#adam forkner

[yourfavealbumisgender]

Mount Eerie by The Microphones is Transfem!

requested by @draculaugust

[shoegazero]

The Microphones - Microphones in 2020.

one long song recorded nowhere between May 2019 and May 2020 released Aug. 7th, 2020 as a 2xLP by P.W. Elverum & Sun.

[chips1977]

WARNING : I'm just an addict ... addicted to music. There are people who are born to make music, o8 thers are born to hearing. Whenever was part of this second group. Maybe it's. a habit, I gotta use, even if it 's rock, jazz or the quiet storm. Great pictures of the things I love - music, painting, books, photography, architecture, design, women, and more. I love music more than lasagna. Better to burn out than fade away. The older you get, the better life gets. But time also seems to be accelerating, the clock running too fast. So, looking at those early days, everything is very slow, stretched, and great significance. The most recent time, I spent busy with simple things.People think rock and roll is only about teenage rebellion, but why can not exist old rebel too? THE RESIDENTS is my Biggest Addiction, and,THE RED KRAYOLA, OLD TIME RELIJUN-ARRINGTON DIONYSO,R. STEVIE MOORE,SHRIMP BOAT,SMEGMA,THE SUN CITY GIRLS, LEGENDARY PINK DOTS,MINIMAL COMPACT,FRANK ZAPPA,CAPTAIN BEEFHEART,THE VELVET UNDERGROUND,THINKING FELLERS UNION LOCAL 282,THE EX,CAN,FAUST,WEEN,TELEVISION,THE MODERN LOVERS,SNAKEFINGER,MILES DAVIS,SUN RA,KRAFTWERK,ANAL MAGIC & REV. DWIGHT FRIZZELL,MICHAEL YONKERS,MOONDOG,THE WORK,RAYMOND SCOTT,THE GO-BETWEENS,SLAPPY HAPPY,ART BEARS,NAKED CITY,HENRY COW,SKELETON CREW,JOHN ZORN,FRED FRITH,THE FIBONACCIS,BONGWATER-MARK KRAMER,SHOCKABILLY,BAND OF SUSANS,THE PAINTEENS,STUMP,RENALDO AND LOAF,CERTAIN GENERAL,THE THREE JOHNS,CHROME,PRIMUS-LES CLAYPOOL,EUGENE CHADBOURNE,ESKIMO, MINUTEMEN, MISSION OF BURMA,FUGAZI,BLURT, GLAXO BABIES,THIS HEAT,THE SEA AND CAKE,SAVAGE REPUBLIC,TUXEDO MOON, XTC,U.S,MAPLE,THE PAPER CHASE,DANIEL SMITH- DANIELSON FAMILE .......  Other musical priorities are: HENRY FLYNT, THE FEELIES,PERE UBU,THE CLASH, JOY DIVISION, PROTOMARTYR, CAR SEAT HEADREST,THE BETTER-BEATLES, DARKSIDE,THE MEMBRANES, THEATRE OF HATE, NOCTURNAL PROJECTIONS,THE LINES,CARDINAL,CLEANERS FROM VENUS,THE JAZZ BUTCHER, ELVIS COSTELLO,THE MONOCHROME SET, TELEVISION PERSONALITIES, ALTERNATIVE TV, GONG,ANNIE ANXIETY, THE DEL-BYZANTEENS, WALL OF VOODOO, BUTHOLE SURFERS, RICHARD DAWSON, MAC DeMARCO,WOVEN HAND,16 HORSEPOWER, DAVID EUGENE EDWARDS,SHELLAC, SLINT-PAPA M-DAVID PAJO, LUNGFISH, OM, EARTH,THE BOOK OF KNOTS,LOUNGE LIZARDS-JOHN LURIE,ANTON FIER-GOLDEN PALOMINOS,PETER BLEGVAD,PETER HAMMILL,TOMAHWAK,FANTOMAS,MR. BUNGLE, MIKE PATTON, SUICIDE-MARTIN REV+ALAN VEGA,AARON FREEMAN,JAPAN,STEREOLAB, SPACEMEN 3, SPECTRUM, SWELL MAPS, SILVER APPES, SWELL,MORPHINE, HAWKWIND, DEVO,FLYING LIZARDS, MAGAZINE, RALPH CARNEY,ROBERT WYATT, JOHN WILKES BOOZE, KEVIN COYNE, DAEVID ALLEN, SLEEPYTIME GORILLA MUSEUM, MX-80 SOUND, SOPOR AETERNUS & The ENSEMBLE of SHADOWS, THE AUTEURS,MAN MAN, DAMIEN JURADO, DAVID DONDERO, CHAD VANGALLEN, LONG FIN KILLIE, MAGIC TRICK-TIN COHEN, CHRIS COHEN, DAVID BAZAN,VAMPIRE RODENTS, JON WAYNE, PRAM,THE OLIVIA TREMOR CONTROL, PAVEMENT, PATTI SMITH, FUGS, PEARLS BEFORE SWINE-TOM RAP, UNITED STATES OF AMERICA-JOSEPH BYRD, FAMILY, GODZ, BONZO DOG DOO DAH BAND,PENTANGLE,THE INCREDIBLE STRING BAND, SLOVENLY, CHEER- ACCIDENT, TARWATER, COIL,THROBBING GRISTLE, SHAWN LEE, CLUTCHY HOPKINS, JURYMAN AKA IAN SIMMONDS AKA WISE IN TIME+SANDALS, ZOOGZ RIFT, THE BOOKS,NEW THRILL PARADE, CHRIS KNOX , DAVID KILGOUR,THE BATS,THE CLEAN,THE PIN GROUP, CRIME CITY SOLUTION, ROWLAND S. HOWARD,TOM WAITS, VIC CHESNUTT, JOE HENRY, ALEJANDRO ESCOVEDO,THE TAPE BEATLES,THE GUN CLUB, MAGAZINE,THE DENGUE FEVER,THE PAPER CHASE,THE FIERY FURNACES,THE MICROPHONES-PHIL ELVRUM,GARY WAR,RAILROAD JERK, KARL BLACK- SOCK HEADDED PETERS-LEMON KITTENS,THE MUSIC TAPES,THE SHAGGS, BOBB TRIMBLE, FISH AND ROSES, DIABLO SWING ORCHESTRA,POP D`ELL ARTE,MLER IF DADA,TOM ZÉ, WALTER FRANCO,OS MUTANTES,CAETANO VELOSO,MILTON NASCIMENTO, ARNALDO ANTUNES,VINICIUS CANTUARIA,JORGE BEN,CAZUZA,CEREBRO ELECTRONICO,CORDEL DE FOGO ENCANTADO,ROGERIO SKYLAB,OTTO, MOMBOJÓ,CRIOULO,MAX CASTRO, METÁ METÁ, ATALHOS, ROMULO FROES,WADO,ORQUESTRA IMPERIAL, LENINE,APANHADOR SÓ,MUNDO LIVRE SA,NAÇÃO ZUMBI, ALÇEU VALENÇA,ANT- BEE, BILL FAY,RON SEXSMITH,EL GUAPO,DAVID GRUBS,TORTOISE, SAM PREKOP, GASTR DEL SOL,HENRY KAISER,HOME & GARDEN, BOB DRAKE, MY DEAD IS DEAD, AKRON FAMILY, SWANS,THESE IMMORTAL SOULS, UNREST WORK & PLAY,THE TAPE BEATLES,THIS KIND OF PUNISHMENT,SWOLLEN MONKEYS (Ralph Carney) LIARS, SNAPPED ANKLES, CAVERN ANTI-MATTER, GANG GANG DANCE, THE DAMAGE MANUAL,THE BLACK ANGELS,SCOUT NIBLET,DIE FORM,LONELADY,COP SHOOT COP,WAR ON DRUGS,THE MONKS,TIM HUEY,TRACHTENBURG FAMILY,THE TRIFFIDS,THE CRUEL SEA,THE MEKONS,THE METOD ACTORS,THE SOFT BOYS,THE MISTAKES,THE MOUNTAIN GOATS,THE NEW CREATION, BRUCE HAACK, LOREN MAZZACANE CONNORS,GLEN BRANCA,ALBERT MARCOEUR,LOS ANGELES FREE MUSIC SOCIETY, SHELLEY HIRSCH,NEW YORK GONG,THE POLYPHONIC SPREE,LYDIA LUNCH,LOVE, LUCIA PAMELA,FATIMA MIRANDA,SAFETY SCISSOR S,RICHARD HELL & VOIDOIDS, SACCHARINE TRUST, ADAM FORKNER of [[[[VVRSSNN]]] YUME BITSU, ROY MONTGOMERY,RUN ON, LOVELY LITTLE GIRLS,SAFETY SCISSORS, BRIDE OF NO NO,TONE DOGS,TREAT HER RIGHT,TRIPOD JIMMIE,LIFTER PULLER,THEY MIGHT BY GIANTS,GANG OF FOUR,THE POP GROUP, WIRE, JOSEPH K, ORANGE JUICE, RAIN PARADE, THE GREEN ON REED, THE RENDERS,SOUL COUGHING-MIKE DOUGHTY, MAZARIN, KARATE- GEOFF FARINA, SECRET STARS,THE CHURCH, BLANK DOGS, FROG EYES, JOAN OF ARC, PURE X, YUNG WU,WAKE OOLOO, SPEED THE PLOUGH, DRIVE BY TRUCKERS, CAMPER VAN BEETHOVEN, MARTIN NEWELL, ERLAND and The CARNIVAL, CRIPPLED BLACK PHOENIX,CALIFONE,RED RED MEAT, LOW, Eels, LOWER DENS,THE BLACK HEART PROCESSION, KING MISSILE, THE NOTWIST, CLINIC, QUICKSPACE,THE COMSAT ANGELS,THE ASSOCIATES, EZRA FURMAN and THE HARPOONS, EFF BARZELAY, BORN RUFIANS, FERGUS & GERONIMO, CHAIN AND THE GANG-IAN SEVENONIOUS-WEIRD WAR-THE MAKE UP,ESCAPIST,MOONFACE, DEAN BLUNT,COLLEEN,ZERO 7,THREE MILE PILOT,LIFE WITHOUT BUILDINGS, CLOUD CULT,BLACKOUT BEACH,PINBACK,ARIEL PINK,MAGIC HOUR,MAJOR STARS, MAPS & ATLASES, MEGAFAUN,MENOMENA,TAME IMPALA, AMPS FOR CHRIST,ARBOURETUM,TRUE WIDOW,NANA GRIZOL,TIMBER TIMBRE,THE, IMPOSSIBLE SHAPES,THE LOVE EVERYTHING,THE MAE SHI, DEAD SKELETONS,THE SHIPPING NEWS,NEW WET KOJAK,GIRLS AGAINTS BOYS,LES SAVY FAV,GERMAN SHEPHERDS,SILKWORM,DIANOGAH,31 KNOTS,90 DAY MEN, 17 PYGMIES,PARENTHETICAL GIRLS, GUN OUTFIT,VAMPIRE RODENTS, PUMA JAW-PINKIE MACLURE and JOHN WILLS, SLUG GUTS, DOG FACED HERMANS, GOD IS MY CO-PILOT, THE SKULL DEFEKTS, CUL de SAC, PELL MELL, FOR CARNATION, MARVIN PONTIAC, ARIEL PINK, FLAT WORMS, AMEN DUNES, IDDLES, WAXAHATCHEE, WOLF PARADE, SUN KILL MOON, NATALIE PRESS ,CHELSEA WOLFE, SHILPA RAY, INCA SILVER, IBEYI, ANGEL OLSEN,THE COMET IS COMING,SLEAFORD MODS, VAGABOND, SUUNS, MADONNATRON, BIG THIEF, FAT, SHAME, SAVAGES, ICEAGE, OMNI, PARQUET COURTS, WHITE FAMILY, LYDA HUSIK, SHARON VAN ETTEN, dEUS, MITSKI, LAUREL HALO,JULIA HOLTER, MARISSA NADLER, JOSEPHINE FOSTER,TRACY BRYANT, MALE GAZE, TY SEGALL,THEE OH SEES, TYVEK, GOAT, WAND,YUCK, THE MOONLANDINGZ, VIET CONG, OUGHT, ALLAH-LAS,THE FRESH & ONLYS, WHITE FENCE, LAURA MARLING, EMA, PHAEDRA, LHASA, FIRST AID KIT, JANE WEAVER, WYE OAK, CAROLINER AKA CAROLINER RAIBOW ... E gosto de viajar, andar de bicicleta, de comboios, de animais.... não gosto de pessoas superficiais... sem cultura.Gosto de dança, de arte o que quer que isso seja!. Não gosto da monotonia. Gosto de criticar no sentido positivo. Não gosto de sonhar em ficar rico. Gosto do “Vive cada dia como se fosse o último “. Não gosto de despedidas. Gosto de pormenores.Gosto de perfumes. Não gosto de mentir nem que me mintam, não suporto hipócritas.Gosto do mar. Não gosto de quem não acredita em nada e não se importa com nada e tem a profundidade de uma colher... Gosto de viajar, gosto de ajudar e de saber que pude ser útil a alguém em qualquer coisa. Não gosto da efemeridade da vida e da constante lembrança da proximidade da morte. Não gosto de não perceber. Não gosto de atrasos e de quem não é capaz de cumprir as suas promessas, não gosto de quem volta atrás com a sua palavra e ainda menos que voltem atrás comigo. Não gosto da cusquice.Gosto de amigos e da camaradagem, não gosto das” amizades “que se perdem por coisas que no final das contas não significam nada... Gosto de palavras e de conversas sem fim... Gosto de pessoas originais, com humor,com ideias próprias... e com classe. Não gosto de carinho quando estou nervoso.Gosto do campo. Não gosto de seguir a onda.Gosto de coisas pouco claras, mas bem esclarecidas. Gosto de dominar. Não gosto de brincar com os sentimentos dos outros.Gosto de toques e de trocas de olhar, de demonstrações de carinho e de cenas sensuais. Não gosto de ficar bêbado até dizer a verdade. Gosto da grandeza das coisas simples, e gosto de coisas complicadas mas não gosto de complicações... O comum não me atrai, gosto normalmente de coisas que passam despercebidas... Gosto de gostar e de não gostar de tudo isto e muito mais...

[weeklyrider-blog]

2019 Monster Energy Super Cross, Race 10 @ Daytona

This Saturday was Race 10 at Daytona. This  Race had a couple of stand outs that had been expected to do good. Chad Reed on the 22 said that his bike was feeling good after getting the suspension dialed. Ken Roczen as well was confident in his riding. Over all there were many stars shining in qualifying like, Marvin Musquin, Blake Bagget, and Cooper Webb.

The way super cross works is that there is a race every weekend, and almost every race is the same in terms of rules. The 250 class has two different divisions, East and West. The 450 class on the other hand only has one division. Each class will go through qualifying first. All the top qualifiers will then move on. There are 2 Heat races for each class, the top 9 in each will move on to the Main Event. Everyone else will move to the Last Chance Qualifier, the top 4 in the LCQ will also move on to the Main Event. There is also a point system for the winners, First place gets 26, Second 23, Third 21, Fourth 19, Fifth 18, etc.

Me personally, I am on the Web Wagon who is in the lead for points in the 450 class, which is why he has the red number plate. As for the 250 West Class, my go to pick is Adam Cianciarulo and in the East my pick is Austin Forkner. Both of the 250 riders I am rooting for race for ‘Team Green’ which is the Kawasaki Factory race team. In the 450 class I can not really say who I go for since they all have their ups and downs but my top 3 are Cooper Webb, Marvin Musquin, and Eli Tomac. One person that was expected to do good was Ken Roczen on the 94 which you can see in the background of this picture.

Earlier in 2018 Ken Roczen had gotten into a crash with Cooper Webb when he was racing with Yamaha. His arm had gotten caught into the back of Cooper’s Bike and cut him up and had done some further internal damage leading to a surgery. So for Roczen to come back so strong was really good for him. Although in this weekends race he had gotten caught up in the back in the first turn of the Main Event and went down, he sadly was not able to make it back from 21st to a solid position.

The Race in the 250 class was as expected with Austin Forkner coming in first, Chase Sexton in second, and Justin Cooper in third. The Point Standings after this race where, 1st Austin Forkner, 2nd Justin Cooper, 3rd Chase Sexton, the top three pretty much stayed in their point positions. The 450 Class Results where, Eli Tomac in first, Cooper Webb in second, and Marvin Musquin in third. The point standings after this race stayed almost the same with Eli Tomac over taking Marvin Musquin, 1st Cooper Webb, 2nd Eli Tomac, 3rd Marvin Musquin.

Overall this race was a very exciting race especially in the 450 class. The race itself is one of the biggest right behind the Las Vegas championship. The Daytona Track has 3 different dirt types, Beach Sand, Red Clay Dirt, Regular West coast dirt. The Track itself is pretty technically, especially the sand section which was a struggle for Marvin Musquin in the last lap. 

Come back next week for a surprise blog post

[baichday]

Professional Shorthand Typing Course O3035530865 for Boys & Girls – Rawalpindi

Professional Shorthand Typing Course O3035530865 for Boys & Girls – Rawalpindi Personal Shorthand, originally known as Briefhand in the 1950s, is a completely alphabetic shorthand. There are three basic categories of written shorthand. Best known are puresymbol (stenographic) shorthand systems (e.g., Gregg, Pitman). Because the complexity of symbol shorthands made them time-consuming to learn, a variety of newer, alphabetic shorthands were created, with the goal of being easier to learn– e.g., Speedwriting, Stenoscript, Stenospeed, and Forkner shorthand. These systems used normally written letters of the alphabet, but also some number of symbols, alphabetic characters changed in shape or position, or special marks for punctuation; and so they are more accurately described as hybrid shorthand systems. In contrast, Personal Shorthand uses only the 26 letters of the alphabet, without any special symbols, positioning, or punctuation, and it can therefore be written cursively, printed, typed, or even entered in a computer without special typefaces or graphics. Given years of practice, symbol shorthand writers could sometimes acquire skills of 150 or even 200 words per minute, which might have qualified them for demanding positions such as court reporting, typically dominated today by machine shorthands. Due to the extensive time necessary, few achieved such a level. Most symbol shorthand writers in secretarial positions wrote between 80 and 140 words per minute. Hybrid shorthand systems with higher symbol content generally could be written faster than those with fewer symbols. In common with most hybrid shorthands, Personal Shorthand cannot be written as fast as symbol shorthands. However, like some hybrids, learning time is drastically reduced. Students of Personal Shorthand can acquire a useful shorthand skill (50 to 60 wpm) in a single school term, compared to the year or more for symbol system students to reach that same level. Without the complexity of symbols to memorize and practice writing, Personal Shorthand theory is relatively simple. There are six Theory Rules. Slightly more than a hundred high-frequency business vocabulary words are represented by a single written letter known as a Brief Form ("a" for "about", "t" for "time", "v" for "very", etc.). High-frequency letter groupings within words ("g" for "-ing", "s" for "-tion", etc.), known as Phonetic Abbreviations, are also written with a single letter. In most Personal Shorthand textbooks, the entire Theory is presented in just ten lessons, after which review and practice can lead to writing speeds of 60 to 100 words per minute. 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(M) For Details Please Contact Us: O335-8O413O9 WHATSAPP: 03035530865, 03219606785 IPATS Admission open Professional Diplomas and Certifications http://www.ipatsedu.com/ || courses.ipatsedu.com || http://diplomas.ipatsedu.com/ Whatsapp: +923035530865, 03219606785, 3315145601, 03495021336 IPATS Government Recognized Education Zone-Khanna Pul Rawalpindi-Islamabad Diploma in Quantity Surveyor Advance Course 3035530865 Faisalabad Fateh Jang - Faisalabad Diploma in Quantity Surveyor Advance Course in Faisalabad Fateh Jang , Learn the key skills for a range of quantity surveying roles. You cover practical topics including financial management, contract administration and practice, conflict avoidance, cost planning, procurement and tendering. You will apply these concepts in real-life scenarios and collaborative assessment techniques. This course satisfies the academic stage of the journey towards attaining Chartered Surveyor status.The course features a variety of activities that see classroom learning being applied in order to develop solutions to real world challenges. It's broad in its coverage of the construction sector to ensure you gain a firm grounding across all the key areas with a focus on employability.This programme is designed to enhance your existing knowledge and skills in the construction industry by equipping you with specialised quantity surveying skill sets. It will enable you to perform with a strong sense of responsibility for your own practice and to be capable of effectively collaborating with other construction-related disciplines.During the programme you'll extend your technical, applied and legal knowledge and critically review practice within the construction industry. You'll also learn how to provide strategic, budgetary and financial advice on development options through the life cycle of a construction project. An industry project will allow you to apply your research and critical thinking skills.Rawalpindi, Islamabad, Lahore, Karachi, Gilgit, Skardu, Ghangche, taxila, Shigar, Astore, Diamer, Ghizer, Kharmang, Gultari, Rondo, Hunza Nagar, Gupi, Azad Jammu and Kashmir, Muzaffarabad, Mirpur, Bhimber, Kotli, Rawlakot, Bagh, Bahawalpur, Bhakkar, Chakwal, Chiniot, Dera Ghazi Khan, Faisalabad, Gujranwala, Gujrat, Hafizabad, Jhang, Jhelum, Kasur, Khanewal, Khushab, Layyah, Lodharan, Mandi-Bahuddin, Mianwali, Multan, Muzaffargarh, Nankana Sahib, Narowal, Okara, Pakpattan, Rahim Yar Khan, Rajanpur, Sahiwal, Sargodha, Sheikhupura, Sialkot, Toba tek Singh, Vehari, Attock, Taxila, Wah Cantt, Rawalpindi, Balochistan, Khyber-Pakhtunkhwa, Punjab, Sindh, Gilgit Baltistan, Turbat, Sibi, Chaman, Lasbela, Zhob, Gwadar, Nasiraba, Jaffarabad, Hub, Dera Murad Jamali, Dera Allah Yar, Khyber-Pakhtunkhwa, Peshawar, Mardan, Abbottabad, Mingor, Kohat, Bannu, Swabi, Dera Ismail Khan, Charsadda, Nowshera, Mansehra, Hyderabad, Sukkur, Larkana, Nawabshah, Nanak wara, Mirpur Khas, Jacobabad, Shikarpur, Khairpur, Pakistan.Experienced Based Diploma in Ac Technician , Electronic , Mechanical , Plumbing , Auto Electrician , Efi Auto Electrician , Civil Surveyor , Quantity surveyor civil lab material testing , Best Institute in Rawalpindi islamabad Pakistan Lahore , Lowest fee course in pakistan , lowest fee professional practical training course in pakistan rawalpindi peshawar kashmir bagh lahore islamabad kahuta chakwal rahimyar khan gujarat gujarawala multan , attock Best institute in rawalpindi professional teacher and qualified staff.Dubai , Abu Dabi , Muscat , Oman , Doha , Qatar , South Africa , Saudia Arabia , kawat , Behrain , Kotli Sattian , Murree , UK , UAE , Sharja, Civil Technology Courses Diploma in Civil Surveyor Diploma in Quantity Surveyor Diploma in Civil Draftman Diploma in Civil Lab Technician Diploma in Civil Architecture Diploma in Civil Engineering One Year Diploma in Civil Engineering Two Years OSHA Construction Civil Safety Electrical Technology Courses Diploma in Electrical Engineering one year Diploma in Electrical Engineering Two years Electrician Course in Rawalpindi Electrician Course in Lahore Electrician Course in Peshawar Telecommunication Technology Courses WHATSAPP: 03035530865, 03219606785 IPATS Admission open Professional Diplomas and Certifications http://www.ipatsedu.com/ || courses.ipatsedu.com || http://diplomas.ipatsedu.com/ Whatsapp: +923035530865, 03219606785, 3315145601, 03495021336 IPATS Government Recognized Education Zone-Khanna Pul Rawalpindi-Islamabad Quality Control QC Inspector Diploma Course in Rawalpindi Muzaffarabad 3035530865 - Muzaffarabad Quality Control QC Inspector Diploma Course in Rawalpindi Muzaffarabad Pakistan , Quality Control QC Inspector Diploma Course in Rawalpindi Muzaffarabad Pakistan , The Certified Quality Inspector is an inspector who, in support of and under the direction of quality engineers, supervisors, or technicians, can use the proven techniques included in the body of knowledge. Under professional direction, the quality inspector evaluates hardware documentation, performs laboratory procedures, inspects products, measures process performance, records data and prepares formal reports.Must know basic quality terms, definitions and concepts.Must know basic statistical terms and techniques, how to plot data and how to recognize out-of-control conditions.Must know the definition of plan-do-check-act (PDCA) and understand the team concept.Must understand types of measurement, measurement terminology and the different types of measurement scales. Must know the difference between accuracy and precision and be able to select the appropriate measuring tools and techniques.Must know how to measure using surface plate layouts.Must be able to identify/recognize inspection errors and initiate resolution. Must have basic calibration knowledge.Must be able to read and interpret blueprints and know definitions of critical, major and minor characteristics.Must have a general knowledge of ASME Y14.5M, working knowledge of geometric dimensioning and tolerancing (GD&T), and must understand the x, y, z coordinate system.Must be able to use inspection planning tools and perform a product audit; determine sample size for lots; pull random samples. Must have knowledge of testing methods.Rawalpindi, Islamabad, Lahore, Karachi, Gilgit, Skardu, Ghangche, taxila, Shigar, Astore, Diamer, Ghizer, Kharmang, Gultari, Rondo, Hunza Nagar, Gupi, Azad Jammu and Kashmir, Muzaffarabad, Mirpur, Bhimber, Kotli, Rawlakot, Bagh, Bahawalpur, Bhakkar, Chakwal, Chiniot, Dera Ghazi Khan, Faisalabad, Gujranwala, Gujrat, Hafizabad, Jhang, Jhelum, Kasur, Khanewal, Khushab, Layyah, Lodharan, Mandi-Bahuddin, Mianwali, Multan, Muzaffargarh, Nankana Sahib, Narowal, Okara, Pakpattan, Rahim Yar Khan, Rajanpur, Sahiwal, Sargodha, Sheikhupura, Sialkot, Toba tek Singh, Vehari, Attock, Taxila, Wah Cantt, Rawalpindi, Balochistan, Khyber-Pakhtunkhwa, Punjab, Sindh, Gilgit Baltistan, Turbat, Sibi, Chaman, Lasbela, Zhob, Gwadar, Nasiraba, Jaffarabad, Hub, Dera Murad Jamali, Dera Allah Yar, Khyber-Pakhtunkhwa, Peshawar, Mardan, Abbottabad, Mingor, Kohat, Bannu, Swabi, Dera Ismail Khan, Charsadda, Nowshera, Mansehra, Hyderabad, Sukkur, Larkana, Nawabshah, Nanak wara, Mirpur Khas, Jacobabad, Shikarpur, Khairpur, Pakistan.Experienced Based Diploma in Ac Technician , Electronic , Mechanical , Plumbing , Auto Electrician , Efi Auto Electrician , Civil Surveyor , Quantity surveyor civil lab material testing , Best Institute in Rawalpindi islamabad Pakistan Lahore , Lowest fee course in pakistan , lowest fee professional practical training course in pakistan rawalpindi peshawar kashmir bagh lahore islamabad kahuta chakwal rahimyar khan gujarat gujarawala multan , attock Best institute in rawalpindi professional teacher and qualified staff.Dubai , Abu Dabi , Muscat , Oman , Doha , Qatar , South Africa , Saudia Arabia , kawat , Behrain , Kotli Sattian , Murree , UK , UAE , Sharja, Civil Technology Courses Diploma in Civil Surveyor Diploma in Quantity Surveyor Diploma in Civil Draftman Diploma in Civil Lab Technician Diploma in Civil Architecture Diploma in Civil Engineering One Year Diploma in Civil Engineering Two Years OSHA Construction Civil Safety Electrical Technology Courses Diploma in Electrical Engineering one year Diploma in Electrical Engineering Two years Electrician Course in Rawalpindi Electrician Course in Lahore Electrician Course in Peshawar Telecommunication Technology Courses Diploma in Telecommunication One year Diploma in Telecommunication Two years Diploma in Optical Fiber Diploma in CCTV technician Mechanical Technology Courses Diploma in Mechanical Technology One Year Diploma in Mechanical Technology Two Years Diploma in Project Management (DPM Diploma in Hotel Management Diploma in Hospitality Management Diploma in Quality Assurance (QA Diploma in Quality Control (QC Diploma in Total Quality Management (TQM Diploma in Import & Export Management Diploma in College and University Management Diploma in Auditing Diploma in Accounts Management Diploma in Fast Food Management Diploma in Flood Risk Management Diploma in Guest House Management Diploma in International Tourism Management Diploma in Energy Management Diploma in Library Management Diploma in Education Planning and Management Diploma in Management Information System (MIS Diploma in Software Project Management Diploma in Business Administration and Management Diploma in Office Administration & Management Diploma in Interior Designing Diploma in BMS (Building Management System Hospitality Management Course in rawalpindi Hospitality Management Course in lahore Hospitality Management Course in peshawar Building Management System (BMS) Course in rawalpindi Building Management System (BMS) Course in lahore Building Management System (BMS) Course in peshawar Quality Assurance Quality Control Course in rawalpindi Quality Assurance Quality Control Course in lahore Quality Assurance Quality Control Course in peshawar Hotel Management Course in rawalpindi Hotel Management Course in lahore Hotel Management Course in peshawar Iosh MS OSHA 30 USA Safety Course IADC Rig Pass Icertosh (International Certificate in Occupational Safety and Health Safety Officer IRCA, ISO Certifications Nebosh IGC Course in Rawalpindi Nebosh IGC Course in islamabad Nebosh IGC Course in peshawar Nebosh IGC Course in karachi Nebosh IGC Course in lahore Nebosh IGC Course in pakistan Basic IT Course (MS Office Computer Hardware Course Computerized Accounting CIT (Certificate in information Technology Web & Graphic Designing Computer languages Software Engineering AutoCAD (Civil, Mechanical, Electrical 3D Studio Max (Advanced Computer Networking Web Development Information Technology (PG-DIT Project Managment Professional (PMP Prima Vera (Project Management DIT (Diploma in information technology Revit 3D Cad Course Microstation Cad Course Shorthand Professional Course in Islamabad Shorthand Professional Course in Rawalpindi Shorthand Professional Course in Pakistan IATA Air Ticketing & Reservation Course in Islamabad IATA Air Ticketing & Reservation Course in Rawalpindi IATA Air Ticketing & Reservation Course in Pakistan Professional Cooking Course in Islamabad Professional Cooking Course in Rawalpindi Professional Cooking Course in Pakistan EFI Auto Electrician Course in Rawalpindi EFI Auto Electrician Course in Islamabad EFI Auto Electrician Course in Pakistan Civil 3D Course in Islamabad Civil 3D Course in Rawalpindi Civil 3D Course in Pakistan WHATSAPP: 03035530865, 03219606785 IPATS Admission open Professional Diplomas and Certifications http://www.ipatsedu.com/ || courses.ipatsedu.com || http://diplomas.ipatsedu.com/ Whatsapp: +923035530865, 03219606785, 3315145601, 03495021336 IPATS Government Recognized Education Zone-Khanna Pul Rawalpindi-Islamabad Read the full article

[drinksleeprecord]

Our pal @nonformat is starting up a new night with us called #Radioactivity. Tonight's lineup will include @theblanktapes (solo), #AirboyExpress (Adam Forkner of White Rainbow, Yuma Bitsu), and @bradlaner doing a live modular synth set + DJ sets by @nonformat and @saratap. Starts at 7pm and goes all night, don't miss! http://bit.ly/2UThN0r

[kickinthetires]

Going For The Triple: What You Need To Know For March 3, 2019

Going For The Triple: What You Need To Know For March 3, 2019

What You Need To Know About Saturday’s NASCAR XFINITY Series Race

Kyle Busch won Saturday’s Boyd Gaming 300 at Las Vegas Motor Speedway in the NASCAR XFINITY Series

The win was Busch’s second of the weekend after winning the NASCAR Gander Outdoors Truck Series race on Friday night

Busch is the only driver to have won all three NASCAR national series races (NGOTS, NXS, and Monster Energy…

[dogcunt]

ROJECTIONS, THE LINES, CARDINAL, CLEANERS FROM VENUS,THE JAZZ BUTCHER, ELVIS COSTELLO,THE MONOCHROME SET, TELEVISION PERSONALITIES, ALTERNATIVE TV, GONG, THE DEL-BYZANTEENS, RICHARD DAWSON, MAC DeMARCO, WOVEN HAND-16 HORSEPOWER- DAVID EUGENE EDWARDS, SHELLAC, SLINT-PAPA M-DAVID PAJO, LUNGFISH, OM, EARTH,THE BOOK OF KNOTS, LOUNGE LIZARDS- JOHN LURIE, ANTON FIER- GOLDEN PALOMINOS, PETER BLEGVAD, PETER HAMMILL, TOMAHWAK, FANTOMAS, MR. BUNGLE, MIKE PATTON, SUICIDE-MARTIN REV+ALAN VEGA, AARON FREEMAN, JAPAN, STEREOLAB, SPACEMEN 3, SPECTRUM, SWELL MAPS, SILVER APPES, SWELL, MORPHINE, HAWKWIND, DEVO, FLYING LIZARDS, MAGAZINE, RALPH CARNEY, DANNY COHEN, ROBERT WYATT, JOHN WILKES BOOZE, KEVIN COYNE, DAEVID ALLEN, SLEEPYTIME GORILLA MUSEUM, MX-80 SOUND, SOPOR AETERNUS & The ENSEMBLE of SHADOWS, MAN MAN, DAMIEN JURADO, DAVID DONDERO, CHAD VANGALLEN, MAGIC TRICK-TIN COHEN, CHRIS COHEN, DAVID BAZAN, JON WAYNE, PAVEMENT, PATTI SMITH, FUGS, PEARLS BEFORE SWINE -TOM RAP, UNITED STATES OF AMERICA-JOSEPH BYRD, FAMILY, THE GODZ, BONZO DOG DOO DAH BAND, Hapshash & The Coloured Coat, PENTANGLE,THE INCREDIBLE STRING BAND, SLOVENLY, CHEER- ACCIDENT, TARWATER, Red Temple Spirits, SHAWN LEE, CLUTCHY HOPKINS, JURYMAN AKA IAN SIMMONDS AKA WISE IN TIME+SANDALS, ZOOGZ RIFT, THE BOOKS, NEW THRILL PARADE, CHRIS KNOX , DAVID KILGOUR, THE BATS,THE CLEAN, THE PIN GROUP, THESE IMORTAL SOULS, CRIME CITY SOLUTION, ROWLAND S. HOWARD,TOM WAITS, VIC CHESNUTT, JOE HENRY, ALEJANDRO ESCOVEDO,THE TAPE BEATLES,THE GUN CLUB, MAGAZINE, THE DENGUE FEVER,THE PAPER CHASE,THE FIERY FURNACES, THE MICROPHONES-PHIL ELVRUM, GARY WAR, RAILROAD JERK, KARL BLACK- SOCK HEADDED PETERS-LEMON KITTENS, THE MUSIC TAPES, THE SHAGGS, BOBB TRIMBLE, FISH AND ROSES, DIABLO SWING ORCHESTRA ,POP D`ELL ARTE, MLER IF DADA,TOM ZÉ, WALTER FRANCO, OS MUTANTES, CAETANO VELOSO, MILTON NASCIMENTO, ARNALDO ANTUNES, VINICIUS CANTUARIA, JORGE BEN, CAZUZA, CEREBRO ELECTRONICO,CORDEL DE FOGO ENCANTADO,ROGERIO SKYLAB, OTTO, MOMBOJÓ, CRIOULO, MAX CASTRO, METÁ METÁ, ATALHOS, ROMULO FROES, WADO, ORQUESTRA IMPERIAL, LENINE, APANHADOR SÓ, MUNDO LIVRE SA, NAÇÃO ZUMBI, ALÇEU VALENÇA, ANT- BEE, BILL FAY, RON SEXSMITH, EL GUAPO, DAVID GRUBS, TORTOISE, SAM PREKOP, GASTR DEL SOL, HENRY KAISER, HOME & GARDEN, BOB DRAKE, MY DEAD IS DEAD, AKRON FAMILY, THESE IMMORTAL SOULS, UNREST WORK & PLAY, THE TAPE BEATLES, THIS KIND OF PUNISHMENT, SWOLLEN MONKEYS (Ralph Carney) LIARS, SNAPPED ANKLES, CAVERN ANTI-MATTER, GANG GANG DANCE, THE DAMAGE MANUAL,THE BLACK ANGELS, SCOUT NIBLET, DIE FORM, LONELADY, COME, WAR ON DRUGS, THE MONKS,TIM HUEY, TRACHTENBURG FAMILY, THE TRIFFIDS, THE CRUEL SEA, THE MEKONS, THE METOD ACTORS, THE SOFT BOYS, THE MISTAKES,THE MOUNTAIN GOATS, THE NEW CREATION, LOS ANGELES FREE MUSIC SOCIETY, ART ZOYD, NEW YORK GONG, UNIVERS ZERO, THE POLYPHONIC SPREE, MATERIAL, ETRON FOU LELOUBLAN, U TOTEM, 5uu's, Motor Totemist Guild, BRUCE HAACK, LOREN MAZZACANE CONNORS, GLEN BRANCA, DNA, MARS, ALBERT MARCOEUR, RHYS CHATHAM, RED TRANSISTOR, VON LMO, Weasel Walter's The Flying Luttenbachers, James Chance & The Contortions, THE SLITS, LORA LOGIC, POLY STYRENE, LITTLE ANNIE aka ANNIE ANXIETY, DANIELLE DAX, SHIRLEY, GRACE JONES, SHIRLEY HERSCH, LYDIA LUNCH, JARBOE, DIAMANDA GALAS, LUCIA PAMELA, ANNE CLARK, MEREDITH MONK, ANNETTE PEACOCK, FATIMA MIRANDA, Strawberry Switchblade( Jill Bryson and Rose McDowall), SAFETY SCISSORS, RICHARD HELL & VOIDOIDS, SACCHARINE TRUST, ADAM FORKNER of [[[[VVRSSNN]]] YUME BITSU, ROY MONTGOMERY, RUN ON, LOVELY LITTLE GIRLS, SAFETY SCISSORS, BRIDE OF NO NO,TONE DOGS,TREAT HER RIGHT, TRIPOD JIMMIE, LIFTER PULLER,THEY MIGHT BY GIANTS, LOVE, GANG OF FOUR, THE POP GROUP, WIRE, JOSEPH K, ORANGE JUICE, RAIN PARADE, THE GREEN ON REED,THE RENDERS, SOUL COUGHING-MIKE DOUGHTY, MAZARIN, KARATE- GEOFF FARINA, SECRET STARS, BLANK DOGS, FROG EYES, JOAN OF ARC, PURE X, YUNG WU, WAKE OOLOO, SPEED THE PLOUGH, DRIVE BY TRUCKERS, CAMPER VAN BEETHOVEN, MARTIN NEWELL, ERLAND and The CARNIVAL, CRIPPLED BLACK PHOENIX, CALIFONE, RED RED MEAT, LOW, Eels, LOWER DENS, THE BLACK HEART PROCESSION, KING MISSILE, THE NOTWI

WARNING : I'm just an addict ... addicted to music. There are people who are born to make music, o8 thers are born to hearing. Whenever was part of this second group. Maybe it's. a habit, I gotta use, even if it 's rock, jazz or the quiet storm. Great pictures of the things I love - music, painting, books, photography, architecture, design, women, and more. I love music more than lasagna. Better to burn out than fade away. The older you get, the better life gets. But time also seems to be accelerating, the clock running too fast. So, looking at those early days, everything is very slow, stretched, and great significance. The most recent time, I spent busy with simple things.People think rock and roll is only about teenage rebellion, but why can not exist old rebel too? THE RESIDENTS is my Biggest Addiction, and,THE RED KRAYOLA, FRANK ZAPPA, CAPTAIN BEEFHEART, THE VELVET UNDERGROUND, KING CRINSOM, OLD TIME RELIJUN - ARRINGTON DIONYSO, R. STEVIE MOORE, SHRIMP BOAT, MINIMAL COMPACT, THIS HEAT, COIL, SKELETON CREW, HARRY PARTCH, HOME and GARDEN, SMEGMA,THE SUN CITY GIRLS, TRAGIC MULATTO, WEEN, THE EX, LONG FIN KILLIE, VIRGIN PRUNES, AND ALSO THE TREES, MOONDOG,THE WORK, THE FIBONACCIS, LEGENDARY PINK DOTS, THE NECKS, CLINTON HENSLEY, CLOUD CULT, SACCHARINE TRUST, MODEST MOUSE, SCOTT WALKER, PROTOMARTYR, BONGWATER - (MARK KRAMER), SHOCKABILLY, RENALDO & LOAF, BUTHOLE SURFERS, MISSION OF BURMA, DAVID THOMAS,THE GO-BETWEENS, WALL OF VOODO, THROBBING GRISTLE, LONG FIN KILLIE,THE DARKSIDE,THE MUSIC TAPES,THE BETTER BEATLES, FIFTY FOOT HOSE, OLIVIA TREMOR CONTROL,THE LOS ANGELES FREE MUSIC SOCIETY ( Rick Potts, Joe Potts, Chip Chapman, Tom Recchion, who worked at the store, had formed Two Who Do Duets with Harold Schroeder in March of 1975, Ace Farren Ford and the Professor (who performed as the duo Ace & Duce), Dennis Duck, and Richard Snyder), Doo-Doettes, Tom Recchion, John Wiese, CHEER-ACCIDENT, OXBOW, Fredrik Nilsen, Godley & Creme, The Bill Jones Show, Blah Blah Blah, Blitzoids, Bomis Prendin, Cardiacs, TONE DOGS( Amy Denio, Fred Chalenor),The Cheepskates, Confusional Quartet, Jim Copp & Ed Brown, German Shepherds, Freshly Wrapped Candies, Gerry & The Holograms, Ostrich Von Nipple - Nolan Cook, "Blue" Gene Tyranny, Ptôse, Steaming Coils, HENRY FLINT, Robert Ashley, THINKING FELLERS UNION LOCAL 282, SWANS, CAN, FAUST, CASSIBER,TOM CORA, TELEVISION,THE MODERN LOVERS, SNAKEFINGER, TREES SPEAK, MILES DAVIS, SUN RA, KRAFTWERK, ANAL MAGIC & REV. DWIGHT FRIZZELL, MICHAEL YONKERS, RAYMOND SCOTT, SLAPPY HAPPY, ART BEARS, NAKED CITY, HENRY COW, JOHN ZORN, JOHN CAGE, THE DELTA NUDES, MARVIN PONTIAC, JOE BYRD and The Field Hippies,The Scene Is Now, FRED FRITH, Philip Perkins, JANDEK, HYBRID KIDS,THIS KIND of PUNISHMENT, FRED LANE, DEEP FREEZE MICE,THE DEVIANTS, MONKS,THE SHAGS, THE SLITS,THEE Oh SEES, WOMEN, BLURT, PRAM, BAND OF SUSANS, THE MARS VOLTA, THE BARK PSYCHOSIS, HUGO LARGO,THE PAINTEENS, STUMP, CERTAIN GENERAL, PINBACK, THE CHURCH,THE THREE JOHNS, CHROME, PRIMUS-LES CLAYPOOL, EUGENE CHADBOURNE, ESKIMO, HALF JAPANESE, MINUTEMEN, ARAB STRAP,FUGAZI, GLAXO BABIES, THE SEA AND CAKE, SAVAGE REPUBLIC, TUXEDOMOON, XTC, U.S,MAPLE, THE PAPER CHASE, MASS, PERFORMING FERRET BAND, LAUGHING CLOWS, ... AN THE HIPSTERS, The Grinning Plowman, Crawling Chaos, Suburban Lawns, SULFUR, ARAB ON RADAR, THE CHINESE STARS, RUN ON, DON CABALLERO, SLEEP, OM, EARTH, EX MODELS, TORTOISE, NEW WET KOJAK, TOBY DAMMIT, NOLAN COOK, ERIC DREW FELDMAN, CHARLES BOBUCK, CINDY LEE, DRY CLEANING, BEATRICE DILLON, WOMEN, Fontaines D.C,Porridge Radio, Scissor Girls, TV On The Radio, Motherhead Bug, COP SHOOT COP, VAMPIRE RODENTS, JUNE OF 44,THE BOOKS, UI, HIM, JOAN OF ARC, CAMPER VAN BEETHOVEN, FIREWATER, BLIND IDIOT GOD, CUL DE SAC, DANIEL SMITH - DANIELSON FAMILE ....... Other musical priorities are: THE FEELIES, PERE UBU, THE CLASH, JOY DIVISION, MEDIUM MEDIUM, TIN KINSELLA - JOAN OF ARC, CAP N ´JAZZ, OWLS, GHOSTS OF VODKA, MAKE BELIEVE, OWEN, THE CORAL, DANNY COHEN, CAR SEAT HEADREST, IDDLES, THE BETTER-BEATLES, DARKSIDE,THE MEMBRANES, THEATRE OF HATE, NOCTURNAL P

[crossprensa]

AMA SUPERCROSS: ROCZEN, Y UN DÍA VOLVIÓ...

AMA SUPERCROSS: ROCZEN, Y UN DÍA VOLVIÓ…

La segunda fecha del mejor supercross del mundo se corrió en St Louis, con unos Heat muy emocionantes en los de 250cc las victoria fueron para Christian Craig y Austin Forkner, en la categoría 450cc fueron para Ken Roczen y Adam Cianciarulo. En los Last Chanse fueron para Derek Drake en 250cc y Justin Brayton en 450cc. En la final de 250cc Jett Lawrence hizo el Holeshot pero Austin Forkner toma…

[charlesjening]

Promotion Watch ’19: KPMG Admits 138 New U.S. Partners

We’re about T-minus 30 days until KPMG releases its global revenue for fiscal year 2019. In the meantime, we got word on who the newest rainmakers in the Americas region will be for FY 2020.

KPMG gave 266 lucky boys and girls in the Americas keys to the partnership. Of those 266, 138 are from the good ol’ US of A.

Let’s take a look at KPMG’s newest U.S. partner class by the numbers:

48: The number of new partners in tax, the most of any business line, followed by 38 in advisory and 33 in audit.

34: The number of new partners who are women, or 25% of the class.

17: The number of new partners who have a last name that begins with B.

5: The number of new partners who have the first name of David.

2: The number of new partners who have the first name of Suzanne.

1: The number of new partners who have the first name of Gareth.

Here is the new U.S. partner class at KPMG:

Tara Adams, Tax

Amie J. Ahanchian, Tax

Tim Anderstrom, Audit

Maria Arosteguy, Advisory

Jon A. Baker, Audit Quality & Professional Practice

Jason Barocas, Audit

Corey E. Bartell, Tax

Daniel Basca, Tax

Edward Bayer, Advisory

Scott Belding, Tax

L. Richard Bird, Audit

Maria Blohm, Audit

Jennifer Bockhorn, Audit

Michael Bradshaw, Advisory

Alex Brady, Advisory

Katherine M. Breaks, Tax

Prashanth Brindavan, Advisory

Kevin J. Brogan, Tax

Lindsay Brusco, Audit

Joe Bukzin, Audit Quality & Professional Practice

Ryan Burns, Advisory

Christopher M. Casey, Tax

Keith Catlow, Tax

Dan Chandler, Audit

Ling Chen, Tax

Abner J. Chong, Tax

Rick Cincotta, Tax

Ryan Cleary, Tax

Cindy Cohen, Advisory

Erin Conaway, Audit

Jill M. Cosentino, Tax

Katie D’Angelo, Audit

Ben Danhauer, Tax

Analisa DeHaro, Advisory

Yatish Desai, Advisory

Filipe M. Dias, Audit Quality & Professional Practice

Arun F. D’Silva, Audit

Josh Dunlap, Tax

Nicholas Dye, Audit

Mark Eller, Audit

Gregory Evanoff, Audit

Charles Ferentinos, Tax

Lane M. Flood, Audit Quality & Professional Practice

Eric Forkner, Audit

Kenneth R. Garetson III, Tax

Jeffrey A. Garfield, Advisory

Gareth Gibson, Advisory

Prasanna Govindankutty, Advisory

Jeffrey Green, Audit

Joey Gyengo, Advisory

Cornell Hall, Audit

Ruby J. Hancock, Audit

Brent Hansen, Audit Quality & Professional Practice

Kurt R. Hanway, Tax

Mike Harmeson, Tax

Lawrence Hayden, Audit

Thomas Heck, Advisory

Douglas Holland, Tax

Gregory Homen, Tax

Mark Hughes, Advisory

Erik R. Jensen, Audit

Martin Kaestner, Innovation & Enterprise Solutions

Ishan Kaul, Advisory

Ryan J. Kelly, Tax

Bassam Khattab, Advisory

Rajeev Khurana, Advisory

Young H. Kim, Advisory

Jason Knight, Tax

Dr. Sreekar Krishna, Innovation & Enterprise Solutions

Jeff Krizner, Tax

Eugene M. Kublanov, Advisory

Julie A. Lau, Independence

Adam R. Levy, Advisory

Orson Lucas, Advisory

Tom Mahler, Tax

Matthew Maiers, Audit

Joe Manusakis, Advisory

Braden Mark, Advisory

Kevin Martelli, Innovation & Enterprise Solutions

Chris McCarney, Advisory

David McCarthy, Tax

Mike McCormick, Audit Quality & Professional Practice

Landon McGrew, Tax

Suzanne McLaughlin, Audit Quality & Professional Practice

Suzanne Michelle Menser, Audit

Ryan Michalski, Audit

James H. Moore Jr., Tax

Bob Mosier, Audit Quality & Professional Practice

Omar P. Munoz, Tax

James Patrick Murphy Jr., Advisory

David Nides, Advisory

Andrew Nolan, Advisory

Yosuke Ogata, KPMG Global Solutions Group – Audit

William C. Oglesby III, Audit

Dane Paulsen, Advisory

Michael Petry, Audit Quality & Professional Practice

Larry Piccola, Tax

Anthony Polselli, Audit

Clint Porter, Tax

Zoe S. Poulson, Legal & Compliance

Nalini Prakash Hart, Tax

Steven Qualls, Tax

Kelly Raftice, Tax

Avinash Ramkumar, Audit

David T. Rehrauer, Tax

David G. Rizzo, Legal & Compliance

Garth Roark, Tax

Ryan Rominiecki, Audit

Todd Ross, Audit

David Roy, Tax

Katherine Saudo, Tax

Matt Savatsky, Tax

Kelli J. Schmidt, Audit

Jason William Schneider, Audit

Mo Scully, Audit

Jon Sedon, Tax

Eli Simmons, Audit

Elliott Skrinjar, Advisory

Robert B. Stoddard, Tax

Andrea Strickland, Audit

Jenna L. Summer, Tax

Lisa A. Swatland, Advisory

Ryan Swedalla, Audit Quality & Professional Practice

Jason A. Thomas, Audit Quality & Professional Practice

Courtney H. Trimble, Advisory

Olli Valikangas, Advisory

Simona C. Vasile, Tax

John H. Vaughan IV, Advisory

Liezl Walker, Tax

Jamie Weisman, Audit

Rob Werling, Audit Quality & Professional Practice

KC Whitehead, Advisory

Caroline J. Whittington, Tax

Timothy Williams, Advisory

Greg Woofter, Tax

Mark Wuchte, Advisory

Helen Xu, Tax

Yi (Margaret) Xu, Advisory

Congrats to all the new partners!

The post Promotion Watch ’19: KPMG Admits 138 New U.S. Partners appeared first on Going Concern.

republished from Going Concern

[travelivery]

Feld Entertainment, Inc., announced that tickets are now on pre-sale for the 2019 Monster Energy AMA Supercross, an FIM World Championship, season.

Check Out the Photo Gallery Below

Monster Energy Supercross

Preferred customers can sign up in advance for early access to purchase tickets today through October 22 by visiting SupercrossLIVE.com. Tickets for the 2019 season will go on sale to the general public on Tuesday, October 23, 2018.

About Monster Energy Supercross

The world premier off-road motorcycle championship is the most competitive and highest-profile off-road motorcycle racing series on the planet, attracting nearly one million fans in live attendance over the course of the 17-race series. The 2019 season will feature the world’s most elite athletes chasing their supercross dreams onto U.S. soil inside America’s most well-known stadiums. Four rookies jumping up to the premier class in 2019 will join an already rich field of Marvin Musquin, Eli Tomac, Chad Reed, and Ken Roczen, along with the reigning 450SX Class Champion, Jason Anderson, the rookie class of Justin Hill and Joey Savatgy and both defending regional 250SX Champions, Zach Osborne and Aaron Plessinger.

New in 2019, fans will experience the pre-race FanFest, an even more festival-like atmosphere spanning 14 acres that opens at noon on race day. FanFest has something for every fan with live music, experiential activations, autograph sessions plus a Supercross Virtual Reality experience while allowing fans in-and-out access to the track to watch practice and qualifying.

Lastly, in eight select markets, Supercross Futures, an AMA Amateur National Championship, will establish itself as the world’s premier developmental platform for amateur supercross racing culminating in a national championship in Las Vegas. Like the Supercross logo, the new Supercross Futures logo gives a nod to the future and continued evolution of the sport.

WHEN: Saturday, May 4, 2019 FanFest hours: 12:00 PM – 6:00 PM* *Subject to change. Check local listings.

WHERE: Sam Boyd Stadium 7000 E. Russell Road

TICKETS: Tickets start at $35** FanFest Passes start at $20 each

Tickets and FanFest Passes will be available for purchase at the Thomas & Mack Center box office, La Bonita Supermarkets, UNLVtickets.com, or charge by phone at 702-739-FANS. Tickets and FanFest Passes will be on sale at the Sam Boyd Stadium box office on the day of the race only.

**Ticket prices subject to change – venue/ticketing fees may apply.

This year also marks the 10th anniversary of Feld’s purchase of the motorsports division, which changed the course of global brands, Monster Jam, and Supercross, leading to extraordinary growth in a time when traditional sports have struggled with attendance and TV ratings.

“We are proud to launch the new Supercross identity as we mark the 10th anniversary of stewarding the brand,” said Vicki Silver, Chief Marketing Officer for Feld Entertainment. “We have refreshed our logo and identity system to reflect what Supercross is today and to symbolize its future. The new world championship Supercross logo features distinct forward-leaning letters, which embody the momentum of the sport, the energy of the live experience, and the riders readying for the gate drop. Supercross is world-renowned, and this logo was strategically chosen to carve out a visual identity while continuing to raise the bar and elevate the sport.”

For more information, visit SupercrossLIVE.com, the official website of Monster Energy Supercross, or follow via social channels: Facebook, Twitter, Instagram, and YouTube.

Monster Energy Supercross – Weston Peick

Monster Energy Supercross – Malcolm Stewart

Monster Energy Supercross – Jason Anderson

Monster Energy Supercross – Aaron Plessinger

Monster Energy Supercross – Joey Savatgy

Monster Energy Supercross – Joey Savatgy

Monster Energy Supercross – Jeremy Martin

Monster Energy Supercross – Justin Hill

Monster Energy Supercross – Dean Wilson

Monster Energy Supercross – Marvin Musquin

Monster Energy Supercross – Adam Cianciarulo

Monster Energy Supercross – Chad Reed

Monster Energy Supercross – Justin Hill

Monster Energy Supercross – Dylan Ferrandis

Monster Energy Supercross – Justin Barcia

Monster Energy Supercross – Zach Osborne

Monster Energy Supercross – Austin Forkner

Monster Energy Supercross – Eli Tomac

Monster Energy Supercross – Zach Osborne

About Feld Entertainment, Inc.

Feld Entertainment® is the worldwide leader in producing and presenting live touring family entertainment experiences that bring people together and uplift the human spirit. Properties include Monster Jam®, Monster Energy Supercross, Disney On Ice, Disney Live!, Marvel Universe LIVE!, Sesame Street Live!, DreamWorks Trolls The Experience (coming Fall 2018). Across the brand portfolio, Feld Entertainment has entertained millions of families in more than 75 countries and on six continents. Visit feldentertainment.com for more information.

About the American Motorcyclist Association

Founded in 1924, the AMA is a not-for-profit member-based association whose mission is to promote the motorcycle lifestyle and protect the future of motorcycling. As the world’s largest motorcycling rights and event sanctioning organization, the AMA advocates for riders’ interests at all levels of government and sanctions thousands of competition and recreational events every year. The AMA also provides money-saving discounts on products and services for its members. Through the AMA Motorcycle Hall of Fame in Pickerington, Ohio, the AMA honors the heroes and heritage of motorcycling. For more information, visit americanmotorcyclist.com.

Monster Energy Supercross World Championship 2019 Coming to Las Vegas Feld Entertainment, Inc., announced that tickets are now on pre-sale for the 2019 Monster Energy AMA Supercross, an FIM World Championship, season.

[pairtext3-blog]

Kate Chopin A Re-Awakening - Additional Resources



Bibliography makers

An Overview of the Life and Works of Kate Chopin An article in Empire:Zine, a monthly Internet magazine on writing.

The Fifth Kate Chopin Conference Information on the Fifth Kate Chopin Conference, held earlier this year at Northwestern State University of Louisiana.

A Guide to Internet Resources for Kate Chopin's The Awakening A collection of extratextual resources available on the internet that might enrich the understanding and enjoyment of The Awakening. Compiled by Sharon Masturzo, School of Library Information and Science, University of South Florida.

Domestic Goddesses: AKA Scribbling Women A moderated E-journal devoted to women writers, beginning in the 19th century, who wrote "domestic fiction."

Kate Chopin Web Page A web site created by students at Assumption College, Worcester, Massachusetts.

Recent Publications of Chopin's Works:

The Awakening, New York: Avon Books, 1972.

The Awakening and Selected Stories, edited with an introduction by Nina Baym, New York: The Modern Library, 1993.

A Matter of Prejudice and Other Stories, New York: Bantam Books, 1992.

A Vocation and A Voice, Penguin Books, 1991.

Complete Works of Kate Chopin, edited and with an introduction by Per Seyersted; Foreword by Edmund Wilson, Volumes I and II, Baton Rouge: Louisiana State University Press, 1969.

Per Seyersted and Emily Toth, eds., A Kate Chopin Miscellany, Oslo: Universitetsforlaget and Natchitoches: Northwestern State University Press, 1979.

Forkner, Ben, ed., Louisiana Stories, Gretna, La: Pelican Publishing Co, 1990.

Bonner, Thomas, Jr. "Kate Chopin: An Annotated Bibliography," Bulletin of Bibliography, 32 (July-September, 1975) pp101-105.

Toth, Emily, "Bibliography of Writings on Kate Chopin." In A Kate Chopin Miscellany, ed. by Per Seyersted and Emily Toth., pp212-61.

"Kate Chopin, A Woman of Yesterday, Today and Tomorrow," A project of the Watson Library, Northwestern State University, Rapides Parish Library and the National Endowment for the Humanities.

Arnavon, Cyrille, "Les Debuts du Roman Realiste Americain et L'Influence Francaise." in Cahiers des Langues Modernes, I Paris, Didier (1946).

Bender, Bert, "The Teeth of Desire: The Awakening and The Descent of Man," in American Literature, Vol. 63, No. 3, Sept., 1991, pp. 459-473.

Berry, Wendell, "Writer and Region," in What are People For? Essays. San Francisco: Northpoint Press, 1990, pp. 71-87.

Bloom, Harold, Ed., Kate Chopin, Modern Critical Views. New York: Chelsea House Publishers, 1987.

Blumenthal, "Literature" Chapt. VI in American and French Culture, 1800-1900, pp. 174-232.

Bonner, Jr., Thomas. "Bayou Folk: An Evaluation": a paper contributed to the Kate Chopin Seminar at the 1974 MLA Conference.

__________, "Kate Chopin's At Fault and the Awakening: A Study in Structure." Markham Review, 7 (Fall, 1977), pp.10-15.

__________, "Kate Chopin's European Consciousness." American Literary Realism, 1870-1910, Vol. 8, 1975, pp. 281-84.

__________, The Kate Chopin Companion, with Chopin's translations from French fiction. New York: Greenwood Press, 1988.

Boren, Lynda S. and Sara de Saussure Davis, Eds., Kate Chopin Reconsidered, Beyond the Bayou. Baton Rouge and London: Louisiana State University Press, 1992.

Bush, Robert, Louisiana Prose Fiction, 1870-1900 (Dissertation). State University of Iowa, 1957.

Cott, Nancy F., The Grounding of Modern Feminism. New Haven and London: Yale University Press, 1987.

Eble, Kenneth, "A Forgotten Novel: Kate Chopin's The Awakening," in Western Humanities Review, X (Summer, 1956), pp. 261-269.

Dyer, Joyce, "Gouvernail, Kate Chopin's Sensitive Bachelor," in Southern Literary Journal, 14 (Fall, 1981), pp. 46-55.

__________, "Symbolic Setting in Kate Chopin's 'A Shameful Affair'." in Southern Studies, Vol. XX, No. 4, 1981, pp. 447-452.

Ewell, Barbara, Kate Chopin. New York: The Ungar Publishing Company, 1986.

__________, "Making Places: Kate Chopin and the Art of Fiction." (Unpublished Paper).

Judith Fetterley, "Introduction" in Provisions, A Reader from 19th Century Women, Bloomington: Indiana University Press, 1985. pp. 1-40.

Judith Fetterley and Marjorie Pryse, "Kate Chopin," in American Women Regionalists, 1850-1910 (Norton, 1992) pp. 408-412.

Fletcher, Marie, "The Southern Woman in the Fiction of Kate Chopin," Louisiana History, 7 (1966): pp. 117-132.

Fox-Genovese, Elizabeth, "Between Individualism and Fragmentation: American Culture and the New Literary Studies of Race and Gender," in American Quarterly, Vol. 42, No. 1 (March, 1990), pp. 7-29.

__________, "The Fettered Mind: Time, Place, and the Literary Imagination of the Old South" in The Georgia Historical Quarterly, Vol. LXXIV, No. https://synthesis-essay.com , Winter, 1990, pp. 622-650. (Review Essay of Louis Rubin's The Edge of the Swamp.)

__________, Within the Plantation Household: Black and White Women of the Old South. University of North Carolina Press, 1988.

Gardiner, Elaine. "Ripe Figs: Kate Chopin in Miniature." Modern Fiction Studies, 28, Autumn, 1982, pp. 379-82.

Garietta, Anthony Paul, The Critical Reputation of Kate Chopin., Greensboro: University of North Carolina, 1978.

Gebhard, Caroline, "The Spinster in the House of American Criticism" in Tulsa Studies in Women's Literature, Vol. 10, No. 1, Spring 1991, pp. 79-91.

Gilbert, Sandra M. and Susan Gubar, Eds., Norton's Anthology of Literature by Women. New York, 1985.

Howell, Elmo, "Kate Chopin and the Creole Country," in Louisiana History, 20 (Spring, 1979), pp. 202-219.

__________, "Kate Chopin and the Pull of Faith: A Note on Lilacs," in Southern Studies, 18, (Spring, 1979), pp. 103-109.

Jasenas, Elaine, "The French Influence in Kate Chopin's The Awakening" in Nineteenth Century French Studies, 4(1976): pp. 312-22.

Jones, Anne Goodwyn, Tomorrow is Another Day: The Woman Writer in the South, 1859-1936. Baton Rouge: Louisiana State University, 1981.

Jones, Howard Mumford, "America and French Culture, 1750-1848" in Milestones in American Literary History, edited by Robert E. Spiller.

Kate Chopin Newsletters

Vol. 1, No. 12, Spring, 1875.

Vol. I, No. 3, Winter, 1975-1976.

Vol. II, No. 2, Fall, 1976.

Vol. II, No. 3, Winter 1976-1977.

Kazin, Alfred. A Writer's America, Landscape in Literature, New York, Alfred A. Knopf, 1988.

__________, On Native Grounds, Cornwall. NY: Cornwall Press, 1942.

Kearns, Katherine, "The Nullification of Edna Pontellier" in American Literature, Vol. 63, No. 1, March 1991, pp. 62-88.

Koloski, Bernard, Ed., Approaches to Teaching Chopin's The Awakening. New York: MLA, 1988.

__________, "The Structure of At Fault"

Kraditor, Aileen S., The Ideas of the Woman Suffrage Movement, 1890-1920. New York: Columbia University Press, 1965.

Lally, Joan Marie. "Kate Chopin: Four Studies" (PhD Dissertation, University of Utah), MLA. University Microfilms, Ann Arbor, Michigan, 1973.

Lewis, R.W.B., The American Adam, 1955.

__________, Trials of the Word.

__________, Cleanth Brooks and Robert Penn Warren, eds., American Literature: The Makers and the Making. 1973.

Lohafer, Susan, "The Classics" in Coming to Terms with the Short Story, Chapt. 6, pp.103-133.

__________, "Preclosure and Story Processing," in Short Story Theory at a Crossroads by Susan Lohafer and Jo Ellyn Clarey, pp. 249-273.

Martin, Wendy, Ed., New Essays on The Awakening,part of The American Novel Series. New York: Cambridge University Press, 1988.

Mills, Elizabeth Shown, Chauvin Dit Charleville: Mississippi State University Press, 1976.

Oates, Joyce Carol, ed., The Oxford Book of American Short Stories: Oxford and New York, Oxford University Press, 1992.

O'Brien, Sharon, "The Lineaments of Antebellum Southern Romanticism," in Rethinking the South, Essays in Intellectual History, pp. 38-56.

__________, "Sentiment, Local Color, and the New Woman Writer: Kate Chopin and Willa Cather," in Kate Chopin Newsletter, 2, (Winter, 1976-1977), pp.16-24.

O' Connor, Flannery, "The Regional Writer," in Mystery and Manners, pp. 51-59.

Papke, Mary E., Verging on the Abyss, The Social Fiction of Kate Chopin and Edith Wharton. New York: Greenwood Press.

Pattee, Frederick Lewis, A History of American Literature Since 1870.

__________ "The Feminine Novel," in The New American Literature, 1890-1930.

Perspectives on Kate Chopin: Proceedings of the Kate Chopin International Conference. Northwestern State University, Natchitoches, Louisiana, April 6-8, 1989.

Portales, Marco, "The Characterization of Edna Pontellier and the Conclusion of Kate Chopin's The Awakening," in Southern Studies, Vol. XX, No. 4, 1981, pp. 427-436.

Potter, Richard, "Negroes in the Fiction of Kate Chopin," in Louisiana History, 12 (Winter, 1971), pp. 41-58.

Prenshaw, Peggy Whitman, "Southern Ladies and the Southern Literary Renaissance," in The Female Tradition in Southern Literature, ed. Carol Manning, University of Illinois Press, 1992.

Rogers, Nancy, "Echoes of George Sand in Kate Chopin, Litterature Comparee," No. 1, 1983, pp. 225-228.

Rosowski, Susan J., "The Awakening as a Prototype of the Novel of Awakening, in Women's Experience," pp. 26-33.

Rowe, Anne E., "Kate Chopin" in Fifty Southern Writers before 1900, pp.133-143.

Scott, Anne Firor, The Southern Lady: From Pedestal to Politics, 1830-1930. Chicago: University of Chicago Press, 1970.

Seyersted, Per, Kate Chopin. A Critical Biography, Baton Rouge, Louisiana: Louisiana State University Press, 1969.

__________ and Emily Toth, eds., A Kate Chopin Miscellany, Natchitoches: Northwestern State University Press, 1979.

__________ "Kate Chopin" in American Literary Realism, 1870-1910, Vol. 3, No. 2, Spring 1970. Dept. of English, The University of Texas at Arlington.

Showalter, Elaine, ed., The New Feminist Criticism: Essays on Women, Literature and Theory. New York: Pantheon, 1985.

__________, Sister's Choice, Tradition and Change in American Women's Writing. The Clarendon Lectures, 1989. Oxford: Clarendon Press, 1991.

__________, "Tradition and the Female Talent: The Awakening as a Solitary Book," in New Essays on the Awakening, pp. 33-55.

Sims, Barbara, "Emersonian Idealism and Kate Chopin's The Awakening" (Unpublished paper).

Skaggs, Peggy, Kate Chopin. Boston: Twayne Publishers, 1985.

Sloane, David E. "Kate Chopin's European Consciousness" in American Literary Realism, 1870-1910, Vol. 8, No. 3, Summer, 1975. Seminar Moderator, MLA Conference on American Literary Realism, 1975.

Stayley, Laura, "Suffrage Movement in St. Louis during the 1870s," in Gateway Heritage, Vol. 3, No. 4, Spring, 1983, pp. 34-41.

Stepenoff, Bonnie, "Kate Chopin in `Out-At-The-Elbows' St Louis" in Gateway Heritage, Summer, 1990, pp. 62-67.

Stevens, Walter B. "Conde Louis Benoist" (in which Louis A. Benoist is also portrayed); "Eugene Hunt Benoist;" "Howard Benoist;" and "Lee Benoist." Brief biographical sketches in St.Louis: History of the Fourth City, 1763-1909. Chicago and St. Louis: The S.J. Clarke Publishing Co., 1909, pp. 86, 89, 400, 872-874.

Taylor, Helen, Gender, Race and Region in the Writings of Grace King, Elizabeth McEnery Stuart, and Kate Chopin.

Toth, Emily, Kate Chopin. Austin: University of Texas Press, 1990.

__________, "Kate Chopin's North Louisiana Awakening," in Louisiana Endowment for the Humanities, Winter, 1993, pp.12-18.

__________, "Kate Chopin and Literary Convention: 'Desiree's Baby'" in Southern Studies, Vol. XX, No. 2, 1981, pp. 201-208.

__________, "Kate Chopin on Divine Love and Suicide: Two Rediscovered Articles," in American Literature, Vol. 63, No. 1, March 1991, pp.114-121.

__________, "The Independent Woman and Free Love." Massachusetts Review, 16 (Autumn 1975), pp. 647-664.

__________, "St Louis and the Fiction of Kate Chopin," in Missouri Historical Society, 32 (October, 1975) pp. 33-50.

Turnell, Martin, "Maupassant," in The Art of French Fiction. New York, New Directions, 1959, pp. 93-97.

Turner, Frederick, Spirit of Place: The Making of an American Literary Landscape. Washington, D.C.: Island Press, 1989.

Wilson, Edmund, Patriotic Gore.

__________, ed., The Shock of Recognition. New York, N.Y.: Farrar, Straus and Cudahy, 1967.

Walker, Nancy, "Feminist or Naturalist: The Social Context of Kate Chopin's The Awakening," in Southern Quarterly, 17 (1979), pp. 95-103.

Wolff, Cynthia G., "Kate Chopin and the Fiction of Limits: 'Desiree's Baby'" in Southern Literary Journal, 10, Spring, 1978, pp.123-33

Wood, Ann Douglas, "The Literature of Impoverishment: Women Local Colorists in America 1865-1914" in Women's Studies, Vol. 1, No. 1, 1972.

Zabel, Morton Dauwen, Literary Opinion in America. New York: Harper and Brothers, 1937.

Ziff, Larzer, The American 1890s: Life and Times of a Lost Generation. New York: Viking, 1966.

Primary Sources:

From the Missouri Historical Society:

Kate Chopin Papers

Kate Chopin Account Ledger with Houghton Mifflin and Co, February 28, 1902

"Katie O'Flaherty, St. Louis. 1867" ( Commonplace Book,1867-1870)

"Impressions 1894" (May 4,1894-October 26, 1896)

"Leaves of Affection."

"Leilia. Polka for Piano." Undated. Published for the author by H. Rollman and Sons, St. Louis, 1888.

Correspondence: R.E. Lee Gibson to Mrs. Chopin, April 28, 1899. ALS. Lewis B. Ely to Mrs. Chopin, April 28, 1899. Lewis B. Ely to Ms. Chopin, May 13, 1899. L. to "My Dear Little Katie", May 16, 1899. Sue V. Moore (Publisher of St. Louis Life from 1890-1896) to K.Chopin, (on response to The Awakening). Letter fragment regarding The Awakening.

Essays: "Crumbling Idols by Hamlin Garland" in Life, October 6, 1894. "The Real Edwin Booth." Undated. in St. Louis Life, October 13, 1894. "Emile Zola's Lourdes" in St. Louis Life, November 17, 1894. "The Western Association of Writers" in Critic, July 7, 1894.

Logbooks

Wednesday Club of St. Louis Reciprocity Day, "An Afternoon with St.Louis Authors," Wednesday, November 29, 1899.

St. Louis Society Scrapbook, 1889-1906, p. 100.

From the Cammie Henry Research Center, Watson Library, Northwestern State University of Louisiana:

Benoist, Clemence, " My Native Town," a handwritten essay about Cloutierville when she was a student at Grand Coteau (Sacred Heart Academy in Louisiana).

Melrose Collection

Arthur Babb Sketchbook (material on Brazeales)

Death notices of Mrs. Marie Chopin Breazeale

Mildred McCoy Collection

Various materials on Kate Chopin, Oscar Chopin, Bayou Folk Museum, letters and some photographs

Box 5 holds Oscar Chopin papers:

(Leases, Sales, Tax papers, Mortgage Papers from Citizens' Bank of Louisiana)

Court Case involving Oscar Chopin, Executor, Vs the U.S., No 592, French and American Claims Commission.

"Sucession Oscar Chopin, Dec'd"

Review of At Fault in The Enterprise in Natchitoches, December, 1890.

Correspondence: Kate Chopin to the Editor of The Enterprise, in response to the review of At Fault, December 9, 1890. Fragment of a handwritten letter describing racial violence in Natchitoches Parish in 1876, author unknown.

From the Library of Congress:

19th century Guides to St. Louis:

The St. Louis Guide, St. Louis: F.W. Benton and Company, 1888.

Strangers' Guide to the City of St. Louis, St. Louis: T.K.Sage and Co.

From Oakland, Afton Historical Society:

Correspondence, James Murrin to J.H. Tighe Jan 7, 1868. (Alludes to Mrs. Thomas O'Flaherty, Jennie and Katie O'Flaherty)

Stories and Poems (Handwritten or Original Publication):

"A Little Free Mulatto"

"Alone"

"An Embarrassing Position" One act Comedy by Kate Chopin. Printed

"A Scrap and A Sketch", Retitled by hand as "The Night Came Slowly"

"The Christ Light" Original issue of Syndicated American Press Association story retitled "The Going a. of Liza. "

"The Dream of an Hour" (Vogue, December 6, 1894)

"Reve D'une Heure" (Translation of "The Dream of an Hour")

"Emancipation. A Life Fable." Undated; late 1869 or early 1870.

"The Maid of Saint Phillippe"

"The Storm: A Sequel to the 'Cadian Ball.&quot July 19, 1898.

"Two Portraits"

At Fault (Novel) July 5, 1889-April 20, 1890. Published for the author by Nixon Jones Printing Co., St. Louis, Sept., 1890.

A Night in Acadie (Collected short stories) Chicago: Way and Williams, 1897.

Bayou Folk (Collected short stories). Boston: Hougton Mifflin and Co, 1894.

The Awakening, (June (?)1897-Jan 21, 1898. Chicago and New York: Herbert S. Stone and Co, 1899.

Newspaper Articles:

"A St. Louis Woman Who Has Won Fame In Literature," in St. Louis Post Dispatch, Magazine Section, Sunday, November 26, 1899.

Bassford, Homer, "Louis A. Benoist Quieted Bank Run Here Century Ago by Paying in Full All Who Asked Cash," in St. Louis Star and Times, May 30, 1933. (From Oakland Papers, Afton Historical Society.)

"Dr. William Taussig tells of the Gasconade Disaster," St. Louis Republic, November 1, 1905.

"The Gasconade," A poem in The Leader, Literary Department, November 17, 1855

"O'Flaherty's Fatal Ride" The St. Louis Daily Times, Monday December 29, 1873 (contemporary account of the death of Kate Chopin's brother, Thomas O'Flaherty).

Newsclippings re Death of Thomas O'Flaherty. November 10, 1855, with Ms fragment and photograph of Kitty Garesche (1870) on verso.

"Open to Hermann," in The Leader, Saturday, December 22, 1855. p. 7 (small article on the aftermath of the wreck of the Gasconade bridge).

"Recalls the Noted Gasconade Horror," Globe Democrat, November 2, 1913 (Missouri Historical Society Vertical File).

"Seventeen Persons Killed. Great Numbers Wounded" The Leader, Saturday, November 3, 1855.

Weil, Tom, "Historic Central Louisiana Haunted by Romantic Past," St. Louis Post-Dispatch, Februrary 26, 1989, 3T.

Wilensky, Harry, "Her Masterwork was Taboo," St. Louis Post-Dispatch, Wednesday, April 24, 1974, p. 3F.

"Wreck Survivor Writes about Gasconade Crash" (Joseph T. Keyte); appeared in the Republican (?), Nov 10-13m 1913 (Missouri Historical Society Vertical File).

Viets, Elaine, "Author's House Still Has Spirit," St. Louis Post-Dispatch, March 7, 1985, F1.

Wolfe, Linda, "There's Someone You Should Know: Kate Chopin," The New York Times, September 22, 1972.

[mxsxpodcast]

Ep 95 It's Thursday

On Episode 95 of the Mx Sx Podcast Adam and Claudio talk about Red Bud, Aaron Plessinger vs Austin Forkner, World Cup, and other stuff.

Motocross Supercross Podcast

Follow us @MxSxPodcast

www.MxSxPodcast.com

Check out the new episode!

[fmxmxandmoremx-blog]

How the 2017 Motorcross/Supercoss will turn out in my eyes.

Is this the year that Monster Energy Pro Circuit Kawasaki finally returns to its dominating form?!?!? I am more of a Honda but seeing from the wins coming from the Kawi team, things seem to be going good for team green. The only downside is the fact that Adam Cianciarulo, Austin Forkner, Joey Savatgy, and Justin Hill don’t have a championship to their name…. At least not yet. These have showed that they can win races, but haven’t been able to get the job done by making little mistakes in their runs here and there. For me, I’ll give Forkner a pass because he’s only been in one series and he finished fourth overall in the Lucas Oil Pro Motocross Championship, not to bad i should say. Forkner showed potential and won two motos and an overall. I think if anyone has a series chance of taking over the 250 class it’s possibly the young rookie, but will he have mistakes in supercross, i mean like motocross and supercross are two different things? Also, it’s a make it or break it year for Cianciarulo. If he doesn’t do well this season then he will be looking for a new ride and a rebirth of sorts for his career. Talk about a no pressure, sheesh.

The Yamaha squad has been through a lot of changes this offseason. The team no longer has the star power of Cooper Webb nor Alex and Jeremy Martin because they moved to a different race team... (#HondaFTW). They are instead relying on Aaron Plessinger to take over the reigns as a title winner and he could possibly do just that. The problem is that this team lacks depth. It’s going to be a change in power for the boys in blue who have dominated this class the past few years.

Now here we have a team that I can see winning a few 250 titles in 2017 and some other races ahead. We’ve got Christian Craig and Jeremy Martin on deck to blow everyone out of the water in the East and West Regions. Martin will also be looking to take back his 250MX moto crown next summer too. Behind these two guys we have veteran Jimmy Decotis and a make it or break it season for RJ Hampshire and his team. Rookie Chase Sexton already broke both of his wrists (ouch) and will still make it in time for the East Region. Other than  Pro Circuit, this team looks the best on paper and it’ll be interesting to see who exactly steps up and fills the void left behind by Webb and Stewart in the class.

[krecs-blog]

Gearlust: KAPA Continental

One of the more iconic guitars available for studio users would be the KAPA Continental, or "Falcon" guitar, permanently emblazoned in the minds of Dub Narcotic Sound System fans everywhere. A guitar so quintessentially Dub Narcotic Studio - Olympia, Wash 98501, perhaps more than any other piece of equipment in the studio. This fixture has been in house for over 25 years, and recently underwent a fresh tune up.

Calvin says:

This is what they call a house-brand for Veneman’s music which is a music store in the D.C. Area. It’s a KAPA Continental, KAPA is the brand that is made specifically for Veneman’s music, in Edmonston, MD. It’s an unusual guitar in that it’s very regional. Only people in the D.C. area would have this guitar. The reason I have this guitar is in September of 1989, the Go Team were playing a show at a place called D.C. Space, and another guitar of mine, the Kay guitar, broke. There was a guy at the show named Mitch Parker from the band Crippled Pilgrims, and he said “Hey! I’ve got a guitar you can have!” because I was in the middle of a tour and the [Kay] guitar had broken in half. While we were packing up the drums he went home because he just lived a couple of blocks away and got this guitar, and brought it for me.

That tour ended prematurely when the van - it was the first automobile I had owned, a red Ford Falcon van (‘65); threw a rod, as they say. So we realized it wasn’t going to be practical for the band to continue in the van. What seemed more practical was to strip the van of anything useful, including license plates and anything that might identify us, and just leave it on the side of the freeway. So that’s what we did, or what I did; and in stripping the van I stripped off this Falcon logo, and when I got back to where we were staying (in Poughkeepsie, N.Y. with the band Love Child) I slammed it on the guitar. People often refer to this guitar as "the Falcon". Everyone’s played it. When I first acquired it I played it for the rest of that tour, which was about a week before the van died. And then it came back to Olympia and it wasn’t used as much for a few years. I had Paul Schuster, who was in a few different bands on K including Some Velvet Sidewalk, P.E.Z., Internal/External, and also worked at the guitar shop, Moon Music, down the street fix it up. He altered it considerable to make it playable, the neck was a little bit warped and a few other things that he was able to straighten out. So then after that it was more useful, I played it a lot in Dub Narcotic Sound System and then lots of people have used it in sessions. I know that Adam Forkner played it many times and he was on every record. He played with Little Wings, Dub Narcotic Sound System, The Microphones, Mirah, I don’t even know. Yume Bitsu was his band that he originally recorded on K, then White Rainbow and [[VVRSSNN]]. Oh, and Beat Happening played this guitar. In ‘89, at the end of that year just 3 months after I got this guitar we played a show at the Paramount Theater sponsored by the Rocket magazine called Nine for the '90s. It was nine bands that were going to make the'90s the decade and we were for some reason chosen. Bret liked this guitar so he played it, and at one point, I don’t remember what song it was, but in playing he hit the switches and turned off the pickups. Heather and I just kept going so it was like acapella with drums, and he was like “What’s wrong?” but he didn’t know because he’d never played this guitar before. Eventually he figured it out and he turned it on. He just happened to turn it on at a very dramatic moment, it seemed like he did it on purpose, like as far as the audience knew it was just a part of the song. It was like the guitar drops out, and then it came right in right at this part that seemed like it was where the guitar would come back in. So the audience was just like ‘YEAHHHH!” It was crazy, because I’d never played a show so big and I hadn’t experienced the crowd mentality that you get at a larger show. The response was funny, but it was exciting. There’s a photo of him playing that guitar inside the album cover of Music to Climb the Apple Trees by [KLP109]. That’s where this guitar came from. We’ve had it for 25 years and it’s still going.

Get in touch and come play it: studio@krecs.com - Mike