#abbey is the comedy master

[hotvintagepoll]

Propaganda

Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?

Maggie Smith (The Prime of Miss Jean Brodie)— Look, ok she's best known now for Downton Abbey and the Potter franchise, but the woman won an Oscar in 1969, so that makes her eligible in my oh so humble opinion. She starred opposite Olivier in her first major play role (which was filmed) and her wit and beauty was just the epitome of everything I wanted to be as a child

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Eartha Kitt:

"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."

"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."

"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”

"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."

Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist.

Maggie Smith:

[the-pale-chancellor]

It's so hard to be a Russian playing Curse of Strahd campaign like-

When we met Ireena I was immediately going with "Oh, so her surname, according to Russian grammar rules, can be changed into Kolyanoi, Kolyani, Kolyanu etc.!" Our Master immediately went "noPE, it stays the same" and I was sitting there for like a half of a minute silently trying to understand how to say the same sentence so her name would sound right.

Also we keep mishearing things on daily basis. Now we have: Regal instead of Arrigal, Darahdin instead of Rahadin and the peak comedy of "The Abbey of Saint Carrot" (Markovia sounds like Morkov' which is carrot in russian). Our DM is so done with us.

[frkdoll]

(╥﹏╥) girls’ must read list

the bell jar by sylvia plath

wuthering heights by emily brontë ✓

the complete poems of emily dickinson

the unabridged journals of sylvia plath

anna karenina by leo tolstoy

war and peace by leo tolstoy ✓

letters of sylvia plath 1940-1956

the complete poems of sylvia plath

diarios (diaries) of alejandra pizarnik

the master and margarita by mikhail bulgakov

the divine comedy by dante alighieri

the portable edgar allan poe

crime and punishment by fyodor dostoevsky✓

the karamazov brothers by fyodor dostoevsky✓

frankenstein by mary shelley ✓

the idiot by fyodor dostoevsky

matilda by mary shelley ✓

jane eyre by charlotte brontë

diaries of franz kafka

the portable dorothy parker

pride and prejudice by jane austen ✓

emma by jane austen

the Northanger abbey by jane austen

the picture of dorian gray by oscar wilde

diaries of virginia woolf

the count of monte cristo by alexandre dumas

mrs. dalloway by virginia woolf

antony and cleopatra by william shakespeare

꒰ ⁐⁐⁐⁐⁐⁐⁐⁐⁐⁐୨୧⁐⁐⁐⁐⁐⁐⁐⁐⁐⁐ ꒱

[romancomicsnews]

Teenage Mutant Ninja Turtles: Mutant Mayhem amplifies the fun of the franchise - REVIEW

*Slight Spoilers for Teenage Mutant Ninja Turtles Mutant Mayhem*

Teenage Mutant Ninja Turtles has been a franchise that has consistently been rebooted and I have never minded.

While the 2003 series was my initial Turtles introduction, the 2012 series really made me a fan. It had the right balance for me of brotherly affection, drama, stakes, and weird obscure villains.

While Rise of the TMNT wasn't exactly my taste, I can appreciate the animation, comedy, and going for a different new take. Plus my god is the Rise of TMNT movie good. I'm all for making really cool characters into animes now.

Going into this movie I had extremely high hopes. Not only has this franchise rarely disappointed, but it was produced by Seth Rogen, who has worked on shows like The Boys and Invincible, and directed by Jeff Rowe, who is not getting NEARLY enough credit for this movie. He was a writer on Gravity Falls and the co-director of one of my favorite animated movies: The Mitchells vs The Machines.

And I got to say, this movie does not disappoint.

The animation style is both impressive and at times disgusting in the best possible way. This is the first time I've felt New York feel grubby and grimy. Every shot looks wonderful, and that cannot be understated.

The hardest part of the Turtles is usually the brother dynamics. I feel like if not written or performed correctly, the Turtles can come off as buddies or even acquaintances. But this was not a problem here. The idea of having all four actors in the same room clearly paid off, as the four of them riffing and mocking each other were some of the highlights of the movie.

I do think coming out of this, some of these turtles will be the definitive versions of the characters. While Mikey and Raph have their charms, Micah Abbey as Donnie and Nicolas Cantu as Leo were stands out for me.

The idea of taking Donnie from the tech guy to more of a calculating nerdy weeb was genius. Donnie often is the guy who is most made fun of because he is nerd, and I think pivoting to him being a smart-ass and respected for his brain was a nice touch.

Leonardo as the goody two shoes dork who wants to lead so bad also worked for me. Leonardo can sometimes come off a sorta bully or arrogant for even trying to be the leader. Making him unsure but wanting to be a good leader makes him charming and more likeable.

Also among our heroes are Ayo Edebiri as April O'Neil and Jackie Chan as Master Splinter.

While April does not have as much to do as I would've liked, I think Edebiri is a nice addition and I'd be happy to see more of her. She has good chemistry with the brothers, although it did take me out of the movie to think of the age gap between Edebiri and Cantu.

Jackie Chan's Splinter may be my biggest problem with the film. While he is a passable Splinter and has plenty of laughs, he does not seem as fierce of a warrior as he has seemed in the past, nor as wise. I do not mind a flawed, anxiety ridden Splinter, but he should feel like he can take on the Turtles easily, and I don't think he can.

(Also, Jackie Chan is a bad father in real life and shouldn't disown his estranged daughter for being gay. Read all about it here!)

I'm not going to go to into the details of all the villains in the movie, as there are quite a few, but I really loved the inclusion of the vast TMNT universe, and their own fun takes on them. One of the benefits of having Seth Rogen as a creative is access to all his very talented friends. A highlight for me was Mondo Gecko, voiced by the great Paul Rudd.

The main antagonist of the film being Superfly was a rather interesting choice. While I was sure we were going to have a Jekyll and Hyde situation with Superfly and Stockman going in, the idea that it was his mutant son was a weird but fun choice. Clearly Ice Cube was having a lot of fun playing a villain. He gave me quite a few laughs and felt like a proper first villain for these turtles. I'm glad they didn't just jump into Shredder or Kraang.

While all the characters are fun and interesting, what I really love about this story is the central theme of acceptance. Having them all have the goal of being accepted by society felt natural, important, and very teen drama, which is fresh to the TMNT. They are often outsiders who don't really care about that, just protecting the city. Making that at the heart of the movie made me feel for them in a way I haven't before.

Leaving the movie where it does excites me for more movies and the upcoming show they have planned. I think this version of the turtles can last us a good 5-7 years, and will end up being as iconic as the ones that came before.

Not that there is a super high bar for TMNT films, but this is definitely my favorite. I think kids are going to love, TMNT fans are going to love it, and non TMNT fans are going to be pleasantly surprised.

I highly recommend you go see this movie, I know I am definitely going again soon.

Thank you for reading! If you'd like to support me, you can:

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[kweza]

i saw a gifset of the show Dickinson, i don't know a lot about Emily Dickinson so i was curious,,, i was like 'wow i want to see their costumes' turns out they made the show gay.. i am disappointed now T-T do you have any post where you list all the period show you enjoyed?? or any recommendations to give me??

i did one on my old blog but it's gone now sadly! so let's do one now (this is both movies/shows)

Romance

- North & South 2004

- any Jane Austen adaptation really (but mainly Pride & Prejudice 2005 & 1995, Persuasion 2007, Sanditon (2019-) and Emma 2020)

- Bridgerton (it is a little too steamy but i skip the sex)

- The Sound of Music

- Belgravia

- Belle 2013

- Jane Eyre (2006 & 2011)

- Atonement

- Daniel Deronda (2002)

- Doctor Thorne

- Vanity Fair

Drama

- Downton Abbey

- Victoria/The Young Victoria

- When Calls the Heart

- Little Women 2019

- Marie Antoinette

- Poldark

- Outlander

- Memoirs of a Geisha

- Gone with the Wind

- The Gilded Age

- Reign

- Borgia/the Borgias

- Medici: Masters of Florence & the Magnificent

Mystery/Crime

- Miss Fisher's Murder Mysteries/ Miss Fisher's Modern Murder Mysteries

- Ripper Street

- Murdoch Mysteries

- Miss Scarlet and the Duke

- Peaky Blinders

- Alias Grace

- Vienna Blood

- the Alienist

- Father Brown

- Agatha Christie's Poirot (or any Agatha Christie adaptation really)

- And Then There Were None 2015

- Death Comes to Pemberley

- Crooked House

Comedy

- Derry Girls

Foreign

- the Empress/die Kaiserin (2022 Austrian tv show)

- High Seas/Alta Mar (2019 Spanish tv show)

- Aziz (2020 Turkish tv show)

- Kurt Seyit and Şura (2013 Turkish tv show)

- The Troops of St. Tropez/ Le gendarme de Saint-Tropez (1964 french comedy)

[lovelyfanatical]

TV tag game!

— list 8 shows for your followers to get to know you better. tagged by @simplymakkari!

Agents of SHIELD - my favorite piece of media EVER, which should be no surprise if you follow this blog. It's a solid ensemble, great found family dynamics, absolutely wild twists, and just a fantastic evolution overall. Not to mention my true OTP, Fitzsimmons!

Ms. Marvel - my favorite comic book hero, so i was always going to be biased toward it, but it really is a lot of fun. Iman Vellani is perfect casting. Writing is definitely messy in places and didn't love all of the changes they made, but has a lot of great moments. Kind of love that it lowkey becomes a reverse harem anime (pretty comic-accurate if you ask me).

Derry Girls - my go-to when I don't know what to watch. A solid comedy with a great cast, but it also knows how to punch you in the feels (an admirable quality in any story imo).

The Mandalorian - Baby Yoda. Need I say more? Actually though, I do enjoy the mix of episodic and serialized storytelling and the rotating cast of characters. And Pedro Pascal as a reluctant adoptive dad is an excellent genre.

Doctor Who - where do I even begin? Constantly evolving, a great blend of wacky alien time travel adventures and saving the universe. Always excited to see where it goes next (and perpetually waiting for the Master's inevitable return).

The Sandman - the perfect combination of dark fairy tale and mythology. And it's dark but not too scary, which is important when you're a scaredy cat like me. Also love that it feels like the story possibilities are endless, much like dreams themselves (and Dream himself).

Downton Abbey - another comfort show (though not every season). Gotta love the gorgeous period setting and fashion and the sprawling cast, especially Maggie Smith. Music is excellent as well.

Stranger Things - like I said, I'm a scaredy cat, but I got instantly attached to the characters, so I stuck with it. Definitely a fan of the '80s nostalgia. Love how it's grown over the years, adding more characters and really building out the lore, even if it's a long wait between seasons.

[spicebiter]

Reading List (Latest Update Aug. 4, 2024)

The full list of books I'm interested in reading. Spoiler before you open the read-more: This list has 500+ entries so it's a tad long. The only reason it isn't numbered is because of tumblr's character limit on blocks of text, which this far exceeds. It is, instead, bulleted and separated into chunks of 50 after the cut.

I'm pretty much constantly adding things to all of my lists- hence why I'm amending when this was last updated to the title itself- and will update this post anytime I update the wheel I use to randomize my next choice, which usually happens after I've added or subtracted a significant number of options.

Beowulf

Norton Anthology of Theory and Criticism; Third Edition

The Hitchhiker’s Guide to the Galaxy by Douglas Adams

Watership Down by Richard Adams

The Goblin Emperor by Katherine Addison

Who’s Afraid of Virginia Woolf? by Edward Albee

Monsieur Proust by Celeste Albaret

The Five People You Meet in Heaven by Mitch Albom

Tuesdays With Morrie by Mitch Albom

Little Women by Louisa May Alcott

The Kitchen Boy by Robert Alexander

Brick Lane by Monica Ali

The Divine Comedy by Dante Alighieri

Daughter of Fortune by Isabel Allende

The House of the Spirits by Isabel Allende

Eva Luna by Isabel Allende

The City in the Middle of the Night by Charlie Jane Anders

Andersen’s Fairy Tales by H.C Andersen

I Know Why the Caged Bird Sings by Maya Angelou

Animorphs Series by K.A Applegate

Our Wives Under the Sea by Julia Armfield

Mostly Dead Things by Kristen Arnett

I, Robot by Isaac Asimov

Oryx and Crake by Margaret Atwood

Emma by Jane Austen

Mansfield Park by Jane Austen

Northanger Abbey by Jane Austen

Pride and Prejudice by Jane Austen

Sense and Sensibility by Jane Austen

Oracle Night by Paul Auster

Bunny by Mona Awad

Borderline by Mishell Baker

If Beale Street Could Talk by James Baldwin

Just Above My Head by James Baldwin

Crash by J.G Ballard

North American Lake Monsters by Nathan Ballingrud

Cousin Betty by Honore de Balzac

The Language of Thorns by Leigh Bardugo

Ninth House by Leigh Bardugo

I’m With the Band by Pamela Des Barres

The Beautiful Thing That Awaits Us All by Laird Barron

Gateways to Abomination by Matthew M. Bartlett

Simulacra and Simulation by Jean Baudrillard

The Wizard of Oz by L. Frank Baum

Cinderella is Dead by Kalynn Bayron

The Stone in the Skull by Elizabeth Bear

Waiting For Godot by Samuel Beckett

Memoirs of a Dutiful Daughter by Simone De Beauvoir

The Second Sex by Simone De Beauvoir

Art of Fiction by Walter Besant and Henry James

Pushkin; A Biography by T.J Binyon

The Etched City by K.J Bishop

The Cruel Prince by Holly Black

The Atlas Six by Olivie Blake

Out of Africa by Karen Blixen

In the Vanisher’s Palace by Aliette De Bodard

Wake of Vultures by Lila Bowen

Vengeance Road by Erin Bowman

The Ends of the World by Peter Brannen

My Sister, the Serial Killer by Oyinkan Braithwaite

Jane Eyre by Charlotte Bronte

Wuthering Heights by Emily Bronte

Angels and Demons by Dan Brown

A Song of Wraiths and Ruin by Roseanne A. Brown

Sonnets From The Portuguese by Elizabeth Barrett Browning

The Shockwave Rider by John Brunner

The Serpent and the Rose by Kathleen Bryan

Helter Skelter by Vincent Bugliosi and Curt Gentry

Notes of a Dirty old Man by Charles Bukowski

Between Two Fires by Christopher Buehlman

The Master and Margarita by Mikhail Bulgakov

A Clockwork Orange by Anthony Burgess

Pontypool Changes Everything by Tony Burgess

Song of the Simple Truth by Julia de Burgos

A Little Princess by Frances Hodgson Burnett

The Secret Garden by Frances Hodgson Burnett

Gender Trouble by Judith Butler

Parable of the Sower Octavia E. Butler

American Predator by Maureen Callahan

A Most Wanted Man by John Le Carre

Through the Woods by Emily Carrol

In Cold Blood by Truman Capote

The Vorrh by B. Catling

Don Quixote by Miguel de Cervantes

The Amazing Adventures of Kavalier and Clay by Michael Chabon

The City of Brass by SA Chakraborty

The Long Way to a Small, Angry Planet by Becky Chambers

Moliere Biography by H.C Chatfield-Taylor

The Canterbury Tales by Geoffrey Chaucer

The Perks of Being a Wallflower by Stephen Chbosky

Journey to the West by Wu Cheng-en

Wicket Fox by Kat Cho

The Awakening by Kat Chopin

Murder on the Orient Express by Agatha Christie

The Bone Witch by Rin Chupeco

Finna by Nino Cipri

The Divinity Student by Michael Cisco

The Black God’s Drums by P. Djeli Clark

Pranesi by Susanne Clarke

Parasite by Darcy Coates

The Meaning of Consuelo by Judith Ortiz Cofer

Swimming With Giants by Anne Collet

The Adventures of Pinocchio by Carlo Collodi

Heart of Darkness by Joseph Conrad

Labyrinth Lost by Zoraida Cordova

Dark Matter by Blake Crouch

Inherit the Wind by Linda Cushman

Plain Bad Heroines by Emily M. Danforth

Dreadnought by April Daniels

The Devourers by Indra Das

Fifth Business by Robertson Davies

The Child Finder by Rene Denfeld

The Red Tent by Anita Diamant

Do Androids Dream of Electric Sheep by Philip K. Dick

A Tale of Two Cities by Charles Dickens

Great Expectations by Charles Dickens

Oliver Twist by Charles Dickens

Collected Poems of Emily Dickinson

The Year of Magical Thinking by Joan Didion

Crime and Punishment by Fyodor Dostoevsky

The Possessed by Fyodor Dostoyevsky

The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle

Escaping Exodus by Nicky Drayden

An American Tragedy by Theodore Dreiser

House of Sand and Fog by Andre Dubus III

The Bielski Brothers: The True Story of Three Men Who Defied the Nazis, Built a Village in the Forest, and Saved 1,200 Jews by Peter Duffy

The Count of Monte Cristo by Alexandre Dumas

The Man in the Iron Mask by Alexandre Dumas

The Three Musketeers by Alexandre Dumas

Ella Minnow Pea by Mark Dunn

The Name of the Rose by Umberto Eco

A Heartbreaking Work of Staggering Genius by Dave Eggers

Nickel and Dimed by Barbara Ehrenreich

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

Less Than Zero by Bret Easton Ellis

The Collected Stories by Welty Eudora

Middlesex by Jeffrey Eugenides

The Virgin Suicides by Jeffrey Eugenides

Introducing Evolutionary Psychology by Dylan Evans and Oscar Zarate

A Collapse of Horses by Brian Evenson

The Crimson Petal and the White by Michel Faber

The Wretched of the Earth by Frantz Fanon

What Ever Happened to Baby Jane by Henry Farrell

As I Lay Dying by William Faulkner

Sanctuary by William Faulkner

The Sound and the Fury by William Faulkner

The Faceless Old Woman Who Secretly Lives In Your Home by Joseph Fink and Jeffrey Cranor

It Devours! by Joseph Fink and Jeffrey Cranor

Welcome to Night Vale by Joseph Fink and Jeffrey Cranor

Time and Again by Jack Finney

Tender is the Night by F. Scott Fitzgerald

Madame Bovary by Gustave Flaubert

Gone Girl by Gillian Flynn

Everything is Illuminated by Jonathan Safran Foer

Johnny Tremain by Esther Hoskins Forbes

The Good Soldier by Ford Madox Ford

A Passage to India by E.M Forster

The Diary of Anne Frank

Lies (and the Lying Liars Who Tell Them) by Al Franken

River of Teeth by Sarah Gailey

Upright Women Wanted by Sarah Gailey

Good Omens by Neil Gaiman and Terry Pratchett

Neverwhere by Neil Gaiman

At Fear’s Altar by Richard Gavin

Count Zero by William Gibson

The Miracle Worker by William Gibson

Neuromancer by William Gibson

Howl and Other Poems by Allen Ginsberg

The Empress of Forever by Max Gladstone

Dead Souls by Nikolai Vasilievich Gogol

Lord of the Flies by William Golding

Marathon Man by William Goldman

These Violent Delights by Chloe Gong

The Nature of Witches by Rachel Griffin

Grimm’s Fairy Tales by Jacob and Wilhelm Grimm

My Life in Orange by Tim Guest

The Library of the Unwritten by A.J Hackwith

The Curious Incident of the Dog in the Night Time by Mark Haddon

The Raw Shark Texts by Steven Hall

The Gone-Away World by Nick Harkaway

Empire of Light by Alex Harrow

The Little Locksmith by Katherine Butler Hathaway

City of Lies by Sam Hawke

The Library at Mount Char by Scott Hawkins

The Scarlet Letter by Nathaniel Hawthorne

Bride by Ali Hazelwood

Descendant of the Crane by Joan He

Sacred Time by Ursula Hegi

Catch 22 by Joseph Heller

A Moveable Feast by Ernest Hemingway

The Complete Short Stories of Ernest Hemingway

The Sun Also Rises by Ernest Hemingway

The Final Girl Support Group by Grady Hendrix

How to Sell a Haunted House by Grady Hendrix

We Sold Our Souls by Grady Hendrix

Dune Series by Frank Herbert

Cover-Up by Seymour M. Hersh

Siddhartha by Hermann Hesse

Hex by Thomas Olde Heuvelt

The Last Cuentista by Donna Barba Higuera

Heart Shaped Box by Joe Hill

The Outsiders by S.E Hinton

The Book of Magic by Alice Hoffman

The Ice Queen by Alice Hoffman

The Invisible Hour by Alice Hoffman

Magic Lessons by Alice Hoffman

Practical Magic by Alice Hoffman

The Rule of Magic by Alice Hoffman

Rescuing Patty Hearst: Memories From a Decade Gone Mad by Virginia Holman

The Iliad by Homer

The Complete Polysyllabic Spree by Nick Hornby

High Fidelity by Nick Hornby

Songbook by Nick Hornby

To Escape the Stars by Robert Hoskins

A Thousand Splendid Suns by Khaled Hosseini

The Kite Runner by Khaled Hosseini

Pigs at the Trough by Arianna Huffington

The Hunchback of Notre Dame by Victor Hugo

Les Miserables by Victor Hugo

Warrior Cats Series by Erin Hunter

The Forest of Stolen Girls by June Hur

The Mirror Empire by Kameron Hurley

The Stars Are Legion by Kameron Hurley

Their Eyes Were Watching God by Zora Neale Hurston

Brave New World by Aldous Huxley

Dread Nation by Justina Ireland

A Single Man by Christopher Isherwood

The Unconsoled by Kazuo Ishiguro

The Lottery by Shirley Jackson

Daisy Miller by Henry James

False Bingo by Jac Jemc

The City We Became by N.K Jemisin

The Fifth Season by N.K Jemisin

Nervous System: Or, Losing My Mind in Literature by Jan Lars Jensen

The Dream-Quest of Vellitt Boe by Kij Johnson

Howl’s Moving Castle by Dianna Wynne Jones

My Heart is a Chainsaw by Stephen Graham Jones

The Only Good Indians by Stephen Graham Jones

Finnegan’s Wake by James Joyce

Ulysses by James Joyce

The Trial by Franz Kafka

The Archidamian War by Donald Kagan

The Fall of the Athenian Empire by Donald Kagan

The Outbreak of the Peloponnesian War by Donald Kagan

The Peace of Nicias and the Sicilian Expedition by Donald Kagan

The Vegetarian by Han Kang

The Hunger by Alma Katsu

Girl, Interrupted by Susanna Kaysen

The Story of My Life by Helen Keller

Out of Control by Kevin Kelly

The Paper Menagerie and Other Stories by Liu Ken

Ironweed by William Kennedy

You By Caroline Kepnes

On the Road by Jack Kerouac

Flowers for Algernon by Daniel Keyes

The Secret Life of Bees by Sue Monk Kidd

The Very Best of Caitlin R Kiernan

Carrie by Stephen King

Christine by Stephen King

Cujo by Stephen King

Pet Sematary by Stephen King

The Shawshank Redemption by Stephen King

The Shining by Stephen King

Thornhedge by T. Kingfisher

The Twisted Ones by T. Kingfisher

The Jungle Book by Rudyard Kipling

The Legends of King Arthur and His Knights by Sir James Knowles and Sir Thomas Malory

A Separate Peace by John Knowles

Gidget by Frederick Kohner

The Cipher by Kathe Koja

Into the Wild by Jon Krakauer

Extravagance by Gary Krist

Empire of the Vampire by Jay Kristoff

Babel by R.F Kuang

The Poppy War by R.F Kuang

The Namesake by Jhumpa Lahiri

False Hearts by Laura Lam

The Wide, Carnivorous Sky by John Langan

The Devil in the White City by Erik Larson

The Girl With the Dragon Tattoo by Stieg Larsson

The Changeling by Victor Lavelle

Lady Chatterley’s Lover by David Herbert Lawrence

Lies of the Fae by M.J Lawrie

Carmilla by Joseph Sheridan Le Fanu

A Wrinkle in Time by Madeleine L’Engle

A Wizard of Earthsea by Ursula K. Le Guin

The Dispossessed by Ursula K Le Guin

The Left Hand of Darkness by Ursula K. Le Guin

The Song of Names by Norman Lebrecht

The Raven Tower by Ann Leckie

Jade City by Fonda Lee

Forest of Souls by Lori M. Lee

The Dirt; Confessions of the Most Notorious Rock Band by Tommy Lee

Ninefox Gambit by Yoon Ha Lee

The Complete Pyramids by Mark Lehner

Solaris by Stanislaw Lem

Imperialism, The Highest Stage of Capitalism by Vladimir Lenin

Human Errors by Nathan H. Lents

The Phantom of the Opera by Gaston Leroux

The Fortress of Solitude by Jonathan Lethem

Rosemary’s Baby by Ira Levin

Small Island by Andrea Levy

A Ruin of Shadows by L.D Lewis

Teatro Grottesco by Thomas Ligotti

Six Crimson Cranes by Elizabeth Lim

Let the Right One In by John Lindquist

Stranger Things Happen by Kelly Link

The Holy Barbarians by Lawrence Lipton

The Three Body Problem by Cixin Liu

The Hike by Drew Magary

The Naked and the Dead by Norman Mailer

Sea of Tranquility by Emily St. John Mandel

One Hundred Years of Solitude by Gabriel Garcia Marquez and Gregory Rabassa

A Month Of Sundays: Searching For The Spirit And My Sister by Julie Mars

Life of Pi by Yann Martel

Mary Reilly by Valerie Martin

Property by Valerie Martin

The Razor’s Edge by W. Somerset Maugham

Rebecca by Daphne du Maurier

A Bolt from the Blue and Other Essays by Mary McCarthy

The Group by Mary McCarthy

Angela’s Ashes by Frank McCourt

Fletch by Gregory Mcdonald

Atonement by Ian McEwan

The Rapture by Claire McGlasson

Every Heart a Doorway by Seanan McGuire

Quattrocento by James McKean

The Nanny Diaries by Emma McLaughlin

Terms of Endearment Larry McMurtry

Moby Dick by Herman Melville

The Colonizer and the Colonized by Albert Memmi

A Mencken Chrestomathy by H.L Mencken

My Life as Author and Editor by H.L Mencken

Peyton Place by Grace Metalious

The Vanishing Newspaper by Philip Meyer

Perdido Street Station by China Mieville

The Life of Edna by St. Vincent Millay

Death of a Salesman by Arthur Miller

Sexus by Henry Miller

Slade House by David Mitchell

Gone With The Wind by Margaret Mitchell

Social Origins of Dictatorship and Democracy by Barrington Moore Jr.

The Beautiful Ones by Silvia Moreno-Garcia

Certain Dark Things by Silvia Moreno-Garcia

Beloved by Toni Morrison

Jazz by Toni Morrison

Song of Solomon by Toni Morrison

Gideon the Ninth by Tamsyn Muir

The Wind-Up Bird Chronicles by Haruki Murakami

In the Miso Soup by Ryu Murakami

Convenience Store Woman by Sayaka Murata

Earthlings by Sayaka Murata

Speak, Memory by Vladimir Nabokov

Reading Lolita in Tehran by Azar Nafisi

The Ritual by Adam Nevill

Under the Pendulum Sun by Jeannette Ng

The Complete Works of Friedrich Nietzsche

The Time Traveler’s Wife by Audrey Niffenegger

Ringworld by Larry Niven

Vurt by Jeff Noon

Mutiny on the Bounty by Charles Bernard Nordhoff and James Norman Hall

Twelve Nights at Rotter House by J.W Ocker

Revenge by Yoko Ogawa

Akata Witch by Nnedi Okorafor

Binti by Nnedi Okorafor

Flowers of the Sea by Reggie Oliver

Starvation Heights by Gregg Olsen

How To Breathe Underwater by Julie Orringer

Radio Silence by Alice Oseman

When the Emperor Was Divine by Julie Otsuka

Mr. Fox by Helen Oyeyemi

White Is For Witching by Helen Oyeyemi

Certain Dark Things by M.J Pack

The Secret of Ventriloquism by Jon Padgett

The Gnostic Gospels by Elaine Pagels

Haunted by Chuck Palahniuk

Complete Stories of Dorothy Parker

Dark Harvest by Norman Partridge

Bel Canto by Ann Patchett

Wolf Brother by Michelle Paver

Night Film by Marisha Pessl

How the Light Gets In by Jolina Petersheim

The Song the Owl God Sang by Benjamin Peterson

A Mankind Beyond Earth by Claude A. Piantadosi

My Sister’s Keeper by Jodie Piccoult

We Owe You Nothing by Punk Planet

The Bell Jar by Sylvia Plath

The Unabridged Journals of Sylvia Plath

Complete Stories and Poems of Edgar Allen Poe

Witchmark by C.L Polk

Complete Novels by Dawn Powell

Selected Letters of Dawn Powell: 1913-1965 by Dawn Powell

The Overstory by Richard Powers

Truth and Beauty by Ann Pratchett

Discworld Series by Terry Pratchett

The Legend of Bagger Vance by Steven Pressfield

Brokeback Mountain by Annie Proulx

Swann’s Way by Marcel Proust

The Godfather by Mario Puzo

The Fountainhead by Ayn Rand

The Yearling by Marjorie Kinnan Rawlings

A Study in Drowning by Ava Reid

Juniper and Thorn by Ava Reid

I’m Thinking of Ending Things by Iain Reid

High Moor by Graeme Reynolds

Sybil by Schreiber Flora Rheta

The Vampire Chronicles by Anne Rice

Letters to a Young Poet by Rainer Maria Rilke

Stiff by Mary Roach

Trail of Lightning by Rebecca Roanhorse

Robert’s Rules of Order by Henry M. Robert

The True and Outstanding Adventures of the Hunt Sisters by Elisabeth Robinson

The Language Construction Kit by Mark Rosenfelder

The Planet Construction Kit by Mark Rosenfelder

The God of Small Things by Arundhati Roy

Lisa and David by Theodore Isaac Rubin, M.D

The Hacker and the Ants by Rudy Rucker

Swamplandia! by Karen Russell

Empire Falls by Richard Russo

The Sunshine Court by Nora Sakavic

The Catcher in the Rye by J.D Sallinger

Franny and Zooey by J.D Sallinger

The Man Who Collected Machen by Mark Samuels

Ariah by B.R Sanders

Blindness by Jose Saramago

Shane by Jack Schaefer

Vicious by V.E Schwab

Fever Dream by Samanta Schweblin

Bhagavad Gita by Graham M. Schweig

The Lovely Bones by Alice Sebold

Me Talk Pretty One Day by David Sedaris

Love Story by Erich Segal

The Complete Poems by Anne Sexton

The Complete Works of William Shakespeare

The Priory of the Orange Tree by Samantha Shannon

Pygmalion by Bernard Shaw

Frankenstein by Mary Shelley

Unless by Carol Shields

City Come A-Walkin’ by John Shirley

Balzac and the Little Chinese Seamstress by Dai Sijie

Crush by Richard Siken

Hyperion by Dan Simmons

The Terror by Dan Simmons

The Jungle by Upton Sinclair

Oil! by Upton Sinclair

Of Sorrow and Such by Angela Slatter

A Tree Grows In Brooklyn by Betty Smith

The Flinch by Julien Smith

Chlorine by Jade Song

Beneath the Citadel by Destiny Soria

Ethics by Benedictus de Spinoza

Last Breath by Peter Stark

The Luminous Dead by Caitlin Starling

Fiddler on the Roof by Joseph Stein

The Grapes of Wrath by John Steinbeck

Of Mice and Men by John Steinbeck

City Under the Moon Hugh Sterbakov

Islands in the Net by Bruce Sterling

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

Treasure Island by Robert Louis Stevenson

The Bone Shard Daughter by Andrea Stewart

Dracula by Bram Stoker

Uncle Tom’s Cabin by Harriet Beecher Stowe

Sophie’s Choice by William Styron

Valley of the Dolls by Jacqueline Susane

Stations of the Tide by Michael Swanwick

The Joy Luck Club by Amy Tan

The Opposite of Fate by Amy Tan

Vanity Fair by William Makepeace Thackeray

Fierce Femmes and Notorious Liars by Kai Cheng Thom

Fear and Loathing in Las Vegas by Hunter S. Thompson

Walden by Henry D. Thoreau

An Affair of Poisons by Addie Thorley

Secrets of the Flesh by Judith Thurman

Lord of the Rings by J.R.R Tolkien

Anna Karenina by Leo Tolstoy

War and Peace by Leo Tolstoy

A Confederacy of Dunces by John Kennedy Toole

Sisyphean by Dempow Torishima

The Song Reader by Lisa Tucker

A Connecticut Yankee in King Arthur’s Court by Mark Twain

The Adventures of Huckleberry Finn by Mark Twain

The Adventures of Tom Sawyer by Mark Twain

The Prince and the Pauper by Mark Twain

The Art of War by Sun Tzu

Driving Miss Daisy by Alfred Uhry

Chilling Effect by Valerie Valdes

Palimpsest by Catherynne M. Valente

Space Opera by Catherynne M. Valente

Annihilation by Jeff Vandermeer

Crier’s War by Nina Varela

A Journey to the Centre of the Earth by Jules Verne

Around the World in Eighty Days Jules Verne

Twenty Thousand Leagues Under The Sea by Jules Verne

The Last Empire- Essays 1992-2000 by Gore Vidal

Just a Couple of Days by Tony Vigorito

The Empress of Salt and Fortune by Nghi Vo

Candide by Voltaire

Galapagos by Kurt Vonnegut

Slaughterhouse Five by Kurt Vonnegut

Fire in the Sky; The Walton Experience by Travis Walton

Blood Over Bright Haven by M.L Wang

The Graduate by Charles Webb

The Golem and the Jinni by Helene Wecker

Project Hail Mary by Andy Weir

I Am Not A Serial Killer by Dan Wells

The Invisible Man by H.G Wells

The Time Machine by H.G Wells

The War of the Worlds by H.G Wells

All Systems Red by Martha Wells

The Cloud Roads by Martha Wells

Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells

Prophesy Deliverance by Cornel West

Ship of Smoke and Steel by Django Wexler

Ethan Frome by Edith Wharton

Roman Fever by Edith Wharton

Leaves of Grass by Walt Whitman

Rebecca of Sunnybrook Farm by Kate Douglas Smith Wiggin

The Picture of Dorian Gray by Oscar Wilde

A Streetcar Named Desire by Tennessee Williams

The Code of the Woosters by P.G Wodehouse

Shadow of the Torturer by Gene Wolfe

The Electric Koolaid Test by Tom Wolfe

Old School by Tobias Wolff

John Dies at the End by David Wong

A Room of One’s Own by Virginia Woolf

Mrs. Dolloway by Virginia Woolf

Bitch; In Praise of Difficult Women by Elizabeth Wurtzel

The Black Tides of Heaven by Jy Yang

Negative Space by B.R Yeager

Beneath the Moon by Yoshi Yoshitani

The Shadow of the Wind by Carlos Ruiz Zafon

Tomorrow, and Tommorow, and Tomorrow by Gabrielle Zevin

[gooseberrily]

☆☆☆ hiiiii welcome to my page !!! :^] ☆☆☆

☆ purple character enjoyer

☆ roddy from flushed away lookalike

☆ loves a good puzzle !

☆ i sometimes make stuff

☆ a directory of things i post about under the cut ! :]

in no particular order (the categories filter through):

☆ historical / period drama

cranford

jane austen

elizabeth gaskell

downton abbey

sherlock holmes / granada holmes

all creatures great and small (2020)

lark rise to candleford

jeeves and wooster

the winslow boy

pentiment

the pillars of the earth (2017 video game)

sommer in lesmona (novel)

the hour

☆ comedy

inspector george gently

master & commander / aubreyad

hornblower

monk

welcome to our village, please invade carefully

making fiends

sam & max

monkey island

mord mit aussicht

☆ the rest goes here

better call saul (technically a period drama & a comedy. discuss)

severance

fargo

ojamajo doremi

unforgotten

professor layton

ace attorney

disco elysium

puzzle agent

pushing daisies

☆ saved (resources etc)

☆ faves

[themovieblogonline]

Lily and Sebastian’s New Horror Thriller: Let The Evil Go West

Christian Tafdrup is brewing a new horror thriller flick in his director’s seat and the main faces of the film will be none other than Lily James and Sebastian Stan. Here's everything we know so far.  Penned by Xc Vs and directed by Christian Tafdrup, Let The Evil Go West is an upcoming psychological-thriller horror film that will make you look over your shoulder in the dark. north.five.six, CAA Media Finance and UTA Independent Film Group are on the task of launching the feature’s sales in Cannes. Since the film is still in the early stages of pre-production, the release date isn’t known, but it’s for sure, given Tafdrup’s directorial track record, comprising of his debut feature Parents (2016), A Horrible Woman (2017) and Danish psychological thriller Speak No Evil (2022), the upcoming movie will pack a horrifying punch.  Let the Evil Go West – The Plot Thickens Produced by Star Thrower Entertainment, Let The Evil Go West follows the story of a railroad worker. Under terrible and unsettling circumstances, he uncovers a fortune. However, all that glitters isn’t gold and a series of unfortunate and terrifying incidents begin to plague the small family. Soon, apparitions and inexplicable visions drive the man to the brink of madness. He and his wife are convinced that whatever he found, unleashed a malicious spirit and is haunting them.  We're not expecting a dull moment with Christian Tafdrup and his creatively dark and horror-loving energy. We’ll just have to wait and see if Let The Evil Go West has that scare-you-out-of-your-skin potential.  The Perfect Pairing The leading cast of Let The Evil Go West includes Lily James and Sebastian Stan, both of who’ll also be executive producing. Lily James has previously starred in a comedy-horror post-apocalyptic movie Pride and Prejudice and Zombies (2015), but she has that natural knack for mastering any role she takes, so she’s the perfect actress to balance the movie with her charm and brimming talent for the role. She’s known for her titular role in the Disney live-action feature Cinderella (2015) and Downton Abbey (2012-2015).  Sebastian Stan has worked in various roles throughout his career. His suave personality paired with his Hollywood smile is a winning combination in movies. He has starred in A Different Man (2024), as Bucky Barnes in the Marvel Comic Universe (MCU), and in an upcoming Cannes release, The Apprentice (2024) as young Donald Trump.  The Stars Collide Again Lily James and Sebastian Stan will be pairing again, after their successful run of the black comedy-crime Hulu miniseries Pam and Tommy (2022). It’s based on the whirlwind marriage of Pamela Anderson and Tommy Lee and their chaotic 4-day honeymoon in Cancun. During this trip a raunchy and indecent tape of the couple gets leaked online. Since the dynamic duo is on the screen, that too for a chilling and dreadful film, then you know it’s going to be good.  https://www.youtube.com/watch?v=c7p2gClUmfM Read the full article

[thejacksmit]

First Take: Teenage Mutant Ninja Turtles: Mutant Mayhem - mean, green but so lovable

SYNOPSIS: The film follows the Turtle brothers as they work to earn the love of New York City while facing down an army of mutants.

Who would’ve thought that Point Grey - a company best known for raunchy adult comedy clearly written under the influence of something - would partner with Nickelodeon to make a brand new Teenage Mutant Ninja Turtles movie? Nobody did, but it’s a combination that seems to work. For the first time in years, we have an animated TMNT playing in cinemas, competing with the might of Barbie and Oppenheimer, and even with that competition… it is so nice to see it get a wide release.

Jeff Rowe is a fantastic choice to direct this one, coming in at 1 hour 39 minutes it’s short, snappy, straight to the point, and gets the job done in good time, and this is testament to the script he co-wrote with Seth Rogen, Evan Goldberg, Dan Hernandez and Benji Samit - yes, Rogen has co-written a PG certificate film. And he NAILED it. This is done with a lot of love for the source material, yet the animation style is completely new and unique, obviously using Spider-Verse as a clear inspiration, right down to the score- if Pemberton could use synths on those two films, Turtles gets Trent Reznor and Atticus Ross - and a very Tony Hawk Pro Skater kind of soundtrack to boot.

Onto the cast, and this is where Rogen and his mates have really excelled in creating a fun film - Micah Abbey, Shamon Brown Jr, Nicolas Cantu and Brady Noon are outstanding choices for the turtles, actually looking and sounding like teenagers for a change - supporting them is Ayo Edibiri, Jackie Chan as Master Splinter, Ice Cube as the villain, and Rose Byrne, Natasia Demetriou, Paul Rudd, Hannibal Buress, Maya Rudolph, John Cena, and Rogen himself. It’s so obvious that they are all fans, because this is one of those kinds of films that just gets its assignment and delivers a top quality piece of big screen entertainment.

THE VERDICT

Mutant Mayhem is an absolute cracker of a way to start a new Turtles franchise - with its own style, a brilliant soundtrack, and a knowing look ahead to the already confirmed TV spinoff and inevitable sequel, there’s something for everyone if that certain ‘pink’ film gets a bit too much for audiences.

RATING: 4/5

[literarypilgrim]

Read Like a Gilmore

All 339 Books Referenced In “Gilmore Girls” 

Not my original list, but thought it’d be fun to go through and see which one’s I’ve actually read :P If it’s in bold, I’ve got it, and if it’s struck through, I’ve read it. I’ve put a ‘read more’ because it ended up being an insanely long post, and I’m now very sad at how many of these I haven’t read. (I’ve spaced them into groups of ten to make it easier to read)

1. 1984 by George Orwell  2. Adventures of Huckleberry Finn by Mark Twain 3. Alice in Wonderland by Lewis Carroll 4. The Amazing Adventures of Kavalier & Clay by Michael Chabon 5. An American Tragedy by Theodore Dreiser 6. Angela’s Ashes by Frank McCourt 7. Anna Karenina by Leo Tolstoy 8. The Diary of a Young Girl by Anne Frank 9. The Archidamian War by Donald Kagan 10. The Art of Fiction by Henry James 

11. The Art of War by Sun Tzu 12. As I Lay Dying by William Faulkner 13. Atonement by Ian McEwan 14. Autobiography of a Face by Lucy Grealy 15. The Awakening by Kate Chopin 16. Babe by Dick King-Smith 17. Backlash: The Undeclared War Against American Women by Susan Faludi 18. Balzac and the Little Chinese Seamstress by Dai Sijie 19. Bel Canto by Ann Patchett 20. The Bell Jar by Sylvia Plath 21. Beloved by Toni Morrison 22. Beowulf: A New Verse Translation by Seamus Heaney 23. The Bhagava Gita 24. The Bielski Brothers: The True Story of Three Men Who Defied the Nazis, Built a Village in the Forest, and Saved 1,200 Jews by Peter Duffy 25. Bitch in Praise of Difficult Women by Elizabeth Wurtzel 26. A Bolt from the Blue and Other Essays by Mary McCarthy 27. Brave New World by Aldous Huxley 28. Brick Lane by Monica Ali 29. Bridgadoon by Alan Jay Lerner 30. Candide by Voltaire 31. The Canterbury Tales by Chaucer 32. Carrie by Stephen King 33. Catch-22 by Joseph Heller 34. The Catcher in the Rye by J. D. Salinger 35. Charlotte’s Web by E. B. White 36. The Children’s Hour by Lillian Hellman 37. Christine by Stephen King 38. A Christmas Carol by Charles Dickens 39. A Clockwork Orange by Anthony Burgess 40. The Code of the Woosters by P.G. Wodehouse    41. The Collected Stories by Eudora Welty 42. A Comedy of Errors by William Shakespeare 43. Complete Novels by Dawn Powell 44. The Complete Poems by Anne Sexton 45. Complete Stories by Dorothy Parker 46. A Confederacy of Dunces by John Kennedy Toole 47. The Count of Monte Cristo by Alexandre Dumas 48. Cousin Bette by Honore de Balzac 49. Crime and Punishment by Fyodor Dostoevsky 50. The Crimson Petal and the White by Michel Faber    51. The Crucible by Arthur Miller 52. Cujo by Stephen King 53. The Curious Incident of the Dog in the Night-Time by Mark Haddon 54. Daughter of Fortune by Isabel Allende 55. David and Lisa by Dr Theodore Issac Rubin M.D 56. David Copperfield by Charles Dickens 57. The Da Vinci Code by Dan Brown 58. Dead Souls by Nikolai Gogol 59. Demons by Fyodor Dostoyevsky 60. Death of a Salesman by Arthur Miller 61. Deenie by Judy Blume 62. The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America by Erik Larson 63. The Dirt: Confessions of the World’s Most Notorious Rock Band by Tommy Lee, Vince Neil, Mick Mars and Nikki Sixx 64. The Divine Comedy by Dante 65. The Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells 66. Don Quixote by Cervantes 67. Driving Miss Daisy by Alfred Uhrv 68. Dr. Jekyll & Mr. Hyde by Robert Louis Stevenson 69. Edgar Allan Poe: Complete Tales & Poems by Edgar Allan Poe 70. Eleanor Roosevelt by Blanche Wiesen Cook 71. The Electric Kool-Aid Acid Test by Tom Wolfe 72. Ella Minnow Pea: A Novel in Letters by Mark Dunn  73. Eloise by Kay Thompson 74. Emily the Strange by Roger Reger 75. Emma by Jane Austen 76. Empire Falls by Richard Russo 77. Encyclopedia Brown: Boy Detective by Donald J. Sobol 78. Ethan Frome by Edith Wharton 79. Ethics by Spinoza 80. Europe through the Back Door, 2003 by Rick Steves

81. Eva Luna by Isabel Allende 82. Everything Is Illuminated by Jonathan Safran Foer 83. Extravagance by Gary Krist 84. Fahrenheit 451 by Ray Bradbury 85. Fahrenheit 9/11 by Michael Moore 86. The Fall of the Athenian Empire by Donald Kagan 87. Fat Land: How Americans Became the Fattest People in the World by Greg Critser 88. Fear and Loathing in Las Vegas by Hunter S. Thompson 89. The Fellowship of the Ring by J. R. R. Tolkien 90. Fiddler on the Roof by Joseph Stein 91. The Five People You Meet in Heaven by Mitch Albom 92. Finnegan’s Wake by James Joyce 93. Fletch by Gregory McDonald 94. Flowers for Algernon by Daniel Keyes 95. The Fortress of Solitude by Jonathan Lethem 96. The Fountainhead by Ayn Rand 97. Frankenstein by Mary Shelley 98. Franny and Zooey by J. D. Salinger 99. Freaky Friday by Mary Rodgers 100. Galapagos by Kurt Vonnegut 101. Gender Trouble by Judith Butler 102. George W. Bushism: The Slate Book of the Accidental Wit and Wisdom of our 43rd President by Jacob Weisberg 103. Gidget by Fredrick Kohner 104. Girl, Interrupted by Susanna Kaysen 105. The Gnostic Gospels by Elaine Pagels 106. The Godfather: Book 1 by Mario Puzo 107. The God of Small Things by Arundhati Roy  108. Goldilocks and the Three Bears by Alvin Granowsky  109. Gone with the Wind by Margaret Mitchell  110. The Good Soldier by Ford Maddox Ford 

111. The Gospel According to Judy Bloom 112. The Graduate by Charles Webb 113. The Grapes of Wrath by John Steinbeck 114. The Great Gatsby by F. Scott Fitzgerald 115. Great Expectations by Charles Dickens 116. The Group by Mary McCarthy 117. Hamlet by William Shakespeare 118. Harry Potter and the Goblet of Fire by J. K. Rowling 119. Harry Potter and the Sorcerer’s Stone by J. K. Rowling 120. A Heartbreaking Work of Staggering Genius by Dave Eggers    121. Heart of Darkness by Joseph Conrad 122. Helter Skelter: The True Story of the Manson Murders by Vincent Bugliosi and Curt Gentry 123. Henry IV, part I by William Shakespeare 124. Henry IV, part II by William Shakespeare 125. Henry V by William Shakespeare 126. High Fidelity by Nick Hornby 127. The History of the Decline and Fall of the Roman Empire by Edward Gibbon 128. Holidays on Ice: Stories by David Sedaris 129. The Holy Barbarians by Lawrence Lipton 130. House of Sand and Fog by Andre Dubus III    131. The House of the Spirits by Isabel Allende 132. How to Breathe Underwater by Julie Orringer 133. How the Grinch Stole Christmas by Dr. Seuss  134. How the Light Gets In by M. J. Hyland  135. Howl by Allen Ginsberg  136. The Hunchback of Notre Dame by Victor Hugo  137. The Iliad by Homer 138. I’m With the Band by Pamela des Barres  139. In Cold Blood by Truman Capote  140. Inferno by Dante 

141. Inherit the Wind by Jerome Lawrence and Robert E. Lee 142. Iron Weed by William J. Kennedy 143. It Takes a Village by Hillary Rodham Clinton 144. Jane Eyre by Charlotte Bronte 145. The Joy Luck Club by Amy Tan 146. Julius Caesar by William Shakespeare 147. The Jumping Frog by Mark Twain 148. The Jungle by Upton Sinclair 149. Just a Couple of Days by Tony Vigorito 150. The Kitchen Boy: A Novel of the Last Tsar by Robert Alexander 151. Kitchen Confidential: Adventures in the Culinary Underbelly by Anthony Bourdain 152. The Kite Runner by Khaled Hosseini 153. Lady Chatterleys’ Lover by D. H. Lawrence 154. The Last Empire: Essays 1992-2000 by Gore Vidal 155. Leaves of Grass by Walt Whitman 156. The Legend of Bagger Vance by Steven Pressfield 157. Less Than Zero by Bret Easton Ellis 158. Letters to a Young Poet by Rainer Maria Rilke 159. Lies and the Lying Liars Who Tell Them by Al Franken  160. Life of Pi by Yann Martel 

161. Little Dorrit by Charles Dickens 162. The Little Locksmith by Katharine Butler Hathaway 163. The Little Match Girl by Hans Christian Andersen 164. Little Women by Louisa May Alcott 165. Living History by Hillary Rodham Clinton 166. Lord of the Flies by William Golding 167. The Lottery: And Other Stories by Shirley Jackson 168. The Lovely Bones by Alice Sebold 169. The Love Story by Erich Segal 170. Macbeth by William Shakespeare 171. Madame Bovary by Gustave Flaubert 172. The Manticore by Robertson Davies 173. Marathon Man by William Goldman 174. The Master and Margarita by Mikhail Bulgakov 175. Memoirs of a Dutiful Daughter by Simone de Beauvoir 176. Memoirs of General W. T. Sherman by William Tecumseh Sherman 177. Me Talk Pretty One Day by David Sedaris 178. The Meaning of Consuelo by Judith Ortiz Cofer 179. Mencken’s Chrestomathy by H. R. Mencken 180. The Merry Wives of Windsor by William Shakespeare 181. The Metamorphosis by Franz Kafka 182. Middlesex by Jeffrey Eugenides 183. The Miracle Worker by William Gibson 184. Moby Dick by Herman Melville 185. The Mojo Collection: The Ultimate Music Companion by Jim Irvin  186. Moliere: A Biography by Hobart Chatfield Taylor  187. A Monetary History of the United States by Milton Friedman  188. Monsieur Proust by Celeste Albaret  189. A Month Of Sundays: Searching For The Spirit And My Sister by Julie Mars 190. A Moveable Feast by Ernest Hemingway 

191. Mrs. Dalloway by Virginia Woolf 192. Mutiny on the Bounty by Charles Nordhoff and James Norman Hall 193. My Lai 4: A Report on the Massacre and It’s Aftermath by Seymour M. Hersh 194. My Life as Author and Editor by H. R. Mencken 195. My Life in Orange: Growing Up with the Guru by Tim Guest 196. Myra Waldo’s Travel and Motoring Guide to Europe, 1978 by Myra Waldo 197. My Sister’s Keeper by Jodi Picoult 198. The Naked and the Dead by Norman Mailer 199. The Name of the Rose by Umberto Eco 200. The Namesake by Jhumpa Lahiri 201. The Nanny Diaries by Emma McLaughlin 202. Nervous System: Or, Losing My Mind in Literature by Jan Lars Jensen 203. New Poems of Emily Dickinson by Emily Dickinson 204. The New Way Things Work by David Macaulay 205. Nickel and Dimed by Barbara Ehrenreich 206. Night by Elie Wiesel 207. Northanger Abbey by Jane Austen 208. The Norton Anthology of Theory and Criticism by William E. Cain, Laurie A. Finke, Barbara E. Johnson, John P. McGowan 209. Novels 1930-1942: Dance Night/Come Back to Sorrento, Turn, Magic Wheel/Angels on Toast/A Time to be Born by Dawn Powell 210. Notes of a Dirty Old Man by Charles Bukowski

211. Of Mice and Men by John Steinbeck (will NEVER read again) 212. Old School by Tobias Wolff 213. On the Road by Jack Kerouac 214. One Flew Over the Cuckoo’s Nest by Ken Kesey 215. One Hundred Years of Solitude by Gabriel Garcia Marquez 216. The Opposite of Fate: Memories of a Writing Life by Amy Tan 217. Oracle Night by Paul Auster 218. Oryx and Crake by Margaret Atwood 219. Othello by Shakespeare 220. Our Mutual Friend by Charles Dickens 221. The Outbreak of the Peloponnesian War by Donald Kagan 222. Out of Africa by Isac Dineson 223. The Outsiders by S. E. Hinton 224. A Passage to India by E.M. Forster 225. The Peace of Nicias and the Sicilian Expedition by Donald Kagan 226. The Perks of Being a Wallflower by Stephen Chbosky 227. Peyton Place by Grace Metalious 228. The Picture of Dorian Gray by Oscar Wilde 229. Pigs at the Trough by Arianna Huffington 230. Pinocchio by Carlo Collodi 231. Please Kill Me: The Uncensored Oral History of Punk Legs McNeil and Gillian McCain 232. The Polysyllabic Spree by Nick Hornby 233. The Portable Dorothy Parker by Dorothy Parker 234. The Portable Nietzche by Fredrich Nietzche 235. The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O’Neill by Ron Suskind 236. Pride and Prejudice by Jane Austen 237. Property by Valerie Martin 238. Pushkin: A Biography by T. J. Binyon  239. Pygmalion by George Bernard Shaw  240. Quattrocento by James Mckean 

241. A Quiet Storm by Rachel Howzell Hall 242. Rapunzel by Grimm Brothers 243. The Raven by Edgar Allan Poe 244. The Razor’s Edge by W. Somerset Maugham 245. Reading Lolita in Tehran: A Memoir in Books by Azar Nafisi 246. Rebecca by Daphne du Maurier 247. Rebecca of Sunnybrook Farm by Kate Douglas Wiggin 248. The Red Tent by Anita Diamant 249. Rescuing Patty Hearst: Memories From a Decade Gone Mad by Virginia Holman 250. The Return of the King by J. R. R. Tolkien 251. R Is for Ricochet by Sue Grafton 252. Rita Hayworth by Stephen King 253. Robert’s Rules of Order by Henry Robert 254. Roman Holiday by Edith Wharton 255. Romeo and Juliet by William Shakespeare 256. A Room of One’s Own by Virginia Woolf 257. A Room with a View by E. M. Forster 258. Rosemary’s Baby by Ira Levin 259. The Rough Guide to Europe, 2003 Edition 260. Sacred Time by Ursula Hegi 261. Sanctuary by William Faulkner 262. Savage Beauty: The Life of Edna St. Vincent Millay by Nancy Milford 263. Say Goodbye to Daisy Miller by Henry James 264. The Scarecrow of Oz by Frank L. Baum 265. The Scarlet Letter by Nathaniel Hawthorne  266. Seabiscuit: An American Legend by Laura Hillenbrand  267. The Second Sex by Simone de Beauvoir  268. The Secret Life of Bees by Sue Monk Kidd  269. Secrets of the Flesh: A Life of Colette by Judith Thurman  270. Selected Hotels of Europe 

271. Selected Letters of Dawn Powell: 1913-1965 by Dawn Powell 272. Sense and Sensibility by Jane Austen 273. A Separate Peace by John Knowles 274. Several Biographies of Winston Churchill 275. Sexus by Henry Miller 276. The Shadow of the Wind by Carlos Ruiz Zafon 277. Shane by Jack Shaefer 278. The Shining by Stephen King 279. Siddhartha by Hermann Hesse 280. S Is for Silence by Sue Grafton 281. Slaughter-house Five by Kurt Vonnegut 282. Small Island by Andrea Levy 283. Snows of Kilimanjaro by Ernest Hemingway 284. Snow White and Rose Red by Grimm Brothers 285. Social Origins of Dictatorship and Democracy: Lord and Peasant in the Making of the Modern World by Barrington Moore 286. The Song of Names by Norman Lebrecht 287. Song of the Simple Truth: The Complete Poems of Julia de Burgos by Julia de Burgos 288. The Song Reader by Lisa Tucker 289. Songbook by Nick Hornby 290. The Sonnets by William Shakespeare 291. Sonnets from the Portuegese by Elizabeth Barrett Browning 292. Sophie’s Choice by William Styron  293. The Sound and the Fury by William Faulkner  294. Speak, Memory by Vladimir Nabokov 295. Stiff: The Curious Lives of Human Cadavers by Mary Roach  296. The Story of My Life by Helen Keller  297. A Streetcar Named Desiree by Tennessee Williams  298. Stuart Little by E. B. White  299. Sun Also Rises by Ernest Hemingway  300. Swann’s Way by Marcel Proust 

301. Swimming with Giants: My Encounters with Whales, Dolphins and Seals by Anne Collett 302. Sybil by Flora Rheta Schreiber 303. A Tale of Two Cities by Charles Dickens 304. Tender Is The Night by F. Scott Fitzgerald 305. Term of Endearment by Larry McMurtry 306. Time and Again by Jack Finney 307. The Time Traveler’s Wife by Audrey Niffenegger 308. To Have and Have Not by Ernest Hemingway 309. To Kill a Mockingbird by Harper Lee 310. The Tragedy of Richard III by William Shakespeare    311. A Tree Grows in Brooklyn by Betty Smith 312. The Trial by Franz Kafka 313. The True and Outstanding Adventures of the Hunt Sisters by Elisabeth Robinson 314. Truth & Beauty: A Friendship by Ann Patchett 315. Tuesdays with Morrie by Mitch Albom 316. Ulysses by James Joyce 317. The Unabridged Journals of Sylvia Plath 1950-1962 by Sylvia Plath 318. Uncle Tom’s Cabin by Harriet Beecher Stowe 319. Unless by Carol Shields  320. Valley of the Dolls by Jacqueline Susann 

321. The Vanishing Newspaper by Philip Meyers 322. Vanity Fair by William Makepeace Thackeray 323. Velvet Underground’s The Velvet Underground and Nico (Thirty Three and a Third series) by Joe Harvard 324. The Virgin Suicides by Jeffrey Eugenides 325. Waiting for Godot by Samuel Beckett 326. Walden by Henry David Thoreau 327. Walt Disney’s Bambi by Felix Salten 328. War and Peace by Leo Tolstoy 329. We Owe You Nothing – Punk Planet: The Collected Interviews edited by Daniel Sinker 330. What Colour is Your Parachute? 2005 by Richard Nelson Bolles 331. What Happened to Baby Jane by Henry Farrell 332. When the Emperor Was Divine by Julie Otsuka 333. Who Moved My Cheese? by Spencer Johnson 334. Who’s Afraid of Virginia Woolf by Edward Albee 335. Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire 336. The Wizard of Oz by Frank L. Baum 337. Wuthering Heights by Emily Bronte 338. The Yearling by Marjorie Kinnan Rawlings 339. The Year of Magical Thinking by Joan Didion

[carnetsdelaura]

22 books I want to (re)read in 2022

Thanks the the tag @peregrination-studies!

I’ve made a list in my reading journal but everything is written in French and it’s in no particular order so let’s make it a bit easier to read…

Classics

Sense and sensibility, Jane Austen

Northanger Abbey, Jane Austen

The Master and Margarita, Bulgakov

Rebecca, Daphné du Maurier

The Iliad, Homer

The Divine Comedy, Dante

1984, Orwell

YA/New Adult/« I’ve heard and read a lot about it »

Normal People, Sally Rooney

The Invisible Life of Addie LaRue, VE Schwab

The Seven Husbands of Evelyn Hugo, Reid

Monster of Verity, VE Schwab

Gallant, VE Schwab

Neverwhere, Gaiman

The Starless Sea, Morgenstern

The Smoke Thieves, Sally Green

Miscellaneous

Dune Messiah, Herbert (maybe it’s a classic?)

If by a winter night a traveler…, Calvino

The Second Sex, Simone de Beauvoir (French feminist)

Looking for the woman, Alice Ferney (French author and I translated the title myself)

The English teapot, Nelly Buisson (same)

Gender-neutral names, Amélie Nothomb (same!)

Trencadis, Caroline Deyns (about the artist Niki de Saint Phalle)

This is such a wild list… I want to challenge myself for 2022 and read things I’ve never read before.

Tagging @frithams @justanotherstudyblrinthecrowd and whoever wants to do it!

Take care,

Laura

[grigori77]

2020 in Movies - My Top 30 Fave Movies (Part 2)

20.  ONWARD – Disney and Pixar’s best digitally animated family feature of 2020 (beating the admittedly impressive Soul to the punch) clearly has a love of fantasy roleplay games like Dungeons & Dragons, its quirky modern-day AU take populated by fantastical races and creatures seemingly tailor-made for the geek crowd … needless to say, me and many of my friends absolutely loved it.  That doesn’t mean that the classic Disney ideals of love, family and believing in yourself have been side-lined in favour of fan-service – this is as heartfelt, affecting and tearful as their previous standouts, albeit with plenty of literal magic added to the metaphorical kind.  The central premise is a clever one – once upon a time, magic was commonplace, but over the years technology came along to make life easier, so that in the present day the various races (elves, centaurs, fauns, pixies, goblins and trolls among others) get along fine without it. Then timid elf Ian Lightfoot (Tom Holland) receives a wizard’s staff for his sixteenth birthday, a bequeathed gift from his father, who died before he was born, with instructions for a spell that could bring him back to life for one whole day.  Encouraged by his brash, over-confident wannabe adventurer elder brother Barley (Chris Pratt), Ian tries it out, only for the spell to backfire, leaving them with the animated bottom half of their father and just 24 hours to find a means to restore the rest of him before time runs out.  Cue an “epic quest” … needless to say, this is another top-notch offering from the original masters of the craft, a fun, affecting and thoroughly infectious family-friendly romp with a winning sense of humour and inspired, flawless world-building.  Holland and Pratt are both fantastic, their instantly believable, ill-at-ease little/big brother chemistry effortlessly driving the story through its ingenious paces, and the ensuing emotional fireworks are hilarious and heart-breaking in equal measure, while there’s typically excellent support from Julia Louis-Dreyfus (Elaine from Seinfeld) as Ian and Barley’s put-upon but supportive mum, Laurel, Octavia Spencer as once-mighty adventurer-turned-restaurateur “Corey” the Manticore and Mel Rodriguez (Getting On, The Last Man On Earth) as overbearing centaur cop (and Laurel’s new boyfriend) Colt Bronco.  The film marks the sophomore feature gig for Dan Scanlon, who debuted with 2013’s sequel Monsters University, and while that was enjoyable enough I ultimately found it non-essential – no such verdict can be levelled against THIS film, the writer-director delivering magnificently in all categories, while the animation team have outdone themselves in every scene, from the exquisite environments and character/creature designs to some fantastic (and frequently delightfully bonkers) set-pieces, while there’s a veritable riot of brilliant RPG in-jokes to delight geekier viewers (gelatinous cube! XD).  Massive, unadulterated fun, frequently hilarious and absolutely BURSTING with Disney’s trademark heart, this was ALMOST my animated feature of the year.  More on that later …

19.  THE GENTLEMEN – Guy Ritchie’s been having a rough time with his last few movies (The Man From UNCLE didn’t do too bad but it wasn’t exactly a hit and was largely overlooked or simply ignored, while intended franchise-starter King Arthur: Legend of the Sword was largely derided and suffered badly on release, dying a quick death financially – it’s a shame on both counts, because I really liked them), so it’s nice to see him having some proper success with his latest, even if he has basically reverted to type to do it.  Still, when his newest London gangster flick is THIS GOOD it seems churlish to quibble – this really is what he does best, bringing together a collection of colourful geezers and shaking up their status quo, then standing back and letting us enjoy the bloody, expletive-riddled results. This particularly motley crew is another winning selection, led by Matthew McConaughey as ruthlessly successful cannabis baron Mickey Pearson, who’s looking to retire from the game by selling off his massive and highly lucrative enterprise for a most tidy sum (some $400,000,000 to be precise) to up-and-coming fellow American ex-pat Matthew Berger (Succession’s Jeremy Strong, oozing sleazy charm), only for local Chinese triad Dry Eye (Crazy Rich Asians’ Henry Golding, chewing the scenery with enthusiasm) to start throwing spanners into the works with the intention of nabbing the deal for himself for a significant discount.  Needless to say Mickey’s not about to let that happen … McConaughey is ON FIRE here, the best he’s been since Dallas Buyers Club in my opinion, clearly having great fun sinking his teeth into this rich character and Ritchie’s typically sparkling, razor-witted dialogue, and he’s ably supported by a quality ensemble cast, particularly co-star Charlie Hunnam as Mickey’s ice-cold, steel-nerved right-hand-man Raymond Smith, Downton Abbey’s Michelle Dockery as his classy, strong-willed wife Rosalind, Colin Farrell as a wise-cracking, quietly exasperated MMA trainer and small-time hood simply known as the Coach (who gets many of the film’s best lines), and, most notably, Hugh Grant as the film’s nominal narrator, thoroughly morally bankrupt private investigator Fletcher, who consistently steals the film.  This is Guy Ritchie at his very best – a twisty rug-puller of a plot that constantly leaves you guessing, brilliantly observed and richly drawn characters you can’t help loving in spite of the fact there’s not a single hero among them, a deliciously unapologetic, politically incorrect sense of humour and a killer soundtrack.  Getting the cinematic year off to a phenomenal start, it’s EASILY Ritchie’s best film since Sherlock Holmes, and a strong call-back to the heady days of Snatch (STILL my favourite) and Lock, Stock & Two Smoking Barrels.  Here’s hoping he’s on a roll again, eh?

18.  SPONTANEOUS – one of the year’s biggest under-the-radar surprise hits for me was one which I actually might not have caught if things had been a little more normal and ordered.  Thankfully with all the lockdown and cinematic shutdown bollocks going on, this fantastically subversive and deeply satirical indie teen comedy horror came along at the perfect time, and I completely flipped out over it.  Now those who know me know I don’t tend to gravitate towards teen cinema, but like all those other exceptions I’ve loved over the years, this one had a brilliantly compulsive hook I just couldn’t turn down – small-town high-schooler Mara (Knives Out and Netflix’ Cursed’s Katherine Langford) is your typical cool outsider kid, smart, snarky and just putting up with the scene until she can graduate and get as far away as possible … until one day in her senior year one of her classmates just inexplicably explodes. Like her peers, she’s shocked and she mourns, then starts to move on … until it happens again.  As the death toll among the senior class begins to mount, it becomes clear something weird is going on, but Mara has other things on her mind because the crisis has, for her, had an unexpected benefit – without it she wouldn’t have fallen in love with like-minded oddball new kid Dylan (Lean On Pete and Words On Bathroom Walls’ Charlie Plummer). The future’s looking bright, but only if they can both live to see it … this is a wickedly intelligent film, powered by a skilfully executed script and a wonderfully likeable young cast who consistently steer their characters around the potential cliched pitfalls of this kind of cinema, while debuting writer-director Brian Duffield (already a rising star thanks to scripts for Underwater, The Babysitter and blacklist darling Jane Got a Gun among others) show he’s got as much talent and flair for crafting truly inspired cinema as he has for thinking it up in the first place, delivering some impressively offbeat set-pieces and several neat twists you frequently don’t see coming ahead of time.  Langford and Plummer as a sassy, spicy pair who are easy to root for without ever getting cloying or sweet, while there’s glowing support from the likes of Hayley Law (Rioverdale, Altered Carbon, The New Romantic) as Mara’s best friend Tess, Piper Perabo and Transparent’s Rob Huebel as her increasingly concerned parents, and Insecure’s Yvonne Orji as Agent Rosetti, the beleaguered government employee sent to spearhead the investigation into exactly what’s happening to these kids.  Quirky, offbeat and endlessly inventive, this is one of those interesting instances where I’m glad they pushed the horror elements into the background so we could concentrate on the comedy, but more importantly these wonderfully well-realised and vital characters – there are some skilfully executed shocks, but far more deep belly laughs, and there’s bucketloads of heart to eclipse the gore.  Another winning debut from a talent I intend to watch with great interest in the future.

17.  HAMILTON – arriving just as Black Lives Matter reached fever-pitch levels, this feature presentation of the runaway Broadway musical smash-hit could not have been better timed. Shot over three nights during the show’s 2016 run with the original cast and cut together with specially created “setup shots”, it’s an immersive experience that at once puts you right in amongst the audience (at times almost a character themselves, never seen but DEFINITELY heard) but also lets you experience the action up close.  And what action – it’s an incredible show, a thoroughly fascinating piece of work that reads like something very staid and proper on paper (an all-encompassing biographical account of the life and times of American Founding Father Alexander Hamilton) but, in execution, becomes something very different and EXTREMELY vital.  The execution certainly couldn’t be further from the usual period biopic fare this kind of historical subject matter usually gets (although in the face of recent high quality revisionist takes like Marie Antoinette, The Great and Tesla it’s not SO surprising), while the cast is not at all what you’d expect – with very few notable exceptions the cast is almost entirely people of colour, despite the fact that the real life individuals they’re playing were all very white indeed.  Every single one of them is also an absolute revelation – the show’s writer-composer Lin-Manuel Miranda (already riding high on the success of In the Heights) carries the central role of Hamilton with effortless charm and raw star power, Leslie Odom Jr. (Smash, Murder On the Orient Express) is duplicitously complex as his constant nemesis Aaron Burr, Christopher Jackson (In the Heights, Moana, Bull) oozes integrity and nobility as his mentor and friend George Washington, Phillipa Soo is sweet and classy as his wife Eliza while Renée Elise Goldsberry (The Immortal Life of Henrietta Jacks, Altered Carbon) is fiery and statuesque as her sister Angelica Schuyler (the one who got away), and Jonathan Groff (Mindhunter) consistently steals every scene he’s in as fiendish yet childish fan favourite King George III, but the show (and the film) ultimately belongs to veritable powerhouse Daveed Diggs (Blindspotting, The Good Lord Bird) in a spectacular duel role, starting subtly but gaining scene-stealing momentum as French Revolutionary Gilbert du Motier, the Marquis de Lafayette, before EXPLODING onto the stage in the second half as indomitable third American President Thomas Jefferson.  Not having seen the stage show, I was taken completely by surprise by this, revelling in its revisionist genius and offbeat, quirky hip-hop charm, spellbound by the skilful ease with which is takes the sometimes quite dull historical fact and skews it into something consistently entertaining and absorbing, transported by the catchy earworm musical numbers and thoroughly tickled by the delightfully cheeky sense of humour strung throughout (at least when I wasn’t having my heart broken by moments of raw dramatic power). Altogether it’s a pretty unique cinematic experience I wish I could have actually gotten to see on the big screen, and one I’ve consistently recommended to all my friends, even the ones who don’t usually like musicals.  As far as I’m concerned it doesn’t need a proper Les Misérables style screen adaptation – this is about as perfect a presentation as the show could possibly hope for.

16.  SPUTNIK – summer’s horror highlight (despite SERIOUSLY tough competition) was a guaranteed sleeper hit that I almost missed entirely, stumbling across the trailer one day on YouTube and getting bowled over by its potential, prompting me to hunt it down by any means necessary.  The feature debut of Russian director Egor Abramenko, this first contact sci-fi chiller is about as far from E.T. as it’s possible to get, sharing some of the same DNA as Carpenter’s The Thing but proudly carving its own path with consummate skill and definitely signalling great things to come from its brand new helmer and relative unknown screenwriters Oleg Malovichko and Andrei Zolotarev.  Oksana Akinshina (probably best known in the West for her powerful climactic cameo in The Bourne Supremacy) is the beating heart of the film as neurophysiologist Tatyana Yuryevna Klimova, brought in to aid in the investigation in the Russian wilderness circa 1983 after an orbital research mission goes horribly wrong.  One of the cosmonauts dies horribly, while the other, Konstantin (The Duelist’s Pyotr Fyodorov) seems unharmed, but it quickly becomes clear that he’s now the host for something decidedly extraterrestrial and potentially terrifying, and as Tatyana becomes more deeply embroiled in her assignment she comes to realise that her superiors, particularly mysterious Red Army project leader Colonel Semiradov (The PyraMMMid’s Fyodor Bondarchuk), have far more insidious plans for Konstantin and his new “friend” than she could ever imagine. This is about as dark, intense and nightmarish as this particular sub-genre gets, a magnificently icky body horror that slowly builds its tension as we’re gradually exposed to the various truths and the awful gravity of the situation slowly reveals itself, punctuated by skilfully executed shocks and some particularly horrifying moments when the evils inflicted by the humans in charge prove far worse than anything the alien can do, while the ridiculously talented writers have a field day pulling the rug out from under us again and again, never going for the obvious twist and keeping us guessing right to the devastating ending, while the beautifully crafted digital creature effects are nothing short of astonishing and thoroughly creepy.  Akinshina dominates the film with her unbridled grace, vulnerability and integrity, the relationship that develops between Tatyana and Konstantin (Fyodorov delivering a beautifully understated turn belying deep inner turmoil) feeling realistically earned as it goes from tentatively wary to tragically bittersweet, while Bondarchuk invests the Colonel with a nuanced air of tarnished authority and restrained brutality that made him one of my top screen villains for the year.  One of 2020’s great sleeper hits, I can’t speak of this film highly enough – it’s a genuine revelation, an instant classic for whom I’ll sing its praises for years to come, and I wish enormous future success to all the creative talents involved.

15.  THE INVISIBLE MAN – looks like third time’s a charm for Leigh Whannell, writer-director of my ALMOST horror movie of the year (more on that later) – while he’s had immense success as a horror writer over the years (co-creator of both the Saw and Insidious franchises), as a director his first two features haven’t exactly set the world alight, with debut Insidious: Chapter III garnering similar takes to the rest of the series but ultimately turning out to be a bit of a damp squib quality-wise, while his second feature Upgrade was a stone-cold masterpiece that was (rightly) EXTREMELY well received critically, but ultimately snuck in under the radar and has remained a stubbornly hidden gem since. No such problems with his third feature, though – his latest collaboration with producer Jason Blum and the insanely lucrative Blumhouse Pictures has proven a massive hit both financially AND with reviewers, and deservedly so.  Having given up on trying to create a shared cinematic universe inhabited by their classic monsters, Universal resolved to concentrate on standalones to showcase their elite properties, and their first try is a rousing success, Whannell bringing HG Wells’ dark and devious human monster smack into the 21st Century as only he can.  The result is a surprisingly subtle piece of work, much more a lethally precise exercise in cinematic sleight of hand and extraordinary acting than flashy visual effects, strictly adhering to the Blumhouse credo of maximum returns for minimum bucks as the story is stripped down to its bare essentials and allowed to play out without any unnecessary weight.  The Handmaid’s Tale’s Elizabeth Moss once again confirms what a masterful actress she is as she brings all her performing weapons to bear in the role of Cecelia “Cee” Kass, the cloistered wife of affluent but monstrously abusive optics pioneer Aidan Griffin (Netflix’ The Haunting of Hill House’s Oliver Jackson-Cohen), who escapes his clutches in the furiously tense opening sequence and goes to ground with the help of her closest childhood friend, San Francisco cop James Lanier (Leverage’s Aldis Hodge) and his teenage daughter Sydney (A Wrinkle in Time’s Storm Reid).  Two weeks later, Aidan commits suicide, leaving Cee with a fortune to start her life over (with the proviso that she’s never ruled mentally incompetent), but as she tries to find her way in the world again little things start going wrong for her, and she begins to question if there might be something insidious going on.  As her nerves start to unravel, she begins to suspect that Aidan is still alive, still very much in her life, fiendishly toying with her and her friends, but no-one can see him.  Whannell plays her paranoia up for all it’s worth, skilfully teasing out the scares so that, just like her friends, we begin to wonder if it might all be in her head after all, before a spectacular mid-movie reveal throws the switch into high gear and the true threat becomes clear.  The lion’s share of the film’s immense success must of course go to Moss – her performance is BEYOND a revelation, a blistering career best that totally powers the whole enterprise, and it goes without saying that she’s the best thing in this.  Even so, she has sterling support from Hodge and Reid, as well as Love Child’s Harriet Dyer as Cee’s estranged big sister Emily and Wonderland’s Michael Dorman as Adrian’s slimy, spineless lawyer brother Tom, and, while he doesn’t have much actual (ahem) “screen time”, Jackson-Cohen delivers a fantastically icy, subtly malevolent turn which casts a large “shadow” over the film.  This is one of my very favourite Blumhouse films, a pitch-perfect psychological chiller that keeps the tension cranked up unbearably tight and never lets go, Whannell once again displaying uncanny skill with expert jump-scares, knuckle-whitening chills and a truly astounding standout set-piece that easily goes down as one of the top action sequences of 2020. Undoubtedly the best version of Wells’ story to date, this goes a long way in repairing the damage of Universal’s abortive “Dark Universe” efforts, as well as showcasing a filmmaking master at the very height of his talents.

14.  EXTRACTION – the Coronavirus certainly has threw a massive spanner in the works of the year’s cinematic calendar – among many other casualties to the blockbuster shunt, the latest (and most long-awaited) MCU movie, Black Widow, should have opened to further record-breaking box office success at the end of spring, but instead the theatres were all closed and virtually all the heavyweights were pushed back or shelved indefinitely.  Thank God, then, for the streaming services, particularly Hulu, Amazon and Netflix, the latter of which provided a perfect movie for us to see through the key transition into the summer blockbuster season, an explosively flashy big budget action thriller ushered in by MCU alumni the Russo Brothers (who produced and co-wrote this adaptation of Ciudad, a graphic novel that Joe Russo co-created with Ande Parks and Fernando Leon Gonzalez) and barely able to contain the sheer star-power wattage of its lead, Thor himself.  Chris Hemsworth plays Tyler Rake, a former Australian SAS operative who hires out his services to an extraction operation under the command of mercenary Nik Khan (The Patience Stone’s Golshifteh Farahani), brought in to liberate Ovi Mahajan (Rudhraksh Jaiswal in his first major role), the pre-teen son of incarcerated Indian crime lord Ovi Sr. (Pankaj Tripathi), who has been abducted by Bangladeshi rival Amir Asif (Priyanshu Painyuli).  The rescue itself goes perfectly, but when the time comes for the hand-off the team is double-crossed and Tyler is left stranded in the middle of Dhaka with no choice but to keep Ovi alive as every corrupt cop and street gang in the city closes in around them.  This is the feature debut of Sam Hargrave, the latest stuntman to try his hand at directing, so he certainly knows his way around an action set-piece, and the result is a thoroughly breathless adrenaline rush of a film, bursting at the seams with spectacular fights, gun battles and car chases, dominated by a stunning sustained sequence that plays out in one long shot, guaranteed to leave jaws lying on the floor.  Not that there should be any surprise – Hargrave cut his teeth as a stunt coordinator for the Russos on Captain America: Civil War and their Avengers films.  That said, he displays strong talent for the quieter disciplines of filmmaking too, delivering quality character development and drawing out consistently noteworthy performances from his cast.  Of course, Hemsworth can do the action stuff in his sleep, but there’s a lot more to Tyler than just his muscle, the MCU veteran investing him with real wounded vulnerability and a tragic fatalism which colours every scene, while Jaiswal is exceptional throughout, showing plenty of promise for the future, and there’s strong support from Farahani and Painyuli, as well as Stranger Things’ David Harbour as world-weary retired merc Gaspard, and a particularly impressive, muscular turn from Randeep Hooda (Once Upon a Time in Mumbai) as Saju, a former Para and Ovi’s bodyguard, who’s determined to take possession of the boy himself, even if he has to go through Tyler to get him.  This is action cinema that really deserves to be seen on the big screen – I watched it twice in a week and would happily have paid for two trips to the cinema for it if I could have.  As we looked down the barrel of a summer season largely devoid of blockbuster fare, I couldn’t recommend this enough.  Thank the gods for Netflix …

13.  THE TRIAL OF THE CHICAGO 7 – although it’s definitely a film that really benefitted enormously from releasing on Netflix during the various lockdowns, this was one of the blessed few I actually got to see during one of the UK’s frustratingly rare lulls when cinemas were actually OPEN.  Rather perversely it therefore became one of my favourite cinematic experiences of 2020, but then I’m just as much a fan of well-made cerebral films as I am of the big, immersive blockbuster EXPERIENCES, so this probably still would have been a standout in a normal year. Certainly if this was a purely CRITICAL list for the year this probably would have placed high in the Top Ten … Aaron Sorkin is a writer whose work I have ardently admired ever since he went from esteemed playwright to in-demand talent for both the big screen AND the small with A Few Good Men, and TTOTC7 is just another in a long line of consistently impressive, flawlessly written works rife with addictive quickfire dialogue, beautifully observed characters and rewardingly propulsive narrative storytelling (therefore resting comfortably amongst the well-respected likes of The West Wing, Charlie Wilson’s War, Moneyball and The Social Network).  It also marks his second feature as a director (after fascinating and incendiary debut Molly’s Game), and once again he’s gone for true story over fiction, tackling the still controversial subject of the infamous 1968 trial of the “ringleaders” of the infamous riots which marred Chicago’s Diplomatic National Convention five months earlier, in which thousands of hippies and college students protesting the Vietnam War clashed with police.  Spurred on by the newly-instated Presidential Administration of Richard Nixon to make some examples, hungry up-and-coming prosecutor Richard Schultz (Joseph Gordon-Levitt) is confident in his case, while the Seven – who include respected and astute student activist Tom Hayden (Eddie Redmayne) and confrontational counterculture firebrands Abbie Hoffman (Sacha Baron Cohen) and Jerry Rubin (Succession’s Jeremy Strong) – are the clear underdogs.  They’re a divided bunch (particularly Hayden and Hoffman, who never mince their words about what little regard they hold for each other), and they’re up against the combined might of the U.S. Government, while all they have on their side is pro-bono lawyer and civil rights activist William Kunstler (Mark Rylance), who’s sharp, driven and thoroughly committed to the cause but clearly massively outmatched … not to mention the fact that the judge presiding over the case is Julius Hoffman (Frank Langella), a fierce and uncompromising conservative who’s clearly 100% on the Administration’s side, and who might in fact be stark raving mad (he also frequently goes to great lengths to make it clear to all concerned that he is NOT related to Abbie).  Much as we’ve come to expect from Sorkin, this is cinema of grand ideals and strong characters, not big spectacle and hard action, and all the better for it – he’s proved time and again that he’s one of the very best creative minds in Hollywood when it comes to intelligent, thought-provoking and engrossing thinking-man’s entertainment, and this is pure par for the course, keeping us glued to the screen from the skilfully-executed whirlwind introductory montage to the powerfully cathartic climax, and every varied and brilliant scene in-between.  This is heady stuff, focusing on what’s still an extremely thorny issue made all the more urgently relevant and timely given what was (and still is) going on in American politics at the time, and everyone involved here was clearly fully committed to making the film as palpable, powerful and resonant as possible for the viewer, no matter their nationality or political inclination.  Also typical for a Sorkin film, the cast are exceptional, everyone clearly having the wildest time getting their teeth into their finely-drawn characters and that magnificent dialogue – Redmayne and Baron Cohen are compellingly complimentary intellectual antagonists given their radically different approaches and their roles’ polar opposite energies, while Rylance delivers another pitch-perfect, simply ASTOUNDING performance that once again marks him as one of the very best actors of his generation, and there are particularly meaty turns from Strong, Langella, Aquaman’s Yahya Abdul-Mateen II (as besieged Black Panther Bobby Seale) and a potent late appearance from Michael Keaton that sear themselves into the memory long after viewing. Altogether then, this is a phenomenal film which deserves to be seen no matter the format, a thought-provoking and undeniably IMPORTANT masterwork from a master cinematic storyteller that says as much about the world we live in now as the decidedly turbulent times it portrays …

12.  GREYHOUND – when the cinemas closed back in March, the fate of many of the major summer blockbusters we’d been looking forward to was thrown into terrible doubt. Some were pushed back to more amenable dates in the autumn or winter (which even then ultimately proved frustratingly ambitious), others knocked back a whole year to fill summer slots for 2021, but more than a few simply dropped off the radar entirely with the terrible words “postponed until further notice” stamped on them, and I lamented them all, this one in particular.  It hung in there longer than some, stubbornly holding onto its June release slot for as long as possible, but eventually it gave up the ghost too … but thanks to Apple TV+, not for long, ultimately releasing less than a month later than intended.  Thankfully the film itself was worth the fuss, a taut World War II suspense thriller that’s all killer, no filler – set during the infamous Battle of the Atlantic, it portrays the constant life-or-death struggle faced by the Allied warships assigned to escort the transport convoys as they crossed the ocean, defending their charges from German U-boats.  Adapted from C.S. Forester’s famous 1955 novel The Good Shepherd by Tom Hanks and directed by Aaron Schneider (Get Low), the narrative focuses on the crew of the escort leader, American destroyer USS Fletcher, codenamed “Greyhound”, and in particular its captain, Commander Ernest Krause (Hanks), a career sailor serving his first command.  As they cross “the Pit”, the most dangerous middle stretch of the journey where they spend days without air-cover, they find themselves shadowed by “the Wolf Pack”, a particularly cunning group of German submarines that begin to pick away at the convoy’s stragglers.  Faced with daunting odds, a dwindling supply of vital depth-charges and a ruthless, persistent enemy, Krause must make hard choices to bring his ships home safe … jumping into the thick of the action within the first ten minutes and maintaining its tension for the remainder of the trim 90-minute run, this is screen suspense par excellence, a sleek textbook example of how to craft a compelling big screen knuckle-whitener with zero fat and maximum reward, delivering a series of desperate naval scraps packed with hide-and-seek intensity, heart-in-mouth near-misses and fist-in-air cathartic payoffs by the bucket-load.  Hanks is subtly magnificent, the calm centre of the narrative storm as a supposed newcomer to this battle arena who could have been BORN for it, bringing to mind his similarly unflappable in Captain Phillips and certainly not suffering by comparison; by and large he’s the focus point, but other crew members make strong (if sometimes quite brief) impressions, particularly Stephen Graham as Krause’s reliably seasoned XO, Lt. Commander Charlie Cole, The Magnificent Seven’s Manuel Garcia-Rulfo and Just Mercy’s Rob Morgan, while Elisabeth Shue does a lot with a very small part in brief flashbacks as Krause’s fiancée Evelyn. Relentless, exhilarating and thoroughly unforgettable, this was one of the true action highlights of the summer, and one hell of a war flick.  I’m so glad it made the cut for the summer …

11.  PROJECT POWER – with Marvel and DC pushing their tent-pole titles back in the face of COVID, the usual superhero antics we’ve come to expect for the summer were pretty thin on the ground in 2020, leading us to find our geeky fan thrills elsewhere. Unfortunately, pickings were frustratingly slim – Korean comic book actioner Gundala was entertaining but workmanlike, while Thor AU Mortal was underwhelming despite strong direction from Troll Hunter’s André Øvredal, and The New Mutants just got shat on by the studio and its distributors and no mistake – thank the Gods, then, for Netflix, once again riding to the rescue with this enjoyably offbeat super-thriller, which takes an intriguing central premise and really runs with it.  New designer drug Power has hit the streets of New Orleans, able to give anyone who takes it a superpower for five minutes … the only problem is, until you try it, you don’t know what your own unique talent is – for some, it could mean five minutes of invisibility, or insane levels of super-strength, but other powers can be potentially lethal, the really unlucky buggers just blowing up on the spot.  Robin (The Hate U Give’s Dominique Fishback) is a teenage Power-pusher with dreams of becoming a rap star, dealing the pills so she can help her diabetic mum; Frank Shaver (Joseph Gordon-Levitt) is one of her customers, a police detective who uses his power of near invulnerability to even the playing field when supercharged crims cause a disturbance.  Their lives are turned upside down when Art (Jamie Foxx) arrives in town – he’s a seriously badass ex-soldier determined to hunt down the source of Power by any means necessary, and he’s not above tearing the Big Easy apart to do it. This is a fun, gleefully infectious rollercoaster that doesn’t take itself too seriously, revelling in the anarchic potential of its premise and crafting some suitably OTT effects-driven chaos brought to pleasingly visceral fruition by its skilfully inventive director, Ariel Schulman (Catfish, Nerve, Viral), while Mattson Tomlin (the screenwriter of the DCEU’s oft-delayed, incendiary headline act The Batman) takes the story in some very interesting directions and poses fascinating questions about what Power’s TRULY capable of.  Gordon-Levitt and Fishback are both brilliant, the latter particularly impressing in what’s sure to be a major breakthrough role for her, and the friendship their characters share is pretty adorable, while Foxx really is a force to be reckoned with, pretty chill even when he’s in deep shit but fully capable of turning into a bona fide killing machine at the flip of a switch, and there’s strong support from Westworld’s Rodrigo Santoro as Biggie, Power’s delightfully oily kingpin, Courtney B. Vance as Frank’s by-the-book superior, Captain Crane, Amy Landecker as Gardner, the morally bankrupt CIA spook responsible for the drug’s production, and Machine Gun Kelly as Newt, a Power dealer whose pyrotechnic “gift” really isn’t all it’s cracked up to be.  Exciting, inventive, frequently amusing and infectiously likeable, this was some of the most uncomplicated cinematic fun I had all summer.  Not bad for something which I’m sure was originally destined to become one of the season’s B-list features …

[redrikki]

2020 Writing Round-Up

Well, 2020 was a year. There was a brief period of it at the start of the lockdown in March when I actually thought I might be more productive, cooped up inside without basic human contact, but it turns out that’s just a recipe for depression. I participated in 9 fic exchanges and signed up for a bunch of bingo cards I never managed to fill. Ah, well. Still, I did manage to churn out 17 stories in 13 different fandoms, some of which I’d never written for before. 

Agent Carter 

Odds on Favorite - And to think Peggy might never have known about the office betting pool if Daniel hadn't asked her to dinner. A workplace comedy set between seasons 1 and 2. (Peggy Carter/Daniel Sousa, Jack Thompson)

All the World's a Stage - Dottie had cleared out all her belongings except for the dead body under her bed and Angie was starting to wonder if she actually knew anyone as well as she thought she did. She knew she wasn’t the best actress in New York, but she was starting to think she hadn’t even been the best one in the building. (Angie Martinelli, Peggy Carter, Dottie Underwood)

Avatar: The Last Airbender 

The Last Cheese Bender - It was amazing just how much of Air Nomad cuisine had survived, but none of the other nations ate cheese. Aang was going to change that. (Aang & the Gaang)

Batwoman (TV) 

Trapped in the Closet - Kate was never afraid to come out to her father, but she is now. Episode tag to the season 1 finale. (Kate Kane, Mary Hamilton, Luke Fox)

Black Lightning 

Maybe Baby - "Ever think about what kind of power's you and Grace's kids would have?" Jen asked, raising possibilities Anissa had never considered before. (Anissa Pierce/Grace Choi, Jennifer Pierce)

Sleeping Beauty - Grace had been in coma for over a month now, but Anissa still couldn’t help thinking each visit that this would be the one where she woke up. Maybe today it would be. (Anissa Pierce/Grace Choi)

DC Comics

Build-A-Beast (The Creative Creature Remix) - Despite what Batman thought, Harley didn’t take the Create-A-Critter job for Mr. Jay. No, she took it for her. (Harley Quinn, Poison Ivy, various Bats)

Downton Abbey 

Genius Loci - Downton Abbey consumes people and it won't let Thomas go. (Thomas Barrow, Phyllis Baxter) WARNING for references to attempted suicide. 

Hunger Games

Panem and Circuses: A look at the woman who made the games - As Panem prepares to celebrate the Third Quarter Quell, Games Gab takes a look back at the brilliant innovator who almost singlehandedly transformed the Hunger Games from a rather tedious affair mandated by the Treaty of Treason into the entertainment juggernaut they are today. 

Kipo and the Age of Wonderbeasts

The Hero Was You - Benson likes Troy and Troy likes Benson. Great! Now all Benson has to do is figure out what to do about it. (Benson/Troy)

Dream Girls - On the surface, Mulholland had given Wolf everything she had thought she wanted: her and Kipo, the two of them buff and tough and together. Her guilt had kept her from really enjoying it, but it hadn’t been why she fought back. (Kipo Oak/Wolf)

The Old Guard

Take What the Water Gave Me - Quynh drowns and wakes and in between are Booker and Andromache. She would take his life if she could. So she does. (Quynh/Andy, Booker)

Oxford Time Travel Universe (Connie Willis)

Primary Sources - In the dark years when the net won't open, Colin has a lot of growing up to do. (Colin Templar & Kivrin Engle)

Star Wars

A Self-Fulfilling Prophecy - Depa stumbled free of the maze, back into the atrium for the Lothal Temple. There was just one problem. The man kneeling between the desiccated bodies of the ancient Jedi was not her master. (Depa Billaba & Kanan Jarrus)

Umbrella Academy

Taste of Nostalgia - Allison and Vanya visit Griddy's for old time's sake. (Allison & Vanya Hargreeves)

What We Do in the Shadows 

Requiem for a Mosquito Collector - Derek’s funeral was super awkward. Not quite as awkward as returning Derek’s mom’s van after leaving her son to die in a house full of angry vampires, but it was still pretty bad. (Guillermo de la Cruz, Mosquito Collectors)

How Guillermo Learned to Stop Worrying and Love the Camera - Making a documentary film about their lives is a terrible idea, right up until it isn't. (Guillermo de la Cruz, the vampires, film crew)

[myhauntedsalem]

Ghosts of Hollywood

Marilyn Monroe The Hollywood Roosevelt Hotel on Hollywood Boulevard is said to be the current residence of several ghosts of popular film stars. Marilyn Monroe, the glamorous and funny star of such pictures as Some Like It Hot and Gentlemen Prefer Blondes, was a frequent guest of the Roosevelt at the height of her popularity. And although she died in her Brentwood home, her image has been seen on several occasions in a full-length mirror that once hung in her poolside suite. The mirror has been relocated to the hotel's lower level by the elevators.

Montgomery Clift Another respected star who died before his time, Montgomery Clift, was a four-time Oscar nominated actor who is best known for his roles in A Place in the Sun, From Here to Eternity and Judgment at Nuremberg. His ghost has also been seen at the Roosevelt. According to some of the hotel's staff, Clift's spirit haunts room number 928. Clift stayed in that suite in 1953, pacing back and forth, memorizing his lines for From Here to Eternity. Loud, unexplained noises have been heard coming from the empty suite, and its phone is occasionally found mysteriously off the hook.

Perhaps it's fitting that the Hollywood Roosevelt should be the stirring place of celebrity ghosts since it was the site of the very first Academy Awards ceremony in 1929. In fact, the Blossom Ballroom, where the ceremony was held, has an unexplained cold spot - a circular area measuring 30 inches in diameter that remains about 10 degrees colder than the rest of the room.

Harry Houdini Houdini is best known as a magician and escape artist, of course, but at the height of his fame he was also drawn to Hollywood, where he made a handful of silent films from 1919 to 1923. With such titles as The Man from Beyond and Haldane of the Secret Service (which he also directed), the films were not regarded well enough to give him much of a Hollywood career. Houdini's interest in the occult was well known, and although he earned a reputation as a masterful debunker of séances, he earnestly sought contact with those who have passed on to the other side. Shortly before his death, Houdini made a pact with his wife Bess that if he could, he would return and make contact with her from the other side. Perhaps he truly has attempted to return. Some claim to have seen the ghost of the great Houdini walking around in the home he owned on Laurel Canyon Blvd. in the Hollywood Hills. Film historians Laurie Jacobson and Marc Wanamaker, in their book Hollywood Haunted, dispute this story, saying that "Houdini most likely never even set foot in the Laurel Canyon mansion he is said to haunt."

Clifton Webb Clifton Webb was a very popular star of the 1940s and '50s, earning two Oscar nominations for his roles in Laura and The Razor's Edge. He may be best known for his portrayal of Mr. Belvedere in a series of films. It's not too often that a ghost haunts the place in which the person is buried, but this seems to be the case for Webb. His ghost has been seen at the Abbey of the Psalms, Hollywood Memorial Cemetery, where his body is interred. But it seems to be a restless spirit, as his ghost has also been encountered at his old home on Rexford Drive in Beverly Hills.

Thelma Todd Thelma Todd was a hot young star in the 1930s. She was featured in a number of hit comedies with the likes of The Marx Brothers, Laurel and Hardy, and Buster Keaton. But that all ended in 1935 when Todd was found dead in her car, which was parked above the café she owned on the Pacific Coast Highway. Strangely, her death was ruled an accidental suicide, but many suspected murder and a coverup by powerful Hollywood figures. The building that once housed the café is now owed by Paulist Productions, and employees have reportedly witnessed the starlet's ghost descending the stairs.

Thomas Ince Ince is considered one of the visionary pioneers of American movies. He was one of the most respected directors of the silent era, best known, perhaps, for his westerns starring William S. Hart. He partnered with other early Hollywood giants such as D.W. Griffith and Mack Sennett, and founded Culver Studios, which later became MGM. Ironically, Ince's death overshadowed his film legacy. He died aboard William Randolph Hearst's yacht in 1924, and although the official record shows the cause of death as heart failure, the hot rumor is that he was shot by Hearst in a fit a jealousy over Hearst's wife, Marion Davies. Ince's ghost - as well as several other ghostly figures - have been seen in the lot that was once Culver Studios. Film crew members have seen the specter of a man matching Ince's description on several occasions; in one instance, when the workers tried to speak to the spirit, it turned and disappeared through a wall.

Ozzie Nelson Ghosts and hauntings are the last thing that come to mind when you think of the perpetually cheerful Ozzie and Harriet Nelson. The couple, with their real-life sons Ricky and David, were stars of the long-running sitcom "Ozzie and Harriet," noted for its good-natured, gentle humor. Yet poor Ozzie doesn't seem to be as contented in the afterlife. Family members, it is said, have seen Ozzie's ghost in the family's old Hollywood home, and it always appears to be in a somber mood. Perhaps he's unhappy about how another Ozzy and his family have gained notoriety on TV.

George Reeves From 1953 to 1957, George Reeves was TV's Superman. Reeves had been around Hollywood for a while, playing bit parts in such films as Gone with the Wind and dozens of B-movies, but it was "The Adventures of Superman" on TV that brought him fame. Reeves died of a gunshot at his home in 1959. The official cause of death was suicide, but that conclusion has been hotly disputed, with some believing that Reeves was murdered. Whether it was suicide or murder, Reeves ghost has been seen in his Beverly Hills home. A couple claims to have seen the ghost of Reeves - decked out in his Superman costume - materialize in the bedroom where he died, after which it slowly faded away. Others believe that Reeves succumbed to the "Superman curse," in which those associated with the fictional character over the years allegedly have met with disaster or death. But is there really a curse? 

More Celebrity Ghosts

Rudolph Valentino - This silent film heartthrob has been seen in the bedroom and stables of his old Hollywood home. Jean Harlow - The spirit of this blonde bombshell is said to haunt the bedroom of her home on North Palm Drive, where her husband allegedly used to beat her. Mary Pickford - This legend of the silent era - actress, writer and producer - was co-founder of United Artists with her husband Douglas Fairbanks and Charlie Chaplin. Comic Buddy Rogers, who lived in the house Pickford once owned, saw her ghost appear in a white ruffled dress. Grace Kelly - Princess Stephanie of Monaco believes that the ghost of her mother, Grace Kelly, helped her write a song from the spirit world.

Celebrities Who Have Seen Ghosts

Nicholas Cage - This Oscar-winning actor (Leaving Las Vegas) refused to stay in uncle Francis Ford Coppola's home after seeing a ghost in the attic. (Cage was also cast as Superman in director Tim Burton's film project, which was never made.) Keanu Reeves - The star of The Matrix films and Devil's Advocate was just a kid in New Jersey when he saw a ghost that took the form of a white double-breasted suit come into his room one night. He wasn't imagining it; his nanny saw the phantom, too. Neve Campbell - She's been in more than her share of paranormal-themed movies (The Craft, Scream), but she's had real-life encounters as well. A woman was murdered in the house she now lives in, and friends have seen her ghost walking around. Matthew McConaughey - This popular actor (Contact) says he freaked out the first time he saw the ghost of an old woman, whom he calls "Madame Blue," floating around his house. Tim Robbins - Robbins, who was nominated for an Oscar in Mystic River, didn't see ghosts, but strongly felt their presence when he moved into an apartment in 1984. Following his instinct, he moved out the next day. Hugh Grant - British romantic comedy lead Hugh Grant (Love Actually) says he and friends have heard the wailing and screaming of some tormented spirit in his Los Angeles home. He even speculates it might be the ghost of a former resident - Bette Davis. Dan Aykroyd - The Ghostbusters star (and Oscar-nominated for Driving Miss Daisy) has long had a fascination with the paranormal. He believes his home, once owned by Cass Elliot of The Mamas and The Papas, is haunted. "A ghost certainly haunts my house," he said. "It once even crawled into bed with me. The ghost also turns on the Stairmaster and moves jewelry across the dresser. I'm sure it's Mama Cass because you get the feeling it's a big ghost." Sting - Rock star Sting (Lock, Stock and Two Smoking Barrels) and his wife Trudie have seen ghosts in their home. "I was absolutely terrified," he said. "I now believe those things are out there, but I have no explanation for them." Jean Claude Van Damme - The Belgian action star (Timecop), also known as "Muscles from Brussels," swears he saw a ghost in his bathroom mirror while he was brushing his teeth. Richard Dreyfuss - He won an Oscar for The Goodbye Girl, but at one time had a cocaine problem. Visions of a ghost, he said, helped him kick the habit. "I had a car crash in the late 1970s," Dreyfuss said, "when I was really screwed up, and I started seeing these ghostly visions of a little girl every night. I couldn't shake this image. Every day it became clearer and I didn't know who the hell she was. Then I realized that kid was either the child I didn't kill the night I smashed up my car, or it was the daughter that I didn't have yet. I immediately sobered up." Ethan Hawke and Uma Thurman - This Hollywood couple was forced to flee their "dream home" in Sneden's Landing, N.Y. when it became all too apparent that it was haunted. They still are reluctant to talk about their frightening encounters. Belinda Carlisle - This pop singer and founding member of The Go-Gos, who appeared in Swing Shift and She's Having a Baby, says she saw a "misty shape" hovering over her as she lay in bed one night. She also says that when she was 17, while nodding off to sleep in a chair in her parents' home, she levitated and had an out-of-body experience. Elke Sommers - This German-born actress, who appeared in the 1966 film The Oscar, claims to have seen the ghost of a middle-aged man in a white shirt in her home in North Beverly Hills. Guests in her home have also seen the specter. So much paranormal activity was reported in the house that the American Society for Psychical Research was brought in, and which verified the unexplained events. The severely haunted house was bought and sold more than 17 times since Sommers vacated it, and many have reported ghostly phenomena. Paul McCartney - Ex-Beatle and Oscar-nominated songwriter ("Live and Let Die") says that he, George Harrison and Ringo Starr sensed the playful spirit of John Lennon when they were recording Lennon's song, "Free As A Bird" in 1995. "There were a lot of strange goings-on in the studio - noises that shouldn't have been there and equipment doing all manner of weird things. There was just an overall feeling that John was around."

[aion-rsa]

New on Netflix: May 2021 Releases

https://ift.tt/3e6cVxy

It’s safe to say that the COVID content drought is just about over. Netflix prides itself on being the most, let’s say, prolific streaming service in the game. With its list of new releases for May 2021 it’s once again revealing why.

There is a lot going on for Netflix this month and it all starts with some high profile original films. Zack Snyder’s latest zombie effort Army of the Dead premieres on May 21. That will be preceded by Monster, the adaptation of Walter Dean Myers’ classic YA book, on May 7 and Amy Adams Rear Window-esque The Woman in the Window on May 14.

Read more

Games

Castlevania Season 3: Infinite Corridor Explained

By John Saavedra

TV

Lucifer Season 5: Devilish First Footage From Musical Episode Revealed

By Kirsten Howard

Netflix’s TV offerings in May 2021 are just as packed. The adaptation of Millarworld superhero comic Jupiter’s Legacy arrives on May 7. That’s followed by the final season of Castlevania on May 13, Jurassic World: Camp Cretaceous season 3 on May 21, and the second half of Lucifer season 5 on May 28. What’s this we spy with our little eye on the schedule? Is that another season of Aziz Ansari’s Master of None lined up for this month? That appears to be the case. So too will Ryan Murphy’s latest effort, HALSTON, premiere in May.

Of course, every month also needs a refreshing of library titles. Notable films arriving to Netflix’s stream on May 1 are Back to the Future, Zombieland, and Scarface.

New on Netflix: May 2021

TBA AlRawabi School for Girls — NETFLIX ORIGINAL  Amy Tan: Unintended Memoir (2021) Mad for Each Other — NETFLIX ORIGINAL Master of None — NETFLIX ORIGINAL Racket Boys — NETFLIX ORIGINAL  Ragnarok: Season 2 — NETFLIX ORIGINAL

May 1 Aliens Stole My Body Angelina Ballerina: Season 5 Angelina Ballerina: Season 6 Back to the Future Back to the Future Part II Back to the Future Part III Barney and Friends: Season 13 Barney and Friends: Season 14 Best of the Best Dead Again in Tombstone Due Date Fun with Dick and Jane (2005) G.I. Joe: The Rise of Cobra Green Zone Hachi: A Dog’s Tale JT LeRoy Madagascar 3: Europe’s Most Wanted Mystic River Never Back Down Notting Hill Open Season Resident Evil: Afterlife Resident Evil: Extinction S.M.A.R.T Chase Scarface Sitting in Limbo Stargate State of Play The Land Before Time The Land Before Time II: The Great Valley Adventure The Lovely Bones The Pelican Brief The Sweetest Thing The Whole Nine Yards (2000) Under Siege Waist Deep Your Highness Zack and Miri Make a Porno Zombieland

May 2 Hoarders: Season 11

May 4 The Clovehitch Killer Selena: The Series: Part 2 — NETFLIX ORIGINAL Trash Truck: Season 2 — NETFLIX FAMILY

May 5 Framing John DeLorean The Sons of Sam: A Descent into Darkness — NETFLIX DOCUMENTARY

May 6 Dead Man Down

May 7 Girl from Nowhere: Season 2 — NETFLIX ORIGINAL  Jupiter’s Legacy — NETFLIX ORIGINAL Milestone — NETFLIX FILM  Monster — NETFLIX FILM

May 8  Mine — NETFLIX ORIGINAL  Sleepless

May 11 Money, Explained — NETFLIX DOCUMENTARY

May 12 Dance of the Forty One — NETFLIX FILM  Oxygen — NETFLIX FILM  The Upshaws — NETFLIX ORIGINAL

May 13 Castlevania: Season 4 — NETFLIX ANIME Layer Cake

May 14 HALSTOM – NETFLIX ORIGINAL Ferry — NETFLIX FILM  Haunted: Season 3 — NETFLIX ORIGINAL I Am All Girls — NETFLIX FILM  Jungle Beat: The Movie — NETFLIX FAMILY Love, Death & Robots: Volume 2 — NETFLIX ORIGINAL Move to Heaven — NETFLIX ORIGINAL  The Strange House — NETFLIX FILM  The Woman in the Window — NETFLIX FILM

May 16 Sleight

May 18 Sardar Ka Grandson — NETFLIX FILM 

May 19 The Last Days Sabotage  Small Town Crime Who Killed Sara?: Season 2 — NETFLIX ORIGINAL 

May 20 Hating Peter Tatchell Special: Season 2 — NETFLIX ORIGINAL Spy Kids: All the Time in the World

May 21 Army of the Dead — NETFLIX FILM Jurassic World Camp Cretaceous: Season 3 — NETFLIX FAMILY The Neighbor: Season 2 — NETFLIX ORIGINAL 

May 22 Sam Smith: Love Goes – Live At Abbey Road Studios

May 25 Home

May 26 Baggio: The Divine Ponytail — NETFLIX FILM High on the Hog: How African American Cuisine Transformed America — NETFLIX FILM Nail Bomber: Manhunt — NETFLIX DOCUMENTARY 

May 27 Black Space — NETFLIX ORIGINAL Blue Miracle — NETFLIX FILM Eden — NETFLIX ANIME  Soy Rada: Serendipity — NETFLIX COMEDY SPECIAL 

May 28 Dog Gone Trouble — NETFLIX FAMILY Lucifer: Season 5 Part 2 — NETFLIX ORIGINAL The Kominsky Method: Season 3 — NETFLIX ORIGINAL

May 31 Dirty John: The Betty Broderick Story The Parisian Agency: Exclusive Properties — NETFLIX ORIGINAL 

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Leaving Netflix: May 2021

May 1 Hoarders: Season 10

May 3 War Horse

May 5 Hangman

May 6 City of God: 10 Years Later Lockout

May 7 The Chosen Ones  House at the End of the Street

May 10 Quartet

May 14 Sherlock: Series 1-4

May 18 Trumbo

May 29 American Crime: Seasons 1-3 My Week with Marilyn The One I Love

May 31 50 First Dates Act of Valor All Dogs Go to Heaven The Blair Witch Project Brokeback Mountain The Boy Deliver Us from Eva The Help I Now Pronounce You Chuck and Larry Julie & Julia Marauders Milk Miracle National Lampoon’s Christmas Vacation Prosecuting Evil: The Extraordinary World of Ben Ferencz The Pursuit of Happyness The Scorpion King 2: Rise of a Warrior The Scorpion King 3: Battle for Redemption Soul Surfer Striptease Waiting… 

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