#action scene basics

[gatoiberico]

the depths

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[delsheree]

Action Scenes: The Basics

Does your action have purpose? If not, it may not intrigue readers nearly as much as you expect. Learn how to base action on purpose and avoid common action scene mistakes.

Action is often at the center of important story points and should grab the reader’s attention with realistic description and exciting actions. The Purpose of Action An action scene isn’t really about the action. It’s about how the character’s experience the action and how they are affected by it. Focusing on the sensory and emotional information of the action taking place can help you avoid…

[maomango-doodle]

A totally normal talk between siblings

[guideaus]

i was looking at kabru chapters in dunmeshi and i was thinking abt how he and mithrun speedrun the dungeon thru mithrun's dungeon lord knowledge, and i guess canary skills on monsters, but mithrun's noticeably rough through his way of taking the shortest route.

i know kabru's comic is a non canon au, but with all 3 characters tackling the same problem, mithrun is the only one who doesn't engage at all, despite having the most knowledge, and even endangers kabru, trying to use him as a tool obviously w/o his consent. mithrun doesnt know anything abt kabru and has no interest in him, so he wouldnt know he hates monsters, but he still completely skips trying to inform him of anything beforehand

i think the canaries/elves in general are too dominating in kabru's eyes, and the rest of the world does fear them, but mithrun seems to take it a bit further than just silencing the opposition. kabru is repeatedly upset he's not the one trying to deescalate situations, but mithrun completely skips past conversation, which the other elves at least do, and the elves also think mithrun goes too far in certain moments, even when they all get upset against defiance. i'm assuming mithrun has no desire to be nice, i guess opposite to kabru taking care of everyone (even so significantly that mithrun experiences a nice night for once, which no one apparently tried with him), but i think its kind of interesting how blunt he is considering he was a dungeon lord before.

kabru agonizes on the sidelines while he's repeatedly tied up by the canaries, and mithrun goes in for the kill as much as possible. i will admit mithrun has two moments where he kinda sympathizes with marcille, but every time was after he already tried to assault her, and he gives an ultimatum after pleading (let me arrest you and your friends or die), which she doesnt want to agree to. laios might struggle to communicate with people, but mithrun does not attempt until after the person he's hunting is freaking out bc of his advances. the lion manipulates the dungeon lords, but him pointing out mithrun wants to kill them isnt even a lie. the canaries and elves in general are a direct and oppressive force, but mithrun really represents it and his one track mind focused on revenge doesnt help the situation, either.

[memendoemori]

Yeah sure there are a lot of sweet wonderful characters in Baldur's Gate 3 that I could spend my time getting to know or I can pick the sad wet cat that looks like they stumbled out of an alleyway next to both a brothel and a butcher's shop. I know what I am

[tornoleander]

Nya has the best writing out of anyone in skybound an I will not hear otherwise

(this is just a rant but I will finish my argument with evidence soon but I was feeling like yelling at phone)

Just watched a video completely butchering her character.

I’m fuming about Nya’s treatment in general like RRRRR SHE IS LIKE THE BEST WRITTEN. Most people I see talk about her never tried to see Nya’s motivation.

And because she’s grumpy and won’t take bullshit treatment. And a large part of the audience Treat her like she’s a brat for it like…

Her ark against all odds is great. The only reason so many people don’t get that is ALL because of the awful framing and them focusing on Jay at all the wrong times I PROMISE YOU.

The audience is made to focus on Jay’s feelings in moments that should’ve been about her.

Nya always thought she would end up with Jay like she said later on. She always loved him She wasn’t trying to hurt or play with his feelings but she had bigger problems, and she simply didn’t want to be dating him. Because she hated how that would make her be perceived. Which was the issues that she overcame by the end.

She is frustrated by way she’s perceived by the city. They only see her as her gender. A self insert of sorts. (There’s a scene about it first ep subtle but boils my blood) Not a person. She HATES IT.

BRRRR

Nya has A lot more going on like it was never her Job to walk on eggshells around Jays feelings. She was having a lot harder of a time that first episode but more screen time was dedicated to Jays moping about her.

Just AAA ggghg

LIKE EVERYONE REWATCH SKYBOUND AND FOCUS ON NYA Specifically. Ignore how much the narrative drags you to look at Jay. I swear Nya’s struggle is shockingly the most well written bit

[rinbylin]

美人舞如莲花旋 a beauty dances like a spiralling lotus flower [x]

li xiangyi/li lianhua + sword dances | 莲花楼 mysterious lotus casebook EP 9/34/40

[lucy-ghoul]

why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip

[rubyglasses]

idk if someone else has already posted about this before but i'd be down for a six of crows animated show in the same style as avatar: the last airbender/the legend of korra

[zombiefishmonster]

my favorite thing about rewatching kickin' it, is just how OBVIOUS it is that leo howard is the only one trained in karate

[maclanahan--mermaid-comics]

Tired: The Halo show isn't game canon and is its own thing.

Wired: The Halo show is a prequel to Red vs. Blue.

[lethalhoopla]

currently thinking about how fun and common it is to write Things You Are Into/Knowledgeable About into fics (or draw into art/comics, etc) but how quickly wild it can get depending on the level of niche interest

eg, i remember to this day a fic that was quite solid across the board, an entertaining though not mind-blowing ride— but it had the most in-depth and fascinating descriptions of *specific* leather tooling techniques. Leather work was not at all the focus of the plot. Just deeply worked in via a hobby or side necessity of the adventure that had the most loving descriptions ever and it was really clear what hobby the author had- and I loved it haha.

my current personal example is Oops, I Am an Aerialist Now and That Is Deeply Obviously An Author Insert Interest in any given fic lmao. How many Fancy 2 Story Curtains with Strong Anchoring can I work into a fic…….. how many curiously 3ish foot steel hoops hanging from a strap is too many…… a suspicious number of secure but loose ended vertical ropes is normal right………………… Chekhov’s rigging……………..

[runawaymun]

I thiiiiiiink I can finish this partake chapter today but don't quote me on that

[candythepuppy]

Insanely basic tips for writing fights:

So... You wanna throw some characters at other characters and tell them to kill each other, huh? Well, in order to make all that interesting, ya gotta consider these tips first.

1. I've been in martial arts for over six years and animation for just as long. So of course I'm going to suggest you plebs do a little research first. Wanna know how it feels to punch someone? Punch someone. Wanna know how it feels to get punched? Come over to my place.

Even learning simple stuff like rolls, stretches, differing exercises, and the most basic of techniques can help out a ton. At the very least, it'll keep people from making this face at you: ಠ⁠_⁠ಠ

You don't have to go all out like me, but at least learning the fundamentals of physics and how certain injuries will affect the fight can help. Take these fun little tip for example: there's a vein on the neck that, when hit properly, will make you instantly pass out. It only takes eight seconds to choke someone out to the point of fainting as long as you're holding them right..and if you keep it up, then just wait five minutes and they'll be dead. Anywhere in-between can give them serious head injuries they'll likely never recover from. There are a thousand more, but I'll stop there. Trust me. I've learned more about biology from karate than from actual Biology class.

2. I feel like this is also a given, but at the very least, know what your surroundings are. Find ways to implement the setting into the fight creatively.

Example: two people are fighting in the desert and one tosses sand into the other's eyes. Or, two people are fighting in that same desert, but the one currently losing is being shoved into the sand, choked alive by all the granules.

Also please remember that when your characters are in extreme heat or freezing settings, they will fight differently. Maybe it's even the setting itself that is slowly killing the fighters, and the battle is really all about who can last the longest.

At the very least, I'd suggest you do two things in case you have a hard time with this one. (1) gather images of the setting, or at least settings like it. Then, take note of all the elements, obstacles, and even ambiance involved. (2) pick out objects to scatter about the setting that your characters can later pick up and use in the fight. Just make sure they have to do with the setting.

3. The destination of the fight can greatly impact the "vibe."

In the sky: superman level fights, typically very grandiose, larger than life, and impressive (even if written realistically). These are great locations for if/when you're trying to make your character look cool in some way.

On top of buildings/canyons: similarly grand but with more emphasis on stakes. You typically want that sense of uneasiness every time the main character sways or is knocked a little too far away. These scenes are often used around a climax thanks to the perfect level of grandiose tension and realism. It's a great way to get your character on edge and reveal their true feelings, mainly fear.

On the ground, outside: these fights are often much more grounded than most. Often deals with a lot of running/trying out other options beyond fighting. Typically, you're trying to establish what kind of a fighter your character is in these fights + what their morals may be.

On the ground, inside: oddly enough, this is where it gets personal. Mostly because I usually think of someone's home or a grocery store where every action means something. This is typically where the most drama takes place. I'd definitely suggest you lean into the importance of the setting they are fighting in much more than the setting of other fights. (This is also where every word counts.)

Underground: by far one of my personal favorites. The claustrophobia one can draw from these settings is truly something else. The most grounded of any other fight setting. This is where I like to strip the flashy powers and magic from my characters and let them brawl the old fashioned way, getting dirty and going all out. Down here, every punch matters.

There are of course more, but these are the basics!

4. Similar to the first step, please know how the weapons your characters are using work!

5. And of course no fight is complete without (A) build up, (B) understandable reasons for the characters to fight, and (C) clear stakes/what would be lost or gained if either were to lose. Remember, a fight is just an argument acted out. Keeping that in mind will make the whole process so much easier.

Anyways, that's just about it. I could ramble some more, but these are supposed to be the basics!

Anyways, I hope to see you guys again. Thanks for your time. And, seeya!

[saotome-michi]

god i need men to use their brains

just watched some youtube channel talking about OPLA and they were very positive about it, but one of the comments that irked me was when they were talking about Kuina and her speech about how she can beat Zoro now, but won't be able to after he goes through puberty, one of them was like, 'Wow the feminists must be going crazy now, their whole world view has shattered... like it doesn't diminish her as a character, it's just true that's how it is"

BUT LIKE??? Zoro argues against her??? He's like "don't say that!! You're my rival, we'll train together and compete to become the strongest swordsman in the world!!" <- THAT'S WHAT YOU'RE SUPPOSED TO TAKE AWAY FROM IT JFC. THAT SHE'S WRONG AND BEING A WOMAN ISN'T GOING TO LIMIT HER

[seaweedstarshine]

I am swamped with catch-up at work after my week at My First Ever San Diego ComicCon, but in lieu of doing anything else here, here’s the a weird video I got taken in the Doctor Who booth (I suspect I'll get time to be on tumblr again more mid next week).