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#Zhao Zhao
psikonauti · 2 years
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Zhao Zhao (Chinese, b. 1982)
Constellations, 2021-2022
Embroidery on silk
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jareckiworld · 2 years
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Zhao Zhao — Starry Sky  (oil on canvas,  2015)
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thunderstruck9 · 1 year
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Zhao Zhao (Chinese, 1982), Landscape, 2022. Oil on canvas, 156 x 128 cm.
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minimavisibilia · 1 year
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Zhao Zhao Constellation 8 2019 Embroidery on silk 196 x 298 cm (77.16 x 117.32 in.)
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bored-tea-house · 1 year
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Constellations (Embroidery on silk, 2021-2022) - Zhao Zhao
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abstrakshun · 2 years
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Zhao Zhao (Chinese, b. 1982)
Flowers series - 2022
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thethirdbear · 1 year
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oldsardens · 8 months
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Zhao Zhao - Constellation
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castelnou · 1 year
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repetition (2012)
art by zhao zhao
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nununiverse · 2 years
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Zhao Zhao | Constellation No 1 (2013) | Artsy | Conceptual art,  
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psikonauti · 1 year
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Zhao Zhao (Chinese, b. 1982)
Constellations, 2019
Oil on canvas
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jareckiworld · 3 months
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Zhao Zhao — Two Women and One Man (oil on canvas, 2009)
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thunderstruck9 · 7 months
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Zhao Zhao (Chinese, 1982), Sky No. 13, 2014. Oil on linen, 150 x 150 cm.
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timeofdeathnote · 2 months
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stop that's so funny 💀
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limecello · 3 days
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TBR Challenge Review: 戾王嗜妻如命 (Tyrannical [Prince]'s Beloved Wife) by 昭昭 (Zhao Zhao)
戾王嗜妻如命 (Tyrannical Wang/[Prince]’s Beloved Wife) by 昭昭 (Zhao Zhao) Chinese historical romance published in 2016 Other people’s bad reputation, if not because of themselves, then it’s slandered by others. Jing Wan’s bad reputation wasn’t because of herself, but schemed by her future husband. Jing Wan’s bad reputation wasn’t caused by others, but of his design, only for the sake of marrying the…
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louistonehill · 6 months
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A new tool lets artists add invisible changes to the pixels in their art before they upload it online so that if it’s scraped into an AI training set, it can cause the resulting model to break in chaotic and unpredictable ways. 
The tool, called Nightshade, is intended as a way to fight back against AI companies that use artists’ work to train their models without the creator’s permission. Using it to “poison” this training data could damage future iterations of image-generating AI models, such as DALL-E, Midjourney, and Stable Diffusion, by rendering some of their outputs useless—dogs become cats, cars become cows, and so forth. MIT Technology Review got an exclusive preview of the research, which has been submitted for peer review at computer security conference Usenix.   
AI companies such as OpenAI, Meta, Google, and Stability AI are facing a slew of lawsuits from artists who claim that their copyrighted material and personal information was scraped without consent or compensation. Ben Zhao, a professor at the University of Chicago, who led the team that created Nightshade, says the hope is that it will help tip the power balance back from AI companies towards artists, by creating a powerful deterrent against disrespecting artists’ copyright and intellectual property. Meta, Google, Stability AI, and OpenAI did not respond to MIT Technology Review’s request for comment on how they might respond. 
Zhao’s team also developed Glaze, a tool that allows artists to “mask” their own personal style to prevent it from being scraped by AI companies. It works in a similar way to Nightshade: by changing the pixels of images in subtle ways that are invisible to the human eye but manipulate machine-learning models to interpret the image as something different from what it actually shows. 
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