#all the lies in store is r*pe and torture

[hairtusk]

adrienne rich was right it is literally impossible to escape the female body. brb throwing up violently.

[385bookreviews]

1.73.3 House of Flame and Shadow by Sarah J Maas

SPOILERS for all of Crescent City and A Court of Thorns and Roses

Pages: 838

Time Read: 13 hours and 14 minutes

Overall Rating: ★★★☆☆ Storyline: ★★★☆☆ Dialogue: ★★★☆☆ Characters: ★★☆☆☆

Genre: Urban fantasy

TWs for the book: Torture, war, violence, death, s*xual content, gore, blood, murder, injury, confinement, vomit, misogyny/sexism, grief, fire, body horror, colonization, kidnapping, cursing, genocide, child death, gun violence, slavery, physical abuse, s*xual abuse, discussions of r*pe, toxic relationship, drug use, emotional abuse, classism, genocide, excrement, cannibalism, death of a parent, gaslighting, child abuse

POV: Third person

Time Period/Location: Begins immediately after the events of House of Sky and Breath; Crescent City, the Eternal City, Avallen, Nena, the Depth Charger; Prythian in the A Court of Thorns and Roses world; The Court of Nightmares, The Prison

First Line: The Hind knelt before her undying masters and contemplated how it would feel to tear out their throats.

At the end of House of Sky and Breath, Bryce opened a portal in an attempt to go to Hel but ended up in Prythian. Rhysand, Amren, and Azriel take her to a cell in the Court of Nightmares and ask her questions, most of which she refuses to answer and lies about the Horn and how she got there and her powers. When left alone, she winnows down through the grate where monsters are kept. Her starlight clears a path and she goes down a tunnel. Nesta finds her and threatens to bring her back but Bryce runs and the tunnel collapses so they keep going forward. They encounter a Middengard wyrm but keep pushing forward through the tunnels, and Azriel reveals that he was there the whole time. Bryce sets a trap for Nesta and Azriel using the wyrm, but then immediately regrets it and goes back to help. She discovers that Azriel and Nesta were fine and lured her back, and then Nesta uses the Mask from the Dread Trove to kill the wyrm. They continue onwards through the tunnels, and end up passing through a portal that takes them under the Prison. They are greeted by a holographic video of Silene, the second daughter of Queen Theia, and she explains what happened. The Asteri used to rule Prythian as the Daglan, but High King Fionn and Queen Theia, along with her general Pelias and with the help of the Starsword (Gwydion) and Truth-Teller, dispatched them. Fionn and Theia had Helena and Silene, and Theia ruled over the Dusk Court, now known as the Prison. Theia desired to conquer more worlds, but Fionn said no, so Theia and Pelias killed him and used the Mask and the Horn, the fourth part of the Dread Trove, to open a portal to Midgard. The Asteri were in different forms this time, and welcomed them with open arms, along with the fae shifters from another world. Under the guidance of the Asteri, the fae and the rest of the Vanir began to oppress the humans. But then the Asteri put a parasite into the water that would lessen magic and give the Vanir a human lifespan if they didn't make the Drop and give up part of their firstlight to the Asteri. The demons of Hel came to try and aid the Vanir in fighting back, and Aidas and Theia became lovers. Realizing they weren't going to win, Theia gave Silene and Helena each a third of her power, and then sent them with the Harp and the Horn to go back to Prythian. Helena pushed Silene through but stayed behind, and Pelias defeated Theia and forcefully wed Helena. Silene hid the third of her power her mother had given her deep beneath their old palace in the Dusk Court, and collected monsters to imprison there and turned the Prison into what it is. Then she married the High Lord of the Night Court, and keyed her DNA to the prison, and that is why Bryce and Rhysand can access it. Bryce takes the power she stored there, and when Nesta and Azriel try to take her back to the rest of the Court, she fights back and collapses part of the floor, where they discover an imprisoned Asteri named Vesperus. She was imprisoned by Silene, and reveals that the Illyrians were created by the Asteri/Daglan to be their warriors (the precursors for angels). Nesta and Bryce kill Vesperus, and Bryce steals Truth-Teller from Azriel and goes back to Midgard.

Meanwhile, Hunt, Ruhn, and Baxian are being tortured by Pollux back on Midgard while Lidia ponders on how to free them. Baxian chews off Ruhn's hand in an escape attempt but it fails. Back in Lunathion, Ithan has freed the Fendyr heir, Sigrid, from the Astronomer. Ithan, Sigrid, Flynn, Declan, Marc, and the sprites search the Meat Market for any clues on what happened to Bryce. While there, Sabine and the wolf packs detect their presence. They try to run but end up walking into a trap. Flynn and Declan shoot Sabine in the leg and face to slow her down, and the Viper Queen hides them. They discover Tharion and Ariadne, and fill Tharion in on what has been going on. Lidia then appears and tells them to get on the Ocean Queen's city ship and head to the Eternal City because she is going to free Ruhn, Baxian, and Hunt. They struggle trying to believe her but feel they don't have any other choice. The Viper Queen says she will only allow them to leave if Ithan fights someone of her choosing. He agrees. Tharion convinces Ariadne to not fight him, and the Viper Queen reveals that Ariadne has agreed to go and work for someone else. She demands that Ithan and Sigrid fight to the death, and Ithan kills Sigrid. The three sprites light the Meat Market on fire, and they all escape and head to the city ship. Ithan, however, backs out last minute and runs to the House of Flame and Shadow to talk to Jesiba and convince her to find a necromancer to raise Sigrid from the dead. Jesiba agrees, as long as Ithan does some work for her. She reveals she was a priestess in the library of Parthos 15,000 years ago, and that she was cursed by Apollion to live forever because she wouldn't tell him the magic in the books (there was none). Hypaxia appears and reveals that a coup overthrew her as queen of the Valbarran witches and that she was deciding to swear fealty to the House of Flame and Shadow. Ithan asks her to use her necromancer abilities to raise Sigrid and she agrees. She tries, but when Sigrid comes back, she decides to become a Reaper, and goes off to work with the Under King. Hypaxia says the only way to get Sigrid back would be using a thunderbirds' lightning, so they travel to Avallen in order to get Sofie Renast's body.

Bryce arrives from Prythian in her father's house, and she spends several days as prisoner there. She attempts to get answers from him regarding the Starsword and Truth-Teller, and he says anything of import would be on Avallen. She breaks free from the gorsian shackles and locks her father in his basement and winnows away.

In the Eternal City, Rigelus takes some of Hunt's lightning in order to resurrect the Harpy. Lidia frees Irithys, queen of the fire sprites. The Asteri demand to see Hunt, Baxian, and Ruhn, presumably to execute Ruhn. On the way, Lidia kills the guards and the Hawk, and they make an escape attempt. Irithys blows up part of the Crystal Palace, but the dreadwolves hunt them anyways. They drive towards the sea, and as they hit a dead end, she tells Hunt and Baxian to fly Ruhn to the ship, and she shifts into her deer form and runs. The three make it to the ship, but Ruhn begs Tharion to jump into the water to save Lidia when she reaches the end of the cliff and has to jump. Lidia is shot, but leaps into the water, and Tharion is able to bring her onboard the ship where the medics heal her. When she awakes on the Depth Charger, Lidia immediately runs to a school on board the ship and looks into a classroom with two teenage boys, Brann and Acteon, and claims that they are her sons. Hunt, Baxian, and Ruhn are asked to meet with the Ocean Queen, and the Ocean Queen is furious with Tharion for being there and bringing his friends aboard when the River Queen and the Viper Queen both want him dead. Bryce suddenly appears, and claims herself to be Queen of the Fae and that Tharion serves her. The Ocean Queen backs off, but says Tharion is confined to the ship, and the group reunites. Bryce says they are going to Avallen, to find out more information on the Starsword. When they arrive, Tharion leaps into the boat with them and defies the Ocean Queen. King Morven, the Stag King and Cormac's father, is less than welcoming. He presents Flynn's sister Sathia, saying that her parents sought refuge here and in his lands fae females need to be wed. He plans on marrying her to one of his cruel, telepathic twin sons, but Tharion steps forward and offers to marry Sathia. They get married, and the group splits up to look for clues; Bryce, Hunt, Baxian, Tharion, and Sathia going into the caves, and Ruhn, Lidia, Declan, and Flynn staying behind to search the archives. They travel through the caves, and Ruhn and Lidia grow closer, but don't notice that Flynn and Declan are missing. In the caves, they are confronted by the Stag King, the Autumn King, and the twins, with Flynn and Declan prisoners. Bryce collapses the cave and jumps into an underground river with the rest of them. Bryce and Hunt fight, but they continue onwards and find the crypt of Prince Pelias. Beneath it they find an entire room carved out of obsidian salt, and bowls to drink water laced with it. Bryce and Hunt drink the water and are mentally transported to Hel. Ruhn and Lidia realize Declan and Flynn are missing and go to the caves to search for them. When Hunt and Bryce arrive in Hel, they are greeted by Apollion, Thanatos, and Aidas. They reveal that they have been waiting for Bryce for a long time, and that they created the thunderbirds to be able to power her up if she was unable to find Silene and Helena's powers. The thunderbirds were killed by the Asteri for this, and that is when they decided to create Hunt. Apollion and Thanatos were both part of his creation, and his mother was a willing participant. Hunt's angel father was killed for communing with the demons. They tell Hunt that the halo of thorns tattoo was created to keep the creatures of Hel in check, but it didn't work as Apollion and Hunt's power, the lightning that they called Helfire, was able to break it. When Bryce and Hunt return from their trance, they find the Stag King and the Autumn King holding all of their friends hostage. They plan to kill them all but Bryce and Hunt fight back, and Ruhn and Lidia appear and Ruhn uses the Starsword to kill his father. Bryce then kills the Stag King, and accesses Helena's power that was hidden under there.

Avallen magically flourishes now that it doesn't have to hide Helena's power. Hypaxia and Ithan arrive and are updated on the situation. Bryce tells Hypaxia she needs her to find a cure for the parasite in the water so that way they can be more powerful when they fight the Asteri. Bryce says because the Stag King's castle was destroyed when the land came back, Sofie's body is gone, but Hunt gives them some of his lightning. Hypaxia and Ithan leave again, and Fury arrives with Juniper, Ember, Randall, and Cooper (Emile). Bryce sends Ruhn, Lidia, Flynn, and Declan back to Crescent City to try and recruit Isaiah and Naomi, Tharion and Sathia to the River Queen to convince her to open her city to refugees, and she, Hunt, and her parents plan to go to Nena to open the Northern Rift to let Hel's armies in. Cooper, Juniper, Fury, and Baxian stay in Avallen. Once in Nena, they get to the Rift, but instead of opening it to Hel, Bryce opens it to Nesta's room. She asks her for the Mask, and to take her parents as collateral. Nesta refuses, and says Rhysand is on his way to get her. Bryce begs Nesta to take her parents anyways so that way they are safe, and Nesta relents, taking her parents but also giving her the Mask. She closes the portal, and is about to open one to Hel but is stopped by Isaiah, Naomi, and Celestina. Hunt tries to kill Celestina for turning them over to the Asteri, and he melts his halo and Isaiah's. Bryce convinces him not to, and Celestina yields, saying she realized what she did wrong and is willing to rebel against the Asteri. They are then attacked by the Harpy, who has been reanimated by the Asteri using Hunt's lightning, but Bryce realizes she's just an animated corpse and no longer has a soul, so she uses the Mask to put her down. She then opens the gates to Hel, and Apollion, Thanatos, and Aidas come through with their armies.

Back in Lunathion, Hypaxia discovers the cure to the parasite. Ithan takes it, and is gifted powers of snow and ice, and his wolf form is much more powerful. They then go to see the Under-King, and Ithan meets with Connor. He is unable to speak but gives Ithan a bullet. Ithan is confused and begs the Under-King for more time, but he refuses. Ithan freezes him solid, and then Jesiba appears. She tells Hypaxia to kill him and she does, and becomes the leader of the House of Flame and Shadow. She gives Connor the ability to speak, and he tells Ithan that the bullet is filled with the secondlight of all of the souls in the Bone Quarter, and Bryce should use it to kill the Asteri. Connor also puts himself into the bullet. Ithan decides to go to the wolves and confess what happened to Sigrid and tell them about the cure to the parasite. Sabine appears with the Astronomer and Reaper Sigrid, and claims that Sigrid is now her heir. The Prime steps in and renounces Sigrid and Sabine, and makes Ithan his heir. But before Ithan can accept, Sabine kills the Prime and Sigrid sucks out his soul. Sigrid also kills the Astronomer, and Ithan kills Sabine. Sigrid escapes, and Amelie and Perry Ravenscroft swear loyalty to him as Prime. Tharion and Sathia manage to convince the River Queen to not kill Tharion and to shelter innocents in her city. They are confronted by the Viper Queen, and Sathia recognizes one of her childhood best friends as one of the Viper Queen's soldiers. The Viper Queen demands retribution from Tharion for the burning of the Meat Market caused by the sprites. Hypaxia and Ithan appear and demand that the Viper Queen leave them alone, but Sathia goes after her old friend, leaving Tharion alone.

Lidia learns that the Depth Charger has been attacked and her sons have been taken by Pollux. Everyone rushes to the Eternal City. Bryce and Hunt winnow into the throne room and Bryce uses the Mask to reanimate the souls of the Fallen and their wings hanging up on the throne room wall, and puts their souls into the mech suits that the Asteri have built. Rigelus appears and reveals that he has sent half of his army to march into the open portal and take over Hel, but Bryce and the demons planned for this and already left half of their army guarding the portal. The rest of the Asteri appear on the battlefield, and Bryce kills Polaris by combining the Starsword and Truth-Teller. This opens a mini black hole that sucks Polaris in and kills her. Ruhn and Lidia search the castle for her sons, but Ruhn shoots her in the leg so he can go on ahead to save them. Tharion finds Lidia, and Pollux traps Ruhn. Tharion and Lidia both take the cure to the parasite and Lidia faces off against Pollux. Ruhn reveals that Lidia is his mate. Lidia's power manifests as fire, and she burns Pollux to ash. Ruhn rushes Brann and Actaeon out of the city, and Lidia joins the fight. Hunt and Bryce arrive at the firstlight core beneath the palace, but Rigelus is guarding it. They both tire, and Bryce winnows them away. Ithan finds Bryce and gives her the bullet and the Godslayer rifle. She winnows back to Rigelus only to find the remaining four Asteri guarding it. She plans to use the bullet to blow up the firstlight core, but Rigelus tells her that destroying it is a kill switch, just like the Cauldron is in Prythian. If she destroys it, Midgard will also be destroyed. Bryce takes a chance and does it anyways. It creates a massive black hole that sucks her and the Asteri into it. She pulls the black hole through a portal into space, but as long as the portal is open, the rest of Midgard also continues to get pulled in. Hunt jumps into a mech suit, piloted by the soul of Shahar, and jumps through, putting on the Mask so he doesn't need to breathe. The portal begins to close but Apollion, Aidas, Thanatos, Ithan, Ruhn, and the rest of their friends hold it open while Hunt rescues Bryce and pulls her back through. Bryce, however, is dead. Hypaxia says she can bring her back if someone trades lives with her, and Jesiba appears and volunteers. She talks with Bryce in the afterlife, revealing that even what the Asteri was doing couldn't destroy the souls of the dead. She waves to Danika, Lehabah, and the Pack of Devils, and comes back to life. The demons all go back to Hel, and Bryce closes the Northern Rift. She then, being the Queen of the Avallen and Valbarran fae, demolishes the monarchy. Lidia's sons go back to their adoptive fathers. Hypaxia begins working on mass producing the cure. Tharion goes back to the Meat Market to find Sathia, and runs into Ariadne instead. Ithan takes on his duties as Prime.

The bonus chapters for this book included Ruhn and Lidia getting married, Hunt and Bryce spending Winter Solstice at her parents', the night Danika tricked Bryce into getting the Horn tattooed, Bryce, Azriel, and Nesta listening to music together off of Bryce's phone, and Ember and Randall in the Night Court and Ember bonding with Nesta.

Bryce Quinlan (Bryce Danaan/Queen of the Fae/Starborn): I always preferred Bryce over Hunt and wished she had been on her own or with someone else, mostly because I don't care for Hunt. But she really lost all respect from me in this book and was acting totally out of character. Her telling Hunt to just get over his trauma and picking fights with him all the time was so unnecessary and a horrible way to treat your partner. She made everything that happened to him about her, and she was also awful to Lidia near the end and didn't even apologize for calling her kids baggage. Bryce was trying to be Aelin but was falling way short. Her death at the end had no impact on me whatsoever because it was obvious she was about to pull a Rhysand and resurrect. Also her using her parents' as collateral, and then trying to send them through anyways to keep them safe was so selfish. They would have been safe in Avallen and if she didn't think they would be, she just forced them to leave their son there! I wish we could have seen Ember tearing Bryce up for that choice because she definitely deserved it. You would think after everything she would have had some growth, especially with her attitude towards the Fae, but then she just childishly dismantles their monarchy and basically tells them to figure it out. Giving the Fae a vote in how they run things while trying to push for change of thousands of years old belief systems was so not the way to do that. Ruhn killed Einar, and Bryce killed Morven, so they both should have been stepping up to take responsibility for the fate of their people.

Hunt Athalar (Orion Athalar/the Hunter/the Umbra Mortis/Son of Hel): Hunt has never been my favorite but I just felt bad for him this whole book. Bryce honestly did not deserve him by the end of it and the fact that none of her horribleness towards him got addressed and he mostly ended up apologizing was so out of character and honestly abusive. On a positive note, I really liked his backstory of being descended from demons, I think that was much better and made way more sense than the god Thurr theories, even though it was annoying for all of those references and comparisons to come to nothing.

Tharion Ketos (Captain Tharion Ketos): I liked Tharion in House of Earth and Blood. I liked him less in House of Sky and Breath. In this book, his entire purpose just seemed to be the village idiot. It was really boggling how badly he kept messing everything up, and anything from his POV was kind of infuriating. The only thing that ended up making anything about his story interesting was Sathia.

Ithan Holstrom (Prime of the Valbarran Wolves): I've heard a lot of people complaining about Ithan and his POV and storyline, but I honestly kind of enjoyed it. He made a lot of dumb decisions, but I liked the trope of "running from destiny but no matter what you do it happens anyways". I'm hoping in the next book we actually get to see him gain more confidence and wisdom and do things right.

Einar Danaan (The Autumn King/King of the Valbarran Fae): I was really disappointed with where his character went, I felt like he was being set up for a redemption arc the entire time, just for him to be like, "I'm totally evil and I'm going to kill you!" in very over the top classic villain fashion. I know the whole point is that he was manipulative, but that's not how it came across.

Lidia Cervos (Agent Daybright/the Hind): Lidia was the most interesting character in this book. I knew going into this that Throne of Glass was definitely not going to be getting the screen time some people thought it was, I thought this was a perfect way to incorporate easter eggs. I knew her powers were going to be fire but it didn't make the reveal any less awesome. And the ring she gave her sons and the fact that she named her son Brannon was just the icing on the cake. Other than that, she had the most interesting character development, backstory, dialogue, and POVs than anyone else in the book (especially Bryce).

Storyline: I loved the ACOTAR crossover in the beginning, I thought it wasn't too much or too little. The rest of the story was riddled with a lot of plot holes, for example the reveal that the mer had been on Midgard the whole time fell flat because Rigelus had told Bryce in House of Sky and Breath that the mer came from the shifter fae (which made less sense but she just changed something that had already been established for mild convenience). Other things include: What really is Fury and why were her and Baxian, two of their most powerful fighters, left out of the biggest fight ever? What is so different about Perry that Ithan keeps sensing? Are they mates? Is she actually an Alpha? Is she secretly super powerful? Why was Ariadne, a super powerful dragon, introduced just to not do anything ever? What was all the tension between her and Flynn for? Everything just magically fell into place, and while in Kingdom of Ash everything comes together because Aelin is a genius, a lot of things come together in this book thanks to Urd (fate). The ending fell really flat for me, no one major died, and it was a lot shorter of an ordeal than I thought it would be, with one of the Asteri even dying off page and no one mentions how they died or who killed them (although I guess we're left to assume it was Apollion). Hunt and Bryce's dynamic usually annoyed me, but their back and forth between fighting, fucking, and fine was giving me whiplash and honestly taking away from the story. What happened with Sigrid did anger me at the time, but ultimately I did enjoy Ithan's storyline, contrary to popular opinion. Also, why did we spend so much of the story in caves? I got really tired of that by the second time around.

Representation: Baxian, Celestina, Juniper, Fury, Hypaxia, Marc, Isaiah, Hunt, Bryce, etc. were all POC. Juniper and Fury, Marc and Declan, Hypaxia and Celestina, and Davit and Renki (Brann and Actaeon's fathers) were all gay and in relationships with each other.

Summary: While the crossover and easter eggs were really cool, and the overall tie together of how everything connected was well done, the characters, dialogue, and plot made this book fall a lot flatter for me than I was hoping it would. I honestly wish SJM had wrapped up everything in this book and then left it as a trilogy because honestly I don't feel any desire to revisit this world or these characters (unless it's Ruhn and Lidia).

[socketz]

Spencer Reid x Reader 

Talking To The Moon.

Inspired by the Bruno Mars song, because it’s the one I listen to when I come up with my Spencer Reid fantasies😃.

Type : Angst (It’s just so fuckin’ sad, man)

Warnings : A LOT. Detailed mentions of r*pe / sexual assault, child m*lestation / assault / r*pe, physical abuse, physical fighting, broken bones, dislocated joints (Replacing them! Which is so disgusting, the thought makes me cringe), trauma, the usual Criminal Minds terminology (in terms of describing an UnSub), emotional breakdown, a lot of Death Talk™️ (which could somehow be perceived as suicidal, I guess?), and actual death, there is one (1) kiss. It is a PECK, crude language (profanity), and I think that’s it.

Word Count : 16.3K (this was NOT supposed to be that long, ohmygod)

Request : Not Requested. (This idea came to me in a really horrifying dream that I had, a few weeks ago. I always document my dreams, and this was... Well, it was more of a nightmare. I won’t share, but from the tone of the Fanfic I’m sure you can gather the terror that it endured.)

Summary : There’s a lot of plot for this one. The reader takes on a case (an unauthorised case, you understand), that she relates to on a very personal level. Determined to take on this UnSub, after observing his crimes within the media, and finding thelselves enraged by the Police’s futile attempts to make progress in his arrest, they search for him themselves, and they happen to forget every ounce of Federal Safety training they have ever experienced. Uh, Oh! Do I smell kidnapping? Yes, I do! The reader is kidnapped by the Unsub, and tortured for four days straight. The team are searching for them, but are they fast enough? Either way, Spencer will never forgive himself, and the reader isn’t sure they’ll make it out the other side, alive.

Authors Note : First of all, Baby Spence🥺🤚 the way he was RIDDLED with trauma?? PLEASE?? Got me out here trying to shift realities just to give this man a hug- like he really needs some love, y’know? I have other one shots in the works where he IS receiving his well deserved affection, but it’s not really this one (though he is comforting the reader. Well deserved, methinks)😭 this is perhaps the most graphic and depressing one shot I have ever written😃 I mean, enjoy??? I don’t know if that is the right word. Make sure you read the warning, man, the topics at hand are dealt with in depth and I do not want to trigger anyone!!!!!

Talking To The Moon, Spencer Reid x Reader

They say that the barrel of a gun is cold; that it seeps into the precipitation of your complexion, and the steel aches a circular coolness. They say that your life flashes before your eyes, and that your fight, flight, or freeze, kicks in, when the initial shock of fatality flashes, and blinds you for a defining split second. They say that in your final moments, you show who you truly are. 

They are wrong. 

The metal is warm, upon my forehead, as I blink slowly, a thousand thoughts - words, and probabilities; numbers, and statistics, and the thumping of my heart (thump, thump, thump; thump, thump, thump) everything, and anything; anything, and nothing - all find themselves meandering their way throughout my congested conscience. I think not of my childhood, the warm touch of my mother’s embrace, and neither the pride in my chest as I received my first ‘100%’, with a wonky smiley face, feedback for my very first official essay in school; not the swarm of flying insects, rampant within my stomach, as I first walked into the Behavioural Analysis Unit, of the Federal Investigations Bureau. I think not of Spencer, not of Morgan, or Penelope, Hotch, and Emily. I am… I am not… 

The barrel of the gun is warm.

I blink slowly.

A sheen of smeared colour - like the pretense of a dull oil painting, perceived too close to the canvas - washes over my vision, steals the breath from my aching throat - thump, thump, thump, my heart cries; lodged beneath my tongue, thump, thump, thump - I swallow it back. Thickly, like treacle, and I… There- There is-

The barrel of the gun is warm. 

I blink slowly. 

I collect myself, in my throat, and I gulp with a softness that simply does not suffice. The flavour of something- of something burned, something charred, lies upon the dry thrum of my tongue, and I allow myself to taste it. Just for a- just for a moment. Just for a moment, I taste it, and it is charred- charred and metallic. The burned flavour of my chest, thumping iambically beneath my heavy-set jaw, wafts up, up, up, throughout my trachea, and it coils between my teeth. From the back, to the front, around, and around, does it crawl, and my heart thunders on in my thoughts; thump-thump-thump, thump-thump-thump. 

The barrel of the gun is warm.

I blink slowly. 

The same ache rolls around my motionless joints; it burrows beneath my stained complexion, and I do not flinch as something pop’s, and another bone crack’s. It is not- I am warm. An uncomfortable sense of warmth, that settles upon my grimy skin, and collects itself among my wounded figure, and- and it’s- and it’s hot. It’s hot, and it aches- 

But the barrel of the gun is warm, and I blink slowly. 

I blink slowly, and the barrel of the gun is warm. 

I yearn to think, to obtain coherency, but the barrel of the gun is warm, and it hurts. Oh, it aches, and I- a shuddered breath falls from my unnaturally moistened mouth, tainted by the spill of internally displaced fluid, and I force my eyes to peel open. To unveil beneath their thick hoods, to dismiss the burning heat that flares from my slow blinking, to show him no weakness. I force my eyes to peel open, because, by God, if it’s the last thing I’ll ever do, I will look him in the eyes, and I will silently congratulate myself on my victory. I will not lose; I will not surrender.

And so I peel back my lids, and I ignore the sweltering ache that rushes upon my discoloured, broken, cheek, and I observe him with a gaze of (what I pray to be) great indifference. I slack my features, and I spare myself the wince, as the temptation of heat, licking away the wet droop of my bruised face, engulfs the structure of my poised, blank, expression. Dark, dark, circles; the kind of spherical matter that the mariana trench may find envy within, roam me. Thoughtlessly. Not a thing behind those eyes - no feeling, no rage, no pain. There is no tremble to his digits, as he holds the trigger of the sleek revolver, cherry-wood-handled, and there is no twitch within the muscular construction of his nonchalance, as it fades between four-a-piece, and a regular, blurred, arrangement. 

This is it, I think, at last, and the silence between my irrevocably untelling orbs infiltrates its way through my subconscious. Soon - a mere matter of seconds, that spirals to the incoherent detailing of a slurry construct - there is nought but the mulling tone of my heart, thumping endlessly beneath my burning sternum, and I force myself to breathe evenly. In, my chest rises softly, and out, I exhale something shaken through my nostrils.

By God, I think; this really is it. 

And the barrel of the gun is warm, as I blink up at him slowly, and I do not regard the noiseless sobbing of the child, to the darkest corner of the room. 

This is it. It pounds within my ears, morphed upon the rhythm of my steady heartbeat; this is it, this is it, this is it. 

This is it, and the barrel of the gun is warm, and I blink up at him slowly, and the breath on my tongue tastes like the charred meat of my steadily thumping heart, and I think of nothing. Nothing, nothing, nothing, at all - nothing but the silent shake of a tear-stricken expression, caught beneath the dim lighting, as her circular, little, face, enlarges. Enlarges, and morphes, by shadows, and yellow light; approaching. I do not regard her, as she nears in my peripheral, and the curve of her small, fragile, shoulders tremble, and the flush of her moistened cheeks glimmer among the bulb’s reflection, but the burned flavour on my tongue ceases its subtlety, and there is a taught capture about the breath in my lungs. It is reeled back, and stored deeply beneath my broken bones.

And, suddenly, my heartbeat lurches into my throat.

I miss the warmth of the metal, as it flinches away from my bloodied forehead, and I miss the dark discs of his thoughtless eyes, as they leave me, and the ache of my tongue dissipates to a resolve of bitter dryness. 

There she stands, beneath the weight of the revolver, with a violent shake to her thin figure, and a harsh, bruised, red, to her cheeks; puffy eyed, and traumatized. She breathes not a word, she expresses not a sound, and still his finger curls. Curls subtly, ever-so-gently, and my heart tumbles into my mouth, before I can drag it back down. “Coward.” It spits, unbearably rasped upon the echo of my dry, naked, throat; like wood upon sandpaper, it grits, and it grits, and the shavings collapse in my lungs, as they heave; in, I rasp; and out. “You’ll-” I gather my cheek between my jaw, and I nibble it tearsly, a deep, seering, heat erupting- erupting, and sprouting; multiplying, between my very cells. “You’re gonna shoot a- a little-” Another pained, hollow, heave; I clamber for steady footing. “Shoot a little girl?” Dark, dark, circles… no feeling, no rage, no pain. They catch within the light, and never before have I observed a shadow exposed by the sun, and still obtaining its darkness. But there they are, as they gaze unto my own, and I level our stare with ease. “Impotent son of a bitch.” I murmur, a mere breath upon the quiet. 

Antagonize him, my conscious crows; rile him up, give him reason for distraction.

 “That is-” I stutter in my respiration, and the wheeze of a wet cough finds the depth of my chest. It rumbles through the rasp of my throat, and a slick, metallic, moisture coils upon the flesh of my lower lip. The coppery taste ravishes my mouth, and I allow the liquid to spit between my words. “That is why you do it, isn’t it?” I say, no more than a whisper, gargled by the congestion of the red fluid pool, congregated about my tongue. “You couldn’t-” Another ragged breath, “Couldn’t perform. Not for the-” I swallow the metallic, warm, liquid, and it burns my aching throat. “Not for the pretty women. Hm?” He regards me, motionlessly, and the discs of irrevocable blackness roam my hot, burning, features. “So you too-” I gulp back the rise of blood in my throat, unsettled and naturally rejected. “So you took to little girls, instead, didn’t-” A softer, shallower, inhale, “Didn’t you?” 

Silence. The iambic thrum of my heartbeat interrupts the depth of the quiet, but I push it down - down, down, down, beneath the crushing weight of my charred sternum, and I force myself to continue. 

“Yeah.” I say, quietly, “You did.” I harden my gaze. “You do.” You take them, their vulnerable, defenseless, innocent, selves, and you steal their childhood; you steal their youth like the dawn to the night, and you rip the world from beneath their fucking feet. “They’re small.” I rasp. “Young.” I try not to think of the dry red, that - the dry, dark, blood, that stains her little thighs, and I try not to picture the tears on her cheeks, and the seeping crimson that cakes the lower quarter of her sweet, white, dress. I try not to entangle her contorted features with a familiar reflection, try to ignore the burning ache of my sweltering chest, as it burns, and it binds, and contracts so ferociously, and I swallow back the lump, riddled with- with- with something. (Bile, blood, bitten down sobs, does it matter? Does it matter?). 

There she stands, with a violent shake to her thin figure, and a harsh, bruised, red, to her cheeks; puffy eyed, and traumatized.

“They’re small enough to-” I nibble my inner cheek, and the rasp engulfing my tone threatens to tinge with a bespoken darkness. “They’re small enough to feel you, aren’t they?” I say, and there’s something- there’s something that flashes, be it only a split moment, behind those unforgiving holes he deems the window to his soul. Black, and inhumane. Fitting. “They feel you enough to react.” The muscle to the corner of his left eye contracts, a mere millimeter, or so, but I catch it. Oh, do I catch it. “They cry.” I say, softly, and I hope that the girl holds any kind of oblivion she once may have obtained. “They scream. They bleed.” They die. “But, hey,” I murmur, “any liquid is liquid, right?”

It burns, and it aches, and I nibble the eroded flesh of my inner cheek, and I blink up at him slowly, but at least he is here. At least he is here, at least her blood is dry, at least she can walk. At least I can buy her some extent of recovery time. “You’re sick.” I spit, tone lowered significantly, but still strong. Somehow, I obtain my strength, and I continue. “You’re twisted, and you’re useless.” I say. “You’re nothing but a freak, a shrimpy coward with no sexual capability.” Twitch, twitch; the muscle of his left eye contracts, once more, with more force; more concealed rage, bubbling away beneath the surface. “Pathetic.” I continue, a mere grumble upon the thickening silence. “You couldn’t satisfy a woman if you tried-” The barrel of the gun is colder, now, as he forcefully presses it’s rim upon my forehead, but the steel soon begins to warm. I blink up at him slowly, and I prod. I prod, and I prod, and I wait for the sleeping lion to snap and bite. A breathy chuckle falls from my dry tongue. “There it is.” I whisper. “There it is- you’re an embarrassment, aren’t you?” I mock, tone thick with some kind of congealed, faux, amusement. I swallow back the uprising liquid, lodged thickly amongst my throat, and I offer him a blank, condescending, smile. Bloody-toothed, and bitter. “Tell me, Ben, can you even get it up, properly, anymore?” 

SMACK.

I hear it, and then- then I feel it, and before I know what has hit me, he has. The tang of warm liquid, filling my mouth, is entirely indifferent to the coppery flavour I have grown to know, as of late, and I bite back the bubbling groan, a flare of burning heat traveling through the very cells in my ruptured cheekbone. Bruised, and tender; the flourish of agonizing heat pulsates, like the steady beat of my burning chest, and I regain my sturdy posture, gazing back unto the deep, dark, discs. Lifeless, enraged. I ignore the pulse in my features, and the thump of my circulation, gushing rampantly through my senses, as I adjust my blaring joints, and I maneuver my strung limbs. Wrists confined to the sufficient, tight, expertise of Benjamin’s personal experience, they hang perpendicular to my sides; expanded, outstretched, like the span of a bird in flight. 

I hang from them, there, upon the wall, and I ignore the raging fire, engulfing my (dislocated) damaged shoulders. Slumped upon my knees, bruised and discoloured for all their worth, I tilt my head up, and I blink at him slowly. My eyes water, a natural reaction, and the sting in my cheekbone echoes with the afterthought of his gun, freshly stricken, throbbing. But still, I bore my gaze unto his own, and I force my jaw to loosen. “Touchy.” I grumble, bitterly. “What’s the-” I swallow the consistently uprising clump of blood, and of rejected bile, and I try again. “What’s the matter, Benny?” I press. “You insecure?” I say. “Ashamed?” Of course he isn’t, he’s furious. It doesn’t matter. It doesn’t matter. “Challenged?” The muscle of his left eye twitches, again, and I force a crooked, toothy, smile. “Yeah.” I say, “That’s it. You’re afraid.” Another twitch. “Out of your dep- out of your depth.” 

“Shut up.” He snaps, “Shut up.” 

My eyebrows raise, and I allow another breathy, rasped, chuckle to fall from my cracked mouth. “Raping little girls is one thing,” I continue, “But kidnapping, and torturing an Official Officer?” Another fleeting, thin, laugh. “Jesus. Who knows what they’ll do to you in there?” 

“They worship Pig killers in that place.” Benjamin snarls, and, for once, I find myself smiling with an unmissable genuinity. 

“Yeah.” I say, with a grin. “They do.” And I allow my humour to dance within my gaze, as I motion the man closer, with a subtle toss of my head. He follows, nose aligned with the warm barrel of the revolver, and I ignore the throb of my cheek, and the iambic scream of my heart. “But, see, Benny-Boy,” I whisper, my breath fanning his thin lips, “I ain’t no Pig.” I tongue the soft mutilation of my inner cheek. “I’m a Federal Fucking Agent.” 

The breeze is not calming, as it brushes upon my face, and I throw myself forward, crashing my forehead upon the smooth curve of his foolishly close expression. A barbaric crack rips though the disturbed quiet, and the sudden splat of warm liquid dignifies itself upon my sopping complexion, as the muffled tumble of retreating, unsteady, footsteps echo clumsily around the room. I think I got his nose, as I fall back against the wall, arms useless, and I connect with the concrete behind me, dragging my bruised and bloodied limbs out, as they abandon their position of lying beneath me. I sit aloft the ground, and my legs roar with a thousand shallow wounds; pins and needles scattering hoarsely about the flesh of my weak anatomy. “Fuck,” I murmur, as I ignore the dizzying, blurred, contortion that warps my unsturdy vision. From a multiple of four, to adjacent and blurred, but singular, Ben scurries to his feet, displaced to an enclosing distance. 

Thump-thump-thump, my heart cries in my ears, and the white noise of the blurred silence seems to hum along to it’s rhythm, thump-thump-thump, but I can’t leave her behind. I cannot bring myself to let her down - not again. Not again. Not again. 

I can’t let her down - thump-thump-thump, thump-thump-thump - as the pins run up my limbs, and the needles pivot their course around, and around the flesh of my legs. Thump-thump-thump, thump-thump-thump, he draws closer. One stumbled step at a time; one step, two steps, three steps, four, I use the wall and bend my knees, groaning beneath the weight of my fucking agony, and I tear myself from the concrete ground, allowing the yell to rip from my moistened, raspy, throat. Thump-thump-thump, thump-thump-thump, he tumbles; closer, closer, closer, closer. 

The cry that rips from my throat, as I throw my leg to his side, it bounces upon the thick walls. It mocks me, in my dizzy breathing, and it laughs along with his soft, quiet, grunt. I strike at his chest, with the ball of my foot, and I pray that my quivering muscles suffice. Ignoring the ambush of sweltering heat, coursing throughout my ankle, and the damaged joint of my knee, I tear up to his throat (his frame hunched, and breathless) with the inner curve of my ankle. SLAM. I revel in the slap of skin, upon skin, as his betrayed choking engulfs my rugged, teary, silence. Oh, how it burns, it aches, and I cry- I cry with such volume, as I draw down upon his cheek, as he falls to the ground, and I crush it beneath my aching heel. 

His parted lips heave with an airy groan, and I force myself to repeat. To repeat, to repeat, to repeat, until the blood beneath my throbbing heel all but retracts my complexion’s grip. The flesh of my foot slips upon his motionless expression, the curl of his digits slowly unravelling, and I slam my limb down upon his broken, bloodied, face, again, and again, and I ignore the warmth of the tears upon my cheek, as they dribble their way down. I notice the first, and then the rest seem to follow, uncontainable and relentless, and still I pummel the structure.

Bruised, and toughened, the sopping entrapment of my wounded heel draws down upon his fractured features, and I release a withheld, shuddered, breath. It is warm, as it fans my chin, and I allow my legs to feather themselves unstably upon the ground. I stop. I pause, and I gather myself with brief collection. The tight stinging behind my eyes seems to worsen, as I force the lump in my throat to dissect, and to surrender to the flames of my burning, charred, sternum, but I swallow it all back, and I shake my legs loose, slowly dropping my frame back down upon the concrete below. 

There he lies; still, and unmoving. Not dead, but not quite alive. 

The girl. It rings in my ears, as my heartbeat settles to something familiar; the girl, the girl, the girl. The girl who’s name I have yet to learn, the girl I have failed to protect - the girl I must save. The girl I refuse to let down, again. “Hey,” I call, quietly, and I soften my tone with significance, just enough (I hope) to eliminate the threat of the glimmering, red, blood, that begins to dry upon my body. “Hey, sweetheart.” I shake back my hair, and I turn to face her, ignoring the glassy shein that warps upon my vision, as my body entraps in a wave of unforgiving warmth, and the hot, burning, sensation engulfes my entirety; running up, and down, from left, to right, in and out of my limbs, from my eye sockets, to the tips of my bloodied toes. It aches, and it burns, and I plaster on a kind, gentle, smile, and I observe the tears upon her scarlet cheeks. “What’s your-” I nibble the ruined flesh of my inner cheek, as a flare of something (something like agony) curls around the joint of my displaced shoulder, and runs sharply through my arm, “What’s your name?” I ask, quietly, and I try to bereft the strain from my tone. 

But, oh, it aches, and oh, it burns. 

“Alyssa.” She replies, quietly. 

“Alyssa?” I try the name on my tongue. “Alyssa, Okay.” I say. “Alyssa, I need you to do something for me.” I tell her, “I need you to do something for me, is that Okay?” Her nimble, sad, face, nods, and I feel something shift in my chest. The burning increases, and the blood on my tongue tastes more like heartache, than of copper. “Okay.” I say, “Can you try to untie these ropes?” I nod gently to the strong grip of my wrists, entrapped within the beige confinement, and I hope - oh, how I hope - that her little fingers are good for something. 

“Okay.” Alyssa says, softly, as she teeters a step closer, and she approaches the still figure of the bloodied, unconscious, man. “Is it-” She steps over his arm, “Is it painful?” 

She reaches up to the knot, be it just above her head, and she works at the painfully tightened enigma. I hiss, softly, at a gentle jolt of my shoulder, and I ignore the loud pop of its agonizing displacement, pulsating with heat, as I murmur my quiet reply. “Only a little.” I lie. “Are you feeling okay?” I ask, tenderly, “Does anything hurt, down-” Another hiss, I swallow it back audibly, “down there?” 

“Only a little.” She mimics, not at all unkindly, as she works at the knot, and she straightens her small, tear-slick, mouth. There is mulled silence, for a passing moment, and I tongue the rough complexion of my inner cheek. “I didn’t cry.” She admits, as though I should be one to offer my congratulations. “I didn’t fight him.” She says. “I’m a good girl.” I swallow the lump in my throat, and I blink slowly, as to diminish the sting of my eyes, and I allow my breath to fall shaky, and uneven, as I regard the girl with a furrow to my brow. I didn’t cry. I didn’t fight him. I’m a good girl. 

“Alyssa, I-” I meet the sharp blue of her cerulean, glossy, gaze, and I observe the seeking ache behind them - the dull rim that seeps upon the light’s reflection. “Alyssa,” I whisper, “listen to me.” Her hands work at the knot, and the curl of it all begins to shuffle loose. “That man is a bad man.” I say. “He’s a monster. You know the kind you read about? In- In the- In the books?” She nods, softly, and I reciprocate her action. “Well, he’s one of ‘em.” I say, and her gentle expression of repressed agony crumples; dissolves to the pinch of a furrow.

“He looks normal to me.” She says. 

“They always do.” I reply, with something like sympathy curled among my smile. “The monster lives inside them.”

“Like a house?”

“Sure.” I say, “Like a house.” 

“I don’t like that house.” She whispers, hardly that of a breath upon the laboured quiet, and I feel the subtle breeze of freedom beginning to slither around my aching wrist. 

The strong simmer behind my eyes seems to ignite a stronger burn, and the blur of colours coaxing my vision adheres to engulfing my senses entirely, a clamp in my jaw to withhold the overwhelming urge to burst out with some kind of vocal sob. I bite it back, gnawing softly upon the mauled flesh of my inner cheek, and I offer Alyssa a gentle, toothy, smile. “Good.” I say. “Good. You don’t have to worry-” A scream tears from my throat, and the barricade of blurring moisture spills over with ease. “Fuck!” I hiss, “Fuck- Shit-” My arm audibly slaps down upon my side, the wrist an awkwardly angled bend, as it cracks aloft the harsh concrete below, and the mocking double-act-popping makes its merry way through, the joint finding itself inverted and ajar, and, oh, it aches, it burns. It fucking burns, and I- “Do the other one.” I murmur, strained by the bite of irrevocable pain, as a teary eyed Alyssa forces herself to overstep Benjamin’s right arm, and to meet the limp hang of my dislodged limb, and her nimble little fingers get to work on the opposing knot. 

I try to grind my teeth, try to swallow back the uprising sob that teeters thickly among my taught throat, and I try to focus solely upon the unmoving man upon the floor, as my arm hangs loosely at my side, and the pulsating ache rivets throughout my entirety; it swirls behind my eyes, and up, up, up, up around the iambic thrum of my cold, incandescent, mind, and down to the very tips of my sharp collarbones; to the steady rise of my chest; in, and out, in, and out, and I listen to the thump of my heartbeat, as it sings it’s hellish chorus in my ears, and it rings true for yet another second - thump, thump, thump; thump, thump, thump - and I pay attention to the melody, the sporadic pulse, the rhythmic reminder that: Here I Am. Living. Breathing (Barely?). With The Life Of A Little Girl In My Hands. There it is. There it is. The truth. There it is. And I listen to it, again. I listen to it again, and I look at her. 

I look at Alyssa, with a violent shake to her thin figure, and a harsh, bruised, red, to her cheeks; puffy eyed, and traumatized, as she works at the knot, and she sniffles to herself quietly. I look at Alyssa, and she isn’t crying. I didn’t cry. I didn’t fight him. I’m a good girl. She is a good girl. I look at Alyssa, and I see nothing but a girl that deserves the world, and I know that she is a good girl, but why should she have to learn her worth in such an earth-shattering way? I nibble my inner cheek, and I digest the uprising urge to allow my eyes to water (excessively, for they have already washed the blood of my bruised, and broken, features, and they lay wet upon my cheeks), as I call out to her gently, and I watch her glimmering gaze remove itself from her concentrated scowl.

“Lissy?” I call, softly, with a furrow to my eyebrows. I meet her cerulean stare, and I observe the reserved redness that circles her glassy orbs, as she draws back her own impulse to cry, and I speak again. Quietly. Always quietly. “Can I call you Lissy?” I ask.

Alyssa nods. “Mommy calls me Lissy Doll.” She says, and the burning flavour flares up, again, upon the back of my dry tongue. I concentrate on it, as the heat of my dislocated shoulder begins to fade, and I suppose that the taste of charred flesh is better than the agony of broken bones. 

I offer her a smile, though I feel it comes across more as a grimace than that of any reassurance, and I nod gingerly. “Alright.” I say. “Lissy, it is.” There is something like heartache, and like the dullness of doubt, that clouds the brightness of her young, infantile, orbs, and I force my lower limbs to shuffle, to face the readily repressing girl before me, as she holds back her upcoming wave of cries, and she swallows back her sorrow. “It’s Okay to cry, you know.” I say, gently, and she shifts her gaze to engulf my warm, piercing, stare, within her own, and the glassy shein begins to thicken. “It doesn’t make you weak.” I whisper. “I know it-” I force down the uprising lump in my throat, a sudden lodge beneath the muscle of my tongue, and I try again, with a tone somehow softer than before. “I know that it hurts, Lissy.” I say, “I know that you want to be strong, and that you- that you want to be a good girl,” A shaken exhale falls from my lips, “but, sweetheart, you don’t need to go through something like that to prove it.” 

She nods, softly, and she purses her lips together, trembling and shaken by her trauma. 

“Lissy, if you can-” I swallow back an audible groan, as I shuffle my injured frame, and the pulse of reconciling heat flares violently within the loose hinge of my displaced shoulder. “If you can untie me, Okay, we can get out of here.” I assure, attempting to convey something like promise with the stern stare of my unwavering eyes. I pray that Alyssa does not notice the tremble of my limbs, or the shudder in my ribs, as something crawls, and winds, its way between my shattered bones, and I pray that she does not notice the exhaustion behind my determination, that she does not catch wind of my growing fatigue, and the difficulty I face in trying to suppress my growing agony. 

“Okay.” She murmurs, and I find myself deflating with a soft exhale, shoulders falling, and dismissing the grave pulsation of fiery heat that depicts its bitter eruption throughout the damaged nerves of my bloody anatomy.

“Okay.” I nod, attempting to compile any form of reassurance, as I tilt my head back, gentle as I can possibly muster, and I let the crown loll back upon the brickwork. It aches, and it burns, but we’re almost there. By God, we are almost there. “Alright.” I repeat, breathless in my movement, as her small digits begin to unwind the tight knotting of the rope. “I need you to-” A subtle jolt, as the rope loosens, sends a great flare of agonized heat throughout my limb, and the rumble of a deep-routed groan falls from the hollow of my throat; low, and honest. “Fuck.” I murmur, softly, as Alyssa wraps her grip upon the burning ache of my wrist, and she removes the restraint entirely, supporting the arm with minimal (though violently painful) adjustment. A roar of unavoidable flames engulfs the limb, as she lowers it gently, and she drapes the limp wrist upon the concrete. I suppress the bubbling hiss that threatens to fall from between my gritted teeth, and I gulp back the wave of nausea that grips me suddenly. 

A swirl of something bitter, something terrible, begins its sultry dance among my stomach - empty, by a four day solitude - and I feel the burl of air, and of ingested blood, of salivation, gargle nastily toward the very pit of my protesting stomach. Still, I ignore it. 

“Lissy, you need to-” I swallow the uprising concoction, warm and smooth in my throat, and I try again, forcing my words through a clenched jaw. “I need you to fix my arm, Okay?” I need you to re-locate my fucking shoulder, and I need you to do it now, before Benjamin wakes up. If he wakes up, I suppose. The slow, unstable, rise and fall of his darkly clothed back is difficult to judge, among my dizzied vision, and the blurred contortion of the world. I do not dwell on this. I do not have to tear my eyes away, they drift naturally, and there she stands; wide-eyed, traumatized, silently begging me to let out a sudden laugh, and to declare my insinuation a practical joke. “Now, Alyssa.” I say, with a sternness that I suppose she is not used to. Not from me, at least, as the glossy depiction of her wide orbs returns, and, again, I find myself unable to dwell on it, as I turn to where her hands hesitantly hover about my sagging limb. “Just-” I exhale a shuddered breath, because, Jesus, this was never in the job description, and I allow my head to fall back upon the wall behind it, as my eyes flutter shut, and I open my mouth to continue. “Just grab onto it - gently, for the love of God - at the upper- at the upper arm.” A small hand wraps around my bicep, and I flinch involuntarily. Oh Fuck, my mind chants, pulsing throughout my body; Oh Fuck, Oh Fuck, Oh Fuck. “Put your other hand-” I swallow back the bile concoction, “Put your other hand next to my shoulde- Shit!” She rips away the palm of her small hand, explicit with a short cry, as I yell out my curse, and the pulse of agony spreads upon the damn wound she placed pressure upon. Be specific, Y/N, my conscience scolds; she’s a fucking child. 

It’s not her fault - not her fault, not her fault - but fuck, if that didn’t hurt. I let out a shaky breath, and I force the erratic respiration of my rising chest to calm the fuck down; in, and out, in, and out, and I offer her a tight-lipped grimace, as she regards me with wide, cautious, eyes. 

“Sorry.” I breathe. “I didn’t-” Another groan; the pulse of my pain continues to mock me, to taunt me violently within the unsteady strum of my gushing ears. Thump, thump, thump, it cries; Oh Fuck, Oh Fuck, Oh Fuck. “I didn’t mean to yell at you.” I say, softly. “It just, uh-” I bite back another cry. “It hurts. That’s all.” She nods, timidly, and I observe the aggressive tremble of her hand, as she begins to re-insinuate her previous positioning. “Not there!” I splutter, abruptly, and she halts in her movement, “Not there, Lissy,” I murmur, as my head rolls back against the brickwork behind me, and I tilt it away from her. “Closer to my- closer to my neck, alright? Not on the shoulder, itself.” She murmurs a noise that sounds similar to some kind of agreement, and I clench my jaw. I clench my jaw, and the nausea bubbling within my stomach seems to heighten. Fuck. And I-

Oh Fuck. It pulses around my aching body; Oh Fuck, Oh Fuck, Oh Fuck, Oh Fuck, Oh- “FUCK!” 

A loud, excruciating, crack, snaps out within the laboured silence, and I am submerged in (what feels like) the damned flames of Hell, licking and biting upon the sore flesh of my battered body, devouring my arm in sharp, agonized, nibbles; ripping chunks of my consciousness with them. “Jesu- Fuck. Holy fuck.” I murmur, slurred and messy, as a hot bout of drunken agony spouts throughout that damned joint. Up, and down, does it stumble; here, there, and everywhere, and I find myself unable to bite back the wave of tears, as they force themselves to grapple my attention, and to erode the bloodied concoction of fresh coating about my features, and I can hardly process the weight of their thickening moisture, as it gathers upon my cheeks, because - Oh, God, holy fuck - oh, I can hardly- It burns. It aches, and it burns, and it devours my limb entirely. 

“Do the other one.” I demand, lowly, tone riddled with a rasp of violent agony, as the heat springs forth to my complexion in a tuft of dampening precipitation, and the salty layer begins to seep the red wash of my skin. “Alyssa.” I say, with a grave harshness to my tone, as she remains unmoving (sobbing silently, to herself) beside me. “Do the other one.” I do not dwell on her quiet crying, as she makes her way before me, and she nestles down at my opposing side, and I do not dwell on the ever-burning fire that seems to corrupt every living cell within me, swirling, biting, licking, ruining, me; running circles upon my exhausted frame. Exhausted. It paints the inner lids of my eyes, and the thought of rest seems so entirely delightful, that I have to peel them open. Exhausted. Exhausted. Exhausted. Exhausted. I resent myself for protesting my bodily wishes, and I heave the silent cry of my sobbing frame, denatured and entirely unaware. Unaware. Oblivious. Unfeeling, as another riveting POP echoes throughout the subtly disturbed volume of the room.

I feel it. 

Oh, do I feel it. 

But it does not register. 

I am so alight, I am so wholly consumed, as the flames lick, and they engulf my frame; they wind brutally throughout the broken possession of my bone marrow, and they curve within the bruise of my jutting spine, my fractured rib; they grapple the cranium of my mind so violently, that I feel my slow blinking may rupture me an explosive head, at any given moment; they rip, and they tear, at the flesh of my muscles, running laps around, and around, my pain threshold; daring me, taunting me. Still think you’re winning? They laugh. Still think you’re winning?

But Alyssa is still here. Alyssa is still here, and Benjamin is still unmoving, at my feet, and I am still breathing. Alyssa is still here, and I am still breathing, and- 

And soft, small, fingers wind through the matted knots of my bloodied, stained, hair, at the base of my neck. 

I shift my watery gaze upon the girl beside me, stricken with a glaze of unforgettable, lurching, fear, as her blue eyes blubber silently, and she cries, and she cries, and she does her best to offer me comfort. She does her best to offer me comfort, and she smiles with closed, tear-tousled, lips, as I furrow my eyebrows, and I find myself bubbling with a warm determination. 

Still winning, my heart thuds, still winning, still winning, still winning. Still winning, and I force my limbs to shift. To move an inch, or perhaps a mere centimeter, as that damned fire engulfs my arms, and it wraps them up, up, up; up, and down, spiraling throughout the system of my nerves. From the depth of the crook in my elbow, to the muscles hung loosely amongst my shoulders. Around, and around, but still, I try. “Come here,” I whisper, softly, and I motion with a nod of the head for Lissy to approach. She follows, a stumble or so trodden, and then she stands before me. I lift my arm - jaw clenched, swallowing back the rise of that bile concoction, and ignoring the violent flare of heat that deems eruption amongst the joint of my fucking shoulder - and I run my thumb along the red flush of her tear-stricken cheek. Trembling, though it is, I hold her face with soft assertion. “We’re gonna be just fine,” I say, almost inaudible beneath my bitten down cries, and I offer her a tight-lipped smile. “I promise, Lissy.” I say. “I promise.”

Alyssa doesn’t nod, she doesn’t offer me one of those (non)comforting, teary, smiles, that find my chest clenching with some sort of heartache, rather than warmth, and, instead, the girl furrows her eyebrows. “Does it hurt?” She asks, again, and I know that she is looking for honesty. That she wants the truth, despite her youth; that her innocence is gone. That whatever spark she once attained no longer resides within her cerulean orbs, and that they are darker beneath the dim yellow lighting. That they are darker beneath her trauma. 

“Yeah.” I say, softly. “It does.” 

“Can you move?” 

No. “Yeah.” I smile, nodding gently, as I lower my arm, and I open my mouth to offer another white lie. “Just a little sore, that’s all.” I say. “Why don’t you-” I swallow the uprising bile that congregates within the over-salivation of my glands, and it scratches upon the ache of my tired throat. “Uh, why don’t you check- Check that, uhm-” I gulp back down my words, rearranging them upon my tongue, as the flaring pulse throughout my entirety finds itself momentarily blinding. Still think you’re winning? Still think you’re winning? “Check the door, Okay?” I say, quietly, and I do not dwell upon the observational quirk of her eyebrow, as Alyssa regards me cautiously, and she retreats her silent footwork. “Try and open it.” I offer her a reassuring (?) kind of smile, crooked, and bloody, but she does not seem to acknowledge it - not anymore - as she approaches the darkened corner of the room; the shadow of the great, steel, door. “Can you do it?” I call, tone impossibly rasped upon the echoing silence around. 

There is the distinct sound of struggling metal, as the door jutts back and forth, stuck strictly within its positioning; locked. “It won’t open.” Alyssa says, quietly, and I wonder just how the little girl remains so consistently composed. Of course, her cheeks are littered with unforgiving layers of drying, and thickly moistened, tears, and her eyes are red raw, wide, and traumatized, but not yet has she… broken. Still, she speaks calmly; still, she bites back her loud sobs, and she contains the shudder of her frame. I can only assume that this gravely resolve will crack very suddenly, one day, and, much the same as the floodgates to an overflowing river, everything will come crashing down upon her city of composure. I do not allow myself to dwell upon this thought, however, as the pressing matter of escaping (preferably before Benjamin regains consciousness) thumps iambically throughout my bodily matter. 

“Try the bolts.” I offer. “Are there any bolts?” 

“No.” She says, distantly, with subtle strain, as though she is poised upon the tips of her toes, attempting to grapple the top of the door frame. “Nothing.” She says. 

“Is there a keyhole?” I try, again, as I bite back a subtle groan. Fire. Fire. Heat, coursing throughout my motionless frame. Can you move? No. No. I cannot. I can hardly breathe, and I-

“Yeah.” She hums. “Right here.” 

In, and out. In, and out. “Okay.” I say, “Keys in the door?”

“No.”

Fuck. There is no need for an IQ of 187 to figure out quite where the missing puzzle piece resides. Benjamin’s belt. The very same belt that he rather enjoyed wrapping around my throat, and observing the silent purple that flared upon the taint of my bloodied, fractured, face, just the evening before. Perhaps it was not evening - the concept of time has evaded me entirely, and I rely solely upon the scent of his breath, to know which meal he has likely devoured, before roaming his way within the… the room. Coffee, and something else particularly sweet (often a pastry, I like to believe) linger upon his words when he speaks, some days, and I know that it is morning. Sometimes the scent of seafood, or a cold sandwich filling, wafts upon my face, and the potent stench of a carbonated drink, with the distant flavour of a cheap beer, and I know that it is midday, or just after the fact. Warm, meaty, scents, with cheap red wine tend to find him delighted, by the time that dinner rolls around, and, I realise, that must mean that it is currently night. 

Hours have since passed, from when he first entered the room, smelling strongly of a meat pie, and a three quarter bottle of cheap, red, wine, and, now, around twenty-five (or so) minutes have slipped through my fingers. Time flies when you’re in agony. Abiding by my own, personally devised, day clock, I might assume that I have been submerged within this room for four days. Almost five, I do suppose, should we not escape before the morning sun rises. Not that we may find out when that is, of course. There are no windows. 

My capture had been no fault other than my own. The ‘case’ (Benjamin Fackle, a serial Child Molester, and Rapist, whom the media deemed the ‘Baby Raper’, and a creature the Police Department have been desperately searching for, for many a month) was not official. His name had not crossed my desk. The team knew of him - of course we did, he was a monster in disguise, and we ached for an invitation to work on the case - but, alas, our company was not beckoned for. I spoke to no one of my private research, my geographical profile, and neither my personal profile, but, with the aid of an unsuspecting Garcia (whom did not know the details of my expertly worded, and secretive, request) I had delved upon the narrowed depiction of three addresses. 

The first, an Orphanage, which had since been demolished, and held not a single occupant, was futile. An easy occupation to discard from my list. And, then, came the second. In possession of my gun (and only my gun, my naivety be damned), with no vest, and no back-up-protection, I entered the grounds. That, among a conundrum of other things, was my first mistake. 

There, waiting for me, among the looming shadows of night, was Benjamin Fackle. Crouched behind the door of an easily concealable blind-spot, I disregarded my Federal training, and I dismissed that damned corner. Always check your blindspots, Agent. I could hear the drilling tone bouncing around my mind, mocking me, much the same as that pulsating heat that continued to rivet around my conscience. You don’t check your blindspots, you’re as good as dead. You hear me? I heard him, alright, but that doesn’t matter, now. Not when it didn’t fall into practice, and I failed to do so when it mattered the most. 

But I simply couldn’t resist it. Not this case. Not this kind of UnSub. 

Not when he has been ripping the innocence from seventy-nine children (and counting), and disregarding them so heart wrenchingly. Not when he has been putting them through the same damned trauma I experienced, as a child. Not this case. Not this UnSub. 

And so I force myself back, upon the brickwork behind me, and I ignore my burning frame with a foolish ignorance, engulfing the movement with stuttered fluidity, as the fragile joint of my wounded, bruised, knees, bend, and they shakingly heave my weakening body from the cold compress of the concrete floor. Up, and down, do the sharp pins flow; around, and around, do the needles pivot, but still, I force myself to stand. I force myself to stand, and my arms hang loosely at my sides; not dislodged, but still not quite intact, still burning violently, still thickly riddled with agony.

I stand, and I rest back upon the brickwork, and I heave my ragged breaths. In, and out, I stutter; in, and out. In, and out, but it aches, and it burns, and I blink slowly. I blink slowly, and I swallow back the protest of my uneasy stomach, that crawls within the salivation of my tight throat, and I force my stuttering frame to take a stumbled step forth. 

Pushing from the wall, I tumble with heavy feet. Mulling within my agony; sharp, shallow, wounds, find themselves imprinting mercilessly about the trembling flesh, inflicting detrimentally upon the complexion, and I almost wish - just for a moment, just for a passing second - that I could halt my breathing. As my legs give out beneath me, and I crumble beside the shallow respire of Benjamin’s still frame, and I swallow down the loud cry that threatens to break through the tight catch of my teeth, as I bite down upon my lips, and I force it down - down, down, down - and I blink back the wave of tears (slowly), and I ignore the heat - God, the fucking heat - that dances, and grips, my aching muscles with piercing ferocity.

I crumble beside Benjamin, and I reach, with trembling, not quite numb, and paling, limbs, for his belt. The clink of the metal upon the stone seems to- it seems to- Alyssa. She lets out a quiet sob, from the corner, and I know what the indication sounds like, as a lump forms in my throat, and I can’t swallow it down, and I fumble with the buckle, and I hope, oh, I pray, that I can find those fucking keys, and I-

Jingle. I drag the metal back, and- Jingle, Jingle. 

A soft, breathy, laugh falls from my mouth, as it contorts to the prologue of a violent sob, and I contort my features, I pinch them as tightly as I suppose that they may allow, and I hold it back- I hold it back, and I swallow the lump, and I press the cool metal of the keys to my chest, and I allow it to vibrate with the shudder of a hollow, dishonest, laugh. A laugh, to fulfil the urge of overwhelming moroseness, and exhaustion, that grapples me so aggressively, I find it difficult to breathe, with my head tipped back, and a glassy shein to my eyes, and I force myself to pull it together. I collect myself, there, upon the concrete, and I call out to the crying girl in the corner. 

“Lissy.” I say, all too quietly for my liking. “Lissy, I’ve-” I swallow my words, as they threaten to exit in a jumbled mess. Oh Fuck, my heart thrums, with lesser the all-consuming fear, and more of the elation, the adrenaline, as the burning heat begins to dissipate, and I suppose that the adrenaline will not last forever. Oh Fuck, Oh Fuck, Oh Fuck. “I’ve got them.” I whisper. “Lissy, I’ve- They’re here, look, I’ve got them-” I stumble to my feet, riddled with the deafening thump of my heart, Oh Fuck, Oh Fuck, Oh Fuck, as it laughs within my ears, and it mocks my auditory joy. It doesn’t burn. It doesn’t ache. I can’t feel a damned thing - nothing but the dizzying beat of my heart, that pumps wildly in my ears. It won’t last long, I think, as I stumble unsteadily on my footing, and I make my way to Alyssa.

It won’t last long.

It won’t last long.

It won’t last long. 

And so I do not bother to comfort the girl, as she cradles her head in her hands, and she ducks it between her bent knees, curled desperately upon the ground, beneath the door, and I do not bother to grow frustrated, as I try the first key of four, and it doesn’t fit. I try the second, and it jams within the lock - not that one - and then the third. The third - oh, the beautiful third - that twists, with jutted prosperity, and it signals the sequence of unlocking metal. 

It doesn’t burn. It doesn’t ache. I can’t feel a damned thing, as I lower myself with unsteadying speed, and I scoop the light girl, trembling, and sobbing, within my arms. My bruised, broken, mangled limbs, and I clutch her to my chest. It doesn’t burn. It doesn’t ache. I can’t feel a damned thing, but I’m winning.

I’m winning. 

I’m winning.

I’m winning. 

I’m winning, as I stumble incoherently through the doorway, and I disregard the nauseating crack, when something collides with the steel of the door, as it chases me through, and I’m winning as I find myself shoving the damned key in the lock, and twisting, and twisting, and leaving it there to rot, and I trap that bastard within those damned, yellow-lit, walls, and I’m winning as I am tumbling through the misleading path of the unfamiliar home. Unfamiliar corners, unfamiliar rooms, unfamiliar sights. But I’m winning. I’m winning. By God, am I winning. 

And I am still winning, as I collide with the front door, and I throw it open, thoughtless for the dutiful ache that is silenced by the thudding in my ears, and I make my way upon the pavement, concealed by the evading darkness that is night, and I begin to stutter my rugged footsteps - bare feet bloodied, and slapping down upon the walkway beneath me - and I hold the girl to my chest. I hold her, and I hold her, and I hold her, and I open my mouth to speak. 

“We’re free, Lissy.” I say, quietly. “Look,” I point above her head, as I glance down upon her whimpering expression, “Look at the stars, baby.” I whisper. “We’re free.” And I know that we are not truly free, that, should my adrenaline, thrumming throughout my entirety, and consuming my conscience in a consistent hum of evading hope, ware off, should the pain settle back in, and the wind stop cooling the persistent burning that peppers moisture aloft my forehead, should everything fall to nothing, and should the morning sun mark the fifth day of my absence, we will not be free. That we will be, perhaps, as good as dead - Always check your blindspots, Agent - within the confinement of unfamiliar roads, and unfamiliar geography, and a town full of unfamiliar people. 

After Benjamin had struck me over the head, a wound that soon sobered up, when he first began the beatings, he had locked me within the boot of his car. I was unconscious for most of the journey, and the back tail light seemed too difficult to kick through, at the time. He had weakened me, considerably, and I found myself unsure as to whereabouts it was that we were going. And, thus, I do not know our current location, either. 

The low hang of the moon does little to console me, as the gush of my blood within my ears begins to slowly dwindle - thump-thump-thump; thump, thump; thump-thump-thump - but, with her cheek rested softly aloft my weightless chest, Alyssa stares up at it; bleary eyed, and consumed. Her stare of wonder gives little away, and I find myself praying, with whatever religion I have left in me, that she may recover. That this traumatic experience may dissipate beneath the life she has yet to live, and that, when the time comes, she will be able to face her trauma, and heal the wound indefinitely. That, one day, she may look up at the moon, and she may not be reminded of what Benjamin Fackle has done to her, and that she may capture the light of the stars within her blue stare, again. That she will regain a form of innocence, and that recovery comes quickly. 

I know that it does not. I know that the pain never truly leaves you, but one can hope. One can hope, and while I am breathing, I hold on to that. 

Just as I hold on to the girl, cradled to my chest, as the thinning beat within my ears begins to fade, and, with every passing second, I find my footing faltering ever-so-slightly. A dreadful kind of suspense begins to well in the pit of my stomach, as a creeping fire begins to erupt, deep within the soles of my bloody feet. It begins in my toes; travels up, up, up, to the uneasy curl of my ankle, the joint bitter in its inevitable damage, and I clench my jaw. I clench my jaw tightly, because I- because I knew that it wouldn’t last long, I knew that it wouldn’t last long, and still, I find myself surprised, frustrated, that the adrenaline is wearing. That, soon enough, I will find myself imobile, constricted by the worst level of pain I will ever endure. Bone, upon bone; fracture, upon fracture; the make-up of my anatomy begs for more adrenaline. 

I push forth. Through the dim lighting of the streetlight - contorting to that of my aggressive dizziness, as the scene frame binds back and forth between the figure of four, and the singular, blurred, picture - I am able to… I can see a-

I sway in my footing, caught by the ferocious burn as it runs up, and it runs down, the joint of my knee; echoing around like the mocking laugh of my slow, steady, heartbeat. Still think you’re winning? It taunts, diving from one ear, circling my head, and protruding through the other, with a sickening giggle to warp it all in between. I grit my teeth, and I ignore it, inhaling shakily through my nostrils. In, I try, and out. But the burning ache has returned, and it drawls its slow, merciless, crawl, up, and up, and up, and up, my entirety; locking in the very cells of my biology, and taunting a dangerous song. 

Oh, how it burns, I swallow thickly; how it aches. 

It burns, and it aches, and I blink slowly, and I raise my foot - up, up, up - and I force it forward. A gentle connection with the floor holds no matter, I comprehend, as a thousand pins scatter about the marrow of my damaged skeleton, and a thousand needles pierce the tranquil complexion of a broken cohesion. It burns, and it aches, but I parry on. I parry on, and I delve myself yet another great number of unsteady stumbles; one foot, then the next, and then another few. I catch myself roughly as I groan out aloud, because, oh, it aches, and oh, it burns, and I blink slowly, and I entice myself to breathe, as I pause. In, my throat rasps upon the cool temperature of the night, and out. 

“Alyssa.” I murmur, gently, as it fills the light air that surrounds us. The girl adjusts her attention, shuffling softly among my grip, and I am unable to swallow the cry that forces its way out, as she regards me with wide, watering, eyes, and I lower her (incautiously) to the ground. She lands with a thud, as her bare feet slap the concrete, and a subtle stumble, as I bend my frame, slightly, and I adhere to an unsteady lumber; contorted by the sheer ferocity of the flames, engulfing my arms with an unforgiving depiction. “Fuck,” I whisper, moreso for the expression, than for any natural effect, and I attempt to regain my posture. In, I rise to my full height, and I ignore the blasphemous heat that licks upon every morsel, every joint, and out. In, I ignore the blissful call of exhaustion’s lesion, as it beckons me slowly, and I flutter my eyes shut, arms hung limp at my sides, and out.  I breathe, and I breathe, and I remain swaying in my place, silently wishing that the damned payphone was not fifteen feet away. 

Still think you’re winning?

Fuck you, am I losing, I spit, internally, and I’m not quite sure who I am fighting, anymore. Benjamin Fackle? My pain? Myself? My exhaustion? Death? It doesn’t matter. It doesn’t matter. 

I take another step, and I force myself to contain my expression of pain. I swallow it back, as the salivating gland to the inner corner of my throat begins to over-work, and the sleek bile concoction begins to trail its way up, up, up, through my esophagus, once more, and I feel it beginning to crawl through the burn of my throat. But the payphone is ten feet away, and fuck you, am I losing. 

A rough swallow, and a softly hidden gip; I trudge another few feet upon the cold pathway bellow me, and I pledge my attention solely upon the approaching, smooth, steel of the payphone, enlarging, and imposing, as it draws nearer, and nearer, and nearer; one step, two steps, three steps, four, do I stumble, stuttering gracelessly in my stride as I go, and, oh, the phone is almost here. I reach for it, the sweet, sweet, plastic of bitter salvation, and a gentle cry escapes my mouth as I curl my digits upon it. I’ve got it. I’ve got it. I’ve got it. I’ve got it. 

I’ve got it, and I draw it up, ignoring the flaring heat that roars throughout my entirety, and I allow my trembling grip to pale upon the device; gripping it, gripping it, gripping it, because Holy Fuck, I’ve got it. I’ve got it, but I- I swallow thickly, and I drag my burning frame that little bit closer. I’ve got the phone, and there’s- I check the credit, faintly projected beneath the dim light of the street, and another breathless laugh falls from my mouth, perhaps the first genuine smile gracing my lips, as an unnoticed trail of warm tears track their salty trace down my cheeks. 

One Call Remaining. 

One call remaining, I hover my hand above the metal keypad. I only know one number. I only know one number, but, as I smile, and I sniffle gently to myself, I know that it’s the only number I need, and I dial it - with shaking, aching, fingers, I dial the number, and I clutch upon the rim of the metal compartment with a wavering grip. 

It rings once, twice, three times, and I pray, oh, to any God that may here me, do I pray that he picks up, as the echo of the ringing begins to sound less like the bells of a church, and more like the mocking laugh of someone poking me, prodding: Still think you’re winning? Still think you’re winning? Come on, pick up. Pick up. Pick up. Pick u- 

“Hello?” There he is. Tone thick with sleep, groggy, and deep - down, I notice, but it doesn’t matter. It doesn’t matter. It doesn’t matter. He picked up. He picked up. “Hello?” 

“Spence.” I breathe, as another humourless, teary, laugh trickles from my throat. “Oh, my God, Spencer.” 

There is immediate shuffling, across the line, and I can only assume that he is sitting upright, frowning into the dark before him. Perhaps he has switched on his bedside lamp. It doesn’t matter. It doesn’t matter. “Y/N?” He rasps, softly, with such a gentleness, I fear that something else hides behind his tone. “Is that you?”

I pause, for a moment, as my expression pinches, and the crumble of agony descends upon my shoulders like the tide upon the shore, and the edge of my eroded cliff begins to fall. “It’s me, Pretty Boy.” I whisper, tone riddled by the repressed lather of edging tears; the misery that threatens to spill. I bite it back, and I relax my contorted expression. I hold it down, and my chest begins to burn, again. It burns, and it aches, and my body is on fire. But he’s here - my Spencer, my Pretty Boy - he’s here, and I am still breathing, and Alyssa is still here, and Benjamin Fackle is not.

I blink slowly, and I swallow down my silent cries, as the warm moisture of irrevocable tears fall solemnly upon my cheeks, and I sniffle it back, as the shuffling continues through the rough auditory of the responding end. 

“Where are you?” He asks, a certain heaviness to his tone that has not been invoked by the influence of exhaustion. He sniffles, and I wipe my moistened mouth with the back of my wrist, ignoring the sudden flare of pain that engulfs my arm, my body, as a soft sound falls from my lips. I could hope that he did not hear it, that my quiet whimper slipped through the cracks of the terrible connection, but I know Spencer. Oh, do I know him, and so, when he gulps audibly, and he stutters over his words, I know that he is entirely aware of my pain. “I- I couldn’t, I’m-” He takes a shaken, deep, breath, and he tries again. “Where, uh- where are you, Y/N?” He asks, quietly, as the explicit ruffle of a breeze picks up on his end, and the distant slam of a door alerts me that he is on the move. I almost smile. Almost, if it were not for the grave buck of my knee, as it gives out, and I half-collapse, and an audible yell falls from my lips, the phone slipping from my weak grip, and tumbling to clatter with the metal of the side panel. 

The sudden glare of invading heat, rupturing between this cell, and that cell, and every damned muscle in between, catches my body in a crampating hold; forcing me down upon a half-crouch, half-bend, as a forty-five degree angle courses through my hot, hot, agonized, frame. “Fuck,” I groan, as I slowly - oh-so-slowly, with a hiss here, and a quiet moan there - drag myself back up, and I place the phone back to my ear. Fuck. The incessant flourish of heat warps my limbs, carries them upon a throne of daggers, and of bruising pellets, and I find myself stifling back a sob, as he immediately interrupts my discomforted quiet. 

“Y/N?” Spencer calls, no less a shout, than an urgent call. “Y/N, what’s going on?” He pleads, not quite bothering to mask the teary tone that he displays. I suppose that Spencer has always been like that - with me, at least - whereby his emotions are so raw, so pretty, that one cannot help being entirely enamoured by the way his tone thickens, and his lower lip trembles, as he forces back his tears, and I cannot help but allow my eyes to flutter shut; to envision his large, brown, eyes, so pretty beneath the glassy shein, and, for the second time, tonight, I allow a thumping thought to re-iterate itself among my pulse. 

This is it, it says, and I am not sure if I am winning, anymore. 

It just- Oh, Oh it hurts, and it aches, and it burns, and I- and I can’t tell if the moisture on my cheeks is from my silent tears, or the precipitation from my hot sweat, but it doesn’t seem to matter. It doesn’t seem to matter, because the urgent calls of Spencer’s thickening concern seem to fade - drifting, drifting, drifting away - and I lose myself within that certain void of semi-consciousness. Slumped upright, against the payphone booth, it pulses in my ears, and it aches, and it burns, and it hurts, and this is it. This is it. This is it. This is how I die, and I’m not sure if I am winning anymore, and I can’t hear my Pretty Boy, and I can’t picture his pretty brown eyes, or his pretty little face, or the soft embrace I could dare to call home, and I can’t think of anything. I can’t- it won’t- it aches, and it burns, and it hurts, and this is it. This is it. This is it. This is it. And I’m not winning anymore. I’m not losing, I’ve gained some sort of victory, along the way, but I can’t see the finish line, and I’m slowing down. I’m slowing down. I’m slowing down. I’m slowing down, and this is it. This is it. This is it. This is it. 

This is it, and small, nimble, fingers, approach my peripheral. Like that slow-motion scene, with distant classical music echoing from the depth of another, airy, room; I watch it take ahold of the phone; watch it disappear, again, and the muffled tone of a child - Lissy Doll, little, little, Lissy Doll - soaks within my senses, devoured like the sweet scent of honey to a sore throat. I hear her, as I slide down the metal of the payphone, and I succumb to the desperate flames; I hear her, but I cannot bring myself to listen. Not as she speaks, with tears - I assume this is what I notice, glimmering upon her pink cheeks, as she cries beneath the moonlight - trailing her face, and she sniffles, and stutters, and she tries to reply as informatively to Spencer as she possibly can. I want to call out to her - want to inform her that this is why she is a good girl, that her unrelenting ability to do the right thing is what makes her good, not her lack of protest, and neither her silence, or her previously dry cheeks. I want to tell her that I am proud of her, as I lower my cranium upon the cold pathway below me, but I am tired.

I am tired, and this is it. 

This is it. This is it. This is it. 

This is it, and I know that Spencer will save her, now. That, although I am not winning, although I have not won, Alyssa is safe. Alyssa will grow to learn her recovery, and she will regain her aforementioned youth. And, as I roll upon my back, my body aroar with flames that ache, and that burn, and that taunt me desperately within my ear, that thank me, profusely, for my sacrifice, I stare up at the sky, and I smile, softly. Benjamin Fackle will be caught, should he catch his breath, and regain his consciousness, and Alyssa will recover. Her mother will hold her little Lissy Doll, once more, and she will be able to watch her child grow old, and she will know that in my death, her daughter found life. I suppose that death is not quite as morbid, when I think of it like this. 

When I ignore the persistent nagging, in the forefront of my mind, as my eyelids droop, and exhaustion overwhelms me, and I pretend that in dying, I would not tear Spencer apart. I pretend, and I pretend, as I attempt to count the stars above me, for I know that I would shred him, limb from limb, and he would never recover. I am not so arrogant as to believe that I hold such power over any other, but Spencer is not just ‘any other’. Spencer - my Spencer - devotes himself, entirely, to the concept of love. He has never told me this - not in words - but- but I know. Love is not something you should ever find yourself questioning, and, if you are, it is not true love. I have never found myself questioning Spencer’s muse of adoration, despite his reluctance to openly admit it (all those months ago), and I know that I am lucky. That Spencer has known far too much pain for someone of such a golden declaration, and that his soul must be woven of the finest silk. There is not a single part of me - not a fraction, not a section - that does not know this, is not consumed by this. But here, as I lie upon the concrete, and Alyssa’s quiet crying forms a background serenade for my slow, painful, death, I wonder if my Pretty Boy would be alright. 

I wonder if Spencer would recover, in time, much the same as Alyssa will, and I wonder if he will accept that it was my fault. That, ultimately, had I not imposed myself upon this unofficial case, and attempted to take matters into my own, foolish, hands, I would not be here, at this moment, dying. And he would not be awoken in the middle of the night, to an Unknown Number, and he would not be met with the pained cry of his tortured partner - a tortured partner that stares up to the stars, as they lay dying, and smiles because they are beneath the same sky as the love of their life, and, well, nothing seems to matter, anymore. 

My body tingles - the kind of tingle that curls, and crawls, throughout your broken skeleton - and I let it dance, drunkenly, through the course of my very being. For when I remain motionless, it doesn’t quite hurt, anymore. Quite, because I am unsure as to whether the tingling is a symptom of forthcoming death - if I am numb, and unable to feel anything, anymore, but it doesn’t matter. 

This is it, and it doesn’t matter, as I stare up at the night sky, and I sketch my Pretty Boy’s face among the stars, and I know that he fits right in, up there, with his soft chocolate hair, that swoops upon the right side of his face, and curls behind his ear; with his perfect little nose, that buttons, and finds itself entirely symmetrical, and the round, gently crinkled, expression of adoration within his wonderfully dark eyes - creased to the edge, as he smiles at me, and I lose myself in his adoration. And I think that if I am to die tonight, beneath the stars, with the vision of Spencer glancing down upon me with nothing but pure love, and affectionate warmth, I think that I am to die happy. 

“Lissy,” I call, softly, and I hear her murmur something to my Spencer. I am unsure as to how long the credit will remain, though I assume it will not be forever, as Alyssa turns to face me, and I offer her a genuine, toothy, smile. “Can I speak to him?” I ask, quietly, and I can hardly recognize my own voice, beneath the rasp of my naked throat, and the relief that courses through my frame from the numbness that dying provides. “Please?” Please, may I bid my farewell?

Alyssa doesn’t say anything, with yet another sniffle, and she speaks another bundle of words that I do not quite catch, as she lowers herself to kneel beside me, the chord of the phone almost entirely outstretched, and she places the receiver to my ear, and the speaker to my chapped, smiling, lips. “Y/N?” I hear, as I see him amongst the stars, and my eyes crinkle at the notion, bewitched by a toothy, genuine, grin. The phone is cold, and I blink slowly up at the sky. 

“Hey, Pretty Boy.” I say, quietly. “I miss you.”

There is hardly a pause, though I notice that the wind is no longer present upon the static of his end. “I don’t- I’m-” He catches his words, and he rearranges them. He doesn’t know what to say, but I let him take his time. “Why would you do that?” He hisses, softly, after a moment and there is a returning thickness that bubbles in his throat. I hear him swallow, but it doesn’t quite seem to do anything, at all, as he continues, and he sniffles back his tears, slightly. “Why wouldn’t you tell anyone?” He asks. Not scolding, not angrily, more of the bitter mourning, and the grief, that wraps upon his tone, and I find myself swallowing my honesty, for the moment. 

“Can you see the sky, Spencie?” I evade, staring up at the constellations that form before me, as he shuffles, and his silence echoes back to me. “Can you see the stars?”

“Y/N-” His voice trembles, but I cut him off.

“I’m not winning, anymore, Spence.” I say, a mere whisper upon the silent street around us. “I’m not losing.” I continue. “But I’m- I’m not winning, either.”

“What?” He mumbles, voice thick with tears, and I envision them tumbling down his face. Another shuffle breaks forth, and I assume that he has wiped his cheeks. My chest begins to ache, again, as I picture the subtle furrow of his eyebrows, and the way his tongue will run over the pout of his trembling lower lip, as he exhales through his cheeks, and he sniffles with his pretty nose, and I smile, softly, into the night, and, despite the dense knowledge that I will not, I hope that I will make it. That this isn’t it. But, deep down, I know that it is, and thus, I continue.

“I want you to-” I swallow back the uprising hiss, as I move my jaw somewhat to animatedly, and a flare of heat erupts in my throat, and I speak quieter, as I try again, and I know that Spencer’s expression is pinched. “I want you to take care of Lissy, alright?” I say. 

Silence. 

“Spencer, promise me.” I whisper. “I need you to do that for me.” 

“Why would-” He delves a shaky inhale, “Why would I have to do it?” He says. “You’re gonna be fine, Y/N.” He continues, a tremble to his tone, “You’re gonna be Okay. You’re gonna walk away from this, just fine, and Alyssa’s gonna have access to as much help as she needs, and we- and we’re gonna be just fine, Okay?” I want to shake my head, I want to interrupt his self indulged, dishonest, ramble, and I want to stop him - want to reach out, and hold him, and to assure him that he will recover - but this is it, and time is simply not on my side. 

“Spencer.” I call, softly, and he falls to immediate silence; his breathing inconsistent, and shaken. “I’m not winning, anymore.” I repeat, and I know that he has gathered together the missing pieces. “I’m not.” I say. “And- and it hurts.” I whisper. “It hurts, and I’m tired-”

“I know, baby,” He says, gently, as he gulps in a trembled lungful of air, and he swallows down the lump in his throat, and he tries to speak again. “I know you’re tired, and I know that you’re in pain, but you can hold on. I know you can, Y/N, come on.” He says. “Fight.” And a quiet, almost silent, whimper leaves my lips, until the stars are all a blanket of ill-lit darkness, and I can hardly comprehend his grief as he speaks again. “Please.” He whispers. “You’ve gotten through the worst of it, and if you- if you don’t move, and you stop talking, and you preserve your energy, you’ll be fine. You can survive another three minutes, and twenty four seconds, can’t you?”

A breathless, teary, laugh falls from me, then, and I ignore the blistering fire that erupts throughout my body. “Calculated to the second.” I tease, softly, “How ingenious of you, Doctor.” 

He reciprocates my watery laugh, though riddled with far less enthusiasm than I, and he mutters his quiet response: “I do have an IQ of 187, and an-”

“And an eidetic memory.” I finish, smiling toothily to myself, despite the chorus of flames that attempts to swallow me whole. “I know, Spencer.” I say. “And I know that you don’t think intelligence can be quantitatively measured.”

“No.” He says, “I don’t.” 

“And I know that you-” I gulp back the concoction of bile, and I try it again, a certain hoarseness about my tone. “I know that you can read twenty-thousand words per minute, and that you don’t much like the taste of coffee, so you- you pour the whole bag of sugar in there-”

“I do not-”

“You do, Pretty Boy.” I smile, and, beneath the soft crackle of the reception, I hear a low rumble of agreement. 

“She’s right.” They say, a grin to their tone, and I know that voice. Oh, I know it well.

“Is that Morgan?” I rasp, softly, and I smile up at the sky, as the man in question offers his greeting. 

“Hey, Babygirl.” He says, with that same kind of warmth that Derek seems to consistently radiate. My chest aches, again, and I realise that I do not want this to be it. It aches, and the charred flavour of my burning sternum crawls back upon my tongue, and it nestles there, as he offers a question of less-than-casual-conversation. “How you holdin’ up?” He asks. 

“Great, actually.” I joke, as I offer a kind smile to Alyssa, and she runs her nimble, small, fingers through my hair, and she reciprocates the gesture, ascending her gaze back to the stars, as she goes. “If you consider two-” I let out a low cough, as the concoction of bile seeps beneath my tongue, and it- I heave, abruptly, and I force myself to twist to the side, unloading whatever the fuck was left, rejected, amongst my stomach. The wet splatter of blood, and of bile, of mucus, and salivation, coaxes the pavement, a mere few inches away, as I retreat, slowly, back to the receiver of the phone, and I dismiss the neverending roar of flames, engulfing my body, still, as I sink back into my vertical position, and I return to the conversation.

“Y/N?” Spencer calls, a thickened tone of worry conveying about his voice. 

“I’m fine.” I lie. “Just a little, uh-” I swallow back the coppery aftertaste, and I offer Alyssa another gentle smile. “Nauseous.” I murmur. 

“Nauseous?” Spencer repeats. “Do you have a fever?” 

“I don’t have the flu, Spence,” I dare to jest, “It’s probably just something to do with my two dislocated, and relocated, shoulders. Or, maybe my- maybe my (probably broken) ankle, and the-” Another strained groan falls from me, as Alyssa slumps herself down upon the pathway, and she (accidentally) knocks the jolt of my displaced shoulder, a great POP echoing out from such a sudden movement. Fire. Heat. Hot, hot, hot; it licks away at the joint, and I let out a great, stifled cry, as she attempts to place her palm upon it, and I- “Fuck!” I cry, “Don’t touch it, Lissy, don’t-” I swallow down another yell, as the fire runs up, and down, up, and down, the length of my arm; pins and needles carouselling their way about the wounded flesh. “Don’t touch it. Please.” I implore, quietly, as I attempt to return to the phone, and I retrain my gaze upon the stars, slurry, and unfocused, for all its worth, as I find myself woozy beneath the beckon of exhaustion, once more. 

“What was that?” Spencer pleads, as he holds the speaker somewhat too close to his mouth, and my head naturally jerks away from the volume of his cry. Another rip of gravely flames engulf my figure, as I strain myself to lower the extent of my groan, but it- Fuck, does it hurt. It aches, and it burns, and it licks up the fruit of my torture. “Y/N?” He calls, again, “What was that popping? Was that a joint?” 

I grit my teeth, and I exhale through them roughly. In, I breathe, and out. “My shoulder, Spence.” I murmur, “Fuck- Please-” I do not want this to be it. I do not want this to be it. I do not want this to be it. The thump of my heart begins to pick up, and I withhold the uprising sob that threatens to break through. I do not want this to be it. “Please tell me you’re bringing an ambulance.” I murmur, and I hope that my insinuation is correct.

“They’re on the way.” He says. “We all are.”

“All?” I mutter, quietly.

“All of us, Babycakes.” Morgan says. “Don’t tell me you thought we’d be able to sleep, with your face on the news, like that.” 

“I was on the news?”

“Headlining.”

“Great.” I scoff, “My big media break, and it’s the one thing that’ll have me fired.”

“It was a preposterous idea!” Spencer cuts in. “Going in alone, like that. You know that above ninety-seven percent of women are sexually assaulted? In their day-to-day lives? Why would you purposely search for a rapist? Why would you do that without back-up? I- I bet, I bet with every fibre of my being, that you didn’t check your blind spot.” He says, and I feel a certified something stir within the depth of my stomach, and pool deep within, for, oh, he knows me so well, and, and I- “You never check your blindspot. I do it for you, because I know that you’ll forget, but Y/N- fuck.” He says, and his breath shakes as he releases it. “And you know, you know that you are required, by law, to wait for back-up, when you do not have your vest, or any other form of protection. Y/N, we didn’t even know that you had worked on this case, never mind that you had gone to visit the UnSub by yourself-”

“He was out of his depth, Spencer.” I defend, quietly. I say it quietly, because it aches, and it burns, and it hurts. It hurts. It hurts. It hurts, and he listens to me, anyway, and he lets out a shaky inhale, as I speak. “It wasn’t in the Profile for him to do something that ballsy-”

“Well, clearly your profile was inaccurate.” He snaps, a certain edge to his tone that I find myself unfamiliar with, as I recoil, slightly, and I ignore the flare of heat that congregates about my body. “If you hadn’t-” He pauses, and another trembled breath is to follow: In, and out. “Y/N, I just- I’m- I’m scared, alright? I’m worried. I don’t know your physiological, or psychological, condition, right now, and I’m- it’s just-” Another stuttered inhale. “This isn’t easy, Okay?”

“I know, Spence.” 

“I don’t hear from you for four days, twenty-two hours, and thirty-nine minutes, roughly fourteen seconds, and you’re the headline for the news. MISSING: Federal Agent, Y/N Y/L/N, Last Seen in Quantico Virginia, at the Behavioural Analysis Unit Headquarters.” He recites, and I know that it has plagued the back of his eyelids like a lingering, bad, smell, ever since. “You know where you were last seen, Y/N? You were last seen with me, that’s where. And I can’t forget what that headline says, it is biologically impossible, and I can’t stop seeing it every time I close my eyes, and I- and I can’t stop thinking about how, should I have stayed with you for another four hours, or so, you wouldn’t have chased this UnSub, and you would be here, right now, and I wouldn’t be turning down the street, to find you sprawled out on the floor - because I know that’s what you’re doing - in agony, and feeling as though death is knocking at your door, and-”

“Breathe, Pretty Boy,” Morgan cuts in, “Breathe.”

But he doesn’t pause long enough to listen. “And I can’t-” His voice cracks, slightly, and my chest burns, it aches, as the subtlety of silent tears stream down the sides of my face, and they pool within the roots of my hair. “And I can’t listen to you, here, talking to me like you’ll-” He grapples a broken inhale, and he stutters amongst his breathing, and I hear the tears on his tongue. I hear them. I hear them. “-like you’ll never see me again. Like this call is some sort of goodbye.” 

“I don’t want this to be it.” I say, gentler than I feel I have ever spoken, before, and Spencer offers his words of protest. 

“It isn’t!” He exclaims, with a thick bitterness to his tone. Not quite directed at me, though the agony to his own constricting chest is evident. I find myself accustomed to the flavour of my burned sternum, as it rests upon my tongue, and I do not attempt to protest amongst his continuation, as he cries, and he parries on. “Fuck,” He whispers, and I envision him wiping away the fresh moisture of his expression, once again, as a quiet shuffling invokes upon the line. “This isn’t it. We’re-” He lets out a breath. “Can you hear us?” He asks. “We’re almost there.” 

The distant wail of crying sirens engulfs my senses, paired with the static white noise of Spencer's anticipation, and I find my mouth up-tilting, ever so slightly. “Yeah.” I say. “I can hear you.” And maybe, just maybe, this isn’t it. Maybe Spencer - maybe my Pretty Boy Spence - is right. He is rarely wrong, that much may I agree, but he is not always accurate in his future depictions. For once, I find myself thinking, I hope that he is right. 

“Good.” He says, perhaps more so to himself, than to me, as he repeats the notion, and he steadies his erratic breathing. “Good, Okay. We’re turning onto your street, now.” He says. “Can you see us?”  The wailing sirens approach, they engulf the silence of the night, as they blare, and they scream, and they fall louder, and closer, and louder, and closer, and the stars all morph together, into one illuminated band of darkness, and the sirens blare on, growing louder, and closer, and louder, and closer, and- “Y/N?” Spencer calls.

“The sirens.” I murmur, distractedly, as they ricochet around my mind, and they bounce from one fragment of my inner skull, to the other, and they roll impotently about the curve of the bone. “They’re-” Louder, and closer, and louder, and closer. “They’re noisy.” I say, and I doubt that he can comprehend the gentle tone to which I depict, as the wail of the siren cry calls out, and a sudden screech falls present upon their hellish song.

Spencer does not reply, and I listen to the white noise - the white noise that grows distant, as the wailing aubade of the ambulance approaches - and, then, a chorus of footsteps consume my auditory senses.

I know my lover not by his footfall, but by the way in which he collapses, immediately, at my side, and his large, warm, hand, cusps at my broken cheek, and he observes me closely. And it aches, and it burns, but, oh, there he is. There he is, with a furrow to his straightened eyebrows, and a glassy film aloft his beautiful, warm, orbs - reduced to circles of worry, of anguish, as he observes my… my state of being - and I measure the map of his features, I blister them among the roof of my mind, as though I have not looked upon them fondly a thousand times before, and I offer my lover a soft, closed-mouth, smile. I offer him a smile, and I ache to run my fingers across his parted lips, to recall the feel of his skin, his perfect, perfect, complexion, and the symmetrical span of his face. In this moment, I want nothing more than to feel the weight of his body, sprawled out upon me, as my arms wind around his neck, and I embrace my Spencer, and we pretend that all the trauma of the world does not exist, and we love, and we love, and we love. 

I watch the rapid descent of his features, and I gather that he wishes he knew nothing of my physiological well-being, if the subtlety of my pained cries aloft the phone were quite enough to reduce him to tears, and my fingers itch. They itch, they itch, and they itch, to run through the smooth flow of his hair, to brush it away from his pretty little features, and to assure him that: Hey, Pretty Boy, it’s alright. I’m alright. It’s going to be fine. Just fine, Okay? This isn’t it, I was wrong. I was wrong, Okay? This isn’t it, Pretty Boy. Come on. Come on, Pretty Boy, wipe those cheeks. It’s going to be just fine. It’s alright. It’s going to be fine, Pretty Boy. Okay? Okay. 

But eyes, red raw, and leaking, stare down at me, and I know that to speak such words would be nought but a cruel spell of dishonesty. I’m not winning, anymore. 

Trembling fingers work their way through the matted knots of my hair, brushing back the locks from my face, as they flail out upon the pathway beneath me, and Spencer shudders a quiet sigh. “Hey,” He greets, simply, as though he is not attempting to swallow his raging heart, that threatens to break through the lump in his throat. As though he is not on fire, with burning self-hatred (just like I know that he is), and gritting his teeth to prevent any upcoming sobs. As though I am not destroying him, as we speak. As though I am Okay, as though I am still winning. “Can-” Another shaken, stuttered, inhale, “Can you move?” He asks, and I gulp back the remainder of the bile concoction that has yet to bid me farewell. Can you move? No. No. I cannot. I can hardly breathe, and I-

I shake my head, gently, and I attempt to ignore the corrupting fire that, still, nibbles away at the aching flesh of my body, and I- “It hurts.” I repeat, no less than a whimper upon the business of the night. Blue light carousels around the darkness, illuminating the scene in an azure of flashing cerulean, but I see nothing other than the glassy brown of his wide, fearful, eyes. “It hurts, Spencer.” I say, and I am not quite sure just what it is that hurts, anymore, as my vision blurs, and the warmth of something hot, something wet, trails upon my broken cheeks. 

“Shh,” He whispers, tone thickened by the tally of his own violent tear-shed, as he strokes the pad of his calloused thumb aloft my moistened complexion. “Shh,” He says, “I know.” But it aches, and it burns, and I can hardly breathe, once again. “I know, baby, it’s alright.” He says. “I’m here. I’m right here, Okay? Ri- right here.”

 But that- it doesn’t- it doesn’t seem to matter, as he trails the dampness of my sopping cheeks, and his salty tears trickle down his throat. It doesn’t matter. Doesn’t matter. Doesn’t matter. It doesn’t matter, because this is it. And, as a certain warmth begins to sprinkle upon the curve of my toes, and the quiet patter of uniformed feet scurry upon the pathway, and the roll of a- of the- stretcher? Of the stretcher. Oh, the stretcher. It aches, and it burns, and Spencer seems awfully beautiful, beneath the gaze of the moon, and my eyes- they ache, and they burn. 

The angel that hangs above me, my very own offering from heaven (an offering, a fraction, like the stars, from the sun) and I think he has never looked more bittersweet in his beauty, than he does tonight, displayed beneath the moonlight. Displayed beneath the moonlight, as though he is carved, sculpted, so effortlessly, by the most callous, talented, hands that the Gods ever did have to offer. I swallow back my prosperity, as the shein upon my eyes begins to dwindle, and I consider whatever religion I have left, inside of me. I consider it, and I come to realise, as my adoration for this angel, for this sweet, sweet, lover of mine, paints itself in poetry upon my tongue, that all of my religion is made up of him. That he tastes like the body of Christ, or whomever my heart has decided is unworthy of worship in the presence of my Spencer, and he has stained my lungs with the scent of his forgiveness.

He is the religion that I have left, and I fall to my knees before him. As he furrows his eyebrows, and everything seems to dim, and the stars lose their spark, and I am wrapped- wrapped up, up, up, in a tingling sensation, that crawls around, and around, my entirety, and dissolves the fire, relishes the flames; that runs its hand through my hair, and threatens to succumb me to exhaustion.

This is it, I think, and I bore my stare into the warmth of Spencer’s darkening expression. His mouth, that hangs open, and shapes the body of words I cannot hear, but look a lot like my name, and the sirens of the world around, they all fall to nothing. 

This is it, and I am consumed entirely in something that feels a lot like him. A lot like my Pretty Boy. A lot like Spencer. For it is warm, and it runs a steady hand through my hair, and it caresses my cheek, and I am- I am Okay. Just for this moment, I decide, I am Okay. The dull shadow of my gaze seems to darken, and the world around collapses, and I hear nothing. But I am Okay. I hear nothing; no buzz, no fuzz of the white noise, but I am Okay, and, in a strangely comforting anonymity, I allow myself to sway along with it’s somber aubade. For what, in life, is more beautiful than the transition? Than the end? 

This is it, and I am Okay, and it does not hurt, as I indulge a final glance upon my lover, before me, and I strain my arm - my somewhat re-located joint, that doesn’t ache, and doesn’t burn, beneath the symphony that is my love - and I raise it up, up, up, and I cup at the curve of his trembled, tear-stricken, cheek. I hear him not, as he whispers to me, softly, and I do not dispel the announcement of my adoration, as I draw him closer to me, and he follows without question. Without question, because my Pretty Boy is not naive. Because my Pretty Boy knows, all to well, the prologue of agony, and, as he leans in to the heart of my hand, and his sopping wet features pinch with the repression of bitten back sobs, and he approaches, and he nears, and his warm, trembled, breath fans my lips, as it all takes place, and the world falls away, my Pretty Boy knows that this is it. That I am not winning, anymore. 

He knows, he knows, he knows. 

He knows, and his mouth is warm, is familiar, as it peppers its soft affection upon the wounded pout of my lips, and he cries his salted tears, that melt upon my damaged complexion with anger, and with poorly consumed rage, and he damns the cruel taste of fate, as it settles within his lungs. He knows, as he withdraws his fragile expression, and a gust of cold, frigid, air, wraps upon the flesh of my parted mouth, and his tongue darts upon his lower lip, and catches a bout full of tears. He knows. He knows. Oh, how he knows. And, as those very same lips bless the blood of my forehead with a ginger, angelic, kiss, and they press upon the skin with shaken certainty, our notion of adoration feels more like a goodbye, than an ‘I Love You’. But there doesn’t seem to be much of a difference, anymore, as I watch, through hooded eyes, and a numb, drifting, body, and I observe the violent tremble of his frame, his hunched shoulders, as he looms above me, and he cradles my face within his large hands. 

There isn’t any difference, because this is it. 

This is it, and I stutter through my final breath, and my half-lidded eyes absorb the dark nothingness before them for one final time. 

This is it.

This is it, and I’m not winning, anymore. 

[halflingkima]

ok i know i haven’t finished black sails yet but eleanor guthrie deserved better writing than to be married off as an ass-backwards ‘redemption arc’ and then fridged for the punishment of her new husband

oh god this got so long

i saw something about how the creators were talking abt how rogers was essentially her redemption arc for how she treated charles and how she betrayed basically everyone but like. Pirates. like. i know we’re positioning them as the “good guys” here but. Pirates.

[i don’t know how to find the source, but it was a quote from an interview where someone asked one of the creators basically ‘what’s the deal’ w the eleanor & rogers relationship (bc lbr it came tf outta Nowhere™) and the dude answered essentially ‘she wants to prove that she can be loyal and that she’s not an Entirely Shit Person and atone for her past betrayals’]

Flint fucking strangles his best friend to death; beats a crew member to death and proceeds to maim his body; lies to everyone because he refuses to trust them; is accused of throwing beloved Billy overboard; etc etc etc – and doesn’t need a redemption arc. A couple crew members try to lead a mutiny against Flint and are simply scared back into line. Billy leads his faction against Flint’s orders – putting huge numbers of black humans at life or death risk – and is just portrayed as a differing point of view in the main conflict with no redemption arc (up to 4.06). Silver’s entire personality is cunning, self-serving manipulation (until it turns into survival) and he needs no redemption arc. Max’s entire arc is revenge-fueled power-grabbing, relying wholly on manipulation and playing both sides and she needs no redemption. I could go off on every character and the endless betrayals bc get this – THEY’RE PIRATES.

Some may make the argument that Eleanor was not a pirate – which is incorrect. She may have maintained that she was not one, but she was the merchant power on the island who was originally in-line with Flint’s vision for the island. Everything she did in the early seasons was a calculated decision to gain her power and attain her vision. At the basest level, she facilitated acts of piracy for the entire island.

The only conclusion I’m able to come to about her arc after her capture at the end of season two is that the creators/writers didn’t know how she would fit into a narrative of the power shift between the free state and the Empire. 

Initially, I expected her to be manipulating Rogers to avoid sentencing/death, as she had shown prowess in manipulating Vane. But the quote from the interview showed that they were writing Eleanor’s alliance with Rogers as genuine and that was essentially baffling to me. How could Eleanor Guthrie – a woman whom Charles Vane saw at the very least as a worthy adversary if not as a genuine equal human, a woman who began a relationship with another woman (albeit monetarily compensated) and clearly demonstrated their certain shared experiences simply as women functioning in this society (though they were most certainly not socially equal in any other way) – be with a military man employed by the legal state of the British empire? No matter how socially conscious he was or how much he respected her, Rogers would never see Eleanor Guthrie as an equal – socially, politically, or any other way. Which is why I would never buy that she actually had feelings for him. (Potentially if there was a little more development in a conscious decision to abandon Nassau and retreat to a Domestic Life, as Flint did in his cottage scene, but that’s another post.)

Where was the creativity and character development (rather than character devolvement) in her narrative? Can there be only one queer woman manipulating both sides of the core conflict? Can there be only one man sexually and romantically manipulated by a woman?

And marrying her off to the enemy of her vision wasn’t enough; killing her off didn’t garner enough sympathy; killing her off while pregnant wasn’t effective enough – she had to be killed at the political orders of her husband, whom she [allegedly] genuinely loved.

First of all – pregnancy? Really? Was that necessary? If anything it’s a giant red flag that she was going to die; who would birth a child in that climate? who genuinely believe that the conflict would be over before the child was born? who truly believed that she would be able to raise her child peacefully in England at her husbands manor? Not Eleanor Guthrie. I don’t have any further thoughts on this bit besides it seemed to me like a p transparent grasp for sympathy that didn’t do its job. ¯\_(ツ)_/¯

There was a point that I would have actually been happy if the end of the trail for just about everyone was death. I’m perfectly fine with the fact that Eleanor died. I am not fine with the reason she died nor with the physicality of her death.

Admittedly, it could have been worse; it’s a low bar but I’m very thankful the writers didn’t resort to r*pe (again; which – again, it’s own post) and at the very least I’m satisfied that she died fighting. However – Flint’s entire ship is stranded in the doldrums and survives. Billy Bones falls overboard in the middle of a storm, is taken/tortured by the navy for an entire season, is beaten within an inch of his life by vengeful, newly freed people, and survives. Vane was declared dead, dumped in a pit, and buried in sand, and survives. Anne Bonny turns herself into a DIY Wolverine cosplay with some random glass lying around in stores of a ship and gets beaten/slashed half to death and survives. (I haven’t seen it yet but) Madi is trapped in a house as it burns down and survives?? Yet Eleanor gets one sword slash to the abdomen, is still conscious by the time Flint returns, and dies?? It’s either ridiculously lazy writing or a direct comment on the physical stamina of men vs women. (and let’s not forget a slash to the abdomen immediately reminds viewers that she’s pregnant).

Full disclosure: I have yet to watch far beyond Eleanor’s death for my own unrelated reasons. Still it is already apparent that Eleanor’s death was at least initially intended as further motivation/development for Rogers, whose own orders and narrowed vision of victory resulted in the death of his wife and unborn child (that he had yet to learn about). As far as I can see, that’s literally all that her death amounts to. Which is the definition of fridging – killing off a woman for the development of a male character. Which is even more tragic considering how strong, developed, humanized, and well-rounded of a character she was at the beginning.

Ultimately: Eleanor Guthrie deserved better. A better character arc. A better death. A better role. A better end.