#Victim of the supernatural/proto

[irregularincidents]

According to the writer of the 1943 horror/noir film the Seventh Victim, DeWitt Bodeen, the Satanic cult that serve as the movie's villains were in fact based upon an actual group he had met in New York's Greenwich village while he was researching for the film.

What is both amusing and kind of sad though, is that the group of occultists in question that Bodeen met were reportedly mostly elderly regular folk (if gothy), who divided their time between knitting and casting spells at Hitler to cause his downfall (something that proto-Wicca groups such as the New Forest Coven in Britain were also attempting separately).

Somehow via the magic of cinema this got interpreted as the occultist group being the kind of folk who, while pacifists, also have no compunction of manipulating outsiders who discovered their secrets into harming themselves. "Normal people" whose interests led to them becoming evil.

The film is reportedly still good (it being of the early 1940s Val Lewton horror era), and even had a cult following in the UK due to its "homoerotic undertones", can't help but feel that the writer could have taken the film in a different direction though. Even though the presence of the supernatural is vague (it's more of a mental/spirital dealie), the fact you had a story about magicians casting spells to hurt Hitler and somehow made THEM the bad guys is kind of sad.

That'll learn them for being different, I guess.

[sublime-msc-duo]

Hehe promo time babeyy

2 weeks ago

Ever since of their recent paranormal expeditions, proto had been... acting odd...MA didnt know what happened, ma had blacked out and must have missed what happened, but MA was worried. MA knocked on protos apartment door, they lived in separate apartments but in the same building.

"Hey, P. You in there? You good?"

Proto qpproached MA from scorps apartment, scorp looked HORRIBLE. Scorps hair was disheveled and scorps eyes had this look of pure horror.

"Oh...hi M, yea im good just having the world allergic reaction ever...thats all"

"I-its nothin...how about you- didnt ya pass out?"

"Proto i get youre worried about me but thats not relevant right now...you look like-"

"ALRIGHT HAVE A GOOD DAY BYE!"

Proto slammed the door closed. Very out of character for scorp. Usually scorp would chat with ma for hours on hours if scorp could, they were best friends and had been for years ever since MA had moved to nevada.

Ma didnt really try to press the issue further, and left to go call any of protos other friends to see if this was something that had happened before

1 week ago

MA went to go check up on proto again, knocking on scorps apartment door.

No answer

Ma kept knocking, effectively punching the door to no response. Luckily ma and proto had eachothers apartment keys just in case something happened. Or one of them wanted to scare the other.

Ma barged into protos apartment to find...

"Wh- what the - fuck...FUCKFUCKFUCKFUCKFUCK!!!"

Proto was dead. Blood staining the roght side of one of the rooms in the apartment.

Ma stood there in shock, not noticing the spectre forming behind ma until-

"...uhm...ma. what are you doing in my apartmen-"

"JESUS!!!"

And yea ...proto is a ghost now i guess.

And thats the start of this insanity!!

Characters

MA

Proto

Aflac

Steven

Nusky

Miko

Steve

[silver-grasp]

Christabel  is a long narrative ballad by Samuel Taylor Coleridge, in two parts.

[...]

The story of Christabel concerns a central female character of the same name and her encounter with a stranger called Geraldine, who claims to have been abducted from her home by a band of rough men.

Christabel goes into the woods to pray by the large oak tree, where she hears a strange noise. Upon looking behind the tree, she finds Geraldine who says that she had been abducted from her home by men on horseback. Christabel pities her and takes her home with her.  However, supernatural signs (a dog angrily moaning despite being asleep, fading flames on torches suddenly reigniting, Geraldine being unable to cross an iron gate, denial of prayer) seem to indicate that all is not well. They spend the night together, but while Geraldine undresses, she shows a terrible but undefined mark: "Behold! her bosom and half her side— / A sight to dream of, not to tell! / And she is to sleep by Christabel" (246–48).

[...]

The transgressive plot of Christabel revolves around the relationship, implicitly sexual, of Geraldine and Christabel. Geraldine, takes on a proto-vampiric role, with all the antecedent features that that necessitates: external beauty, a revelatory bodily mark, and a physical encounter (with the victim) that leaves them incapacitated

(source)

So have we talked about this because this punched me in the face out of nowhere and I always thought there was Something going on with Cristabel’s name... the Christ component of the name is of course the obvious connection but now it’s also a lesbian vampires reference??? Hello???

Bonus: “Christabel was an influence on Edgar Allan Poe, particularly his poem "The Sleeper" (1831).”

[wispvial]

rambling

Listing things I would enjoy seeing in a tcm sequel/reboot (audience groan) since they are so inevitable. I think everyone should brainstorm their ideal TCM sequel since we’ll continue to be disappointed forever and it’s fun. I think my ideal would be a pastiche of all the forgotten things that worked so well in the 1st movie, a bit hazy and psychedelic...

Daylight horror and the threat of the ever-watching sun. the weather itself as a secondary villain, in a way that builds on the apocalyptic feeling of the first movie...abandoned cars, endless bad news on the radio, Saturn in retrograde. and much of the early movie is spent suffering from the hot weather and its effects. The swimming hole Franklin remembers from his youth and directs his friends to was dried up, which led them to their deaths. TCM was a reaction to its time period, the sorry state of the Sawyers having societal causes... and hot weather making the land untenable and inhospitable only becomes more and more relevant with our climate crisis. Perhaps the unlucky, naive group, unprepared for their trip, unaware of how bad things have gotten in places they don’t live, will suffer from heat sickness, sun stroke, dehydration, etc, giving them more of a reason to stumble onto someone’s property looking for help. Feverish delusions and distortions/mirages from the suns rays will allow for some creative visuals in the build-up to the actual killings. A benefit of a movie made today and not in the 2000s like the platinum dunes remakes is that they can use nice atmospheric colors and NOT have piss-soaked color grading. So I’d love to see vivid and bright blue skies and sunsets, and the eerie washed-out white morning like when Sally escaped. Since again, the cosmos + environment itself is kind of a background character.

INDUSTRIAL/DARK AMBIENT SOUNDTRACK...the original’s OST was so experimental, it was basically proto-industrial. No melody, just scraping and banging and animal trills. And an entire genre of music was developed since then, so much progression in the art of Unpleasant Sounds. I hate hearing generic orchestral music in slashers nowadays, and I know the point this far along in the many years of slasher movies isn’t to be scary or upsetting, or to confront you with any stimuli that is truly unpleasant, but to be comforting, formulaic and thus profitable. I’m not trying to sound pretentious and I’m not immune to the enjoyment of by-the-books slasher movies, but TCM really should have a discordant, dick-banging soundtrack that contributes to the horror.

sigh...well...chemistry between a victim and a villain. a.k.a franklin and the hitchhiker. I don’t even mean this in a shipping way but I feel there was gothic doubling going on in the first movie that didn’t go very far, but i still found it to be a tasty morsel. Franklin and Nubbins were opposites in many ways, including class; the new reboot latching onto themes of gentrification was NOT at all a stretch. the script had more unsubtle references to wealth--the hardesty father playing golf, mother drinking martinis, mention that they were on the trip searching for land, and kept in the movie was the fact Franklin’s grandfather sold cattle to the slaughterhouse the Sawyers were fired from, and his father owns the abandoned property. But they both share morbid fascinations, and I feel the intention behind Franklin mirroring the interest in knives and raspberry blowing was that there was very little separating them As People, not much but a membrane of skin that the hitchhiker cuts through.

I think a lot of people will HATE this because tcm is thought of as such a gritty and grounded movie but I like supernatural ambiguity. A sense that by eating humans, the Sawyers have become something more than human. It is a difficult balance because at the same time, they are very pathetic and desperate and live that way for human reasons. And yet, Grandpa already appears to be a vampire and the hitchhiker marks the group to doom with his blood. Leatherface is exceptionally strong. What exactly are the Sawyers? The true answer is Just A Bunch of Guys, but hints are fun.

another attempt at addressing themes of disability and accessibility, another disabled main character (if not Franklin) getting attention and depth and hopefully surviving

homosexuality

nubbins biting people

The more I typed this out the more I wondered how a reboot could even work. You can’t set it in the 70s again because you could just rewatch the original and it’d actually be authentic while still being fresh and genuinely a good movie. Why are we doing this...

[letterful]

professional vibe diagnosis: madi @dearorpheus 🖤

KEY TERMS: gothic heroines, final girls, bluebeard narratives, death & the maiden, monster theory, dangerous appetites, antiquarianism, sawbones & their history, perfumery, poison bottles, cursed jewels, blood vials, soft & warm light, morbidness & coziness intertwined, with more than a dash of elegance & sophisticated taste 🖤

media recommendations under the cut!

(a sidenote: i did not include a lot of obvious choices, such as angela carter or helene cixous or anne carson or any gothic 101 authors, since i know for a fact you’re already familiar with them. to be perfectly honest, you’re one of the most well-read people i’ve ever met, so i wouldn’t be surprised if you were already familiar with most of these, but i did my best!)

Severance: Stories, Robert Olen Butler—talking heads! literally!

Fairy Tales for the Disillusioned: Enchanted Stories from the French Decadent Tradition,

The Leopard by Giuseppe Tomasi Di Lampedusa (for some truly exquisite prose),

Imaginary Lives by Marcel Schwob (oh, Schwob is criminally underrated; also,  these tales remind me of early Borges)

Kieślowski films! La Double Vie de Véronique (1991), especially—this scene is... somewhat spoiler-y, but goodness. it is beautiful, in a grandiose way. also, can we talk about the lyrics of the featured piece? 

speaking of Polish movies: Cold War (2018) & Ida (2013) are also a must!

Arthur Machen’s short stories, and especially The Inmost Light,

M. R. James’ short stories, of course, but especially Count Magnus,

The Lottery and Other Stories by Shirley Jackson; the entire collection serves as one of my favourite retellings of the Daemon Lover ballad, although it’s not a very straightforward one—The Man in the Blue Suit (slash James Harris) is at most a peripheral figure, and his status as a supernatural entity is up in the air, since most of the stories are uncanny instead of explicitly supernatural (and yet, whenever he enters the stage, something shifts in the atmosphere & things go... very wrong, very quickly). I especially recommend The Tooth!

speaking of daemon lovers, here’s an academic analysis of this motif: Demon-Lovers and Their Victims in British Fiction (an extended excerpt is available on Google Books)

still speaking of daemon lovers: The Book of Tobit! and, specifically, the story of Asmodeus and Sarah of Media, who might or might have not inspired the line about the woman wailing for her demon-lover in Coleridge’s Kubla Khan. also! this... retelling of sorts: (x)

The Song of the Sun: Collected Writings by Leah Bodine Drake (her poems of fantasy are quite wonderful; here’s an example!),

speaking of fantasy-themed poems... these anthologies are very good indeed (& beautifully published!): Monster Verse / Dead & Undead / Killer Verse / Bewitched & Haunted,

Het Lied van Heer Halewijn (a proto-Bluebeard story, and the Dutch equivalent of Lady Isabel and the Elf Knight)

speaking of... these are some of my favourite transformative works dealing with this ballad: (x) (x) (x) (once again, it’s fanfiction, but it’s quality fanfiction, cross my heart & hope to die)

german-language musicals! goodness, they’re some full-throated, pulpy, gothic extravaganza. here’s my favourite scene from Tanz der Vampire, and here’s the english lyrics, and here’s the english-language demo (it is... not as good as the original, alas). i also recommend Elisabeth & Rebecca! speaking of pulpy musicals: can we talk about the riddle from the scarlet pimpernel? because it has no business being this catchy. 

alright, i’ve covered some lowbrow musicals, so let’s talk highbrow now: The Great Comet is based on a tiny excerpt from War & Peace, but good god. it /feels/ monumental in scope. this song is... yeah. yeah. it’s also sung-through (like Les Mis, or Evita), so you’re not missing out on anything, even if you only listen to the cast recording!

speaking of songs with great Madi energy... Take This Waltz by Leonard Cohen (based on a poem by Lorca!) definitely reminds me of you!

also. Memorial by Susanne Sundfør. it’s the drama! and Kate Bush, obviously, especially Hammer Horror (even more obviously) <3 and this rendition of Memory! 

i don’t know whether you own ps4, or even consider yourself someone keen on video games as a medium, but madi. madi. madi. bloodborne is practically tailor-made for you, and i’m not even exaggerating. dubious medicine! secret cults! victorian architecture! blood, blood everywhere! eldritch abominations beyond human comprehension! i’m going to fly you to poland just so you can play it. 

on a related note... netflix’s castlevania is. well, i genuinely cannot say whether it’s good, but it’s fun, and its aesthetic is basically gothic on steroids. very explicit, that is to say: sex and murder usually take place simultaneously.

some academic books of interest that were not already included in my previous masterpost:

The Ring of Truth: And Other Myths of Sex and Jewelry,

the Devil’s Advocates series,

The Work of the Dead: A Cultural History of Mortal Remains,

Dark Banquet: Blood and the Curious Lives of Blood-Feeding Creatures,

Rabid: A Cultural History of the World's Most Diabolical Virus,

Severed: A History of Heads Lost and Heads Found,

The Science of Monsters + Science of the Magical.

[doomedandstoned]

Italian Doomers BRETUS Tell Ghostly Tales on New LP, ‘Magharia’

~Doomed & Stoned Debuts~

By Billy Goate

Artwork by DamianaMerante

Hailing from the City of the Two Seas, Italian doomers BRETUS return with a new album of ghost stories. Longtimers know that Bretus and Doomed & Stoned practically grew up together. Though the band has been active since the turn of the century, our first exposure came with their debut full-length 'In Onirica' (2012) and subsequently we formed a friendship with the Catanzaro doomers that continues to this very day. It's hard to believe they're already over two decades old (okay, 20 years young, if you like). And what do they have to show for it? A handful of LPs, an EP, and a split with fellow Italianos Black Capricorn.

If you're as much a fan of vintage horror movies, H.P. Lovecraft lore, mysticism, and the occult as Zagarus (vox), Ghenes (guitar), Janos (bass), and Striges (drums), there's a whole world of story and sound awaiting your deep dive into the Bretus catalog. Adding to their already excellent discography, a fifth album now reveals itself: 'Magharia' (2021).

I won't spoil my interview with the band (see below) if I tell you that the album concerns, shall we say, several tales of the supernatural variety. An ominous gong is struck to the backdrop of monastic chant as Magharia opens in epic fashion "Celebration of Gloom," a song characterized by a chugging proto-trash tempo, trve metal stylings, and Gothic vocals appropriate to it's subject. It's a rather grim account of a certain sacrilegious priest and his daliences with young women of the church. As a preacher's kid, I've seen this kind of thing play out a hundred times and can assure you these sweeping romances between clergy and laity never end well. In this case, it winds up with a ghoulish rite and a victim's vengeance.

"In the sky lightning strikes...wicked laments rise from the ground." Welcome to "Cursed Island." True to the spirit of the lyrics, this track really let's it all hang out, with quasi operatic vocals that occasionally erupt in maniacal laughter (reminding me vintage Reagers-era Saint Vitus, with its lusty swagger). And why not? This is after all about the mystery that surrounds one of the most haunted islands on earth.

Thus far, the record's been sporting a pretty up-beat pulse, so surely you're ready for some good old fashion doom? "Moonchild's Scream" concerns a albino girl accused of being possessed by the devil for her appearance. One day, she disappears in the dungeons of a castle and legend has it that her cries can still be heard every five years during the Summer Solstice. Doesn't get more doom than that, folks!

After a brief interlude ("Necropass"), we arrive at my favorite track of Magharia. "Nuraghe" concerns the spirit of a woman judged and condemned for a crime she was innocent of still roams among the ancient stones. Boy, the ancients sure did have a hang-up with free-spirited, independent women, didn't they? The song itself is possessed by the spirit of Pentagram in its biting guitar work and rhythmic attack. Love the riffage on this one! Some of it could have been played out just a little more for my taste, like the all-too-brief Soundgardenesque motif at the two-minute mark. It returns a minute later, again in brief. C'mon Ghenes, let your inner Kim Thayil loose! Maybe we can convince them to improv at this point with a bitchin' guitar solo at their next festival appearance. Then again, perhaps this fits artistically with the song, which speaks of obscure "grim dancing bats" and a ghost that haunts through swift shadows passing over glimmers of light. Once again, Zagrus expressive song style comes through to distinguish this as a gem of the genre. I shall be revisiting it on my personal playlist often.

"Headless Ghost" strikes graceful Goatsnake groove as the yarn is spun about the restless and tormented soul of an ancient Roman warrior who has risen from his place of rest. All he wants is the skull that was looted from his place of burial. Give it back to him! "No one will be spared tonight," the lyrics warn, as the song shifts down to a dire doom dirge as the night unveils a strange moon and the wanderings of a cursed soul, seeking his head and not more. "He is living again in this hell."

"The Bridge of Damnation" is one of the creepiest of the record, said to be about "a bridge, a young boy, and his three torturers." The mood is quite dark, with esoteric atmosphere, reverberating vocalizations, guitar and bass trading off notes. Oh, and did I mention this tale from the crypt involves death and resurrection, as well? The riffmaking and drumming are absolutely on point, as is the singing -- which by now in the record I'm not only am accustomed to, but have grown to admire. Another keeper!

"Sinful Nun" winds and grinds as Zagarus croons about the inner torment of a Sister who has never gotten over her beloved, who died under such unspeakably tragic circumstances that she decided to consecrate herself to God in celibacy. However, her vows are in vain as she still pines for her long lost lover. The verses are sung to the accompaniment of a galloping tempo, which seems to represent the fevered anguish of a soul forever stricken by grief and the haunted memories of lost love. This is juxtaposed in the chorus by a cursed riff that seems to speak as the Hand of Fate itself. "Farewell to this life," are the Sinful Nun's final words.

At last, we reach the album's namesake and though "Magharia" is entirely instrumental, it would be a mistake to assume you know what it's going to do. Around the four-minute mark, I had to check and make sure I was listening to the same album, as dark synth busted out a metronomic rhythm, leading to a declamatory section of keyboards to accompany the math-like guitar play and an improvisation of almost creepy seventies-sounding prog, which after its playful fit dissipates suddenly in a bluesy collapse.

Bretus have cooked up a remarkable horror soundtrack that, though it speaks of ancient lore, is very much a fitting backdrop to the unreality of our own times. Fitting somewhere on the stylistic spectrum between Candlemass and Paul Chain, Reverend Bizarre and Cardinals Folly, Margharia may be the band's finest effort to date. Certainly, it rewards repeated listens, and will haunt you for many years to come. Look for the record to drop this weekend (pre-order here), with multiple physical formats releasing via The Swamp Records (compact disc), Burning Coffin Records (cassette), and Overdrive Records (vinyl). Until then, you can stream it all, right now, right here!

Give ear...

Magharia by BRETUS

An Interview with Bretus

What is the concept behind the new album and what themes do you explore?

Musically the new record is most "in your face" than the previous album. Also our approach to the recording was different. We rehearsed and arranged together more than before. The result is an album more raw to us. It is a concept album born around different italian old ghost tales. Some of these is supposed to be legend or myth, who knows.

When did you write it? Was it during the pandemic lockdowns?

We had more ideas about new stuff long before the pandemia arrived. We spent this time working on the pre-production of the tracks.

Can you give us a track-by-track explanation of each song on the album?

For sure!

"Celebration of Gloom" is a strange song because there are many influences in it. Including a solo flute in the middle of the track. However is a very loud and gloomy song.

"Cursed Island" probably is the most rock 'n' roll song of the album. If you know what I mean. Rock in the attitude. Also the first video of the album.

"Moonchild's Scream" is 100% pure Doom with a heavy mid-section.

"Necropass" is like Caronte travelling the damned souls across the Stige River.

"Nuraghe" is a heavy oriented track with a very dark feeling.

"Headless Ghost" has a more stoner trend than the others and in the end there is a psycho riffing.

"The Bridge of Damnation" includes our '80s dark influences into our sound, probably the most haunted track of the album. The story is based upon an old weird story that happened in our native city, Catanzaro.

"Sinful Nun" is like an experiment and neither of us can explain really what it is... ah ah aha! For sure the most heavy track of all.

Finally "Magharia." You cannot believe it but the idea comes from a Who's album, Quadrophenia. Either of us wrote a part of the song. The result is a kind of horror soundtrack.

Magharia by BRETUS

How do you feel that your basic style or approach to song composition has changed since you first started writing songs in the early days?

You already know a lot of things about us, we know you from so long ago! Please don't ask how old we are. (laughs) Basically our approach is the same from the beginning. Of course we listen to a lot of new stuff during these years so every album brings different "colors."

Where are you most looking forward to playing live once pandemic restrictions are eased?

Everywhere! We are angry for live gigs or simply to drink beers with friends.

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[wombathos]

1.8 i robot... you jane

- this episode is so late nineties, it’s beautiful

- what is up with the starting scene where the pretty boy is asked to profess his love to the wrinkly moloch (the corruptor) demon 

- so i robot… you jane is a fun episode title (riffing off tarzan) (also asimov! specifically I’m guessing his robopsychologist stories got to admire the man’s commitment to cool scifi versions of psychology about positronic brains and stuff) and it’s not like those influences are entirely absent from the episode itself but… eh. the tarzan and jane stuff is there in the interactions between characters from different........ cultures, fine, I guess? and I suppose one form of a positronic brain would be some ancient demon consciousness as a machine, sure that’s what asimov had in mind

- the scanning magic words and thus letting the demon loose in the computer is admittedly a neat idea, playing off the whole ~power of the words themselves~ trope and trying to bring the magic and tech worlds together (though contrast with s4 episodes that just had unabashedly scifi villains like adam without needing to explicitly involve magic, iirc anyway). also like how the words disappear when they’re scanned - which reminds me of dark willow sucking those magic shop books dry, ~uploading~ them as a source of power

- bit of a tonal disconnect between a character going “I’m jacked in I’m jacked in I’m jacked in” but then in the next shot committing decidedly disturbing self harm

- “to read makes our speaking english good” is just a beautiful line

- one thing I appreciate about btvs episodes - as someone who gets really strong second hand embarrassment - is that even though main characters occasionally have to be idiots for plot purposes, they usually don’t go too far. willow does get suspicious pretty quickly when malcolm knows too much about buffy. and despite how it did tackle the whole ‘oh well you never know who you’re talking to on the internet!’ by going ‘it COULD be a robot/ancient demon’, which... well. it does at least devote some time to the students’ loneliness and why willow might want to believe that the internet guy is real

- “okay, for those in our studio audiences who are me?” nice fourth wall nudge by xander there

- the ‘suicide’ of the boy catches me unawares every single time I watch this episode. it’s such a jarringly dark moment. idk, it’s not like btvs doesn’t normally switch up tones and I can’t attest to how this would’ve played to audiences in the 90s, but I think where I struggle is that despite alluding to plenty of serious fears of technology, the actual plot is... really quite silly (especially the way the fritz character is written), but it doesn’t necessarily feel like the episode is acknowledging that in the same way other episodes might or even seem to be aware of it - so a lot of the dark stuff feels quite cheap and used only for shock value. hence the tonal disconnect

- the robot in the military facility gives it a proto-s4 vibe

- “the divine exists in cyberspace” ha

- about the technopagan thing - it is interesting as a s1-ism since after the early years there’s a lot of emphasis on magic and science as oppositional worlds, which is discussed a lot in relation to willow but isn’t exclusive to her either. like in a post-s2 world, they could’ve gone with willow continuing on with jenny’s path to find a sort of union of the two worlds, contrasting that with giles old-school approach, but they don’t, really. there’s moments where the two meet, like when willow uses magic to make a computer search go faster at some point in s6, but even for willow they mostly remain very separate? she’s adept in both, but in s4 it’s all about how she’s into all the ‘new age’ witch stuff now (not so much in love with those computers any more, she’s into that new trendy thing, get it, get it), then in s6 and in bits of s7, she tries to replace magic by going back to her computer skills. so there’s not really a lot of technopagan-ing going around (not really thought through the implications of this, but I feel like this could’ve been something interesting for her to explore in s7 when she’s trying to forge a new identity of sorts? then again, that would mean you’d need a concrete idea of what technopaganism constitutes beyond ‘using the computer to research stuff’ and ‘doing remote magic circles’ and the more I think about it, it does feel kinda gimmick-y. here it’s fine because it’s the contrast between new and old but… at most tech could be reintegrated into s7 in that faintly utopian noughties spirit of finding community through the internet and willow making her own way, reaching out to others like her, all that collective empowerment schtick) and WOW this is a tangent and a half, anyway

- this is an odd episode for cordelia to miss since it feels like she would’ve fit right into pushing the lonely nerds a little further in their loneliness and their ‘no one else understands me’ thing, except maybe given the dark turn of this episode, they felt like that’d make cordelia look a bit too bad/distract from the main plot

- speaking of lonely nerds, on the balance of s1 villains, the bullied do end up being the villains more often than the bullies, don’t they? for the former you get fritz, invisible girl, admittedly fake-out villain of puppet show. then while the nightmares kid isn’t bullied or a villain, he is abused and thus also a victim. for the latter, there’s the pack. other villains are a teacher, a coach and a mother - all authority figures - and then various vampires who don’t at all fit into the high school hierarchy. all in all, there’s a lot of characters using the supernatural to lash out at others, often their bullies, with sometimes more and sometimes less sympathy afforded to them. but then you also have the protagonists, who are themselves put-upon nerds but ones who don’t (yet) reach to supernatural solutions to dealing with their high school enemies, as well as the negative ways in which the figures at the top of the hierarchy, including cordelia, are portrayed throughout the season. so maybe there’s a fairly even split in how the supernatural is both used in tormenting the weak but also used by the weak to lash out in turn, reacting to their powerlessness (but not in a way the audience is meant to see as good or right)

- moloch telling willow “you are mine”, even robots are doing the male possessiveness thing these days

- “let’s face it. none of us are ever gonna have a happy, normal relationship” press f to pay respects

[dcubang]

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Summaries after the read more!

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Title: Fly With Me Word Count: About 14k Genre: Fantasy-Adventure Fandom/Universe: Green Lantern, Flash (comics) Characters/Pairings: Barry Allen/Hal Jordan/Guy Gardner/John Stewart/Alan Scott Warnings: Mild/implied body dysphoria Rating: PG-ish Summary: When Watchman Barry Allen arrives to a grisly murder scene, the last thing he expects is the enigmatic dragonlords of the realm to arrive and ask for him specifically. They are handsome and charming, but the existence of enormous fire-breathing flying lizards that seem to exert some kind of... Strange emotional aura is more than a little terrifying. He is introduced to the prince of these dragonlords, Hal, and steps up to be taken back to the towering natural fortress of Oa, a massive hollowed out mountain that sits on the edge of the continent. Called the 'weyr', Oa is home to the dragons and their riders, and Barry soon finds himself welcomed inside with all the honours that a prince might receive. In the morning after a restless night's sleep he is bathed and anointed, and taken down deep beneath the mountain to a holy underground sea, where he must confront the mysterious Lord of Oa and receive the prize for which he had been chosen: A dragon egg, rare and precious. The last third of the story will be hatching the dragon, and a montage of sorts with Barry further bonding with the dragon riders and forming a... Tentative proto-romantic relationship with them. He trains in arms with Guy, learns the histories and concepts of the weyr with John, is taught about the running and logistics of Oa from Alan, and finally Hal tutors him on bonding with his dragon, and eventually flying with it. The broad aesthetic of the fic is very much generic medieval fantasy, set mostly in the mountainous fortress/castle of Oa. Characters vary a little bit from canon appearances, mostly in regards to hairstyles and the like, but a few characters are trans, which is mostly going to be a background detail. There are no warnings except for a crime scene early on (which will be edited down) and brief discussions of trans characters being trans, so there's a bit of mild dysphoria but no explicit details or transphobia/homophobia. There is implied polyamory and age difference, but everyone is consenting adults and nothing is properly established in this fic. 

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2 Title: The Case of the Missing Son Word Count: 6,031 of 10k-ish Genre: Mystery, Romance Fandom/Universe: Batman (comics) Characters/Pairings: Bruce Wayne/Dick Grayson, Talia al Ghul, Damian Wayne Warnings: Minor violence Rating: NC-17 Summary: Bruce Wayne has come to PI Dick Grayson with a problem. His ex-wife, Talia al Ghul, has been sending him letters claiming they have a son. Bruce wants Dick to find the boy and bring him home. Dick gathers information from various sources before running into Talia herself, which only results in him getting beat up. He goes back to Bruce to convince him to confront Talia. Eventually, the son goes to Bruce, and Bruce and Dick get some private time together. The story takes place solely in Gotham, from Dick's office, to Wayne Manor, with one trip down into the caves of Gotham for the showdown.

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3 Title: Forth My Mimic Comes Word Count: 19k Genre: Mystery, Supernatural Fandom/Universe: Batman (mostly comics) Characters/Pairings: Gen; Jason Todd, Barbara Gordon, Tim Drake Warnings: past canon character death, non-consensual bodyswap, thoughts that could be construed as non-specific suicidal tendencies (i.e., "I was already dead, if I die again it's no big deal," etc.) Rating: PG/T Summary: Robin saves a boy from being hit by a car, only to discover that the victim is none other than a very alive (if comatose) Jason Todd. An already unusual situation turns even more bizarre when an unfortunate turn of phrase and an errant bit of magic cause Jason and the current Robin to end up in each other's bodies. Knowing it's only a matter of time before Bruce learns of the switch and locks him up in a fit of paranoia, Jason must seek the help of the enigmatic (and familiar) Oracle to fix the problem, all the while learning far more than he ever wanted to know about the boy who replaced him. Takes place immediately following Jason's resurrection in a slightly canon-divergent timeline, primary locations being the clock tower, manor, and cave (and all of Gotham, because patrol).

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4 Title: Pussycat, Pussycat, Where Have You Been? Word Count: 4,579 of 5k Genre: Mystery Fandom/Universe: Batman (comics) Characters/Pairings: Bruce Wayne/Selina Kyle, Tommy Elliot Warnings: Nonconsensual body modification, some torture Rating: PG-13 Summary: Selina Kyle is missing. Bruce finds mannequins and dummies of her around Gotham, each with a modified nursery rhyme about cats. Bruce follows these clues all across Gotham, growing more desperate to find her. Finally, he confronts the villains of Gotham and finds Selina, only to find Hush there as well. They battle and Bruce rescues Selina and takes her back to the Batcave. This takes place solely in Gotham, from the streets and graveyards of Gotham, to beneath Arkham Asylum, to the Batcave.

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5 Title: Daily Gab Word Count: 5776 Genre: Coming Out Fic Fandom/Universe: Batfam Characters/Pairings: Jon/Damian, Damian & Dick Warnings: Bullying Rating: PG-ish Summary: Damian finds a tabloid taped to his locker at school. The headline? "Wayne Kid... Gay?" He endures a day at school listening to the gossip from all the other kids. Dick does the brotherly thing and helps Damian sort through all he's feeling. Damian admits to Jon what the tabloid said and why he's been running scared all day, they talk about the reality of what they want together and Bruce manages to be a real father for once. Summary I'm posting when I post the fic: Damian swallowed against the bile in his throat and carefully took in his next breath, walking himself through the steps of emotional calm. Pretend this was only torture. Pretend it was only a gunshot wound. Pretend it was only his body in pain and not his heart and his mind. Remove himself from the situation and take a few steps backwards from the reality of it.

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6 Title: Stay My Tragedy Word Count: 16k Genre: Drama, Angst, Hurt/Comfort, Romance Fandom/Universe: Batman, Deathstroke, Red Hood Characters/Pairings: Slade/Jason Warnings: explicit sex, angst, descriptions of violence, references to self harm, slight dubcon, problematic relationship Rating: NC-17 Summary:

Soul marks can appear at anytime in one’s life -- a mark of karmic destiny that most people take to mean they’ve met the person they’re meant to fall in love with. Jason knows that’s not true. He knows because his soul mark appeared in the very last moments before he died -- marking his destiny to be murdered by the hands of a madman.

It is a world in which fate is unbelievably cruel, when Jason’s soul mark is of none other than the man who murdered him. Slade has other ideas however, and he might just be the one man who can change Jason's tragic fate into something else.

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7 Title: New Horizons Word Count: 6091 Genre: Action/Adventure Fandom/Universe: Canon Divergence/AU Characters/Pairings: Jason Todd, Stephanie Brown, Tim Drake Warnings: Major Character Death, Abusive Parents, Child Trafficking Ring, Drugs Rating: PG Summary: Jason, Tim, and Stephanie meet while Jason still holds the Robin mantle. They band together to take down a child trafficking ring, all while each one is fighting their own personal battles. Stephanie's dad is a small-time crook who is major-times ruining her chances at a better life. Tim's parents are never home--he doubts they could pick him out of a lineup. Jason is suddenly thrust into life with a billionaire (and vigilante), but not everyone might want him there. Story is mostly set in Gotham and Wayne Manor, with a few scenes in Titans Tower. The Major Character Death is Jason, but it happens off screen and in the epilogue. The Abusive Parents is Tim's parents neglecting him. Drugs are a passing mention. The Child Trafficking Ring is a major plot point.

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8 Title: You’re saving Blüdhaven but who saves you? Word Count: 3457 Genre: Hurt/Comfort, Humor Fandom/Universe: Batman/Nightwing comics, Under the Red Hood Characters/Pairings: Dick Grayson, Jason Todd/JayDick – Jason Todd/Dick Grayson Warnings: child’s death, mentions of rape, canon typical violence, non consensual drug use, incest (pseudo-incest? Jason and Dick were adopted), self esteem issues Rating: T/Teen And Up Audiences /PG14+ Summary: After a kid got killed Dick, already in a bad place, decides that his only option to make a difference is to fight crime in a different way. He decides to partner up with a carefully chosen criminal and Red Hood caught his attention even if some of their morals are on the opposite sides of the scale. This somehow leads to Dick having an elusive roommate he developed an attraction to. It’s a shame no one told him Red Hood is in fact Jason. This story is canon divergence or alternate universe and takes place after the events with Blockbuster and Tarantula in Nightwing comics and intertwines with some happenings from Under the Red Hood. The action is placed mainly in Blüdhaven, but there are trips to Gotham and Wayne Manor. The story has a romantic relationship between adopted brothers. The rape is mentioned several times and one of the character is forcibly drugged. It also contains description of child’s death and violence.

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9 Title: A Bit(e) Wild Word Count: 5-6k total, 4k written Genre: mostly Angst/Fluff but some Action/Adventure Fandom/Universe: Losers/Batfamily, no particular series Characters/Pairings: established Jensen/Cougar, will be Jensen/Cougar/Jason Todd later in series. Background canonical Pooch/Jolene, mention of Clay/Aisha. Warnings: Graphic violence, swearing, maybe sex in the flashback Rating: Explicit. Even if no sex happens yet, it will later, and there's also the violence to consider. Summary: The Losers have just barely taken down Max and cleared their names; Jensen's still cleaning up post-mission but they're all back home. Jason Todd's preparing to move back to Gotham and butt heads with Batman when a bit of pest control ends with him bitten by a wolf shifter. He didn't think the Pit's aftereffects would allow him to be changed, or that he'd call the Losers for backup again, but of all the people Talia had him learning from, Cougar's the only shifter he knows he can trust if this IS the dreaded change coming on. Cue frantic phone call. The Losers load up and head out immediately, but Pooch brings his family just in case, Clay rides up with Roque, and Jensen and Cougar lead the charge because they've already got the shifter genes and being bitten again isn't going to do anything to them (Jake is a recent change; Cougar was born a shifter). By the time the others arrive, they've got Jason settled and all three are in their animal forms. Jensen is a wolf, Cougs is a cougar, Jason is a snow leopard. After the first few lessons, Jason gets impatient--maybe the Pit, maybe new instincts, partly the knowledge that the Losers aren't going to just let him leave until he's got enough control over his shifter side to satisfy Cougar. He tries to slip out in the night, half hoping they won't follow him, subconsciously aware this will be much easier with trusted backup. Every Loser was expecting this, though, and when Jason slinks off to Gotham, they're still mostly packed and ready to head out. It doesn't take them long to follow.

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10 Title: where monsters lie (in dead men's dreams) Word Count: ~75k total, 47.7k written (including unfinished draft) Genre: Drama, Horror, Angst Fandom/Universe: Batman Arkham Games, and a lot of creative liberty taken with comic canon and the traditional Alpha/Beta/Omega AU Characters/Pairings: Jason Todd/Dick Grayson, Jason Todd/Bruce Wayne, Bruce Wayne/Dick Grayson Warnings: Non-con, Dub-con, Drugging, Non-traditional ABO Dynamics, Bondage, Descriptions of Torture, Pseudo Incest, Kinky/Rough Sex, Intersexed Characters, Background Polyamory, Angst, Murder Rating: R Summary: Oracle enlists Red Hood's reluctant help to find Batman and Nightwing, who have disappeared during an arms bust deal orchestrated by the Penguin. They've been captured and dosed with a perverted form of the Scarecrow's latest toxin, and the effects of the toxin force the three of them to face their feelings for each other. All Jason wants to do is run away, except Dick won't let him leave. Things grow more complicated when the Penguin re-emerges with a threat none of them had expected, and Jason takes it upon himself to teach the Penguin a permanent lesson. Meanwhile, Dick has been experiencing random bouts of mania and murderous intent, ever since getting dosed with the toxin. By the time he confronts Jason about the Penguin's vicious murder, Jason sees more of the Joker in Dick than he does in his nightmares. Fortunately for them both, there's no mystery in Gotham that Batman can't solve in time. The story is set in Gotham City, 1.5-2 years post the game Batman: Arkham Knight, but also features several flashbacks of bastardized canon scenes from the comics. If you're a stickler for canon, this will probably kill you dead so please bear that in mind. Besides that, there is a single instance of non-con and another instance of molestation. There are also two implied sex scenes which can be considered dub-con. There is pseudo-incest between Jason, Dick and Bruce. The Penguin gets tortured to death but the torture occurs off-screen and only the results are described in graphic detail. The polyamory is mentioned throughout but does not occur on-screen.

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11 Title: The Sacredness of Tears Word Count: 13k Genre: Romance, character study, elements of fantasy and drama/angst Fandom/Universe: Batman comics, set in the future and using events from New Earth and the current continuity Characters/Pairings: Tim Drake/Jason Todd, Tim Drake-centric Warnings: temporary character death, pseudo-incest, canon-typical violence, discussions of mental illness, parental abuse through neglect, swearing Rating: PG-13 (maybe R for swearing?) Summary: Tim Drake Wayne isn’t weak. He can’t be. And now that he can travel through time, he has the perfect tool to make sure he’ll never be vulnerable again. Gradually, Tim’s family, friends, and his slowly blossoming relationship to Jason teach him otherwise. The story is set in Gotham with scenes in Tim’s apartment, the Batcave, a diner and various rooftops. There are scenes with multiple members of the batfamily and Tim’s team. The romantic scenes are focused on cuddling and size difference. The plot spans several years. Tim is eighteen at its beginning and twenty-five at its end. There is one detailed description of a meltdown or anxiety/panic attack. There are discussions of mental illness; some symptoms of depression are shown, especially withdrawing from the world and diminished self-worth, but nothing too bad and absolutely no hint of self-harm or suicide. Jason dies in one scene (not the canonical temporary death), but that is quickly reversed. There are descriptions of injuries. The parental abuse refers to Tim’s and Jason’s canonical backstories, not Bruce (who tries to be a good parent in this).

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12 Title: The Nightingale Word Count: ~14k total, 8.5k written Genre: Hurt/Comfort, Alternate Universe, Drama, Healing Fic (kinda) Fandom/Universe: Batman - All Media Types, Red Hood and the Outlaws Characters/Pairings: Dick Grayson/Jason Todd Warnings: No Warnings Apply Rating: NC-17 Summary: Crushed by the guilt of Jason's death, Dick quits the vigilante life, gives up Nightwing, begs Bruce for a clean slate, and runs away to New York City. He takes shelter at the Nightingale, a nightclub where Dick works as an exotic dancer, a stripper named Richie. Dick uses the blinding stage lights, Bloody Marys, and a mysterious man named Jay to hide his past. However, Dick's rather painful former life is slowly uncovered by Jay through a series of one night stands. Meanwhile, Dick also has some unconventional run-ins with the Red Hood, a supposed antihero working in the tri-state area and associated with the family Dick has not had any relations with for over five years. Old wounds reappear, and Dick's new life slowly falls apart around him as the truth comes to light. Set primarily in NYC, in the Nightingale nightclub and at the different hotel rooms Jay books. Towards the end, Dick and Jason will eventually move back into Gotham City and Wayne Manor. Story takes place five years after Jason's death. Dick's "new" life is an emotional roller coaster of hurt/comfort, a path of healing, a life built on lies, and identity porn woven all throughout it, until it is all untangled in the end.

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13 Title: Between Flight Word Count: ~15k, 10.8k written Genre: Romance, Drama, Humor, Alternate Universe Fandom/Universe: Batman - All Media Types Characters/Pairings: Dick Grayson/Jason Todd Warnings: No Warnings Apply Rating: PG-13 Summary: Jason is a 15-year-old orphan, living at a crappy orphanage, going to school because it is the only fun in life, and dreaming of the day he becomes eighteen. After a little altercation with a pickpocket, Jason meets Robin, and from that night on, Jason could not get rid of the Boy Wonder. Coincidentally, Dick Grayson starts at Jason's school as well, and decides to befriend him of all people. Jason finds himself being tugged in two directions - towards a charming and talkative circus boy with a past similar to his, and towards Gotham's own hero in scaly panties. Over the course of a couple weeks, Jason is dumped at a school dance, kissed on rooftops, taken on dates a couple times a week, and even glared at by the Batman himself. Needless to say, Jason finds that his life is a lot more interesting after he met both Dick and Robin. But of course things smell fishy to Jason. Especially when Robin knows tricks that only Mr. Circus Boy can do. Or when Dick uses the same girly shampoo as the teen hero. Or when their identical disarming smiles send bursts of happiness straight through Jason's heart. Batman might be the World's Greatest Detective, but Jason Todd is not so shabby either. Set primarily at Jason and Dick's high school, the orphanage, the rooftops of Gotham City, the luxurious halls of Wayne Manor, with special appearances of "date" locations around the city. Jason is 15, while Dick is 17.

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14 Title: Moon Dust On Your Lips Word Count: ~6100 Genre: Romance, First Time, Mutual Pining Fandom/Universe: Batman and Green Lantern, no specific canon Characters/Pairings: Bruce Wayne/Hal Jordan Warnings: Mild sub/Dom, explicit sex, biting and bruising, praise kink Rating: NC-17 Summary: The Justice League is trying to expand their potential pool of allies in the known universe, and with the help of their Green Lanterns, they set off to personally negotiate with as many people as they can. Everyone is involved, but it mostly falls to Bruce/Batman and Hal Jordan. The longer Bruce and Hal work together, the more Bruce let's Hal see under the cowl, and the more Hal starts to like what he sees. Bruce even accepts advice from Hal on an issue dealing with his children. Then Hal, returning exhausted from a mission to Oa, loses his temper at the tail end of a League meeting. He says something stupid within Batman's hearing, and then goes off to get decidedly drunk with Barry. Hal confesses that he has a crush on Bruce, but there isn't anyway that he can see it ever happening, so he decides to just ignore it and move on with his life. Bruce doesn't exactly get the memo right away, but as soon as Hal starts physically distancing himself from Bruce as much as possible, their tentative friendship falls to the wayside. Soon, Bruce and Hal are back to being uneasy coworkers. It culminates with Bruce and Hal on the return trip of another successful negotiation, when their escorts decide to up and leave them in the Middle of Nowhere, Spaceville in a small, cramped, one man space pod. There's an argument, confessions, and then sex, before being rescued. The story takes place in a variety of locations, including Wayne Manor, the Watchtower, Barry's apartment, and the space pod. The sex will include Bruce manhandling a very willing Hal, with some rougher edges (biting and bruising, praise kink).

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15 Title: Happy Middles Word Count: ~4600 Genre: PWP Fandom/Universe: Batman and Green Lantern, no specific canon Characters/Pairings: Bruce Wayne/Hal Jordan Warnings: Somnophilia, Dirty Talk, Praise Kink, Noise Kink Rating: NC-17 Summary: Basically a slice of life PWP about the time Hal and Bruce make for each other, specifically how Bruce's ends his nights and how Hal starts his days. Bruce comes home early from a shortened patrol and joins Hal in bed a few hours before Hal has to go to work. Hal falls back asleep, and then wakes Bruce up when he starts exhibiting signs of a wet dream. Bruce pleasures Hal until he wakes up, and then gets Hal off. Hal turns the tide on Bruce, teasing him until Hal decides he's ready to ride Bruce to their mutual completion. This takes place solely in Bruce's and Hal's bedroom in the Manor, described as having a darker color scheme with blues, blacks, and grays. All kinks are negotiated prior to the story, as this is a well established, husbands!fic. No noncon here.

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16 Title: Hold Me Tight (or Don't) Word Count: 6055 Genre: Mystery, Angst, possible supernatural elements Fandom/Universe: Batman, no specific universe Characters/Pairings: Bruce Wayne, Talia al Ghul, Conner Kent, Jason Todd Warnings: Medical experiments, but non-graphic Rating: Teen Summary: Sometimes, a Family is you, your Beloved's dead kid in a coma, and your Beloved's best friend's "clone" who's other gene donor is sort-of kind-of your boss off to play at politics Or There’s been a rash of robberies in Gotham, leaving Batman puzzled as to what the villains are up to, all the while seeing Jason appear to him, even though he’s been dead for a few weeks. Meanwhile. Talia takes care of a comatose Jason, while discovering Lex’s secret project taking a form no one expected. On the other side of bay/river, Clark is investigating a mysterious Cadmus fire, under a building Lex Luthor (who is now the president) owns. Not to mention the mysterious new villain who may be more connected to the robberies in Gotham that it seems.

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17 Title: untitled as of yet! Word Count: 3039 Genre: 5+1 things, fluff, probably eventual smut Fandom/Universe: dc extended universe, films 2013-present Characters/Pairings: Clark Kent/Bruce Wayne Warnings: none Rating: T at the moment, will likely slide into M/E Summary: After a few months of working together side-by-side as a team while not actively trying to kill each other (even in their spare time), Clark realizes he’s developed Feelings for Bruce. He knows Bruce is stubborn and self-isolating, so he decides the best plan is to figure out a way to make things a little (incidentally) romantic without scaring off Bruce: little notes on rooftops, a dubiously agreed upon makeover by Lois, advice from Barry and Victor and Diana—even Alfred ends up in on the game. Unfortunately for Clark, Bruce is even more slippery (or oblivious) than he ever imagined. Maybe what Clark really needs is a little help from a Higher Authority… or, the five times Clark Kent tried (and failed) to seduce Bruce Wayne, and the one time Bruce Wayne allowed himself to be epically seduced.

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18 Title: the weight of eventuality Word Count: 24,000 Genre: Romance, /Action, Drama Fandom/Universe: CWTV Flash (2014) Characters/Pairings: Barry Allen/Leonard Snart, Team Flash Warnings: canon typical violence, graphic sex Rating: NC-17 Summary: Life was pretty great for Barry Allen, honestly. Team Flash successfully pulled him out of the Speed Force, he still had his job, and all of his friends and family where there to support him. Eddie and Iris were expecting their first child, and even with everything that happened between Caitlin and Julian, the team worked as well as ever together. Barry didn't want to tell them that he was still slipping backward and forward in time, or that every night the Speed Force made him witness the death of Leonard Snart. Rescuing Leonard was easy. Falling in love with him? not really part of the plan. With Captain Cold back in Central City, it was hard to remember that there were other people out there who wanted to do more than flirt and steal pretty jewelry. It was just a matter of time until they made their move. This story takes place mostly in Central City, with a detour into the Speed Force. There isn't really anything to warn for, I think. There's an explicit consensual sex scene near the end of the story, and canon typical violence and injury. There's some mention of minor medical procedures. There's technically some torture, but that happens off screen and Barry is in the speed force of the entirety of it, so there's no graphic detail.

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19 Title: your continental divides Word Count: 9k Genre: Hurt/Comfort Fandom/Universe: DCU. not set in a specific universe, borrows from several continuities. Characters/Pairings: Dick Grayson centric, Batfam and company, Gen Warnings: non-con Rating: PG-13 Summary: After Catalina Flores, Dick is dealing the way Bruce taught him: push it down and carry on. It's not working out very well, and people are starting to catch on. The story is set mostly in Gotham, and guests a few characters besides the batfam (mostly Wally and Roy). It's essentially just an exercise in letting Dick be comforted by the people who love him. This focuses on dealing with the sexual assault from Nightwing #93. The assault is not graphically depicted but is referenced and discussed, in addition to self-destructive behaviors and a variety of coping mechanisms.

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20 Title: Broken Wings and Notched Arrows. Word Count: Around 6-6.5k total. 4,280 written Genre: Action, Romance, Drama. Fandom/Universe: Young Justice, Batman. Characters/Pairings: Will Harper (Roy Harper's clone)/ Jason Todd Warnings: Temporary Character death, mild language, mild violence, small age gape, Rating: NC-17 Summary: The only thing Will Harper wanted to be doing that fine winter morning was to play dress up with his beautiful daughter Lian. What he got however was a surprise visit from the legendary Bruce "Batman" Wayne. And if that wasn't a big enough shock being hired by said legend was icing on the cake. So now instead of spending Christmas with Lian Will is kind of, maybe being held against his will on Infinity Island. Bright side he did find Jason Todd like he was hired to. This story takes place in multiple locations. The main set is in the Caribbeans, mostly Infinity Island and the League of Assassins HQ. It also show cases Will's home in Star City and a major fight screen in Gotham. There is no major warnings. Temporary Character death as Jason Todd doesn't stay dead for long. Some violence but nothing more then a few short details of fight scenes. No gore just a little blood.

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21 Title: Masks Word Count: 7,783 Genre: Action/Adventure and Romance Fandom/Universe: Batman Comics, post-Infinite Crisis Characters/Pairings: Dick Grayson/Jason Todd, Alfred Pennyworth Warnings: Incest, canon typical violence, explicit sex Rating: NC-17 Summary: Continuation of pre-new 52 canon. Jason's back in Gotham. All he wants to do is figure out how he can successfully help fix his city, without falling foul of the rest of the Bats and the GCPD again. He's even hung up his red hood in an attempt to stay under the radar. When he discovers that Alfred is in danger from the gang he's investigating, he infiltrates a costume ball at Wayne Manor in disguise as a supervillain. He ends up flirting with Dick to stop him interfering with the rescue plan. Dick doesn't realise who he is and flirts back until they end up making out furiously in a closet. Afterwards neither of them can get the encounter out of their heads, and they start to get to know each other again. Featuring conversations with Alfred, Dick attending a party in a Superman costume, Jason spray painting his red hood grey, everyone rescuing each other and lots and lots of pining. Warning for pseudo-incest between the adopted brothers, Dick and Jason when they reach adulthood.

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22 Title: Sleeping Beauty Syndrome Word Count: 9k written. Genre: Romance, Angst, Fairytale Rewrite Fandom/Universe: Nightwing, Red Hood and the Outlaws Characters/Pairings: Dick Grayson/Jason Todd Warnings: Horror, gore Rating: PG-13 Summary: Dick Grayson and Jason Todd have been living the perfect life. Happily married for more than five years with two perfect sons, they have everything they could possibly need. Unfortunately, good things don't last forever. Struck by a spell during a mission, Jason's mind has been scattered, putting him into a deep sleep and the only way to wake him up is for Dick to put his pieces back together. The task won't be as easy because each part of Jason has been hidden within a fairy tale, a world tempting Dick to make one wrong move and doom his husband and himself forever. The story will take place over multiple locations, including rewrites of fairy tales like Snow White, Alice in Wonderland, Little Red Riding Hood, The Princess and the Pauper, Cinderella and Sleeping Beauty.

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23 Title: we just now got the feeling that we're meeting (for the first time) Word Count: Around 36K (34K written) Genre: Drama, Romance, Fluff, Angst Fandom/Universe: Superman and Batman, DCEU canon/movie canon Characters/Pairings: Clark Kent/Bruce Wayne; Lex Luthor, Diana Prince, Barry Allen, Arthur Curry, Victor Stone Warnings: No Archive Warnings Apply Rating: Teen Summary: While fighting Lex Luthor for his latest weapon, a time weapon, Bruce Wayne gets hit and sent back twenty years into the past. Meeting Clark Kent on some snowy mountain side in Alaska was not exactly what Bruce thought would happen, but he’s here now and there’s nothing for him to do except wait for his team to pull him back to the future. Unfortunately, he doesn’t quite know when that will be, so sticking with Clark is his best option. Of course, it would be much easier if Bruce wasn’t already pining for Clark in the future. How long until Bruce is pulled back into the future, and will he be able to stop himself from falling in love with Clark Kent in the past and potentially creating a time paradox? This story is set in a couple of locations. Most of it is set in the past in Alaska during the beginning of Clark’s pilgrimage, specifically in the Denali National Park. Other locations include the Wayne-Turned-League Manor, Bruce’s Lake-House in Gotham city, and the lake itself! Primarily it involves young versions of Clark Kent and Bruce Wayne, although the very beginning section and at the last few parts of the end is focused on the present/older versions of them. There are no Archive Warnings that apply to this story. It is mainly an excuse to just write cute scenes of Bruce and Clark falling in love in the snow with the added bit of dealing with time travel, with a lot of focus on Bruce Wayne's character! The most rated this story goes is the occasional swear word.

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24 Title: Scarlet Tears Word Count: 12,914 Genre: Action Fandom/Universe: AU Characters/Pairings: Barry Allen/Leonard Snart Warnings: mention mpreg Rating: M+ Summary: Leonard and Mick take a mini vacation from the Legends and head back to Central City. It is there they find out things aren't as them left it. A certain speedster has the attention of Captain Cold when an accident happen will he be able to resist staying away from this particular speedster?

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25 Title: Absent Shadows Word Count: 3487 Genre: Action/Adventure, Hurt/Comfort Fandom/Universe: Justice League Animated/Teen Titans Characters/Pairings: Robstar & Superbat Warnings: None Rating: NC-17 Summary: Starfire can’t believe her eyes when Robin sends her his resignation from the team, in fact she doesn’t believe it all. As she investigates Robin’s disappearance, she considers his similarities with his father and in the chaos, she meets a fellow traveller to this strange planet she calls home. Whilst they learn about each other, she seeks his experience when falling in love with both Earth and more specifically men from a certain family.

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26 Title: Make an Ass of U and Me Word Count: probably 10k-12k (6k written) Genre: Romance, Comedy Fandom/Universe: DCEU Characters/Pairings: Clark/Bruce, Dick&Bruce Warnings: sort of assumed incest, but no actual incest Rating: Teen Summary: Bruce neglects to tell the newly formed Justice League that he has a son, because he and Dick aren't talking to each other . Until they suddenly are. Unfortunately, he doesn't clarify who exactly Dick is to him, so Clark gets the wrong impression. Or: Five times Clark thought Dick was Bruce's boyfriend, and the one time he found out the truth. Contains lots of unfounded jealousy, misunderstandings, Dick being delightful, and Clark being a mess. Lots of domestic settings, mostly around the lake house and the batcave, with the exception of one battle scene.

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27 Title: Honey Trap Word Count: 7.7k Genre: Porn-with-plot, crime/modern AU Fandom/Universe: DCU (Comics) Characters/Pairings: Slade Wilson/Jason Todd, Dick Grayson Warnings: Consent issues (consent is there on both sides, but dubious on one side due to situation), manipulation, some BDSM-style kink Rating: NC17 Summary: Slade's used to dealing with informants. Most get caught in the screening process before they ever get a hold of anything useful, but this one, 'Jason Todd,' gets as far as working in the lower ranks of his organization before Billy drops the file on his desk. Another attempt at an undercover CI from Detective Grayson, this time just some random arrested civilian, instead of a fellow officer. Billy would prefer that he throw him out now, but Todd's not bad looking, and Slade likes the idea of ruining this plant just like he ruined the last one. Modern AU, no-capes. Aside from sex scenes, one character is primarily in part/all of a suit throughout scenes. As Slade is aware from the start that Jason's a plant, the sex has some consent issues. Jason is doing it partly to ingratiate himself, and Slade absolutely manipulates him into it. However, Jason enjoys/consents to everything that happens, it's only the situation that's sketchy.

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28 Title: Don't Let Your Yearnings Get Ahead of Your Earnings Word Count: 7.2k Genre: Western, technically Romance Fandom/Universe: DCU (Comics) Characters/Pairings: Slade Wilson/Jason Todd Warnings: Some non-consensual touching, non-sexual Rating: PG-13 Summary: Slade Wilson is a bounty hunter, one of the best in the business. The contracts that specify 'alive and unharmed' are rarer, but usually worth the extra bonus that comes with. This one is definitely not. Jason Todd was supposed to be just another young outlaw with more balls than brains, not a slippery sharpshooter who Slade would have to chase halfway to the next town. And just to add to everything, he still has to get the damned boy all the way back. That's going to be fun. Western AU with bounty-hunter Slade and an outlaw-ish Jason. Most of the story is traveling, but there will be an inside-mansion scene near the end with Roman Sionis. No real warnings for this. There's some brief non-consensual touching of intimate bits, but it's entirely non-sexual.

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29 Title: [insert song lyric here] Word Count: 8084 Genre: It's a slowburn at its core, with action and drama mixed in Fandom/Universe: DCAU's Justice League/Unlimited Characters/Pairings: Bruce Wayne/Wally West, Shayera Hol, J'onn J'onzz, John Stewart, Diana, Clark Kent Warnings: human trafficking, threat of dub/non-con, language, sexual themes Rating: R Summary: Ever since their run in with the Justice Lords, Flash and Batman reached a new stage in their teammates-but-not-quite-friendship. The only problem is Flash is the only one who seems to think that, so he decides to see how far he can push at Batman's annoyance level before the Bat snaps at him. Unfortunately for Flash, their job keeps getting in the way, including but not limited to stumbling upon a human trafficking ring and a worldwide invasion. When the dust settles, Flash finds himself wanting more from the man under the cowl, and the harder Batman pulls away, the harder Flash is drawn to the man and his elusiveness. The Fastest Man Alive needs to rely on his patience if he wants to get anywhere in his quest. This story takes place throughout the entirety of DCAU's Justice League as well as the first two seasons of Justice League Unlimited, with the main locations being the Watchtower and Wayne Manor. The human trafficking and threat of dub/non-con are contained to two scenes in which a main character falls into trouble, but nothing too graphic occurs. Still, the subject matter isn't everyone's cup of tea. The R rating is just to be extra safe.

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30 Title: Anachronistic Crises Crossover Word Count: 8k Genre: Gen, Crossover, Fluff Fandom/Universe: Red Robin, Batman- All Media Types, DC Comics Characters/Pairings: Jason Todd (Post Crisis),Tim Drake, Jason "Jay" Todd (Pre-Crisis)/Rena(Pre- crisis), Jason "Jay" Todd (Pre-Crisis), Rena(Pre- crisis) Warnings: Period Typical homophobia, possible inclusions of bad mental health care later Rating: T (just to be safe) Summary: Coming off of the Search for Ray Palmer, Jason Todd reconciled with his family. Just in time for Batman's apparent death. After an international adventure that led them to finding the batman, said batman in his Hyper-Adapter crazed state seemingly vaporized them with Omega Energy. Jason and Tim wake up to find themselves stranded in Gotham, New Jersey where its somehow the April of 1986. Tim takes the lead and stalks a young person also named Jason Todd- who is very unlike the one he knows. The Alfred Pennyworth with him seems similar enough though. In there efforts to observe this world's Bat-family Tim ends up having to go to high school again- where the shear amount of brightly colored clothes that are either skin tight or falling off makes him want to claw his eyes out. Jason is comparatively having a much better time as a librarian in the Gotham Public Library to fund their tiny studio apartment with money that doesn't look fake for the time period. 

Night work continues as well, with Red Hood and the vigilante named by the media as "Shrike". Their quick and calculated moves on the Gotham drug trade lead them to colliding first with this world's Robin. Jason alone is confronted by the Batman, and nearly has a panic attack though Tim will never be privy to that information. 

Gotham is a not as insane back drop of retro-not-so-chic. Jason enjoys the small pleasures of being legally alive and having a job. Tim doesn't cope well without all his compact gadgetry and hates school- but likes the closeted lesbian couple he meets. A budding bat-detective trying to figure out who these new and weird people are, and who these new sci-fi like vigilantes are. Will the people back home in Tim and Jason's Gotham ever succeed in getting them home?

The entire fic takes place in either version of Gotham, with the exception of the Watchtower being there for like 5 minutes. Post-Crisis Gotham features locations like Oracle's clock-tower Jason is wearing his Under the Red Hood costume, Tim cosplays as knock off Midnighter (red robin), Bruce has blue accents and trunks, and Robin-Jay makes Jason re-live cold nights in hot-pants and pixie boots.

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31 Title: Batsons Be Crazy Word Count: 11,169 words Genre: Fluff With Plot Fandom/Universe: Batfam + Shazam basically DCU leaning towards the comics Characters/Pairings: Damian Wayne/Billy Batson Warnings: None Apply Rating: Teen Summary: The story takes place over a year, a year of Billy and Damian teaming up, falling in love, and meeting family. Damian has never liked anyone before, while Billy sees the best in everyone and will fall in love at the drop of a hat. Their romance isn't a crazy one, it's one built off of trust, comfort, and most importantly, a love of animals. Their romance brings them to many places, including Canada, Dick Grayson's apartment, and the dinner table in the manor. No warning apply except maybe underage because Damian is 17 when he begins to peruse Billy as a romantic interest, but doesn't start seeing him until he's 18.

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32 Title: The Past Still Ties You Down Word Count: 7k Genre: Angst, Romance Fandom/Universe: The Flash (TV) Characters/Pairings: Barry Allen/Leonard Snart Warnings: implied/referenced violence and abuse, alcohol abuse Rating: NC-17 Summary: On another earth, Barry falls in love with the most hated man in Central City - mob boss Leonard Snart. Only, Central doesn’t know Len like he does. They didn’t grow up with him like Barry did, sleeping in the bed above him, patching up his wounds and crawling under the covers with him when his bullies had been especially cruel. Even as the years go by - where Len is no longer a teenage boy forced into a life he didn't choose and Barry is no longer the child still grieving his mother while hating the father who killed her - they can't seem to let go of each other. Set in multiple locations in Central City, including a foster home, hospital, and the West house. The violence and abuse are not actually shown, but the aftermath is (ie. patching up wounds, some blood, some discussion of specific actions after the fact).

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33 Title: Unfortunate Souls Word Count: around 8-9k total, 4958 written Genre: Dark Fairy Tale Fandom/Universe: Batman, Batfamily Characters/Pairings: Dick Grayson/Jason Todd, Jason Todd/Slade Wilson, Dick Grayson/Slade Wilson, Dick Grayson/Jason Todd/Slade Wilson Warnings: dub con (may have a bad ending that pushes it into non con) Rating: Explicit, NC-17 Summary: Based off of The Little Mermaid (Disney film mixed with aspects of the original fairy tale) as well as fandom-type Mer AU’s. With red-headed Jason taking the part of Ariel, Dick as Prince Eric, and Slade as Ursula. Jason, adopted prince of King Bruce’s underwater kingdom, is fascinated by all things human. One night, while stargazing on the surface, he decides to follow a ship out of curiosity. On the ship is a handsome human prince who steals his heart. After an accident, Jason risks his life to save the human, which puts him at odds with Bruce. After inadvertently challenging Bruce during an argument about his ‘hobby’, Jason flees the realm and accepts the offer of octo-mer Deathstroke, a one-time rival of Bruce’s, to turn him human. But Slade’s intentions are murky and hidden. He wants Bruce’s throne, his son, and if he gets a human pet out of the deal, that’s just one more trophy to show that he is the stronger Mer. The story is set in the underwater mer kingdom ruled by Bruce; Slade’s underwater lair; and the idyllic land kingdom of Bludhaven, ruled by Price Richard. I haven’t decided whether I want a happy ending, like the film, where Jason and Dick ride off into the sunset or a bad ending where Slade gets everything he wants. If happy, there will be some dub con between Jason and Slade when they make the agreement and later when Slade is using magic to enthrall Dick. If I go with the bad ending, there will likely be some non con.

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34 Title: You Will See Me Word Count: 6,146 Genre: Hurt/Comfort, Character Analysis, Canon-divergent Fandom/Universe: Young Justice Characters/Pairings: Arsenal (Roy Harper), Artemis Crock, Roy Harper (Will Harper), Oliver Queen, Dinah Lance, Lian Harper || Oliver/Dinah, Arsenal & Artemis Warnings: Trauma, PTSD, Realistic depictions of injury, Physical Disability, Recovery Rating: PG-13 Note: Arsenal, and thus Roy, are trans men in this fic. Summary: After being rescued from the clutches of Lexcorp, a cryochamber, and no future, Arsenal struggles to find his grip on life. Between the vast amounts of anger, fear, and loss, he fights to cling to autonomy. A mentor he feels betrayed him, a clone he isn't sure how to relate to, and a couple of badass women who may not have known him, but are here for him, Arsenal is just learning to live again. A heavy introspection fic on the nature of the trauma Arsenal has been through, and his road to healing. Exploring the relationships he has with Oliver, Dinah, Roy, and Artemis especially, but others as well. The two weeks between his rescue, and his first mission with the team are rife with trouble and struggle, but he has a fire and a determination in him that will get him through. The hell of the War World and the true recovery afterwards. Learning to forgive Oliver, learning to accept Roy for himself, a separate entity than himself, getting to know Artemis and the real and true bond they form. Forgiveness, healing, and his fair share of slips and bumps, Arsenal finds closure, acceptance, and comfort in his life.

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35 Title: Build Me A Place (we'll call it home) Word Count: 6,800 story (+outline of ending) Genre: Fluff, Minor Angst Fandom/Universe: Batman, Superman, Justice League Characters/Pairings: Bruce Wayne/Clark Kent, Bruce Wayne, Clark Kent, Louis Lane, Kara Danvers Warnings: None Rating: PG-13 Summary: Kryptonians are not human. It’s easy to forget, even for Clark. That being an alien means more than his powers. There are traits rooted into the DNA, coming out in the subconscious, until not even Clark notices. Kryptonians, among other things, build Bowers for their mates, beautiful homes to settle into. It’s more than a tradition, it’s a way of life. When Clark begins to redecorate, he doesn't know why it matters so much to him. And why it hurts so badly when Bruce doesn’t even care.

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36 Title: Little Scab Word Count: 6,246 words Genre: gen, family, found family, community Fandom/Universe: DCU, Batfam, Red Hood Characters/Pairings: Jason Todd, Damian Wayne, Cassandra Cain, OFC, Bruce Wayne, Batfam Warnings: violence, descriptions of abuse, non-graphic allusions to sex acts Rating: M for violence, adult themes Summary: Red Hood is not a hero to most. Outlaw, yes. Killer... yes. He and his estranged family all serve some role as self-described protectors, but only Jason Todd delivers his justice in blood. However, following one good deed and the start of a fledgling friendship, Jason finds the Red Hood tasked with leading a self defense class for some of Gotham's most vulnerable—homeless, prostitutes, and runaways. When the Batfamily members start catching on, will they approve? First appears Robin. Then Black Bat. Who next? What will Batman ultimately do about his wayward ward stirring up Crime Alley? Can Jason be trusted to keep Gotham safe? The story is set in Gotham, featuring set pieces like Crime Alley, warehouses, tall buildings, the Bat cave, and more. It features many Batfam characters as well as several OCs all taking part in self defense instruction, with a few action scenes thrown in. The story does contain graphic violence, including allusions to or descriptions of past physical, sexual, and/or psychological abuse. It deals with mature themes but is ultimately about forging friendships, building community, and becoming better stewards of Gotham.

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Claiming Form NOW OPEN!!!

[chiseler]

High Seas Noir: “The Ghost Ship”

RKO came late to the horror party, only seeing the economic virtues of low-budget spook shows after the box office disaster of Citizen Kane. Like the other studios who’d been following Universal’s lead since the early ‘30s, when RKO decided to start up a horror division in 1942, they wanted to do something different, something that would make RKO’s monster pictures stand apart from everyone else’s. So  they brought in former pulp novelist Val Lewton to take care of things. Lewton, by all accounts,  was a very hands-on producer who was deeply involved in every aspect of his films, from writing to lighting to directing . As a result, all nine films he produced bore his personal style, and they were all undeniably unique. Only problem was they weren’t exactly the franchise-ready monster-fests the executives were expecting.

The point has been made publicly and on numerous occasions that the potentially dreadful  I Walked With a Zombie is less a horror film than Jane Eyre Goes to Haiti. A similar point can be made regarding most of the classic films Lewton produced in the early ‘40s. They sounded like horror films (The Body Snatcher, Curse of the Cat People, Isle of the Dead),  they were certainly marketed like horror films, and people still refer to them as horror films when in fact they aren’t horror films at all. At least not in any way horror films were defined in the ‘40s.  Instead, they represent a unique kind of proto-noir, with all the earmarks of those films we would come to think of as noir a mere half -decade later. Not just the intense Expressionist play of light and shadow (of course standard to horror films as well as noir), but primarily in terms of characters, who find themselves caught up in noirish predicaments. The settings may differ from your typically urban noir film—19th century Scotland, say, or a small Greek island, or a cargo ship—but the problems are the same, and viewers are  presented a portrait of the dark underbelly of society, no matter where or when the story takes place, At the end there are no silver bullets or wooden stakes, and audiences are rarely offered the comfort of a universe restored to its rightful order.

While there are, on occasion, hints of supernatural tomfoolery afoot, more often than not they turn out to be the result of some psychological glitch on the part of the characters. The “leopard man” in The Leopard Man, for instance, turns out to be a sadly human serial killer. The bodies snatched in The Body Snatcher are not reanimated for nefarious purposes, but rather sold to a professor of anatomy for educational use. And while there is a Satanic cult in The 7th Victim, the members don’t conjure up any demons—at heart it’s just the story of a young girl trying to find a sister who has vanished mysteriously.

The beauty of these films, really, beyond the storylines and the cinematography, was that Lewton could make you think you were seeing a horror film, convince you of it long after the closing credits rolled, when in fact it was nothing more than a very stylish mystery-thriller.

Consider for instance his 1943 film, The Ghost Ship. The film was directed by former editor Mark Robson, whose directorial debut had been on Lewton’s The Seventh Victim a year earlier. He would go on to direct several other Lewton films, before moving on to a long career culminating with films like Valley of the Dolls and Earthquake. It was written by Donald Henderson Clarke, near the end of a long career that began with Born Reckless.  It starred Russell Wade (later of Lewton’s The Body Snatcher) as the idealistic new third officer on a cargo ship, and Richard Dix, who’d made a career portraying rugged frontiersmen and heroic cowboys, here playing decidedly against type as the ship’s captain—a man with his share of those aforementioned psychological glitches.

Notably missing from the film are ghosts. There isn’t a single ghost to be found here (though a Greek Chorus in the form of a deaf-mute sailor is kind of creepy). Nor is the ship ever found adrift and inexplicably abandoned.

Instead, it’s the very human tale of what happens when Wade discovers that the wise and kindly captain—a man always ready with a speech about the nature of authority—is in reality a paranoid fruitcake in the habit of killing any sailor who dares question his decisions. There is very little mystery here, as we see it all play out from the beginning. The question is whether or not the inexperienced officer will be able to convince anyone of the truth.

One of the things that marks the film (and all of Lewton’s films) is the masterful use of sound. In what may be the picture’s most disturbing sequence, a young Lawrence Tierney, playing a sailor who has recently questioned one of the captain’s orders, finds himself trapped in a hold and buried beneath tons of anchor chain. Although he screams for help, he cannot be heard over the clanking and clattering of the chain. A series of quick cuts between the action above and below deck as this is happening is accompanied by a sharp contrast in the sound level which is startling, and only adds to the shocking nature of the scene.

It’s a beautifully crafted film filled with heavy atmospherics, a measured pace, and a slow build in the tension to a satisfying conclusion. But it’s certainly not a horror film any more than, say, Saboteur or Strangers on a Train.    

Some film scholars have covered the distinction by  arguing that Lewton made psychological horror films—a genre as alien to audiences in the early ‘40s as what we would later consider noir films. The term wouldn’t come into general use until 1960’s Psycho, but nevertheless might work here. What he did was certainly something radically new and different. But if you want to call films like The Ghost Ship and Bedlam psychological horror, you can just as well put films like Lost Weekend, Detour, Stranger on the Third Floor, M,  and Cape Fear in the same category, along with most of Hitchcock’s work. And lord knows you may want to, I don’t know.

I suppose all this semantic claptrap over genre distinctions is silly and pointless—especially in a case like Val Lewton, who turned the pulp mentality into a handful of brilliant films which were ahead of their time (whatever you call them) and defy categorization. RKO wanted something distinct from their horror division and they got it—they got Val Lewton films.

One final note of interest. The Ghost Ship remains one of his more underappreciated and lesser-known films. This may be because the studio never released it, and it wasn’t screened publicly until the mid-‘50s, almost a decade after Lewton’s death. It seems the film’s storyline bore certain marked similarities to a novel which was out at the time. Since Lewton refused to purchase the novel’s film rights, RKO didn’t want to risk a lawsuit. Lewton felt that the studio execs were just looking for excuses to get rid of him, after they couldn’t make sense of his movies.

by Jim Knipfel

[sailor-cresselia]

The Great Ex-Aid Rewatch: Ex-Aid & Ghost, Part One

:grabs the popcorn:

This is gonna be hard, because I wanted to try and do this without in-movie spoilers. I mean, I’ve seen the entire show at this point, and if you’re reading my liveblogs, I’m basically assuming that so have you, so not touching on plot points is a little impossible, especially with my overbearing love for going into meta and theories.

Also, it’s going to be in multiple parts. This first post covers about twenty minutes of run-time over the course of several hours of real-time, and nine pages.

Whoops.

(links to the other parts will go here)

–––

Okay, so. In the first two minutes, we have Dr. Pac-man’s three assistants start shooting up the GenmCorp lobby, and I’m pretty sure that the muscle guy broke a guards neck. And then they go after Kuroto, with a very… glitchy Dr. Pac-Man alongside.

We’re talking ‘pre-bugvisor Graphite’ visual glitching, here. As though he doesn’t quite have enough… I dunno, cohesion to stay intact on his own.

Thing is, Kuroto seems genuinely… if not scared, then at least shocked to see him. The dude’s supposed to be very dead, after all.

And seriously, why do people keep jamming proto-gashats into their bodies?! No! Don’t do that! Stop it! I don’t care if you’re a bugster or not, it doesn’t actually help you at all, it’s just going to make you physically unstable!

–––

And here we have Tougo, victim of the day. I have to say, I’ve never liked him much. He’s… annoying. Also, I’m aware that the choice of color for his school uniform is most likely ‘because Pac-Man’, but that doesn’t change the fact that’s it’s ugly. The girls jacket is a nice dark tan, but the boys have this gaim-awful mustard.

And then the Pac-Viruses attack.

–––

Emu’s such a good guy, helping one of his young patients out in both work and as a sort of mentor-friend. Pity we’re still very early in Ex-Aid, and he’s still a horrible klutz. There’s no time to be tripping over your feet, Emu! We’ve got people to save!

–––

…oh no… It never quite clicked before, but I think Takeru had to repeat a year! He was clearly planning on going to university, if only because he and Akari are/were in the same year of school, and she’d never let him live it down if he didn’t. And here? His teacher, who’s practically mocking him for being six months behind, is asking whether he’s serious about his entry exams or not.

So. Since it’s December now, and it was early April when he came back, Takeru missed the entire last half of what was supposed to be his senior year of high school. So here, he’s probably about three months into what he missed before.

Akari, Onari, please don’t disrupt the class like this, they probably all think Takeru’s weird enough as is without him getting called out for superhero business.

–––

You know, Akari reminding Takeru to be careful, because he’s got a regular body now, implies that he hasn’t been careful. Maybe not as Ghost, but… you know, in regular exertion stuff. (And as Ghost, because there’s probably a number of times he’s had to help Alain with. Like. Less-than-satisfied court members or something over in the Ganma world.)

So, both teams are here at the outbreak site. Team Ghost, consisting of Takeru, Akari, and Onari, and team Ex-Aid, consisting of Emu and Asuna. Both of the lads put on their drivers, and simultaneously notice the other one there.

They didn’t meet outside of the suits in Ghost’s final episode, which was an epilogue to his story and a Bonus Sneak Preview Of The New Challenger, so it makes sense that the drivers – both of which are very distinct – would be how they recognize each other.

–––

Of course, that gets us into the slight issue of ‘when does Ghost ep 50 take place.’

See, it’s implied in-show that it’s not long after Takeru comes back to life, which puts it in early to mid-April. He has a line about ‘are we really going to celebrate my birthday twice from now on?’, to which the answer was a definitive yes, so it makes logical sense for it to not be on his original birthday in October.

Except for how Emu couldn’t show up for his Big Damn Heroes moment if it were in April, because he didn’t put on the Gamer Driver until October.

So, when Emu comes to try and get the Shakariki Sports gashat from Ayumu, it isn’t quite chronologically possible… unless you take into account who Ayumu is.

He’s Takeru’s son. From the future. Meaning he time-traveled to get there.

It’s not even unprecedented for the season – Takeru’s father opened the portals that brought Takeru and Shinnosuke back and forth from 2005 in the Ghost & Drive movie, after all. So, it stands to reason that the portal ability, which Ayumu also shows, is a familial power.

What I’m positing is that Emu traveled back in time, and probably didn’t even know it.

He goes to the game worlds and battle stages fairly often, and since suddenly being in a different location isn’t exactly new to him… it would only makes sense for him to not realize that he’s in a different month, too. Especially when one of the stages looks just like the forest behind Daitenkuu Temple, and he has all sorts of flashy light effects going on all the time. An eye-shaped portal could totally just be another one of the standard special effects.

Yup, nothing unusual here.

–––

Okay, that aside, nobody actually gets to transform just yet, because the whole group is swarmed by Pac-Viruses before either of them can activate their drivers, with the viruses quickly singling Takeru out and chewing into him.

He doesn’t get hit with the literal fever that everyone else they’ve done this to are suffering from. No, in Takeru’s case… the Ghost Driver disappears. He pulls out his eyecon to try again… and it clicks uselessly.

Onari suspects it might be because he ‘hasn’t transformed lately’, adding more credence to his and Emu’s encounter being more than two months ago.

Since nobody else here can… time for Ex-Aid to make an appearance.

In level one.

Cue Opening Credits.

–––

So, Emu can’t so much as dent the Pac-Viruses, and then two of Zaizen’s lackeys show up. The man, apparently named Kazushige Ryuzaki, uses the Drago Knight Hunter Z proto-gashat to turn into… (quick search of the wiki) the Doral Bugster. Since I don’t feel like typing out his name, and it’s never said in show anyway, I’m just gonna be calling him Doral from here on. Similarly with the woman, Ageha Takeda, who uses Giri Giri Chambara to become the Giril Bugster.

So, you know, of course the one with a sword is the one Takeru faces off against. Why not? Not like he’s probably got some incredibly justified trauma relating to them. Not like it’s not actually incredibly ironic that his first heroic Eyecon arms him with a sword. Why not re-open some old less-than-metaphorical wounds right off the bat?

Doral basically corners Emu into the parking garage that Takeru and the others tried to bring Tougo through. Oh, yeah, they were trying to get that guy out of the area when he collapsed. I didn’t mention it because he’s not a good character, and exists primarily to guilt-trip Emu. So, yeah. Doral and Giril knock both our heroes down, breaking Emu’s level two transformation in the process, and here comes Dr. Pac-Man, being all ominous and glitchy, saying that he’s doing this for ‘revenge on humanity’.

Suuuure, that’s how you wanna spin it. Humanity in general. It’s totally not against a few very specific humans, one of whom you’ve recently had held at machine-gun point, and the other who has no idea what’s going on.

–––

They use the scene of bringing Tougo into CR for a brief exposition dump – which is fair, both in-universe and out. Takeru’s team wouldn’t know what’s going on, and it helps just in case the parents in the audience haven’t been following what their kids have been watching. It just gives us that little bit of elaboration on the bugster virus, enough so that people aren’t completely lost.

Tougo’s – oh, wow, his ‘infection ratio’ is already at 63%. Usually when they get someone in here, they’re only in the 30% range. But, of course, there isn’t any data to define what’s going on, because this isn’t one of the normal bugsters. There’d be no reason for Pac-Man to be programmed into a Genm Corp system.

(Which actually raises the question of how they were able to see an icon for Burgermon in episode 17, since he wasn’t supposed to be a Bugster, either. Then again, he is from a game Genm Corp was developing. But I digress.)

Anyway, Emu’s justifiably confused as to why Takeru doesn’t seem to be having any of the usual symptoms of an infection. Oh, sweetie, if you only knew- :ahem: sorry, distracted.

Takeru says that no, he’s not feeling any sort of fever, he’s doing fine.

Onari reminds him that ‘he’ll only get hurt if he pushes himself’, and Akari feels his forehead to make sure he’s telling the truth.

Once again, we’re getting the implication that Takeru has developed a habit of going too far.

–––

upstairs, we’ve got a conference call with Secretary Hinata, the Official CR team, and the Ghost team. Onari bursts out laughing at Poppy’s last name – and freaks out when she hops out of the arcade cabinet.

Both of these are understandable reactions, but maybe don’t immediately declare this a supernatural phenomenon? You know, since a government official was the one to first address her.

I will always be frustrated at the reverb effect they gave Poppy’s voice in this movie. There was no reason for Toei to do that, it’s just excessive, and it’s not like they did it in any of the promo materials or shorts, to say nothing of the show itself. Actually…

–––

I wonder if some parts of this movie draw from early planning stages of Ex-Aid? Like, there’s no explaining the voice thing otherwise, and Emu was pretty close to freezing up for a long time in here… despite the setting for it being explicitly between episodes 10 and 11, at which point they’ve already faced an approaching pandemic, with what Graphite pulled in episodes 9 and 10. So, either the team just didn’t think of that, or there were aspects that got… left over.

I mean, it’s not nearly as inexplicably different as the entirety of the OOO section of OOO & W, but it’s not exactly fitting with where Emu would be even just in the first few episodes.

And yes, I’m aware that OOO & W was made when they had one whole episode of OOO to go off of, but that’s why I think there might be artifact plot elements in here.

–––

Okay, back to the film itself. Again. Emu – Genius Gamer M – uses his genre savvy to realize why he couldn’t damage the Pac-Viruses. If, like some of the other bugsters, they’re operating on the logic of their game, then the only weakness they would have would be ghosts. AKA, instead of infecting Takeru, they burned out his ability to transform into Ghost, thus removing their biggest threat.

I mean, only some bugsters use their games that heavily. Motors, for one, the bugster from Bakusou Bike, is ‘prone’ to racing, and technically speaking, Emu and Kiriya cleared the game before destroying him, by beating him in a race. And the Doremifa Beat Collabos bugster was using music just like it would have been in the game itself – if you miss the notes, you get punished. In game, that’d just be a bad score. In the real world… painful explosions. Poppy, the actual bugster from Doremifa Beat, can’t sing without a backing track. And then there’s Burgermon, who was cleared in the same method as beating a level in his game – making a burger for him.

So, yeah, the Pac-Viruses might be in that class of bugster.

Anyway, enter Dan Kuroto and Hanaya Taiga.

Taiga’s all “No, I’m totally not here to help you guys, I’m just not letting these freaks run loose.”

Kuroto tells the ensemble that they stole the ‘heavily guarded’ proto gashats.

If by ‘heavily guarded’ you mean you were clearly reading their data out in the open, in your office. Again. And by ‘stole’ you mean “They had two machine guns pointed at me, and a sword, and I’m not immortal just yet! What was I supposed to do?! Just not hand them over?!”

…Yeah, he may be an evil bastard, but he didn’t exactly have a choice even if he wasn’t trying to keep up his ‘benevolent CEO’ facade.

Taiga’s comment of ‘those gashats are very dangerous’ is not only an understatement, but also… it’s foreshadowing. We know that Kuroto’s been using Proto Mighty Action X, and that it’s slowly wearing him down – Parad told us as much in episode 8 or 9. We know that Drago Knight was actually hurting Graphite, and he’s from there.

And, although we haven’t seen it yet, Taiga also has experience using them. Proto Bang Bang Shooting is what he originally used as Snipe, back in 2011. But we don’t know that even outside of the show just yet.

This movie came out in theaters in December 2016. We found out that the proto-gashats were involved during the Snipe Episode ZERO specials… the first of which wasn’t released until April 2017.

So… here, have some foreshadowing, I guess!

Emu asks if Kuroto has any idea who the culprits could be… and Kuroto pauses before saying he doesn’t. There’s a… not a scare chord, but a ‘you should be really, really suspicious right now’ sound effect when he says that.

I can’t tell if Emu looks disappointed or suspicious.

…Disappointed. He didn’t believe Kuroto could be evil until he revealed himself, so… yeah.

–––

At the totally not sketchy base, Dr. Pac-Man and his lackies are planning something. They’re waiting for Tougo’s symptoms to break out – he was the one they were targeting, after all. I think the Pac-Viruses went after Takeru on their own. They’re also working on something called the ‘genome graph’.

Complete with a diagram of a human gene… that starts off normal, and then becomes blocky… pixellated, almost.

So that’s not sketchy at all.

–––

…oh what the heck. The next scene is the next day. How can I tell? Everyone is in different outfits. It’s not just how Takeru is noticeably no longer in his school uniform, and back to his normal wardrobe. Akari and Onari are in different outfits, too, and Emu was wearing his yellow binary shirt, but now he’s on one of his dark blue ones.

How long does this movie take place over?

(No wonder Haruto was able to show up out of the blue! It’s been at least a day, so he’s had time to find out about this!)

Anyway, Tougo (finally) wakes up, and Emu and Takeru both start questioning him as to why the people in white were after him. Well, Emu’s telling him to go lay back down, because he can barely stand for more than a few seconds without wobbling, and Takeru’s asking questions.

Tougo cares not for your platitudes and worrying about his health, he’s got school and game development to do! Both Emu and Takeru take incredibly personal offense to this attitude.

Casual reminder, both of them were 18, the same age as Tougo, when things went wrong. Well, went wrong a second time in Emu’s case, when he went and decided that he needed to focus on his studies after… well, as we find out later, doing almost exactly what Tougo’s doing. Neglecting his own well being in order to do what he loves – games.

…ohhh no Emu is same hatting really hard with this guy.

(Listen, Tougo, as long as you don’t start identifying with the primary game designer in this show, we’re set. Just accept the fanmail gracefully, and everything will go much smoother.)

But, as Hiiro points out, they technically can’t force treatment on him. But also… well. There are some pretty nasty folks after Tougo.

–––

On the roof, Takeru and Emu have a little chat. They’re both basically going ‘how on earth are you handling the Rider thing?’ to each other’s situations.

Pulling out the Ex-Aid Eyecon, Takeru says that he couldn’t have imagined that the rider that gave it to him is a doctor. He was just so incredibly neon. But the fact that ‘Doctor Emu’ is saving lives as both a doctor and as a Kamen Rider… that really impresses him.

(Please note that Takeru consistently uses “Emu-sensei” to refer to Emu both here, and in HeiGen Final. No, there’s no hero worship going on here, what are you talking about? That’s silly!)

Similarly, Emu’s incredibly impressed by Takeru’s resolve to have kept fighting after dying, and speaking as a doctor, can’t even begin to imagine what that takes.

And then here comes Kuroto, asking to see Takeru’s Ghost Eyecon to analyze it, so they can make something that will effect the Pac-Viruses.

Since Takeru agrees, it means that he’s not tied to it the way he was in the series. It’s probably a different Eyecon completely – seeing as in-show, the Ore eyecon was literally him. Technically, the Takeru we saw was almost a projection – his tangibility depended heavily on his emotional state.

(There’s a reason I occasionally joke about Ghost’s Eyecons being ‘Soul Gem Two: Spooky Boogaloo.’)

(Also, Yurusen shares a VA with Madoka, and that just drove the joke home. Turns out Meduka Meguca is the cat, after all!)

–––

Hatesate Puzzle is an Android game – you can tell, because the list of files includes four different .apk files. Also, it’s up to version 7.21.

But the programming screen? Uses the same stupid block of text that all of the programming screens use in this show. Like, it’s even more egregious this time, because it’s shown very clearly, in decent lighting, unlike in Kuroto’s assorted lairs. Also, it talks about game physics such as collision detection for the ground.

This is a match three game.

Anyway, turns out Hiiro’s idea was to allow Tougo to leave the hospital, as long as he was still being observed. There’s a hundred thousand people infected right now, and the people who did it want him. So… Tougo is bait.

Needs of the many, blah blah blah you could have at least run this by someone, Hiiro. I get not telling Emu. But Asuna should have been informed, at least.

Almost immediately after Hiiro takes his leave, letting Emu take over, we hear static as Tougo staggers backward in his seat and passes out.

–––

We come to a busy office – a busy police barracks. Team Ghost waits anxiously on a visitors couch.

“I’m glad to see you’re back.”

Enter Officer Tomari Shinnosuke: Tokyo Metropolitan Police Department (active duty); Kamen Rider Drive (inactive).

Takeru and co had called in a favor, and Shinnosuke was only all to willing to help cover this case. Not only is it rider business now, but they’re threatening the city. Not to mention the police squad they destroyed yesterday – handily confirming that a day has, in fact, gone by – means Shinnosuke really wants in.

Turns out the three they’ve seen the faces of were all researchers into genetic therapy with the Next Genome Institute. Doctor Pac-Man is ‘most likely’ their boss, Zaizen Michihiko. Unfortunately…

They’re all supposed to be very, very dead. They died six years ago, as a matter of fact.

Most of the institute’s data was destroyed when the facility was sealed, but there’s a bit of closed circuit footage remaining of the event. Only a few seconds, but it’s enough to show them standing over an operating table, as orange lights encase and dissolve them, squares of light patterning the floor and walls.

Squares of light eerily similar to what they just say the other day, when people were activating Gashats.

Bugster work isn’t the only sketchy thing they’ve done – there were rumors of the institute working with cloning, creating mutants… basically, as Akari says, mad scientists.

(Anyone want to place odds on them being funded by Foundation X? No? Just me? Okay then.)

–––

Emu and Asuna are with Tougo as he wakes on a bench. THey’d moved him somewhere out of the sun, and he’s… An asshole about it. He never asked for their help, and he’ll die when it’s time, anyway, so why are they bothering?

Doctor Pac-Man, still very glitchy, strolls up. “He’s right. None of you are needed here. Why not just hand him over?”

Running time!

–––

Back at the precinct, Shinnosuke promises that he’ll let team Ghost know as soon as they find where the Next Genome researchers are hiding.

Y’know, except for that part where he’s too late, and they’re already going after Tougo, and by extension, Emu.

Shinnsouke’s fired up and ready to go after them.

Y’know, except for the part where Krim locked all of the Drive tech in his depression garage the Drive Pit at the end of the season, and Shinnosuke can’t transform, which Takeru points out, saying that it’s too dangerous for Officer Tomari to go.

Of course, Onari, logically, tries to point out that Takeru’s in the same boat right now, to which Takeru hurriedly shushes him.

Takeru and his team run off to deal with the situation.

Sad music plays as Shinnosuke laments his lack of belt.

–––

And here’s where I decided I had to cut the liveblog for now! Because again, twenty-some minutes, and nine pages of text. This is going to take a while.

See you next game

[newtothewaywardparty]

Love Interruption 4

So, I accidentally wrote another Sam chapter. The thing is, he’s a better exposition monkey and also maybe I’m in love with Odie a little bit. Why do you keep talking about my shoulders? LOL, we are all Velma. ANYWAY here’s a long chapter and the next one has Destiel FEELINGS and AWKWARD SILENCES and GROUP THERAPY so if that’s your jam please keep reading I love you all like Sam loves books.

Sam awoke to the sound of the surf. He sighed deeply and raised his head off his pillow on the floor palette Odie had fixed him up in her small living area directly off her kitchen. After ducking in the bathroom, he investigated the tiny cabin looking for her, but it was empty. He helped himself to a bowl of the sweetened coconut rice pudding-type dish he found on the stovetop. Grabbing a mango from a bowl in the center of the metal folding table and a knife, he made his way outside.

He scored a mango half into edible cubes, which clung to the thin green skin until he chewed them off, their sweet juice dribbling down his chin. Odie strode confidently up the beach carrying her surfboard, water droplets on her skin and hair catching the morning sun. She gave Sam a grin that was all white teeth and a big wave with her free hand. Sam waved back and tried not to notice the way her board shorts hugged her strong thighs or the way her yellow bikini top set off her radiant skin.

Sam ducked his head until she was close enough to call to him over the morning waves. “Do all American hunters go to the beach in jeans and boots?” Odie propped her surfboard in its spot along the cabin wall and grabbed a towel from the clothesline.

Sam chuckled self-deprecatingly. “Don’t have many other duds, I guess. This is our first beach trip in a while.” Or ever, he thought. “Plus,” He tapped his boots together firmly where they sat at the end of his crossed legs in the hammock. “It’s sort of our all-purpose uniform. Protect the feet, the skin, layers for different temperatures.” His smile fell a bit. Their lives were not like normal people’s. Sam had a tendency to make himself sad. The downside of being smart, he guessed.

Odie pulled on a graphic tee and gave him a knowing look. “It’s the same here, but you need clothes that won’t get in the way. Loose, sweat-wicking so you don’t dehydrate. Light colors to reflect heat. Flip flops can be lost in a hurry. Sport sandals are better for the jungle.” She jerked her head toward the beach. “Good luck running something down in the sand in those huge clodhoppers.”

Sam made as if he was actually willing to haul himself out of the hammock. “Wanna race? Put your money where your mouth is?”

Odie swatted him with the towel. “I’d hate to humiliate you on your first day. Besides, we have work to do.”

They set up research headquarters at her kitchen table. Odie boasted a premium wifi connection one of her hunter network friends had spliced off the line running to the Stone Jaguar resort where Cas and Dean were staying.

“So, these couples all checked into the resort, and then disappeared on the last day of the couples’ retreat.” Sam summarized. Odie nodded, indicating the proto-murderboard she had rigged up, complete with photos of the couples, their names, and details of their cases underneath it.

“We already had our hunters work with local law enforcement but they’re worthless.” sighed Odie. “They all think the couples were mixed up in drug business in town or kidnapped by Guatamalans near the border.” She tossed her hair disdainfully. “Both theories are ridiculous, of course, but they are eager to write them off because nobody in this part of the country wants to hurt tourism.”

Sam nodded. Made sense, and reminded him of plenty of cases he had worked before. People were pretty much the same everywhere. Willing to turn a blind eye as long as it didn’t affect the status quo.

Odie stood, putting her hands on her hips, pacing in front of the posterboard she had tacked to her kitchen wall. “We also tried interviewing resort employees. They didn’t have any further details. The couples went to the retreat’s final ceremony-a graduation kind of thing. They returned to their rooms, and nobody ever saw them again after that.”

Sam sat back, clicking his pen. “Run through them for me again.” They had been through all of this online already, when he had agreed to come down. A former acquaintance of Eileen’s based in Mexico had connected them. Sam felt a pang at the memory of the brunette hunter, with her sass and bravery and great smile…

“Four couples with no connection I can find. Two in their 50s, one in their 20s, and one in their 30s. One from New York City, one from Sydney, one from rural Alabama, and one from a small town in Northern England. One white couple, one Asian couple, and two mixed-race couples. Three hetero, one same-sex. Two had children; two didn’t.” Odie blew air through her lips in frustration. “It must be opportunity rather than profile.”

Sam agreed, typing on his laptop rapidly. “And the reason we think it’s something supernatural is…” He trailed off. This had been a sensitive topic online. If he was being entirely honest, he didn’t think there was a case here. Maybe the local police were right. Just missing couples in a developing area with higher-than-usual crime.

If he was really willing to look honesty in the face, he’d admit he only agreed to the case to get some beach time and possibly, maybe, just a little part of him wanted to get his brother and Castiel into a couples’ retreat. But Sam was not on trial here.

Odie immediately bristled. “We’ve been over this. It’s too clean. Too neat for humans.” All the couples were found missing the morning they were to check out. Their rooms were undisturbed and locked. All luggage, valuables, and passports remained in place. Nobody saw or heard anything in the night or the morning. No bodies were ever found. They simply vanished.

Sam held a hand out, placating. ��“Okay. I believe you.” He didn’t, but Sam was good at talking people down. With patience borne of years dealing with jittery victims and his histrionic brother, he changed tack. “Who are the usual suspects in these parts? Vampires? Werewolves? Ghosts? Shifters?”

Odie gave a weird half shrug. “Yes. And no.” I’ve hunted all of those, but what we get here is a little different. After all, our folklore and indigenous gods are different than what you find in middle America.”

Sam raised his hands over his keyboard again, eager. “Okay, well, I’m okay in Spanish, too. What should I look up? Aztec or Inca?” Odie was silent long enough that Sam looked up to confirm she had heard him. She was doubled over, laughing so hard she wasn’t capable of making sound. She drew in a deep breath and schooled her features.

“Well,” she began in the prim tones of a schoolmarm. “Begin by researching all the lore from Mayan/Mestizo peoples whose cultures were indigenous here. Then add in all the French/Creole traditions of the Garifuna people, those descended from shipwrecks of enslaved Africans bound for the West Indies. Don’t forget the British Hondurans. Then of course the British colonizers themselves. In recent generations the Amish with German-descended lore can be found in many of our farming areas, and our cities are full of Chinese immigrants with their myriad religions.”

Sam pushed back from the table. He realized, of course, how reductive he had been, but he was also frustrated. How would they even begin to pinpoint what they were dealing with here?

He looked up at Odie who was watching him with less mirth now and more wariness. “I’m sorry. That was incredibly stupid. You obviously have been over all of this already, and know more than I even will about your community. What do you need from me? How can I help?”

Odie’s brown eyes measured him, assessing. “First,” she walked over and shut the lid of his laptop with a ‘click.’ “The answer’s not going to be online.” She leaned over him and quirked an eyebrow. “And due to the largely oral culture here, it’s not going to be in one of your books.” She pushed one of the tomes Sam had crammed into his carry-on away from him on the table.

She flopped into a chair next to Sam, sighing. “The reason I wanted a second set of eyes-experienced eyes-” here she cut her gaze to Sam who shifted, uncomfortably. The Winchester brothers were becoming somewhat of elder statesmen as far as hunters were concerned. “-is because I can’t figure it out. It’s…” she pressed her knuckles to her lips, and her gaze fell on a small framed photo on the opposite wall. “It’s not the first case that’s been unsolved here.”

Sam followed her eye line to the photo. A small girl with chubby cheeks and arms clung to a woman in a long skirt with armfuls of jewelry and a long, dark braid. A man with a beard and kind eyes had his arm around her, gazing at the girl adoringly. “Your parents?” Sam nodded towards the picture. They had talked about it a bit online. Hunters were often orphans.

Odie’s lips hardened into a line. She took a deep breath as though to begin a story, then stood abruptly. “I need a drink” she announced, grabbing a worn denim jacket from the hook by the door. She opened the door, then paused with her hand on the handle. “You coming?” She didn’t look behind her. Sam didn’t reply. He just walked past her into the warm night, resplendently clear with a beautiful three-quarter moon.

[dcubang]

DCU Bang 2nd Story Claims

Hello! Second claims are now open and artists are free to claim as many stories as they are reasonably sure they can finish! Second claims are optional. Don’t want to claim a second story, or don’t feel like you’ll be able to create something for two stories? You don’t need to claim! I would much rather an artist focuses and creates something awesome for one story, than for an artist to be stressed out trying to create something for two stories. Know your limits and don’t overburden yourself! Each story can be claimed an additional two times. That means there is a potential total of 3 artists per story, and a minimum of 1 artist per story. While unlikely, it would be pretty hectic and stressful for an author to have to coordinate with 16 artists on their story! That’s why there is a limit, and to encourage people to spread the art around to other stories. =D Stories are guaranteed only one artist each. I cannot guarantee that every single story will get a second artist. Please be understanding of this! Second claims will close Saturday, July 13th 23:59 MDT, when all fanworker sign-ups will be closed. How to Make Multiple Claims:

Stories are claimed on a first come, first served basis.

Fill out this Google Form right here

A matching email will go out to both the artist and the author containing each other’s contact information after a claim is successful. I plan to start sending these emails out Sunday morning. You should receive this email no later than 72 hours after I have confirmed the claim. If you don't get this match up email, please get in contact with me ASAP so that artists and authors can get to work quickly! Every story is listed here is not guaranteed a second or third artist! I can only guarantee one artist per story.

  If you have any questions or concerns, you can email me at dcubang@gmail.com, or contact me on the DCU Bang Discord!

1 Title: Fly With Me Word Count: About 14k Genre: Fantasy-Adventure Fandom/Universe: Green Lantern, Flash (comics) Characters/Pairings: Barry Allen/Hal Jordan/Guy Gardner/John Stewart/Alan Scott Warnings: Mild/implied body dysphoria Rating: PG-ish Summary: When Watchman Barry Allen arrives to a grisly murder scene, the last thing he expects is the enigmatic dragonlords of the realm to arrive and ask for him specifically. They are handsome and charming, but the existence of enormous fire-breathing flying lizards that seem to exert some kind of... Strange emotional aura is more than a little terrifying. He is introduced to the prince of these dragonlords, Hal, and steps up to be taken back to the towering natural fortress of Oa, a massive hollowed out mountain that sits on the edge of the continent. Called the 'weyr', Oa is home to the dragons and their riders, and Barry soon finds himself welcomed inside with all the honours that a prince might receive. In the morning after a restless night's sleep he is bathed and anointed, and taken down deep beneath the mountain to a holy underground sea, where he must confront the mysterious Lord of Oa and receive the prize for which he had been chosen: A dragon egg, rare and precious. The last third of the story will be hatching the dragon, and a montage of sorts with Barry further bonding with the dragon riders and forming a... Tentative proto-romantic relationship with them. He trains in arms with Guy, learns the histories and concepts of the weyr with John, is taught about the running and logistics of Oa from Alan, and finally Hal tutors him on bonding with his dragon, and eventually flying with it. The broad aesthetic of the fic is very much generic medieval fantasy, set mostly in the mountainous fortress/castle of Oa. Characters vary a little bit from canon appearances, mostly in regards to hairstyles and the like, but a few characters are trans, which is mostly going to be a background detail. There are no warnings except for a crime scene early on (which will be edited down) and brief discussions of trans characters being trans, so there's a bit of mild dysphoria but no explicit details or transphobia/homophobia. There is implied polyamory and age difference, but everyone is consenting adults and nothing is properly established in this fic.

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2 Title: The Case of the Missing Son Word Count: 6,031 of 10k-ish Genre: Mystery, Romance Fandom/Universe: Batman (comics) Characters/Pairings: Bruce Wayne/Dick Grayson, Talia al Ghul, Damian Wayne Warnings: Minor violence Rating: NC-17 Summary: Bruce Wayne has come to PI Dick Grayson with a problem. His ex-wife, Talia al Ghul, has been sending him letters claiming they have a son. Bruce wants Dick to find the boy and bring him home. Dick gathers information from various sources before running into Talia herself, which only results in him getting beat up. He goes back to Bruce to convince him to confront Talia. Eventually, the son goes to Bruce, and Bruce and Dick get some private time together. The story takes place solely in Gotham, from Dick's office, to Wayne Manor, with one trip down into the caves of Gotham for the showdown.

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3 Title: Forth My Mimic Comes Word Count: 19k Genre: Mystery, Supernatural Fandom/Universe: Batman (mostly comics) Characters/Pairings: Gen; Jason Todd, Barbara Gordon, Tim Drake Warnings: past canon character death, non-consensual bodyswap, thoughts that could be construed as non-specific suicidal tendencies (i.e., "I was already dead, if I die again it's no big deal," etc.) Rating: PG/T Summary: Robin saves a boy from being hit by a car, only to discover that the victim is none other than a very alive (if comatose) Jason Todd. An already unusual situation turns even more bizarre when an unfortunate turn of phrase and an errant bit of magic cause Jason and the current Robin to end up in each other's bodies. Knowing it's only a matter of time before Bruce learns of the switch and locks him up in a fit of paranoia, Jason must seek the help of the enigmatic (and familiar) Oracle to fix the problem, all the while learning far more than he ever wanted to know about the boy who replaced him. Takes place immediately following Jason's resurrection in a slightly canon-divergent timeline, primary locations being the clock tower, manor, and cave (and all of Gotham, because patrol).

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4 Title: Pussycat, Pussycat, Where Have You Been? Word Count: 4,579 of 5k Genre: Mystery Fandom/Universe: Batman (comics) Characters/Pairings: Bruce Wayne/Selina Kyle, Tommy Elliot Warnings: Nonconsensual body modification, some torture Rating: PG-13 Summary: Selina Kyle is missing. Bruce finds mannequins and dummies of her around Gotham, each with a modified nursery rhyme about cats. Bruce follows these clues all across Gotham, growing more desperate to find her. Finally, he confronts the villains of Gotham and finds Selina, only to find Hush there as well. They battle and Bruce rescues Selina and takes her back to the Batcave. This takes place solely in Gotham, from the streets and graveyards of Gotham, to beneath Arkham Asylum, to the Batcave.

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5 Title: Daily Gab Word Count: 5776 Genre: Coming Out Fic Fandom/Universe: Batfam Characters/Pairings: Jon/Damian, Damian & Dick Warnings: Bullying Rating: PG-ish Summary: Damian finds a tabloid taped to his locker at school. The headline? "Wayne Kid... Gay?" He endures a day at school listening to the gossip from all the other kids. Dick does the brotherly thing and helps Damian sort through all he's feeling. Damian admits to Jon what the tabloid said and why he's been running scared all day, they talk about the reality of what they want together and Bruce manages to be a real father for once. Summary I'm posting when I post the fic: Damian swallowed against the bile in his throat and carefully took in his next breath, walking himself through the steps of emotional calm. Pretend this was only torture. Pretend it was only a gunshot wound. Pretend it was only his body in pain and not his heart and his mind. Remove himself from the situation and take a few steps backwards from the reality of it.

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6 Title: Stay My Tragedy Word Count: 16k Genre: Drama, Angst, Hurt/Comfort, Romance Fandom/Universe: Batman, Deathstroke, Red Hood Characters/Pairings: Slade/Jason Warnings: explicit sex, angst, descriptions of violence, references to self harm, slight dubcon, problematic relationship Rating: NC-17 Summary:

Soul marks can appear at anytime in one’s life -- a mark of karmic destiny that most people take to mean they’ve met the person they’re meant to fall in love with. Jason knows that’s not true. He knows because his soul mark appeared in the very last moments before he died -- marking his destiny to be murdered by the hands of a madman.

  It is a world in which fate is unbelievably cruel, when Jason’s soul mark is of none other than the man who murdered him. Slade has other ideas however, and he might just be the one man who can change Jason's tragic fate into something else.

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7 Title: New Horizons Word Count: 6091 Genre: Action/Adventure Fandom/Universe: Canon Divergence/AU Characters/Pairings: Jason Todd, Stephanie Brown, Tim Drake Warnings: Major Character Death, Abusive Parents, Child Trafficking Ring, Drugs Rating: PG Summary: Jason, Tim, and Stephanie meet while Jason still holds the Robin mantle. They band together to take down a child trafficking ring, all while each one is fighting their own personal battles. Stephanie's dad is a small-time crook who is major-times ruining her chances at a better life. Tim's parents are never home--he doubts they could pick him out of a lineup. Jason is suddenly thrust into life with a billionaire (and vigilante), but not everyone might want him there. Story is mostly set in Gotham and Wayne Manor, with a few scenes in Titans Tower. The Major Character Death is Jason, but it happens off screen and in the epilogue. The Abusive Parents is Tim's parents neglecting him. Drugs are a passing mention. The Child Trafficking Ring is a major plot point.

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8 Title: You’re saving Blüdhaven but who saves you? Word Count: 3457 Genre: Hurt/Comfort, Humor Fandom/Universe: Batman/Nightwing comics, Under the Red Hood Characters/Pairings: Dick Grayson, Jason Todd/JayDick – Jason Todd/Dick Grayson Warnings: child’s death, mentions of rape, canon typical violence, non consensual drug use, incest (pseudo-incest? Jason and Dick were adopted), self esteem issues Rating: T/Teen And Up Audiences /PG14+ Summary: After a kid got killed Dick, already in a bad place, decides that his only option to make a difference is to fight crime in a different way. He decides to partner up with a carefully chosen criminal and Red Hood caught his attention even if some of their morals are on the opposite sides of the scale. This somehow leads to Dick having an elusive roommate he developed an attraction to. It’s a shame no one told him Red Hood is in fact Jason. This story is canon divergence or alternate universe and takes place after the events with Blockbuster and Tarantula in Nightwing comics and intertwines with some happenings from Under the Red Hood. The action is placed mainly in Blüdhaven, but there are trips to Gotham and Wayne Manor. The story has a romantic relationship between adopted brothers. The rape is mentioned several times and one of the character is forcibly drugged. It also contains description of child’s death and violence.

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9 Title: A Bit(e) Wild Word Count: 5-6k total, 4k written Genre: mostly Angst/Fluff but some Action/Adventure Fandom/Universe: Losers/Batfamily, no particular series Characters/Pairings: established Jensen/Cougar, will be Jensen/Cougar/Jason Todd later in series. Background canonical Pooch/Jolene, mention of Clay/Aisha. Warnings: Graphic violence, swearing, maybe sex in the flashback Rating: Explicit. Even if no sex happens yet, it will later, and there's also the violence to consider. Summary: The Losers have just barely taken down Max and cleared their names; Jensen's still cleaning up post-mission but they're all back home. Jason Todd's preparing to move back to Gotham and butt heads with Batman when a bit of pest control ends with him bitten by a wolf shifter. He didn't think the Pit's aftereffects would allow him to be changed, or that he'd call the Losers for backup again, but of all the people Talia had him learning from, Cougar's the only shifter he knows he can trust if this IS the dreaded change coming on. Cue frantic phone call. The Losers load up and head out immediately, but Pooch brings his family just in case, Clay rides up with Roque, and Jensen and Cougar lead the charge because they've already got the shifter genes and being bitten again isn't going to do anything to them (Jake is a recent change; Cougar was born a shifter). By the time the others arrive, they've got Jason settled and all three are in their animal forms. Jensen is a wolf, Cougs is a cougar, Jason is a snow leopard. After the first few lessons, Jason gets impatient--maybe the Pit, maybe new instincts, partly the knowledge that the Losers aren't going to just let him leave until he's got enough control over his shifter side to satisfy Cougar. He tries to slip out in the night, half hoping they won't follow him, subconsciously aware this will be much easier with trusted backup. Every Loser was expecting this, though, and when Jason slinks off to Gotham, they're still mostly packed and ready to head out. It doesn't take them long to follow.

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10 Title: where monsters lie (in dead men's dreams) Word Count: ~75k total, 47.7k written (including unfinished draft) Genre: Drama, Horror, Angst Fandom/Universe: Batman Arkham Games, and a lot of creative liberty taken with comic canon and the traditional Alpha/Beta/Omega AU Characters/Pairings: Jason Todd/Dick Grayson, Jason Todd/Bruce Wayne, Bruce Wayne/Dick Grayson Warnings: Non-con, Dub-con, Drugging, Non-traditional ABO Dynamics, Bondage, Descriptions of Torture, Pseudo Incest, Kinky/Rough Sex, Intersexed Characters, Background Polyamory, Angst, Murder Rating: R Summary: Oracle enlists Red Hood's reluctant help to find Batman and Nightwing, who have disappeared during an arms bust deal orchestrated by the Penguin. They've been captured and dosed with a perverted form of the Scarecrow's latest toxin, and the effects of the toxin force the three of them to face their feelings for each other. All Jason wants to do is run away, except Dick won't let him leave. Things grow more complicated when the Penguin re-emerges with a threat none of them had expected, and Jason takes it upon himself to teach the Penguin a permanent lesson. Meanwhile, Dick has been experiencing random bouts of mania and murderous intent, ever since getting dosed with the toxin. By the time he confronts Jason about the Penguin's vicious murder, Jason sees more of the Joker in Dick than he does in his nightmares. Fortunately for them both, there's no mystery in Gotham that Batman can't solve in time. The story is set in Gotham City, 1.5-2 years post the game Batman: Arkham Knight, but also features several flashbacks of bastardized canon scenes from the comics. If you're a stickler for canon, this will probably kill you dead so please bear that in mind. Besides that, there is a single instance of non-con and another instance of molestation. There are also two implied sex scenes which can be considered dub-con. There is pseudo-incest between Jason, Dick and Bruce. The Penguin gets tortured to death but the torture occurs off-screen and only the results are described in graphic detail. The polyamory is mentioned throughout but does not occur on-screen.

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11 Title: The Sacredness of Tears Word Count: 13k Genre: Romance, character study, elements of fantasy and drama/angst Fandom/Universe: Batman comics, set in the future and using events from New Earth and the current continuity Characters/Pairings: Tim Drake/Jason Todd, Tim Drake-centric Warnings: temporary character death, pseudo-incest, canon-typical violence, discussions of mental illness, parental abuse through neglect, swearing Rating: PG-13 (maybe R for swearing?) Summary: Tim Drake Wayne isn’t weak. He can’t be. And now that he can travel through time, he has the perfect tool to make sure he’ll never be vulnerable again. Gradually, Tim’s family, friends, and his slowly blossoming relationship to Jason teach him otherwise. The story is set in Gotham with scenes in Tim’s apartment, the Batcave, a diner and various rooftops. There are scenes with multiple members of the batfamily and Tim’s team. The romantic scenes are focused on cuddling and size difference. The plot spans several years. Tim is eighteen at its beginning and twenty-five at its end. There is one detailed description of a meltdown or anxiety/panic attack. There are discussions of mental illness; some symptoms of depression are shown, especially withdrawing from the world and diminished self-worth, but nothing too bad and absolutely no hint of self-harm or suicide. Jason dies in one scene (not the canonical temporary death), but that is quickly reversed. There are descriptions of injuries. The parental abuse refers to Tim’s and Jason’s canonical backstories, not Bruce (who tries to be a good parent in this).

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12 Title: The Nightingale Word Count: ~14k total, 8.5k written Genre: Hurt/Comfort, Alternate Universe, Drama, Healing Fic (kinda) Fandom/Universe: Batman - All Media Types, Red Hood and the Outlaws Characters/Pairings: Dick Grayson/Jason Todd Warnings: No Warnings Apply Rating: NC-17 Summary: Crushed by the guilt of Jason's death, Dick quits the vigilante life, gives up Nightwing, begs Bruce for a clean slate, and runs away to New York City. He takes shelter at the Nightingale, a nightclub where Dick works as an exotic dancer, a stripper named Richie. Dick uses the blinding stage lights, Bloody Marys, and a mysterious man named Jay to hide his past. However, Dick's rather painful former life is slowly uncovered by Jay through a series of one night stands. Meanwhile, Dick also has some unconventional run-ins with the Red Hood, a supposed antihero working in the tri-state area and associated with the family Dick has not had any relations with for over five years. Old wounds reappear, and Dick's new life slowly falls apart around him as the truth comes to light. Set primarily in NYC, in the Nightingale nightclub and at the different hotel rooms Jay books. Towards the end, Dick and Jason will eventually move back into Gotham City and Wayne Manor. Story takes place five years after Jason's death. Dick's "new" life is an emotional roller coaster of hurt/comfort, a path of healing, a life built on lies, and identity porn woven all throughout it, until it is all untangled in the end.

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13 Title: Between Flight Word Count: ~15k, 10.8k written Genre: Romance, Drama, Humor, Alternate Universe Fandom/Universe: Batman - All Media Types Characters/Pairings: Dick Grayson/Jason Todd Warnings: No Warnings Apply Rating: PG-13 Summary: Jason is a 15-year-old orphan, living at a crappy orphanage, going to school because it is the only fun in life, and dreaming of the day he becomes eighteen. After a little altercation with a pickpocket, Jason meets Robin, and from that night on, Jason could not get rid of the Boy Wonder. Coincidentally, Dick Grayson starts at Jason's school as well, and decides to befriend him of all people. Jason finds himself being tugged in two directions - towards a charming and talkative circus boy with a past similar to his, and towards Gotham's own hero in scaly panties. Over the course of a couple weeks, Jason is dumped at a school dance, kissed on rooftops, taken on dates a couple times a week, and even glared at by the Batman himself. Needless to say, Jason finds that his life is a lot more interesting after he met both Dick and Robin. But of course things smell fishy to Jason. Especially when Robin knows tricks that only Mr. Circus Boy can do. Or when Dick uses the same girly shampoo as the teen hero. Or when their identical disarming smiles send bursts of happiness straight through Jason's heart. Batman might be the World's Greatest Detective, but Jason Todd is not so shabby either. Set primarily at Jason and Dick's high school, the orphanage, the rooftops of Gotham City, the luxurious halls of Wayne Manor, with special appearances of "date" locations around the city. Jason is 15, while Dick is 17.

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14 Title: Moon Dust On Your Lips Word Count: ~6100 Genre: Romance, First Time, Mutual Pining Fandom/Universe: Batman and Green Lantern, no specific canon Characters/Pairings: Bruce Wayne/Hal Jordan Warnings: Mild sub/Dom, explicit sex, biting and bruising, praise kink Rating: NC-17 Summary: The Justice League is trying to expand their potential pool of allies in the known universe, and with the help of their Green Lanterns, they set off to personally negotiate with as many people as they can. Everyone is involved, but it mostly falls to Bruce/Batman and Hal Jordan. The longer Bruce and Hal work together, the more Bruce let's Hal see under the cowl, and the more Hal starts to like what he sees. Bruce even accepts advice from Hal on an issue dealing with his children. Then Hal, returning exhausted from a mission to Oa, loses his temper at the tail end of a League meeting. He says something stupid within Batman's hearing, and then goes off to get decidedly drunk with Barry. Hal confesses that he has a crush on Bruce, but there isn't anyway that he can see it ever happening, so he decides to just ignore it and move on with his life. Bruce doesn't exactly get the memo right away, but as soon as Hal starts physically distancing himself from Bruce as much as possible, their tentative friendship falls to the wayside. Soon, Bruce and Hal are back to being uneasy coworkers. It culminates with Bruce and Hal on the return trip of another successful negotiation, when their escorts decide to up and leave them in the Middle of Nowhere, Spaceville in a small, cramped, one man space pod. There's an argument, confessions, and then sex, before being rescued. The story takes place in a variety of locations, including Wayne Manor, the Watchtower, Barry's apartment, and the space pod. The sex will include Bruce manhandling a very willing Hal, with some rougher edges (biting and bruising, praise kink).

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15 Title: Happy Middles Word Count: ~4600 Genre: PWP Fandom/Universe: Batman and Green Lantern, no specific canon Characters/Pairings: Bruce Wayne/Hal Jordan Warnings: Somnophilia, Dirty Talk, Praise Kink, Noise Kink Rating: NC-17 Summary: Basically a slice of life PWP about the time Hal and Bruce make for each other, specifically how Bruce's ends his nights and how Hal starts his days. Bruce comes home early from a shortened patrol and joins Hal in bed a few hours before Hal has to go to work. Hal falls back asleep, and then wakes Bruce up when he starts exhibiting signs of a wet dream. Bruce pleasures Hal until he wakes up, and then gets Hal off. Hal turns the tide on Bruce, teasing him until Hal decides he's ready to ride Bruce to their mutual completion. This takes place solely in Bruce's and Hal's bedroom in the Manor, described as having a darker color scheme with blues, blacks, and grays. All kinks are negotiated prior to the story, as this is a well established, husbands!fic. No noncon here.

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16 Title: Hold Me Tight (or Don't) Word Count: 6055 Genre: Mystery, Angst, possible supernatural elements Fandom/Universe: Batman, no specific universe Characters/Pairings: Bruce Wayne, Talia al Ghul, Conner Kent, Jason Todd Warnings: Medical experiments, but non-graphic Rating: Teen Summary: Sometimes, a Family is you, your Beloved's dead kid in a coma, and your Beloved's best friend's "clone" who's other gene donor is sort-of kind-of your boss off to play at politics Or There’s been a rash of robberies in Gotham, leaving Batman puzzled as to what the villains are up to, all the while seeing Jason appear to him, even though he’s been dead for a few weeks. Meanwhile. Talia takes care of a comatose Jason, while discovering Lex’s secret project taking a form no one expected. On the other side of bay/river, Clark is investigating a mysterious Cadmus fire, under a building Lex Luthor (who is now the president) owns. Not to mention the mysterious new villain who may be more connected to the robberies in Gotham that it seems.

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17 Title: untitled as of yet! Word Count: 3039 Genre: 5+1 things, fluff, probably eventual smut Fandom/Universe: dc extended universe, films 2013-present Characters/Pairings: Clark Kent/Bruce Wayne Warnings: none Rating: T at the moment, will likely slide into M/E Summary: After a few months of working together side-by-side as a team while not actively trying to kill each other (even in their spare time), Clark realizes he’s developed Feelings for Bruce. He knows Bruce is stubborn and self-isolating, so he decides the best plan is to figure out a way to make things a little (incidentally) romantic without scaring off Bruce: little notes on rooftops, a dubiously agreed upon makeover by Lois, advice from Barry and Victor and Diana—even Alfred ends up in on the game. Unfortunately for Clark, Bruce is even more slippery (or oblivious) than he ever imagined. Maybe what Clark really needs is a little help from a Higher Authority… or, the five times Clark Kent tried (and failed) to seduce Bruce Wayne, and the one time Bruce Wayne allowed himself to be epically seduced.

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18 Title: the weight of eventuality Word Count: 24,000 Genre: Romance, /Action, Drama Fandom/Universe: CWTV Flash (2014) Characters/Pairings: Barry Allen/Leonard Snart, Team Flash Warnings: canon typical violence, graphic sex Rating: NC-17 Summary: Life was pretty great for Barry Allen, honestly. Team Flash successfully pulled him out of the Speed Force, he still had his job, and all of his friends and family where there to support him. Eddie and Iris were expecting their first child, and even with everything that happened between Caitlin and Julian, the team worked as well as ever together. Barry didn't want to tell them that he was still slipping backward and forward in time, or that every night the Speed Force made him witness the death of Leonard Snart. Rescuing Leonard was easy. Falling in love with him? not really part of the plan. With Captain Cold back in Central City, it was hard to remember that there were other people out there who wanted to do more than flirt and steal pretty jewelry. It was just a matter of time until they made their move. This story takes place mostly in Central City, with a detour into the Speed Force. There isn't really anything to warn for, I think. There's an explicit consensual sex scene near the end of the story, and canon typical violence and injury. There's some mention of minor medical procedures. There's technically some torture, but that happens off screen and Barry is in the speed force of the entirety of it, so there's no graphic detail.

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19 Title: your continental divides Word Count: 9k Genre: Hurt/Comfort Fandom/Universe: DCU. not set in a specific universe, borrows from several continuities. Characters/Pairings: Dick Grayson centric, Batfam and company, Gen Warnings: non-con Rating: PG-13 Summary: After Catalina Flores, Dick is dealing the way Bruce taught him: push it down and carry on. It's not working out very well, and people are starting to catch on. The story is set mostly in Gotham, and guests a few characters besides the batfam (mostly Wally and Roy). It's essentially just an exercise in letting Dick be comforted by the people who love him. This focuses on dealing with the sexual assault from Nightwing #93. The assault is not graphically depicted but is referenced and discussed, in addition to self-destructive behaviors and a variety of coping mechanisms.

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20 Title: Broken Wings and Notched Arrows. Word Count: Around 6-6.5k total. 4,280 written Genre: Action, Romance, Drama. Fandom/Universe: Young Justice, Batman. Characters/Pairings: Will Harper (Roy Harper's clone)/ Jason Todd Warnings: Temporary Character death, mild language, mild violence, small age gape, Rating: NC-17 Summary: The only thing Will Harper wanted to be doing that fine winter morning was to play dress up with his beautiful daughter Lian. What he got however was a surprise visit from the legendary Bruce "Batman" Wayne. And if that wasn't a big enough shock being hired by said legend was icing on the cake. So now instead of spending Christmas with Lian Will is kind of, maybe being held against his will on Infinity Island. Bright side he did find Jason Todd like he was hired to. This story takes place in multiple locations. The main set is in the Caribbeans, mostly Infinity Island and the League of Assassins HQ. It also show cases Will's home in Star City and a major fight screen in Gotham. There is no major warnings. Temporary Character death as Jason Todd doesn't stay dead for long. Some violence but nothing more then a few short details of fight scenes. No gore just a little blood.

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21 Title: Masks Word Count: 7,783 Genre: Action/Adventure and Romance Fandom/Universe: Batman Comics, post-Infinite Crisis Characters/Pairings: Dick Grayson/Jason Todd, Alfred Pennyworth Warnings: Incest, canon typical violence, explicit sex Rating: NC-17 Summary: Continuation of pre-new 52 canon. Jason's back in Gotham. All he wants to do is figure out how he can successfully help fix his city, without falling foul of the rest of the Bats and the GCPD again. He's even hung up his red hood in an attempt to stay under the radar. When he discovers that Alfred is in danger from the gang he's investigating, he infiltrates a costume ball at Wayne Manor in disguise as a supervillain. He ends up flirting with Dick to stop him interfering with the rescue plan. Dick doesn't realise who he is and flirts back until they end up making out furiously in a closet. Afterwards neither of them can get the encounter out of their heads, and they start to get to know each other again. Featuring conversations with Alfred, Dick attending a party in a Superman costume, Jason spray painting his red hood grey, everyone rescuing each other and lots and lots of pining. Warning for pseudo-incest between the adopted brothers, Dick and Jason when they reach adulthood.

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22 Title: Sleeping Beauty Syndrome Word Count: 9k written. Genre: Romance, Angst, Fairytale Rewrite Fandom/Universe: Nightwing, Red Hood and the Outlaws Characters/Pairings: Dick Grayson/Jason Todd Warnings: Horror, gore Rating: PG-13 Summary: Dick Grayson and Jason Todd have been living the perfect life. Happily married for more than five years with two perfect sons, they have everything they could possibly need. Unfortunately, good things don't last forever. Struck by a spell during a mission, Jason's mind has been scattered, putting him into a deep sleep and the only way to wake him up is for Dick to put his pieces back together. The task won't be as easy because each part of Jason has been hidden within a fairy tale, a world tempting Dick to make one wrong move and doom his husband and himself forever. The story will take place over multiple locations, including rewrites of fairy tales like Snow White, Alice in Wonderland, Little Red Riding Hood, The Princess and the Pauper, Cinderella and Sleeping Beauty.

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23 Title: we just now got the feeling that we're meeting (for the first time) Word Count: Around 36K (34K written) Genre: Drama, Romance, Fluff, Angst Fandom/Universe: Superman and Batman, DCEU canon/movie canon Characters/Pairings: Clark Kent/Bruce Wayne; Lex Luthor, Diana Prince, Barry Allen, Arthur Curry, Victor Stone Warnings: No Archive Warnings Apply Rating: Teen Summary: While fighting Lex Luthor for his latest weapon, a time weapon, Bruce Wayne gets hit and sent back twenty years into the past. Meeting Clark Kent on some snowy mountain side in Alaska was not exactly what Bruce thought would happen, but he’s here now and there’s nothing for him to do except wait for his team to pull him back to the future. Unfortunately, he doesn’t quite know when that will be, so sticking with Clark is his best option. Of course, it would be much easier if Bruce wasn’t already pining for Clark in the future. How long until Bruce is pulled back into the future, and will he be able to stop himself from falling in love with Clark Kent in the past and potentially creating a time paradox? This story is set in a couple of locations. Most of it is set in the past in Alaska during the beginning of Clark’s pilgrimage, specifically in the Denali National Park. Other locations include the Wayne-Turned-League Manor, Bruce’s Lake-House in Gotham city, and the lake itself! Primarily it involves young versions of Clark Kent and Bruce Wayne, although the very beginning section and at the last few parts of the end is focused on the present/older versions of them. There are no Archive Warnings that apply to this story. It is mainly an excuse to just write cute scenes of Bruce and Clark falling in love in the snow with the added bit of dealing with time travel, with a lot of focus on Bruce Wayne's character! The most rated this story goes is the occasional swear word.

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24 Title: Scarlet Tears Word Count: 12,914 Genre: Action Fandom/Universe: AU Characters/Pairings: Barry Allen/Leonard Snart Warnings: mention mpreg Rating: M+ Summary: Leonard and Mick take a mini vacation from the Legends and head back to Central City. It is there they find out things aren't as them left it. A certain speedster has the attention of Captain Cold when an accident happen will he be able to resist staying away from this particular speedster?

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25 Title: Absent Shadows Word Count: 3487 Genre: Action/Adventure, Hurt/Comfort Fandom/Universe: Justice League Animated/Teen Titans Characters/Pairings: Robstar & Superbat Warnings: None Rating: NC-17 Summary: Starfire can’t believe her eyes when Robin sends her his resignation from the team, in fact she doesn’t believe it all. As she investigates Robin’s disappearance, she considers his similarities with his father and in the chaos, she meets a fellow traveller to this strange planet she calls home. Whilst they learn about each other, she seeks his experience when falling in love with both Earth and more specifically men from a certain family.

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26 Title: Make an Ass of U and Me Word Count: probably 10k-12k (6k written) Genre: Romance, Comedy Fandom/Universe: DCEU Characters/Pairings: Clark/Bruce, Dick&Bruce Warnings: sort of assumed incest, but no actual incest Rating: Teen Summary: Bruce neglects to tell the newly formed Justice League that he has a son, because he and Dick aren't talking to each other . Until they suddenly are. Unfortunately, he doesn't clarify who exactly Dick is to him, so Clark gets the wrong impression. Or: Five times Clark thought Dick was Bruce's boyfriend, and the one time he found out the truth. Contains lots of unfounded jealousy, misunderstandings, Dick being delightful, and Clark being a mess. Lots of domestic settings, mostly around the lake house and the batcave, with the exception of one battle scene.

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27 Title: Honey Trap Word Count: 7.7k Genre: Porn-with-plot, crime/modern AU Fandom/Universe: DCU (Comics) Characters/Pairings: Slade Wilson/Jason Todd, Dick Grayson Warnings: Consent issues (consent is there on both sides, but dubious on one side due to situation), manipulation, some BDSM-style kink Rating: NC17 Summary: Slade's used to dealing with informants. Most get caught in the screening process before they ever get a hold of anything useful, but this one, 'Jason Todd,' gets as far as working in the lower ranks of his organization before Billy drops the file on his desk. Another attempt at an undercover CI from Detective Grayson, this time just some random arrested civilian, instead of a fellow officer. Billy would prefer that he throw him out now, but Todd's not bad looking, and Slade likes the idea of ruining this plant just like he ruined the last one. Modern AU, no-capes. Aside from sex scenes, one character is primarily in part/all of a suit throughout scenes. As Slade is aware from the start that Jason's a plant, the sex has some consent issues. Jason is doing it partly to ingratiate himself, and Slade absolutely manipulates him into it. However, Jason enjoys/consents to everything that happens, it's only the situation that's sketchy.

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28 Title: Don't Let Your Yearnings Get Ahead of Your Earnings Word Count: 7.2k Genre: Western, technically Romance Fandom/Universe: DCU (Comics) Characters/Pairings: Slade Wilson/Jason Todd Warnings: Some non-consensual touching, non-sexual Rating: PG-13 Summary: Slade Wilson is a bounty hunter, one of the best in the business. The contracts that specify 'alive and unharmed' are rarer, but usually worth the extra bonus that comes with. This one is definitely not. Jason Todd was supposed to be just another young outlaw with more balls than brains, not a slippery sharpshooter who Slade would have to chase halfway to the next town. And just to add to everything, he still has to get the damned boy all the way back. That's going to be fun. Western AU with bounty-hunter Slade and an outlaw-ish Jason. Most of the story is traveling, but there will be an inside-mansion scene near the end with Roman Sionis. No real warnings for this. There's some brief non-consensual touching of intimate bits, but it's entirely non-sexual.

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29 Title: [insert song lyric here] Word Count: 8084 Genre: It's a slowburn at its core, with action and drama mixed in Fandom/Universe: DCAU's Justice League/Unlimited Characters/Pairings: Bruce Wayne/Wally West, Shayera Hol, J'onn J'onzz, John Stewart, Diana, Clark Kent Warnings: human trafficking, threat of dub/non-con, language, sexual themes Rating: R Summary: Ever since their run in with the Justice Lords, Flash and Batman reached a new stage in their teammates-but-not-quite-friendship. The only problem is Flash is the only one who seems to think that, so he decides to see how far he can push at Batman's annoyance level before the Bat snaps at him. Unfortunately for Flash, their job keeps getting in the way, including but not limited to stumbling upon a human trafficking ring and a worldwide invasion. When the dust settles, Flash finds himself wanting more from the man under the cowl, and the harder Batman pulls away, the harder Flash is drawn to the man and his elusiveness. The Fastest Man Alive needs to rely on his patience if he wants to get anywhere in his quest. This story takes place throughout the entirety of DCAU's Justice League as well as the first two seasons of Justice League Unlimited, with the main locations being the Watchtower and Wayne Manor. The human trafficking and threat of dub/non-con are contained to two scenes in which a main character falls into trouble, but nothing too graphic occurs. Still, the subject matter isn't everyone's cup of tea. The R rating is just to be extra safe.

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30 Title: Anachronistic Crises Crossover Word Count: 8k Genre: Gen, Crossover, Fluff Fandom/Universe: Red Robin, Batman- All Media Types, DC Comics Characters/Pairings: Jason Todd (Post Crisis),Tim Drake, Jason "Jay" Todd (Pre-Crisis)/Rena(Pre- crisis), Jason "Jay" Todd (Pre-Crisis), Rena(Pre- crisis) Warnings: Period Typical homophobia, possible inclusions of bad mental health care later Rating: T (just to be safe) Summary: Coming off of the Search for Ray Palmer, Jason Todd reconciled with his family. Just in time for Batman's apparent death. After an international adventure that led them to finding the batman, said batman in his Hyper-Adapter crazed state seemingly vaporized them with Omega Energy. Jason and Tim wake up to find themselves stranded in Gotham, New Jersey where its somehow the April of 1986. Tim takes the lead and stalks a young person also named Jason Todd- who is very unlike the one he knows. The Alfred Pennyworth with him seems similar enough though. In there efforts to observe this world's Bat-family Tim ends up having to go to high school again- where the shear amount of brightly colored clothes that are either skin tight or falling off makes him want to claw his eyes out. Jason is comparatively having a much better time as a librarian in the Gotham Public Library to fund their tiny studio apartment with money that doesn't look fake for the time period. Night work continues as well, with Red Hood and the vigilante named by the media as "Shrike". Their quick and calculated moves on the Gotham drug trade lead them to colliding first with this world's Robin. Jason alone is confronted by the Batman, and nearly has a panic attack though Tim will never be privy to that information. Gotham is a not as insane back drop of retro-not-so-chic. Jason enjoys the small pleasures of being legally alive and having a job. Tim doesn't cope well without all his compact gadgetry and hates school- but likes the closeted lesbian couple he meets. A budding bat-detective trying to figure out who these new and weird people are, and who these new sci-fi like vigilantes are. Will the people back home in Tim and Jason's Gotham ever succeed in getting them home? The entire fic takes place in either version of Gotham, with the exception of the Watchtower being there for like 5 minutes. Post-Crisis Gotham features locations like Oracle's clock-tower Jason is wearing his Under the Red Hood costume, Tim cosplays as knock off Midnighter (red robin), Bruce has blue accents and trunks, and Robin-Jay makes Jason re-live cold nights in hot-pants and pixie boots.

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31 Title: Batsons Be Crazy Word Count: 11,169 words Genre: Fluff With Plot Fandom/Universe: Batfam + Shazam basically DCU leaning towards the comics Characters/Pairings: Damian Wayne/Billy Batson Warnings: None Apply Rating: Teen Summary: The story takes place over a year, a year of Billy and Damian teaming up, falling in love, and meeting family. Damian has never liked anyone before, while Billy sees the best in everyone and will fall in love at the drop of a hat. Their romance isn't a crazy one, it's one built off of trust, comfort, and most importantly, a love of animals. Their romance brings them to many places, including Canada, Dick Grayson's apartment, and the dinner table in the manor. No warning apply except maybe underage because Damian is 17 when he begins to peruse Billy as a romantic interest, but doesn't start seeing him until he's 18.

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32 Title: The Past Still Ties You Down Word Count: 7k Genre: Angst, Romance Fandom/Universe: The Flash (TV) Characters/Pairings: Barry Allen/Leonard Snart Warnings: implied/referenced violence and abuse, alcohol abuse Rating: NC-17 Summary: On another earth, Barry falls in love with the most hated man in Central City - mob boss Leonard Snart. Only, Central doesn’t know Len like he does. They didn’t grow up with him like Barry did, sleeping in the bed above him, patching up his wounds and crawling under the covers with him when his bullies had been especially cruel. Even as the years go by - where Len is no longer a teenage boy forced into a life he didn't choose and Barry is no longer the child still grieving his mother while hating the father who killed her - they can't seem to let go of each other. Set in multiple locations in Central City, including a foster home, hospital, and the West house. The violence and abuse are not actually shown, but the aftermath is (ie. patching up wounds, some blood, some discussion of specific actions after the fact).

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33 Title: Unfortunate Souls Word Count: around 8-9k total, 4958 written Genre: Dark Fairy Tale Fandom/Universe: Batman, Batfamily Characters/Pairings: Dick Grayson/Jason Todd, Jason Todd/Slade Wilson, Dick Grayson/Slade Wilson, Dick Grayson/Jason Todd/Slade Wilson Warnings: dub con (may have a bad ending that pushes it into non con) Rating: Explicit, NC-17 Summary: Based off of The Little Mermaid (Disney film mixed with aspects of the original fairy tale) as well as fandom-type Mer AU’s. With red-headed Jason taking the part of Ariel, Dick as Prince Eric, and Slade as Ursula. Jason, adopted prince of King Bruce’s underwater kingdom, is fascinated by all things human. One night, while stargazing on the surface, he decides to follow a ship out of curiosity. On the ship is a handsome human prince who steals his heart. After an accident, Jason risks his life to save the human, which puts him at odds with Bruce. After inadvertently challenging Bruce during an argument about his ‘hobby’, Jason flees the realm and accepts the offer of octo-mer Deathstroke, a one-time rival of Bruce’s, to turn him human. But Slade’s intentions are murky and hidden. He wants Bruce’s throne, his son, and if he gets a human pet out of the deal, that’s just one more trophy to show that he is the stronger Mer. The story is set in the underwater mer kingdom ruled by Bruce; Slade’s underwater lair; and the idyllic land kingdom of Bludhaven, ruled by Price Richard. I haven’t decided whether I want a happy ending, like the film, where Jason and Dick ride off into the sunset or a bad ending where Slade gets everything he wants. If happy, there will be some dub con between Jason and Slade when they make the agreement and later when Slade is using magic to enthrall Dick. If I go with the bad ending, there will likely be some non con.

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34 Title: You Will See Me Word Count: 6,146 Genre: Hurt/Comfort, Character Analysis, Canon-divergent Fandom/Universe: Young Justice Characters/Pairings: Arsenal (Roy Harper), Artemis Crock, Roy Harper (Will Harper), Oliver Queen, Dinah Lance, Lian Harper || Oliver/Dinah, Arsenal & Artemis Warnings: Trauma, PTSD, Realistic depictions of injury, Physical Disability, Recovery Rating: PG-13 Note: Arsenal, and thus Roy, are trans men in this fic. Summary: After being rescued from the clutches of Lexcorp, a cryochamber, and no future, Arsenal struggles to find his grip on life. Between the vast amounts of anger, fear, and loss, he fights to cling to autonomy. A mentor he feels betrayed him, a clone he isn't sure how to relate to, and a couple of badass women who may not have known him, but are here for him, Arsenal is just learning to live again. A heavy introspection fic on the nature of the trauma Arsenal has been through, and his road to healing. Exploring the relationships he has with Oliver, Dinah, Roy, and Artemis especially, but others as well. The two weeks between his rescue, and his first mission with the team are rife with trouble and struggle, but he has a fire and a determination in him that will get him through. The hell of the War World and the true recovery afterwards. Learning to forgive Oliver, learning to accept Roy for himself, a separate entity than himself, getting to know Artemis and the real and true bond they form. Forgiveness, healing, and his fair share of slips and bumps, Arsenal finds closure, acceptance, and comfort in his life.

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35 Title: Build Me A Place (we'll call it home) Word Count: 6,800 story (+outline of ending) Genre: Fluff, Minor Angst Fandom/Universe: Batman, Superman, Justice League Characters/Pairings: Bruce Wayne/Clark Kent, Bruce Wayne, Clark Kent, Louis Lane, Kara Danvers Warnings: None Rating: PG-13 Summary: Kryptonians are not human. It’s easy to forget, even for Clark. That being an alien means more than his powers. There are traits rooted into the DNA, coming out in the subconscious, until not even Clark notices. Kryptonians, among other things, build Bowers for their mates, beautiful homes to settle into. It’s more than a tradition, it’s a way of life. When Clark begins to redecorate, he doesn't know why it matters so much to him. And why it hurts so badly when Bruce doesn’t even care.

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36 Title: Little Scab Word Count: 6,246 words Genre: gen, family, found family, community Fandom/Universe: DCU, Batfam, Red Hood Characters/Pairings: Jason Todd, Damian Wayne, Cassandra Cain, OFC, Bruce Wayne, Batfam Warnings: violence, descriptions of abuse, non-graphic allusions to sex acts Rating: M for violence, adult themes Summary: Red Hood is not a hero to most. Outlaw, yes. Killer... yes. He and his estranged family all serve some role as self-described protectors, but only Jason Todd delivers his justice in blood. However, following one good deed and the start of a fledgling friendship, Jason finds the Red Hood tasked with leading a self defense class for some of Gotham's most vulnerable—homeless, prostitutes, and runaways. When the Batfamily members start catching on, will they approve? First appears Robin. Then Black Bat. Who next? What will Batman ultimately do about his wayward ward stirring up Crime Alley? Can Jason be trusted to keep Gotham safe? The story is set in Gotham, featuring set pieces like Crime Alley, warehouses, tall buildings, the Bat cave, and more. It features many Batfam characters as well as several OCs all taking part in self defense instruction, with a few action scenes thrown in. The story does contain graphic violence, including allusions to or descriptions of past physical, sexual, and/or psychological abuse. It deals with mature themes but is ultimately about forging friendships, building community, and becoming better stewards of Gotham.

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