#USA TODAY Bestseller

[sarah-maclean-completist]

The USA Today bestseller list vanished and only Sarah MacLean seemed to notice.

Sarah MacLean, a bestselling romance novelist who had noticed that USA Today did not update its list last week, said she and many of her peers valued the USA Today rankings because of their length, diversity and transparency.

“You get a broader view of the publishing industry and what people are reading,” said MacLean, whose books — most recently, “Heartbreaker” in early September — have frequently appeared on the USA Today list. “For a genre like mine, which is often forgotten, the USA Today list was invaluable.”

[romelialungusblog]

Author interview 210 - Astrid V.J.

Sweden Age 35 Award-winning and USA Today Bestselling Author, Astrid V.J. was born in South Africa. She is a trained social anthropologist and certified transformational life coach. She currently resides in Sweden with her husband and their two children. In early childhood, she showed an interest in reading and languages–interests which her family encouraged. Astrid started writing her first…

[mostlysignssomeportents]

Amazon's bestselling "bitter lemon" energy drink was bottled delivery driver piss

Today (Oct 20), I'm in Charleston, WV at Charleston's Taylor Books from 12h-14h.

For a brief time this year, the bestselling "bitter lemon drink" on Amazon was "Release Energy," which consisted of the harvested urine of Amazon delivery drivers, rebottled for sale by Catfish UK prankster Oobah Butler in a stunt for a new Channel 4 doc, "The Great Amazon Heist":

https://www.channel4.com/programmes/the-great-amazon-heist

Collecting driver piss is surprisingly easy. Amazon, you see, puts its drivers on a quota that makes it impossible for them to drive safely, park conscientiously, or, indeed, fulfill their basic human biological needs. Amazon has long waged war on its employees' kidneys, marking down warehouse workers for "time off task" when they visit the toilets.

As tales of drivers pissing – and shitting! – in their vans multiplied, Amazon took decisive action. The company enacted a strict zero tolerance policy for drivers returning to the depot with bottles of piss in their vans.

That's where Butler comes in: the roads leading to Amazon delivery depots are lined with bottles of piss thrown out of delivery vans by drivers who don't want to lose their jobs, which made harvesting the raw material for "Release Energy" a straightforward matter.

Butler was worried that he wouldn't be able to list his product on Amazon because he didn't have the requisite "food and drinks licensing" certificates, so he listed his drink in Amazon's refillable pump dispenser category. But Amazon's systems detected the mismatch and automatically shifted the product into the drinks section.

Butler enlisted some confederates to place orders for his drink, and it quickly rocketed to the top of Amazon's listings for the category, which led to Amazon's recommendation engine pushing the item on people who weren't in on the gag. When these orders came in, Butler pulled the plug, but not before an Amazon rep telephoned him to pitch him turning packaging, shipping and fulfillment over to Amazon:

https://www.wired.com/story/amazon-let-its-drivers-urine-be-sold-as-an-energy-drink/

The Release Energy prank was just one stunt Butler pulled for his doc; he also went undercover at an Amazon warehouse, during a period when Amazon hired an extra 1,000 workers for its warehouses in Coventry, UK, in a successful bid to dilute pro-union sentiment in his workforce in advance of a key union vote:

https://jacobin.com/2023/10/the-great-amazon-heist-oobah-butler-review

Butler's stint as an Amazon warehouse worker only lasted a couple of days, ending when Amazon recognized him and fired him.

The contrast between Amazon's ability to detect an undercover reporter and its inability to spot bottles of piss being marketed as bitter lemon energy drink says it all, really. Corporations like Amazon hire vast armies of "threat intelligence" creeps who LARP at being CIA superspies, subjecting employees and activists to intense and often illegal surveillance.

But while Amazon's defensive might is laser-focused on the threat of labor organizers and documentarians, the company can't figure out that one of its bestselling products is bottles of its tormented drivers' own urine.

In the USA, the FTC is suing Amazon for its monopolistic tactics, arguing that the company has found ways to raise prices and reduce quality by trapping manufacturers and sellers with its logistics operation, taking $0.45-$0.51 out of every dollar they earn and forcing them to raise prices at all retailers:

https://pluralistic.net/2023/04/25/greedflation/#commissar-bezos

The Release Energy stunt shows where Amazon's priorities are. Not only did Release Energy get listed on Amazon without any quality checks, the company actually nudged it into a category where it was more likely to be consumed by a person. The only notice the company took of Release Energy was in its logistics and manufacturing department – the part of the business that extracts the monopoly rents at issue in the FTC case – which tracked Butler down in order to sell him these services.

The drivers whose piss Butler collected don't work directly for Amazon, they work for a Delivery Service Partner. These DSPs are victims of a pyramid scheme that Amazon set up. DSP operators lease vans and pay to have them skinned in Amazon livery and studded with Amazon sensors. They take out long-term leases on depots, and hire drivers who dress in Amazon uniforms. Their drivers are minutely monitored by Amazon, down to the movements of their eyeballs.

But none of this is "Amazon" – it's all run by an "entrepreneur," whom Amazon can cut loose without notice, leaving them with unfairly terminated employees, outstanding workers' comp claims, a fleet of Amazon-skinned vehicles and unbreakable facilities leases:

https://pluralistic.net/2022/04/17/revenge-of-the-chickenized-reverse-centaurs/

Speaking to Wired, Amazon denied that it forces its drivers to piss in bottles, but Butler clearly catches a DSP dispatcher telling drivers "If you pee in a bottle and leave it [in the vehicle], you will get a point for that" – that is, the part you get punished for isn't the peeing, it's the leaving.

Amazon's defense against the FTC is that it spares no effort to keep its marketplace safe. As Amazon spokesperson James Drummond says, they use "industry-leading tools to prevent genuinely unsafe products being listed." But the only industry-leading tools in evidence are tools to bust unions and screw suppliers.

In her landmark Yale Law Review paper, "Amazon's Antitrust Paradox," FTC Chair Lina Khan makes a brilliant argument that Amazon's alleged benefits to "consumers" are temporary at best, illusory at worst:

https://www.yalelawjournal.org/note/amazons-antitrust-paradox

In Butler's documentary, Khan's hypothesis is thoroughly validated: here's a company extracting hundreds of billions from merchants who raise prices to compensate, and those monopoly rents are "invested" in union-busting and countermeasures against investigative journalists, while the tools to keep you from accidentally getting a bottle of piss in the mail are laughably primitive.

Truly, Amazon is the apex predator of the platform era:

https://pluralistic.net/ApexPredator

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/20/release-energy/#the-bitterest-lemon

My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!

[booksofdelight]

USA Today’s Weekly Bestseller Booklist Returns After Months of Being Offline

USA Today’s Weekly Bestseller Booklist Returns After Months of Being Offline

USA Today’s weekly list of bestselling books makes its returns after months long hiatus. USA Today’s Weekly Bestseller List Returns It has been offline since December and has finally returned on Wednesday to resume its weekly schedule. The list was stopped after Mary Cadden, the compiler of the list, was laid off along with hundreds of other workers at Gannett. A big reason for that list…

[drchucktingle]

From Chuck Tingle, author of the USA Today bestselling Camp Damascus, comes a new heart-pounding story about what it takes to succeed in a world that wants you dead. Misha is a jaded scriptwriter who has been working in Hollywood for years, and has just been nominated for his first Oscar. But when he's pressured by his producers to kill off a gay character in the upcoming season finale―"for the algorithm"―Misha discovers that it's not that simple. As he is haunted by his past, and past mistakes, Misha must risk everything to find a way to do what's right―before it's too late.

----

BURY YOUR GAYS cover has been released today and theres something TRULY INCREDIBLE about it, something that bends timelines and melts away the edges of the void and brings tears to my eyes. can you see it? let me explain in a thread as you PREORDER NOW... 

for nearly ten years i have been publishing my stories despite pushback that they are too odd. us buckaroos are the outsiders, but this community has kicked open the door for art that is sincere and strange and beautifully unique. that is my trot and that is OUR trot as buds

we came out of nowhere and made CAMP DAMASCUS a usa today bestseller. every step of the way that book overperformed. buds were CONFUSED that a book from ‘silly meme erotica author’ could take flight. but us buckaroos knew it was inevitable because we know the power of love

i still recall the question ‘are you SURE you do not want a new horror pen name?’ HECK NO i am proud of the tingleverse. i am not ashamed of these queer erotic stories i drag up from bottom of my heart and spill with raw sincerity across irony poisoned timelines

i have been mocked my whole life as author that is ‘ridiculous no-content meme’ by those who have never read it. that my work is ‘not real’. i have been mocked for my autism and queerness and told THIS WOULD NEVER WORK. which brings me back to cover of my new book BURY YOUR GAYS

looks like the name chuck tingle is NOT a liability for the mainstream. all devils who doubted can gaze upon this cover and see bold CHUCK TINGLE staring back at them PROUDLY from the shelf in all its queer autistic glory... HOVERING ABOVE THE TITLE AND JUST AS BIG AND PROUD

thank you nightfire and chucks manager and chucks agent for believing in me. these buds have always had my back. thanks to BUCKAROO COMMUNITY who have always supported my way, this next step in our trot is not just about me IT IS ABOUT US. we kick open these doors together

so heres to making this world a little more unique and strange for those of us who are, ourselves, unique and strange. heres to bending timelines to us, instead of us bending to them. heres to name CHUCK TINGLE big and bold ABOVE the title on a big five traditional published book

and remember the best way to support an author, especially someone on outside pushing their way in, is to PREORDER THEIR BOOK. because of publishing business model it is SO IMPORTANT so if you would like to support chuck then PREORDER BURY YOUR GAYS NOW

[danielleurbansblog]

Review: Death's Intern

Synopsis: A talking cat, a boy genius, missing people, and an untrained Intern for Death. What could possibly go wrong? Did that really happen? There’s no way Death offered me a job. I’m a musician that makes her living as a waitress, with absolutely no training in the supernatural world. This is all a very bad dream. But Bob has been kidnapped, and I can’t possibly lose the only friend I…

[mayashopus]

Lysol Disinfectant Wipes, Multi-Surface Antibacterial Cleaning Wipes, For Disinfecting and Cleaning,

Click Here

Click Here

[cassandraclare]

New publishing announcement!

Hi guys!

I know it’s been a long time since there’s been news about The Wicked Powers. I’ve actually been sitting on information for a long time because I was not allowed to talk about it. It was making me pull out all my hair, so I am super glad to be able to share the following announcement with you: The Wicked Powers is scheduled for publication, and will be published by Walker Books in the UK and Random House in the US.

There’s a bunch more about this announcement, including the announcement of a brand-new YA romantasy series I’ll be doing called In Fire Foretold. That will be published by Pan Macmillan in the UK (same people who published Sword Catcher) and by Random House in the US.

I know there will be a lot of questions about what my schedule is, why things are coming out when they are, whether I have anything coming out next year (Yes, The Ragpicker King, the sequel to Sword Catcher, and also for those who participated in the Kickstarter, those four books) and the overall future of everything Shadowhunter-related. So I will be doing followup announcements to address all that stuff, but first, here are both press release from my publishers in the US and then in the UK with all the info!

GLOBALLY BESTSELLING FANTASY PHENOMENON CASSANDRA CLARE TO PUBLISH  FINAL TRILOGY IN THE ‘SHADOWHUNTER CHRONICLES’  AND NEW DUOLOGY WITH ALFRED A. KNOPF BOOKS FOR YOUNG READERS  First book in THE WICKED POWERS to release in Spring 2026

(New York, NY, April 5, 2024)—Alfred A. Knopf Books for Young Readers, an imprint of Random House Children’s Books, will publish five new books from #1 New York Times and USA Today bestselling author Cassandra Clare, whose novels have sold more than 40 million copies worldwide, been translated into 43 languages, and published in more than 60 countries. The new publications will begin in Spring 2026 with the first book in THE WICKED POWERS trilogy, the sixth and final series in Clare’s 23-book, young adult fantasy franchise The Shadowhunter Chronicles. Also slated for publication with Knopf is a brand-new YA romantasy duology, IN FIRE FORETOLD. The news was announced today by Melanie Nolan, VP and Publisher, Alfred A. Knopf Books for Young Readers, who acquired North American rights from Suzie Townsend and Joanna Volpe of New Leaf Literary & Media in a highly competitive auction. Michelle Frey, Senior Executive Editor, Alfred A. Knopf Books for Young Readers, will edit both series. 

Cassandra Clare mesmerized readers across the globe with the publication of City of Bones (2007), the first book in the Mortal Instruments series, and was quickly dubbed the “New Queen of Fantasy” by the Wall Street Journal. The Mortal Instruments became the basis for the far-reaching Shadowhunter Chronicles, an intricately drawn world that has seen global success and has been adapted into both a feature film and television show. The books follow the Shadowhunters, a secretive race of humans born with angel blood, whose mission is to eliminate the demons that plague the Earth. Knopf’s first publishing collaboration with Clare, THE WICKED POWERS (Spring 2026), will follow Kit Herondale, Ty Blackthorn, and Drusilla Blackthorn from The Dark Artifices series as they are drawn into the final massive conflict between the demons and the angels. 

IN FIRE FORETOLD is a pulse-pounding YA romantasy duology set in a new world with entirely new characters. The story centers a young woman who must learn to control her dangerous magical abilities in order to save her kingdom, all while finding herself torn between two brothers—the kingdom's princes, born to a cursed royal bloodline. The publication date for IN FIRE FORETOLD, as well as news of additional books to come from Cassandra Clare and Knopf, will be announced. 

Says Cassandra Clare: "I am delighted to have Knopf and Penguin Random House as my publishers for this last trilogy in the Shadowhunters world. They truly understand what it means—both for the story and for my readers—to wrap up such an epic tale that has been told over so many years. I'm also excited to be launching my next YA series — a kickass portal fantasy that contains a ton of things I love, from a bold and reckless heroine to a magical wasteland filled with terrifying monsters that must be fought, to a love triangle with two very unusual cursed princes. I can't wait for us to bring these stories to the world."

Says Michelle Frey: “Cassandra Clare is a beloved author whose work has a massive following for good reason: she sucks you into a fully imagined world and never lets go until the last, satisfying page. I have long admired Cassie and am thrilled to be working with her on both the delectable final trilogy in the Shadowhunter Chronicles and the heart-stopping new love triangle she has dreamed up with IN FIRE FORETOLD.”

Random House Children’s Books (rhcbooks.com) is the world’s largest English-language children’s trade book publisher. Creating books for toddlers through young adult readers, in all formats from board books to activity books to picture books, novels, and nonfiction, the imprints of Random House Children’s Books bring together award-winning authors and illustrators, world-famous franchise characters, and multimillion-copy series. Random House Children’s Books is a division of Penguin Random House LLC.

UK/AUS/NZ:

Walker Books will publish three new books, the final trilogy in Shadowhunter Chronicles, the first coming in Spring 2026.

Separately, First Ink will publish a brand new YA duology, introducing readers to a fantastical new world of Clare’s creation, filled with enticing new characters and heart-racing action. With sales figures for Cassandra’s novels exceeding 40 million copies worldwide, translated into 43 languages and published in more than 60 countries, these are exciting and major acquisitions for both publishing houses.

Walker will launch THE WICKED POWERS in Spring 2026 with the first book in the trilogy, The Last King of Faerie. THE WICKED POWERS is the final instalment of Clare’s 23-book, young adult fantasy series, Shadowhunter Chronicles.

THE WICKED POWERS (Spring 2026), will follow Kit Herondale, Ty Blackthorn, and Drusilla Blackthorn from The Dark Artifices series as they are drawn into the final massive conflict between the demons and the angels. The novel marks the beginning of the final trilogy in Clare’s globally beloved series.

Cassandra Clare Says about THE WICKED POWERS: "I’m thrilled to be taking this momentous step in the Shadowhunter chronicles with Walker! They published City of Bones in 2007 and now we will be bringing this huge epic to a close together. With their creativity and dedication, I know they’ll do it justice."

Denise Johnstone Burt says: “We at Walker are immensely proud to have been Cassie’s publishers from the very beginning, when City of Bones launched the Shadowhunters into the world. Since then Cassie has become one of the most beloved writers in YA fantasy all over the world, and with very good reason. Her world-building and character portrayal are absolutely second to none and her books never fail to mesmerise her fans. I am delighted that we will be returning to the world of Shadowhunters once again in THE WICKED POWERS, and know Cassie will bring the Chronicles to a conclusion with her trademark brilliance and consummate style.”

First Ink will publish IN FIRE FORETOLD, a pulse-pounding YA romantasy duology set to delight all fans of Cassie Clare. UK and Commonwealth rights were acquired by Samantha Smith, Publisher of First Ink and Macmillan Children’s Books’ Fiction, Non Fiction and Picture Book List, from Danny Baror and Heather Baror-Shapiro at Baror International.  The duology will be a super lead title for First Ink and will launch with a significant multi-channel communications campaign including national media, influencer and fan events [HBS1] and multimedia advertising.

IN FIRE FORETOLD sees the launch of a brand new world and set of entirely new characters for Clare. The story centres on a young woman who must learn to control her dangerous magical abilities in order to save her kingdom, all while finding herself torn between two brothers - the kingdom's princes - born to a cursed royal bloodline.

Cassandra Clare says about IN FIRE FORETOLD: “I’m so excited to be publishing IN FIRE FORETOLD with First Ink. This story contains so many things I love- it’s a portal fantasy that swings between worlds, where the gritty LA streets exist alongside a dangerous magical world filled with deadly monsters - and a uniquely tough heroine who’s ready to do battle on all sides. Not to mention some gorgeous princes with shady pasts. I know how much Pan Macmillan loves fantasy and how well they publish it so I’m thrilled for this partnership."

Samantha Smith, Publisher at First Ink, says: “Cassandra Clare is a phenomenon author who has delighted and surprised her millions of readers across the world for decades now. As a huge fan of both her YA Mortal Instruments series and latest adult fantasy Sword Catcher, I cannot wait for her to turn her formidable pen to a new, heart-stopping series in In the Fire Foretold and could not be more excited to welcome her onto the First Ink list”

Belinda Ioni Rasmussen, Managing Director at Macmillan Children’s Books, says: “ Welcoming Cassandra Clare to First Ink with a brand new fantasy world is very exciting - both for us and her fans.  Her storytelling is second to none and her new duology on our list is the perfect partner series to her brilliant publishing that sits on our Tor list at Pan Macmillan.”

About Walker Books

Home to books for all ages, Walker Books publishes many award-winning authors, illustrators, and literary franchisesincluding Anthony Horowitz, Angie Thomas, Cassandra Clare, Lucy Cousins, Anthony Browne, Patrick Ness, Guess How Much I Love You by Sam McBratney and Anita Jeram, We’re Going on a Bear Hunt by Michael Rosen and Helen Oxenbury, and Where’s Wally? by Martin Handford. Walker Books is part of the vibrant international Walker Books Group that includes Walker Books Australia; Candlewick Press and Walker Books US in America and Walker Productions.

About Pan Macmillan

At Pan Macmillan we publish a broad and vibrant range of books for audiences of all ages, from dazzling bestsellers to influential prize-winners; books to inspire lifelong readers and listeners to enduring classics for generations to come. The fourth largest UK publisher, we pride ourselves on publishing successfully and sustainably and are committed to working together to positively impact culture and society at large.

[olderthannetfic]

I don’t know if this is just my perception or if it’s actually a thing, but recently I’ve been reading a lot of new (2014 and newer) novels and graphic novels, and there are glaring grammar, syntax and spelling errors in all of them. Every. Single. One. Like the word “lead” instead of “led”. Misspellings that made it past the editor(s) and all the way to publication. These aren’t self-published books. They’re from major publishers, NYT and USA Today bestselling authors. You’d think someone would have been able to catch these errors before they made it to print. I’ve read fics with fewer errors.

It seems like older books (1990s and older) had none of these. Any idea what’s up with this?

--

Heh. Have you seen my rants about why I chose to just self publish instead of even trying to go the traditional route?

I don't have hard numbers or anything, but yes, I have noticed that editorial standards seem to be way down in a lot of parts of tradpub. Less so in big name literary fiction, I think? But it was noticeable in a bunch of genre fiction I was reading a decade or two ago.

My impression is that it started to get more obvious some time in the 00s and is related to corporate pressures to hit specific profit margins that aren't that consistently doable for an industry like publishing. You see comments about it in blogs about finding an agent or preparing a manuscript. There seems to be a general consensus that you have to be more publishing-ready from the get go than in the past.

90s and older genre fiction had plenty of crap, and first printings will very occasionally have a typo I spot, but the vast majority of the old books I find used have pretty flawless editing even if they're polishing a turd. My impression is that there was more developmental editing too, though never the amount that people's publishing fantasies suggest.

[traeumenvonbuechern]

Historical Romances by Black Authors

Aphrodite wishes to escape the marriage mart but will a second chance with the elusive Duke of Everely change her mind? Aphrodite Du Bell is a diamond of the first water and a favourite of the queen. But her renowned loveliness didn't stop the love of her life, Evander Eagleman, from jilting her and marrying another woman four years ago. Aphrodite has been in self-imposed exile ever since. However, when her formidable mother summons her back to London Aphrodite has no choice but to acquiesce. Upon her return, Aphrodite learns that the newly widowed Evander is in town and, despite her best efforts, the grand society events of the season repeatedly push them together. With each encounter, Aphrodite's traitorous feelings make it perfectly clear that the Duke still holds court over her heart. Why did Evander cast Aphrodite aside all those years ago, and now that they have a second chance, can the couple make strides to mend past hurts?

Ailsa Connery has waited three long years to finally escape her enslavement at Stirling Castle and reunite with her clan. But her carefully laid plans are completely destroyed by the arrival of the infamous Highland warrior known as Dubh Mahoun, the Black Devil…who has plans of his own. Kallum MacNeill's fearsome reputation has long allowed him to keep hidden his secret double life of freeing enslaved captives across the land. It's only when he kidnaps a servant lass—quite by accident—that he finds himself facing a wee predicament. He must accompany the lass home or risk her exposing his true identity. It'd be easy enough…if the feisty hellion didn't fight him at every turn. As they make their way to the Highlands, the perils the two must face are surpassed only by their constant sparring. Soon, their heated sniping sparks heat of a totally different kind. The kind that ignites a hunger that could consume them both. Yet the difficult journey is no match for the dangerous secrets they're about to uncover.

The first novel in USA Today Bestselling Author Beverly Jenkins’s compelling new series follows a Northern woman south in the chaotic aftermath of the Civil War . . . Valinda Lacy’s mission in the steamy heart of New Orleans is to help the newly emancipated community survive and flourish. But soon she discovers that here, freedom can also mean danger. When thugs destroy the school she has set up and then target her, Valinda runs for her life—and straight into the arms of Captain Drake LeVeq. As an architect from an old New Orleans family, Drake has a deeply personal interest in rebuilding the city. Raised by strong women, he recognizes Valinda’s determination. And he can’t stop admiring—or wanting—her. But when Valinda’s father demands she return home to marry a man she doesn’t love, her daring rebellion draws Drake into an irresistible intrigue.

A fun and feminist Regency romp from a master of the genre hailed as "a delight" by Bridgerton author Julia Quinn. Nothing happens in London without Graham Wynchester knowing. His massive collection of intelligence is invaluable to his family’s mission of aiding those most in need. So when he deciphers a series of coded messages in the scandal sheets, Graham’s convinced he must come to a royal’s rescue. But his quarry turns out not to be a princess at all… The captivating Kunigunde de Heusch is anything but a damsel in distress, and the last thing she wants is Graham’s help. All her life, Kuni trained alongside the fiercest Royal Guardsmen in her family, secretly planning to become her country’s first Royal Guardswoman. This mission in London is a chance to prove herself worthy without help from a man, not even one as devilishly handsome as Graham. To her surprise, Graham believes in her dream as much as she does, which makes it harder to resist kissing him…and falling in love. But how can she risk her heart if her future lies an ocean away? 

Jane Austen meets The Princess and the Frog For as long as Prairie can remember, living in paradise has been boring. Her days are filled with helping at her family's resort, sewing, daydreaming, and observing fashionable guests from the sidelines. But when a fairytale-Esque opportunity arises, she does something out of character and agrees to marry a man she's never met. Suddenly, she's navigating a new life that is a world and an ocean away from everything she's ever known. Her new husband, Wright, is decidedly Mr. Wrong. If there's a schedule, he'll ignore it. If there is a rule, he'll break it. If there's a risk, he'll take it. Has the girl who has always had a plan finally met her match? If you're a fan of TV shows like 'Vanity Fair', 'Bridgerton' and 'The Chilling Adventures of Sabrina' or enjoy reading comedies of manners, you'll love 'That, My Dear, Is Love.' This is a full-length, standalone novel featuring a diverse ensemble cast, whimsical magic, and hilarious misadventures. This is a clean romance with a HEA. Featuring some of your favorite tropes: Marriage of Convenience Opposites Attract Reformed Rake

The Davenports delivers a totally escapist, swoon-worthy romance while offering a glimpse into a period of African American history often overlooked. The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to. There is Olivia, the beautiful elder Davenport daughter, ready to do her duty by getting married . . . until she meets the charismatic civil rights leader Washington DeWight and sparks fly. The younger daughter, Helen, is more interested in fixing cars than falling in love—unless it’s with her sister’s suitor. Amy-Rose, the childhood friend turned maid to the Davenport sisters, dreams of opening her own business—and marrying the one man she could never be with, Olivia and Helen’s brother, John. But Olivia’s best friend, Ruby, also has her sights set on John Davenport, though she can’t seem to keep his interest . . . until family pressure has her scheming to win his heart, just as someone else wins hers. Inspired by the real-life story of the Patterson family, The Davenports is the tale of four determined and passionate young Black women discovering the courage to steer their own path in life—and love.

[jimhines]

2022 Writing Income

It’s that time again – for fifteen years now I’ve been writing an annual blog post about my income as a writer. Money tends to be an uncomfortable, even taboo topic, but I think it’s important to help counter the myths that we’re all multimillionaires living in Glass Onion-style mansions. (Side note: If anyone wants to pay millions of dollars for my book, I’ll happily update this blog post from my private island mansion.)

Remember, every writer’s career is different, and I’m only one data point.

Prior Years: Here are the annual write-ups going back to 2007: 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2017, 2018, 2019, 2020, 2021.

In 2016, instead of a personal income write-up, I did a survey of almost 400 novelists about their income.

My Background: I’m a primarily “traditionally published,” U.S.-based SF/F author with 15 books in print from major New York publishers. The first of those books came out from DAW in 2006. I have an agent, and have been with them since about 2004.

I’ve self-published a middle grade fantasy and a few short collections. I’ve also sold about 50 short stories to different magazines and anthologies.

I’ve never hit the NYT or USA Today bestseller lists.

I’m currently the sole parent of a teenager (at home) and a 22-year-old (at college). I have a day job that’s just over half-time, both for the paycheck and the benefits.

2022 in Summary: There’s no gentle way to say this. The last several years have kind of sucked. Losing my wife to cancer in 2019 completely derailed my writing. I was hoping 2022 would be a comeback year, but life had other plans…

I did write and sell two new short stories and one nonfiction piece, which was nice. I’ve got a finished middle grade book that’s been on submission for a while. I finished a standalone fantasy that’s been sitting with my publisher for a while.

Normally, my editor is pretty quick about responding, but last year wasn’t normal for DAW, either. DAW was acquired by Astra House. A lot of their time and energy went into that deal. I’m hoping for the best, but things still haven’t settled into the new “normal.”

Last year did see the release — finally — of Terminal Peace, the third book in the Janitors of the Post-Apocalypse series. I’m thrilled and relieved to see that book in print, but it came out right in the middle of the Astra House acquisition, which may have impacted things like promotion and publicity.

I also finished the first draft and started revising a new standalone middle grade fantasy with series potential.

2022 Income: The biggest check was the publication payment for Terminal Peace. All total, before taxes and various expenses, the writing brought in $13,957.16. While that’s absolutely nothing to sneer at, and I’m grateful for the success, it’s also a dropoff from the past couple of years. To be blunt, if you look at the cumulative graph, things have been slumping a bit.

Income Breakdown:

Patreon has been a small but steady and helpful source of income. My thanks to everyone for that!

As usual, my U.S. novels are the biggest piece of the pie. The short fiction category is a bit higher this year, thanks to those two new stories. I didn’t self-publish anything new in 2022, but if that middle grade book doesn’t sell, I’d like to publish that one later this year.

Novels (U.S. editions): $8,542.83

Novels (Non-U.S. editions): $473.25

Self-Published: $1158.24

Short fiction: $892.86

Audio: $521.04

Patreon: $1668.94

Other: $700

I mentioned earlier that things have been in a bit of a slump, and I need to focus on breaking out of that. Some things I can’t currently control. Tomorrow I could wake up to an offer from DAW on the book they’ve got, and maybe an email from my agent that the middle grade title he’s been shopping around went to auction and got a six-figure advance. But I can’t make these things happen.

Priority #1 is to keep writing. If I’m not doing that, other goals are pretty much moot.

Priority #2 is to figure out some alternate options. It may be time to put more time and effort into self-publishing as a complement to my traditionally published work.

The biggest thing making me anxious is that I’m pretty much out of contract. The paperback of Terminal Peace comes out this year, but for the first time in about 15 years, I don’t have the security, the luxury, or the deadlines of a signed contract. In some ways, this is freeing: I can write whatever I want. But there’s no guarantee as to when things will see print. Submitting to the traditional publishers is a long, slow process…

From talking to other writers who’ve been doing this a while, I’ve learned that pretty much every career has its ups and downs. Personal, pandemic, and publisher issues have been a bit of a perfect storm for me these past few years, but I’m not going anywhere. After 27 years as a writer, I’m excited to see what comes next.

Wrap Up:

I hope this has been helpful. As always, feel free to share the post and/or ask questions.

[sarah-maclean-completist]

[romelialungusblog]

Author Interview 190 - Shereen Vedam

Canada Age 50 Once upon a time, USA Today bestselling author Shereen Vedam read fantasy and romance novels to entertain herself. Now she writes heartwarming tales braided with threads of magic and love and mystery elements woven in for good measure. Shereen’s a fan of resourceful women, intriguing men, and happily-ever-after endings. If her stories whisk you away to a different realm for a few…

[mostlysignssomeportents]

The unexpected upside of global monopoly capitalism

I'm touring my new, nationally bestselling novel The Bezzle! Catch me TODAY (Apr 10) at UCLA, then Chicago (Apr 17), Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

Here's a silver lining to global monopoly capitalism: it means we're all fighting the same enemy, who is using the same tactics everywhere. The same coordination tools that allow corporations to extend their tendrils to every corner of the Earth allows regulators and labor organizers to coordinate their resistance.

That's a lesson Mercedes is learning. In 2023, Germany's Supply Chain Act went into effect, which bans large corporations with a German presence from using child labor, violating health and safety standards, and (critically) interfering with union organizers:

https://www.bafa.de/EN/Supply_Chain_Act/Overview/overview_node.html

Across the ocean, in the USA, Mercedes has a preference for building its cars in the American South, the so-called "right to work" states where US labor law is routinely flouted and unions are thin on the ground. As The American Prospect's Harold Meyerson writes, the only non-union Mercedes factories in the world are in the US:

https://prospect.org/labor/2024-04-08-american-workers-german-law-uaw-unions/

But American workers – especially southern workers – are on an organizing tear, unionizing their workplaces at a rate not seen in generations. Their unprecedented success is down to their commitment, solidarity and shrewd tactics – all buoyed by a refreshingly pro-worker NLRB, who have workers' backs in ways also not seen since the Carter administration:

https://pluralistic.net/2023/09/14/prop-22-never-again/#norms-code-laws-markets

Workers at Mercedes' factory in Vance, Alabama are trying to join the UAW, and Mercedes is playing dirty, using the tried-and-true union-busting tactics that have held workplace democracy at bay for decades. The UAW has lodged a complaint with the NLRB, naturally:

https://www.commondreams.org/news/alabama-mercedes-benz

But the UAW has also filed a complaint with BAFA, the German regulator in charge of the Supply Chain Act, seeking penalties against Mercedes-Benz Group AG:

https://uaw.org/uaw-files-charges-in-germany-against-mercedes-benz-companys-anti-union-campaign-against-u-s-autoworkers-violates-new-german-law-on-global-supply-chain-practices/

That's a huge deal, because the German Supply Chain Act goes hard. If Mercedes is convicted of union-busting in Alabama, its German parent-company faces a fine of 2% of its global total revenue, and will no longer be eligible to sell products to the German government. Chomp.

Now, the German Supply Chain Act is new, and this is the first petition filed by a non-German union with BAFA, so it's not a slam dunk. But supermajorities of Mercedes workers at the Alabama factory have signed UAW cards, and the election is going to happen in May or June. And the UAW – under new leadership, thanks to a revolution that overthrew the corrupt old guard – has its sights set on all the auto-makers in the American south.

As Meyerson writes, the south is America's onshore offshore, a regulatory haven where corporations pay minimal or no tax and are free to abuse their workers, pollute, and corrupt local governments with a free hand (no wonder American industry is flocking to these states). Meyerson: "The economic impact of unionizing the South, in other words, could almost be placed in the same category as reshoring work that had gone to China."

The German Supply Chain Act was passed with the help of Germany's powerful labor unions, in an act of solidarity with workers employed by German companies all over the world. This is that unexpected benefit to globalism: the fact that Mercedes has extrusions into both the American and German political spheres means that both American and German workers can collaborate to bring it to heel.

The same is true for antitrust regulators. The multinational corporations that are in regulators' crosshairs in the US, the EU, the UK, Australia, Japan, South Korea and beyond use the same playbook in every country. That's doubly true of Big Tech companies, who literally run the same code – embodying the same illegal practices – on servers in every country.

The UK's Competition and Markets Authority has led the pack on convening summits where antitrust enforcers from all over the world gather to compare notes and collaborate on enforcement strategies:

https://www.eventbrite.co.uk/e/cma-data-technology-and-analytics-conference-2022-registration-308678625077

And the CMA's Digital Markets Unit – which boasts the the largest tech staff of any competition regulator in the world – produces detailed market studies that turn out to be roadmaps for other territories' enforces to follow – like this mobile market study:

https://assets.publishing.service.gov.uk/media/63f61bc0d3bf7f62e8c34a02/Mobile_Ecosystems_Final_Report_amended_2.pdf

Which was extensively referenced in the EU during the planning of the Digital Markets Act, and in the US Congress for similar legislation:

https://www.congress.gov/bill/117th-congress/senate-bill/2710

It also helped enforcers in Japan:

https://asia.nikkei.com/Business/Technology/Japan-to-crack-down-on-Apple-and-Google-app-store-monopolies

And South Korea:

https://www.reuters.com/technology/skorea-considers-505-mln-fine-against-google-apple-over-app-market-practices-2023-10-06/

Just as Mercedes workers in Germany and the USA share a common enemy, allowing for coordinated action that takes advantage of vulnerable flanks wherever they are found, anti-monopoly enforcers are sharing notes, evidence, and tactics to strike at multinationals that are bigger than most countries – but not when those countries combine.

This is an unexpected upside to global monopolies: when we all share a common enemy, we've got endless opportunities for coordinated offenses and devastating pincer maneuvers.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/10/an-injury-to-one/#is-an-injury-to-all

[booksofdelight]

USA Today Suspends Weekly Bestselling List as it Lays off Staff

USA Today suspends weekly book bestseller list indefinitely after it lays off staffers . Their parent company Gannett laid off the editor who was in charge of making the weekly list. Mary Cadden had worked on the list for over a decade before being let go. She was let go along with hundreds of staffers earlier this month. USA Today Suspended Indefinitely “USA Today’s Books list will be on…

[drchucktingle]

advance reader copies are looking HANDSOME AS HECK. cant wait for buckaroos to learn all the secrets and meet all the monsters and prove all the love. get that preorder trotting buckaroo this one is something very special