#Tyler Perry's Sistas Season 3 | Explore Tumblr Posts and Blogs

imthefailedartist · 2 years

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Professional Background Noise

If you ever just want to watch something but it's really nothing, but it's got enough stuff happening to keep you entertained but it's nothing that matters it's Tyler Perry's Sistas and The Oval.

When I say they contain everything, I mean they contain everything. And when I say they contain nothing, I mean they contain nothing. Repetitive stilted dialogue, long static scenes, messy inconsistent characters, missing & random plot lines. Good or decent actors being terrible because their writer and director gives them no instructions, rehearsal time, do-overs, stage direction, etc.

I read an article by sometime who did a set visit, they said he recorded 20 plus episodes in 2 weeks. In an episode of a podcast someone said his scripts don't go through rewrites. He doesn't do stand-ins, or specific lighting. He does flat white light over everything, on Black people. They look so dry and ashy sometimes.

They shows are all equally wild and boring.

Kidnappings, cheating, murders, the president and first lady going toe to toe, cults, sex scandals, serial killer pervert, torture, the president is getting nasty in the oval. We have yet to see the VP and are 3 seasons deep.

This man introduces plot after plot, and none of them ever get resolved. A man's daughter was kidnapped in episode one and has yet to be returned because she's on the spin off (on which a man gets his penis sniffed)

On Sistas each of the girls are seeing a man they don't really like or understand, but won't leave them. One is an abuser but also not?!?! One lady has turned into a stalker, one is dating a white man and can't get over it. One is dating a man who likes anal play (to him) and wearing panties but she can't get over it. PEG him sis! One is the dumbest lawyer of all time. Fatma is the only one not horrible. They are the worst of friends. The men are hit and miss. The one gay character is a sex obsessed caricature of gay characters from the past, he only speaks in soundbites. Zatima is the only couple worth something, they have real chemistry.

Tyler Perry's has the market cornered in professional background noise.

#mindless #turn your brain off #tyler perry #sistas #the oval #bet network #black love #black writers #black screenwriters #background noise #bad direction

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tabloidtoc · 4 years

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TV Guide, October 12-25

You can buy a copy of this issue for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks

Cover: Michael Weatherly of Bull

Page 1: Contents, Editor’s Letter, Supernatural (the November 9 cover of TV Guide will feature Supernatural)

Page 2: Ask Matt -- Stumptown, Lovecraft Country, Your Feedback, Coming Next Issue -- Fall’s Top Shows

Page 3: Milestone -- Curb Your Enthusiasm 20th anniversary

Page 6: Ratings -- Emmys’ big drop, a successful Transplant

Page 7: What’s next for the cast of Schitt’s Creek, Commercial Watch -- Patrick Stewart as Jean-Luc Picard vs. Mark Hamill as Luke Skywalker for Uber Eats, Series Scoop -- Ty Pennington, Lorraine Bracco, Lisa Edelstein, Liv Tyler, Alan Arkin, Supergirl

Page 8: The Roush Review -- The Haunting of Bly Manor

Page 9: The Right Stuff, Walter Winchell: The Power of Gossip, Next

Page 10: Cover Story -- Bull’s new normal -- Bull as a family man? Chunk a lawyer? Marissa arrested? The TAC team faces a mountain of changes in Season 5 -- Michael Weatherly previews the drama

Page 12: Returning Favorites -- Monday -- Freddie Highmore previews season 4 of The Good Doctor

Page 13: His Dark Materials

Page 18: The Neighborhood, Bob Loves Abishola, The Voice, Below Deck, All Rise

Page 20: Tuesday -- This Is Us

Page 21: Ellen’s Game of Games, The Curse of Oak Island, Tell Me a Story

Page 22: NCIS

Page 23: Chris Harrison on The Bachelorette

Page 24: FBI, FBI: Most Wanted

Page 26: Wednesday -- Chicago Fire, Chicago Med

Page 27: Chicago P.D.

Page 28: The Conners

Page 31: S.W.A.T.

Page 32: Seal Team, For Life, Tyler Perry’s Sistas, The A Word, Baroness Von Sketch Show

Page 34: Black-ish, American Housewife, The Goldbergs

Page 35: Phil Keoghan on The Amazing Race

Page 36: Thursday -- Grey’s Anatomy

Page 37: Law & Order: SVU

Page 40: Station 19

Page 41: Young Sheldon, Ben Feldman on Superstore, Mom

Page 42: Sonequa Martin-Green on Star Trek: Discovery

Page 43: A Million Little Things, Supernatural, The Unicorn

Page 44: Friday -- Blue Bloods, cop shows’ new look -- here’s how police dramas are changing the way they tell stories about law and order

Page 45: Magnum P.I., The Blacklist

Page 46: MacGyver, Shark Tank, The Mandalorian

Page 47: Tis the start of the Christmas movie season -- your days and nights will be merry and bright when these annual film fests return beginning October 23 -- yes, before Halloween

Page 48: Sunday -- Chelsea Field on NCIS: New Orleans, R. Scott Gemmill on NCIS: Los Angeles

Page 49: The Crown -- costume close up, America’s Funniest Home Videos, Card Sharks, Who Wants to be a Millionaire

Page 50: Fear the Walking Dead, The Spanish Princess

Page 52: Calendar of all your returning favorites

Page 54-68: TV listings

Page 70: Stream It! Your guide to the best streaming available -- Netflix -- David Attenborough: A Life on Our Planet, The Trial of the Chicago 7, Rebecca, Evil season 1

Page 71: Prime Video -- Mr. Robot, The Glorias, Hulu -- Treadstone, Terminator: Dark Fate

Page 72: New Movie Releases

Page 73: Series, Specials and Documentaries

Page 74-94: TV listings

Page 100: Cheers & Jeers -- cheers to Samuel L. Jackson, Michelle Buteau, Dancing With the Stars, jeers to too many name changes, Big Brother, L.A.’s Finest

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kj-smith · 3 years

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Working on the set of a TV show can be stressful, especially during the COVID-19 pandemic. However, KJ Smith, an esteemed actress currently preparing to film Season 3 of the BET series Sistas by Tyler Perry, recently explained that her return months ago went extremely well.

#KJ Smith

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jeanvaljean24601 · 4 years

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Tyler Perry on How He’s Managed to Safely Make TV During the Coronavirus Pandemic

Tyler Perry wants you to wear your mask. After successfully completing production on his BET series “Sistas” without a single case of COVID-19 during the two-week shoot, shooting on “The Oval” is up next, with cast and select crew beginning to arrive at Tyler Perry Studios for their stint in “Camp Quarantine” on Thursday. And Perry says there’s not much he plans to do differently this time around, especially when it comes to having everyone wear masks both on-set and around the 330-acre campus.

“I made sure that the cast and crew and everybody wore their masks when they weren’t on set because I do know for a fact that masks help stop the spread — scientifically, I know that,” Perry tells Variety. “And everybody adhered to that, even though we were all testing negative. I just didn’t want someone to be incubating with [COVID-19] for three to 12 days, and we not know it.”

Perry and the “Sistas” crew wore their masks between 12 and 14 hours while shooting the 22-episode season, with an hour and a half lunch break as a chance to catch their breath.

“Listen, I was the mask police. Every time I saw something I was screaming about it,” Perry says. “It’s summer in Georgia so credit to the crew — it’s burning up here and they were still doing the right thing. So, I gave a lot more breaks for people to have water because we had a couple people that got dehydrated from all the heat, and the water breaks were actually the ‘breath break’ where you can pull your mask down, drink some water and get some fresh air.”

Of wearing his mask while directing the show, Perry admitted that he did feel “mask-drunk” from time to time due to lack of oxygen, but the team got through it. “For me, once I got the actors comfortable seeing me looking like a man from outer space, it was fine. But you’ve got to remember that I direct in a wig and a dress sometimes so that wasn’t as odd for me,” he quipped.”

To perfect their method of working in the quarantine bubble, Perry’s team worked with Emory University’s Dr. Carlos Del Rio, Dr. Sanjay Gupta and Dr. Colleen Kraft to execute a rigorous testing schedule with a nasal swab test administered upon arrival at Tyler Perry Studios and follow up tonsil tests every four days on site.

“Every fourth day was so important and that’s when my anxiety was raised most was in those first two tests because I was so concerned,” he recalls.

After the first 160 cast and crew moved into Tyler Perry Studios, two people tested positive during initial the sequestering period. When the next 200 people arrived a few days later, two more people tested positive during their initial test. Those four people never worked on set and were sent to get medical attention.

“I felt this wave of relief after the last test results, where everybody was negative, I was like, ‘Okay, we pulled it off,’ so I’m so proud of my crew,” Perry says, celebrating his group of “underdogs” for the achievement. “I don’t know how any other production, if you’re not in quarantine, I don’t know how you do it, but testing is key.”

Though Perry took extra care to address COVID behind the scenes, he says that his shows will not reference the pandemic in any upcoming storylines.

“All these scripts were finished right at the time that COVID started to show up,” Perry explains. “And also, what I know about COVID is people are tired of hearing of it, and entertainment is escape, so I don’t think my audience want to brought into more of what is happening in their reality. All of my work has been about escapism, so I’m just going to hold to escapism.”

One challenge to production, though, is operating with a reduced crew size; Perry says his crews were reduced by about 80-100 members, with a total of 360 people on site for production on “Sistas.” When asked whether he thinks shows will continue to go on with reduced crew sizes after the pandemic is over, he concedes that there is some financial reasoning to do so.

“I think that the producers and the people who are controlling the purse strings would definitely want to hold it to this [size],” Perry says. “But I can tell you that it was stressful on some of my crew, because they were they were down people. So, I would make sure that they had what they needed to continue this way.”

Citing one specific example, he adds, “The extras are a problem, especially when you’re doing big scenes and you only have 10 extras. You’re changing their clothes, moving them around the room and hoping that people don’t recognize them, trying to shoot the back of their heads or having the crew jump in and be extras. That was a challenge. Some things I think we will be good for this [to continue], but others won’t work.”

Another challenge to producing content during the pandemic is the sheer cost — which in Perry’s case, included housing all cast and crew at Tyler Perry Studios and flying out-of-town players into Atlanta via private planes. Perry previously told Variety that he expected costs to be high, now estimating that after producing “Sistas,” “The Oval,” “Ruthless,” and “Bruh” (which will all shoot in succession), the total could be somewhere around $18 million.

Michelle Sneed, the president of production and development for Tyler Perry Studios, further detailed the logistics of filming, explaining that the ultimate cost of COVID precautions was somewhat higher than initially budgeted for, though most of the extra spending was unavoidable.

“The most important thing is to trust people to do their job and to be able to acclimate to whatever these COVID standards are,” Sneed says. “What COVID does for production is slow it down — it costs money and it slows it down. So, our thing was, is it going to be ridiculous for cast to wear masks? Can a cast member really take off their mask as soon as they open their mouth to do a scene? Absolutely — they can and they did. Can our camera people really wear a face shield with a mask even if he wears eyeglasses. Absolutely, yes he did. So I think it’s trusting these professionals and crew to do what they have to do.”

Prior to filming, Perry’s team added 315 one-bedroom housing units with private bathrooms (which Perry likes to call “luxury mobile hotel rooms” or pods, which house 14 people each) in addition to the 60 housing units for cast and crew. They also added more than 70 golf carts (according to Sneed, most productions would have 20-25 golf carts) for transporting cast and crew around the campus and allowing for more social distancing than average production vehicles. In addition to two COVID compliance officers, Perry’s team also employed a safe service officers to oversee food. Sneed says they also ended up doubling the housekeeping staff on site.

The most significant cost, though, came with the different kinds of PPE gear each department would need to perform their specialty, which required “trial and error” to figure out. “We’d discover we have to get the $15 per face shield, versus the $3 one that we had budgeted for, for departments that rely heavily on face shields, or get these version of the goggles for this department, so that really adds up,” she explains.

Perry and his team also paid for the cast to have some socially distanced fun too. “When you’ve got 360 adults were working these kinds of hours, of course, I had to have a bar, food trucks, and movie night on the lawn and church on Sunday, so that people could feel like they were at least not in prison,” Perry says.

And in addition to working during the pandemic, Perry is also filming during industry’s internal reckoning about how the Black Lives Matter movement relates to changes needed in Hollywood.

“George Floyd’s death, as horrific and tragic as it was, it was the thing that was the catalyst to open people’s eyes,” Perry says. “When people saw that played out — eight minutes and 46 seconds, real time video of what really happened — I think it just struck a chord of the conscience of America. So, to see so many races galvanizing together to come and fight this level of injustice has been so moving to me. I just want to be sure that that message doesn’t get lost about what we’re fighting for. More than anything I’m grateful that all industries are waking up and going. ‘Wait a minute, there is something that we can do here there is something wrong.’ That makes me very proud of just the human spirit of our country.”

Speaking of the record-number of Black actors nominated for Emmy Awards this year, Perry says: “It says a lot about the Emmys, the governors and the voters and all that they’re doing to try to at least hear — that’s what it’s so important — that we hear each other. I was very happy to see that because I feel like Hollywood Is a place that dreams come true for everybody, and to have the Emmys recognize so many people of color, it was really, really moving for me.” x96 tv box

When it comes to what else he wants to see from Hollywood, Perry defers to the mentality that has gotten him so far professionally.

“I come from a people who had to find a way — make your own way, own your own way, build your business, build your studio. That’s my mentality, so rather than asking Hollywood what they can do, I want to see more people like me, just come in and own, and take a sledgehammer to anything that is unjust,” he explains. “Ownership is what really changes things long term, because what happens is, when there’s a movement, people get excited and they’re with it. But when it fades, things tend to go back to where they were. If there are more people in ownership and more people in power and more people rising through the ranks in Hollywood, I think that is that is the change that is really needed to make a long-term difference.”

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tvrundownusa · 11 months

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tvrundown USA 2023.05.31

Wednesday, May 31st:

(exclusive): Drag Me to Dinner (hulu, party planning competition, all 10 eps), Fake Profile (netflix, Colombian steamy drama series, all 10 eps)

(movies): "Mixed by Erry" (netflix, Italian real life dramedy, 90mins)

(streaming weekly): Dr. Romantic (hulu, season 3 opener, first 4 eps), "Class of '09" (hulu), The Clearing (hulu), Saint X (hulu, limited series finale), Platonic (apple+), High Desert (apple+), Ted Lasso (apple+, season 3 finale), The Good Bad Mother (netflix), The Ultimatum: Queer Love (netflix, next 4 eps), "Rhythm + Flow: France" (netflix, season 2 finale)

(specials): "FDR" (HIST, night 3/3, docu-series finale, 2hrs+), 2023 Scripps National Spelling Bee (ION, semi-finals, 2hrs), 30 for 30: "The American Gladiators" (ESPN, finale, 2hrs)

(earlier - hour 0): Nick News (NICK, monthly special)

(hour 1): Nancy Drew (theCW, final season 4 opener, new night), MasterChef (FOX)

(hour 2): Riverdale (theCW), Gordon Ramsay's Food Stars (FOX), Sistas (BET, Tyler Perry's season 6A opener)

(hour 3): Dave (FXX, ~70mins, season 3 finale), Mayans MC (FX, 85mins), We Need to Talk About America (FUSE, part 1 of 2), . / Awkwafina Is Nora From Queens (COM)

(hour 4 - latenight): SisterS (IFC), Mayans MC (FX, contd)

[on hiatus, midseason finales aired last week: House of Payne (BET) / . / Assisted Living (BET) ]

#NancyDrew #DragMeToDinner #ScrippsSpellingBee #television

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sistas-s3e1-online · 3 years

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PLAY NOW ⊳ Tyler Perry's Sistas « Season 3 Episode 1 » [BET] Full Episodes

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Thanks For All And Happy Watching! TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed TNTween shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. The first national color broadcast (the 01030 Tournament of Roses Parade) in the US occurred on January 010, 01030. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 0103, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 0103, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 01010s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 01010s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 1 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 1003, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 1003, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! Thanks for watching Videos Today. I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we’ve shared so that we more excited. Sprinkle cheerful smile so that the world back in a variety of colors, Stay safe and Stay home. Thank you very much and Enjoy for watching.

#Tyler Perry's Sistas #Tyler Perry's Sistas Season 3 #Tyler Perry's Sistas Season 3 Episode 1 #Tyler Perry's Sistas Season 3 Episode 1 Online

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