funeral, i was paying my respects to the dead. thats the usual dress code.”

“didnt know they updated that. i remember back in my day, we just went in white garments and chanted in latin!”

“shit was fire. literally. lots of funeral pyres.”

“lmao ryoko buddy your larping sessions arent actual history”

“hey dont shit on larping around me. i used to be a professional larper while i was majoring in acting. helped really sell my career when i had to pretend to slay the Dark Lord Jyarloen atop the mountain of skulls in Hargobor after my family was killed by the Dark Army. asshole.”

“haha yeah, larping, thats cool yeah, i do that

i...

i larp.”

“oh yeah? you wanna join my larping session sometime then? we’re gonna do an ancient babylon plot thats inspired by some anime, itll be fun”

“.....................................im super into realism.”

“i know im dressed for a funeral but id like to not part ways with my dignity yet. besides, we’ve got serious shit to talk about. basically, we’re on the verge of getting shitcanned.”

As it turns out, the death of this politician removed the last obstacle of opposition to maintain the 2nd Division, as the average criticism against the 2nd Division is “why are we funding this mystery division when we don’t know what they do”. Of course, the sensible idea for an organization that defeats the Noise is to declassify it, given people of different jobs and positions have physically seen the Symphogear in action, but you know. “Oh no, the other governments will come after us” stick gets shaken.

“im in a union. i know my rights. you’re not taking my acting job here away from me.”

“im not going back to be a preschool teacher. its been ten year. the bites on my ankles still havent healed...”

“yeah man, shit sucks ass. i cant fund my adoption habits if im fired.”

Look at these cinematic parallels. Symphogear truly is a franchise made by someone living in 3030.

“worst part is the new minister is super into america. he’s a... westaboo.”

“a westaboo?”

“westaboo?”

“did he just unironically say westaboo”

“he said westaboo. oh my god. this is the hell timeline.”

“i mean people kept calling me that for worshipping all these fighting flicks so i guess it fit? i dont see the problem here”

Meanwhile, in Lydian Academy...

“so it hit me, right? we’re ALL girls. and we ALL sing. now, humor me a moment. what if... what if we’ve all been recruited to potentially be superheroes... through our singing? like, there’s no coincidence that all this shit happens around us, right? and a famous singer LIVES here? i saw the black cars outside! weird shit is happening here- im not even gonna eat the all you can eat bar anymore!”

“kathy there is literally no such thing as superheroes who sing. this place is more likely to be a organ harvesting op than whatever madness you’re saying”

“what? you need me, a singing superhero, to go stop a problem happening underneath the school, a location meant to recruit young women into potentially becoming fellow crime fighting singers?”

“yeah im too busy poppin’ caps in asses so go kick ass in my place”

“sure!”

“.....................................who ya talkin to, hibiki?”

“the boss! gotta go do a thing again...”

“hibiki, i dont like the fact that capitalism is tearing us apart.”

“you’ve gotta join me in the revolution, hibiki. you. me. luxury automated gay space communism. aint it the dream? share my vision, hibiki. its glorious.”

“n... no...? no gay space communism today? well, what about tomorrow? or the next day? or... maybe the next day? baby steps, you say? but, direction action, hibiki! we’ve gotta strike now!”

“it’s okay hibiki. when i take over the world and destroy all first world government leaders, and unite the globe in my encompassing reign and love... ill make sure to spare you, and be my bride to be.”

“thanks miku. im just not ready yet for the globe to burn in an unending ball of fire as the continents fuse into a new utopia composed of our combined wills. also, ive really gotta go, its genuinely an emergency.”

“for the cause!”

“yes hibiki... for the cause...”

Admittedly, you can see the stages of grief Miku goes through when she sees Hibiki say she can’t join her for pancakes. It’s sad. This side story sucks.

Meanwhile, as it turns out, the problem Hibiki needed to resolve was checking on Tsubasa to see if she hadn’t dissolved into Taco Bell brand hot n’ spicy Tabasco sauce.

“god, cant believe taco bell was closed. now i gotta deliver these lame ass flowers”

“cant wait to get threatened again. wonder what she’ll say. ‘hibiki, i should have killed you when i had the chance.’ or ‘you’re so goddamned weak. i could break your spine with my fingernail’, or some other stuff about metaphors. oh, my stops here”

“HEY BITCH WHATS GOOD-”

“HOLY SHIT”

“you are already”

“dead.”

[miximax-hell]

Happy birthday to me. /o/ And that’s the first and last time I mention it in this post. I don’t care and you shouldn’t either—I just want cake.

FubuGabu is back! Not by popular demand because, well, no one has asked for it, although the feedback I got was lovely. But, hey, I had this material ready, so might as well do something with it, lame as it might be.

These are some early and not-so-early doodles of FubuGabu. The latter was pretty much the base of the final design, but the former… that’s from 2014 or something wild like that. I actually had many more doodles and concepts, but I hated them all so much that I erased most of them. I’m surprised I could save that one. I might have kept it because it was a full lineart, I guess. In any case, I’m glad I could find that much.

Since it’s fitting to do, let’s talk about FubuGabu’s design today! There’s a lot to talk about, but my memory is awful, so I’m sure I’ll forget about some things. I hope it won’t betray me too much.

Anyway, as usual, more under the cut.

Well, well, well. Ain’t this boy one little shit. Fudou gave me nightmares. Kidou is still giving me nightmares (to the point where I’m considering changing the idea I’ve had for around a year now). Someoka was awful to draw and make sense of. Max’s tail was awful to work with. But Fubuki? Fubuki is on a whole different level.

Let’s start by talking about the final design, since that’s the better one. Not even good, just better. That’s an epic victory as it is, so who cares.

FubuGabu’s design, as the reference sheet and my last post states, is not based on Gabumon, but on Gabumon’s line. What this means is that it has elements from (almost) every single one of Gabumon’s evolutions. Just for the sake of satisfying people’s curiosity, namely @IshidoShuuji’s, I’ll list the different elements here, since that’s the easiest and most straightforward way to explain it:

Tsunomon: eyes, colour of the face.

Gabumon: horn, face stripes, teeth, hair ears.

Garurumon: eyebrows, pretty much all of the hair, hair tail, forehead marks.

WereGarurumon: nose stripes, pretty much all of the hair, earrings, eye scar.

So, no, MetalGarurumon, Punimon and Omnimon/Omegamon aren’t part of the design. …Or are they?

Just kidding. They are not. ww But you shouldn’t rule them out just because of that. Well, no—rule Omnimon out. There will be no Agumon miximax, so that isn’t going to happen. I don’t want to keep people’s hopes up for nothing. I made it pretty clear from the start that I wouldn’t use a franchise twice, but I bet most people don’t know that. So, yeah.

Now that I have broken down the elements, let’s look at them from up close. This is truly a difficult design to understand, so I’ll get the explaining done as I move along.

Let me start with Tsunomon’s part. I used the colour of Tsunomon’s skin because it looks human: I didn’t want to turn Fubuki into a furry—I mean, have him all covered in hair, because it just looks weird. It was either Tsunomon’s skin or Gabumon’s, and he’s BRIGHT YELLOW. So you’re welcome.

The eyes have changed very dramatically. Tsunomon’s aren’t all that complex compared to Gabumon’s, for example, so it was easier to pull off without screwing up too much. That’s in the early concept you can see above, Fubuki has eyes based on Gabumon’s instead and it looks like he’s using about 4kg of eyeliner, hah— You’re gonna run out of money if you wear so much of it every single day, pal.

They’re not exactly Tsunomon’s eyes, although it’s a rather radical change. As I mentioned when I talked about Creature miximaxes, eyes get rather distinctive shapes when animals (or monsters) are involved. I did something that goes against my analysis, though: I added light to FubuGabu’s eyes. Just because I hate myself and because it looked kinda weird without it.

While Tsunomon’s eyes are completely round, FubuGabu’s actually follow the shape of Fubuki’s eyes, although vaguely. The irises are Fubuki’s, period. I simply extended the lines to match the new shape of the eye. The lower eyelid creates a straight line based on the hypothetical line of Fubuki’s eyes, which is visible in coloured art. The outer part of the eyes also matches that of Fubuki, not to mention that I kept the fold over the upper eyelid and the little marks below the eyes. The main difference, therefore, is the thicker contour (which is linked to the spikes) and the curve that replaces the right angles on Fubuki’s usual eyes.

Let’s move on to Gabumon. His marks were probably the toughest to place, and it doesn’t help that Fubuki’s refs are so BAD. REALLY. Many, most characters have references that match. Maybe not perfectly, but almost. But Fubuki? Fubuki ain’t need none of that crap. When you are this FABULOUS, no one cares about your face changing size and shape in every screenshot or your hair going longer and shorter every 5 seconds. Everyone is blinded by your sparks, anyway, so who will notice?

I noticed. But anyway. ww

Since Gabumon only has markings on half of his body (since the rest is all yellow), I let FubuGabu borrow those on Gabumon’s nose. Actually, if you were to strip FubuGabu (please don’t do that), you’d see that his whole body is covered with markings. I like to think that those belong to Gabu, even if they could easily belong to Garuru or Were instead. Still, that means that the marks on his neck are Gabu’s.

As for the marks on his cheeks, they were very easy to place on the front view and frustrating to figure out elsewhere. I just gave up on them at some point and thought, “meh, Inazuma has pulled off weirder stuff!” They’re supposed to end somewhere behind the jaw, though, but before reaching the neck. Hence why I actually drew the jawline ww

The horn and the teeth are pretty self-explanatory, but I’ll point something out about the latter: I only added two teeth even though Gabumon has many because I wanted some kind of parallelism with Someoka. He, too, has two teeth, but they grow on the opposite direction. True teammates who complement each other!

Now, for the hair ears, aka those things growing from the sides of his head. Those are 100% hair—they don’t really serve a purpose. As such, using Gabumon’s seemed like the best idea. After all, what makes WereGarurumon’s ears interesting are the earrings, but how do you put an earring on hair? As for Garurumon, his ears are just more boring than Gabumon’s. Gabu’s ears are kind of quirky and worn out, which is a cool little thing that I felt like adding. Also, Garuru’s ears go upwards and I didn’t dig that.

Regardless, Garurumon is probably the star of this design. Most of the bigger elements are based on him, after all. You could argue that many of them also belong to Were, but I was looking at Garuru when I designed them. I guess that’s enough of a reason. I guess.

There was an element of Garuru’s design that I really, really wanted to add to Fubuki: the feather-shaped hair growing from his back. You know, these things:

After fiddling with that idea a whole lot, I eventually realised that it was best to keep it simple and shape Fubuki’s hair to look like those… however you wanna call them. I’ll just call them feathers. It may not be a perfect resemblance (and it may not make perfect sense either lmao), but I definitely thought it looked the best. These are actually not too hard to draw:

The first feather (from the top) follows the natural curve of Fubuki’s hair, but instead of curving down again, it creates an arrow-like shape.

The second feather starts and ends in the exact same spots as Fubuki’s, but instead of curving upwards, it’s completely horizontal.

The third one is the trickiest: it’s long and doesn’t match Fubuki’s normal hair. The part that touches the second feather starts where it should, but the part that touches the fourth one doesn’t. It’s tough to explain, so here’s a picture that will hopefully make it all clear:

The last feather is shorter and isn’t as diagonal as the third one, but it does start and end at odd places, too. The “trick” to draw it is keeping in mind that the third and the fourth feathers end at pretty much the same height:

The fifth feather isn’t even a feather; it’s just a simple spike. Nothing relevant there ww

Garurumon is also responsible for the marks next to the ears and the one on the forehead, not to mention the top of the head in general. The ones on the ears weren’t too bad, but the forehead was frustrating. As I mentioned, Fubuki’s references are a mess and I draw over them for the sake of keeping the original proportions, but it backfired in this case. Since they’re all so different from each other, Fubuki’s forehead grows bigger or smaller depending on the view, so the forehead mark is radically less visible sometimes, even though it technically shouldn’t be. Still, rather than repositioning it every time, I thought it made more sense to place it correctly to settle for a specific place, so that’s what I did.

Now, the top of the head is tricky. Let’s start by saying that it’s based on Garurumon’s back. Maybe WereGarurumon’s too, but I couldn’t find a single picture of Were’s back, so who knows. As you can see in the following image, Garuru’s back has a long, thin line that goes from his head to his tail, and that’s exactly what happens to FubuGabu too. You can’t quite see the end of the line because of the hair, but it’s still there… technically.

That thin line sprouts into a bunch of rugged lines, and that’s exactly what happens with FubuGabu too. The lines are rather random (and I didn’t spend much time figuring the size out, whoops), but they do follow some certain shapes. The closest line to the face might be rugged, but it goes straight down. The second one starts from way back, but it’s shaped like an arrow pointing at the face. The tips of both lines are fairly close, too. The third line is way smaller than the rest, and is also the last one you can see, but definitely not the last one in general.

Let’s talk about Fubuki’s little sprout as well. As you know, Fubuki’s sprout has two locks of hair, but FubuGabu’s has three. That’s because FubuGabu’s is also based on Garurumon: to be more specific, on this part:

I tried adding that part just the way it is by sticking it to the forehead, but I didn’t like the result at all, so I figured it was best to do something funny with Fubuki’s sprout instead. Oh, well. Choices! And talk about choices, I added Garurumon’s tail simply so the hair would be a complete portrayal of his figure. As I mentioned in the post I linked to above, miximaxing with creatures often leads to that, so yeah.

The hair is obviously the biggest and most visible part of FubuGabu’s design, but Garuru hogs quite a few other spots. Not Gabumon, nor Tsunomon, nor WereGarurumon (nor Punimon) have eyebrows, so I was pretty much forced to use Garurumon’s. Not like I mind, because they’re pretty awesome. It’s kind of sad that they’re usually not visible, but, to be honest with you guys… they’re kind of a pain to draw because of their very specific shape. So I’m secretly glad. ww

And last, but not least, WereGarurumon. Ah, what a little shit. How come there are official linearts for MetalGarurumon, but not for WereGarurumon? Anyway. ww

Were’s contribution is pretty straightforward. Earrings, a scar and marks. There are a couple of things worth mentioning, though.

For the earrings, I noticed too late that Were has both white and red earrings. I was going to use the red earrings because they stand out more, but I noticed that the visible ear was on the side of the white ones… And it was too late to change the design completely, so I just went for the white. Too bad, but life is simply unfair. Especially when you don’t pay attention.

Now, the nose marks are funny. I struggled so much with those. As you can see on the second picture of this post, they were originally going to be shaped like triangles, but I didn’t dig that. And even after I changed the design, I couldn’t get them right, which was… frustrating.

(Also, it took me a long time to realise that the bridge of the nose would be hiding one half of the marks in every view except the front one. After I did, though, everything finally looked better. Thank goodness.)

Anyway, I think that pretty much covers the final design, but let’s also talk about the early designs real quick.

Nothing much to say about the second picture of the post. I just made sure to make some sense out of the markings and retouched the elements I mentioned above. Well, I tried to polish everything, really.

Now, the first picture of the post is easily over 2 years old. It was one of the first, if not the very first, concept of FubuGabu. And, man, what a mess.

It was like, “what does Garurumon have? Feather thingies! SO LET’S ADD THEM EVERYWHERE.” The feather thingies appear on his forehead, the locks of hair over his face, on his hair and even behind his head. I could never figure the latter out—but, man, did I spend hours trying to make those work. And all because Garurumon has feather on his face and on his back, so I felt like FubuGabu needed two layers of feathers too. Thankfully, I eventually realised many of these elements simply weren’t needed, like that second layer of feathers, the earrings on Garurumon’s ear (which, again, are made of hair, so wtf), and… the ring at the end of the tail? Where did that come from? This is Garurumon, not Gatomon! Geez, self!

Some of the early elements made it to the final design. The overall shape of his eyebrows, the markings on the head, the neck and the cheeks and even the horn, just to mention a few. The final feel to it is completely different, though.

This is probably because of how different the hair looks. FubuGabu’s original hair was full of feathers, but they didn’t fit Fubuki’s normal hair. They were randomly coming out of his head for whatever reason. Not to mention that the hair falling over his face looks like tentacles rather than anything else. It looks like a miximax with Squidward rather than with Gabumon. Ugh, I hate myself. XD

One last note: I don’t know where the forehead mark on that first design comes from. I guess it’s meant to be Gabumon’s, somehow? I forgot and I’m too tired to investigate it. It probably never made sense, anyway. XD

I think I covered everything! But, phew, that took long. Still, if anything isn’t clear or there’s something I forgot to mention, please let me know!

(Also, I’m too tired to re-read this post, so excuse the many typos that I probably made. I’ll check it out... eventually.)