#UTC Time Zone Converter

[genderfluid-druid]

wait no i love small town fb groups actually. the ship tracking app displays ETAs as a UTC timestamp with offset, and what I'm learning is that nobody here understands how time zones work.

[xxsycamore]

🔞IKEMEN BREEDING SEASON🔞 - XXSYCAMORE'S 2000 FOLLOWERS CELEBRATION EVENT

On October 28th, 2024, this blog hit 2K followers! Once again, thank you, everyone, for the support, and for sticking around in my writing adventures. I hope you can continue enjoying my work! Now, our previous milestone celebrations were all about fluffy short stories, so I figured it's high time we bring some smut into the mix. Even though spring would have been perfect for the Ikemen Breeding Season, I decided, why wait when we can have it now. Besides, that time is reserved for part 2 of our Steal My Heart!! (1500 followers) event! If you have placed a request for it and haven't received a ficlet yet, don't worry, I haven't deleted anything! :)

��� PROMPTS

How do you want the suitor to breed you (or the MC)? :

In the heat of the moment

As proof that you belong to them

To produce an heir

With a chance for twins

While imagining you being pregnant

Making sure that it takes

Making the moment special

When they'd already gotten you pregnant before

With you taking the lead

While you're in heat (Omegaverse)

⋆౨ৎ˚⟡˖ ࣪ 2 separate request openings - Since in the past there have been times when everything has been grabbed in the first 10 minutes from the announcement, I decided it would only be fair for the people in different time zones if I divide it into two batches at different times of the day.

FIRST REQUEST OPENING WILL HAPPEN ON OCTOBER 30TH, 12 PM UTC (8 AM EDT) (or click here to see it converted to your time zone)

SECOND REQUEST OPENING WILL HAPPEN ON OCTOBER 31TH, 12 AM UTC (8 PM EDT on the 30th) (or click here to see it converted to your time zone)

Both request openings will be closed after I get a total of 15 requests each! I will make separate posts to announce when those start and close.

➺ RULES:

Understand that these are going to be short NSFW stories, around 500 words each.

Anonymous asks are allowed, but please don't abuse my kindness and don't request if you're a minor!

Pick a character from the list below and a prompt from the prompt list. Threesomes are allowed, so long as no one is related, lol.

Be sure to let me know if you want MC x Suitor(s) or Reader x Suitor(s). If you don't specify, I'll write it as I see fit!

Specify your gender preferences if you have any! If you selected "Reader", I'll by default write them with afab traits. This goes especially for the prompt "Imagining you pregnant" where you could encounter terms including but not limited to: breasts, lactation, love handles, vagina, ovulation, womb, ovaries, pregnant bellies, you get the picture. To bypass all of this, you can ask for a Gender Neutral Reader, or you can be more specific and tell me your preferences in detail.

Mpreg is welcome, sure, why not. This goes both for Male Readers and for Getting your suitor pregnant, like in the case where you picked the Omegaverse prompt and he's an Omega. Go wild.

OCs are NOT allowed, due to how short these stories are going to be versus the research required in order to do justice to your OC. Sorry!

Don't send multiple requests! One per person. Again, I'm put my trust in you about not abusing the anon option.

In the event where I've already received the same prompt with the same character, I'll only write it once!

Don't hesitate to give me details! :) I want to create a work specially crafted for you. If you have a whole scenario in mind, I'd love to hear it, even if I have to squeeze it in the word limit. Where are they doing it, what is the reader wearing, what petname the suitor uses - these are just a few examples! Additionally, since I haven't read all the routes of the characters listed here, if you feel it's needed, you can provide some in-game information about the character if it has a relation to topic. Ex: "I think he'll make a great family man because he canonly loves taking care of the younger ones."

Requests sent outside of the specified time periods won't be accepted. I try to immediately answer these so you'll know, but I might also straight-up delete anything that doesn't follow the rules.

➺ AVAILABLE CHARACTERS:

Ikemen Villains: Wiliam; Harrison; Liam; Elbert; Alfons; Roger; Jude; Ellis; Victor; Darius; Nica; Ring

Ikemen Prince: Leon; Chevalier; Yves; Nokto; Licht; Jin; Luke; Clavis; Rio; Sariel; Gilbert; Keith; Silvio, Cyran/Cyril, Matthias, Kagari

Ikemen Vampire: Napoleon(pls); Leonardo; Mozart; Arthur; Vincent; Theo; Isaac; Jean; Dazai; Sebastian; Comte; Shakespeare; Vlad; Faust; Charles; Drake; Galileo

Ikemen Revolution: Lancelot; Ray; Jonah; Fenrir; Edgar; Sirius; Kyle; Luka; Zero; Seth; Blanc; Oliver; Loki; Harr; Mousse; Dalim; Dean; Levie

Ikemen Sengoku: Nobunaga; Masamune; Shingen; Hideyoshi; Mitsuhide; Kanetsugu; Ieyasu; Mitsunari; Yukimura; Sasuke; Kenshin; Kenyo; Ranmaru; Motonari; Keiji; Kicho; Yoshimoto

Midnight Cinderella: Alyn; Giles; Louis; Leo; Byron; Nico; Albert; Robert; Rayvis; Sid

‧₊˚❀༉‧₊˚. 𐦍༘⋆

Please understand that I can't guarantee that I'm going to write all of these! I have a lot of issues IRL that I need to take care of, which leads me to either not having a lot of free time or not having the needed energy and inspiration to write. Either way, I hope you can have fun with this event! I can't wait to see what you send me. Have a great day, and I'll see you in my askbox soon! <3

[adventures-in-the-mad-forest]

Voice Acting Volunteer Info

Taglist: @canvas-the-florist @awkwardqueercreature @bananaconda33 @prince-rowan-of-the-forest @bluebellieart

@dewberrybramble @strange-destinations @thewickedcompanion @duck-in-a-spaceship @kitkat4406

@general-kalani @astrowillscreamintothevoid

Kofi blog post (All the same information is located under the read more).

Please ensure that you read and understand this before signing up! If you have any questions, please ask!

Summary of the Podcast:

It's about Glacie, and their coworkers, who work at the Meeting Point. The Meeting Point is a restaurant/shop located near the Mad Forest. Coming back from a pretty long break, due to their own unreality problems popping up, Glacie is warned that the forest grows hungry. After some incidents, Glacie's hallucinations start getting real bad, and they eventually venture forth into the Mad Forest.

Content Warnings of this Podcast Include (but are not limited to):

Unreality

Ableism

Pain

Blood

Implied Death

Podcast Genre

Modern-ish (emphasis on the ish) fantasy horror/action

Some things to note:

This is Volunteer Work, while I will be doing my best to pay you all, I can not promise that this will happen.

You Must Be 18+ to Volunteer to Voice Act (Mainly due to the workload)

You do not need prior Voice Acting work to throw your hat in the ring! That is not going to be a factor in the form or a question I ask in the Zoom meeting

The form that goes out today is to schedule a Zoom Meeting where you’ll do your audition then on the characters that you selected that you want to attempt to Voice Act. You can try for multiple characters, and say how many you’d like to Voice Act for (maximum of 3 characters). Fill out the days and times you are generally available. We can schedule a specific date based on schedules two weeks before the meeting. (It is important to note that the form times are in MST, as I live in Arizona in the United States. That is UTC -7. Please convert to your time zone before saying you’re available.)

I’m going to state this again so it’s not too buried: Zoom meetings are when auditions will be held, I’ll be starting to schedule those in November and December, at least 2 weeks ahead of when I first email you!

One social media is required for me to credit you in the podcast officially! You may have up to three, (this is mainly so that intros aren’t too long). Yes, I will be annoying about this.

You may only work up to 20 hours per week on Voice Acting. Including practice and breaks of less than 1 hour. This is to ensure that, if money is made, I can pay you back for your time fairly without you overworking yourself for essentially no pay if no money is made from this.

Speaking of Making Money off of this

How am I attempting to do that? You’d be right to ask. Currently, early versions of the unedited script are available for early viewing for $6 each, and a bundle is available for $35 total. Only the first episode is free in the unedited version so that those who are unsure of their interest can find out if it’s their cup of tea or not! These are also currently on a 25% sale, as I'm about to get the edited script going up for early access within the next few days.

With the edited version, the first two episodes will be free for early viewing (since most of the main characters show up by that episode it will give a better idea of who they are), however the rest will be priced at $12/episode with a bundle available for $60.

95% of those funds will be going to back paying volunteers for this project. 5% will be for extra fees that may arise as we get further into the process of recording, editing, and uploading. (This is after Stripe takes out their fee).

There are also memberships available for anyone interested in supporting the podcast!

I also sell my own art on the side and will be opening up commissions! For these I will be putting 75% of the funds into payment, with the other 25% (after the stripe fee) going towards making more art.

Not only that, but after Voice Actors are picked, I will start building a kickstarter for the project that is planned to release in May or June. This is to give us time to record 1 or 2 episodes to share bloopers and behind the scenes with backers. As the max amount of time a kickstarter can be up is 60 days, I will be doing a lot of advertising for it when the time comes on different blogs. While I would recommend you share the kickstarter on different social medias too, it’s not a requirement. And it’s something I will be discussing in more depth with the podcast team.

How Will I Pay You if the podcast makes money?

If you have a kofi, I will be leaving some generous tips! If not, any app that takes card as payment (without me having to make an account) will do! I am not doing checks, as this is open to volunteers from around the world who speak english, and even if it was just the US, I’m scared that they might get lost in the mail!

If you don’t have a place I can pay you with a debit card, please be willing to find a way to do that before you fill out the form.

I am willing to teach you how to set up a kofi if you need help with that!

You will be paid back at $15USD/hour if this podcast starts making money

Again, this is not guaranteed! Voice Acting will be considered Volunteer Work unless money is made!

Now let’s get into the Available Characters for Season 1

Main Characters: 

Cameron - She/her, Cis, lesbian, works at the Meeting Point. Cameron is wonderful, she’s independent, but terrified of being alone. She’s sassy and protective, but she’d do anything for her friends.

Shaun - He/him Cishet, coolest straight guy you’ll ever meet. Gives everyone nicknames, even if they don’t stick. Doesn’t like being serious without room for whimsy, he enjoys having fun. Honestly, he’s just a silly guy.

Dwayne - He/him, transmasc, pansexual, aromantic. Single dad of two (Laila and Deon). Is doing his best to provide for his kids and give them the best life they can possibly have. Ms. Lemona is his babysitter, both of them feeling as if they owe the other for the help they provide each other.Priority for this role is for someone who is black and transmasc

Gerry - He/him, Cis, aroace. 19 years old, youngest member of the Meeting Point. He’s just been hired to work there and is finding his place, is closest with Dwayne at this point. Has a habit of calling Glacie boss for some reason (no he is not being forced to.)Priority for this role is for someone who is brown.

Side Characters:

Delmena - She/her, Cishet. Widow. She’s an older woman who uses a wheelchair. While she’s outfitted her house to be more accessible to her, the outside world isn’t as put together. This is why she hired Carmelita, a helper who lives with her but is mainly asked to do anything that requires going outside and dealing with jutting sidewalk, no pavement, things like that. While Delmena will go with her most times, sometimes she enjoys staying at home and doing things herself.

Carmelita - She/her, Transfem, Lesbian. Works as Delmena’s stay at home caregiver, while Delmena doesn’t need her most of the time, both of them provide wonderful company for each other. She recently (ish) moved to the area, after struggling to find a job in the bigger town of Campeal. Priority for this role is for someone who is Hispanic/Latina and transfem

Haeyl - She/her, Transfem, Straight. Shaun’s dogsitter, pretty mysterious. But she has a right to be. Wonderful to be around, Mellon (the dog) loves her, and she loves dogsitting for Mellon.Priority for this role is for someone who is black and transfem.

Laila - 8 years old, she/her. Dwayne’s daughter, and eldest child. She’s loves to tease her brother, and take his toys as she’s taller than him (she gives them back, she just likes to frustrate her brother). Really interested in dragons and magic, one of which she’s told doesn’t exist; the other one she hasn’t gotten a clear answer on.Priority for this role is someone who is black.

Deon - 6 years old, he/him. Enjoys trains and magnets, and is also interested in magic. Is tired of Laila stealing his toys and keeping them from him. Has a habit of accidentally leaving toys out on the floor, which caused the incident that happened to keep Dwayne from being in the first episode of the season.Priority for this role is for someone who is black.

Ms. Lemona - She/her, transfem, Laila and Deon’s babysitter as Dwayne works at the Meeting Point to provide for them. She enjoys watching these kids, and teaching them new things, even astounding them with the creations she makes. She’s a woodworker, and knows some basics on how to make some more mechanical bits and bobs.Priority for this role is for someone who is black.

Other Characters:

Glacie’s Guide - A hallucination of sorts, not much is known about it, but it claims in the beginning of Season 2 to be there to help Glacie navigate through the forest. (Although whether that is true or not remains to be seen).

Various Background Characters

This includes customers at the Meeting Point as well as, random chatter that is unintelligible in certain parts of the episode.

Audition Information

I have chosen lines for each character that I believe gives a good view of who they are!

See this google doc for those:

https://docs.google.com/document/d/19LNLDZgUOYPCCF6i8nH2iQrXe5UXK-S_nJGmqJ-Hzvc/edit?usp=sharing

If you'd like access to the full script before viewing, DM me on tumblr!

Forms open today, and I will begin scheduling auditions as early as Early November/Early December! As auditions happen, I will begin casting in Late December/Early January, because of this, if there’s someone you’d like to play I suggest getting the form in early. I will Not recast a part unless someone drops out so do not ask! As people are cast, I will be editing the form to reflect this.

How does casting work?

I will be attempting to schedule zoom meetings to cast specific characters on specific days. After the last zoom meeting for a character is done, and there are no scheduled zoom meetings for this character for a week, I will contact the person who got the role and give them the link to the discord server with information on what role they got. Then I will be removing said role from the form. This will continue until all roles have been filled.

I will also be contacting those who didn’t get the role to let them know that they didn’t get the role.

I would recommend, trying out as many roles as you’re interested in! While you can be cast for multiple roles, depending on how many people audition, roles will be 1 per person with the exception of background roles.

The various background roles will have between 2-5 people voicing those characters, and due to the amount of lines, only count as 1 extra role!

Joining the discord server is mandatory for Voice Actors! This is because I have things set up to record in the discord server itself.

Any questions? Feel free to ask!

Voice Acting Volunteer Scheduling and Sign Up Form:

[finalproblem]

Sherlockian New Year’s Celebration in The Giant Chat of Sumatra!

Don't have New Year's Eve plans? Now you do—it’s our 13th Annual Very Casual New Year’s Eve Party!

As always, we’ll talk, play games, and hang out as we count down to the New Year in London.

The party begins Tuesday, December 31, 11:00 pm UTC (London time) / Tuesday, December 31, 6:00 pm US Eastern (New York time). [Convert to your time zone.] You can drop in any time—though remember we’re counting down to midnight in London so it’s best to arrive before that!

Everyone’s invited, even if you’ve never joined the chat before. 

We’ll see you in the #giantchat channel of The Giant Chat of Sumatra Discord server! 🥳

BONUS: To kick off 2025, we'll also be having a New Year's Day Basil-A-Thon of the classic Rathbone & Bruce Holmes movie series! Full details will be posted here on Tumblr as well as pinned in the #giantchat Discord channel.

[barricadescon]

Barricades 2024 Final Schedule!

The time is near! Barricades 2024 is happening THIS WEEKEND, July 12-14 , all online!

We have the final schedule available on the website at barricadescon.com or right here, on this post! A more detailed schedule including descriptions is available in text under the Keep Reading break!

BarricadesCon 2024 Program

A full programming schedule of all the panels, their content, their presenters, their times, and whether they will be recorded. 

All times are in UTC, and can be converted to your local time zone at this link.

Key to types of Panels:

Convention Administration panels: Panels run by the Con Committee, to open and end the convention.

Guest of Honor: Special panels from our guests of honor. This year, our guests of honor are Jean Baptiste Hugo, a descendant of Victor Hugo who will discuss his project photograph his ancestor’s house; Christina Soontornvat, the author of the award-winning Les Mis retelling “A Wish in the Dark;” and Luciano Muriel, playwright of the 2018 musical play “Grantaire.” 

Fan/Academic Panel Presentations: Panels on history, fandom, or analysis of Les Mis. Scholars will share historical research, fans will share hobby projects, and the audience may get an opportunity to ask questions. 

Social Meetups: Casual unstructured time to meet up over video call and chat!

Social Games: Games and activities.

Friday, June 12th

Discord Server Opens: Friday Morning UTC

Read through the rules, explore the channels, and chat with other congoers.

Welcome Session 

Friday, 17:00-17:30 UTC

Session Type: Convention Administration

Presented by: Convention Committee 

Recorded: No

In this session, Concom 2024 will kick off BarricadesCon 2024 and welcome everyone. Concom will also walk everyone through some basic information and FAQs to help ensure a fun and interesting con for everyone.

The Cats of Les Misérables

Friday, 17:30-18:00 UTC 

Session Type: Social Meetup

Presented by: Melannen

Recorded: No

A laid-back social panel to meet your fellow attendees, share pictures of your pets (or have them join you in the panel!) and chat about pets and Les Mis fandom generally.

(Guest of Honor) From Paris to Bangkok: a Thai-inspired retelling of Les Misérables

Friday, 18:00-19:00 UTC

Session Type: Guest of Honor

Presented by: Christina Soontornvat

Recorded: Yes

Christina Soontornvat’s Newbery Honor-winning children’s novel, A Wish in the Dark, is a Les Misérables adaptation set in a magical Thai-inspired world. Christina will discuss the inspiration for the book, how she decided when to be faithful to the original, and how Hugo’s powerful themes of compassion and forgiveness resonate across age ranges and cultures.

Learn more about Christina’s work at soontornvat.com.

The Yellow Passport: Surveillance and Control in 19th Century France 

Friday, 19:00- 20:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: David Montgomery, creator of the Siecle History Podcast

Recorded: Yes

Les Misérables takes place in a France of police spies, intercepted mail, travel restrictions and other elements of a 19th Century police state. What exactly were these ways French governments surveilled and controlled their citizens? How did they work? And how did people get around them? 

Meetup: Fan Creators

Friday, 19:00-20:00 UTC

Session Type: Social Meetup

Presented by: Eli

Recorded: No

Come meet fellow fan creators! Casual unstructured time to chat with other fans. A good place for people who spend a lot of time on Ao3.

Break 

20:00-21:00 UTC

Early Transformative Works: The First Les Miserables Fanart, Fanfics, and AUS

Friday, 21:00-22:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Psalm

Recorded: Yes

This presentation will give you an overview of the earliest works inspired by Les Misérables – including illustrations, comics, poems, pamphlets, and novels. Which ones will stand the test of time? And what can these works tell us about the book’s reception and impact? Come learn about the forgotten, but fascinating first transformative works about Les Misérables.

Black and Pink International

Friday, 21:00-22:00 UTC

Session Type: Panel Presentation

Presented by: Darryl Brown Jr. (he/him), Senior Director of Programs and Advocacy, Black and Pink National. Kenna Barnes (she/they), Advocacy Manager, Black and Pink National

Recorded: Yes

This year, Barricades Con is donating all profits to Black and Pink International.

Black & Pink National is a prison abolitionist organization dedicated to abolishing the criminal punishment system and liberating LGBTQIA2S+ people and people living with HIV/AIDS who are affected by that system through advocacy, support, and organizing. Programming includes wrap-around services for those coming out of the carceral system such as but not limited to workforce development, transitional housing, newsletters to inside members and penpal matching, nationwide Chapters, youth-led research about young people living with HIV, and programming for and by people who do sex work.

Sex work as an issue sits clearly at the intersection of reproductive justice, prison abolition, and trans and queer liberation. Black trans women who engage in sex work face some of the highest rates of policing and surveillance, directly interfering with their ability to access safety and autonomy. We know that when we center the needs of Black trans women, especially those who engage in sex work, we are inherently able to address the needs of other system-impacted people along the way.

The Sex Worker Liberation Project (SWLP) is a collaboration between Black and Pink National and a network of current and former LGBTQIA2S+ people who do sex work across the country. This sex worker led group moves with the intention of building community, providing resources, and cultivating self advocacy tools.The SWLP is on a mission to tackle the urgent and multifaceted issues confronting sex workers, with a specific emphasis on the challenges faced by Black and Brown LGBTQIA2S+ sex workers.

Meetup: Brick Readers 

Friday, 22:00-23:00 UTC 

Session Type: Social Meetup

Presented by: Mellow

Recorded: No

Come meet up and hang out with your fellow Brick readers! Let’s talk about weird nonsense from the book. 

Beat by Beat: a Les Mis 2012 Deconstruction

Friday, 22:00-23:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Eli

Recorded: Yes

To quote Eli: “As an avid Les Mis fan and also someone with an MFA in screenwriting, I find the script for the Les Mis 2012 movie absolutely fascinating. The choices they made, the added brick scenes, the added song, the pacing, the dialogue, the shots selection—all of it contributes to a very interesting adaptation that our fandom owes a huge debt of gratitude to (whether we like it or not 🥲). I would like to take an audience through the 9 major beats of a screenplay, apply it to Les Mis 2012, and share my thoughts on what the filmmakers did right for this adaptation and what they did wrong. I’ll compare it to the Les Mis musical (the direct source material) as well as the Brick (the secondary source material) for insight on the choices they made!”

History Researcher Meetup

Friday, 23:00-24:00 UTC

Session Type: Social Meetup

Presented by: David Montgomery

Recorded: No

A chance for history researchers to meet up and discuss their research!

Atonement: A Theatrical Piece for One Actor, Based on Segments from Hugo’s Les Miserables

Friday, 23:00-24:00 UTC

Session Type: Panel Presentation

Presented by: Alexiel de Ravenswood

Recorded: Yes

This theatrical piece is a dramatic adaptation of scenes from Book 1 of the novel, focusing on the Bishop of Digne. Following the piece, actor Alexiel de Ravenswood will engage in q&a on the creative process and the themes explored.

Saturday, June 13th

Guest of Honor: The Photography of Jean Baptiste Hugo

Saturday, 15:00-16:00 UTC

Session Type: Guest of Honor

Presented by: Jean Baptiste  Hugo

Recorded: yes

Jean Baptiste Hugo is the great-great-grandson of Victor Hugo. He has extensively photographed Hugo’s home in exile on Guernsey, which Victor Hugo decorated following his own aesthetic philosophies–in particular, the journey from darkness into light, which we see reflected throughout Hugo’s literary career. M. Hugo will share his photographs and discuss Hauteville House as a physical realization of his ancestor’s ideas.

Reflecting on Directing Les Mis

Saturday, 16:00-17:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Cait

Recorded: yes

In Cait’s words: “I directed an amateur production of Les Mis at the end of last year, and would love to talk about how that went and share snippets from the show and behind the scenes. This will include talking about adapting Les Mis for the space and budget, approaches to certain scenes, dual casting lead roles, and probably raving about my lovely cast.”

The Fallibility of History in Les Misérables 

Saturday, 16:00-17:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Syrup 

Recorded: yes

Throughout Les Misérables, Hugo often reminds readers that what they are reading is derived from some form of documentation or hearsay. While this serves to provide credibility to the tales he is sharing, there are certain moments where Hugo opts out of describing exact details, despite his efforts at a historically-accurate record. In this panel, I will take a look at these instances where Hugo either addresses or obfuscates these events, and how by doing so, he reveals the fallibility of history, and highlights how history documentations are not always as reliable as they seem. Thesis: By crafting Les Misérables as a form of historical documentation, Hugo reveals the fallibility of history, and readers are able to understand how history and history documentation are not always as reliable as they seem.

Break  

Saturday, 17:00-18:00 UTC

What Horizon: Tragedies, Time Loops, and the Hopefulness of Les Amis

Saturday, 18:00-18:30  UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Percy

Recorded: yes

In Percy’s words: “I have directed a staged reading of the play and will have video clips to show! My play is focused on the rebellion and Les Amis; it aims to give the barricades the attention they often lack in adaptation and develop the individual characters of the insurgents. I’m working to make this episode of the Hugo novel and its historical context accessible to audience members who may not be familiar with the source material, while hopefully also bringing something new to the story for longtime fans.

One aspect of the story I’m particularly interested in examining is the persistent sense of hope associated with the barricades, despite the insurgents’ eventual defeat and the previous failure of the July Revolution. Linking the seemingly cyclical process of revolution and restoration, the metatheatrical tradition of tragedies aware of their own repetition in performance before the audience, and the nature of Les Misérables itself as a story that has been told and retold countless times, I hope to show the audience the worth of the insurgents’ struggle and the importance of their continued efforts. Many adaptations construe the rebellion as futile or as solely a tragic story, so I would like my adaptation to counter that idea, as Les Amis grapple with the meaning of their sacrifice and the impacts of their actions.

In a presentation, I would discuss these ideas with reference to Hugo’s original text and the ways in which the rebellion has been changed in adaptation, as well as other works that inspired me (namely Hadestown and Rosencrantz & Guildenstern Are Dead). I’d discuss the choices I made in my adaptation process and show clips from the staged reading, touching on the different characters and the historical setting as well as the overarching themes with which I engaged.”

Cosette: A Novel, The (Fanmade) Sequel to Les Misérables

Saturday, 18:30-19:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: IMiserabili

Recorded: yes

This presentation is  a deep-dive into the 1995 fanfiction “Cosette” by Laura Kalpakian. It will include a short background on the author and the publication, a summary of the plot, an analysis of represented historical events in the work, character analyses and comparisons to the source material and other Les Mis adaptations, and memorable quotes. 

Musical Eponine and Grantaire in song and lyric edits: Personal research on their development

Saturday, 18:00-19:00 UTC

Session Type: Panel Presentation

Presented by: Ruth Kenyon

Recorded: yes

In Ruth’s words: “I’m an older musical Les Misérables fan who has watched the show develop from its beginnings at the Palace Theatre. I have a special interest in how the lyrics and the characters have changed over time. As plenty of people know now, I am also writing a book on the musical using these experiences. I’m working on Eponine’s chapter at the moment, and while I know fans have a lot of love for as she is now, I feel quite upset to see what happened to her as she was developed from the original French version of the musical. She seems to have lost quite a lot of emotional agency along the way. Grantaire has also changed over time; he was cut before the previews and there was a big re-write of his character when the show went to Broadway, but I really like what they have done with his character. I’ll provide examples of all this detail with material from my book and (trying) to sing bits of lyrics to explain what has happened to the characters.”

Barricades as a Tactic: How Do They Work?

Saturday, 19:00-20:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Lem

Recorded: No

This session will explore the tactical and strategic uses of barricades, with an eye towards what to consider when writing both canon-era fanfiction and modern AUs. After all, the strategic goals towards which the barricades were used in canon-era urban warfare were often quite different from the strategic goals of similar-looking tactics in contemporary protest movements. Core components of the session will be a map-based analysis of July 1830, a comparison with June 1832 highlighting strategic goals and considerations canon-era characters would have, and an exploration of various parallels among contemporary protest tactics (which may or may not *look* like barricades).

Meetup: Musical Fans

Saturday, 19:00-20:00 UTC

Session Type: Social Meetup

Presented by: Erin

Recorded: No

A casual place to meet up with other fans and discuss the musical!

Break

Saturday, 20:00-21:00 UTC

Why is There a Roller Coaster in Les Mis? The Strange History of the Russian Mountains

Saturday, 21:00-22:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Peyton Parker/Mellow

Recorded: Yes

In Les Miserables there is an actual canon scene where Fantine rides a roller coaster. How did a roller coaster end up in Paris in 1817? And why did this ride, one of the world's first wheeled Roller Coasters, make a cameo in Victor Hugo’s novel?

It’s “Les Mis Meets Defunctland.”

We’re going talk about the earliest origins of the Russian Mountains, the fascinating history behind how they came to France, their many connections to the political turmoil of the time period, what they felt like to ride, why they were shut down, how they fell into obscurity, and why Victor Hugo included them in Les Miserables. It’s time for a roller coaster digression.

Fanfic Round Robin

Saturday, 22:00-23:00 UTC

Session Type: Social Game

Presented by: Featheraly

Recorded: No

Participate in a round robin to help write a fic together!

Obscure(-ish) Les Mis Adaptations To Watch

Saturday, 23:00-23:30 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Pureanon

Recorded: Yes

Les Mis has been adapted many times over the years, and this means there’s a lot of adaptations to enjoy. Because of this, a lot of adaptations are underviewed or underappreciated. I’d like to use this panel to discuss some of my favorites/the most unique — 1925, 1948, 1967, and 1995. These are all very different, and aside from all being ones I enjoy, they’re fascinating looks at how different countries and different time periods adapt this story. 

The adaptations I’ve chosen are both some of the best and some of the worst out there, but they’re all unique. 1925 is one of the most faithful adaptations out there, and it uses the medium of silent film to full effect. 1948 has Valean get shot at multiple times in the opening minutes, and the revolutionaries fight with BARRELS in the barricade. 1967 is half one of the best Anglophone Les Mis adaptations ever, and half the drunkest. 1995 is more of an adaptation of how people react to Les Mis as a story than a straightforward adaptation, and it’s one of the most beautiful and unique versions out there. I intend to show a clip from each adaptation, so people can get a little taste of what each adaptation is like.

Recovery: a Fanfic Live Read

Saturday, 22:30-23:00

Session Type: Fan/Academic Panel Presentation

Presented by: Eli, Barri

Recorded: Yes

A full cast will live read a Les Mis fanfic written specifically for the con.

Compared to Some People Grantaire is Doing Just Fine (No, Really)

Saturday: 22:00-23:00

Session Type: Fan/Academic Panel Presentation

Presented by: Ellen Fremedon, Pilferingapples

Recorded: Yes

Grantaire and Marius are the two characters on the fringes of the Friends of the ABC, connected to the group by social ties rather than sincere political belief. In this panel, Pilf and Ellen will discuss the two characters as narrative foils, touching along the way on the problem with Great Men, bourgeois inaction, what it means to have the republic as a mother, and dying for love–plus those two pistols in Marius’s pocket.

Preliminary Gaities

23:00-24:00 UTC

Session Type: Social Game

Presented by: Rare, Percy, and ShitpostingFromTheBarricade

Recorded: No

Preliminary Gayeties is the chapter where Grantaire gets drunk with Joly and Bossuet before the barricades.  It is perfect for a drinking game. 

In keeping with personal tradition, Rare, Percy, and ShitpostingFromTheBarricade will bring you a second year of our dramatic reading of the “Preliminary Gayeties” chapter of the brick. all while following specified drinking game rules (including classics such as “drink for brick quotes that appear commonly in fanfiction,” “pretentious classical references,” and “drink/eat when characters drink/eat”), and enjoying snacks mentioned in the chapter as they are mentioned. Everyone is invited to participate by reading, eating, and drinking along with this activity!

Sunday, June 14th

Publishing, Podcasting, and Promotion

Saturday, 15:00-16:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: David Mongomery, Alexiel de Ravenswood, Nemo Martin

Recorded: Yes

Whether it’s fanart, Tiktok videos or deep historical analysis, lots of us have THOUGHTS about Les Mis we’d like to share with the world. This panel discussion features creators sharing their advice on how to share your work with the world in a range of mediums.

Femme/butch: Dynamics of Gender and Attraction in Les Mis

Saturday, 15:00-15:30 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Eléna

Recorded: Yes

In Eléna’s words: “This is a presentation about parallels between femme/butch dynamics and les mis! The focus is on Marius, Cosette and Eponine and their individual gender presentation and attraction. There will be a focus on the original text, but I will also talk about headcanons & representation in the fandom space! I’m a femme myself, but I’ll try to incorporate butch and transmasculine viewpoints!”

Lee’s Misérables: Jean Valjean, Confederate Hero

Saturday, 15:30-16:00 UTC

Session Type: Fan/Academic Panel Presentation

Presented by: Sarah C. Maza

Recorded: Yes

Victor Hugo’s Les Misérables (1862) was as big a success in the United States as elsewhere in the world upon publication, hailed throughout the young nation as the commanding masterpiece of modern French literature. Why would a novel that celebrates violent insurrection and radical republican ideals be so warmly received in America? One of the (many) answers to that question is that the novel appeared in the midst of the Civil War, and that it provided engrossing reading to the many soldiers stuck in place for weeks or months in camp, hospitals, and prisons. Most surprising, though, is the evidence of Les Misérables’ appeal to Confederate soldiers (who jokingly called themselves “Lee’s Misérables”), as Hugo was on record as an ardent abolitionist. My paper will illustrate and explain the paradoxical appeal of Hugo’s novel in the South in two contexts: first, I will draw attention to the ways in which Confederate nationalists likened their cause to the European Revolutions of 1848; and second, I will explain the novel’s resonance within what Wolfgang Schievelbusch has called the “culture of defeat,” the emotional resonance, in some historical contexts, of narratives of doomed causes and heroic failure.

Guest of Honor: Luciano Muriel, playwright of “Grantaire”

Sunday, 16:00-17:00 UTC 

Session Type: Guest of Honor

Presented by: Luciano Muriel

Recorded: Yes

Panel about the details of the creative process behind the show Grantaire, from the discovery of the character during the playwright’s first reading of Victor Hugo’s Les Miserables to the opening night of the staging at the Teatro Pradillo of Madrid. Why Grantaire? Why a dramatic monologue? Why include Amaral songs? What did the awards and subventions entail? All the answers to these and many other questions.

Break

Sunday, 17:00-18:00 UTC

1848 in Chile: The Society of Equality and the Siege of La Serena

Sunday, 18:00-19:00 UTC

Session Type: Fan/Academc Presentation

Presented by: Duncan Riley

Recorded: Yes

While the Revolutions of 1848 are traditionally seen as a European event, they had a powerful influence in Latin America. In Chile in particular, university students who studied in France during the revolutions would lead a movement to oust the conservative dictatorship that had ruled the country since the 1830s. Inspired by the poetry of Alphonse de Lamartine and the ideals of utopian socialism, a group of Chilean intellectuals and artisans founded “The Society of Equality,” a cross-class political club dedicated to creating a democratic and participatory republic. Inspired by these ideals, in 1851 the citizens of La Serena, a mining town in northern Chile, declared their independence from the central government. Members of the Society of Equality transformed La Serena into the torchbearer of their vision of a new “democratic republic” that would restore civil liberties and grant greater autonomy to Chile’s provinces and municipalities. In defense of these principles, La Serena endured a months-long siege by government forces. The conflict inscribed itself within broader international dynamics of revolution and empire, as the British Royal Navy Intervened on the side of the government, while French immigrants built barricades to defend La Serena from invasion. Ultimately, then, La Serena and the Chilean Revolution of 1851 provide a fascinating window into the transatlantic exchanges of ideas that drove movements of democratic reform in both Europe and Latin America during the Revolutions of 1848.

The Unknown Light Examined

Sunday, 18:00-19:00 UTC

Session Type: Fan/Academic Presentation

Presented by: Madeleine

Recorded: Yes

In the tenth chapter of Les Misérables, Bishop Myriel sets out to perform the last rights of Conventionnel G, a man reviled by all of Digne for having served on the body that voted to execute the king during the French Revolution. The bishop and the dying man debate the nature of equality, divine authority, and resistance to oppression. G’s fierce defense of the French revolution and Myriel’s staunch condemnation of political violence represent diametrically opposed philosophies, but the two men have more in common than first appears. They are both men of faith, in their own way, called to serve by their profound love for humanity. Intensely shaken by this realization, the bishop kneels before the dying sinner and asks his blessing.

What does this role reversal signify? How do Myriel and G’s conceptualizations of God and morality compare, and why does Hugo seek to reconcile them? To answer these questions, this panel investigates the thematic implications of this chapter. We’ll dissect the characters’ debate, discussing the historical and religious context that informs their moral frameworks—and Hugo’s depiction of them. Drawing on analysis by literary scholars, we’ll situate Hugo’s portrayal of the bishop and the conventionnel within this same context, evaluating the extent to which G is based on the Abbé Grégoire. We’ll also examine the impact of this chapter on Bishop Myriel’s characterization and symbolic role in the novel. Lastly, we’ll explore how “The Bishop in the Presence of an Unknown Light" serves as a political and philosophical thesis for Les Misérables.

Revolutionary Rants: “Les Misérables” Onstage from an International Perspective

Sunday, 20:00-21:00 UTC

Session Type: Fan/Academic Presentation

Presented by: Tessa, Anne, Kaja, Marie, Apollon

Recorded: Yes

What started out as an open call online to gather fans from around the world to rant about the musical version of Les Mis has turned into a group of musical fans from four countries getting together to discuss our different perspectives of various international productions of the show. Topics include our favorite cast albums, how our favorite character interactions are staged in various productions we follow (including Enjoltaire), our favorite actors from the different productions, and our favorite memorable moments from the show. And we would be remiss if we didn’t mention the major impact the 2012 movie had on us as well!

Paint & Sip

Sunday, 20:00-21:00 UTC

Session Type: Social Game

Presented by: Psalm, Potatosonnet

Recorded: No

A short presentation on the artwork of Victor Hugo, his medium and subject matter, followed by crafting time inspired by Hugo’s work.

Les Mis Letters: Building a Book Club

Sunday, 21:00-22:00 UTC

Session Type: Fan/Academic presentation

Presented by: Mellow, Eccentrichat

Recorded: Yes

There are 365 chapters in Les Miserables. Les Mis Letters is an email subscription that sends you one chapter of Les Mis daily for a year.

Rachel and Mellow have been running the “Dracula-Daily” inspired Les Mis readalong since 2023! Mellow will speak to the behind the scenes process of setting up a Substack and discord server, while other readers will speak to the experience of reading Les Mis for the first time in this format or the small projects they’ve put together while following along.

Les Mis Singalong

Sunday, 21:00-22:00 UTC

Session Type: Social Game

Presented by: Megan

Recorded: No

Let’s let loose by belting out our favorite Les Mis songs together! All singing abilities welcome and encouraged, it’s virtual after all 😀 It will be musical-heavy but we’ll be sure to throw in some other fan favorites!

Closing Session 

Sunday, 22:00-22:30 UTC

Session Type: Convention Administration

Presented by: Convention Committee

Recorded: No

Closing remarks by the convention committee, marking the official end of the convention.

Dead Dog

Sunday, 22:30-24:00

Session Type: Convention Administration

Presented by: Convention Committee

Recorded: No

 “Dead Dog” is a fandom slang term for a laidback “afterparty” that happens when a convention has officially ended. 

[the-radio-demon-blog]

A Little Announcement!

If you have or have not heard, there is a threat going around about gore of children and animals being sent to ask blogs. Specifically, blogs like mine. While I am aware I'm a demon and of course, I should not be repulsed...I am.

Therefore, I am giving a warning before I shut down my ask box. I will be closing down at 11:59pm Universal Time Coordinated (UTC). However do not worry, I'll reopen sometime on the 26th after this supposed attack has subsided.

And perhaps I can catch up on my asks during this time. The number within my ask box is absolutely unbelievable I must say. Hah!

Translator for Your Timezone:

My source:

[straweepy]

should probably have done this earlier

24hr Outer Wilds Block Party Art Stream!

General Information located here!

I am streaming Saturday the 19th, from 3 pm to 5 pm EST (7 to 8 pm UTC time). Come join and listen to my mood swing of a playlist while watching me draw some Outer Wilds (and maybe something from another fandom if I finish everything I wanted-)!

If need, for converting time zone I used this helpful lil site

And my Twitch can be found here!

I really hope I got the time right au g gh

[dailymanners]

Right now I'm thinking about changing things with my queue, especially since while I'm re-queueing older posts I want to have my queue posting twice per day instead of the usual once per day as I do when I'm queuing fresh original content.

So I want to see when my followers tend to be the most active. If you don't know or can't remember what time you are the most active, just select what time it is for you right now, which might be better after all since people can have bad memories about when they're really the most active.

Here is a converter where you can compare your time zone to GMT. Your home timezone should automatically pop up at the top, and you can add different cities / time zones to compare to. I recommend adding Reykjavik as the GMT city to compare to, because Reykjavik / Iceland is UTC+0 year round, while the U.K. apparently is only UTC+0 in the winter, but becomes UTC+1 in the summer (including right now) so that won't give me a fully accurate comparison.

[karizard-ao3]

One Million Words event update

Okay! So! I'm thinking I will do the live reading/Q&A on Twitch sometime between Thanksgiving and Christmas. Perhaps I will schedule it so that I can read the attendees part of the epilogue instead of deleted scenes? Like a sneak peek?? It would be right before Christmas if I timed it that way. Send me an ask if you have a preference! Also, is there a way to record the stream for those who can't make it?? I will have to look into that.

Also, it's hard to find a time to do it where the majority of readers could attend if they wanted to. So, please, if you are interested in the Q&A, please let me know your time zone you live in (You'll have to convert your time zone to its UTC offset). I'll try to plan it so it's between, like, 9am and 11pm on a weekend for the greatest number of people possible. If you live in N. or S. America, it might end up being a Friday night, though.

(Please don't vote if you are not interested in the Q&A so the results don't get skewed!)

[andoutofharm]

With the Fall Out Boy Summer Sonic shows approaching this weekend, here’s some information on show times!

Tokyo (Left, 8/19):

5:50 PM local time (JST, UTC+9)

4:50 AM (EDT, UTC-4)

3:50 AM (CDT, UTC-5)

2:50 AM (MDT, UTC-6)

1:50 AM (PDT, UTC-7)

6:50 PM (AEST, UTC+10)

Osaka (Right, 8/20)

6:20 PM local time (JST, UTC+9)

5:20 AM (EDT, UTC-4)

4:20 AM (CDT, UTC-5)

3:20 AM (MDT, UTC-6)

2:20 AM (PDT, UTC-7)

7:20 PM (AEST, UTC+10)

I very much recognize I did not include many timezones: I used this time zone converter to get these! Just enter your time zone and convert from JST.

[fanwork-exchange-promos]

Id Pro Quo 2025

Posted by: idficmod Sign-ups are currently ongoing for Id Pro Quo 2025! idproquo  is a gift exchange for "iddy" fan works: purely self-indulgent creations that make you go zing! in that particular delicious way. Participants will create and receive a completed gift of 2,000+ words of fanfic or a work of individually made fanart. 2025 Links Tagset | Signups | Collection | Dreamwidth Community | Automagic App 2025 Schedule Signups: March 30th–April 7th Assignments out by: April 9th Works due: June 1st (convert this to your local time zone here) Works revealed: June 15th Creators revealed: June 22nd All deadlines are at 10:00 p.m. Eastern Daylight Time (UTC -4). comments via The Fandom Calendar https://ift.tt/L0BO48R

[silmsmutexchange]

Assignments due in one week!

This your one-week reminder: works are due at 11:59 PM UTC on 11/22/2024. Please don't forget to convert UTC to your time zone. Thanks to those of you who have already uploaded your works to the collection.

[paranormal-peri]

I know I’ve been messy with posting on time, but my the rate this is going, I can confirm chapter 10 WILL be posted ON TIME sometime during MONDAY! :D

I’m curious though, what time would you guys be not sleeping/what time would you most likely be available to read/what time would you want me to post it? (You may have to convert your time zone)

[snycock]

Weekly chat reminder

Please join us for the weekly TS chat on Saturday, November 9th, at 7 pm Greenwich Mean Time (GMT)/19:00 UTC. That could be as early as 11 am if you’re on the west coast of North America, or 2 pm if you’re on the east coast, or 7 pm in the UK, or early Sunday morning in Australia or New Zealand.

We’re in the usual place: http://us25.chatzy.com/81935648447483. There’s nothing to download or install, just choose a name and a color and click on “join chat.”

Our topic this week: what job would Jim do if he wasn't a cop? Would he have stayed in the Army? Used his senses to become a chef or perfume maker? Or would his territorial imperative win out and lead him to being a firefighter, paramedic, security guard, or other protector type?

IMPORTANT: Those of you in the UK have already set your clock back, and we in the US and Canada joined you last weekend, so remember that chat is an hour earlier than you've been used to. Confused? Remember that we are ALWAYS at 7:00 PM Greenwich Mean Time/19:00 UST, and check a time zone converter to make sure you know when chat starts where you are.

See you there!

[caitas-cooing]

From a quick google UTC-7 (at the moment) appears to just be Pacific time but with the 24hr clock, so just convert from there I guess? UTC just means london time but without daylight savings fuckery, it'll switch to mountain time when the clocks change again

That helps I think that might be easier to convert to different time zones thanks

[barricadescon]

Barricades 2024: Schedule for Sunday, July 14

Welcome to the final day of Barricades 2024!

All times are in UTC, and can be converted to your local time zone at this link.

Key to types of Panels:

Convention Administration panels: Panels run by the Con Committee, to open and end the convention.

Guest of Honor: Special panels from our guests of honor. This year, our guests of honor are Jean Baptiste Hugo, a descendant of Victor Hugo who will discuss his project photograph his ancestor’s house; Christina Soontornvat, the author of the award-winning Les Mis retelling “A Wish in the Dark;” and Luciano Muriel, playwright of the 2018 musical play “Grantaire.” 

Fan/Academic Panel Presentations: Panels on history, fandom, or analysis of Les Mis. Scholars will share historical research, fans will share hobby projects, and the audience may get an opportunity to ask questions. 

Social Meetups: Casual unstructured time to meet up over video call and chat!

Social Games: Games and activities.

Publishing, Podcasting, and Promotion

Saturday, 15:00-16:00 UTC

Session Type: Fan/Academic Panel Presentation Presented by: David Mongomery, Alexiel de Ravenswood, Nemo Martin Recorded: Yes

Whether it’s fanart, Tiktok videos or deep historical analysis, lots of us have THOUGHTS about Les Mis we’d like to share with the world. This panel discussion features creators sharing their advice on how to share your work with the world in a range of mediums.

Femme/butch: Dynamics of Gender and Attraction in Les Mis

Saturday, 15:00-15:30 UTC

Session Type: Fan/Academic Panel Presentation Presented by: Eléna Recorded: Yes

In Eléna’s words: “This is a presentation about parallels between femme/butch dynamics and les mis! The focus is on Marius, Cosette and Eponine and their individual gender presentation and attraction. There will be a focus on the original text, but I will also talk about headcanons & representation in the fandom space! I’m a femme myself, but I’ll try to incorporate butch and transmasculine viewpoints!”

Lee’s Misérables: Jean Valjean, Confederate Hero

Saturday, 15:30-16:00 UTC

Session Type: Fan/Academic Panel Presentation Presented by: Sarah C. Maza Recorded: Yes

Victor Hugo’s Les Misérables (1862) was as big a success in the United States as elsewhere in the world upon publication, hailed throughout the young nation as the commanding masterpiece of modern French literature. Why would a novel that celebrates violent insurrection and radical republican ideals be so warmly received in America? One of the (many) answers to that question is that the novel appeared in the midst of the Civil War, and that it provided engrossing reading to the many soldiers stuck in place for weeks or months in camp, hospitals, and prisons. Most surprising, though, is the evidence of Les Misérables’ appeal to Confederate soldiers (who jokingly called themselves “Lee’s Misérables”), as Hugo was on record as an ardent abolitionist. My paper will illustrate and explain the paradoxical appeal of Hugo’s novel in the South in two contexts: first, I will draw attention to the ways in which Confederate nationalists likened their cause to the European Revolutions of 1848; and second, I will explain the novel’s resonance within what Wolfgang Schievelbusch has called the “culture of defeat,” the emotional resonance, in some historical contexts, of narratives of doomed causes and heroic failure.

Guest of Honor: Luciano Muriel, playwright of “Grantaire”

Sunday, 16:00-17:00 UTC 

Session Type: Guest of Honor Presented by: Luciano Muriel Recorded: Yes

Panel about the details of the creative process behind the show Grantaire, from the discovery of the character during the playwright’s first reading of Victor Hugo’s Les Miserables to the opening night of the staging at the Teatro Pradillo of Madrid. Why Grantaire? Why a dramatic monologue? Why include Amaral songs? What did the awards and subventions entail? All the answers to these and many other questions.

Break

Sunday, 17:00-18:00 UTC

1848 in Chile: The Society of Equality and the Siege of La Serena

Sunday, 18:00-19:00 UTC

Session Type: Fan/Academc Presentation Presented by: Duncan Riley Recorded: Yes

While the Revolutions of 1848 are traditionally seen as a European event, they had a powerful influence in Latin America. In Chile in particular, university students who studied in France during the revolutions would lead a movement to oust the conservative dictatorship that had ruled the country since the 1830s. Inspired by the poetry of Alphonse de Lamartine and the ideals of utopian socialism, a group of Chilean intellectuals and artisans founded “The Society of Equality,” a cross-class political club dedicated to creating a democratic and participatory republic. Inspired by these ideals, in 1851 the citizens of La Serena, a mining town in northern Chile, declared their independence from the central government. Members of the Society of Equality transformed La Serena into the torchbearer of their vision of a new “democratic republic” that would restore civil liberties and grant greater autonomy to Chile’s provinces and municipalities. In defense of these principles, La Serena endured a months-long siege by government forces. The conflict inscribed itself within broader international dynamics of revolution and empire, as the British Royal Navy Intervened on the side of the government, while French immigrants built barricades to defend La Serena from invasion. Ultimately, then, La Serena and the Chilean Revolution of 1851 provide a fascinating window into the transatlantic exchanges of ideas that drove movements of democratic reform in both Europe and Latin America during the Revolutions of 1848.

The Unknown Light Examined

Sunday, 18:00-19:00 UTC

Session Type: Fan/Academic Presentation Presented by: Madeleine Recorded: Yes

In the tenth chapter of  Les Misérables, Bishop Myriel sets out to perform the last rights of Conventionnel G, a man reviled by all of Digne for having served on the body that voted to execute the king during the French Revolution. The bishop and the dying man debate the nature of equality, divine authority, and resistance to oppression. G’s fierce defense of the French revolution and Myriel’s staunch condemnation of political violence represent diametrically opposed philosophies, but the two men have more in common than first appears. They are both men of faith, in their own way, called to serve by their profound love for humanity. Intensely shaken by this realization, the bishop kneels before the dying sinner and asks his blessing.

What does this role reversal signify? How do Myriel and G’s conceptualizations of God and morality compare, and why does Hugo seek to reconcile them? To answer these questions, this panel investigates the thematic implications of this chapter. We’ll dissect the characters’ debate, discussing the historical and religious context that informs their moral frameworks—and Hugo’s depiction of them. Drawing on analysis by literary scholars, we’ll situate Hugo’s portrayal of the bishop and the conventionnel within this same context, evaluating the extent to which G is based on the Abbé Grégoire. We’ll also examine the impact of this chapter on Bishop Myriel’s characterization and symbolic role in the novel. Lastly, we’ll explore how “The Bishop in the Presence of an Unknown Light" serves as a political and philosophical thesis for Les Misérables.

Revolutionary Rants: “Les Misérables” Onstage from an International Perspective

Sunday, 20:00-21:00 UTC

Session Type: Fan/Academic Presentation Presented by: Tessa, Anne, Kaja, Marie, Apollon Recorded: Yes

What started out as an open call online to gather fans from around the world to rant about the musical version of Les Mis has turned into a group of musical fans from four countries getting together to discuss our different perspectives of various international productions of the show. Topics include our favorite cast albums, how our favorite character interactions are staged in various productions we follow (including Enjoltaire), our favorite actors from the different productions, and our favorite memorable moments from the show. And we would be remiss if we didn’t mention the major impact the 2012 movie had on us as well!

Paint & Sip

Sunday, 20:00-21:00 UTC

Session Type: Social Game Presented by: Psalm, Potatosonnet Recorded: No

A short presentation on the artwork of Victor Hugo, his medium and subject matter, followed by crafting time inspired by Hugo’s work.

Les Mis Letters: Building a Book Club

Sunday, 21:00-22:00 UTC

Session Type: Fan/Academic presentation Presented by: Mellow, Eccentrichat Recorded: Yes

There are 365 chapters in Les Miserables. Les Mis Letters is an email subscription that sends you one chapter of Les Mis daily for a year.

Rachel and Mellow have been running the “Dracula-Daily” inspired Les Mis readalong since 2023! Mellow will speak to the behind the scenes process of setting up a Substack and discord server, while other readers will speak to the experience of reading Les Mis for the first time in this format or the small projects they’ve put together while following along.

Les Mis Singalong

Sunday, 21:00-22:00 UTC

Session Type: Social Game Presented by: Megan Recorded: No

Let’s let loose by belting out our favorite Les Mis songs together! All singing abilities welcome and encouraged, it’s virtual after all 😀 It will be musical-heavy but we’ll be sure to throw in some other fan favorites!

Closing Session 

Sunday, 22:00-22:30 UTC

Session Type: Convention Administration Presented by: Convention Committee Recorded: No

Closing remarks by the convention committee, marking the official end of the convention.

Dead Dog

Sunday, 22:30-24:00

Session Type: Convention Administration Presented by: Convention Committee Recorded: No

 “Dead Dog” is a fandom slang term for a laidback “afterparty” that happens when a convention has officially ended.