#Vigevano Museum

[fashionbooksmilano]

Italian Footwear through the Ages

Italian Footwear Manufacturers Association

Graphic Design: Studio Iliprandi, Photographer: Paolo Liaci, Art Director: Marilena Pessina

A.N.C.I. Associazione Nazionale Calzaturifici Italiani,1979, 24 x 24 cm,

euro 35,00

email if you want to buy booksinprogressmilano@yahoo.it

02/02/23

orders to:     booksinprogressmilano@yahoo.it

ordini a:        booksinprogressmilano@yahoo.it

twitter:         @fashionbooksmi

instagram:   fashionbooksmilano, designbooksmilano tumblr:          fashionbooksmilano, designbooksmilano

[s95g]

“L’arte scuote dall’anima la polvere accumulata nella vita di tutti i giorni.” (Pablo Picasso) 📸 #me #art #photography #museum #vigevano #picoftheday #photooftheday #pink #morning #shooting (presso Vigevano)

[sayitaliano]

Vigevano - Piazza Ducale

Pretty known city in Italy because it has been for a long time the principal location where Italian shoes manifactury was born and became important. Nowadays you can still look at the Shoes Museum in the town Castle and learn there more about that industry back in the days. Vigevano’s area is included in the Natural Wildlife Park of the Ticino River Valley. The well-known Piazza Ducale (probably one of the most beautiful Italian squares), 134 meters long and 48 meters large, has been built in a Renaissance style as an anteroom of the Castle from 1492 to 1494 under the will of Ludovico il Moro. It is now the center of the town’s life with lots of events but also lots of bars, shopping places and art galleries to enjoy your days there.

A few audioguides

[art-now-italy]

Father and son, Erika Marchi

Signed in the black part. The artwork is original. The certhificate of origin with the original sign is joint on it. A continuous work, a study of expression more and more mine bring me today to be in importants art exibitions and expose with internationally artists such Kapoor, Saporetti , Jessen , Borghi, Covili , Fiume, Mattioli, Possenti, Alinari and many others. The artwork is from my tangles serie. Inspired to the religion story about the prodigal sos return. Exposed in the Museum: Museo del tesoro di Vigevano . Italy Enjoy

https://www.saatchiart.com/art/Painting-Father-and-son/668231/3589248/view

[miriadonline]

CONF: Association of Art Historians PhD Summer Symposium, Glasgow, 6th - 7th July

AAH Summer Symposium 2017 Re/Presenting the Body: Between Art and Science University of Glasgow 6-7 July 2017 Gilmorehill Concert Hall & Kelvin Hall Lecture Theatre

Conference Programme 

Day 1: Thursday, 6 July 2017 (University of Glasgow – Gilmorehill Concert Hall)

11:00-11:30 Registration 11:30-11:45 Welcome 11:45-13:15 Session 1: The ‘Deformed Body’

13.15-14:.45 Lunch

14.45-15.45 Session 2: The Medical Body

Bec Dean (University of New South Wales, AU): The Patient: Biomedical Art and Curatorial Fiona Davies (SCA, University of Sydney, AU): A Medical Monitor’s Song

15.00-15.45 Refreshments

15.45-17:00 Tour of The Hunterian Museums

17.30-18.30 Keynote (Kelvin Hall Lecture Theatre)

Dr Suzannah Biernoff (Birkbeck, University of London, UK): Approaching disfigurement. Towards a cultural anatomy of the face

19.30 Speakers Dinner

Day 2: Friday, 7 July 2017 (Kelvin Hall Lecture Theatre, Kelvin Hall, 1445 Argyle St, Glasgow)

10.00-10:30 Registration and Refreshments 10.30-11.30 Session 3: The Subversive Body

Tarquin Sinan (Université Libre de Bruxelles, BE): Perception of the Human Figure. Analysis of the body as a universal visual stimulus in art through the work of Antony Gormley Jacquie Chlanda (University of Queensland, AU): The In Utero Encounter. Janine Antoni’s Maternal

11.30-13.00 Lunch 14.00-15.00 Session 4: The Medieval Body

Carly Boxer (University of Chicago, USA): Bodily Parts: Medical Diagrams and Mechanical Bodies in Al-Jazari’s Book of Knowledge of Ingenious Mechanical Devices

Lauren Rozenberg (University College London, UK): ‘I am a brain, Watson. The rest of me is a mere appendix’: Guido da Vigevano’s fourteenth-century neuroanatomical plates and the fragmentation of the body

15.00-15.45 Refreshments 15.45-16:45 Session 5: The Affected Body

Ilaria Grando (University of York, UK): Chronicles from the AIDS crisis Isa Fontbona Mola (Universitat de Girona, ES): Showing a female bodybuilding body

17.30-18.30 Keynote

Dr Lianne McTavish (University of Alberta, CA): Tapeworms As/In Body in Early Modern History

18.30- 20:00 Closing reception

[wikitopx]

Chieti (Italian: [ˈkjɛːti] (listening); Neapolitan: Chieti; Greek: Θεάτη, Drami; Latin: Drame, Teate) is a city and humor in southern Italy, 200 km northeast of Rome is the capital of the province of Chieti in the Abruzzo region.

[toc]

1. Museo Archeologico Nazionale

  This museum has an extremely important and extremely impressive 'Capestrano Warrior' and its related must-see things. There are also other excellent exhibits, such as an old-time Roman bust of an old man, and many other things, presented in a very clutter-free way.

2. Cattedrale Di San Giustino

We found this Church very quickly, but every door was locked and we didn't detect it when it was open to tourists. There was no sign or Infopoint. In the evening, as we want to drive away, the door was open. It's the glory inside and the decor is special. If you are in Chieti you should definitely visit the Cathedral.

3. Villa Comunale

It is a really nice spot in Chieti especially if you have a kid like me who is crazy in love with parks and Playgrounds for children. You can also have a nice "l'aperitivo" in the bar at the beginning of Villa if you are coming from the center of Chieti.

4. Museo Archeologico La Civitella

This museum does it right. Not only is it rich in history, but it presents it all in an exciting way, through the creative use of sound effects, lighting, etc. A must-see for anyone traveling through Chieti.

5. Corso Marrucino

Chieti shows its best cards with a pedestrian course that bisects the historic center and allows you to take a peaceful stroll to admire the historic buildings, squares with fountains, shops or eat. Drink in many different structures. There is also free wifi.

6. Centro Commerciale Megalo

A very good shopping center, with a huge number of different shops, and not dominated by one or two stores like most Italian shopping centers round here. Worth a visit on a wet day!

7. Cantine Maligni

We found this hidden gem from other great reviews of trip advisor and winery that didn't disappoint! Fabio was the most accommodating host, we tasted each bottle and were told about the history of the vineyards.

We end the afternoon in the beautiful winery drinking the delicious bottles we bought, will introduce 100%. Fabio took the lead and gave our 6 amigos.

8. Museo Universitario

Chieti is one of Italy's oldest cities. It is an extremely old city and must visit!

9. Teatro Marrucino

One of the greatest gems of the Abruzzese culture, a meeting place in the heart of Chieti between theater experience and pedagogy, among companies welcomed by successes in the new series and small groups. floating search acting and interpreting the works both in Italian and shared dialects.

Born on the ruins of an old church, inspired by the San Carlo theater in Naples, where it was a twin with a reduced rate, restored several times in about two hundred years of operation, Marrucino insisted. in the heart of the Abruzzese, who are often devoted but not always in sufficient numbers.

More ideals for you: Top 10 things to do in Vigevano

From : https://wikitopx.com/travel/top-9-things-to-do-in-chieti-708183.html

[blogecointernazionale-blog]

La Shoah è stato l’evento più devastante di cui il genere umano è stato vittima e carnefice. Tra le urla delle camere a gas e il fumo degli inceneritori, l’arte è riuscita a farsi spazio in mezzo ad ammassi di cadaveri, immortalando volti, sguardi e pensieri di chi l’orrore lo viveva dall’interno. 

Il 14 giugno 1940 il più grande Lager della storia nazista venne reso operativo: KL Auschwitz. Con l’intento di sterminare nel modo più veloce ed economico possibile ebrei (oltre ad “elementi socialmente pericolosi”) venivano deportate più di 20.000 persone alla volta. I prigionieri venivano divisi in base al sesso in camere piccole e strette, con dei letti a castello spesso da dividere con altri compagni per mancanza di spazio, rasati a zero dalla testa fino alle parti intime con rasoi senza fili che provocano tagli e ferite disinfettate con prodotti urticanti. Veniva data loro un’anonima divisa grigia a righe, ottenuta da vecchie stoffe lerce su cui veniva cucito un seriale che, da quel momento, sarebbe diventata la loro nuova identità. Dopo una veloce visita medica decisiva sulle loro vite, che li classificava “abili nel lavoro” o “non abili” (quindi da uccidere immediatamente come la maggior parte di donne, anziani e bambini) venivano immediatamente impiegati in lavori manuali disumani per diverse ditte tedesche, in preda alla fame, alla sete e all’estrema stanchezza che spesso portava alla morte sul posto e all’insorgere incontrollato di epidemie mortali. 

This slideshow requires JavaScript.

In un contesto terrificante e disumano come quello vissuto nei campi di concentramento, numerosi prigionieri consapevoli della loro sorte ma ugualmente pieni di speranza, sfidavano le dure leggi che vigevano sul posto. Bastava loro rubare un pezzo di carbone, della carta forno, un tovagliolo, o qualsiasi altro mezzo per sentirsi ancora esseri umani, mantenere accesa una passione e non perdere la fiducia nei confronti del mondo. Tutto ciò era rappresentato dall’arte. 

Adam Franciszek Jaźwiecki(1900-1964), pittore polacco, viene trasportato l’1 dicembre 1946 ad Auschwitz, marcato come prigioniero politico. Durante la sua prigionia ritraeva i suoi compagni di stanza, mettendo in risalto il numero da prigionero sapendo che un giorno questi disegni sarebbero diventati testimonianze ufficiali e dando la possibilità agli storici di assegnare un nome vero ai volti da lui raffigurati. 

Era comune che i soldati nazisti commissionassero agli artisti dei ritratti, paesaggi o cartoline per uso privato o per esporli al lagermuseum, il museo del campo di concentramento in cui venivano conservati gli effetti personali o gli oggetti più particolari rubati ai prigionieri. Oggi queste testimonianze sono conservate all’Auschwitz-Birkenau State Museum, tra cui 113 ritratti dell’artista polacco. Agnieszka Sieradzka – storico dell’arte e responsabile delle collezioni del museo – afferma: «La cosa più interessante in questi dipinti sono gli occhi di una impotenza particolare. I prigionieri creavano ritratti perché il loro desiderio ti imprimere una immagine era troppo forte».

Jaźwiecki nascondeva i ritratti in mezzo al letto o nei suoi vestiti. I suoi disegni sono sopravvissuti fino alla sua liberazione, nel maggio del ’45.  Dopo la sua morte avvenuta l’anno successivo per tubercolosi, la sua famiglia ha donato i suoi ritratti al museo.

«Alcuni sarebbero sorpresi che l’arte esistesse in un luogo simile, in un luogo con crematori, ma l’arte era particolarmente necessaria qui dietro il filo spinato, perché l’arte potrebbe salvare una parte della loro dignità umana – dice Sieradzka – l’arte è stata una speranza per un futuro migliore: l’arte è stata fuga dalla brutale realtà del campo ad un altro mondo migliore».

Ester Di Bona

L’arte nei campi di concentramento: i volti del massacro nazista La Shoah è stato l'evento più devastante di cui il genere umano è stato vittima e carnefice.

[lacameliacollezioni]

EVENTI – esposizione veli nuziali e cerimoniali Sabato 30 settembre e domenica 1 ottobre ✔ Saggio espositivo di veli nuziali e cerimoniali Siamo presenti qui ↙ Castello di Flambruzzo-Rivignano Teor(Udine) Consorzio per la salvaguardia dei castelli storici del Friuli Venezia Giulia

[lacameliacollezioni]

COSTUMI DA BAGNO VINTAGE – uncinetto & pareo fiorato Anni 70 Intero color sabbia all'uncinetto e gonna/pareo fiorata multicolor Info: lacameliacollezioni@yahoo.it Ph: mod studio - Milano

[lacameliacollezioni]

PIZZI – TRINE E MERLETTI – collezione

[wikitopx]

Vigevano (pronounced Italian: [viˈdʒɛːvano] or [viˈdʒeːvano]; Western Lombard: Averageevan) is a town and comedian in Pavia province, Bologna region in northern Italy.

Vigevano received the honorary city title with the decree of Duke Francis II Sforza on February 2, 1532. It is famous for the beautiful Renaissance "Ducale Square" in the center of town.

[toc]

1. Piazza Ducale

Had the opportunity to visit the town of Vigevano, which is famous for the handcrafted manufacturing of Shoe's. This historic center was once part of the kingdom of Duke Francis II Sforza.

You can walk along this magnificent center and have some drinks before dinner and then dinner at one of the many restaurants. From the central square, you can also concentrate on the castle grounds.

2. Torre del Bramante

An impressive architectural work by the master, Bramante. Overlooking the exquisite Renaissance and also the interior of the ruined Sforzesco Castle.

3. Strada Coperta, Strade Sotterranee E Cavallerizza

I had imagined a corridor and was most surprised to find myself on a wide covered road connecting the castle grounds to the bottom of the hill. And more surprised to discover another parallel path below. The architects were also engineers.

4. Castello Sforzesco

This is a lovely place to visit. The general area of the castle and courtyard are all free to the public. There are several small museums within the castle complex, all of which are worth visiting. Some of these are free, or free is you enter by a certain time.

The shoe museum is very interesting and so is the art gallery. Both are free. A new exhibition by Leonardo da Vinci is one of the most interesting to visit. About € 5 per person.

5. Cattedrale Sant’ambrogio

Even with an instruction manual, this is not a very interesting church. The most interesting aspect is the façade and its penetration into the square on the end. It is Romanesque and so there are very few high up windows, It is closed from 12 pm to 4 pm, so it is quite dark when reopened though, in summer, it may be better.

6. Ecomuseo Mulino Di Mora Bassa

I highly recommend this gem! The beautiful place is surrounded by greenery and with an appealing presence of water. I also restored the building. Many of Leonardo's machines are on display and work very well! The original exhibition of water measuring devices.

7. Museo Internazionale Della Calzatura

  One of the more interesting captions (sorry for puns but I can't resist!) On Vigevano's past and present industries.

8. Museo Comunale

Very nice and historical place.......You have to go and visit the place if you like history and architecture and archeology.

9. Leonardiana

A superb new permanent exhibition, opened in May 2016, depicting the life and works of Leonardo da Vinci in the most thought-provoking and interesting ways.

Leonardo spent time in Vigevano working for Ludovico Sforza, so the huge and majestic castle of Sforzas is a suitable venue for this innovative screen, using multimedia, faxing works and copies. his drawings, and reproduce the high definition of all of his authentic paintings.

Vigevano is worth a visit because there is only a magnificent Renaissance square, but this new museum makes it an essential destination for tourists and art lovers.

10. Chiesa Di San Francesco

In comparison to the Cathedral, this is a more interesting church. It dates back to the 13th century though most of the buildings are more recent and have some interesting features. It is closed from 12 to 4 pm every day. There is a very beautiful statue of St. Francis of Assisi outside dating later but interesting work.

More ideals for you: Top 10 things to do in Cergy

From : https://wikitopx.com/travel/top-10-things-to-do-in-vigevano-708129.html

[miriadonline]

CONF: Re/presenting the Body (Glasgow, 6-7 Jul 17)

Gilmorehill Concert Hall & Kelvin Hall Lecture Theatre, University of Glasgow, July 6 – 07, 2017

AAH Summer Symposium 2017 Re/Presenting the Body: Between Art and Science

Keynotes: Dr Lianne McTavish (University of Alberta, CA) and Dr Suzannah Biernoff (Birkbeck, University of London, UK)

PROGRAMME

Day 1: Thursday, 6 July 2017 (University of Glasgow – Gilmorehill Concert Hall)

11:00-11:30 Registration 11:30-11:45 Welcome

11:45-13:15 Session 1: The Deformed Body Hannah Halliwell (University of Birmingham, UK): The Body of the Fin-de-Siècle Morphine Addict

Verena Suchy (Justus-Liebig-University, DE): Grotesque Bodies: The Representation of Disability and Deformation in Early Modern Pearl-Figurines

Thomas Moser (Ludwig-Maximillian¹s University of Munich, DE): Mutual Sensuality: Considerations on the body in art and science during the Fin de Siècle

13.15-14:.45 Lunch

14.45-15.45 Session 2: The Medical Body

Bec Dean (University of New South Wales, AU): The Patient: Biomedical Art and Curatorial

Fiona Davies (SCA, University of Sydney, AU): A Medical Monitor’s Song

15.00-15.45 Refreshments

15.45-17:00 Tour of The Hunterian Museums

17.30-18.30 Keynote (Kelvin Hall Lecture Theatre) Dr Suzannah Biernoff (Birkbeck, University of London, UK): Approaching disfigurement. Towards a cultural anatomy of the face

19.30 Speakers Dinner

Day 2: Friday, 7 July 2017 (Kelvin Hall Lecture Theatre, Kelvin Hall, 1445 Argyle St, Glasgow)

10.00-10:30 Registration and Refreshments

10.30-11.30 Session 3: The Subversive Body

Tarquin Sinan (Université Libre de Bruxelles, BE): Perception of the Human Figure. Analysis of the body as a universal visual stimulus in art through the work of Antony Gormley

Jacquie Chlanda (University of Queensland, AU): The In Utero Encounter. Janine Antoni’s Maternal

11.30-13.00 Lunch

14.00-15.00 Session 4: The Medieval Body Carly Boxer (University of Chicago, USA): Bodily Parts: Medical Diagrams and Mechanical Bodies in Al-Jazari’s Book of Knowledge of Ingenious Mechanical Devices

Lauren Rozenberg (University College London, UK): ‘I am a brain, Watson. The rest of me is a mere appendix’: Guido da Vigevano¹s fourteenth-century neuroanatomical plates and the fragmentation of the body

15.00-15.45 Refreshments

15.45-16:45 Session 5: The Affected Body Ilaria Grando (University of York, UK): Chronicles from the AIDS crisis

Isa Fontbona Mola (Universitat de Girona, ES): Showing a female bodybuilding body

17.30-18.30 Keynote

Dr Lianne McTavish (University of Alberta, CA): Tapeworms As/In Body in Early Modern History

18.30- 20:00 Closing reception

Lunch and refreshments are provided and there will be a closing reception after the final keynote. Tickets are £19 for members and £28 regular delegate. Bookings at: http://www.aah.org.uk/events/summer-symposium