✧ Oswald Mandus x Tasi Trianon relationship headcanons ✧
A hodgepodge of ideas and images that came to my mind, I do not pretend to be the truth, I just share my thoughts about these charming characters who (in my opinion) are extremely well built together. There will be a lot of deviations from the canons, sorry in advance >:DD
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Dramatic:
● The beginning of the relationship: Oswald often showed Tasi unobtrusive signs of attention, but never dared to take a serious step, making this decision was for Tasi
● Trianon sees this relationship as a new beginning, the consolation of her wounded soul, where she can feel loved again and be with the person who is dear to her. It is extremely difficult for Oswald to accept a new relationship, it seems to him that he is not worthy of being happy after losing Lily. Together with Tasi, he copes with his inner demons
● They always celebrate memorable dates together, both their own and their deceased spouses, which makes it easier for them to cope with the feeling of loss
● Before flying to Algeria, Tasi accidentally runs into a mysterious stranger who asks her to abandon the flight, he says he knows about the future catastrophe, but the woman does not betray this value… until everything happens. He just wanted to help…
Dynamics:
● Oswald tries to think through the course of events in order to anticipate the consequences in advance, does something because he is sure that it is necessary while Tasi rushes ahead here and now
● Tasi is the one who will run up to show a funny picture on her phone, and Oswald is the one who will stare and think about what he saw for a long time before laughing
● Of the two of them, Tasi is the one who will ask for a sandwich without cucumbers for Oswald while he assures her that everything is fine… but if someone is rude to Trianon, Mandus will immediately come forward to solve the problem seriously
● Oswald malewife for Tasi. I've said it all. 😤✨
Engineer:
● Mandus was afraid that he could harm Tasi, He knew that He would stop at nothing and therefore shunned the girl, told her that he was a terrible person, but of course this did not stop Trianon. One day she will have to see with her own eyes how He will appear replacing the soft features on the man's face with frightening cold. It wouldn't cost him anything to squeeze Trianon's throat to the bone crunch just to "break someone else's toy" but for some reason He will never fulfill any of his threats
● When Tasi is in serious danger, Oswald injures himself to cause a sharp shock and "free" the Engineer, Mandus does not care what He will do, just to save Trianon
● Tasi is one of those who are sure that "she can fix him"
Romance:
● For the sake of his beloved, Oswald promised to end his bad habits, which he does with variable results. Tasi will never admit it, but she likes the tart smell of Oswald's cigars
● Mandus has a very beautiful deep voice and Trianon can't tear himself away when listening to him during their daily conversations. When Oswald calls her by name Tasi gets goosebumps
● When they are alone, Oswald often reaches out to gently remove the interfering strands of hair from Tasi's face
● Oswald plays the piano for Tasia knowing that it will cheer her up
● Those three tickets to the amusement park were originally intended for Oswald and his sons, but taking into account all the events, he voluntarily gives them to Tasi so that she can spend time with her daughter, Trianon asks him to go with them
● In rainy weather, Tasi always forgets to take an umbrella with her, at first Oswald, out of politeness, took a second one for her, and then began to offer to walk with him under one umbrella (but who said that Tasi forgot her umbrella by accident?))
● In the dark, Oswald always takes Tasi's hand or says soothing words to help her cope with fear
● She never knew where these letters came from or who wrote them, but she was always interested in reading amazing stories from far away London, every night she wrote an answer to a "mysterious friend" and left it in an envelope on her desk. In the morning, the envelope was no longer there
And separately funny:
● Once Alexander took Oswald aside, asking if he was ashamed to have a relationship with a woman so much younger than him, Mandus in response made a meaningful facial expression, staring at his great-uncle, that he completely lost the desire to try to prick a man in this way (I think you understand why ha-ha!!)
● When it comes to any historical facts or ancient information, they can never agree constantly arguing about the correctness of this or that information known to them
● They are too much suited to the images of the characters from the movie The Mummy (1999), but I can't decide who would be who in their pair
● Ghoul Tasi brings animals caught on the street to Oswald, perhaps she thinks that he will not be able to feed himself without her help
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I've collected everything I could think of here, but that doesn't mean something else won't come to my mind, and I'll also be glad if you share your own headcanons with me!! Thank you for showing interest under the comic post, forcing me to seriously sit down for writing haha :DD
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dni if you’ve ever stood knee deep in mud and bone, filled your lungs with mustard gas, seen two brothers fall, lain with holy wars, copulated with the autumnal fallout, dug trenches for the refugees, murdered dissidents where the ground never thaws, starved the masses into faith, seen a child’s shadow burned into the brickwork, a house of skulls in the jungle, the innocent, the INNOCENT, mandus, trod and bled and gassed and starved and beaten and murdered and enslaved, THIS is your coming century, they will EAT them, mandus, they will make PIGS of you all and th
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AMfP Paintings Part 1
This is the first part of my file on the paintings and a couple of other images found in the game. I haven’t been able to identify all of them, since some are obscure (I’m looking at you, Mr Herring), but the majority are relatively well-known paintings. For the second part see here.
Title: Highland Scene near Dalmally
Artist: Myles Birket Foster
Year: c. 1885
Title: Spring Morning
Artist: William J. C. Bond
Year: 1863
Title: Dalton Collecting Marsh-Fire Gas
Artist: Ford Madox Brown
Year: 1887
Title: Applicants for Admission to a Casual Ward
Artist: Luke Fildes
Year: 1874
Title: A Special Pleader
Artist: Charles Burton Barber
Year: 1893
Title: The Blind Fiddler
Artist: David Wilkie
Year: 1806
Title: The Babylonian Marriage Market
Artist: Edwin Long
Year: 1875
Title: Farmyard Friends (Farmland Friends?)
Artist: John Frederick Herring Jr
Title: The Bean Feast
Artist: Jan Steen
Year: 1668
Title: The Turnip Cart
Artist: John Frederick Herring Jr
Title: The (Great) Tower of Babel
Artist: Pieter Bruegel
Year: 1563
Title: New, Old Pig on the Block
Artist: Ian Schoenherr
Year: 2012
About: a remake of Schoenherr's earlier picture ‘Young Pig Lincoln’, based on a photo of William Wallace Lincoln
Title: The premature burial
Artist: Antoine Wiertz
Year: 1854
Title: The Death of Sardanapalus
Artist: Eugène Delacroix
Year: 1827
Title: Triptych of the Temptation of St. Anthony
Artist: Hieronymus Bosch
Year: c. 1501
Title: Hunger, Madness, Crime
Artist: Antoine Wiertz
Year: 1853
Title: The Greeks and the Trojans Fighting over the Body of Patroclus (Ver I)
Artist: Antoine Wiertz
Year: 1836
Title: The Greeks and the Trojans Fighting over the Body of Patroclus (Ver II)
Artist: Antoine Wiertz
Year: 1836
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