#What is docker

[devops-posts]

Decoding Kubernetes and Docker

In this evolving era, Kubernetes and Docker have come up as powerful and vital tools in the DevOps industry. In this blog, we will dive into what is Kubernetes and Docker and their components. We will also learn about the difference, benefits and challenges faced with Kubernetes and Docker. Let’s begin!

continue to reading:

[codeonedigest]

Develop & Deploy Nodejs Application in Docker | Nodejs App in Docker Container Explained

Full Video Link https://youtu.be/Bwly_YJvHtQ Hello friends, new #video on #deploying #running #nodejs #application in #docker #container #tutorial for #api #developer #programmers with #examples is published on #codeonedigest #youtube channe

In this video we will learn how to develop nodejs application and deploy it in docker container. I will show do you build nodejs helloworld application and run it in docker container.   You will be able to create nodejs helloworld application & run it in docker container in 10 mins. ** Important Nodejs Packages or Modules ** Express – Express is a node js web application framework that…

[grif-hawaiian-rolls]

sometimes u just get so filled w thoughts about a pair of characters u gotta just go bonkers ya know

[lucid-outsourcing-solutions]

What Is the Best Way to Containerize ColdFusion Applications Using Docker?

[starrahcoolership]

the only reason that Avalos mommy stays.... time to add this marc e translation affair!!!!!!!

3.4.25

3.10.25 now cut short again

Princess peony send us the right location now.

[horsescary]

this just in on Things That People Say on TikTok That Make Me Mad: tools made for developers should be accessible to non developers I guess???

[mourning-again-in-america]

i have never learned what Terraform is but at this point I'm a bit scared to ask

[zorciarkrildrush]

Make a fork to Docker where all references to 'compose' are now 'coompose'

[codeonedigest]

Deploy Docker Image to AWS Cloud ECS Service | Docker AWS ECS Tutorial

Full Video Link: https://youtu.be/ZlR5onuwZzw Hi, a new #video on #AWS #ECS tutorial is published on @codeonedigest #youtube channel. Learn how to deploy #docker image in AWS ECS fargate service. #deploydockerimageinaws #deploydockerimageinamazoncloud

Step by step guide for beginners to deploy docker image to cloud in AWS ECS service i.e. Elastic Container Service. Learn how to deploy docker container image to AWS ECS fargate. What is cluster and task definition in ECS service? How to create container in ECS service? How to run Task Definition to deploy Docker Image from Docker Hub repository? How to check the health of cluster and container?…

[survivetoread]

I'm a big fan of extensive reading apps for language learning, and even collaborated on such an app some 10 years ago. It eventually had to be shut down, sadly enough.

Right now, the biggest one in the market is the paywalled LingQ, which is pretty good, but well, requires money.

There's also the OG programs, LWT (Learning With Texts) and FLTR (Foreign Language Text Reader), which are so cumbersome to set up and use that I'm not going to bother with them.

I presently use Vocab Tracker as my daily driver, but I took a spin around GitHub to see what fresh new stuff is being developed. Here's an overview of what I found, as well as VT itself.

(There were a few more, like Aprelendo and TextLingo, which did not have end-user-friendly installations, so I'm not counting them).

Vocab Tracker

++ Available on web ++ 1-5 word-marking hotkeys and instant meanings makes using it a breeze ++ Supports websites

-- Default meaning/translation is not always reliable -- No custom languages -- Ugliest interface by far -- Does not always recognise user-selected phrases -- Virtually unusable on mobile -- Most likely no longer maintained/developed

Lute

++ Supports virtually all languages (custom language support), including Hindi and Sanskrit ++ Per-language, customisable dictionary settings ++ Excellent, customisable hotkey support

-- No instant meaning look-up makes it cumbersome to use, as you have to load an external dictionary for each word -- Docker installation

LinguaCafe

++ Instant meanings thanks to pre-loaded dictionaries ++ Supports ebooks, YouTube, subtitles, and websites ++ Customisable fonts ++ Best interface of the bunch

== Has 7 word learning levels, which may be too many for some

-- Hotkeys are not customisable (yet) and existing ones are a bit cumbersome (0 for known, for eg.) -- No online dictionary look-up other than DeepL, which requires an API key (not an intuitive process) -- No custom languages -- Supports a maximum of 15,000 characters per "chapter", making organising longer texts cumbersome -- Docker installation

Dzelda

++ Supports pdf and epub ++ Available on web

-- Requires confirming meaning for each word to mark that word, making it less efficient to read through -- No custom languages, supports only some Latin-script languages -- No user-customisable dictionaries (has a Google Form to suggest more dictionaries)

[hairmetal666]

The note shows up in Eddie's mailbox cubby on Valentine's Day.

It's nothing fancy, loopy cursive handwriting on lined paper:

"I know this is probably silly but I can't go another day without saying it, and today seems appropriate for this kind of confession. Seeing you in the morning is the best part of my day. You're so gorgeous it leaves me breathless. I hope you don't mind if I don't leave my name. Just wanted you to know that you're beautiful."

His eyes fill with tears that he blinks back, a goofy smile stretching his mouth wide.

"You good there, Munson?" Robin Buckley asks.

"Oh, yup, yeah, all good." He laughs. "Just got one of those 'you're my favorite teacher Mr. Munson!' notes."

He squeezes the letter to his chest before slipping it in his pocket.

---

The worst thing about Eddie's new job is that someway, somehow, Steve-fucking-Harrington works here too. PE teacher, JV basketball coach, of-fucking-course. Once a douchebag jock, always a douchebag jock. What makes it all worse is that he's still the prettiest guy Eddie's ever seen.

---

The first week of March, there's a commotion in the hallway that has him rushing out of his room, ready to breakup a fight. He finds Harrington already there, holding Dustin Henderson and Will Byers by their shoulders. Troy Walsh and James Dante stand across from them, wearing matching snarls.

Of course Harrington is picking on little nerd kids; he knew it. But before he steps forwards to break it up, Steve speaks, voice low and angry. "You want to tell me what happened here, Troy?"

"Byers tripped. He really should watch where he's going," Troy says. James laughs.

Steve's glare goes even more icy, more disdainful (it's so fucking hot, Eddie hates it). "You want to take that again? And try being honest this time, or you're suspend from the team."

Troy splutters for long enough that Eddie finally notices Will's stricken face, the sketchpad and snapped colored pencils littering the linoleum.

"I saw you take those things from Will, and unfortunately, I'll have to call your parents and you will be responsible for purchasing a new sketchbook and pencils. You're also benched for the next four games."

The boys shout, but when Steve raises a hand they quiet immediately. "You want to complain more, or do you want it to be five games?"

"No, sir," they answer before scampering off.

Harrington faces Dustin and Will. "You boys okay?" he asks them.

"We're good, Mr. H," Dustin answers.

"Glad to hear it." Steve begins collecting Will's ruined belongings, stops to study one of the drawings.

"This is really good, Will."

Will flushes. "Thanks. It's my character for dnd,"

"Dnd? That's that game that El and Max are always talking about? With the character sheets and the dice?"

"Yeah!" says Dustin. "You know it?"

Steve's smile is a little bashful, and it tugs at Eddie's heart in a way he has to ignore. "Not much. Just from what the girls have said. You want to tell me about it?"

"Really?" Their eyes light up.

"Really. You can stop by the gym during lunch. Only if you want to, though."

"Cool," says Dustin.

He pats them both on the shoulder, and they hurry away, leaving Steve and Eddie suddenly alone.

Eddie should head back to his class, hasn't been needed in this situation at all, really, but before he can disappear, Steve spots him and his eyes widen.

"You need something, Munson?" Steve's cheeks go a faint pink.

He shakes his head, feels wrong-footed. "Uh, that was really cool what you did just there."

"They're really good kids," Steve says. "I know them a little. Used to babysit El Hopper." He slides his hands into the pockets of his khakis and, seriously, fuck Harrington for looking like that in a pair of Dockers.

"Babysitter, Harrington? Never thought I'd see the day. Or that you'd be the one defending a bunch of nerds," Eddie says. He means it teasing, but Steve's face warps into a frown.

"Y--yeah, I guess. I mean. I'm trying not to be that guy anymore, and Robin's really helped--"

"Shit, man, I'm sorry. That's not what I meant, at all--"

"--I feel terrible about all that shit I pulled back in school. That King Steve stuff? I was awful and you didn't deserve--"

"Steve!" Eddie cuts him off. "I forgive you. For everything." He looks down at his shoes. "For all I didn't want to believe it, you really have changed."

They're both pink faced now, avoiding each other's eyes. "Thanks," Steve says. "I should get going, but--for the future-- I really wouldn't mind--um--trying to be friends."

The grin that passes across Eddie's face is huge. "Yeah, Harrington, I'd like that."

Eddie has to run to make it to his classroom on time. He passes Dustin and Will and the rest of their gaggle of friends, rushing them along, but forgets all about it as he steps in front of his third period juniors.

---

He and Steve are...friendly now. They chat, they joke, they share smiles that have Eddie's heart beating too fast even though it's not like that. Turns out Steve is kind and funny (a little bit of a bitch too, but in a way that ties Eddie's stomach in knots), and a hell of a teacher.

---

His freshman are in small groups, peer-reviewing an essays, when Max Mayfield catches his eye. She's one of his favorite students and absolute trouble.

"What's up, Mayfield." He asks.

"Are you friends with Mr. Harrington?" She asks.

He chuckles. "Sure, Max, we're friendly enough. Why?"

She narrows her eyes, like she knows he's not being totally honest. "Oh, nothing. He just talks about you all the time."

He's blushing horribly and Max, and all of her friends, smirk up at him. "He does?" He chokes out.

"Mmhmm," Lucas Sinclair says. "Says he thinks you're really cool."

"Definitely one of the best teachers here," Mike Wheeler adds.

Eddie rolls his eyes. "Okay, very funny, guys. How're your essays going?"

They answer, but before Eddie goes to help another group, Will says, "he really does like you, Mr. Munson. A lot."

El nods earnestly up at him. "It is true," she says. "I know him."

"Thanks, kids. I'll keep that in mind." He gives them a smile, tries not to let their words get to him. When he reaches the next group, though, he notices his hands are shaking.

---

Gifts start turning up in Eddie's cubby. It starts with a bag of oatmeal chocolate chip cookies from his favorite bakery. There's a small note that says "from your secret admirer," on the packaging. Every two weeks or so, something new shows up in his little mailbox; a woven friendship bracelet, a yellow rose, Hershey kisses, a delicately painted dnd figure that gives Eddie a small crisis because it's his own bard character, an Iron Maiden cassette, a bag of dice that almost brings him to genuine tears.

Eventually, he gets another note. This one is typed and reads: "I would love to have coffee with you 11am this Saturday at the Cafe on Main Street."

---

He walks into the cafe at 10:50am, wearing his favorite pair of ripped black jeans and a burgundy button-down, his hair pulled into a loose bun. He doesn't recognize anyone there.

Eddie gets in line, studies the menu, and the little bell above the door rings. He whips towards the sound to find none other than Steve Harrington in little wire rim glasses, a butter colored sweater, and jeans the man must have painted on, Jesus Christ. Honestly, the whole thing is enough to give Eddie a coronary (and to, embarrassingly, chub up in his own tight jeans).

"Steve?" He asks. He's overwhelmed with the (stupid, stupid) hope that it's been Harrington all along. "What are you doing here?"

"Henderson asked me to meet him. He around?"

"Uh, no?" Eddie feels heat creeping up his throat.

Steve shakes his head, as though he expected as much. "You alone? We could grab drink."

"I can't believe this." Eddie hides his face in his hands, knows it's gone horrifyingly crimson.

"What's wrong?"

"My secret admirer told me to be here now, so we could meet," Eddie's misery slices through his words. "I'm such an idiot."

"I--your--what?" Steve stammers.

He gathers himself enough to look Steve in his hazel eyes and ask, "I'm assuming it wasn't you leaving notes and gifts for me at work?"

And he expects Steve to say no. To laugh and ask why he'd ever do something like that, but instead, instead he flushes a deep red. "O-only one note."

"What?"

"I, uh," Steve clears his throat. "I left you a note. On Valentine's Day. I--we weren't friends yet, and I wanted you to know how much I liked you. It's --uh--it's pretty silly, huh? Robin's--"

"Steve," Eddie interrupts. He's going to tell Steve that he reads the note often enough that he has parts memorized; that it's the kindest thing anyone has done for him, but what he says instead is, "Dustin Henderson told you to meet him here at 11?"

"Yeah. Said he had something to show me."

Eddie remembers running into Will and Dustin and their friends that day in the hall, the weird conversation in class, the dice and the miniature. Something must click for Steve at the same time because his mouth drops, blush getting somehow deeper.

"Oh my god. Henderson! I'm gonna kill him. They figured out I had a crush on you."

"They WHAT?" Eddie says, loud enough that several looks are aimed their way.

"I'm so, so sorry, Eddie. Holy shit, this is so humiliating. You have to believe me, I had no idea they were doing this. God, I'm really starting to think it is possible to die from embarrassment."

"You have a crush on me," Eddie says instead of any of the dozens of helpful things he could say.

"Um. Yes?"

Eddie takes a deep breath, straightens his spine, and asks, "You wanna have coffee with me?"

"I'd really like that." Steve's return smile is so beautiful, it makes Eddie weak.

---

Eddie Munson is making out with Steve Harrington in the backseat of Steve's BMW. He and Steve spent the day together. They've kissed for so long that the sun has set, both of their lips are swollen, their skin red from stubble, and Eddie is nowhere near ready for the night to end.

Steve breaks away, gently pulling their mouths apart, but arms still tight around Eddie. "Hey, what kind of gifts were they giving you anyway? The kids?"

"Oh," Eddie blushes. "Uh, cookies, a dnd mini, lots of candy, a set of dice."

"Oh my god," Steve says, he pulls a little more away. "Oh my god, I'm going to kill her, Jesus Christ."

"Who are are you killing, sweetheart?"

Steve groans. "Robin. She was helping them. We found a set of dice at this little bookstore and she told me to get them for you, and--" he breaks off with a helpless, frustrated noise.

Eddie doesn't mean to, but he starts to giggle.

"It's not funny!" Steve says.

That only makes Eddie laugh harder. "Your best friend," he squeaks. "And a group of literal children set us up. That's hilarious, Harrington."

Steve's mouth drops and for a second Eddie thinks he'll be upset, but then he's giggling too, his whole face crumpling into it.

Steve pulls Eddie close once the laughter subsides, his eyes trained on Eddie's lips.

"We could pretend we didn't get together," Eddie manages to say.

"What, like, make them think they failed?"

"Yeah. We could tell them I got stood up, but you and I hung out. Had a bro day."

Steve giggles again, and it's the best sound Eddie's ever heard. "I'm absolutely on board with this plan, but you should definitely kiss me some more."

"Oh, yeah?" Eddie asks, his voice low. "And what'll I get out of it?"

"Why don't you get over here and see."

As if Eddie could turn down an invite that enticing. He slides a hand behind Steve's head, drawing him in, and they're kissing like they never stopped. It only been a few hours, but Eddie knows--without a doubt--he's already head over heels.

[gloomwitchwrites]

Tattoo Artist Simon "Ghost" Riley x Female Reader

Chapter Specific Warnings (per the warnings MDNI): canon-typical violence, swearing, angst

Word Count: 3.5k

A/N: Part Twenty-Five of Ink & Needle

Price reveals three possible locations. Task Force 141 infiltrates.

Chapter Twenty-Four // Chapter Twenty-Six

ao3 // main masterlist // ink & needle masterlist

Knuckles pop. Joints crack.

Simon is primed—nerves and muscles alive and firing.

Ready for action.

Ready for blood.

His old life is returning. Not as fragments but through muscle memory. The training never left. It still dwells within him, twisting around tendons and bone like vines strangling a trellis, awakening to revive the man that once was.

"Tell me what you see, Simon."

Captain Price's voice comes from behind, drifting around Simon like lingering cigarette smoke and dirty snow. Silently, Simon observes the spread of information before him.

"These are the possible targets?" asks Simon, his gaze moving from picture to picture.

A small burst of air before the balaclava becomes steam. The abandoned barn they’ve set up shop in is fucking cold even with the generator-backed heaters turned on. But the cold hardly bothers Simon. His bad knee might not like it but the ache is easy to ignore.

On the wall is a massive map of the world. There are pictures of people and places pinned in various locations. Some of the people are crossed out—marked dead. Others are untouched or painted over with a question mark.

"Yes," affirms Price. "Anything familiar?"

Simon shifts his attention away from the wall and to the table in front of him. There are more pictures here—more documents.

A muscle in his neck spasms. "No," growls Simon. "Walsh likely abandoned his old haunts."

Price shrugs. "Maybe. Maybe not."

Two pictures of Walsh stare back at Simon. One is an old photograph from before. Walsh's skin is perfect here—free from burn scars or blemishes. The second photograph is newer but slightly blurry. Walsh wears a black jacket, hood up, face in profile. Even with the burn scars, his face is unmistakable.

"Walsh is prone to paranoia," says Simon, bringing the newest photograph closer. "He had places even I didn't know about."

"That's my point," replies Price. "Walsh trusted you. And yet he still didn't tell you everything."

We are gardens now.

The two of us.

It's easier to forgive an enemy than to forgive a friend.

Simon's fingers twitch with the urge to crush the photograph. Shoving the compulsion down, Simon returns the picture of Walsh to the table. Focusing on the massive board before him, Simon observes each marked location, his mind flipping through the rolodex of information he obtained during his infiltration.

"What makes you think it's one of these three?" asks Simon.

He lightly taps the picture in front of him. It's an aerial photograph of a series of warehouses near the Port of Felixstowe. There are two other ports marked including those of London and Liverpool.

Unease slides like sludge in Simon’s stomach. “Not only are these major ports, two of the three are fucking tourist attractions.” Simon turns on Price, crossing his arms over his chest. “You can tour a naval vessel and then board a cruise ship in a single day at Liverpool. London is the fucking same. Walsh isn’t making moves there.” He points at the picture of Felixstowe. “This is the only plausible of the three. Privately owned. Recent docker worker strikes.” Simon drops his arm. “But I don’t fucking believe that for a bloody second.”

There are other ports marked across Europe and the United States. Walsh likes to move around, never staying in one place too long. Sometimes he’s moving drugs. Sometimes he’s moving weapons. Using the same place of entry is risky with dangerous cargo.

"We have surveillance," replies Captain Price.

Gaz hands Soap a laptop. Johnny takes a seat and taps away at the keyboard, bringing up several video feeds.

"This one is for Felixstowe." Johnny allows the feeds to run for a bit before clicking over to a new set. "Liverpool." He switches again. "And London."

Simon shakes his head, noticing nothing in the grainy footage. "It's too close to home. Too busy. Too regulated."

Price's face remains impassive. “Look closer." He glances at Soap. "Roll them again."

Simon steps up directly next to Johnny's shoulder. Placing one hand on the table, Simon leans in. Johnny pulls up the surveillance feed near Felixstowe first. As it plays, a tiny twist of anxiety curls in his stomach. Are his eyes going to shit?

"You see it now?" asks Price.

"No," says Simon sharply.

Johnny loops the feed and points. "Here, Lt."

Squinting helps but hardly makes things any clearer. "Zoom in."

Johnny pauses the feed and enlarges it enough to give a more focused picture but not enough to render the pixels worthless. From the back of an SUV emerges a man that looks like Walsh. With him is—a woman?

Like a punch to the solar plexus, the wind is knocked out of Simon.

Is that you?

"You see it, Lt?"

"I see it," growls Simon. "Show me the next one."

Johnny repeats each surveillance feed, pausing and zooming in. There is a woman emerging from an SUV in each one, that is unmistakable, but is it you? That part is unclear. The videos aren't distinct enough to show details.

"We think this is her," says Price.

"In three different places?" asks Simon, skeptical.

Hope is a fragile thing. He wants to cling to it, to imagine that this is you he's seeing in all three feeds, but he cannot allow himself to latch onto an idea that may not hold any reality.

The middle of Price's brow creases. "You need to look again, Simon."

Simon slowly straightens himself. All of this feels like a game—Walsh's game.

"The timestamps don't make sense," growls Simon. "They're not even hours apart!"

"Exactly," says Price, stepping closer. "All of them are the same. Except one." Price lightly squeezes Johnny's shoulder. He brings up the first video feed again, the one from Felixstowe. "This one is different," murmurs Price, his gaze focused on the computer screen.

The feed plays and Johnny pauses the image. A small light flicks on in the dark recesses of Simon's mind.

"You see it now, Simon?"

"I see it, Captain."

Of the three, the woman is always alone in the Liverpool and London feeds. In Felixstowe, she isn't. In Felixstowe, there's a man grabbing her upper arm. A man that looks very much like Simon's enemy.

"We don't have confirmation," continues Price, already seeming to know exactly what Simon is thinking.

It doesn't fucking matter if they have confirmation or not. This is a lead. This is something.

"We've already sent recon teams," adds Kyle, breaking his silence.

The pity isn't there anymore. There is only grim determination. They've seen Simon at his lowest, and yet that doesn't matter. They're doing this to take Walsh down but they're also doing it for him.

Gaz glances at the map but he addresses Simon. "Walsh wants us to focus on Felixstowe." He turns attention to Simon. "Which is why we sent recon."

"And recon said different," replies Simon.

Kyle winks. "Exactly."

"Felixstowe is staged." Price moves toward the map. "But Liverpool?" Price turns back to Simon, with a smirk. "Want to know who funded that little transfer for Walsh?"

Walsh has always moved behind the scenes. He always lurks in the dark. Pockets are lined and Walsh obtains what he wants. At its core, big business is greedy. They’ll happily look the other way if they can get what they want and get away with it.

Some of the earlier unease melts, adrenaline replacing the anxiety.

Simon’s question is immediate “Did you bag the fucker?”

“I have a tail on them as we speak.”

“Good,” growls Simon. “Walsh with them?”

“No.”

Even better. It means Simon can deal out his own justice.

Simon exhales, trying to find a sense of calm amongst all this new information. "All I want is Walsh.”

I just want her back.

Simon wants that fucking wanker alive. He wants Walsh to squirm. To suffer. To feed the man his own teeth before making him choke on them.

But even that won’t satiate what Simon truly desires.

You. Only you.

In his arms again. Warm and safe and all his. To know that you will never come to harm again.

Price’s smirk becomes a genuine smile. They’ve been after this man for fucking years, and now Walsh is truly in their grasp.

Nodding toward the map, Price gestures toward it. "Our best guess is this warehouse near the Port of Liverpool."

"Why?" asks Simon. “It’s a haven for tourist.”

“It caters to tourist and occasionally houses the Royal Navy just as much as it brings in and sends out goods.” Price exhales. “It’s busy, yes. But it’s unsuspecting.”

"It's also the only place we've seen Walsh arrive to and leave from," adds Kyle.

Simon shrugs. “Could be a distraction. Make it obvious so we aren’t looking at other possible targets.”

“Could be,” replies Price casually.

“We’ve got him, Lt. And not on surveillance footage.”

"The recon team did," continues Gaz. "Real subtle, too. Like he didn't want to be seen."

Diversion has always been Walsh's specialty. His most devoted followers will do whatever he asks from shooting up a corner store to acting as a body double. The man is a manipulator. A friendly face that says exactly what you want to hear to reinforce your own confirmation bias.

He does it all in the name of power and personal superiority.

Simon turns toward Price. "Are we going after that warehouse?"

Price nods. "Tomorrow."

Darkness is a friend.

A companion. A trained beast. A silent killer.

Simon looks into his scope, checking and rechecking the perimeter of the building. Soap has already disabled the surveillance camera on the western side of the building. To the person watching, they're seeing a continuous loop of nothing.

The building itself isn’t one of those boxy metal buildings you find all over the States. This warehouse is old, made from brick and stone, built when ships were still only made of wood. Marked as a historical location, and yet currently closed to the public.

How bloody fucking convenient.

While the night is cold, the port isn’t empty. There are no cargo ships unloading but there’s a docked Destroyer all lit up across the River Mersey. Tourists and locals move along pedestrian areas, and the nearby arena is awash with light as some musical artist performs.

Life moves. Uninterrupted.

As it should be.

And not one of those souls realize what lurks in the dark.

“Soap. We ready to breach?” comes Price’s voice over comms.

Johnny’s answer is laced with slight static. “You have five minutes until the loop ends.”

Price turns back to look at Simon and Kyle, silently pointing in the direction of the door they’re entering the building through. Johnny is on the roof with two members of the recon team sent earlier.

With rifles raised, the trio move silently across the concrete. Price forms the front while Gaz and Simon take the sides and back. They stay on a swivel, watching Price’s rear as he approached the door.

“Three minutes, Captain,” comes Johnny’s voice over comms.

Behind Simon, there’s a clink of metal meeting metal. Something rattles. Then a soft creak as the service door opens.

“We’re in,” replies Price.

Price eases the door open. He keeps his gaze forward, hand coming up to signal that everything is clear. Simon enters behind Price with Kyle on his heel.

“There are three down the hall,” crackles Johnny’s voice over comms.

Price, Gaz, and Simon move silently down the tight hallway. One side is solid brick, the other treated wood. They pass breakers and switches but no doors. There are a few wall hangings but they’re for the workers who would handle the upkeep.

At a tight turn, Price presses himself against the wall. Simon and Kyle crouch as Price eases a small handheld mirror around the corner. There are only a few feet of hallway remaining before it meets a door that says “EXIT.”

“Where are they, Soap?”

A pause. “Just outside the door. Left.”

Price turns the corner and stops at the door. They form a line, switching off night vision. The door opens, and Price is moving. Simon is right behind him, blood roaring in his ears as he follows his captain.

Simon’s finger hugs the trigger.

A muted pop leaves the chamber.

Dark red bursts in the dim light, painting the wall and nearby mounted lamp. The three men never had a chance. They don’t even make a sound as the lead penetrates their heads and explodes in their skulls.

Price’s voice greets Simon in his earpiece. “Clear.”

“Two near the entrance. Follow the lights.”

The building is utterly silent. It’s all exposed brick and pipes. Distantly, Simon hears water dripping, but it is otherwise quiet like a slumbering monster.

Walsh is here. He fucking has to be. Simon senses it in his gut.

Price takes the two out near the entrance, Simon following behind with an extra bullet for each just to make sure.

“We’re coming up on your right, Captain.”

Johnny appears with one member of the recon team. The other remains on the roof, keeping an eye for any incoming vehicles.

“The bunker is through here,” says Johnny, aiming his weapon at the floor.

“The door is in the bloody floor?” asks Kyle.

Johnny crouches, his gloved hand gently probing the wood. They all watch until his hand pauses, his fingers lightly pressing downward.

There’s a hiss, and then Johnny is lifting, revealing a ladder and a dimly lit hall that Simon cannot see the end of.

Price squeezes the shoulder of the soldier from recon. “Keep a lookout here. Radio if you hear or see anything.”

“Yes, sir.”

Price releases his shoulder and descends first. Johnny heads down next followed by Simon and then Kyle.

They’re going in blind. They do not have the plans or layout of this part of the building. The strangest thing is that it looks brand fucking new. It doesn’t make any sense.

Walsh doesn’t build. He utilizes what’s available and goes from there.

There’s only just enough light to see by and there are no doors except the one at the end of the short hall. They might find a maze. They might find a singular room. There could be walking into a trap or nothing at all.

Simon isn’t sure what worries him more.

But you have to be here. Somewhere.

Price counts down starting with three fingers. At one, he raises his rifle and kicks in the door, charging forward. Heartrate spiking, Simon heads in after him, finger tight on the trigger, ready to burst skulls and shatter bone.

The adrenaline peaks, swarming Simon’s senses.

And then it comes crashing down.

As if falling from a great height, Simon is presented with an entirely different outcome.

The firing end of the rifle drifts downward, his gaze focusing on the singular object in the entire room. It’s a box. A metal tackle box like you’d take on a fishing trip. Above it is a bulb hanging from the ceiling. The light it emits is warm and low like it’s been on for years and is just about ready to give out.

Price, Johnny, and Kyle all walk the perimeter of the room.

“It’s solid fucking concrete!” shouts Johnny, his steps increasing as he drags one gloved hand along the wall.

Price slowly spins. “What the fuck is this place?”

“It’s not a storage warehouse,” says Kyle. “There’s nothing here.”

“A hideout, then?” suggests Johnny. “A bunker?”

“Then where’s the bloody bed?” replies Kyle, voice rising slightly. “There isn’t even a table!”

Simon’s focus is narrowing to a pinpoint.

The tackle box is a deep forest green, the handle black, the latch gold.

He takes a step toward it.

“Don’t touch that, Simon.”

Simon ignores Price’s command. He moves closer.

“Simon!”

“Lt! Don’t touch it!”

It’s a game. This is all Walsh’s game.

Simon comes down to one knee beside the tackle box. It’s old—a little banged up. Somehow, he recognizes it.

His gloved thumb brushes over the metal latch.

“Simon!”

It’s Johnny, but Simon is already moving—already releasing the latch and lifting the lid.

Memory resurfaces, and cold dread twists Simon’s stomach. Scratched into the interior of the lid is a name.

It’s Simon’s father’s name.

The tackle box is his father’s, a relic from a time when there was no abuse and no alcohol. Simon remembers going on fishing trips as a young boy carrying this exact box even though he was far too small to hold it properly. He’d always walk leaning to one side due to the weight.

Then it collected dust in a closet as his father became a monster.

But the box isn’t empty.

There are no fishing hooks or plastic dividers. All of that is gone.

In its place is your hair.

Not much, just a cleanly cut portion no larger than Simon’s pinky. It’s neatly tied with red string. Beneath it is a filmy scrap of paper.

The words face him. Clear and obvious.

She’s not here. Try again, friend.

“Simon.”

A crater in the Earth opens up, swallowing Simon whole. He is descending, falling through an endless hell. Spiraling down, down.

“Simon.”

Johnny’s voice is a distant thing. It’s trying to penetrate, to worm inside and pull Simon out but his mind is flipping.

She’s not here.

Your lock of hair is delicately tied, a regretful solace that rings out into Simon’s subconscious.

Try again, friend.

“Simon!”

Following his name is a rattling of gunfire. It’s not distant. Just over his shoulder. In Simon’s earpiece, someone is rattling off a series of numbers and positions, but Simon isn’t paying attention.

You are not here.

You are—elsewhere.

Lost.

In a place where Simon cannot tread.

An instant passes. Then another. The darkness around him transforms, flipping end over end until everything that Simon knows about himself slips away.

You were supposed to be here. He’s supposed to find you. To bring you back.

But this is a task that Simon clearly cannot handle.

Fingers claw up his esophagus, creep over his tongue, and press against his teeth. It emerges, breaking joints, allowing the darkness Simon feels to burst forth and wrap around him, enshrining him in a bloodlust he hasn’t felt in years.

The rifle tip rises. Simon is running on autopilot, allowing Ghost to take over, to consume every ounce of sanity.

Price, Soap, and Gaz are holding down the door, firing at an enemy that Simon cannot yet see.

His feet are not his own. His hands belong to someone else.

Charging forward, the firing end of the rifle explodes. The enemy on the other side are surprised by his sudden appearance. They faulter for a second, their eyes widening slightly in fear. But it’s enough.

It’s enough.

They are cut down, reaching out, hands pressing against the holes in their bodies as blood pools on the floor.

Simon unloads until he’s empty. Reloads. Empties again.

“Simon!”

The rest of his team follow, but Simon is hungry. A blood beast.

When the lead isn’t enough, he uses his hands.

There are bodies all around him, a trail for Price, Gaz, and Soap to follow.

On he moves, devouring. Slicing and gutting until the blood of his enemies begins to soak into his clothes.

He doesn’t remember ascending. Doesn’t remember resurfacing only to dive right back into the void. With ears ringing and a hint of metal on his tongue, Simon destroys everything in his path.

He is aware of Price, Johnny, and Kyle. They move around him, guns high, picking off everyone they can. Simon moves from enemy to enemy, uncaring of how he kills them. He breaks bones. Breaks teeth. Breaks soul. He stabs and slices, relishing in every anguished sound they make.

It is only when so many have fallen that Simon digs in, wanting to draw out a final blow as if the man before him is Walsh and not a nameless crony. The man sobs, his eyes replaced with Simon’s burrowing thumbs.

“Where is she!” screams Simon. He doesn’t even recognize his own voice. “Where the fuck is she!”

The sob becomes a garbled cry. Bloody. Crimson pools and dribbles from the man’s open mouth.

“Tell me where she is!”

Unresponsive. Dead.

Simon slams the man’s head against the floor.

But it isn’t enough. It will never be enough.

A strangled scream is ripped from Simon as he repeatedly bashes the man’s head into the floor.

Hands are on him, grabbing at his arms, tearing him away. Simon swings, clipping Johnny in the chin.

“Enough!” Price wrestles Simon to his feet, pushing him hard against the wall. “They’re dead, Simon.”

His head pounds, the balaclava moving rapidly into and out of his mouth as he gasps for air.

You’re not here.

You’re not here.

It’s all slipping away. Piercing and sharp and yet so dull that Simon begins to feel numb.

“Simon,” murmurs Price, the middle of his brow creasing.

Try again, friend.

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[mesetacadre]

Is the belief at all valid that ultimately there is nothing much we in the imperial core can do for the global south (i.e palestine) and that liberation is largely in their hands only? Was there any time historically where that wasn't the case?

Maybe I am just doom and glooming but it really doesn't feel like there is much we can affect (though I still attend protest and do whatever my party tells me to, I don't air out these thoughts because I don't think they are productive)

Primarly I feel like building a base here for when shit goes south is the only thing we can do

My friend, we can't forget that, while imperialism is committed outside of our reach, it is fueled, supported, and justified in our countries. National liberation movements fight in their own frontlines, and we fight in the rearguard. If you have the impression that any real progress is impossible from our position, that is a product of the very limited development of the subjective conditions in your country. You and I have seen a myriad of protests and encampments this last year, which have had overwhelmingly no material effects on the genocide, but this is not inescapable.

In Greece, where the KKE is a legitimate communist party in the eyes of a significant portion of the Greek working class, their organization in and out of the workplace is very capable. In the 17th of October they, co-organizing with the relevant union and other entities (small note because when this happened some tumblr users seemed to misspeak, this action would have been impossible without the help and involvement of the KKE, take a look at the US to see what trade unions do without communist influence), blocked a shipment of bullets to Israel:

And merely a week ago, they blocked another shipment of ammunition meant to further fuel the imperialist war in Ukraine:

The differentiating factor in Greece that is not present arguably anywhere else in Europe and North America is their strong and established communist party, even their presence exerts an indirect influence in the broader working class, communist or not.

So are the rest of us meant to sit in our milquetoast protests and watch on with envy at the Greeks? No, because these are subjective conditions, and we have control over them. Even if most actions we do don't achieve anything materially, we gain experience, and the base for a proper organization of our class is built up. It's not just building that base for when something goes wrong in our countries, it's building a better base for the very next mobilization, the next action, the next imperialist aggression. The student movement of the imperial core is better off now in terms of lessons to be learned after the encampments than if they hadn't done anything (and the utility of the encampments wasn't completely null anyway, some unis in Spain have ceased all economic and academic relations with Israel).

[tickfleato]

how to make cool blobby turing patterns in photoshop

i'll preface with i learned the basic loop from skimming a tutorial on youtube, but as someone who prefers written tutorials i'm sure many would appreciate one! also, the second part of this is some of the visual effects i figured out on my own using blending modes and stuff.

i'm using photoshop CS4 on a mac so some buttons and stuff might be in different places on windows and newer photoshop versions but all the actions are the same. my canvas is 1000x1000 pixels.

UPDATES (i'm hoping these'll show up whenever you open the readmore?)

it's possible to do something similar in krita using this plugin, made by the love @arcaedex

it's also possible to do this in photopea, a free browser alternative to photoshop! the results are pretty much identical.

FIRST off you wanna get or make a black and white image of some kind. it has to be one layer. can be noise, a photo, a bunch of lines, whatever. here's mine, just some quick airbrush lines:

now find the actions tab. idk what it looks like in newer versions of photoshop but you probably won't need to dig!

hit the little page thingy to make a new pattern. once you hit 'record', it'll record everything you do. the little square 'stop' icon will end it.

now you want to do a high pass filter. you can mess around with the radius to change the size of your squiggles, but the tutorial had it set to 6. experiment!

now add the 'threshold' adjustment layer. i use the adjustments tab but i think there's also a dropdown menu somewhere. keep it at the default, 128. merge it down. (control or command + E or you can right click it like some kind of weirdo)

and finally, the gaussian blur! the radius of this affects the shape and size of your squiggles as well. i like to keep it around 4.5 but you can mess around with that too.

after that, hit 'stop' on the action you're recording, and then repeat it a bunch of times using the 'play' button, until you have something you like, like this:

WOW!! that was fun!! and only a little tedious thanks to the power of macros. anyway, here's some fun layer blending stuff i like to do. it's with a different pattern cause i made this bit first.

anyway, using a black and white gradient (or a grey base that you do black and white airbrush on), make a layer with the vivid light. this will make the blobs look thicker or thinner.

then, for cool colors, do a gradient map adjustment layer over that:

and finally, my best friend, the overlay layer. just using a gradient here bc i'm lazy, but feel free to experiment with brushes, colors, and blending modes!

NOW GO. MAKE COOL SHIT WITH THE POWER OF MATH. AND SEND IT TO ME

also these are not hard and fast rules PLEASE mess around with them to see what kind of weird shit you can make. here's a gif. as you can see i added some random airblush blobs in the middle of it, for fun.