#akhanda

[toyezu]

[bhaskarlive]

Nandamuri Balakrishna, Pragya Jaiswal team up for ‘NBK 109’

Telugu superstar Nandamuri Balakrishna and actress Pragya Jaiswal are set to reunite for the upcoming tentatively titled film ‘NBK 109’. The two were earlier seen in the Telugu blockbuster movie ‘Akhanda’.

‘NBK 109’ is directed by Bobby Kolli and produced by Naga Vamsi, this Telugu action drama also stars Bollywood actor Bobby Deol as the antagonist.

Source: bhaskarlive.in

[suchananewsblog]

Pragya Jaiswal on RRR's awards sweep: This win is going to make us work harder to make better content and better movies - Exclusive - Times of India

Pragya Jaiswal has successfully carved a niche for herself in the south Indian film industry. She has also been a part of the National Award winning film, ‘Kanche’. With her Telugu movie, ‘Akhanda’ all set to release in Hindi, ETimes sat down with the actress for an exclusive interview where she opened up about the film, RRR bagging awards globally, finding a mentor in Salman Khan and more.…

[memesmacha]

Tag your friends...😅😅 #telugucomedy #telugutrolls #telugucinema #enagarantkiemaindi #Akhanda #Balakrishna #Balayyatttelugumemes #teluguvideos #telugutrolls #telugucomedymemes. #telugucomedy #telugubgm #babunuvvubtechah #btechstudents #degreestudents #prabhas #maheshbabu #vijaydevarakonda #alluarjun #jrntr #ramcharan #pawankalyan #karimnagar #warangal #pedapalli #guntur #vizag #rayalaseema #mancherial #mandamarri #bellampalli https://www.instagram.com/p/CmgRbRTL8sL/?igshid=NGJjMDIxMWI=

[ongolebullrace]

Balakrishna Akhanda Movie Bulls In Bull Race | PR Memorials Akhanda Bull...

[bollywoodnewmovie]

Akhanda’ movie review | Trailer, release date, cast | Balakrishna, Boyapati Srinu | For better or worse

Murali Krishna(Balakrishna) Is an extremely well-known and respected citizen of the tense Anantapur district. Things get problematic in his area when a mine owned by Varadarajulu(Srikanth) creates massive problems for the poor. Murali Krishna confronts Varadarajulu however, he is arrested tragically. As the goons cause more trouble for the family of Murali Krishna, Akhanda(Balakrishna as Aghora) arrives to help everyone. Is this Akhanda? What is his history? And how does he help everyone in what is the story behind Akhanda.

Akhanda Reviews:

After Legendand Simha the director Boyapati Srinu and actor Balakrishna join forces for their third movie – an all-flashy masala entertainment which is solely based on the main character’s star-power. The story’s plot is diluted because of an unintentional screenplay, and the entire cast is left in the dust to the NBK (including the character he plays). The result could have fans screaming “Jai Balayya” for hours, but it’s not a surprise that Boyapati doesn’t deliver his promise. Murali Krishna (Balakrishna) is a popular man living in the conflict-ridden Anantapur. A farmer, he makes his money to construct hospitals, and to strike when necessary, and also help change factionists so that they can care for the environment and stop using violence. His character almost seems to be an ode to the direction Balakrishna will take in his role. District Commissioner Saranya (Pragya Jaiswal) is determined to make corrupt police officers accountable and probe into the wrongdoings within her district, with the help of the Principal Secretary for Environment, Forest, and Climate Change, Padmavati (Poorna). The majority of the time is spent discussing the way Saranya loves Murali and they build an intimate relationship (after an odd flirtation which takes place in the form of the seatbelts Taati Kallu and the telugu tanam) This isn’t the story they tell.

It is the tale of his long-lost sister Akhanda (Balakrishna in the role of an aghora or a baby) who is separated of his home by an Baba (Jagapathi Babu) due to an obligation to fulfill. It is believed that he was born to correct the wrongs committed by Gajendra Sahu (Niitin Mehta) an infamous, brutal man who manages an ashram and pretends to be holy to hide his crime. The other character in the story there is Varada Rajulu (Srikanth) who is another brutal man who engages in illegal mining for uranium in Nallamala in the disguise that copper mining. When those whose lives Murali promised to defend are taken away, and Saranya is forced to fight for the survival of what’s left of her family. Akhanda embarks on a battle to bring the day back.

[hunterartemis]

The Kate Sharmas in Real Life : Indian women in 19th Century Attire

As an Austenite, I find Bridgerton an abomination, from the costume to plotline. However, like many people I found the 2nd season a bit tolerable especially the storytelling. Simone Ashley who was Kate Sharma (it’s rather pronounced as “sher-ma”) reminded me someone, especially someone dressed in western clothes in colonial India.

It is a preconceived notion by many that Indian people, especially women did not wore western clothes until it was post 1960s, but it is not true. The most fundamental garment, a blouse for saree was a Victorian addition. The eastern Indian women often worn saree as a single garment, and in ancient times, Saree or “akhanda vastra” (undivided cloth) was worn with a “kanchuki” underneath, or an Indian version of Bandeau. Blouse, in its modern form was then called a Chemise (semij, as the local vernacular called it). It came as in late 19th century, and the trendsetters were Upper class Bengali women. Rabindranath Tagore mentions how modern yet scandalising it was for a woman to wear a “Semij” in his numerous novels, especially in Chokher Bali .The picture below is of Princess Sudhira of Cooch Behar wearing what can be deemed as the earliest Indo-Western Fusion fashion in 1900s (she was known to have some good european wardrobe)

You might be thinking, Indo-Western garment is not anything near to the empire line Regency costume! yes, it is not. But before you at me, behold this historical photograph.

She is Maharani Suniti Devi, Queen of the Princely state of Cooch Behar, North Bengal. This shot was taken at 1902. I Know I am 100 years too late but during the 1813 Indian royals were busy from saving their states from the British Subsidiary Alliances, and Artisans were getting crushed by the flooding capitalists as the Monopoly of the East Indian Company was abolished by the 1813 Charter Act--- long story short, they didn’t wear the western garments that early. I picked her photo specifically because Simone Ashley, as Kate Sharma reminded me of her. Tall, slim, thin mouth, bright eyes, voluminous hair and dark skin. 

It is not that there are no dark skin rulers in India, and there were no royal women who donned western clothes--there are: in Fact the Daughter of Daleep Singh, the last Sikh Emperor and the Maharani of Kapurthala, both were photographed in Late Edwardian costumes in the beginning of 20th century. My pick is specially Suniti Devi because she exudes a classic ethnic Bengali beauty. I am emphasising on the fact Bengali because in Indian pop-culture Bengali women are portrayed as docile soft shy beings venerated for their big eyes and pliant beauty. However here you can see that this women is anything but. She is properly clothed in Late Victorian gown. From the prim contours of the waist it is clear that she is wearing proper undergarments like longline corset; light bustle as it was fashionable at that time and the correct petticoat. Loose but well arranged Gibson curls define her thick Bengali waves at the front of the head. The entire thing does not come off as costume-like, she looks like she was made for wearing it: she was not obviously corset trained because Indians often prefer loose fitted clothing and yet she does not look least bit out of place in that dress. 

Despite everything western in that dress from the Gibson hair to the black passmentary lace detaiiing on the white skirt, there is a distinct Indianness that graces the outfit. A long trail of English tulle is draped across the chest, as to emulate the shoulder drape of the saree: in India, a gentleman’s daughter is required to cover her chest with the drape of saree or a light scarf with Salwar. She didn’t need to; she was a Maharani, she could go without it, but she chose to drape it anyway. she also wears bangles in both hands, again a Custom by Bengali women who think a girl should not leave her wrists empty, because it symbolises widowhood. It was unlikely for a Victorian or Edwardian woman to wear bangles in both hands, especially without gloves-- but she did it anyway.

This distinct Indianness with western outfit is the exact essence which Kate replicated in the Wedding Scene

[santoschristos]

All Hail Lord Ganesha!

[mysticalblizzardcolor]

Guru Stotram - Akhanda Mandalakaram | Jaya Vidyasagar

[freshrunawayreview]

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[boitoiofficial]

Akhanda [Tamal Biswas]

Author: Soma Roy Publisher: Abhijoy Publication Binding: No. of Pages:

[chaitanyavijnanam]

గురు పౌర్ణమి శుభాకాంక్షలు అందరికి / Guru Pournami Greetings to All

🌹. గురు పౌర్ణమి శుభాకాంక్షలు అందరికి / Guru Pournami Greetings to All 🌹 ✍️. ప్రసాద్‌ భరద్వాజ 🍀 గురు ప్రార్ధన : 🍀

గురు బ్రహ్మ, గురు విష్ణు గురు దేవో మహేశ్వరః గురు సాక్షాత్ పరబ్రహ్మ తస్మై శ్రీ గురవే నమః

అఖండ మండలాకారం వ్యాప్తం యేన చరాచరమ్ | తత్పదం దర్శితం యేన తస్మై శ్రీగురవే నమః |

గుకారశ్చంధకారస్తు రుకారస్తన్ని రోధక: అజ్జాన గ్రాసకం బ్రహ్మ గురురేవ న సంశయ:

ఆషాఢ శుధ్ధపూర్ణిమను గురుపూర్ణిమ లేదా వ్యాసపూర్ణిమ అంటారు. ఙ్ఞానాన్ని కోరేవారు తమ ఆధ్యాత్మిక గురువులను ఈ రోజు స్మరించి, ఆరాధించి కృతఙ్ఞతలను తెలియజేస్తారు. భుక్తి విద్యలు కాక ముక్తి విద్యలను బోధించే గురు దర్శనానికి, స్మరణనకు ఈ రోజు విశిష్ట ప్రాముఖ్యత ఉంది. చంద్రుడు మనసునూ, సూర్యుడు బుద్ధిని ప్రకాశింపజేస్తారు. మానవుల మనసులో అష్టమదాలూ, అరిషడ్వర్గాలూ, అహంకార చిత్తం అనే పదహారు మలినాలు పూర్ణిమ నాడు గురు నామస్మరణతో తొలగిపోతాయి.

🌻 వ్యాస మహర్షి ప్రార్ధన : 🌻

వ్యాసం వసిష్ఠ నప్తారం శక్తైః పౌత్రమకల్మషమ్ | పరాశరాత్మజం వందే శుకతాతం తపోనిధిమ్ ||

వ్యాసాయ విష్ణు రూపాయ వ్యాసరూపాయ విష్ణవే | నమో వై బ్రహ్మనిధయే వాసిష్ఠాయ నమో నమః ll

🌹 🌹 🌹 🌹 🌹

🌹. Guru Pournami Greetings to All 🌹 ✍️. Prasad Bharadwaj Guru Brahma, Guru Vishnu Guru Devo Maheshwarah Guru Sakshat Parabrahma Tasmai Sri Guruve Namah Akhanda Mandalakaram vyaptham yena chara charam tatpadam Darshitham Yena Tasmai Sri guruve Namah

Gukarascha andhakarastu Rukarastanni Rodhaka:

Ajjana Grasakam Brahma Gurureva Na Samsaya

Ashadha Suddha Purnima is called Guru Purnima or Vyasa Purnima. Seekers of knowledge, remember them, Worship and express Gratitude to their Spiritual Masters on this day. The Darshan and Smarana of the Guru, who teaches mukti vidyas apart from bhukti vidyas, has special significance today. The moon illuminates the mind and the sun enlightens the intellect. Ashtamadas, Arishadvargas and the sixteen impurities of egoism in the human mind are removed by chanting the name of Guru / Master on Guru Purnima.

🌻 Yvasa Maharshi prayer 🌻

Vyasam Vasistha Naptaram Shaktaih Poutramakalmasham | parasaratmajam vande shukatatam taponidhim || Vyasaya Vishnu Rupaya Vyasarupaya Vishnave | namo y brahmanidhaye vasishthaya namo namah ll

🌹🌹🌹🌹🌹

[memesmacha]

Tag your friends...😂😂 #telugucomedy #telugutrolls #telugucinema #enagarantkiemaindi #Akhanda #Balakrishna #Balayyatttelugumemes #teluguvideos #telugutrolls #telugucomedymemes. #telugucomedy #telugubgm #babunuvvubtechah #btechstudents #degreestudents #prabhas #maheshbabu #vijaydevarakonda #alluarjun #jrntr #ramcharan #pawankalyan #karimnagar #warangal #pedapalli #guntur #vizag #rayalaseema #mancherial #mandamarri #bellampalli https://www.instagram.com/p/CmFyfZGSh2g/?igshid=NGJjMDIxMWI=

[noisyearthquakeninja]

"AKHANDA" - MOVIE REVIEW | NANDAMURI BALAKRISHNA | BOYAPATI SRINU | PRAK...

[drvamar]

BOTH ARE NOT SAME PART 1

Weight loss with lifestyle modifications

Weight loss with bariatric surgery

Both are not same.

Why both are not same? Stay tuned for

PART 2 BOTH ARE NOT SAME

–

For regular updates on bariatric and metabolic surgeries and healthy life style, please subscribe to my youtube channel @drVamar and follow my instagram page @drVamar

-

Dr. AMAR VENNAPUSA

Director, Bariatric & Metabolic Surgery

Dr. Amar Bariatric & Metabolic Center

🌏 www.drvamar.com

📱 +91 9676675646

📨 drvamar@gmail.com

Credits -

@nandamuribalakrushna,

@boyapatisrinu,

@m.rathnam

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