#also i have so many school assignments to do... | Explore Tumblr posts and blogs

erwinsvow · 2 months ago

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𝐚𝐧𝐝 𝐲𝐨𝐮 𝐬𝐡𝐚𝐥𝐥 𝐧𝐨𝐭 𝐧𝐞𝐞𝐝 𝐭𝐨 𝐟𝐞𝐚𝐫 𝐦𝐞 — 𝐚.𝐜.

summary: you take care of lena, clean up around the house, and always leave dinner for him when he gets home late. and among constant and never-ending change, you are andrew's northern star.

pairing: andrew cody x babysitter!reader

word count: 13.3k

warnings: read carefully! age-gap dynamics, reader is said to have recently graduated college, i basically ignore anything from the show that wouldn't make sense in my perfect little world. smut—arm humping, oral sex, penetration, the tiniest bit of breeding if you squint real hard.

author's note: and here she is. also known as shea wants to write about doing things to pope's arms.

you used to complain if someone called you their nanny. you’re just a babysitter. this would not—could not—be your full time job. it’s just so demanding. you love the kids you take care of but the idea of saying that you’re a nanny makes it a little more real. like you wouldn’t be able to get out of this, despite how hard you’re trying.

you just don’t want to be a babysitter forever.

but the first time mister cody introduces you as lena’s nanny, you don’t think you mind it all that much.

babysitters are temporary—girls in high school looking for money to pay for coffee and nail appointments, covering date-nights and overtime at the office.

nannies are permanent—it’s a career. you’re responsible for the kid pretty much twenty-four hours a day. kids with nannies are rich, mom and dad too busy at work to be at home. from the little you deduced, nannies buy groceries and make three meals. they go to doctor’s appointments and organize play-dates with other nannies.

you do some of those things for lena. her uncle tries to take her and pick her up from school when he can, and when he calls to tell you that he won’t be able to make it every now and then, he sounds so sorry about it, you don’t know what you can do to reassure him that it’s okay. lena’s young, she doesn’t care about stuff like that so deeply. and she likes you, which helps matters a lot.

you had finished the last few classes you needed to graduate a couple months ago. before that, you’d have to tell mister cody no, i’m sorry occasionally, something that you really didn’t like doing. he seemed like he had enough going on without the babysitter cancelling.

and besides, after you had told him that your classes were done, you were supposed to tell him that you would be looking for a real job, something with your degree, that he should start looking for a real nanny for lena. you were supposed to politely, yet firmly allude to how you’d been scrambling with classes, finishing assignments in the car in between picking up his niece and after she’d fallen asleep at night. how you missed an important lecture because the pediatrician’s office was running behind an hour and lena’s grandmother wasn’t available to take her.

instead, the second you had met his eyes (which were terribly green and incredibly sad), you had folded, and told him you’d be available whenever he needed. and you thought maybe that would garner you a smile—and you’d been wrong. he had looked your way for about five seconds, muttered thank you, and walked away.

and maybe if you could resist those terribly green and incredibly sad eyes, you wouldn’t have wound up as a full-time nanny. life could always be worse—that’s the motto you’ve grown up with. there are so many worse things in oceanside than spending every day in a pretty house by the beach and taking care of a quiet little girl.

if not anything else, you could start making payments on your student loans, if you wanted. mister cody paid you in cash, and he paid you way too much, probably his way of apologizing for how much you had stepped up in the last couple months. but again, you didn’t really mind anymore. maybe if it was another family, you would care more about finding a real job.

but you like lena. you like her uncle, too, you think, as much as you can like a man who is virtually silent and stares at you like he’s boring into your soul when you’re making dinner. you like him because he’s good with her, you can always tell he’s trying his absolute best, his hardest with her. (it doesn’t help that he’s cute—cute in the way that strays are, like you wish you could fix everything wrong with him and reassure him that he’s doing enough, and tell him to stop staring and just come tell you what he’s thinking instead.)

the first couple months were the hardest. lena wasn’t eating, wasn’t sleeping. she hated school, hated all the things she had still cared for when her dad was alive. you’d tried bribing her with trips to the beach, the playground, ice cream with extra fudge and sprinkles. all the things that kids liked. but she wasn’t just a normal kid—and it seemed that you and her uncle were the only ones who understood this.

you didn’t realize you had such a maternal instinct inside of you. maybe it’s because the other kids you’d babysat in your life had been brats, sticky handed toddlers going through the terrible twos and making your life hell while you were trying to pass your classes. lena is the opposite.

she’s the saddest child you’ve ever met, and you know nothing that you or her uncle do is going to fix it overnight.

but progress comes in stages. the first step had been getting her to want to eat again. you’d sat on the couch next to her, watching a nature documentary that her uncle had probably left playing on the tv.

(he is a whole other can of worms—he doesn’t sleep or eat that much either, and one time you had come in really early to get some work done before getting her to school. he’d been awake, watching something just like this, at five-thirty in the morning. and when you’d asked him when he’d gotten up, he had shrugged, and murmured something that sounded suspiciously close to i don’t sleep. that’s your next mission, because you can only focus on one at a time.)

“you hungry, sweetie?” you didn’t want to be pushy. she wouldn’t like that, would only retreat further into herself. you wanted her to come to you when she was ready to eat. lena shook her head and focused back on the television. “okay. well, if you get hungry later, i’ll eat with you.”

lena says okay in her quiet voice, holding onto a stuffed animal and staring ahead. you wait a couple of hours—there’s always something to do in the house. you clean up, wiping counters and sweeping while she stays on the couch. you check in every now and then to make sure she didn’t fall asleep.

and then, thirty minutes before her new bedtime, she comes and sits on the chair by the dining table while you’re wiping it down.

“can we get pizza?” she asks, and you nod right away.

“of course we can. what kind do you want?”

another thirty minutes later, the pizza’s there, and you’re both eating slices of pepperoni and spinach. you’ve formulated your plan for the rest of the night—her uncle’s still not home, which means you can crash on the couch or stay awake. you decide to stay awake, since there’s no follow up text from him. if he wasn’t going to come home tonight, you’d expect the standard, concise message; won’t be back tonight. is lena okay?

and you’re stupid, because you think it’s sweet that he always asks if she’s okay. like you wouldn’t call him the second something went wrong, like he doesn’t believe that you’d trust him with that information before anyone else. but there’s no texts tonight from the contact you’d saved as andrew cody (lena’s uncle).

lena’s finishing her last slice and you’re cleaning up when you hear it—the rumble of his truck pulling up to the house. then a minute later, footsteps and the front door opening.

“what’s all this?” he asks, and you have to remember to find the words.

you don’t know why that happens when he comes around—you’re usually great with dads. maybe it’s because he looks tired, more tired than usual, at least. his copper curls are messed up, like he’s been running a hand through his hair all night. lena’s uncle is always stiff, but it seems worse today, somehow.

(another thought seeps in, an uninvited guest in your mind, about how you’d really like to take care of him. he just needs some sleep, a little peace of mind. that’s it. you’re still trying to figure out the best way to give it to him.)

“we got pizza, uncle pope,” lena fills in, setting down the last piece of crust you knew she wouldn’t finish.

“there should be enough for you,” you add, smiling at him. he doesn’t smile back, but you’re used to that at this point. and you can tell what’s about to come. “lena, can you go brush your teeth and get your pajamas on for me?”

she nods and climbs off the chair, running into her room.

“it’s past her bedtime,” he starts, taking a few steps closer to you. “and pizza for dinner-”

you interrupt him, even though you probably shouldn’t. you close up the box, setting it on the island and you go back to wipe the table.

“she’s not eating, mister cody,” you put the paper towel down, getting your bearings in order to face him, make the dreaded, never-ending eye-contact. “when kids don’t eat you have to meet them halfway. i thought this was better than her going to bed without eating at all.”

he keeps looking at you. you think you should be a little nervous, but you don’t get like that anymore. flustered, sure, but not nervous—lena’s uncle is just kind of a starer, and you’ve gotten used to it by now.

“i’m sorry. i’ll run it by you next time, i promise. i just wanted her to eat something.” he’s silent for a while, like he’s processing what you said.

“yeah. okay. thanks.”

you smile again, a small one. the kitchen’s clean now, or at least as clean as you can get it. you’re sure that when you’re back in the morning, it’ll be spotless, which you can only assume is one of mister cody’s nocturnal activities. you have a routine before leaving—you say goodnight to lena, make sure you didn’t leave anything behind, and tell her uncle you’ll see him in the morning.

he doesn’t normally say anything back, maybe a grunt of acknowledgement. so you’re surprised tonight, when you grab your bag and your keys and hear—

“have a good night.”

“you too, mister cody.”

it took time, but you’ve gotten her schedule better. she eats dinner with you now, whatever semi-healthy thing you can think of with the stuff in the pantry and the groceries you picked up while she’s at school. her uncle leaves money for that sort of thing—an envelope filled with hundred dollar bills. it’s labeled lena’s babysitter in stiff, neat handwriting and he told you to use it for copays and ice-cream and anything else that lena needs. but it feels wrong to use his money when he already overpays you, so you just use your own.

you thought he might not have noticed that the envelope isn’t getting any thinner, until one morning when you arrive and see him counting the notes in it with his head down. now you’re the one staring—watching his arm flex and the muscles move as he flips through the bills. he wears the same kind of shirts every day, short sleeve button-ups, and every day, you are subject to watch his forearms while he does whatever he does. it’s a cruel and unusual punishment.

the worst had been when you needed a box down from the cabinet, the one with the muffin tins and cookie cutters. he had appeared behind you and taken it down for you in seconds, carrying it to the kitchen for you. you had been staring then too, uncomfortable and slack-jawed and wondering why his arms had your mouth dry. (you know the answer, it’s just better to live in denial, you think.)

“good morning, mister cody.” you set your bag down on the sofa, heading inside to get started on breakfast. you open the fridge, taking out a carton of eggs and orange juice and avoiding looking right at him. you don’t need to be flustered before seven-thirty am.

“you haven’t been using this money,” he states. you wish you could figure out what his tone means—there’s no inflections, no emotion simmering behind the words. it’s just cut and dry, stating a fact.

“well, i-” you turn back and look up from the stove and your words die on your tongue. he’s standing up, looking right at you, a fist full of cash like he’s going to make you use it one way or another. a single vein running through his arms tenses. your gaze flickers from it to his eyes quickly, looking at you like he wants you to start listening to him.

“i, um, i had enough.”

“you should use it.”

“but you already gave me a lot, so i-”

“i want you to use it.” the way he says it, it’s not a request.

“right. i-i will. is lena awake?”

“she’s getting ready.”

“great. thank you.” you turn back to the eggs with a flushed face. and even though you’re not facing him anymore, you can tell he’s still staring at you.

“i might not be back tonight.” you turn around and meet his eyes again. terribly green, incredibly sad. you’re too far now to see the brown, but you know it’s there. “i…i’ve got some work. it’ll be late, if i do.”

“thank you for the heads up. i, uh, i’ll crash on the couch then.” you think he might say something else, but you’re not sure. it’s silent for a moment, while you get the eggs onto a plate and hurry into the hallway to get lena.

she comes out first, carrying her backpack. you follow with her hairbrush for once she’s done eating, getting her already packed lunch out from the fridge to sort into her bag. there’s a whole routine that you had learned when you first started babysitting her, and now it’s just a way of life. filling up her water bottle, checking the calendar on the fridge to make sure there’s nothing you’re missing, pulling her jacket from the closet if it’s cold outside.

you get the bottle out, glancing back at her uncle. he’s leaning in while lena takes a bite of the eggs, probably telling her that he won’t be home, and to have a good day, and all the other things you’re sure he says to her. then they hug, and you feel like you’re intruding.

he picks up his keys, which rest in the small blue bowl by the door where yours sit too. and without thinking, you call out after him.

“have a good day at work.” he doesn’t say anything back, but he looks at you before he leaves. you don’t even know what he does for work.

“ready for school?” lena shakes her head no like always.

the days are long, but the weeks are short. you bring lena to school, but they have a half-day, so there’s no point in going home for the day if you need to be back in a couple of hours. so you head back to mister cody’s place, focusing your attention on cleaning the remnants from breakfast. you check the fridge, making note of how much fruit and milk you have left, scribbling onto a piece of paper for later. and for once, you listen to him, taking a single bill out of the envelope and putting it into your wallet. there’s other hundred dollar bills in there too, ones you need to deposit.

it hasn’t been making sense lately. a lot of nannies live with their families because it avoids the wastefulness of paying rent for an apartment you hardly ever visit. you pay internet and electric for a one-bedroom that’s empty the entire day. and now that you’re done with classes, you don’t even need to work on anything late at night or even at lena’s house. you carry around a book with you, and you think you’ve even left a couple on the coffee table, just for the future.

you don’t know why you still have your apartment. well, you know why—mister cody has never mentioned you moving in. and he probably never will, because he doesn’t want you to. but it just doesn’t make sense the more you think about it. you show up between six and seven and sometimes you don’t go home until ten. sometimes you don’t go home at all.

after making your list, you rack your head of things you can do to occupy lena’s time today. the library has a weekly reading, and there’ll be other kids there. you like to pick things so she can get some company from kids her age, so she’s not only stuck with you and her uncle all the time.

closer to when school gets out, you get in the car, bringing in your emergency bag with a change of clothes and your toothbrush since you’ll be staying the night. it’s not an entirely uncommon occurrence, which is why the bag, and a couple others like it, is always ready to go. you go to the bank first, depositing everything except the single hundred-dollar bill you took today. then you drive by the park, see if they’re having any of those pet-therapy sessions today. and then finally school to pick up lena.

the rest of the day goes how you planned. you forget how exhausting it is keeping a little kid entertained for hours on end, unsure of exactly what her uncle pope and his brothers do with her sometimes, when you struggle to fill up a couple of extra hours. the grocery store—where you splurge and buy ingredients to make stove-top smores because lena asks and you’ll take your wins where you can get them—then the library, where you take out a couple of books for lena to read at home and smile when she’s talking with some of the other girls there, then the playground for an hour, before home for dinner.

you make spaghetti while she finishes her homework, and review her homework while she changes into pajamas. and then it’s time for the routine she loves so much, just like her uncle, a nature documentary about penguins while you toast the marshmallows on a fork.

an hour later, lena’s asleep in bed, and you’re scrubbing hardened chocolate off the counter next to the stove. you don’t want more work for her uncle when he’s back, and you’ve learned lena’s a heavy sleeper, so you get to cleaning. it’s not like, as pathetic as the thought is, you have anything better to do.

and then about two hours after that, it’s eleven-thirty. it’s right around the latest that mister cody has ever come home, so you’re pretty sure he won’t be back tonight.

the only thing you have to look forward to in your apartment is the shower you take after a long day. you’ll have to make do with the shower inside the room where mister cody sleeps, since lena’s is close to her room and filled with products for an eight year old, and at the very least, you need adult shampoo and soap.

the room is bare—you would have guessed it’s a guest room if you didn’t know better. you’re not nosy, but you look around, trying to see if there’s anything there that makes the room her uncle’s. you know there’s still another bedroom, the one her parents used to share, since lena sometimes goes in there when she can’t sleep. so this was a guest room, and now it’s mister cody’s, and now you’re lurking in it.

besides for a closet full of clean-pressed button up shirts and organized shoes, you can’t discern anything that makes this room his. there’s not a single thing out of place, from the garden-variety decor that someone else had picked to the artwork to the sheets. the bathroom is more of the same, the entire place having that lemon-cleaner smell to it.

you turn the water on and strip, trying to avoid thinking about how you’ll be sleeping on the couch after this. and even inside the shower, you stare at the two-in-one shampoo bottle and the old spice body wash—old spice. who would have thought?—like you can’t believe what you’re looking at. you inhale the scent for longer than you need to. wrap yourself in a clean towel that doesn’t belong to you. brush your teeth with his spearmint toothpaste. and then you open your overnight bag, and find nothing but sundresses and bathing suits.

it’s past midnight, and you’ve grabbed the wrong bag. you need to get up in about six and a half hours to get lena ready for school, and you’re not positive you have the correct bag in the back of your car.

hesitantly, you open one of the dresser drawers. there’s black and white t-shirts folded precisely, tucked in evenly. one drawer up there’s folded socks and boxers.

you chew on your cheek. he did say that he won’t be home tonight. there’s no way he would know you took anything if you ran a load of laundry as soon as you woke up and folded it after morning drop-off. he might not even be home until the afternoon or evening, for all you know.

your tiredness makes the decision for you. the couch isn’t that comfortable, and you refuse to sleep in the shirt and jean skirt you spent all day in. you take a white shirt and black boxers, and then sneak back in for a pair of black socks because the living room is cold at night. and then you set your alarm, turn on another documentary—this one about hummingbirds, wrap yourself in the throw blanket on the couch, and close your eyes.

andrew comes home at quarter to three. it would have been a lot sooner—he doesn’t like leaving you alone here at night with lena if he can avoid it—but he doesn’t always have control over it. a bullet had grazed deran and he’d spent two hours cleaning up that mess, and then they had to organize their splits before leaving. he had to make sure to stay for that—he needs the cash to pay you, rent for baz’s place, money to put into lena’s savings account.

but he hates leaving you alone in the apartment with lena. not because he doesn’t trust you, but because he knows now it’s not safe, not without him there. he likes to get you home early but it’s rarely the case, and then he feels like he should pay you extra since he’s making you drive home alone in the dark.

telling you to stay is a better option. you can sleep in his room—it’s not like he’s going to sleep in there anyways. but he doesn’t say that, doesn’t need the nanny thinking there’s something wrong with him too. so he settles for telling you to stay the night, and letting you decide where you’ll sleep.

you always pick the couch. and sometimes, he’s not back early enough, sometimes you’re already up making breakfast or gone out for the day with lena by the time he’s back.

but tonight, you’re asleep on the couch. he sets down the bag with the cash on the couch, hovering over you. the television is still on, stuck on a are you still watching? screen, covering up a photo of some birds. a breath leaves him when he realizes you’re watching what he always watches. you’re knocked out—he can tell since the front door opening didn’t wake you like it sometimes does. you’ve kicked away the blanket you usually use, and he thinks for a second he should just cover you up and let you sleep.

but he doesn’t. he stands over you, staring at your sleeping form. he doesn’t like it—how pretty you are when you sleep. it’s a distraction that he can’t escape, knows that the next time he closes his eyes, he’ll think of you. that the next time he sits on this couch, he’ll be able to smell your skin. you snore softly, chest rising and falling evenly.

and then he notices it—the plain shirt, black socks with a familiar logo. are those his boxers? and now he definitely can’t look away. he puts the pieces together—your hair is wet, meaning you must have showered and then put on his clothes before coming back out here. if you were going to do all of that, why didn’t you just sleep in his room?

yes, pope decides, he needs you to sleep in his bed. he needs the couch anyways, since he won’t be sleeping, so he might as well bring you inside.

he lifts you carefully, not wanting to stir you accidentally. his shirt is a little big on you, hanging off your shoulder. you stay sound asleep the entire short walk to his bedroom, not stirring even when he sets you down. you must have been really tired, but that makes sense, given the fact that you’ve been out all day with lena.

he thought about sticking a tracker on your car, but the first time he was taking care of lena, after baz, you had shared your phone’s location with him so he could keep track. you had offered it, voluntarily, saying something about how that’s common with babysitters now, and that you never go anywhere without your phone so he won’t have to worry about you leaving it at home.

you thought reassuring him that he would always have lena’s location in his phone would make him feel better. and maybe it had, but he’d never mentioned it again after that day, never brought up if he actually checked it or not.

(it’s not like you would know if he was using it, it doesn’t work like that. deran had explained it to him.) he did check it, pretty frequently, actually. he checked it after you’d leave when he got home, after lena was asleep. he’d watch your little circle drive home and pull into the parking lot of your apartment complex. it wasn’t as bad of an area as it could be, but it wasn’t that safe either. he liked to check it every now and then too, middle of the night, saturday evenings when he was home with lena and you got to leave early or had the day off.

he assumed, somehow, that you’d be in bars or parties at your college, maybe. but when he looks at your location late at night, you’re always at home. he checks other times too—but he’s just trying to keep you safe. (that’s what he tells himself—that finding another babysitter than lena liked and that he trusted would be a hassle. he needs to keep you safe.)

but it doesn’t seem like you like any of that stuff. he’s never seen you drink the beer in the fridge, though you offer one to him every now and then. you’ve met smurf and deran and craig before, like when you’d go to drop off lena before one of your classes, back before you had finished school.

you were smart—he knew that much. that was the kind of good example he needed around lena, someone who had gone through school and finished. he didn’t know what your degree was in, but it must’ve been something smart, something important. you were always typing on your computer and reading books. whatever it is that you studied, he wants someone in lena’s life that can help her with that stuff, stuff he doesn’t know much about, when it’s time.

you were smart enough to turn down every joint or bump that craig offered. you never accepted a drink from smurf that didn’t come from a can that you opened yourself. and baz used to tell him that you were just a local college kid, that you didn’t have any family nearby or anyone to occupy your time, really.

it didn’t make sense—pretty girl like you. he would have thought you had a boyfriend, but if you do, you’ve never brought him around. and if he didn’t live with you or live at that coffee shop you liked that was down the street from your apartment, then he didn’t know if you even had one. maybe he shouldn’t spend any time thinking about your hypothetical boyfriend, but that’s just what comes up sometimes when he thinks about you for too long. like right now.

you look peaceful lying in his bed. your eyes flutter quickly like you’re having a dream, and he sits on the bed next to you, watching you sleep. your hair falls across your face, and his finger twitches. he almost moves his hand to brush the hair away, but he decides not to, settling for just watching you for another minute or two.

the bed creaks slightly when he gets up. no one uses it much, so it’s a little weary. he doesn’t think the noise is anything, but your eyes blink open. the door’s open, light from the living room illuminating a sliver of the space.

he thinks he should get out before you can ask any questions, but he doesn’t, hovering over the bed while you look around.

“andrew?” and god if it doesn’t sound different coming from your lips. you’re too tired to remember that you usually stick with mister cody, which is so formal it hurts. it sounds real, sincere, not filled with fear or anger or anything else. you haven’t even said anything and he thinks he’s losing his mind.

it’s just the way you say it. there’s no question attached, no demand, no sacrifice. just you, making sure it’s him.

“that couch is bad for your back,” he says.

he knows it is, the couple times he tried to lay down and stare at the ceiling. he’s always sore, muscles screaming and joints aching but he knows how to ignore it. he doesn’t think you should start feeling like that. feels angry at the very idea that you would be sore after spending a night on the couch, taking care of his niece, looking after baz’s house. doing all the things that he’s too busy to do.

you take care of things. you do a good job too—figuring out how to get lena to eat and sleep again. making sure her routine doesn’t go awry just because he’s gone on a job all day. you remember things that he doesn’t even know about—activities with kids after school and how the school has soccer practice starting soon. you think a couple steps ahead when it comes to lena, and sometimes, he doesn’t think you see it as a job.

like when you make enough breakfast for the three of you. leave dinner on a plate inside the microwave with a note on the counter. when you clean like it’s your house, make sure things stay in the place they’re supposed to, which is so much harder when there’s a kid around. he’s not stupid—it’s why he gives you so much money each week, shoves an envelope into your hand despite your protests. why the first thing he does after he gets his cut is make sure you get yours.

and as hard as the thought is to swallow, he doesn’t think he could do all of this without you.

“mmh-” you agree, making a soft noise. he wishes he could engrain it into his brain and replay it whenever he wants. “i thought you don’t sleep?” you ask, and he sees your lips turn up into a smile. he wishes the lights were on.

“i try,” he replies, realizing that he’s still hovering over you. he wonders why you weren’t scared the moment you woke up. “sometimes. i try.”

“do you wanna try now?” you ask, whispering. and he goes silent—because what is he supposed to say that?

you reach out in the dark for his hand, and he flinches, taking it back. but you don’t retreat, reaching out again until you’re grasping his fingers.

“try for a couple hours. i set an alarm,” you say, and the way you say it, it doesn’t sound like a bad idea. you have a way of convincing him, or maybe it’s just late and you’re tired, and your sleepy voice isn’t helping matters. nor does the fact that you don’t seem even remotely concerned that you’re inviting him to come sleep on the bed next to you.

you sit up a little, and he regrets even staying as long as he did. you need your sleep, unlike him. you’re still holding onto his hand, and your skin is warm on his. it couldn’t really be, but it feels like it’s burning his, where your palm rests against his, where your fingers twist with his.

“hey,” you start, slow and soft. “don’t think about it. just sleep for a little.”

“yeah,” he says. “okay. a little.”

you move over, and when he lays down—back straight against the mattress, staring up at the ceiling—it’s warm where your body was resting. you’re still holding onto his hand, not letting go. your grip is loose enough that he could free his hand easily, and even if it wasn’t, he could overpower you if he wanted.

but he doesn’t want to. and somewhere between your slow breaths and how you rub his knuckles, running your soft skin against dozens of old scars—because that’s his punching hand—andrew falls asleep.

you can hear it, his breaths getting steady, evening out. your hands stay together in the middle of the bed, between you, and you wonder for a split second how you’re going to deal with this in the morning, how you’ll make sense of this in daylight. the semblance of a professional relationship you had maintained this entire time might turn into dust in a couple hours. and then you breathe in andrew’s comforting scent, clean linen and saltwater, and fall back asleep.

the best thing about this house is the light and the waves. golden rays pour in through the half-way open blinds and you can hear the ocean crashing against the rocks in the distance. it’s the perfect way to wake up, even if it is six-thirty and your alarm is going off in the living room, where your phone must be.

you need to get up. you don’t want lena to wake up from the noise, even though you know she won’t—that girl can sleep through anything. it’s a problem for when she’s older, when she goes to college and there’s no one besides a roommate to make sure she doesn’t miss class. even half-asleep, you smile thinking about it.

and somehow, when you look on the other side of the bed, it hits you that it wasn’t a dream. andrew is asleep next to you, still in whatever clothes he was wearing throughout the day. a short sleeved button up and pants. you’re surprised that he didn’t fall asleep with his shoes on.

he looks very calm when he sleeps. the lines of tension on his forehead and around his eyes are soft when he’s like this, his hair a mess and cheek smushed against the pillow, against your hand.

he’s still holding your hand. it makes a certain kind of warmth rain all over you, flooding you from inside out. he’s on top of the covers and you’re under the throw blanket, and you don’t remember doing that, which means that he did.

an exhausted, half-asleep andrew cody covered you up before he fell asleep on top of the covers. he fell asleep holding your hand and your chest hurts because he won’t wake up holding it still, since you need to go turn that stupid alarm off.

he never sleeps, you know this. he’s never been asleep when you show up early, never heading to bed when you leave for the day. this bed is pretty much always made, sheets never rustled and not a pillow out of place because no one sleeps here. you hope you can start changing that.

you don’t want to pull your hand away from him. it’s so simple, so sweet that you can’t bring yourself to do it. that this whole time, andrew just needed someone to sleep beside him. you rest your head back on the pillow, continue staring, creepy as it is. you’ve never been able to study him like this before, have never been close enough.

the hand holding onto yours is softer than you’d imagined. the veins running through his forearm are thick and tense, even when he’s like this. you think it might be from how tightly he’s holding onto your hand, like even in his sleep he’s worried he might lose you somehow.

andrew cody has freckles—all across his arms and on his hands too. there’s a splatter of them across his nose and cheeks, places where he must have gotten burnt as a kid, maybe when he was lena’s age. the tips of his ears flush pink while he sleeps, and he snores. all things that make you smile, things that are so personal you feel your face getting warm, like you shouldn’t have access to that information.

you need to turn that god-damn alarm off, before it wakes him up. you think you’d rather die than disrupt the few hours of peaceful sleep he’s getting right now. so you wriggle your hand, trying to find the best way to get it out of his grip and make sure you don’t wake him in the process. nothing’s working, even in his sleep he’s thrice as strong as you. the generic alarm tone keeps going in the background.

you lean in, pressing a chaste kiss to andrew’s cheek, whispering that you promise to be right back. and for a split second he moves around, and you regain control of your tingling hand.

the bed creaks a little when you get up, but you do it slowly so it’s not too loud. walk to the couch as fast as your bare feet will take you, looking down and realizing you’re still in andrew’s socks.

(his shirt and boxers too, but you’re choosing to ignore that for now. if someone walked in through the front door in this moment, it would look like you and him were something other than a guardian and babysitter. you think you’d actually enjoy trying to see him explain to his brothers why you’re in his clothes head to toe. you might like this more than you think you did.)

you can hear the ocean again once the alarm is turned off. it’s a beautiful thing to wake up too, you think, pulling open the curtains and looking outside on the street. people are on runs, doing yoga on the beach, watching the sunrise with their dogs.

and inside, andrew cody is sound asleep.

the first part of your day is waking up lena. she grumbles and takes five, sometimes ten, minutes to get up after you go in there. in that time, you set out clothes for her and then head back to the kitchen. you have a habit of making sure her backpack has everything—the colorful pens she’s always telling you about and yesterday’s homework. if she forgot something at home, the school would call andrew, and then andrew would call you, and you hate adding more work to his life. so, you make sure it’s all there before she leaves.

then breakfast—eggs and toast if you’re running late, pancakes if you got there early. it’s seeming like a pancake sort of day.

you make the batter and then pull out the bag of chocolate chips and head back to lena’s room. you use the semi-sweet morsels as an incentive to get her up, which works like a charm. while she’s changing and brushing her teeth, you make three pancakes. two for lena, and the first one you peeled that’s never quite as good is for you.

lena comes to the table to eat her pancakes, and you tell her to stay just a little quieter than usual because her uncle pope is still sleeping.

“really?” she asks, and you feel something inside of you twist in discomfort. as if you had imagined before you met him, maybe he was sleeping, that maybe this was something recent. you smile at lena.

“yeah, sweetie, really.”

you bring lena to school, come back home, and check on andrew—who is still sleeping. you cover him up with the blanket you’d slept under and then make three more pancakes and some scrambled eggs. there’s no bacon in the house or you would have made that too.

you scribble it on the grocery list and then head back inside the bedroom, carefully perching yourself on the edge of the bed and maybe a little too comfortable, too quick, run your fingers through his messy hair. he sighs against the pillow and it makes you smile immediately. you keep going, fingers not stopping until you see his eyes fluttering open. you don’t want to make him uncomfortable, though you don’t want to stop either.

“i made breakfast,” you say quietly. andrew looks up at you, and then to your slept-in side of the bed. he moves, sitting up in the bed and you take back your hand tentatively. his hair is soft like you’d imagined.

he wipes his face with his hands, rubbing at his eyes. and when he looks at you, you feel any prudence that once was inside you melt away. well-rested, sleepy andrew cody, waking up in the bed you shared last night, while you tell him about the pancakes you made for him. you couldn’t have imagined this, for some reason, which makes it feel all the more real.

“what time is it?” he asks, in a gruff, sleepy voice.

“almost nine, i think.” he looks up at you quickly.

“lena?”

“i brought her to school already. you-you were sleeping. i didn’t want to wake you.”

“when did you get up?”

“six-thirty. my alarm. remember?” you do remember telling him about it before you fell asleep, one of the last things you had said in a conversation that feels like it was light-years ago.

“yeah.” you know better than to expect anything right now. he’s always been quiet, sentences curt and expressions relatively blank. you’ve had a few hours to simmer in it—think about what’ll happen tomorrow and next week and what it means to sleep in the bed next to the man whose niece you babysit. he just woke up a few minutes ago.

“well, there’s pancakes. and eggs. there’s no bacon but i’ll go get some later-”

“did you eat?” you catch his eye. perched on the bed next to him, you can see more than just green. brown too, around his pupils. not nearly as sad as they had seemed yesterday.

“yeah. i had one.”

“just one?” you don’t have an answer for that, but unusually confident, you stand up.

“i’ll have a bite of yours if you come eat with me.”

and though you couldn’t have imagined it last night, you end up leaning against the counter with andrew, splitting bites of chocolate-chip pancakes (yours drenched in syrup, his comparably dry as a bone), and luke-warm scrambled eggs.

he washes the dishes, and you put them away. it’s incredibly domestic.

“i’m sorry about your clothes,” you say, sliding a plate back into the cupboard. “um, i’ll wash everything today.” you had to bring it up at some point.

and then andrew turns to look at you. head to toe, he stares, gaze flicking up and down for what seems like eons. you don’t have a guess for why, maybe he’s trying to decide if he’ll accept your apology.

(he’s trying to memorize it, capture it like a picture in his brain, seal it up and hold onto it forever. how you look right now—his white shirt, with nothing underneath, which must be why he can see the outline of your breasts when you turn to put another dish away. his boxers, that you bunched up around your waist, his socks, one rolled up around your ankle and the other halfway up your calf. did you go to the school drop-off in his clothes, too?)

“and i can wash your jacket too, i’m sorry. it was kind of cold and i don’t know where my hoodie is. i-i’m sorry.”

he turns to look at you again. you seem worried, chewing on your cheek, waiting for his answer.

“don’t wash the jacket,” he says, and turns back to the sink. he doesn’t want it to stop smelling like you, but you don’t need to know that.

“yeah. sure. i won’t. sorry again, andrew.”

his heart thuds in this chest at the realization that you might never go back to calling him mister cody.

the two of you finish the dishes. he wipes up the counter while you put away lena’s things, and then he grabs his keys and puts on his shoes. you stand there watching, feeling awfully close to something like a wife watching her husband about to leave her for the day. and when you open your mouth, you can’t stop it from coming out.

“do you know when you’ll be back?”

“i’ll be here for dinner. can you pick up lena?” he doesn’t want to leave you, but there’s about ten texts and three missed calls on his phone that he needs to deal with. when he shrugs his jacket on, it does, in fact, smell like you. it might be enough to keep him calm the rest of the day.

“yeah, of course. well.. i’ll go start the laundry.” a vision of you peeling off your—his—clothes plagues his mind momentarily. “i’ll see you later?” you say, smiling hesitantly.

and without thinking too much about it, andrew comes up close to you, leans in a little awkwardly, and kisses your forehead.

“i’ll see you later.” he leaves you there in his shirt and socks, blinking stupidly at the door.

andrew does come back for dinner. you make an attempt at chicken parm at lena’s request, which really just turns out to be a sort of chicken parm-casserole situation, but lena likes it and the garlic bread tastes good, so you will call it a win for now.

while you’re simmering sauce and frying the cutlets, your mind flicks through everything you know about lena’s uncle. he’d never once been anything but nice to you—nice is one way to put it. polite is another. courteous, appropriate, reserved.

one night you had been waiting for him so you could leave, and he’d come home with lena’s other uncles. you had introduced yourself and smiled nicely, and when you left and gotten into your car, it hadn’t turned on. you remember debating if you should go back inside or just call triple a and wait, but somehow, andrew had known something was wrong. he had come out a few minutes later, told you that he would drive you home while his brother stayed at home and that he’d be back in a minute.

he’d dropped you off at home and told you he’d come get you in the morning. and you had slept anxiously that night, wondering what was wrong with your car and how much of a disturbance it would be to andrew to come get you.

but after the two of you had dropped lena off at school—again, disturbingly domestic—he brought you back to the house. and without any words at all, he worked on your car while you sat and watched. you held a flashlight when he needed it, and he said it shouldn’t happen again when he was done.

and you guess that’s the kind of man andrew cody is.

true to his word, andrew comes home in time to eat dinner with you and lena. after dinner, since it’s friday, you let her have a brownie and a half, the ones you’d made earlier that day. you have one too and you offer one to andrew, but he shakes his head, and you’re only mildly disappointed.

you haven’t been home, so you’re wearing one of the dresses from the wrong overnight bag you’d brought here. (your disappointment goes away when you notice that he hasn’t stopped staring at your exposed thighs since the minute he walked through the door.)

lena watches a cartoon before bed and you try to clean up the rest of the kitchen, but it’s hard, since andrew’s done most of the leg-work already. he tucks lena in and you gather your belongings—and true to your word, you did laundry and put his clothes back in the exact place you found them.

(you did steal another pair of socks, but you hardly think he minds now. he kissed you goodbye this morning like he was actually your husband, or something, and every minute you spend in this house washing dishes and scrubbing counters next to him is not helping. he stares at the straps of your dress like he could slip them off your shoulder with his mind, like it’s the only thing he’s thinking about. you don’t mind.)

“she’s out,” he says, coming back into the living room. you’re sitting on the couch, knees tucked to your chest while you change the channel to one of those documentaries you’ve been so fond of recently. you turn to smile at andrew and he comes and takes a seat next to you.

“that’s good. i can go soon.” but you make no effort to move, staring at the screen in front of you. this one is about sea-life, shades of blue flooding ahead of you both.

“you can stay,” andrew says, quiet like always. “if you want.” his voice is deep and gravelly, and the words he says scratch an itch somewhere deep inside of you, and the relief is visible on your body. you sink a little further into the sofa, knees falling next to andrew’s, thighs touching.

“if that’s okay with you.” you whisper it, as if saying it too loudly might make the entire idea crack open and fall apart.

you two stay like that for a while. you don’t know when, but andrew swings an arm around your shoulder, and you rest your head against his chest, collapsing into his comfortable grip. you can hear his heart beating, can feel every breath he takes. his hand brushes the top of your shoulder every time you breath, and his other hand is clasped with yours. you watch schools of fish and pods of dolphins, and you think that any other night, you could fall asleep like this.

“andrew?” you ask, still staring straight ahead. you brush your fingers over his knuckles like you had done last night, and you can feel his hand tense under your touch, until it finally relaxes. “do you want to go to bed?”

“yeah, kid,” he says. “let’s go to bed.”

and you’ll be damned if the domesticity doesn’t kick you in the stomach, sucker punch you in the chest and knock all the wind out of you. andrew turns the tv off, puts the remote back in the right place. and then he picks you up, and you make a quiet noise of surprise, underestimating him momentarily. you should know better.

one hand wraps around your legs and the other around your back, bridal-style (fitting, you think), and he sets you down on the creaky bed. you worry, how loud it’ll be and how you’ll have to be quiet but then andrew hovers over you, nothing but a tiny lamp brightening up the room, and you lose your train of thought.

“you sure you wanna do this?” he asks, that rough voice again. like you’ve thought about anything else for the last twenty-four hours. you nod quickly, bringing your hands to his chest, and then his arms, fingers tracing the sinewy veins and thrumming muscles up and down on both sides. his eyes shut while you do it, breaths getting heavy and deep. but you keep going—it’s only fair. you’ve only thought about it a million times.

“does that feel good?” you whisper, and he lets out a quiet, almost painful groan.

“y-yes,” and you smile, fingers moving on their own while you lean in for the kiss you’ve been waiting for.

andrew’s mouth is hot, and his kisses are like fire. as soon as your lips touch, he pins you all the way down, his body weight on top of yours. he kisses you the same way he had held your hand last night, the same way he held you on the couch, like you’ll slip away if he stops for even a second. your lips start to ache, but you moan quietly into his mouth, letting him swallow them while you still stroke his arms. one day, you’ll crawl into his lap and play with his hands until he’s sick of you, but today, you need to feel him.

you can’t do much from your position, but you can wrap your legs around his waist, one hand going towards his chest to pull at his shirt. he takes it off in one motion, yanking the fabric at the back until it comes off, messing up his hair while he pulls it. your free hand goes there, running through his hair again. you use it to steady yourself, gaining leverage while he keeps kissing you like there’s nothing else for him to do. like his life depends on it. he thinks it just might.

“an-andrew,” you get out in gasps, moving your mouth away for a second. “i need to breathe,” you pant, but he doesn’t stop, kisses your cheek and your jaw and buries his face in your neck. you feel the skin there between his lips, then his teeth, and you grip hard on his arm while he keeps going. you want him to keep going, you want to see the marks he leaves tomorrow and every other day. you want everyone to look at you and know that he’s the one who left them. and you think your wish is about to come true.

your fingers let go of his arms and he groans against your skin—there’s no words but you know he didn’t want you to stop. instead you guide them to both sides of his face, staring up at him and then bringing him back in for another kiss. you think you’d be perfectly content to do this forever, that you could spend hours, days, weeks in bed kissing andrew cody. that you’d be stupid to ever leave this bed, leave this house, when there’s a man here who kisses you like each touch of your lips is a prayer, like he’s here to worship.

he’s not hesitant anymore, not wondering if you’re going to pull away and walk out and ask to pretend this never happened. you keep your hands on his face, and then work down to his jaw and neck, clasping your arms around to keep him in place.

and his mind is empty. he thinks he should know what to do with you, with your labile body flush against his, all the things he’s been thinking about for the last months, if not at least what he was thinking since this morning. you’re still in your little dress, one of the thin straps fallen over your shoulder and dangling on the skin of your upper arm. he pulls away and you whine, another noise he wishes he could capture somehow. it’s a melody, one he wants to keep hearing.

you wish he hadn’t stopped the kiss, and you expect him to lean right back in after you both catch your breath, but he doesn’t. andrew’s hovering over you, eyes fixated on your shoulder, staring intently at the strap of your dress.

“andrew?” you whisper, the hand on his neck rubbing the tense skin there, wondering if you could get your kiss back. “is something wrong?”

his lovely eyes flicker up to you, staring while you swallow and wait patiently. maybe you’d been too eager, maybe he was having regrets—after all, you’re the nanny and he’s the dad and maybe you’d been too presumptuous in assuming that he wanted you as badly as you wanted him—

“no. nothing’s wrong.” you sigh a tiny breath of relief, it comes out before you even notice. but andrew is nothing if not perceptive, and he wraps his hand around your back and lays you back on his bed.

“why did you stop?” you question, flustered and embarrassed as the words come out, sounding like a spoiled child. but you suppose you had been spoiled these last few hours, getting everything you wanted—his hot touch, breathless kisses, the ability to finally see what the veins on his arms feel like under your palm.

he doesn’t answer your question, just flicks his eyes back to your shoulder. and then he leans in, pressing an open-mouthed kiss to the end of your collarbone, tracing more kisses down through the length of your shoulder, stopping when he reaches the skimpy cotton of your dress. you take deep breaths, watching it happen in front of you. he repeats the same with the other side, pulls the strap down like he’s unfolding a gift, kisses your skin like you’re his present. and you think you are.

there’s nothing between you two except your thin dress, and you pull on it eagerly, trying to get it off, when his hands come and stop on top of yours.

“you’ll rip it,” andrew says, fingers going towards the zipper in the back, undoing it slowly.

“i don’t care,” breathless, eager, unable to wait even another minute to get what you want. he pulls the zipper all the down, your dress falling off as your shrug out of it.

and you want another kiss, you want his touch, you want something, anything—but all you get is andrew staring at your naked body. and you think somehow this is worse than anything else, anticipation burning in your belly painfully. your thighs feel sticky and sore and your underwear is soaked through. and all he’s done is kiss you.

“you’re perfect,” he says quietly, and you feel your entire face burn hot. you don’t think you’ve ever felt like this before—and you know how andrew is. he doesn’t lie, he doesn’t say things he doesn’t mean.

you tilt your head up, pressing your lips to his for a moment, a soft kiss in contrast to the ones from earlier.

“so are you,” and you kiss him again, smiling against his mouth. he feels it, though he doesn’t smile back. and when he pulls away, he looks down at you, naked and willing in his bed, smiling up at him and telling him he’s perfect, when you don’t even know half the monster he is. “you are,” you repeat, watching andrew’s eyes as he thinks a million thoughts in his head, carries a million burdens on his shoulders. “even if you don’t believe me. i think you’re perfect.”

you feel cheesy saying it, though you know there isn’t another man in the world who needs to hear it more. you can hear him make a noise of protest, like he doesn’t think you mean it, and incredibly desperate for him to believe you, you sit up.

your hands go to sturdy shoulders while you try to get him to move, until he’s sitting back against the headboard and you can crawl onto his lap. he’s silent, watching you as you do it, exposed body flush against his skin, and yet, you don’t feel scared. you don’t feel embarrassed, or worried. you just want to make him feel good.

you start with a kiss to his jaw. andrew’s body tenses under yours, the slightest bit of contact making him groan and buck up, his hands tight on the soft skin of your waist to keep you both steady. you work your way down to his neck, pressing kisses everywhere in your path.

“do you want to know what i’ve thought about you?” you ask, though you don’t wait for an answer. you kiss down his chest, stopping at the strong muscles of his chest and the old bruises and scars that cover some of them. “i thought that you’re so good at taking care of your family.” you move down to his abs, more kisses, hearing more noises from andrew that you never would have thought he would make for you. he takes shuddering breaths, not replying to you but grunting from pleasure while you keep going. “i thought that you’re so good to me. that i don’t have to worry since i know i can always come to you.” you think of your car and the money he gives you and how you woke up in bed despite falling asleep on the couch.

finally you make your way to the waistband of his jeans, undoing the belt with surprisingly steady hands. he reaches down, his hands covering yours for a moment, but you stare up at him with your glassy eyes, not even pulling the entire belt off, just enough to get you what you need—what you want. and then you undo his zipper, tug down his boxers, and take his girthy length into your hand, stroking up and down while still staring up at him.

“can i take care of you, andrew?” and you don’t realize how it must sound to him, his head thudding back onto the pillow. you press a gentle kiss to his leaking tip, both hands wrapped around his dick and stroking while you wait for your answer.

“y-yes, yes-” and you don’t wait any longer, taking as much of andrew into your mouth as you can fit. you drive your mouth up and down, your hands twisting around the base, everything wet and warm and sticky from your spit. and you think you would do this forever, that you would do this everyday if you could hear the noises he makes and how his body takes the pleasure you give him. you gag around him, feeling his hand snake into your hair, pulling you off gently. you smile up at him, though you’re sure you look like a mess, hot tears running down your cheeks and lips shiny and wet.

but you don’t stop—licking up and down until you bring him back into your mouth. you can feel how embarrassingly wet you are right now, can feel yourself leaking onto your thighs and the sheets, wanting friction as badly as you wanted to make andrew feel good right now. and then you hear it—andrew’s moan, louder than any of the other noises and full and from the chest. he bucks up into your mouth and you take it, ready to hear what he sounds like when he finishes, when he pulls you off of him.

“andrew—” you whine, as though you were the one about to come. he pulls you up, naked bodies pushed against each other, and kisses you until you feel light-headed.

“not until you do,” he murmurs, and you feel dizzy all over again.

“but i’m not done,” still eager to kiss the rest of his body and tell him how good he is, until he starts to believe you. you wrangle out of his loose grip, knowing full well if he wanted to stop, he could have. he could pin you down and do whatever he wanted to you and you wouldn’t be able to fight him, a thought that makes you feel like you’re going to faint. but you resume quickly, starting at his shoulders—stopping to admire all the sunspots spattered there—and starting your journey again, working down his bicep and to his freckled forearm, the ones you stared at whenever the opportunity presented itself, the one you thought about all the time.

andrew doesn’t know about that, and you’re not sure you can bear to tell him. it feels too revealing, despite how you’re naked on top of him, your breasts pressed against him and wet pussy on top of his hard, leaking dick. but sure—that’s what you get nervous about.

you stop and trace all the veins with your fingers, feeling him pulse underneath you, repeating on both sides. he’s got his head tilted back, soft groans filling the empty space between you as you keep going. if they’re this sensitive for him, you can only imagine what it would feel like for you, especially the one leading down to the middle of his wrist—and then the words slip out before you can realize you had said them out loud.

your face goes hot again. he looks up at you a little confused, and you have to stop yourself from collapsing and burying your face into the pillow next to you.

“andrew?” you ask, shy and embarrassed and yet not stopping yourself at all.

“you… you like my arms?” he says, and you feel your face heat up.

but so many things have happened already that you couldn’t have even dreamt about twenty-four hours ago, so you think it’s worth a shot. (that’s a lie. you have dreamt about this, so many times that you’ve woken up in your bed covered in a cold sweat, that you’ve burned through a vibrator and ruined pillows imagining what it would be like to rub yourself against his veiny arms. you guess you’re about to find out).

your fingers trace the length of them again.

“i like everything about you,” you say quietly, understanding just how silly you sound. “but we don’t have to do anything.” you try to cover your tracts, worried you’ve just messed up the incredible time you’ve been having so far littering his body with kisses and feeling butterflies in your cunt from the fact that andrew will be inside of you soon.

“how would you-” andrew starts, and you watch him carefully as he gets out the next few words. “do it? how?” and it’s just cut and dry way he speaks, though it’s really going to your head (and other places) right now.

“well, i-”

“show me.” oh.

you feel yourself pulse and throb in response to his words. even below you, you can still feel how hard andrew is. you try to start positioning yourself, but you must be moving too slowly for him, and you feel his hand on your ass, grabbing you and pushing you up to his chest, face to face. he lays his arm next to you, watching your naked body as you try to balance yourself between it, his free arm on your hip, keeping you steady.

when you lower yourself, just an inch or two, just until you feel the ridge of his forearm and you can decide what to do after realizing that you are, in fact, doing this, andrew curses under his breath.

“fuck, you’re so wet.” he can feel it. feel you, on his arm, leaking, for him. you take a deep breath, pressing your hands against his chest to keep your balance, moving your hips up and down slowly. and your eyes flutter shut because fuck, if it isn’t better than every fantasy you’ve ever had.

you hadn’t known that your pathetic attempts to recreate this at home would have never lived up to the real thing, and now you realize you’ll never be able to go back to anything else but andrew, that no one else could make you feel this way. months of pent-up desire leave your body as you rock yourself against him, finally getting the stimulation you’ve been craving.

when you open your eyes, just for a second, you see andrew, his eyes glued to where your pussy meets his arm, his breaths heavy and deep, like he wouldn’t look away from the sight before him for anything.

and then you feel the veins rub against your clit, and your eyes roll back into your head. you keep going, trying to muffle your moans and sighs, but you can’t get the image out of your head—andrew staring at you, like he wanted this as much as you’ve wanted it, like he needs to see you cum like this. you start going faster, the friction and the slide from your juices making it easier and the veins rubbing at you just the right way—

he leans in, putting one of your peaked nipples into his mouth, flicking his tongue against it, before letting go and repeating the same with the other one. but it’s really when andrew starts talking that you’re pulled over the edge, his hand hot on your back.

“please,” he says, and you feel yourself falling into it, hanging onto every raspy word, so much better than you could have ever dreamed, “-i-i need you to cum for me. i need to feel you, i need to see it, please-”

and you do. you always listen to andrew, all the white-hot tension wound up in your belly releasing, flooding your entire body with the relief you’ve been wanting all night. your body tightens up, stopping, but he moves you with the huge hand on your hip, makes you rub on him all through it, pulling your body like you’re a toy for him.

your mind is empty while your toes curl and uncurl, thighs aching and sore in this position. andrew ushers you towards him, and you collapse on his chest, heaving and sweaty and tired—and the realization hits you that he hasn’t even been inside of you yet.

he kisses you while he has you trapped in his arms, your eyes shut as you breathe him in, moan into his mouth and let him swallow it.

“y-your arm,” you get out, realizing you’re not speaking in coherent sentences. “i’m sorry-”

“why?” he asks, and you shut up instantly. “didn’t know you liked them that much.”

he laughs quietly, a sound you have only heard a few times. you laugh against his chest for a moment, before pulling him in for another kiss. this time, it deepens, and he gets you on your back in front of him before he pulls away. you stare up at him, mind empty and chest heaving, seeing how his eyes stay on your tits, and you reach up, putting your hands on his chest while he hovers over you.

“it might hurt,” he says, and you feel your entire body tighten, your walls clench at his words. there’s nothing but truth behind his statement—it’s not meant to be arrogant or boastful, he’s warning you. it’s going to hurt, you know it is—you could barely fit half of him in your mouth and it took you both hands to be able to comfortably stroke him.

but the way he says it elicits a fire in you, and suddenly you need him now, no matter how much it hurts.

“i don’t care, andrew, please,” you beg, staring up at him. he still hovers, licking his lips and staring at your how tits bounce while you beg him to fuck you—a thought that he cannot process, even with you splayed out in front of him. he brings his arms out, fingers teasing your sensitive nipples until you’re covering your own mouth to avoid being too loud and you think you’re going to black out. (even in the dim light you can see the shine on his forearm from you, and the memory of it takes over your mind like a twister.)

“i have to stretch you out first.” the words possess your body like a demon. andrew takes your knees and spreads them apart, and no matter how hard you try to close them, you can’t compete against him. when he slides in one huge finger, your eyes roll back. he slips in so easily, the noise is obscene. the second finger goes in just as quickly, but there’s more resistance. two of his fingers are at least three of yours (if not more, you think, and then you want to faint again). the stretch is delicious, your pulsing walls realizing that this has been what you’ve been craving all along. that no toys or pillows or fingers of your own could ever compare.

when he slips a third finger in, he doesn’t change the pace. just keeps pushing them in and out of you like you’re a toy he’s testing the limits with, seeing how much you can take before you break. there’s no instructions for you besides to sit back and take it—and your toes curl and your head spins at how good he feels. the stretch hurts, but you want it so badly, you hear yourself crying out and saying incoherent things. you think you see andrew smile from where he is, watching your cunt suck his fingers in, his entire hand coated in your juices.

and when he hovers over you, bringing his tip to your entrance and prodding against you for a moment, you think you’re in heaven. he’s so flushed, tips of ears and his cheeks pink, sweat coating his body, just like yours. you can only imagine how hard he is, how you’ll get to feel how hard he is soon enough. his eyes stay at your pussy, pushing in, just barely, but you need more. you bring your hands to his arms, holding onto him while he slides in, and when you feel him push all the way in—so much bigger than you could have imagined, three of his fingers is nothing compared to this, nothing, nothing, nothing—he’s on top of you and kissing you.

whatever noises you make are tuned out—your ears are ringing and you can’t hear anything besides andrew’s grunts and moans as they come into your mouth. you keep kissing him, pulling on his lower lip and feeling his tongue on yours, but your entire body goes slack when he starts on a brutal pace, pulling all the way out and slamming into you. the bed is creaky, and the only noise besides it is the obscene one—the squelch of your soaking wet cunt taking andrew all the way, the repetitive slap of his skin meeting yours. you feel everything—the pressure of his hands while he holds you incredibly tightly, the fullness in your cunt that makes it feel like you can’t breathe.

and then andrew kisses your lips and makes a noise that makes you leak even more, and you know you’ll be just fine.

“i-i want-” he starts, and you feel him slow down the pace slightly.

“please, andrew,” you beg, and he resumes, fucking into you with an intensity that reminds you how badly he wants you, how long he’s wanted this. it reminds you of every time you caught him staring, every time you smiled at him wondering what he was thinking. and now you think you know—maybe he was thinking about something like this.

“i want another one,” he says into the skin of your neck, feeling him lick the sweat there and kiss the skin. “i want to feel it while i’m inside-” and god if you can’t comply. you want to do every single thing he tells you for the rest of your life, you don’t want to make another decision without andrew cody.

he changes the position, pulling out of you for a second and making you whine again. (spoiled, you think, he’s spoiled me for anyone else forever.) he holds both of your knees up and spreads them wide and wraps your arms around them, keeping them in place. and then he slides back inside of you in one swift movement, making your eyelids flutter shut. he doesn’t get right on top of you, leaving space between you that makes it impossible to lean in for a kiss, and you keep whining, impossibly and irrationally angry that you can’t kiss him, wondering why he wants you like this, when you feel his fingers circle your clit slowly—then quickly.

your head falls back onto the pillow. andrew can feel you pulsing around him, walls clenching every time he rubs your sensitive clit, and that’s what he wants, that’s what he needs, wants to feel you cum around his dick and squeeze him even tighter than you are right now. wants to see how you look completely fucked out, wants to see if you can give him a third. (he’ll get it, he decides, later. he’ll give you a chance to breathe, get you water after this. all the things he would do to take care of you, just like how you deserve, how a husband would take care of his wife.)

because at the end of the day, isn’t that what you two basically already are? you couldn’t be a girlfriend, because you have to get comfortable around a girlfriend.

no, he thinks, watching your fucked-out, flushed body take him like you were made for it. you already know him, know what he likes and doesn’t like, know how to make him feel good like you had been inside of his head already. you have been inside. you’re all he thinks about. that’s a wife, that is something that is forever, what the two of you have.

he doesn’t realize how hard he’s going, how fast, or how you’ve been squealing with your entire body tensing while he was stuck in his thoughts about you. this time when you finish, it explodes through you, the electric current staring from your core and spreading to every finger and toe. you jolt, legs shaking and head heavy, the after effect rolling through you while andrew keeps fucking you, keeps going even though he should probably stop. you’re incoherent, writhing and crying and feeling completely numb and like your entire body is burning all at once.

and when you blink open your watery eyes at andrew, smile sweetly and reach out for a kiss, one that he happily gives you, you say it quietly.

“i love you, andrew.” and you feel his thrusts stutter, his body weight almost collapsing on you. you feel andrew cum, feel it filling you up while you listen to his quiet moans and run your hands over his tense muscles, saying sweet things that he can barely understand in this state.

he rolls over minutes later, not pulling out until you were done kissing him. the room is filled with nothing but your heavy breaths. you need a shower, and you need to sleep.

you curl up on andrew’s chest like you had been on the couch what felt like a lifetime ago. you play with his fingers and he runs his other hand up and down the expanse of your arm. you can hear birds outside—and you know you need to get up soon, but you can’t find any words.

“you think that was enough?” andrew asks, and you look up at him with a confused expression. he looks at you with so much sincerity you feel like crying. your andrew.

“what do you mean?” you ask quietly, still not sure what he’s even talking about. your head is spinning and your eyes are tired—every part of you is tired.

“we can go again after you get some sleep. it might take more than once.”

“andrew?”

“you don’t have to worry about it. i’ll figure it out. i won’t stop until i put a baby in you.”

♡ thank you for reading

#why am i so nervous about this #pope cody #pope cody x reader #andrew cody #andrew cody x reader #andrew pope cody x reader #babysitter reader

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mygnolia · 10 months ago

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to weave my love ⭒ n. riki

⭒ SYNOPSIS -› Riki is good at many things- dancing, making fun of his friends, playing it cool (debatable.), Hell- he’s even good at saving people from falling buildings without getting whiplash. But the things he’s bad at? Well, it’s asking you out to prom, and trying to balance the shared assignment he has with you…while being Spider-man.

⭒ PAIR -› spiderman!nishimura riki x fem-pres!reader

⭒ GENRE -› fluff, banter, action ⭒ TROPES -› classmates to lovers, idiots to lovers ⭒ WC -› 17k (i’m sorry idk why either.)

⭒ INCLUDES -› SPOILERS FOR GREAT GATSBY, cursing, non-graphic injuries (reader discretion advised), yes i made the patching up with first aid kit trope SUE ME!! takes place in a busy city similar to new york never specified, reader is rich, jake and heeseung are seniors and riki’s a junior, is riki stupid? yes… jake reveals stuff because he is also a little silly, reader wears a red dress!

⭒ GREAT GATSBY -› basically jay gatsby has this weird amt of money but no one rlly knows how he got it (nefarious reasons) and hes been in love with this girl daisy for five years but then she got married to tom buchanan but he gets rich so he can get the house across from her and wistfully watch her and he pines after her like CRAZY but he dies at the end

⭒ REN SAYS...special huge fat kiss to thena @sensitively-taken you will be in the will when im a millionaire THANK YOU for helping me with so much of this I WUV U AND I WLL BE WAITING FOR UR HUENING FIC!!! | LIBRARY

NISHIMURA RIKI MIGHT DIE FROM PRE-ADULTHOOD STRESS, IF THAT’S EVEN A THING.

What exactly does Riki have to worry about as a seventeen-year-old junior in high school? Right now, his most daunting responsibility is catching up on the chapters of The Great Gatsby because the only thing Riki’s actually read from the novel is that the main character shares a name with his best friend and senior, Park Jay. His second most daunting responsibility is handling the fact that with the new seating chart in his Literature class, it means he’s sitting next to the object of his very subtle affections, you.

See, the problem with having a crush on you is that Nishimura Riki’s committed to thinking that you’re way out of his league, and unfortunately, the boy believes that almost too well. Not only are you minted beyond his wildest dreams (having seen your posts on social media), but you’re hardworking, helpful, and dedicated to your role as student body treasurer. He’s already understood that you’d never go for a guy like him. Maybe someone more like Park Sunghoon, whose parents’ salary matches yours. If Riki lived in a rural estate with generational wealth, handling the whole ‘Spider-Man’ thing might be a bit easier for him, considering he wouldn’t have to try so hard in school. It might even change the fact that Riki dealt with some alleyway criminals last night and is currently catching up on lost sleep, as your English Literature teacher goes on and on about a project on the book you’re reading.

In class, and even sometimes outside of the classroom, your small tendency to not pay attention to your surroundings has landed you in some awkward situations—like now.

“I don’t really tell anyone this, but I hate Daisy.” And instead of getting a response, you glance over to see Nishimura Riki slumped on the desk. Without trying to make preconceptions about what could land him in a situation like this, you poke his arm, stifling a smile at how his eyes widen when you’ve caught him rubbing the very obvious sleep from his eye.

“Sorry,” he whispers, still fighting the post-nap grogginess, “Did I miss anything?”

(Nope.)

Shaking your head, you return your attention to your teacher as he continues to answer questions. The second Mr. Yoo assigned a report, you wanted to die even more considering the work you had to do on top of the impending due dates. But for it to be partnered? And for you to get seated and paired with the one boy who's known for not caring about school? Maybe things are a little stacked against you, but there has to be a reason why Riki’s somehow still passing all his classes…right?

Considering it’s the last assignment about the book, you’re glad that you already read it so many times to know what you want to put into words. And in retrospect, answering a few open-ended questions about it can’t be that hard—the hardest part would be getting your partner to stay awake in class.

A small tap at your side makes you turn to face Riki, who you see has frantically written a page full of notes about the project in the past three minutes and how he can succeed. “Can you go over the first part? Sorry…I was…y’know.”

“It’s a partner project. And we’re partners.” You wince at the awkward wording.

Great! Riki was caught sleeping and that was your first impression of him for your paired assignment? Riki feels so stupid in front of you right now—in front of your meticulous notes with annotations and proper highlighting. He wants to curl up into a ball when he sees you glance over at his haphazard attempt to look like he was paying attention when, in truth, he was trying to remember the dream he had just ten minutes prior. When you offer him a small smile and nod, leaning over with your notebook in hand, he sighs in relief, thanking whoever it was that let him get away with his naps without the consequence of irritating you afterwards.

The bell rings when Mr. Yoo stops talking, and you pause, startled by the sound. Instead of leaving, however, you pack your bag and shuffle to his side of his desk, continuing to parrot details about your report in hopes that it all makes sense. You need to make sure he knows what he’s doing.

“I think one of the questions he mentioned was like ‘Is Gatsby a good person?’ and do you remember how in Chapter Eight…” The rest gets zoned out and forgotten in the boy’s head, because he in fact does not know what happened in Chapter Eight. He doesn’t know what happened…in any part of the book. But he agrees anyway, pretending like he understands what scene you’re trying to explain. What he notices is how thorough and dedicated you are towards ensuring he comprehends what you’re explaining, and although it could be because you don’t want him to fail you both, he chooses to believe you’re doing it because you tolerate him.

You’re so engrossed in covering all the little details and telling him random tidbits regarding the book that you don’t realize your feet have made it all the way to the cafeteria. “But here, let me get your number. I’ll totally explain more over text.”

Riki is definitely not freaking out when he silently grabs his phone and hands it to you with the contact page, staring a little longer than necessary at the cute smiley face you added to your name. “Thanks,” he mumbles, forcibly tearing his eyes away from the ten digits of your number, “For helping me with this, too.”

“Of course! The Great Gatsby is a fun read for me. A little hard to read sometimes because of some of the characters, but still easy to understand.” And Nishimura RIki realizes that he has to do well. He’ll read the book five times over if it means gaining your approval.

Jake notices something a little different about the tuft of black and blonde hair when his friend walks in. The first thing is that he’s actually here, and that you’re next to him, smiling. The boy rubs his eye to make sure he’s not dreaming somehow, but when he looks up again, you’re waving goodbye and joining your friends across the room.

“Did you get hit with something while fighting a villain that makes you more bold? I feel like I just saw you and ____ talking,” Jake starts when Riki finally joins him with his lunch.

Riki laughs, shoving Jake’s head out of embarrassment and opening his chips. “It’s just school. Got some project in English and she says we’re partnered.” He looks over at his friend chuckling, rolling his eyes at how Jake pokes at his side and wiggles his eyebrows.

“I better hear you two are dating by next week.”

“Who’s dating by next week?” Heeseung places his bag of food in front of them and takes a seat, opening the fast food he got last period and stuffing a fry in his mouth.

“Riki and ____. Let me have one,” Jake answers, reaching inside the bag.

Heeseung looks over at his junior curiously. “You asked her out?” And the two older students hear a groan from the boy in question.

“Me and ____ aren’t anything, for your information.” He prods at the vegetables on his tray and takes a bite before a look of displeasure washes over his face. “You’re both way too excited for two guys who do not have girlfriends.”

“Hey! You know the girl I’m always fighting with is the reason why I’m single. I have to focus on studying to do well in school to do better than her.” Heeseung’s whining falls on deaf ears as Riki smiles victoriously, seeing how defensive the former got.

Jake offers him a shrug of defeat. “I got nothing.”

The three of them fall into normal conversation and Riki finally explains everything that happened during English. “So you’re telling me your plan to ask ____ out went down from 18 months to 6?” And with a nod from the younger, they both groan once more. Heeseung exclaims, “We’re both going to graduate, dumbass. Make the plan go down to like…two months? Please?”

Jake cuts in before Riki has a chance to respond. “Make it one and a half, so we can see you with a prom date before leaving forever.”

“You act as if you’re going to die after graduation. It’s like you’re begging to be a super senior.”

And they’re silenced immediately.

“Do you think the guy I was with earlier hates me?” you ask on the other side of the room. Minjeong stares at you blankly, waiting for your explanation. “I don’t know if you saw when I walked in but I was talking to this really tall guy with blonde hair and black tips. He seemed really out of it, like he kept staring at me and nodding. I think I scared him off by talking about the book too much.”

Sunghoon, who is also listening in, opens his neatly packed lunchbox and begins mixing his noodles. “I think you did scare him off, ____.”

“Not helping,” Minjeong interjects, “Just talk to him more and maybe he’ll warm up to you. You two sit together in class anyways, so hopefully he’ll talk more?”

“I know him,” Sunghoon comments, “Well, sort of. I’m friends with Jake who’s friends with Riki, and it seems like all that boy does is sleep.”

“Maybe he’s really good at subconscious in-class comprehension?” you try, taking a bite of your sandwich. “I just hope it doesn’t interfere too much with treasurer stuff.”

NISHIMURA RIKI MIGHT DIE IF HE SWINGS INTO ANOTHER WALL AT 100MPH LIKE HOW HE ALMOST DID TONIGHT.

All he’s had on his mind since school ended till now is how he should probably text you, if he really discarded the slimy acid monster from last week properly, and when the prom theme is going to be released, but there’s something amiss that confuses his spidey-senses and makes Riki much more alert.

He snaps out of whatever train of thought he had before, focusing on the situation at hand and looking around to follow his instinct. Riki cautiously plants himself on the side of a random apartment building to get a sense of what's going on. A tingle of some sort of in the air permeates the material of his suit and leaves him shivering from the cold.

He doesn't like it one bit.

Moving to the side of the building to the top, the boy finally catches a glimpse of something when he gets a decent view of the city and highway systems. Riki knows something’s wrong with the bridge the closer he gets. He zips from one side of the tall, metal tower to the other, crawling down on all fours making sure he isn’t caught. He feels the electric feeling once more, only amplified. It runs up his spine and he wants to slap it, almost like a frantic, summertime bug. The air around him is charged with something he has never recognized before. With a puzzled expression under his mask, Riki continues to investigate the surrounding area.

Riki finds a lone figure with some sort of attachment to his left arm, like a long glove made out of metal. The bulkiness of it seems to have no impact on his body as the man fiddles with the contraption, and the boy watches with bated breath as the machine fizzes and spurts with electricity. It begins to glow as power concentrates on his plated palm and the superhero sees it for the first time. It’s like a fizz, like a match striking at fire only to produce a quick burst of friction, but it almost feels liquid when he watches the person play with the flickering blue ball of electricity. It dances in the dark in a hauntingly beautiful way, with bolts jutting out from the metal as it spurts and buzzes with a life-like manner.

A spark.

“Hey, what the hell do you think you’re doing?” The sound of Riki’s voice from the end of the bridge causes the stranger to look up with wide eyes. Although Riki fully expects it to simply enhance strength or block damage, the immediate strike of blue that flies straight towards him is anything but defensive. With a yelp, he jumps away, this time refusing to show himself.

What the hell was that?

He knows he should go back down there to change things and get the person and the metal pieces away before it escalates, but when he goes back down to watch, it's ten times worse. The bright blue illuminates the scarred face of the villain as he’s picked up the metal arm–but this time, it’s no longer clunky and sparking, but fused into his arm.

Riki’s face pales at the sudden change before his body acts on its own and he shoots out a web to stop the man.

The villain is shocked by the intrusion, but quickly yanks free from the webbing and flicks another bolt of electricity, one that flies much faster now that the metal flows into the arm instead of simply resting on the skin. It’s unlike something Riki has ever seen, something that is so controlled in motion and yet so erratic in nature, and it instills a deathly fear when it grazes his arm he hisses in pain. The sharp feeling springs Riki into action as he jumps away. He’s lucky another bolt isn’t sent his way, seeing how the villain’s too busy marveling at the power of his new gadget.

“You know that fucking hurts, right?” He yells out, cupping his wound. “Maybe leave the gadgets to the kids!”

The man scoffs. “It better have hurt. I sacrificed half my body for this to work.”

“But why?” All Riki wants is answers. Some sort of explanation.

The man charges up yet another bolt, almost like a laser gun is built into the machine. “Less talking, more running, Spiderman.”

That scared the shit out of him.

The boy doesn’t have time to think as he jumps out from the dark tunnel to the bridge and up the metal towers—he hates having to fight with people right below. The villain follows in pursuit, almost crumbling the metal with his engineered arm as he hoists himself quickly. Riki continues to jump between the structure to avoid the flashes, trying to get out and apprehend the man as quickly as possible. When he reaches the top, however, he feels death is near as he glances down at the villain below who’s quickly gaining on him. He shoots out webs to slow him temporarily, letting himself fall and swing from the side of the tower to escape.

What he doesn’t see on the way across the bridge is the flash that misses his cheek and hits his thigh instead. It burns, and mid-air, Riki gives the wound a quick assessment before he lands on the metal, immediately forcing his body to climb. While dealing with his wound, he fails to notice the villain swinging from the bridge support lines to meet him.

He needs to end this fast before he becomes burnt toast.

Riki doesn’t often rely on instinct to carry him, but he can tell that the villain he’s facing isn’t just a criminal.

“Land another hit, would you?” he tries to say, his voice strained from the pain in his arm and leg. It doesn’t do much to deter the man in front of him as the arm continues to destroy and bend the metal on the way up. “What are you going to do now, Sparky?”

The man says nothing, charging energy into his metal glove again before aiming and focusing on the target: him.

Riki jumps off, not able to properly land his web in the right spot as he goes from one section of the bridge to the other. The man behind him looks enraged at the boy’s attempt to escape—so much so that he reaches out with his normal hand to try to grasp the suit when Spider-Man swings past him. Instead of the feeling of fabric, the villain feels sticky spider fluid on his fingers. Riki shoots out a web, one that curls around the villain’s wrist and drags him off the tower. Instead of being able to launch him into the surrounding waters, the man slips from the poorly shot-out webs and falls from mid air into the sea of frantic cars, including one semi truck that collides directly with his arm. In the air, the boy winces when he hears honks and shouts from the impact, hoping it’s the last time he’ll have to witness it.

With his gaze trained on the falling figure, the weakly attached web breaks, and Riki all of a sudden starts falling down as well. He curls up defensively before bracing for impact, curling into himself when he feels the metal dent and the truck driver scream from outside of the parked vehicle, the body of the villain right in front of it.

Riki staggers, holding onto his arm and thigh the best he can before getting up. With wobbly steps and a small jump, he lands near the unconscious man, whose metal arm is cracked and fizzling—something that Riki knows is bound to leave more scars.

“Call the police. I’ll get rid of the pieces.” Although Riki wants to figure out who the criminal is and make sure he’s properly apprehended, the gashes in the boy's limbs leave him winded and exhausted. With hot metal scraps bound together by webbing in his hands, Riki swings out and dumps it somewhere rural, trying his best to cover the pieces with the pounding headache that

Riki revisits the secluded spot under the bridge, looking for clues to the man’s identity, and his expression falls when he notices a lanyard dangling near a trash can.

His name, his position, and the company. FLiGHT Corp. The company name caught the boy’s eye, and he pockets the item before leaving.

It seemed like he was a normal research scientist, but Riki’s recollection of the scars and tattered skin leaves him retracting his last thought. He heard something about the failure of a time travel machine at FLiGHT, and if the mass of the incident was anything to go by, he was in the center of it.

No matter how many times Riki tries to get it out of his head, on the way home, all he can think about is the inexperience he displayed and the lack of response he gave Riki during the whole time. But Riki can’t bring himself to really take away someone’s life—and maybe for that, he’s a horrible superhero.

He knows he should stop the man before it's too late, and especially with how many self-proclaimed villains there have been, it's not easy to see so many innocent people ruin their lives chasing a power that inevitably consumes them. He knows it’ll only get worse if he lets them run free.

And while the superhero has never been fully honest with himself, there are many times where Riki hates his role as Spider-Man, and wishes that he was just some teenage boy who didn't have the lives of others in his palm. He wishes he didn't have to sacrifice so much to stay behind a mask—and he wonders deep down if there’s anyone else who felt the same.

His swings lead him across the city above hundreds of lives he has to protect, and he tries to find some semblance of peace. He thinks about how he has his homework due despite having just risked his life, he thinks about how your project is going—and about you.

In the night under the stars, Nishimura Riki wishes for something just a bit normal. He wishes a good night for himself, but also for you, wherever you could be.

NISHIMURA RIKI MIGHT DIE FROM TRYING TO READ THIS BOOK IN ONE NIGHT.

The Great Gatsby is exactly like how you described it; a little hard to get through but fun with the plot’s eccentric characters. He’s pretty sure he could’ve just used a detailed SparkNotes explanation for the book, but having a crush can make someone do weird things. And in Nishimura Riki’s case, his infatuation has got him reading a novel about morally-skewed characters and rich society to impress you.

When you come into class barely on time, Riki gives you a confused look when you sit down, but doesn’t comment on it any further. Instead, he takes out his book and tries to act like his eyes weren’t closing shut from exhaustion by the time Daisy was finally confessing how she loved Gatsby.

The moment Mr. Yoo stops talking, however, Riki isn’t asleep—much to your surprise. He has his book out, pages filled with sticky notes and a whole section of his notebook dedicated to characters (written in bright red to keep him awake) and their traits.

“I got it.” It’s the first thing he says when you two are left to do in-class work. It’s ominous, and maybe a little too enthusiastic in a high school literature class for a boy who doesn’t even care that much for school, but you’ll accept it with open arms if it means you get a helping hand on your project.

“Continue,” you tell him slowly, leaning back in your chair to listen to him. And you don’t know why, but a small part of you thinks that the boy who sleeps every period the book was discussed wouldn’t have much to say or contribute to such an open-ended prompt, but life is full of surprises.

What you fail to notice is how Riki is nervous and his stomach does at least twenty flips before he swallows dryly and starts rambling in hopes to impress you and redeem himself from his embarrassing slumber a few days ago.

“So you know how our prompt is based on one character and basically all their actions?” he asks, and you nod, absentmindedly thumbing a sheet in your journal. “I’m thinking we should talk about Jay Gatsby because so much is revealed to us about him that we might as well use it to our advantage. Y’know, talking about how the theme of exploitation and secrets is veiled under Gatsby’s desire for Daisy.”

“You don’t think Gatsby’s a good character?” Riki wants to tell you that Gatsby is more relatable than good or bad, but he shakes his head.

“I mean, not really.” He feels like with those four words, he’s completely changed the trajectory of his relationship with you from a positive slope to completely downhill—and a wave of panic washes over him. “Should I? I mean, I could see him as more redeemable if you gave me examp-“

You wave your hand to quell his worries. “To be honest, I don’t like him either. But he’s an interesting main character to write about, so I think we should go with your idea.”

To win your approval feels like he’s won at least three fights against a villain in a row without getting any bad injuries—it feels good. And for the rest of the period, you are able to finish a detailed outline of your work for the next few weeks, mapping out sections for each other, and he even gets to see a part of prom planning on a word document you had open. He considers your shared productivity a win when he packs up and bids you goodbye before leaving for lunch.

One wave doesn’t catch Riki’s attention from across the room. Not even two, or three calls of his name could get Nishimura Riki out of his thoughts, and Jake frowns before moving up in the lunch line.

“Something’s caught your eye again.” Jake feigns innocence and sighs dramatically as he places the food down next to Riki’s plate. “Could it possibly be our school treasurer?” Jake laughs, leaning over to catch a glimpse of what’s got his friend so entranced and non-responsive.

Riki scrunches his nose, annoyed, but never breaking his gaze from where you’re sitting. “We talked in class–like, a lot,” is all he says, paying his friend no mind. “She’s genuinely so understanding.”

“God, I don’t think you can be any more down bad for her than you are right now.” Jake picks at his food, and despite his concentration directed towards the olives on his pizza, he’s able to dodge the flying loaded nacho that goes his way, even if he wasn’t the one with superpowers.

“Can you shut up?” Riki grumbles, laying his head on his arms as he notices you smile and point to something. “I just got pummeled into a semi truck last week. Let me have this before I die tomorrow.”

“Very grim,” his friend notes, ruffling the younger’s hair, “I think this is exactly what all of those mental health assemblies that we get are for.” And Riki basically tunes him out, too tired to fight and too used to the teasing remarks to come up with anything useful in response.

Riki sits up a bit, letting his head rest on his propped elbow as he looks at the school food and touches another nacho gingerly. “Y’know, I read the book for English so she wouldn’t think I’m an idiot.”

His friend snickers, successfully pulling out yet another sliced olive from the cheese, much to the disgust of Riki. “She probably already thinks you’re an idiot.”

The superhero debates throwing another cheesy nacho in Jake's face, before deciding to eat it instead. “Don’t say that asshole! You make it seem like I have no chance with her.”

Jake shoots him an exasperated look that makes Riki break eye contact. “That’s because you don’t.”

“I’ll prove to her that I’m worth her time.” Riki says somewhat wistfully, still stealing glances from a few tables away. “Maybe I’ll ask her out to prom, show up in my suit. Do that cheesy upside down kiss shit people say Spiderman does.” When his friend raises an eyebrow at him, Riki shrugs. “I will! Well-maybe not the Spider-Man thing, but prom definitely.”

Jake continues to look at him unconvinced as he takes a bite out of a slice of pizza with mangled cheese. “You barely talk to her in class and you think you can ask her out to prom as Nishimura Riki?” And the younger grins, eyes still stuck on how your eyes crinkle and how your shoulders shake with laughter.

“Yup.” And his fate is sealed, just like that.

“What’s your project about, anyways? Didn’t you tell me last night that she gave you her number? Must be pretty serious if she wants to text you.” Riki furrows his eyebrows and shakes his head.

“It’s just tying the theme of the book to one character and writing about how they show it. So we did the theme of money and Gatsby, because it’s easy and mentioned so many times.”

Jake gawks. “You must really like her,”

“I was planning to read it regardless of who I was partnered with.”

“Okay- that’s debatable.” There goes another one of Riki’s nachos.

“Gross.”

He thinks things are going pretty well for you two. The report is being written and your quotes are basically finding themselves, so Riki should give himself a pat on the back for pitching the initial idea for how to go about your assignment. Maybe reading the whole book offered him a few useful pointers, and he goes to sleep that night satisfied with your progress. Maybe Heeseung and Jake were right—maybe he could finally ask you out by prom.

NISHIMURA RIKI MIGHT DIE TRYING TO SAVE THE CITY FROM YET ANOTHER MONSTER TERRORIZING THE STREETS.

He wakes up the next morning, not expecting his alarm to alert his senses to danger. It rings in his head and makes him feel delirious, trying to shake sleep off as he looks out the window for any visible sign of what's wrong. If he could hear the danger in his head then that meant someone could be hurt, and he could go to school without a few hours of sleep if he worked fast enough, right?

Riki slips into his suit without much thought and goes to crack his window open, only to look back at his clock and read the horrific time of 6:23AM.

Who the hell picks a fight with a teenager at this ungodly time?

Then, he shoots from his wrists, once, twice, and suddenly, he's off, covering more ground through the air in just three seconds than he ever could while walking or running for minutes on end.

The source of his tingling spidey-sense is some large metal centipede creature that was setting off car alarms in a neighborhood near the market. Thankfully, no one was really awake to be caught in the crossfire, but he has to figure out how the hell he's going to catch that thing in...he checks his watch…twenty minutes?

Hopefully, his instinct will help him win this time—again.

The web he shoots out does nothing to stop the monster, and considering how it connected them both, the threads only drag the superhero to the edge of the building he was initially watching from. With some yelling and pulling, he finally detaches, and realizes that the odd sizzling feeling in his bonds must be from the same source as a few days ago; Spark.

He had this gut feeling that a villain as strong as him wouldn’t have been destroyed so easily, but his wounds were so deep and the blood loss so bad from a few nights ago that he couldn’t have truly dumped him in the ocean without fainting or suffering something permanent, and although Riki hoped things in the universe would work itself out, the presence of the giant fifty foot insect alone is proof that things were not in his favor.

He jumps off the building onto another, working quickly as he strings up a few webs between the houses as a wall for the monster, watching it slide and knock over cars in its wild pursuit. The monster spends a few seconds breaking down the wall of webbing and climbing over it, the many legs easily breaking through. As the superhero jumps across buildings and keeps track of the centipede’s movement, he has no idea why it isn’t going for him, and that makes his job much harder without the attention of the monster. One glance at the direction the centipede is headed in sets off another ding in Riki’s head—but this time, it finally clicks why the centipede is headed away from the boy.

It’s attracted to the power plant.

Riki immediately jumps and swings off of a lamp post, using the momentum of gravity and the force of his swing to propel him faster than the slithering creature. Squinting, he holds out his fist and points his pointer and pinky out, following the movement of the centipede as he aims.

Bam.

He sends clusters of silky white threads down precisely at the first pair of legs to pin it down. The webs stop the creature momentarily, and Riki doesn’t have time to watch how the body shrinks up and fizzes out with blue shocks as it tries to wiggle loose and malfunctions. This fight would be over soon, and the boy smiles when he jumps down to shoot more webs to apprehend the centipede. It wiggles and sends electricity out through parts of its body, trying to pry itself out. He expects it to simply be a robot of sorts following a mission considering its avoidant behavior, but as he approaches the tail, the monster suddenly swings at Riki, and its mass and speed is incomparable to the boy’s reaction speed.

Riki lands into a tree and someone’s garage, feeling the crumbling wall falling all over him and the sudden pain blooming in his lower back.

This fight will, in fact, not be over soon.

With his superhuman abilities, Riki grabs onto the metal of the car beside him to hoist himself up, coughing from the dust, and jumping over the rubble to see how quickly the centipede creature can get out, without regard for his current state. The sound and rumble of the giant monster is all he needs to know that the traps are effective, but not at the previous capacity.

The plan is simple: apprehend the legs and crush the head, where Riki assumes the decision-making and programming is taking place. But the monster’s angry and erratic actions throw a wrench in his plan. Its legs move faster, digging into the cement and leaving ruin in its wake as it continues down the road. While both the villain and superhero are fast, the distance between the power plant is finite—and only grows smaller and smaller.

Although Riki can feel the bruises coming, he runs and swings, hearing the wind in his ears as he catches up to the centipede in no time. He tries the same tactics again–aim, shoot, stick, all the while keeping his distance. Although the monster’s body spans incredibly long, and should carry an immense amount of weight, the way it snaps at Riki’s flying body and sends shockwaves through his core leaves him shivering as his body slams into the ground, coughing. It hurts all over, and it feels like there’s weight on his eyes when he tries to open them and get up. His head is spinning as he staggers onto his knees, clutching his chest as he watches the centipede shrivel and crackle.

It seems like the voltage produced is a double-ended sword, one that burns up the centipede body as much as it deals damage, and with the way the mutant creeps towards the electricity of the plant, Riki gets the feeling there’s a magnetic pull that forces the mutant to continue to crawl even against its instinct to stop.

Despite his waning strength, however, Riki knows better than to half finish the job like last time. He creates a net from experience, weaving together the thickest and most durable threads to trap the entirety of the slowly approaching creature. It seems to crawl slowly up the makeshift barrier, knocking its head against the white and spreading the bright blue waves of its energy throughout. The boy watches as the thin white mass absorbs all of it and clings to the creature. It works, finally, after his attempts to nullify its movements, and he knows that despite the ache in his every step, the almost mummified centipede that hangs between several roofs for all the neighbors to gawk at is his sure sign of victory.

All he remembers is hearing a familiar call of his hero name before his legs give out and his head hits Jake’s chest.

Holy fucking shit is the first thing Riki thinks when he wakes up.

He’s not out of his tattered suit and he feels grimy all over, but his body has done wonders in reducing the otherwise fatal injuries he got. No human body should be able to withstand two energy-filled blasts, but his suit and superhuman healing are of greater help than ever in alleviating the damage from his wounds.

He knows why he’s in his bed with bandages thrown over his open wounds. He knows that every time something like this happens, it’s Jake who shoos away the concerned civilians, telling them he’s a medic. Jake is not a medic—rather, he’s a seventeen year-old boy who knows about his friend’s double life and with all the times he’s saved Riki, someone might as well dub him the greatest medic of all time.

The clock on his bedside table has only served as a bearer of bad news. He looks over to see how it’s practically midday, and he’s missed yet another day of school from fighting crime. He’s in no condition to get up or get his bag, seeing how his hair is frizzy and his cheek has a cut that would warrant questioning. It seems only fair that he stays absent, and before he falls back asleep, he only prays you aren’t too mad at him for leaving the seat next to you empty.

But you aren’t mad, just worried. The soreness in his muscles doesn’t go away though, and he groans when he sits up in his bed, with bandages around his arms and an ice pack discarded next to him.

He’s most definitely not coming to school like this.

While you bore holes into the clock hanging off the wall, that doesn’t speed up the time. Two minutes pass, then another minute. As your classmates find their partners and begin discussing, you notice how the room gets louder with the due date looming near. It’s the first time you’re alone without the familiar boy beside you, and something hangs low in your chest when you put in a pair of earphones and open your laptop.

Riki’s absence should have no effect on you. After all, you’re both just high school students who’ve talked once or twice, and yet you still look over at the empty chair. Staring doesn’t make Riki appear, though, and you return to your edits. It feels empty without his insight, or without him asking you to help him with a passage. Riki was your solution to all things boring. If he wasn’t doing his work, then you two were laughing at something on his phone. And if you agreed to both do something other than the report, then you could ask for an extra opinion when deciding prom details. There was something freeing about working with him that attracted you. Riki knew how to lighten the mood on days that weren’t so good for you, but he also worked hard and let loose at the same time. There was a perfect balance in Riki’s life that you aspired to have; it was a good mix of playful, dedicated, and fun all in the same vein.

The words blend together on your screen. Jay Gatsby this, Tom Buchanan that, it all looks monotonous the more you keep trying to read and comprehend what exactly you’re talking about.

Before class is dismissed, Mr. Yoo steps to the front of the classroom to gather everyone’s attention. He introduces your new novel for the next month, explaining yet another large assignment associated with the text.

Truth be told, you don’t pay attention to any of it.

The only thing you remember to do is to grab extra copies of the printed graphic organizers, as you get out of your seat and rush out when class ends in pursuit of one specific boy.

“Sim Jaeyun!” The call of his name diverts Jake’s attention from his phone to your waving arm as you weave through the students and finally reach him.

“You can just call me Jake,” he explains, “what’s up?”

You begin to reach into your backpack, trying to feel for your folder, and pull out a few sheets. “These are for Riki.”

Jake cheers internally for his friend who’s busy recovering at home. “What, you got a crush on him or something?”

He tries to play it cool by teasing you, but the smile you bite back leaves the boy questioning if there really is anything going on. Jake knows better than to tell you anything about Riki’s feelings, and opts to instead grab the papers and to thank you for looking out for his friend.

“Is Riki okay?” You have to know, just to make sure he’ll be here tomorrow to cure your boredom.

What Jake says is much different than the nonchalant wave and half grin he gives you. “He’s just bedridden.”

“That’s pretty serious! Did he come down with anything?” He seemed fine yesterday, so what’s the catch?

He blurts, “He just got badly hurt.”

Immediately, Jake knows he’s fucked up.

Your confusion and silence answers him far more than words ever could–he basically hears the gears turning slowly in your head.

Jake weakly defends, “His parents had a fight with him because he hit his head or something. He’ll be fine by tomorrow. Just bedridden from sadness, y’know?”

The look you give him is unconvinced, but when Heeseung pats him on the shoulder and waves to you, the boy realizes that maybe staying quiet would’ve been the better decision.

“I’ll see you later, ____.” And he’s off, waving half-heartedly and dragging a very confused Heeseung out of the cafeteria.

NISHIMURA RIKI MIGHT DIE TRYING TO WAKE YOU UP AS GENTLY AS HE CAN.

Ever since March started and flowers began to bloom, your energy seemed to do the opposite, dwindling until Riki catches you mirroring his frequent in-class action: sleeping. And it worries him beyond belief, because you’re not the type to fall asleep like… ever. However, Riki does not have the heart to wake you up, even if it’s with a little nudge that you probably barely feel with how light he taps. It breaks his heart to have to ask you to review what he has done, because the bell is about to ring and the teacher might just send you to detention if he catches you off-task.

The allergies always make Mr. Yoo irritable, and Riki knows not to get on his nerves.

Your eyes flutter open to the pokes and prodding from none other than Nishimura Riki, who gazes at you softly when you adjust to the bright classroom setting once more.

Panic settles in. “Wait- how long was I sleeping for?”

He shrugs and scrunches his nose, not giving you an answer as he finishes scribbling something in his notebook.

“Oh my god, I’m so sorry.” Your hand squeezes into a fist at the frustration that you’ve let your partner down.

And yet, Riki seems to be unfazed, frowning when he sees you stressing out. “Don’t ever sweat the little things, yeah? If there’s anything you ever need to talk about–trust me, I know what it’s like to have a lot of pressure on your shoulders.”

Smiling at him, you respond with, “Thank you, really.”

Being treasurer is daunting in the spring. It’s full of requests, forms, and small tasks that leave you spent by the end of the day. “But,” you glance at the clock to see just how much time is left, “how’d you know?”

He motions to your open computer with a now dark screen. “I saw your document pulled up. ____’s tasks or else she will be kicked out of student government,” he taunts, snickering when your eyes grow wide with embarrassment and you lightly nudge his shin with your foot in warning.

“It’s not polite to snoop,” and although you say that, you catch something in your peripheral vision. It’s a few drawings of a figure and gadget drawn, shaded from rigid shapes with small descriptions pointing to different places. You weren’t sure what was more surprising; how good the drawings were, or the subject of his imagination.

Weird. Inherently, there was nothing wrong with Riki drawing a villain, and you chalked it up to him being creative. Nothing more, nothing less.

He puts his hands up in surrender at your last comment, his grin showing anything but. Just one look at the boy makes you realize that everything you’ve just thought about is foolish.

There’s no way he’d have time to be a villain and a student. With one final thought, you let your raging thoughts rest and focus on the present; him. You’ve seen his hair messy, especially after his naps, but when Riki tries to style it like how he did today, you pay more attention to the streaks of blonde and how he often hides behind his bangs and scrunches his nose. It’s cute. He’s cute.

The truth is, you enjoy being around him like this, joking around and never worrying too much about your responsibilities and expectations. It’s refreshing. Being around Riki gives you the feeling that things will be okay in the end.

You snap out of your thoughts to see that his desk is empty, while your’s hasn’t changed one bit.

“You’re going to sell prom tickets now, right?” He makes small talk before leaving for lunch, closing the notebook you were suspiciously eying before slipping it into his bag.

“Yup,” you answer, popping the ‘p,’ “I’ll see you later,” and you two part ways.

All the long lines and constant distribution of change doesn’t allow much wiggle room for you to daydream. As time goes on, the ticket-selling line grows smaller and smaller, but the only thing you truly care about is eating the lunch your parents packed you. Your sandwich is probably sad and soggy now that there are only a few minutes of lunch left. When you finally sign off one last time after triple checking the forms are all correct, you let out a sigh, leaning back and finally getting a break.

Then, it hits you that you’re not even sure if the boy you’re fawning over is attending the biggest event of the year, and you feel stupid for forgetting to ask.

Yesterday was a rookie’s mistake–today, you’d make sure you get an answer from him.

“Are you going to prom, Riki?” is the first thing you ask when he sits down, grabbing his book and laptop with a little too much enthusiasm.

“I’m thinking about it.” Yeah, whatever confidence he had when convincing himself he’d ask you out isn’t serving him well at this moment. Quite frankly, Riki feels lame as ever trying to be nonchalant around you. “You?”

“I’d have to set up, so I would be there, yes. But whether or not I have a date is another story.” You smile to lighten the mood, but Riki watches you and nods, focusing back on signing into his laptop and getting his notes for the new book you’re reading.

“Well, you’re not the only single one here.” And he wants to reprimand himself for saying something without thinking. “If someone asked, would you say yes?”

You think about it carefully, really because you don’t have anyone in mind when it comes to prom if Riki’s not planning on going. “It’d have to be someone I know—someone I talk to somewhat regularly. I’d be nice to be with someone who doesn’t make it awkward.”

Nishimura Riki might die from over-thinking if he keeps on wondering whether or not he fits that description to a tee.

RIKI'S TO-DO LIST BEFORE PROM

☐ talk to ____ regularly

☐ don't make it awkward

☐ be..cute?

The boy decides that his superhuman responsibilities might be easier to complete than any of those three things.

He switches the subject to stop his head from hurting too much. “Did you finish the report?”

You still, and Riki’s question reminds you of the report looming over your head. In your defense, you two hadn’t brought it up much in the past week, and he didn’t seem to worry over how much of your time was spent emailing teachers or making spreadsheets. Although caught off guard, you’re quick to respond with, “What did we have to finish? I thought we were done since last week, but if there’s anything else-”

“Sorry,” he rushes out, biting his lip, “I meant, if you finished reading it.” And the answer is no, you haven’t read it since your last edit on it three days ago.

Within a few clicks, you find the document and scroll to the bottom, seeing the small note that Riki left that said ‘let me know how it looks.’ It’s sweet to know he thought about your input as much as you did his.

“While some can agree that Gatsby’s rise into high society was sketchy, Gatsby still retains the same reserved character from years ago, and doesn’t manipulate others into success or use his money for nefarious purposes. It’s not like he changed after his wealth, and it could be argued Gatsby loved Daisy until his last breath and was willing to die as long as she was happy, emphasizing the theme of sacrifice.

So, is Jay Gatsby a good person? The question targets the morality of a character who many can empathize with. Those who are charmed by his overwhelming love for Daisy would say that he’s committed textbook crimes, but focus more on the intent behind it. To pine after someone from a distance isn’t easy, but to pursue her after years of separation is even harder. It’s universally agreed, however, that love as a driving force doesn’t nullify what he’s done to others and the dirty schemes he’s enacted to gain the power he has. Therefore, Gatsby makes for an interesting main character, and highlights just how twisted a system around money can be.”

The last page is–for the most part–his writing, and your admiration for him grows when you finish reading and scroll to hit your Works Cited page.

“It’s good,” you tell him wholeheartedly, “Didn’t think you had it in you.”

Riki cracks a smile at your light teasing, soaking up your praise.

“Now you know.” He shrugs. And he can only hope that you like him as much as you like his literary skills.

NISHIMURA RIKI MIGHT DIE WHEN HE COMES TO THE REALIZATION THAT HE IS EXACTLY LIKE JAY GATSBY,JUST WITHOUT THE MONEY—DESPERATE FOR THE GIRL OF HIS DREAMS, DYING YOUNG, AND A FRAUD HIDING BEHIND SECRETS.

Nevermind the last one, he has to hide when he has an identity to protect as the city’s only superhero, but Riki feels his heart sink to his heels when he read a few weeks ago how much Gatsby simply adores Daisy. When Gatsby died, he scoffed, closing the book with a sudden disinterest. If he were the male lead, he wouldn’t have been laying in a pool for target practice. Maybe being a superhero teaches you how to avoid being easy bait for all your enemies, or maybe Gatsby was too carried away with love to think straight.

Fighting crime gives you insurmountable experience with sneaking around, but it wasn’t something he could just teach to anyone. When he gets this horrible gut feeling that something’s happened to you, he just knew something was wrong. He might not be easy to catch, but for anyone else? Definitely.

For everyone else, prom was a month away, but for you, it was three weeks of talking to your advisor and president, arguing with your other board members, and sitting behind that damn money box for another five days to sell tickets. For you, it was realizing that you were supposed to buy streamers and balloons yesterday on your way home from school. It was the thinly veiled disappointment in your board member’s texts when they told you they were at a loss for words. ‘I’m sorry, and I know you’re busy, but how could you forget? Prom is so important for all of us. What if they don’t have what you need anymore?’ It all repeated in your head as you bit your lip in frustration and slipped on the first pair of shoes you could find. Although it was dark and dangerous, you could care less if it meant avoiding the passive aggressive comments you’d get tomorrow during your meeting.

There it is again: that little tendency to not pay attention to your surroundings.

You yelp when you feel someone grabbing your wrist and pulling you in, muffling your screams as he pulls you along. To see him on the news was worrying, but to see Spark in person with your life on the line is even worse.

Tears spring to your eyes as you struggle against the metal to no avail, and you curse every previous moment you spent worrying about balloons rather than your safety.

Spark suddenly stops, shoving you against the wall before his hand grabs a brick with his metal arm, beginning to climb. “Don’t let go.” And you don’t think twice before holding on.

The city view would be beautiful if you weren’t hearing your heartbeat in your ears or if you weren’t dangling from the railing of some company building, trying to wiggle yourself free of the rope around your wrists.

Spark speaks up, drumming his fingers on the railing next to you. “You wouldn’t happen to know where your friendly neighborhood Spider-Man is, would you?” And you furrow your eyebrows, genuinely questioning for a moment if he really knew how the superhero operated.

A voice from across the street puts a temporary hold on your thoughts, and you glance up to see a flash of blue and red soaring through the air, followed by a groan and a beam of light next to you. Seeing Spark’s powers right in front of you spurs you into action, yanking at the rope and trying to take tiny steps away from where they were fighting.

“From what I’m seeing, you wanted to hold someone hostage because you’re not feeling too good, huh?” Spider-Man shouts as he shoots out webs and blocks hits. You shake your head in partial disbelief of how unserious he is, but also how unbelievable all of this seems. “You tried to take a potion or something? I’m going to tell you this now, but these usually don’t work.”

Riki’s assumption is right, and considering how Spark now has a leg and arm from metal instead of just the arm, the procedure for the additional limb couldn’t have been easy. The superhero still proceeds with caution, making sure to pay attention to anything new as he dodges and fights back.

The villain immediately gets back up, stumbling for a moment before he regains his stance and runs towards the boy. You hear the clanging of fist hitting metal from their fight, and considering the difference in height and build, you’d expect Spider-Man to be easily flung to the side, but he holds his weight in battle.

Riki aims for around the left shoulder, where an abundance of stitches cover the skin and fuse the metal into muscle. He lands a hit, and almost another one, before a punch to the side knocks him from his momentum. The boy wheezes when his back makes instant contact with the ground, rolling and getting up before Spark has time to shoot.

He notices how quickly the gadget generates electricity now. Before, the beams took longer, and were easily predictable, but now, it glows bright for a moment before it fires directly in Riki’s path. The boy dodges the first, but the second one almost hits the top of his head before he ducks and creates distance.

From the roof-top, Riki scans his surroundings before making the split-second decision to jump.

He swings to the other side of the building, keeping you in his peripheral vision as he works on apprehending the villain in front of him. They spring into yet another fist fight, with Riki’s agility easily letting him avoid punches and land precise hits to make the previous injuries even worse.

You think Spider-Man has the upper hand in this, seeing as how none of Spark’s punches seem to slow down the superhero, but you hear something loud before you can register it.

You figure out what happened after Riki stumbles and suffers a blow to the stomach, sending him tumbling to the edge of the building. Spark knew that Spider-Man was avoiding his left arm—he knew that one wrong move paired with the tungsten material would have a lasting effect on the superhero’s fist.

Riki coughs from the impact before his spidey-sense rings, pulling him back into battle as he runs as fast as his body can take him.

You. He still needs to save you.

With renewed vigor, he continues to avoid the flying sparks as he ducks between structures and uses the terrain to his advantage. He can tell, though, that the villain is slowing down. The shots are less accurate–a telltale sign that the enhancer Spark tried is working against him.

Between all of the chaos, Riki finally lands a proper web, yanking as hard as he can to pull Spark to the ground. He stumbles, grasping at thin silk before Riki lets go on his side. The villain’s balance is off, giving the boy an advantage as he closes the distance, hopping over a thrown slab of metal and landing a solid kick into Spark’s ribcage. As he stays down, Riki continues to aim for muscle and flesh, his head spinning as he packs punch after punch to keep the villain apprehended.

Spark’s body–curled into itself to absorb the hits the best that he can– hides the growing blue flash that he’s slowly charging up with his remaining power. The moment it escapes from under his abdomen, Riki directs his efforts towards avoiding the electric glimmer. The villain rolls over, his body tattered from the consistent injuries, and he fires what seems like an intense bullet of energy. It zips by the boy’s cheek, cutting the mask and leaving blood to run down in its wake. Time slows down as the superhero tries to process the unlocked speed of the burst, and Spark loses focus marveling at his new abilities. Never before had either of them seen power so concentrated, and it inflicts both fear and excitement.

He lifts his arm, the other holding it up for support, and Spider-Man notices the fizzle of bright blue. Riki’s about to jump out of the way, preparing for yet another high-speed bullet, but before Spark fires, something clicks. The arm doesn’t directly point to Riki–but it skews off to the right.

Except, he’s no longer aiming for Riki in the split second that the boy blinks. He’s suddenly aiming at you, where your hands are tied to the railing and your feet are dangling from the bent metal that holds you precariously over the edge, leaving a fifty foot drop in its wake. When you see the blue energy in the villain’s palm growing slowly bigger, you pull at the rope desperately with zero regard to the tender rawness of your wrists.

In your attempt to somehow break the rope, your cry of fear snaps Spider-Man into action.

Riki pushes his sore body to jump as quick as he can, leaping across the rooftop to the building over. He easily avoids the metal railing, grabbing onto your arm as he yanks hard on the rope, the force of it separating a piece of metal from the railing. He immediately jumps, sending out a web to swing him back up. It all happens in a flash–first, you were bound to the edge about to fall to your death, and all of a sudden, you’re tightly pressed against Spider-Man’s chest with your bound wrists still attached to the metal. Shutting your eyes, you trust Spider-Man entirely, closing your eyes to avoid seeing just how far up you were. Wind rushes in your ears and leaves your stomach fluttering with butterflies until the superhero sets you down on a secluded rooftop.

“Please,” he begs, “don’t leave. I’ll be right back.”

You’d be a fool to do anything but wait.

Riki checks on you one last time before diving down, springing himself back up with another web. The damage from the blasts is recognizable even from far away, and yet, he notices the reflective shine of a metal arm on the edge of the building before Spark lets go.

To Riki, Spark is dead after dropping from a fall having taken that much damage, but he hears no impact. Making haste, the boy fails to find any figure no matter how hard he looks, but Spark’s laboratory has to be here somewhere. The badge from a week ago was stuck on Riki’s mind, and he could only imagine the reasons why he pursued this life. Was he recreating something? If he needs to power some sort of machine, then the heart of the city is a perfect place to harness the electricity for any large scale project. As much as he wants to dedicate the rest of the night to searching the city for some sort of clue, the fact that you’re still stranded on that rooftop after having just experienced a life-changing event blares like an alarm in his mind.

He quickly leaves, returning to where you’re seated.

Without the fear of falling to your death from earlier, you were able to focus on undoing the knots from the rope. Red scratch marks and irritation bloom on your wrist, and the reality of it all happening still hasn’t settled in. Despite not being harmed once, the fear and incessant pounding of your heart overwhelms your senses, and it leaves you heaving with confusion.

A pair of footsteps only become apparent as Riki walks closer, taking a seat beside you and letting out a large sigh. He stares at the stars silently as if he doesn’t have a cut on his cheek and bruises waiting to paint his skin purple–as if he isn’t hiding his true self under a facade.

“You’re not hurt, are you?” You shake your head, grateful that Spider-Man was the reason you got away without a real injury.

“Thank you, really, for saving me. I don’t know how you manage to do it.”

Riki chuckles under the mask. “Eh, you get used to it,” you hear Spider-Man say. “You fight a couple bad guys, get over a fear of heights and eventually you get the hang of things.”

Scoffing, you gently rub at your wrists to ease the redness. “Easy for you to say. I haven’t been taught a crash course on how to avoid being supervillain bait just yet.”

“Maybe you should learn it sometime,” Riki responds absentmindedly, “someone like you shouldn’t have been out so late doing whatever it could’ve been.”

Sighing, your mind drifts off to think about the balloons and streamers that are not in your hand. “I had stuff for my upcoming events.”

He knew about all of it when you’d explain your cryptic reminders and notes on your computer, but he still feigns curiosity. “What upcoming events?”

“Just prom,” and he hears just how strained it makes you.

Riki tilts his head in faux confusion. “What do you have to do for prom?”

He notices how you immediately slump, as if the mere mention of prom deflates your happiness. “It’s only a few weeks away, and I was supposed to get decorations for our venue yesterday. I just wanted to slip out before my parents noticed.”

Despite the fabric over his eyes, Riki’s expression shifts from surprise to pity when he understands your stakes. “You still need to be careful. Is your student council strict?”

“Not strict necessarily, but judgemental–I ran for the position because I thought I could help my school raise funds and find more opportunities, but it just feels like no one truly wants to try anything new.” You wave it off as if it’s not that important, as if it isn’t the reason why you find yourself stressed so often. “I just don’t want to disappoint or give people something to talk about.”

Despite not being involved with school the same way you are, the boy next to you resonates with the fear you currently face. The fear of letting people down was a large part of why Riki continued to put on that mask and step into the most dangerous situation of his life; he never wanted to sit down to hear the news that Spider-Man quit.

So he keeps doing his job, even if some days are harder and some fights aren’t worth winning–just like what you do.

“Yeah, I get that,” he tries to console, “You must be doing a lot for everyone around you, and I’m sure a lot of people appreciate what you’ve done. Don’t beat yourself up too much, yeah? You’ll always have me.” He smiles, but he knows you don’t see it. You’re looking at the stars, trying to calm your mind and return to your life before everything happened.

You glance over at Spider-Man, wondering if he’ll truly be around for you when you need it. “If I need to talk to you, should I step out of my house past 8PM again?”

Riki chuckles, watching clouds slowly dim the moon’s glow in their path. “If I’m not fighting crime, I’ll show up at a moment’s notice.”

There’s no way he means it, but you grin, feeling a lot of the pressure and stress of earlier slowly wash away. After all, nothing happened to you–Spider-Man made sure of it. Maybe things really were going to be okay.

“Let’s get you home, yeah? Don’t you have stuff to do anyways?”

You shrug, nothing really coming to mind. As you get up, you remember having to run a plagiarism check on your work, and how Riki told you to text him when you got home after your student government meeting.

Riki. Spark. Spider-Man.

“Wait,” you tell Spider-Man, sitting back down on the cement, “I need to talk to you about something else, too.”

“It’s not like my dinner’s getting cold,” the superhero mumbles quiet enough that you can’t hear.

“There’s this guy,” you start, paying no mind to how dirty your clothes are getting when you cross your legs.

Spider-Man scoffs, looking off into the distance, and it makes you believe he has to be your age or older. “You have a crush on him, or something?” And a whole tidal wave of deja vu hits you in the chest.

‘He must be badly hurt’ isn’t just something people say. People don’t just draw insanely detailed drawings of Spark’s arm and machines without notes to follow unless they knew. People wouldn't just randomly miss school without any impending signs. You’re sure of it–the tired naps in class, the random drawings of superheroes and superhumans alike, or how awkward he could act–it all makes sense.

Your classmate, aka Nishimura Riki, aka the guy who you’ve questioned if you had a crush on for the past few days, might be a villain.

The swirling feeling of trepidation in your stomach leaves three words running around your head.

What. The. Fuck.

Although you tried so hard to stop thinking about it, Jake’s comment from before rubbed you the wrong way. It was sometime last week where you couldn't get your mind off of the implications of his words, but that feeling was brushed underneath your responsibilities.

Until now.

“Yeah, there’s this guy,” you breathe, feeling your chest constrict, “Nishimura Riki. I think he’s Spark.”

His blood runs cold.

“You think this…why?”

You take a deep breath, trying to organize all your thoughts. “Well, first, it was his friend, Jake. He said that Riki was badly hurt, and I was really confused at first, but tried to let it go.”

Riki was going to strangle his best friend.

“And then, I was looking at him in class, right? And keep in mind, he’s pretty cute, and we sit next to each other, so I just noticed how good his hair looked that day, but his notebook was out, and I saw all these drawings of Spark. Like, the arms, the metal things, even the projectiles! Who would know the ins and outs of that thing if it wasn’t Spark himself?”

He didn’t know what to think about first; the fact that you gushed about him for the first time, or if he should even tell you that Spider-Man would know those things, too.

“And sometimes, I notice he’s a little awkward around me. I can’t explain it. It’s like he’s paying attention to me. That must’ve been why he captured me.” He wants to laugh at how damn close you are to figuring it out, but in reality, nothing is funny about the situation.

Nishimura Riki is actually listening to this, right now, as Spider-Man–not Spark. The awkwardness, though? It was his crush on you, and was not superhuman related in the slightest.

“I don’t know,” he attempts to divert, pretending to focus, “I saw a badge for FLiGHT. You know the company that’s been making time traveling machines? I saw a glimpse of his name and face. It’s not that guy you mentioned.”

You raise an eyebrow. “And you haven’t gotten him caught?”

“Villains aren’t easy to find, y’know. It’s not like playground hide and seek,” Riki defends, crossing his arms.

You shrink in your spot, feeling sheepish for questioning a superhero so bluntly.

“Plus,” he continues, “Spark has never had a hostage. Wouldn’t it be pretty mean of that friend of yours to kidnap a girl from his class?”

“Yeah—that makes sense. Thank god,” you breathe, closing your eyes momentarily. “Then what do you suspect all that evidence leads to? Maybe he’s a secret agent?”

“I think,” Riki continues to keep up his clueless facade, “Your friend might just be clumsy. Or creative. I mean, maybe he went through a break-up?” Nice one, Riki.

You shake your head. “No, there’s no way he has a girlfriend. You’d think I like guys who are taken?” Scoffing lightly, you then remembered that Spider-Man really would have no idea who any of you are.

He shrugs and stands up stretching before motioning for you to follow him. “I have no idea what you high school kids do. Come on, let’s get you home.”

As you hug him tight, the cold air whips around your body and leaves goosebumps in their wake. You barely open your eyes from the fear of seeing yourself inches from hitting a building or up in the air. Spider-Man only yells his confirmation after asking how to get you home, finally placing you on the ground outside of your large gate.

“Thank you for saving me tonight.”

“Anytime. Figure things out with that friend of yours, and don’t go out late, okay?” You nod and take his words to heart.

“Goodnight, Spiderman.”

—-

Nishimura might die. One, because he has this horrible guilty feeling in his stomach, and two, because of a villain.

Yesterday, he ignored the salmon and rice bowl that waited for him back at home, choosing to follow the coordinates he saved on his phone after he took you home. It led him to a seemingly harmless auto-shop, with an arrow on his GPS pointing to a garage that was shut down completely with nails and blocked with boxes. The exterior pointed to it being abandoned, but Riki suddenly saw some light coming from a makeshift above.

The boy scaled the wall as quietly as possible, glancing into the source of the whirring. He caught small glimpses of something–metal, glowing, blue.

Or at least, for a few seconds it was on until the power went out.

The voice that complained from inside the room sounded identical to the man Riki fought. Spark grumbled, turning on a flashlight and quickly waving it around. Riki ducked from the window and held his breath, waiting for the man to suspect something.

Nothing.

One lightbulb slowly flickered back on, and then the other dingy light followed. The space was cramped with the metal equipment in the middle, resembling what Riki had seen in the news.

He was right–it was the same time travel portal that was ruined from a few months ago.

Spider-Man continued to observe the man as he worked and drilled, plugging certain wires or pausing momentarily to read from a journal. To anyone, it’d seem peaceful, like some sort of renovation project. But in reality, it was so much more than that.

Riki searched for any sort of information about the machine, trying to see what exactly was left to do until his gaze landed on something.

There was some sort of date on a bright pink sticky-note, and Riki’s eyes widened when he finally comprehends it.

The machine was scheduled to be completed tomorrow.

A street lamp next to Riki dies out—which was a clear sign that something was powering up. From the dark, he hears the metal from the same place as last night moving again, and he knows that Spark has left. His presence sends anyone down the street and immediately running, leaving the area for only them two.

Riki finally sees the completed metal build. Half of his body is wrapped in or replaced with metal parts as he sets down the metal portal, beginning to push it in the direction of the power plant.

A truck or car would make things much easier, but whatever.

Riki wants to cry from fear and run away. He wants to leave and pretend he never saw anything from last night.

He’s going to die fighting Spark and he will quite literally a) never finish highschool and get that stupid diploma, b) finish explaining how Gatsby is not a good person and is naturally selfish, and c) he’s never going to tell you how he’s had a small crush on you ever since he saw your cute campaign video as to why you should vote y/n l/n for student body treasurer last spring.

“You sure that thing works?” Riki asks, jumping into action as he sends webs to immobilize the machine.

“You’re annoying, you know that?” Spark sends a projectile in the superhero’s direction, hitting the wall behind him instead as Riki jumps out of the way.

With another duck mid-air and the roof of a flying car dangerously close to his nose, Riki thanks the dance practice he does for his flexibility as he shoots another web and swings away.

Spark is uncontrollable by now, sucking the light from street lamps and fizzing wires in his wake. He has no idea how he’s supposed to get in contact with the villain like before. The body of his suit fizzes with bright electricity that sizzles and pops. It illuminates Spark’s figure, making him easy to spot, but not so easy to defeat. It’s an overload of power, causing the voltage to escape between the joints and gaps of the metal pieces in his suit. And Riki can feel it; the air is heightened and so are the stakes of this fight—and with how the man that stands in front of him looks upgraded and menacing, he knows only one person can make it out of this fight alive.

“You injected the city’s ‘Gas and Electric’ into your system or what?” Riki calls out, making light of the situation. If he’s being honest with himself, he’s scared out of his wits seeing the six foot figure with blue and white shooting from every crack, looking like a nightmare to touch.

Riki avoids a few more angrily thrown objects, using the momentum of his jump from the side of the building to zip from the top of a yellow fire hydrant to go from one side of the street to the other. “You’re slow!” He taunts, tucking in his legs to avoid a shot of electricity directed at him.

The screech of metal from the nearby hydrant can be heard as the top flings off, making Riki lose his anchor/ Before he can process it, instead of smoothly landing on the building, he crashes into it faster than expected, groaning when his back makes contact with the glass and he tumbles into the living room of someone’s apartment.

“Fuck,” he curses, fighting his aching limbs to get up once more.

And the solution hits him. Literally.

When he steps out and quickly attaches a web to the top of the building, he’s met on the way up with a splash of water from the hydrant to his face, and Riki splutters as he wipes his mask, regaining focus as he lands on the concrete and hides behind the ledge.

Water. If he can get it in contact with Spark and pour enough water on the right spot, the excess of electricity blazing from his mechanical body should work against him.

“Too scared? You should know better than to run away.” The superhero rolls his eyes, crawling away silently to avoid being seen by Spark. Riki does his best to look around for something, and finds a black flower pot in the corner, using a web to grab it before he scales the side of the building and runs away while Spark is distracted as the villain also climbs the wall to face him there. But when Spark climbs the ledge and scans the premise, Riki is nowhere to be seen.

Instead, Riki swings across the street and fills the pot with water, heaving the extra weight as he shouts out from the sudden pain in his side. He stumbles on the pavement, crying out from the injury as the pot falls with his whole plan.

Maybe this is where Spider-Man dies.

He sucks in a deep breath before rolling from his back onto his knees, ignoring the wound to pick up the flower pot. The hydrant still shoots out water, and the superhero rushes towards it, causing Spark to follow. He narrowly avoids another shot from behind him, reaching the yellow hydrant before dropping the pot on the ground. Spark is th

While Spark has always been intelligent, Riki could tell that the man didn’t fear the water, believing he’d be invincible to the elements now that his suit was perfected. There was something off, Riki could tell, and he would make sure to use it to his advantage. Spark was uncontrolled, and his powers drastically decreased the more he used them. There’s no way his body isn’t in overdrive with how recklessly he’s been letting himself get hurt.

Riki uses a web to get himself on higher ground instead of fighting, waiting for the supervillain to follow. If he could get Spark off the edge and fall into the growing puddle of water, it should slow him down.

Spark scoffs. “Run away, then. Like you always have.” Riki hears the wall crumbling under the villain as he climbs within seconds, immediately preparing to fight when he makes it onto the rooftop. But Spider-Man was also prepared, jumping from his crouched hiding position and attempting to catch Spark off guard.

All he can focus on now is pushing him off. There’s no way it’d be easy, considering he had to focus on his touching any of the electricity off of his suit. Riki delivers a kick to Spark in the ribcage near his heart, where he’s fused metal into flesh. The villain coughs before taking a step back, his metal arm reaching for Riki’s outstretched leg. He grabs it, twisting with anger before the boy meets the ground in a violent throw. Not only is the slam greater because of the enhanced strength, but the power seeps into Riki’s skin, leaving it hot from the energy radiating off of his palm.

The boy groans, flipping to his side to avoid a fatal hit to the chest. He reaches for Spark’s normal arm, swinging the villain’s body away with as force as he could to create distance between them.

Riki has been in enough fights to simply know when to run, even if he doesn’t know what’s coming. He could feel the tingle of the charge as it powered up, and with its energy so unrestrained and its user so unstable, the large attempt to hit Riki sends the villain stumbling back from the force. The more Spark uses his powers, the more likely he’s going to end up dead.

“Your skin can handle that anymore!” he shouts, getting ready to swing himself closer as a plan manifests itself in his head. “You’ll die like this!”

Spark seems to know that too as he wipes his mouth and recovers from Riki’s attacks.

“You think I care?” He shouts, desperately pressing his wounds to stop the bleeding. “You think I have anything else for myself?” The vulnerability of his character shines through as he clutches his bleeding wound without regenerative powers to help. “You think I didn’t know that when I did it to myself--what they did to me?”

Riki doesn’t respond, grimacing as he continues hand-to-hand combat. Although he takes a solid punch to his jaw that’s forming a deep purple bruise, he manages to trip Spark onto the ground.

The man stumbles back from the head injury, the pounding from earlier not letting him to think straight. Riki doesn’t try to injure him anymore, but he instead blocks an incoming punch and tries to force Spark towards the edge.

The villain barely notices how much space there is left, and the boy lunges with full force. They tackle each other into the ground, and Riki gets off after apprehending him once more.

The city's a mess, and Spider-Man’s eyes want to shut down so badly, but he takes a few steps in Spark’s direction, pushing him off the side of the building as quickly as he can. Riki hears the thud before he peeks over the edge, seeing the water erode all of the engineering from the machinery. He slowly descends from the rooftop.

“You were in the accident, huh?” Riki shouts on top of the plethora of sounds. Pain, buzzing electricity, splashes of water as he lands next to Spark; it all echoes in his ears as he pours the water from the pot on Spark’s body. “Why did you try it? Why did you want to go back so bad?”

“If I could go back,” Spark coughs, trying to get away from the large pool of water, “I could’ve prevented the accident from taking the lives of the people around me. I could’ve saved them.”

Spider-Man understands loss, and he understands the regret that comes with failure. He understands how the man in front of him feels after having everything taken away from him, but his emotions could never justify his actions.

“You know you can’t change things,” Riki responds, “You tried your best, Spark.” It’s the last thing Riki tells the villain before his body slumps and police sirens grow louder and louder. It’s the last thing that he continues to think about, even if the medic quickly assesses the severity of his wounds.

“I’m fine- really,” he pushes away the hands of a concerned woman as she holds a roll of bandages. “There’s something else I need to do.”

Riki knew he had to tell you about this–he couldn’t just let you confide in him about..well, him, without your knowledge. And Riki wasn’t morally perfect, but he knew an explanation would be the only way to fix things.

Your house looks different when jumping over the fence instead of standing in front of it. When he realizes he has no idea what room belongs to you, he racks his brain, suddenly remembering how yours was the only one with a gray balcony over the pool. And so he climbs, slipping from the exhaustion creeping into his body.

You’ll understand after he explains everything, right?

“____, a little help?” And what the fuck is Nishmura Riki doing outside of your door? You go to investigate the muffled sound, inching towards the curtains and pulling them back to expect him there. When you hear a half yelp and a hissing sound that follows right after, without a person anywhere in sight, your heart drops to its stomach.

Do not say it’s true.

“Riki, where the fuck are you?” you ask, traversing out when you don’t see him anywhere across the glass.

“Down here.” You run in the direction of the voice, and your eyes grow comically large and you gasp, staring down at the sight before you.

“Holy shit.”

There Nishimura Riki is, with his mask half burned off his face and his blonde and black hair messy and matted to his forehead with sweat. The suit is ripped in multiple locations with gashes and purple replacing the healthy skin underneath. His face is in more of a grimace, as he holds onto the web with both hands and one foot planted on the stone of your balcony—read; the bottom of your balcony.

“A little help?” And you see his sheepish emotion through the tattered fabric, embarrassed after you had to find him in such a compromising situation. “I’m a little worn out and I think my webs are getting weaker.”

You’re a little frustrated with him for being out so publicly, but more scared and worried for his condition. Your gaze narrows on the mask, tattered and covered with scratches, but clearly visible. It was Spider-Man’s mask. The material gives way to a familiar face, and your mind almost blocks you from putting the pieces together. It’s impossible, almost horrifying to think of the implications of what it means to wear the blue and red suit.

Instead of being the villain, Riki is, in fact, the savior.

The harsh truth is that your classmate, who you spent the last month working on a project with and suspected was a villain, is the same superhero that went out and risked his life every night fighting crime. It’s jarring to see him like this, breathing heavy and straining against the stone of the balcony, and his cough snaps you out of it. “What the fuck do I do?”

Riki tries to put his hand up in surrender and shuts his eyes at your harsh tone. “Okay, okay, I get-“ and he cuts himself off with a yelp as his footing slips.

He holds out his hand, and you immediately bend over the smooth railing to grab it, leaning back on the heels of your feet to help him up the most that you can. You’re filled with confusion when the boy hobbles over the cool surface of the balcony and lets his head rest on the stone, not saying much as he catches his breath. You watch the rise and fall of his chest and how his right arm goes to nurse the left side of his ribcage, wincing and sucking in a pained breath as he assesses the smear of red on his fingers.

Sitting there with your mouth agape, you’re not really sure what to think about first; to check if RIki’s alright, to think about how your city’s greatest superhero is your English project partner, to yell at him for going to your house instead of his house to fix himself up, or to think about how good his side profile looks in the moonlight. Maybe you should’ve just been relieved that the boy you started to like wasn’t a fear-inducing villain.

“Okay, first of all, we need to have a huge talk. But I’m not a medic Riki- I’m going into accounting for fuck’s sake.” He hears the amount of curses flying from your lips as you ramble, and sees how stressed you look watching him sit against your railing.

“I don’t know how to help you. And also,” you lower your voice and scoot closer, looking around at the large property to really make sure no one’s listening. “you’re Spider-Man?”

The information all hitting you at once is worse than when your history teacher told you your essay was horrible. At least then, in her office, you could process everything. But here? You’re about to faint.

“I’m pretty cool, huh?” And of course Nishimura Riki says such a thing, taking deep breaths as he shallowly presses on the blossoming bruises on his skin and wipes the sweat from his brow.

“Pretty fucking stupid is what it is, Riki.” You cross your arms and try to take a look at where he’s been hurt, hoping that at least he has some sort of regeneration ability that helps him heal much quicker—because there’s no way he could deal with all of this on top of school.

“I have my reasons,” he says, his voice quiet.

You pause. “For being Spider-Man?”

“No,” he shakes his head. “For coming here.”

“What could possibly make you want to come over to my house instead of the nearest hospital? What’s that important to you?”

“I really want to ask you to prom.”

You simply stare at him, surprised.

“You came to my house, even though you’re like, a punch away from passing out, to ask me out? And you couldn’t have, I don’t know, asked me anytime during the classes we have together?”

Riki somehow finds it in himself to frown and shrink from your angry piercing gaze. “I can’t because talking to you makes me nervous–so yeah, I’m sorry I’m half conscious on your balcony in my suit instead of at your door with a poster.”

You’re conflicted, your mind still reeling from the recent discovery and your flood of emotions. Ever since you questioned his identity on top of your feelings for him, you had a hard time really knowing if you could like Riki if he turned out to be a villain, so to know that he proved both of your theories wrong leaves you quiet as you think. If possible, the color in the boy’s face drains even more when you go back inside, but the door stays open, and he thinks he hasn’t ruined things after all. You emerge with a bottle of isopropyl alcohol, a bowl of warm water, and a pristine white towel.

“I’m not mad about that, you idiot,” you reprimand him, setting everything down as you examine the cuts on his face. You squeeze the towel and start to dab at his skin, avoiding the cuts as you clean it. “Who does this for you if not me?”

“Jake.”

“Seems like a pretty good friend.” Riki nods in response.

“I’m sorry,” he sighs, sitting up to properly address you, even if you weren’t able to meet his gaze.

“For what?”

“For putting this on you–all of it. Not just the whole Spider-Man thing.” He knew he’d have to tell you at some point, or else it’d eat him up inside to know he kept all of it from you.

“Look at you, saving me mid-air and talking to me as if you didn’t know who I was.”

You notice a flash of regret through his wince as you clean up a cut with antiseptic. “I meant it when I told you I knew what it was like to have a lot of pressure.”

“Guess I wasn’t so far off, then. If we never talked, would you have told me?” Riki shakes his head, and the simple motion leaves you somehow disappointed.

“How do you ever tell anyone you’re…y’know, Spider-Man?” Even if it’s a hypothetical, you shrug, not being able to answer.

“How’d Jake find out?”

Riki chuckles and hisses at the same time before trying to remember. “I think I just kicked his window in after a nasty poison got hold of me. He was a little too excited to have Spider-Man on his bedroom floor, and less excited to know it was me. I’m not really supposed to tell anyone, though.”

“Then why’d you tell me? You could’ve just gone back to your friends.”

“I felt guilty–I know, I know, it sounds stupid. I’d definitely get my identity revealed at this rate.” You shake your head.

“Not stupid. Keep going.”

“I didn’t care that you suspected me, or if anyone else did, because I knew it was never true. But I felt so bad knowing you were sharing to me how you felt without even knowing it was me who was listening–like I was holding something from you.”

You admire his honesty, and when you look at his furrowed brows and his lip that he’s been gnawing from worry, you can’t even imagine what he’s had to hide and do for this. In a way, you look up to him more, for trying his best even if he’s gotten all odds stacked against him. Riki’s commendable in your eyes–he always had been, ever since you woke him up in class.

“I like those things about you, Riki. That you’re honest with yourself and the people around you as much as you can be, and you try to help others when you can. I’m glad we got to know each other more this past month.” Talking to him feels different than talking to Spider-Man from a few days ago; it feels raw, like you’re not just confessing something to a brick wall anymore. If none of this ever happened, you doubt you’d get the chance to tell Riki any of this properly.

The boy stays silent, taking deep breaths while processing what you’ve told him. “I’m glad I could help you out.”

You furrow your eyebrows. “I hope you know I don’t like you because you help me out. I like you because you’re attractive, and because you’re genuine,” you blurt.

Riki laughs despite his ribcage hurting everytime he does so. Riki nods and mumbles a ‘thank you,’ also glad to truly get to know you. While his crush was more of an infatuation with your hard work and amiability, the past few weeks really opened his eyes to who you were. You never wanted to disappoint, and even if your recklessness left you in some dire situations, Riki could see how much effort you really put into things.

There wasn’t anything else he needed to tell you–you were smart enough to see how much he cared about you.

You’re so close, your lips glossy with lip balm as you watch him carefully. You hear and see it all; the heavy, labored breathing from his body healing itself rapidly, and the way his hand is full of rough cuts and calluses as his fingers intertwine with yours. But your eyes catch a glimpse of his mask tossed to the side, the blue shining in the corner of your eyes as you’re reminded of who he is right now, and what role you play. You are still ____ ____, but he’s a superhero.

It makes you momentarily forget whose suit you're peeling away, whose skin you're cleaning. It reminds you that he’s just the boy in your English class that you fell for. “What does that make us?”

“Prom-goers,” he answers with a slight nod.

You smile, wiping a cut before placing the towel back into the bowl for the last time and getting up. “We can be prom-goers, yeah.”

You’re not sure if you’re ready for anything, and you’re thankful that he understands that, too. As much as it warmed your heart to see him again and hear his confessions, the blaring truth still hangs over your head. You grab his mask, finally looking at him before handing it back and grabbing your things. His secret identity wasn’t something you could just ignore.

“Go home, Spider-Man,” you turn your back on him, and time slows when you falter before sparing him one more look. “I want you as Riki, not like this.”

MAYBE NISHIMURA RIKI DOESN'T NEED TO DIE–OR ALMOST DIE–ANYMORE.

He went home that night with his scars somewhat cleaned and his bruises miraculous healing on their own, and even if slipping through the window left him clutching his side in pain, Riki silently jumped up to celebrate his multiple victories before slipping out of his suit and finally getting some rest.

Riki’s scared of how he’s affected your relationship. He’s worried you’ll avoid him in the halls, and he’s worried you’d never want to see him again after putting you through all of it. As much as he'd understand how upset you'd be towards him, he hopes he did the right thing by telling you.

But you see him on your way to English, and you call his name. His eyes search for yours in the crowds, and you two see each other before you crush him in a hug.

Riki isn’t sure how to feel at first, but eventually wraps his arms around you as relief settles in his stomach.

“Thank you for saving me, Spider-Man,” you whisper, loud enough for only him to hear.

He smiles at you, ruffling your hair as you go to English together. “Anytime, ____.”

NEVERMIND, NISHIMURA RIKI MIGHT DIE WHEN HE SEES YOU IN YOUR RED PROM DRESS.

But first, he has to try something out.

He curses to himself when silently zipping from a tree outside your family property to the top of your house, staring past the ledge two and luxurious stories to your well decorated porch light and door. He just prays that Google Maps is right about how secluded the area is, so no one can see him pacing around your rooftop, with flowers elegantly wrapped in his hand (courtesy of your mother’s sleek envelope from a few days ago).

“Fuck it,” he says to himself, shooting a web and dangling himself down. Riki’s upside down figure watches swirled window frames and meticulously designed accents as he descends, and he wonders what kind of shady business your parents could’ve done to afford something so grand.

He faces your door—hanging down instead of rightside up, but he’s still here on time like he promised.

The door opens at 6:00PM like he instructed you to, but what he didn’t tell you what to do was shriek and slam the door. On his nose. With a loud yelp, Riki clutches his nose, rubbing the spot you hit and trying to apply pressure to alleviate the pain.

When the door slowly creaks open again, you face with the image of Nishimura Riki, aka your boyfriend, aka your English partner, aka Spider-Man, curled upside down in the fetal position as he cradles the sore spot on his face and swings slightly from the breeze.

“You scared me, dumbass! How was I supposed to know it was you? It was so hard to see!”

Although muffled, Riki’s able to mumble, “You have a porch light for this reason, _____,” and a jab at his stomach from you follows his sarcastic remark. Finally, his nose feels better, and he straightens out to finally look at you.

Pretty, pretty, pretty, and the boy wonders how you look even more stunning with a glittering red dress and perfectly done make-up. “I like the red,” he says, trying not to freak out over your beauty. “Reminds me of a certain neighborhood superhero.”

“I have some blue spider earrings to match.” With a beautiful smile, you turn to show him the little accent, and it melts his heart. “Are you okay, though?”

“I’m fine. I should’ve probably put more thought into that.”

You snicker, sliding into your heels and closing the door behind you.

“One of us is better at romantic gestures, it seems.” It warrants a scoff, and Riki brings a gloved hand to poke at your forehead teasingly.

“Let me have a do-over, then?” And the way your lips curl up into a bright smile leaves him quiet and in awe.

“What, were you going to kiss me? Very original, Spider-Man.” With the way the fabric shifts over his features, you can tell he’s pouting.

“I thought girls liked this.”

You shrug, pretending you aren’t swept off his feet by the effort he’s put in. Taking a step in his direction, your hands reach up to gently pull the mask over his chin, ears, and then his nose.

Whispering quietly, you ask, “You’ve kissed other girls upside down?”

Riki’s quick to shake his head. “You’re the only girl I’d withstand a head rush for.” And god, you just can’t stop yourself from grinning at his sweet, genuine words.

You lean in, placing a small kiss on his nose as a silent apology. Then, you close your eyes and lean into him once more, feeling his hands carefully holding the side of your head and his lips on yours. Your kiss with Riki is saccharine and slow, making you pull away when the urge to beam at him is too much. Your cheeks definitely hurt by how romantic he’s being, and you can’t resist kissing him once more.

“I’m not gonna lie,” he starts, finally letting himself down, “It feels weird.”

“You ruined the moment.” And he really didn’t, but you enjoy his subtle reactions to your light digs at him.

“Whatever.” Riki laughs. “Stay here, I’ll be right back.”

You nod, sitting down on the porch and dragging a manicured nail over your lips with the ghost of his affections, thinking about how you literally just kissed Spider-Man.

Riki comes back, dusting off his suit and smoothing out the wrinkles, with a large bouquet of red roses and one blue one snuck in there. Your lips stretch into a grin and you accept the bouquet, keeping a mental note to read the card in there.

“You never cease to amaze me, Riki.” It’s the last thing you mutter to the air before you loop your arms around his neck, urging him to lean down as you kiss him once more—this time rightside up, but still as sickly saccharine as the one before it. Your heart is fuzzy with fondness and your eyes glitter with adoration.

“So, which kiss was better?” he asks when you pull away, a little breathless and dizzy.

You swat his arm and walk past the gates, seeing the sleek limo waiting by the curb. “I don’t know, Spider-Man. Maybe show up in your suit and we’ll try it again.”

REBLOGS AND FEEDBACK ARE ALWAYS APPRECIATED AND ALWAYS READ!

RIKI FIC DONE!!!! ngl y/n u were right there how did u not know riki was spiderman but whatever idc she's a hard worker not smart LMFOAOAO. my first ever action fic so i hope you enjoy! also i hate the ‘oh he pined after her for 4 years she liked him for 2 months’ bs because I WAS IN IT. and it sucks so i tried to deviate from it :)

꣑ৎ permanent fic taglist (TAGGED IN TEASERS, FICS, HEADCANNONS, DRABBLES, ETC.): @dimplewonie @minleeeknow @heeheesang @mintpjzroll @llvrhee @firstclassjaylee @in-somnias-world @rairaiblog @suneng @mavlogist @sensitively-taken @sumzysworld @simpjay @moons-v @riksaes @txtari @jungwonscatcus @tya0 @sasfransisco @woorcve @shypen @pinkriki @rikisluv @saranghaohoshi @lilifiedeans @wonmyheart @k1ttyluvr @nikisgfff @ramenoil @laurradoesloveu @lvcky-g1rl-syndr0me @ikeulims @missychiefs1404 @qwonyoung23 @yangjungwonnie @onementally-unstabel-kid @microwvdstrawb3rri3s @blooqz @anormieee hi permies hope u enjoy! kith

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silverbugsworld · 2 years ago

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life is good but also terrible bc my roommate brought me pie and i have surprise cake and also a brownie from my mom, but at the same time i had an exam due last night that i didn’t do and also a research essay that’s only partly written plus three bags of clothes to unpack and put away…. raghh i’m tired

#pie #art school is kinda a bitch sometimes #why do i have so many writing assignments #this is far too many essays for my little pea brain #also i have three cavities uh oh

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porcupine-girl · 2 years ago

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An important message to college students: Why you shouldn't use ChatGPT or other "AI" to write papers.

Here's the thing: Unlike plagiarism, where I can always find the exact source a student used, it's difficult to impossible to prove that a student used ChatGPT to write their paper. Which means I have to grade it as though the student wrote it.

So if your professor can't prove it, why shouldn't you use it?

Well, first off, it doesn't write good papers. Grading them as if the student did write it themself, so far I've given GPT-enhanced papers two Ds and an F.

If you're unlucky enough to get a professor like me, they've designed their assignments to be hard to plagiarize, which means they'll also be hard to get "AI" to write well. To get a good paper out of ChatGPT for my class, you'd have to write a prompt that's so long, with so many specifics, that you might as well just write the paper yourself.

ChatGPT absolutely loves to make broad, vague statements about, for example, what topics a book covers. Sadly for my students, I ask for specific examples from the book, and it's not so good at that. Nor is it good at explaining exactly why that example is connected to a concept from class. To get a good paper out of it, you'd have to have already identified the concepts you want to discuss and the relevant examples, and quite honestly if you can do that it'll be easier to write your own paper than to coax ChatGPT to write a decent paper.

The second reason you shouldn't do it?

IT WILL PUT YOUR PROFESSOR IN A REALLY FUCKING BAD MOOD. WHEN I'M IN A BAD MOOD I AM NOT GOING TO BE GENEROUS WITH MY GRADING.

I can't prove it's written by ChatGPT, but I can tell. It does not write like a college freshman. It writes like a professional copywriter churning out articles for a content farm. And much like a large language model, the more papers written by it I see, the better I get at identifying it, because it turns out there are certain phrases it really, really likes using.

Once I think you're using ChatGPT I will be extremely annoyed while I grade your paper. I will grade it as if you wrote it, but I will not grade it generously. I will not give you the benefit of the doubt if I'm not sure whether you understood a concept or not. I will not squint and try to understand how you thought two things are connected that I do not think are connected.

Moreover, I will continue to not feel generous when calculating your final grade for the class. Usually, if someone has been coming to class regularly all semester, turned things in on time, etc, then I might be willing to give them a tiny bit of help - round a 79.3% up to a B-, say. If you get a 79.3%, you will get your C+ and you'd better be thankful for it, because if you try to complain or claim you weren't using AI, I'll be letting the college's academic disciplinary committee decide what grade you should get.

Eventually my school will probably write actual guidelines for me to follow when I suspect use of AI, but for now, it's the wild west and it is in your best interest to avoid a showdown with me.

#academia #studyblr #college #finals #pg irl #ai shit #chatgpt #notes

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sutorus · 2 years ago

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THE GRUDGE PROFESSOR!GETO for KINKTOBER 2023!

DESCRIPTION: everybody loves professor geto, and judging by the thousands of viewers you get on every live, a lot of people love you, too. but you and professor geto hate each other. you’ve had enough of his humiliation rituals, and decide to do something about it.

PAIRING: mean professor!geto x student!reader

WC: 5.3k i am an unstoppable beast

WARNINGS: 18+ MINORS DNI. fem reader, afab reader, teacher/student dynamic! adult age gap! (reader is in college, unspecified age), sw/camgirl!reader (don’t like don’t read! no shaming 😤), strong language, dirty talk, pet names (sweetheart, baby, angel, darling), reader calling geto "sir", unprotected relations, creampie, afab reader and terms

A/N: this switches between povs a lot so i hope that’s okay or at least readable lol! also i set out to write him so much meaner but he’s just kind of a simp... enjoy?

reblogs are very much appreciated i'll uwu for u :pleading eyes emoji:

it is said that those who cannot do, teach.

geto suguru could have done many things. he had the brains, the muscles, the features, the traits. the ambition to succeed in any field he desired. satoru says in a world ruled by the strong there is no place for humility.

but humility is not why suguru became a teacher. neither is ineptitude. no, he’d become a teacher because it was the right thing to do.

to use his gifts to help shape new generations, help unlock potentials long dorment and buried deep under years of a lackluster schooling system. geto suguru prided himself, above all, in being a righteous man.

but japan’s most upstanding citizen for 28 years in a row held a shameful secret. a secret in the shape of you.

he saw the darkest sides of himself on your face (eyebrows scrunched, eyes shut tightly, jaw slack as you—), your voice (higher in pitch with desperate moans that sound almost scared on the brink of your—), your body (taut and plump in all the right places, glistening with sweat, bouncing up and down on a—).

when you walked into his classroom that fateful day, the world tilted on its axis. his first thought was, fuck, then, it can’t be, then, most embarrassing of all, i’ll finally find out what she smells like.

(he did, when you went up to his desk to hand over your test. a whiff of vanilla, argon oil shampoo. too sweet, too youthful. and he’d watched you leave, tennis skirt flowing like a water lily, dick already chubby in his pants.)

it was slowly starting to consume him.

the first time you spoke in class, he knew he hadn’t been mistaken. it was really you. the cute, slutty girl he’d been milking his cock to for the better part of a year.

god, when you finally said his name. you would never in your wildest dreams think that he’d been imagining those words coming out of your mouth, of him coming out of your mouth, dripping out of you, all over you—

he was losing it. this was not like him. this was never supposed to happen, and he has to put an end to it.

everybody knew of geto suguru, the prodigy professor. already getting a phd despite not even being 30, handling the administrative slack for the department while managing office hours every day of the week, promoting student events, helping organize spirit weeks and charity drives.

everything he did, he did for others. those not as capable as him — which was most people. in other words, it was really, really hard to hate him.

but you damn well managed to.

and to think you were excited to take his class. everybody told you to run, not walk, to sign up for his twentieth-century Japanese philosophy chair.

“oh, professor geto is just the best,” they’d said. “he makes it sound so interesting and engaging, he gives the most life changing assignments, he really cares about us.”

bullshit.

the first time you stepped into that classroom, suspiciously full for a philosophy class, you felt a shift in the air almost immediately.

and sure enough, professor geto suguru was eyeing you down like he’d just seen a ghost. it made you self conscious, like he’d taken one look at you and decided right then and there you were too dumb for the class.

it made your blood boil. sure, you stood out a little bit from the actual philosophy majors, but that doesn’t mean he gets to judge you. he literally doesn’t know you!

but fine, first impressions are tricky like that. for all you knew, you could’ve been misjudging him right there.

however, with each passing day, you grew more and more assured in your suspicions.

you knew the man had it out for you, always calling on you to answer when he knew you weren’t paying attention, never grading your papers above a B even though you did everything right, somehow managing to fucking avoid you during his excessive office hours.

his looks were almost the most infuriating part of it.

his beautiful face constantly set in that nonchalant look, his big veiny hands always gesticulating, his huge fucking arms straining the fabric of those dress shirts, his ear gauges and man bun contrasting the prim and proper image the rest of him conveyed.

under different circumstances, he’d make your mouth water. under different circumstances, you’d imagine him going down on you all night long, singing praise about how good you taste and how tight you are.

but in this timeline, you absolutely loathed him. and he loathed you too. why? you didn’t know.

but you knew for a fact that it was personal.

“i don’t care,” megumi said around a mouthful of meatball, cutting your monologue short. “i’m not doing it.”

you sigh, melting into your chair. “megumi. please. i am literally begging you, i just need some hard evidence so i can go report his ass.”

he eyes you curiously. “report him for what?”

“i don’t know. bullying? sexism? whatever the hell his problem is,” you pick at your food, huffing in annoyance.

“you’re overthinking it,” megumi replies, dismissively.

“okay, how about this,” you lean forward, putting an elbow on the table. “if you write the assignment for me, i’ll get your dog that expensive halloween costume you’ve been wanting.”

megumi lifts an eyebrow.

“you need to get one for each,” he says simply.

you grin. “deal.”

suguru really does give it his all to make your life with him a living hell. pulls out all the stops, years of friendship with gojo satoru paying off as he comes up with ploy after ploy to get you to drop his class.

it feels bad, being mean to you. but for the hidden, twisted parts of him, it feels delicious.

watching you huff and puff, all hot and bothered when he corrects your answers on the spot. watching you nibble on your pen at the increasingly difficult exams he hands out. letting himself wonder if you missed a stream this week because you were too busy cramming for a make up test.

he knows he’s pushing you to your limit, and even if there’s some sort of sick satisfaction in seeing you so agitated at his hands when it’s usually the other way around, he doesn’t enjoy upsetting you.

the problem is, suguru knows it’s either he gets his shit together or he continues tormenting you, and, well.

the spirit is willing but the flesh is so, so weak.

he knows it’s getting worse, too, because he’s not infatuated by you only when you’re undressing on his screen, or all dolled up in class.

when you tie your hair up in a ponytail, when you suck on a hangnail, when you lick your thumb to erase a smudge on your paper… all of it drives him wild.

he can’t teach with a permanent half chub anymore. this has to end, one way or another.

you sit down in front of your computer, adjusting the camera before turning it on. soon, viewers start trickling in, little dings notifying you of their messages.

you smile, waving at the screen.

“hi everyone! i know i’m a little bit late today, i hope you can forgive me…” your eyes scan the chat, giggling at the compliments. “‘you look tired, sad face’, ah. i’m sorry. i guess i’ve been a little stressed lately.”

your robe falls over your shoulder as you readjust your position. a few donations come in, accompanied by supportive messages.

“you guys are so nice. it’s not a big deal, it’s just this dude giving me a hard time at college.”

you absentmindedly trace your collarbones, reading what your viewers are saying.

“you’ll kill him for me? that’s so sweet,” you joke. “nah, it’s not a student. it’s a professor. exactly, ynlover444, a grown ass man picking on me!”

you sigh deeply, allowing your body to finally unwind and relax on your chair. you prop a knee up against the armrest, giving your viewers a little peek in between your legs. you’re wearing one of your favorite sets, trying to get in the mood after the week you’ve had.

“ugh, sometimes i wish i could just…” you suck in a breath, clenching your hand into a fist before releasing it. “sit on his face and get him to shut up, you know?”

you laugh at the countless me firsts that flood the chat, bringing a finger to your lip.

“anyway! enough about that horrible man,” you reach beside you to grab a box your viewers know all too well by now. “let’s get to the fun stuff, shall we?”

as always, satoru is no help.

“why don’t you just fuck her?” he asks, eyebrows arching above his sunglasses. “ya gotta just fuck her.”

suguru clears his throat before taking a drag of his cigarette. “i’m not fucking a student.”

satoru shrugs. “everybody does it. besides, you basically already do.”

suguru wonders, not for the first time, why he ever told his friend about his situation. about your streams, that he’d stumbled upon randomly and innocently and had gotten instantly hooked, about you barging into his classroom like an angel at hell’s gates, about you you you you, everything about you.

“that won’t fix anything.”

satoru clicks his tongue, swirling his soda inside the can.

“poor, naive suguru. did you not just tell me about what she said on her stream?" and yes, regrettably, suguru had told him. "it’ll fix everything.”

suguru doesn’t even let himself consider it, except he does.

at this point it’s no secret that he’s thought about being inside you, but now that you’re here it’s just too real and too risky and completely fucking wrong.

it goes against the entire life he’s built for himself.

he’s lost. he wants you so fucking bad, wants you close, wants you so far away, wants to ravage you and never have to see you again.

it’s fight or flight. if he got you alone, it could go either way, he realizes that.

suguru wonders what part of him will win by the end of all of this.

your heels clack on the linoleum floor of the hallway as you approach professor geto’s classroom, megumi’s graded paper clutched tightly against your chest.

the thing about megumi is that he's a star student. he’s never gotten anything below an A on any of his essays, makes the dean’s list every year, tutors his seniors. so the big, bright B- on the page tells you everything you need to know.

damn right it’s personal.

you don’t even bother knocking, slamming the door open while still trying to contain your indignation.

geto is sitting at his desk, piles of papers sprawled on top. he has his white dress shirt rolled up to his elbows and a surprised look on his face that would be cute if you didn’t want to slap it right off.

he says your last name like he’d been expecting you all his life.

“to what do i owe the pleasure?”

your jaw clenches as you take a few loud steps towards him. you slam megumi’s paper down on his desk, leaning over.

“professor geto, i demand an explanation. a real one, this time.”

the man takes a deep breath, lips twisting disapprovingly. he smoothes the paper over.

“as i already explained in my notes right here, the structure is fine, but i couldn’t help but miss a more in-depth analysis of the four nodal concerns of philosophy that we talked about in class, such as—“

“no,” you interrupt. “just no. you know you’re bullshitting me and i’m sick of it. this paper deserved an A!”

“miss—“

“what’s your problem with me?” you spit out. your eyes finally meet and there’s nothing in geto’s that could answer your question. your chest is heaving, lips wobbling and hands shaking, trying to contain your anger.

geto clears his throat, visibly uncomfortable. “like i said, your paper could’ve used a bit more—“

“no it fucking couldn’t have, because it’s not my fucking paper, it’s fushiguro’s fucking paper and the only reason you gave it a B is because i was the one who handed it in!”

he sits up, straightening his posture.

geto sounds austere when he asks, “do you realize how much trouble this could be for both of you if i reported it?”

you can’t believe this man. he’s been picking on you the entire semester and when you finally confront him about it this is what he chooses to focus on.

“are you fucking kidding me?” that earns you a stern look from him, eyebrow raising taller than that fucking high horse he sits on. “professor geto. what did i ever do to you?”

there must be something earnest in your voice because geto sighs, getting up from his chair.

he walks until he’s standing in front of you, leaning against his desk and crossing his feet.

“do i bother you?” is all he says. it surprises you.

you jut your chin out. “as a matter of fact, you do.”

the man hums.

“i bet that’s really difficult for you,” he speaks like he’s sympathetic, like he understands. he sounds almost sheepish when he says, “i bet sometimes you wish i would just shut up.”

you blink rapidly. “no, it’s not like that. it might shock you but i genuinely do enjoy your class, it’s just that—“

“or maybe you wish you could shut me up,” he continues, ignoring you. “maybe going as far as to say that you could… sit on my face to get me to shut up.”

your mouth goes dry.

before your brain can fully process the shift in the atmosphere or the fact that your professor is maybe possibly hitting on you, you realize where those words are coming from.

it’s what you said. about him. on stream. right before fucking yourself on your hot pink dildo.

you can’t speak, can barely even look in his general direction.

you had really thought things couldn’t get any worse. had barged into his office with nothing to lose, almost hoping he would cordially invite you to remove yourself from his class permanently.

but now? now you have no idea what’s going to happen to you.

“i…” you start, the words dying in your throat. geto chuckles, crossing his fat fucking muscly arms across his chest.

he says your name, low and syrupy. “is it true? you’d like to?”

you can feel your face flush hot in embarrassment, and you shift your weight from one foot to the other, wishing desperately that you’d never walked into his classroom.

you have half the mind to apologize to him, right now.

“it’s just a figure of speech,” you try. geto clicks his tongue.

“what a shame.”

your wide eyes shoot up and meet his. “w-what?”

he smiles sweetly.

“it’s a peace offering. you can take it, or we can forget you ever said anything,” and isn’t he just so slimey, actually, when he’s the one who brought it up. he had said it, and now…

now you can finally allow yourself to look at him.

those delicious, broad shoulders, the ever-present bored look, the stubborn fringe that falls out of his bun.

you could so easily forget what you came here for.

“so, like, a truce?” you ask, taking a daring step forward. geto nods, uncrossing his arms. “and you stop treating me like i’m fucking dumb?”

he tilts his head. “i think you’re a very smart young lady. determined. entrepreneurial…”

“geto—“

“professor geto,” he corrects you, hands reaching out to graze your hips. “you’re intelligent. i just like to push my students.”

you both know that’s a lie, but it’s okay, because now you know exactly why you got under his skin and it makes your own burn.

you run a hand down the line of buttons on the front of his shirt, looking up at him through your eyelashes.

“then… push me, professor.”

it’s so incredibly lame, the porn line you hit him with, but to your surprise it works, a low groan rumbling deep in geto’s chest.

he swiftly closes the distance between the two of you, grabbing both sides of your face and crashing your lips together.

it’s ravenous, the way geto dips his tongue inside when you gasp in surprise. you moan against his mouth, slipping a leg in between his two.

he’s half hard already when he rubs up against your thigh.

geto picks you up with ease and sets you down on his desk, and it’s so fucking cliché, the papers crinkling under your weight, the pens clattering to the floor. but it turns you on beyond belief.

you share a few open mouthed kisses, an exchange of tongue and moans and hot breaths between your lips.

if you were honest with yourself, you'd admit that you've fantasized about it before. a silly idea, at first, something you'd just blurted out mid-stream.

but that little seed had been planted, and when you got yourself off that night, you might've imagined for a moment that it was your mean professor's cock squeezed tight inside you, making you come undone.

geto slips his hands under your skirt, grabbing your ass and pulling you closer to him. you line up your crotch with his, moving your hips in tight little circles that make the both of you groan.

his fingers are tugging your underwear down, down, the soft patch sticking to your gooey cunt. he lets the soaked fabric dangle from your ankle, grazing the back of his knuckles on your core.

“mmm, fuck,” geto breaks the kiss, swallowing. his pretty lips are flushed and shiny, parted around his panted breaths. “you always get this wet or am i special?”

he’s smirking, the bastard, leaning back in to kiss your neck.

god, you smell so good, like lotion and perfume and sunshine and sin.

“shouldn’t you know?” you sneak your fingers up into his bun, pushing your chest against him. he works his lips expertly on your skin, using just the right amount of teeth, of pressure.

geto hums against your neck, kissing a line up to your jaw. he snakes a hand under your skirt, thumb pressing down hard to rub on your clit, two fingers slipping inside.

you immediately clench, a soft, drawn out mewl leaving your lips.

the slide of his fingers against your walls send a chill down your spine, filling you up so perfectly. you feel the thin skin at your opening stretch around him, burning at the friction as his fingers plunge in and out of you.

“god, look at that,” he rests his forehead on your shoulder and pulls the hem of your skirt up. “do you hear that, baby? so fucking wet for me.”

you whine, hands cupping his jaw so you can kiss him again.

“please…” you mumble against his lips. “more…”

you wonder how much of what you can say he's heard before, which exact words have left your lips and sent him over the edge. it makes you self conscious, oddly, like he can see right through you.

not-so-kindly ignoring your request, geto removes his fingers, bringing them up to his mouth.

you watch as his eyelids flutter in pleasure, a hum rumbling low in his throat.

he looks so good like this, just edible.

you pull him in for a kiss before he can, relishing in the surprised little noise he lets out. your knees are wobbling, feet dangling from your seat as you taste yourself on his tongue.

he swallows your moan hungrily, forearms trembling with the need to hold back.

geto knows this is wrong, so wrong on so many levels, puts both your positions in jeopardy, it makes him feel perverted and primal and so fucking alive.

he’s been watching you fuck yourself on those silly toys for god knows how long now, knows every spot that makes your hips buck, knows exactly how to make you cream like a debased slut around a cock.

it should feel unfair, how easy it’s going to be for him to make you cum, only if it weren’t for the fact that your mere presence is enough to get him hard as fucking diamonds.

“tastes good, huh?” he whispers, thumb caressing your chin. you nod, smiling devilishly.

“tastes better on your tongue, prof.”

geto groans low like a starved animal, holding your throat in his hand with a loose grip. he’s overwhelmed, that much shows, not knowing what to do with you or where to start. but there’s one thing he’s sure of.

he presses one last kiss to your spit-slick lips before dropping to his knees.

you can hardly believe it. sulky, big bad bully professor geto suguru on his knees for you. you prop a foot up on his desk, your sole skidding on a piece of paper.

“scoot closer, please,” he asks, cordial even like this. you bring your ass to the edge of the desk, your dripping pussy hovering over his face.

he looks so good under you, hair already disheveled, a delicious tent in his tailored pants.

you tuck the hem of your skirt into the waistline so you can watch as he sucks your clit into his mouth, moaning like he’s fucking relieved.

you throw your head back, fingers buried in his silky hair as geto’s fingers find their way back inside.

he fucks them in and out of you lazily, pushing out strings of slick. geto slurps it all up, spreading your wetness all over your clit and sucking it back in his mouth.

god, his cock is straining in his pants but he doesn’t dare touch it, can’t until he’s inside you. you taste like fucking heaven, like all his fantasies, like he always knew you would.

you’re whining softly, bucking your hips into his face almost shyly, as to disrupt his pace.

you sound so much better in person, although he can’t wait to have you moaning into his ear without needing the headphones.

“god, this perfect pussy,” geto mumbles into you, his breathing labored. he runs a thumb all over your cunt, gliding it over your soaked lips. “been dreaming about it for so long.”

“yeah?” you ask. “tell me. tell me how you stroke your cock to me every night.”

and every night might be overselling it. geto is a busy man.

but your words do make him realize that no girl he’s had since he found your stream has satisfied him quite like you do. your flirty smile, your moans, the way they sometimes turn into uncontained giggles as you stuff your pretty cunt with a dildo.

so he tells you, blush spreading across his cheeks.

“fuck, i do,” he tongues your clit, tracing lazy circles. “i do. just look what you do to me.“

and there it is, that cheeky, slutty giggle, directed at something he said this time.

he takes his fingers out, spreading your opening with both thumbs as he licks you all over.

geto gulps, tongue dipping inside of you, sucking your clit into his mouth, sliding down to your entrance, every clench of your pussy pushing out more and more slick for him. no one's ever eaten you out as thoroughly as this.

“oh, fuck, sir,” it slips out casually, the way it would were you talking to any other professor. but given the circumstances, you revel in the deep moan geto buries into your cunt.

you trap your lips between your teeth to keep anything else from tumbling out, but it’s useless.

“please, sir, i’m so close—so close just keep doing that, yeah just like that—“

“fuck,” he mumbles, pulling away to suck in a desperate breath. then, “fuck,” sultrier, right into your core.

you grind against his face, finding purchase in his hair as a final few flicks of his tongue push you right into the crest of a mind-numbing orgasm.

it’s so good, so much better than when you're alone. the friction so perfect, his long, thick fingers plugging you up last minute to viciously fuck into you.

“god…,” you breathe out, legs trembling as he runs his hands up your thighs.

his chin is glistening, bubbles of spit and cum gathering in the corner of his mouth. he looks so good like this, like he was meant to please you and nothing else.

geto feels like a fucking teenager, so goddamn close to busting in his pants at the sight of you. his dick hurts, balls tight and the head throbbing where it’s tucked into his underwear.

“please, sweetheart,” he can’t hold himself back any longer, slick fingers already undoing his belt.

you get to work on his zipper, pulling his pants down along with his underwear and damn.

you figured he was big. he was a tall man, broad shoulders, shoes the size of a yacht, and the bulge in his trousers was a pretty good indication. but it couldn’t have prepared you for the sheer size of him.

longer than it is thick, cleanly shaven, pretty veins and ridges and standing angry red in attention. god, you want it inside you.

he notices you looking.

“do you need more prep? i can—“

“no, fuck no, suguru, need it inside me now,” you wrap a hand around him and he hisses, caging you in with his arms on the desk.

he huffs out a laugh, blowing the fringe framing his face. “what happened to sir?”

you kiss down his jaw, squeezing right below his tip.

“sorry, sir,” you say against his ear. “are you going to punish me for my slip up?”

geto groans, pulling on your hair hard and making you face him.

“take your shirt off for me,” he instructs, and you obey, maneuvering around his tight grip on the back of your head.

his spirit is so unbreakable.

here you are, teasing him, coaxing him to rough you up, push you around, relieve both your frustrations properly once and for all, but he’s just so… adoring, and hungry, and just so irrevocably into you, and you find out that’s so much better.

geto relents his hold on you to unclasp your bra, cupping your breasts and sucking a nipple into his mouth. you whine, caressing his hair.

“so fucking perfect,” he massages your tits, looking mesmerized.

“yeah? they haven’t gotten old to you yet?”

he laughs, so cute, and you can barely remember that just hours ago you hated the sight of him. you stroke his cock up and down, squeezing harder at the tip trying to milk all that delicious pre he’s been wasting on the inside of his boxers.

“no, f-fuck—never gonna get old,” he pushes your boobs against each other, imagining his cock sliding in between them, his balls nestled underneath, his load blown all over your pretty face—

fuck, he’s gonna cum if he keeps going like this.

he rips your hand away from him, ignoring your knowing smirk and pushing his tongue into your mouth.

“i’m gonna fuck you now, okay, sweetheart?” you moan, nodding, shimmying your hips so he can have the perfect angle.

a big hand clasps your thigh to wrap your leg around his hips as his tip pokes around your entrance.

you’re whining in anticipation, clenching around nothing, nails clawing his clothed back.

when he slips in, it feels like coming home. you’re like warm honey around him, cunt pushing him out but clinging to him at the same time, with every stroke. it’s fucking maddening.

“ahh, g-god, sir, ‘s too big—“ you swallow around the lump in your throat, feeling the tip of his cock in your guts.

he’s huffing, concentrated, bullying his cock into you inch by inch with shallow thrusts until he finally bottoms out.

“fuuuuck, angel,” he grips your waist with both hands, like he could just fuck you up and down his length if he wanted to. “took me so well, look at that.”

you do, dropping your heavy head to look at where you’re connected. you clench around him and he whines, pulling out almost all the way before slamming back in.

the metal legs of the desk skid on the floor, papers and pens raining down to the floor as geto starts roughly plunging in and out of you.

you let out little ah, ah, ahs in time with his strokes, the ache deep in your stomach finally starting to fade.

“f-fuck, you’re gonna—topple us over, suguru, go easy—“

“can’t,” he chokes out, wheezing as he pushes his cock in as far as it can go.

he gives shallow little thrusts, his length straining the fine skin at your entrance so good, hitting a spot inside you over and over that makes your head spin.

your fingers twist into the back of his shirt, pulling him in to whine right into his ear.

he’s so big, stretching you out so thin that you feel every ridge and vein, can feel both your heartbeats inside your cunt.

“ohhhhh fuck, fuck sir, please please touch me—“

he grabs your ass before you can even finish your sentence and presses you flush against his hips.

geto’s tip is kissing your cervix now, his balls sticky and creamy against your ass, your clit grinding against his pubic bone as his thrusts violently shake the both of you.

“fuck, wanna do it so fucking loud but i can’t, we can’t, what if someone walks in—“

you moan wantonly at his words, expecting to be chided, but geto seems to love it despite his worries because his cock kicks deliciously inside of you.

“look how loud you’re being, listen to yourself,” he grunts out, the belt pooled around his feet clanging with every stroke, the absolutely lewd squelches from your pussy resonating in the entire classroom.

you two sound so good together, better than you’ve ever had, better than he could’ve ever imagined.

“so loud, so wet on this cock,” he spits out, sweaty strands of hair sticking to his forehead. “do those toys make you feel this good? this full? answer me.”

“hahh, n-no, no one but you,” you can’t think straight, head thrown back in pleasure and eyes squeezed shut. “only you, sir.”

geto whines like he’s aching, pounding into you mercilessly and making a mess under the two of you.

“fuck yeah, that’s right. i’m making you feel good, baby?”

“mm-hm,” you mumble, tongue lolling out. geto's going so hard now, has you pressed up so tight against him, body caging you in, fucking every breath and thought right out of you. “close.”

“yeah?” he speeds up his effort slightly, and you’re sure he’s going to have desk-edge shaped bruises on his thighs tomorrow. “gonna cum on my cock? cream all over me?”

you let out a long, drawn out whine, tits bouncing up and down with the force of geto’s thrusts.

“let me see your face when you cum, darling,” he cups the back of your neck, breathing hard through his nose. “keep your eyes on me. that’s right, sweetie, so good, you’re doing so good.”

you preen at the praise, feeling suddenly self conscious with the man's laser focus attention on you.

you coo out little noises, growing in desperation, holding onto his biceps for dear life as his hips piston in and out of you.

your pull him into you closer and rub your clit against him, grinding helplessly as your orgasm creeps closer and closer.

the moment you open your eyes and meet his hungry ones, you’re cumming. your walls spasm around him, making the glide of his dick impossibly wetter with your release.

geto chokes on a sound, his cock hostage of your pussy’s vice-like grip as your greedy cunt milks him for all he's got.

“f-fuck, baby, look so pretty when you cum, always look so fucking sexy so fucking perfect that you’re gonna make me bust, i’m gonna cum for you god gonna cum inside, gonna blow my load all deep inside this pussy—“

it’s the most desperate he’s ever sounded, speaking through clenched teeth and a soaked mouth. you moan in return, letting him use you.

he slams his forehead down your shoulder when he thrusts once, twice, three times and cums, his balls drawing up so tight that it hurts. he fucks it into you with shallow thrusts, panting, almost wheezing in pleasure.

it feels like it lasts forever, his orgasm. like all of the blood in his body goes straight to his balls to push out the thickest, most satisfying nut of his life into the prettiest girl he's ever seen.

you feel it fill you up so good, hear it, too, squelching and sticking to both of you.

geto’s body slumps against yours and you stay like that for a while, catching your breaths. there’s cum sliding out of you, down his balls, onto some poor student’s essay you have your ass on top of.

when he pulls out of you, he takes a beat to watch it spill out of you some more, his face and chest red, his smile groggy.

“god, this,” geto has to fight the urge to say thank you for letting him fuck your brains out. he swallows.

“yeah,” you blink away the haze, feeling sore and fucked out. “this.”

“…is probably going to happen again, right?”

he knows it shouldn’t. he knows it will.

maybe both parts of geto can learn to coexist.

you grin, touching the tip of your tongue to his lips.

“well, i still haven’t made good on that promise of sitting on your face, have i?”

the next morning, in class, the students erupt in happiness at the news that professor geto had an accident that ended up ruining most of last week’s graded papers he had in his possession.

so he decided to give everyone an A for their troubles.

and finally, finally, there was peace in the world.

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caffeinewitchcraft · 9 months ago

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I don't think it's talked about enough how truly buck wild our level/speed of communication is. We didn't have this 100 years ago! And even then it's only been in the last 20-30 we really embraced technology and our global stage.

Our communities are still experiencing huge upheavals around this and we don't acknowledge it because of all the benefits being wired in brings. You can find jobs and resources and entertainment, sure, but you also have to have accounts here, here and here to access healthcare or a rent portal or TV.

On one end we have an elderly class that is overwhelmed. They learned complex systems already! Taxes, licensing, registration. They know where the offices are - right down the street. Why the change? "Because this site simplifies it." Does it? Does it really? Is it really more simple when someone has to have reliable access to a computer, the wherewithal to make/check an email, and the ability to navigate ten different sites to access the one they want? Why can't they go meet their doctor in person when that's the way it's been since they were children? Why did they learn to make eye contact and shake hands if not for this?

On the other, we have a younger generation that has been tasked with absorbing a huge amount of information since day one. Their brains have to work differently because the tools given to them are different than the ones older generations received. Of course they can find a primary care physician. The site operates like the one they were forced to learn in high school to turn in assignments! And why should they know how to do taxes or balance a checkbook? They were tasked with learning how to navigate the internet - they know where the information is. In a sea of "right now" demands and "this shouldn't take long because you can Google it" assignments, they have to be selective in what takes their attention.

We are currently between a time of "trust the process" and "immediately." So many people feel unheard or ignored because of this. The elderly feel isolated, helpless, and stonewalled. The youth feel anxious, mocked, and bullied.

The world changed and it happened invisibly.

#caffeine chatter #and there are people from different age groups all over this spectrum #they have to help their parents and struggle to understand their kids #i made this into absolutes #but it's really a spectrum of change that's influenced by economic and geographic factors

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miedei · 4 months ago

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so many hills to die on

a case has you re-evaluating your tenuous relationship with spencer, coming to a head when the unsub triggers a confrontation.

cw: fem!reader, soulmate!au, angst/fluff, lighttt miscommunication trope, canon level violence and gore, descriptions of being bound and kidnapped, descriptions of stalking behaviour

a/n: this is probably my most ambitious fic ever, has been in my drafts for sooo long but I rallied and wrote it finally! merged these two requests about a soulmate au from this prompt list, and I definitely went overboard with the concept. title is from $20 by boygenius (lol), unsub name and picture of spencer from loml @siriuslylantsov

prompt: b...ody art (doodles that a person draws on themselves appear on their soulmate’s skin).

wc: 11.3k (holy shit)

mlist

(reblogs are the only way to promote fics on tumblr! please reblog if you enjoyed it :) )

Spencer Reid could say a lot about the phenomenon of transcorpal connections. The incidence of a level of mental connection between two individuals that manifests itself in the melanocytes in a person’s epidermal layer to reflect the markings that another person has exacted upon themselves.

Or, if Prentiss forced him to speak ‘like you’re a human 27-year-old, please’, it was the instance of two supposed ‘soulmates’ where drawings or tattoos on one person’s skin are reflected on the others.

Soulmates weren’t something Spencer took much stock in, to be honest.

A fated partner that some amorphous being has assigned him is not something he really believes in, not just as Dr. Reid, man of science, but also as Spencer, the guy who’s had to watch every loving relationship he’d ever seen end.

He’d seen his parents fall out of love, the little messages his father would write for his mother always there, until one day he’d seen his father write a to-do list on his forearm, the words never arising on his mother’s skin. He’d had whatever that was with Ethan, where he’d desperately hoped that his incoherent scribbles would eventually pop up on his friend-not-boyfriend’s arm, but never did. He’d seen Hotch, the last ‘Jack misses you’ message that Haley had written him still on his upper arm, no matter how long it had been.

The connections between people’s skin wasn’t anything he aspired to, not anymore. He could rattle off facts and musings about the instances of ‘soulmate connections’ in history for hours, but it held no more significance for him than it did as a profiling tool.

Hence, Spencer never really held out for anything to show up on his skin, not until it did.

You had spent years with your body, the parts of it you saw on the daily, and the parts you preferred to avoid in the mirror. The expanses of skin, littered with marks and scars from years of living, are familiar to you. Too familiar.

You’d spent years watching your friends, acquaintances, and even strangers' skin change. Like the first time, in secondary school, whenever you saw lines begin to form on a friend's hand, it always filled you with a strange sense of melancholy.

Of course, people lived whole, fulfilling lives without ever having a soulmate connection, and you’re sure your life wouldn’t be any different, but there was always that little thought in the back of your mind, every sighting of a couple on the street adding feathers to its wings.

What if. What if all that skin finally changes? What if you’ll finally experience the life-shattering love that soulmates are supposed to be?

You had always been holding out for something to show up on your skin, but it wasn’t until you’d least expected it.

Being the newest profiler in the famed BAU was more than daunting. It was terrifying, like hyper-aware-of-every-bone-in-your-body terrifying. Your transfer from Domestic Trafficking had been a long time coming, your experience in psychology and previous work under David Rossi making you the ideal candidate for the spot. You knew all of that, but somehow it didn’t dampen the nerves that coursed through your body every time you walked into the bullpen.

It’s your third case as an official agent on the team, and your fear of messing up the biggest leap in your career hasn’t waned. In a lull in the briefing that Hotch gives on the jet, you refer to the case file, questioning the tiny Garcia shown on the screen set on the surface in front of you.

“And this witness who wasn’t present? What’s that about?” You point to a name noted on the case file, which has very little information listed next to it.

“Yes, my love, that is a little strange.” Garcia’s slightly tinny voice floats through the interior of the cabin.

“She is a Mrs Amaya Walker, not technically a witness, seeing as, you know, she lives and works two hours away from the crimes, but there is a pickle.” As she speaks, Spencer slides into the seat across from you, and you flash him a quick smile as he slides a mug of coffee over the table to you.

“Our lovely Mrs Walker here saw a list pop up on her forearm, right when the last murder happened. Initially she didn’t think it was anything, but later she saw the press conference that the local P.D. did after the second murder-”

“Against my advice, by the way!” JJ pipes up from her spot on the sofa.

“Yes, against JJ’s advice, but once she saw it, she thought her little list might come as useful to the investigation.” Your tablets chime, a picture of a forearm you assume belongs to Amaya Walker popping up on the screen. The fax machine set up under the table whirs, and you pull out the printed version and pass it wordlessly to Spencer. The brown skin of her forearm is marred by scratchy handwriting, a list of household points of interest:

“Bedframe

Edge of coffee table

Light fixture

Oven door

Nightlight

Garage door

Silver spoon”

Your eyes widen, picking up your case file to compare.

“These are all…”

“Where the unsub left smears of the victim’s blood.” Spencer finishes your sentence, his eyes meeting yours with lines of confusion between them. The seemingly random smears of blood had been a point of confusion for you all when you did the initial walkthrough of the two murders back at the office. Each very far from the site of the murder, the team had concluded it had to be part of the unsub’s signature, although they were different for each murder.

This was part of why JJ didn’t want it released to the public, on the off chance that the publicity causes the unsub to escalate or double down.

“Yes, wonderful profilers, you’re correct. The list correlates with all the different spills of blood and…” Garcia shudders, “gore left at every crime scene. Her husband has refused to speak to the police, and she insists he has nothing to do with it, but the police are working on a warrant, they should be getting them both to the station tomorrow.”

“Yes, that is strange. Reid, L/N, you two go to the ME’s office, figure out if there’s anything we can get out of the method of killing. Dave, you go with Morgan and JJ to the most recent crime scene. Maybe we can get something more out of it. Prentiss, you and I will head to the first crime scene, see what we can see. Hopefully we can correlate that with whatever we get from Walker tomorrow.” Hotch’s stern, no-nonsense voice cuts through the confusion, and you all straighten up, ready to get to work.

The medical examiner’s office is chilly, and you regret forgoing a blazer as you step into the bright building from the warm evening air. Spencer laughs softly next to you, and he nudges your shoulder.

“Cold?”

“No.”

You speak resolutely, but the sparkle in his eye indicates he knows your lie. Grabbing the distinctive purple scarf from around his neck, he wraps it around yours, smiling when he meets your eye. The moment is only broken by the clip-clop of shoes coming down the hallway, and you both turn away hastily.

The ME walks up to you, his voice clipped and curt.

“You’re from the FBI? Come with me, please.”

You follow him into a room that smells overwhelmingly of formaldehyde. Two examining tables stand in the middle of the room, white sheets covering the bodies.

“The methods of killing were very different for each case, so much so that we didn’t put together that they were related until the police did.”

Spencer nods from beside you, accepting a clipboard from the doctor. Not bothering to read it, when he can do it in a fraction of the time, you converse with the doctor.

“Yes, we saw that one of the victims was stabbed, and the other strangled? That doesn’t track with any evolution we’ve seen before. Stabbing’s generally much easier than strangling, we usually see them go the other way around.”

He nods, pulling back the sheet on the second victim. You can see mottled bruises around his neck.

“Yes, the most recent victim, John Coulhain, was strangled. By the angle of the bruising, it’s clear he was attacked from behind, and by something that has both leather and metal in it. You see here, there’s a larger imprint from the metal segment.”

Spencer raises his head.

“It says here that he had just gotten out of the shower after work?”

“That’s right. He was found in only a towel. His clothes weren’t found.”

You frown, turning to Spencer.

“Leather and metal… that sounds like a belt to me. Coulhain was a lawyer. He wore suits to work.”

He picks up on your train of thought, continuing where you leave off.

“His clothes weren’t found. The unsub might have used his belt as a murder weapon, so he took the rest too.”

You turn to the medical examiner

“The first victim, Cohen Gibson, what sort of knife do you believe was used?”

He walks you over to the second table, drawing back the sheet so you can see the seemingly random pattern of wounds.

“They’re varying degrees of shallowness, but the shape of the wounds makes me think it was something medium-sized, probably stainless steel.”

Spencer leans forward, inspecting the wounds closely as he muses.

“Stainless steel isn’t the sort of knife you buy with the intention of violence. 54% of stainless steel knives are purchased for everyday purposes, like cooking.”

The ME walks you through the rest of the details of the murders, but the randomness of the methods of killing and the missing clothing stick with you.

An hour later, when you and Spencer walk out of the building into the dusk, it’s still on your mind.

“Reid, why would an unsub use a perfectly good knife for his first murder, but forgo bringing it to the next scene, and use his victim’s belt instead? That reads like a devolution, and this guy is still ramping up.”

“Maybe he’s relishing the deaths? Strangling takes longer, so maybe he realised that stabbing wasn’t going to give him the time with the body that he wanted.” He offers, but you can tell he’s not convinced.

“The scenes don’t show any sign of him lingering. And even if that’s the case, why not bring your own strangling equipment? A belt doesn’t give him the precision he needs in order to control the rate of death, especially one he just snatched off the floor.”

Spencer nods slowly as you approach the car.

“He doesn’t hesitate at all in killing them, but he doesn’t come prepared. It’s like he’s obscenely confident in himself, and doesn't think he needs to plan in order to pull it off.”

You slide into the car as your phone begins to buzz in your pocket. Fishing it out, you pick up the call.

“Hey Emily, you’re on speaker.”

She speaks immediately, forgoing any greeting.

“The first victim, Cohen Gibson. Was the weapon a stainless steel knife?”

You exchange a look with Spencer, replying quickly.

“Yeah, it was. Why do you ask?”

“Gibson’s wife just confirmed that their knife block is gone, along with six stainless steel knives.”

Spencer leans forward to speak into your phone.

“That makes sense. We think the unsub is showing up with no preparation because he believes he doesn’t need it. He’s a narcissist.”

She makes a distracted sound of affirmation.

“That sounds right. Okay, Hotch wants you to meet us at the hotel, we’re going to compare notes there.”

You go to hang up, before she speaks once more.

“Oh, one more thing, the local police department got the warrant to bring in Amaya Walker for an interview tomorrow. You guys should do that, she’ll be more relaxed with younger people there. If her husband has something to do with it, you have to get it out of her.”

Stepping out of the SUV the next morning, you and Spencer walk through the sliding doors of the Decorah P.D.'s office, greeted by the captain of the precinct.

“Hi, I’m SSA L/N, this is Doctor Reid.” You shake his hand, chuckling under your breath as you watch Spencer awkwardly avoid doing the same.

Once you’ve set up your things in the conference room they’ve allocated to you, Spencer turns to Captain Peretti.

“So, is Mrs Walker here? We’d like to ask her a few questions.”

Spencer is sitting in the chair across from Mrs Walker in the interrogation room, while you are leaned against the desk next to him.

“We really appreciate you coming in like this, I understand that this is a stressful time for you. Mrs Walker, what can you tell us about your husband’s whereabouts when the list showed up on your skin?” She’s being cagey, not answering your questions and clamming up whenever you mention her husband.

“Eric had nothing to do with it. I’m telling you, it was a mistake for me to come in, I’m sure it’s unrelated.”

She motions to the words on her arm, and you sigh. It looks like straight questioning isn’t going to get you anywhere. Spencer leans his elbows on the desk, looking at Mrs Walker, his brown eyes seeming larger in the dim light. His shirt sleeves ride up his arm a little, and a flash of dark lines shows before it’s covered again.

“Let me ask you this, have messages like this come up on your skin before? Whether they’re lists or not, have you ever seen anything show up on your left forearm?” She shakes her head mutely, eyes trained on the steel surface in front of her. You sigh, motioning discreetly at Spencer, and you both rise, walking out to the viewing area where Hotch and Emily are standing.

“She won’t say anything?”

“Only that her husband has nothing to do with it. But…” Spencer trails off, and you take the opportunity to finish his thought.

“But, she clearly has some hangup about the messages. When Spencer asked whether they’d showed up before, she said no, but it’s clear there’s more there.” Hotch nods thoughtfully. Lost in thought, you spin a pen in your hand, tapping the uncovered tip against the inside of your wrist, accustomed to the ink blotches that appear on the skin there.

Your eyes wander aimlessly as you do so, and land on Spencer, who is scratching at his forearm. It causes his shirt sleeve to ride up a little again. That’s when you see it.

Small marks are on his skin, more muted than you usually see them, but you’d recognise them anywhere. Your eyes widen, looking down at your own wrist. A constellation of ink dots and lines are scattered across the delicate skin, identical to the ones on Spencer’s wrist.

Is this really happening? Reid? Of course, you’d never been able to convince yourself you weren’t attracted to him, but he’s your coworker. He’s a large part of why you’re so nervous at the BAU. He’s not your soulmate… is he?

Hotch’s unflapped voice breaks through your racing thoughts. “Okay. Head back in, press about their relationship, not the list. Let’s see if we can find a weak spot.”

Well. Looks like you’ll have to contain this revelation until you’re done for the day. Your head reels with the discovery, but you have to put it aside in favour of the case.

Your mind made up, you snatch the pen off the table before following Spencer back into the interrogation room, steeling yourself with a deep breath.

“We’d like to get to know you a little more, Mrs Walker, if that’s alright with you. How long have you been married?”

She shifts in her seat, uncomfortable, but answers readily. “Fifteen years. And no, there’s never been any red flags that make me think he would ever be capable of something like this.”

From his spot next to you, Spencer nods once.

“Okay, we understand. In your relationship, do you guys have any rituals to do with your connection? Like writing to each other throughout the day, or a code system or something with your skin?”

Her cheeks flush, eyes trained on her lap. You press further.

“What is it Mrs Walker? Whatever it is, we really need you to tell us.” No answer. Spencer leans forward.

“Mrs Walker, two men are dead. We’re doing our best to find whoever did it, but we need all the information you can give us in order to do that. You can help us prevent any more deaths.” She wraps her arms around her middle, but still doesn’t say a word. Following his lead, you slam a hand down on the metal table.

“Mrs Walker! I understand that, whatever this is, it’s personal, but this is not the time to be hiding information from us. Men are dead, and it's starting to look like the perpetrator had some connection to you. The local police have a warrant for your husband’s arrest. I want to help you get your family out of this mess, but you need to tell us everything you can. Now.” Her shoulders slump, and finally, you feel like she’s telling you the truth.

“I… I started getting the messages in September. They’re not- not from Eric.” A wordless conversation passes between you and Spencer. That was 4 months before the first murder. You turn back to her, nodding encouragingly as the words seem to spill past her parted lips.

“I never expected to have a soulmate. Or at least… to be able to speak with them. My husband and I, we’re happy! I didn’t care that we weren’t soulmates until…”

Spencer prompts her, leaning forward. “Until?”

“Until the first drawing showed up. It was just a doodle of something, I barely remember now, but we started writing to each other. In places that no one would see, the underside of my arm, or my ribcage. I didn’t- I never did anything! I love my husband, I do, and I would never-” She cuts herself off, holding up a hand to ask for a little time. A few minutes later, she pipes up again.

“I don’t know his name or anything. We talked about surface level stuff, you know? Favourite books, shows, things like that. I was never going to do anything about it, so I didn’t tell anyone.” You can’t help but raise your head, flashing a look at the one-way mirror, hoping Hotch will read the urgency on your face.

“This is good, Mrs Walker. Thank you for telling us. It’s going to take us some time to deduce whether this is related to the murders or not, but I hope you won’t object to helping us further.” Wordlessly, Spencer slides your notepad and pen over to her.

“I’m going to need you to write down everything you can remember from your messages. If there are any still on you, I really need you to write them down as clearly as you can. In a few minutes, one of our teammates will be in, and they’ll walk you through a cognitive interview, try and see how much we can recover.” The two of you rise, nodding to the officer stationed inside the door, but you pause when she calls out to you.

“Do you- do you think that it’s wrong of me? To stay in this relationship, when I know there’s a soulmate out there for me?” You go to speak, but Spencer beats you to it.

“Mrs Walker, the phenomenon of connections like these doesn’t necessarily mean that the relationship would be perfect. You love your husband, and you have loved him for years. A ‘soulmate connection’ doesn’t mean you should even be in a relationship. Many people don’t even believe it has anything to do with compatibility, those relationships are just as flawed as any other. Honestly, I sometimes think the expectations could hinder a relationship.”

It startles you a little, the emotion behind Spencer’s eyes when he speaks. Does he really not believe that a connection means anything? Your eyes can’t help but flick down to the faint marks on your wrist.

By the time you look up, Spencer is already in the doorway, looking back at you with concern in his eyes.

“You okay?” His voice is hushed, intimate, but it’s all you can do to brush it off. Walking back into the conference room, the team is already hard at work.

Spencer’s confused. Something clearly rattled you in the interrogation room, but despite his attempts to meet your eyes, it’s like you’re purposely avoiding his gaze.

He hasn’t taken the time to think about it, but whether that’s because he’s busy or because he’s worried, who knows?

What he does know is that you have quickly become one of his favourite people to work with. Hours spent hunching over maps together, inspecting crime scenes and interviewing witnesses have endeared you to him faster than he thought was possible. It’s this unexplainable fondness that leaves him reeling when the comforting smiles and shared looks are lost all of a sudden.

He attempts to push it to the back of his mind as the team runs through the case once more, Garcia’s tinny voice streaming through the room. However, he’s not fully in it, and the team notices. By the time they’ve concluded that a reinspection of the crime scenes and interviewing Eric Walker was necessary, Emily is eyeing him weirdly, and Morgan all but frog-marches him out to the precinct’s kitchenette.

“Kid. What’s going on?” The elder man braces his hands on Spencer’s shoulders, eyes blazing into his.

“You’ve been acting weird ever since the second interview with Amaya Walker, and so has L/N.” A sense of relief floods through Spencer, and he speaks earnestly.

“I don’t know! We interviewed Mrs Walker again, and it was all fine, but the moment we left the room it’s like she can’t look at me anymore. It’s making me feel all awkward.”

Morgan sighs, his fingers unintentionally digging into Spencer’s shirt.

“What did you say when you left?” Spencer bristles a little at the implied accusation, but can’t help but run through the last few parts of the interview.

“It was all normal, but then she- Mrs Walker, asked if she was wrong to stay in her relationship when she has a ‘soulmate’ out there.” He nods, prompting Spencer to continue.

“I told her what I think she’d agree with, that I don’t know if a connection would make a relationship stronger. I thought that was right, it felt like it soothed the witness.” A troubled look passes over Spencer’s face. He’s always struggled with social cues, but he thought he’d improved. Mrs Walker looked much calmer after he said that to her, and that was protocol.

Calm the witness, make sure they think you are in their corner. Gideon’s voice rings through his head.

“And that was it! We left the room, and then she started acting all…”

Morgan’s features are unreadable, but his hands relax on Spencer’s shoulders.

“Sounds like you need to figure out why she’s bothered. But, kid… Don’t let this affect the case.”

With that, he pats Spencer’s shoulder and walks off, leaving him pondering his words. Figure it out.

Spencer Reid is good at figuring things out. Maybe he can’t tackle this like Spencer, your bumbling coworker, but as Spencer, the profiler.

You’ve been at the first crime scene for only a few minutes, but the awkwardness is thick in the air between you.

Spencer has that infuriating look on his face, all furrowed brows and piercing gazes and so attractive it makes you want to pull your hair out. It’s making it so hard to try and detach yourself from him.

In an attempt to distract yourself, you sidle over to the evidence markers that tag the blood smears in this crime scene.

“So we’ve got… A side table in the master bedroom, a heart pillow that was in the living room and an elephant painting on the wall in the landing. All far away from the site of the murder in the kitchen.”

Spencer steps up next to you, still gazing at you unreadably, but opens his mouth to follow your train of thought.

“The blood spatters indicate that the attack began in the hallway, and the final blows in the kitchen. No blood anywhere else, nowhere near the smears.”

You nod, trying to run through the details of the case in your mind.

“The attack is rushed, hasty. All the stab wounds indicate a blitz attack and a lot of overkill, but the smears are calculated.”

He smiles, and it’s all you can to not turn and reflect that back to him.

“Right, no blood dripping anywhere outside of the murder, not even when he takes some to the different areas of the house to smear. The murder itself is charged with anger, but this is something more. It’s deliberate, it’s…”

You meet his eyes, finally, and voice what you know you’ve both concluded.

“It’s a message. But to whom?”

He holds your gaze, going to reply to you, but is cut off by the shrill sound of his phone ringing. With a sigh, he fishes it out of his breastpocket, holding the brick-like device to his ear.

Whatever he hears has him tensing, and you feel like a coiled spring, bracing yourself for whatever grim news is awaiting you.

“Okay Hotch, we’re leaving now, get Garcia to send all the photos to us.” He sets down the phone, looking at you.

“There’s been another murder.”

You stand at the clear whiteboard, surveying the images tacked on to it. The blood smears of the newest crime scene are pinned up next to those of the two previous ones, and it’s driving the two of you crazy trying to decipher what the patterns are. Spencer fiddles with his fingers, the marks on his wrist flashing as his sleeve shifts, sending your mind spiralling every time you notice them.

“A painting of a tree, and an orange. Let me ask you this, do you think the things themselves are significant or the locations of them?”

You shake your head slowly, trying to clear the fog from your mind. The both of you are silent, standing in front of the board with puzzled looks, when Morgan bursts in, waving around some papers.

“Got the pictures of Mrs Walker’s newest message.” He grabs a magnet and pins a picture of Mrs Walker’s calf to the centre of the board, two things listed there.

“Tree painting

Orange”

“Ok kids, we really need you to work your magic this time,” Morgan taps your shoulder.

“The cooling down period has gotten shorter and shorter. We can’t expect to get to tomorrow evening without another murder.”

You sigh, rubbing your wrist absentmindedly. The marks and your newfound realisation about Spencer haven’t left your mind, but have been pushed to the background for the time being. However, the frustration brings it back up. The connection. Does it mean nothing to him? Does he not think that it would do something for a relationship? You’ve always thought it would indicate that you belong together, wouldn’t you…

Your body moves without your go-ahead.

Eyes widen.

Shoulders tense.

Your arms reach forward, haphazardly grabbing and moving the lists until three pictures sit side-by-side on the board in front of you.

One is printed, a crude attempt by the CSU team to catalogue the items marred by blood. Two are images, words on skin. Words, the first letters of which spell out…

You grip Spencer’s arm, pointing at the first image of Amaya Walker’s skin, the second murder.

“Belongs. Spencer, the second crime scene.”

He doesn’t even acknowledge your use of his first name, leaning forward like you are. He zeroes in on the newest image.

“To. The third one. It’s an acrostic. The first letter of each item spell out his message.”

You move forward, writing the words ‘__ BELONGS TO’ on the board. You are feeding off of each other, thinking aloud in a way that has Morgan sighing to himself.

“She didn’t get a list for the first one.”

Spencer nods. “She didn’t notice. He had to show her.”

You grab the printed list of the items smeared in the first crime scene. “Side table, pillow, painting”

He leans over your shoulder. “He’s more specific than the crime scene techs were. Heart pillow, elephant painting.”

You turn to him, stomach dropping. “She. She belongs to…”

He writes in ‘SHE’ next to the two other words. “He’s possessive, something happened to make him think he doesn’t have her.”

“Narcissistic. Driven by ownership.”

“Eric Walker was here when the third murder happened. Who else would want to lay claim to her?”

You straighten up, meeting Spencer’s eyes, not looking away even as you address Morgan.

“Derek, where’s Eric Walker?”

“They released him from questioning an hour ago, he went home.”

You and Spencer spring into action, scooping up your abandoned holsters.

“We need to get to the Walkers’ house, now. Our unsub is taking out what he sees as competition, and Mr Walker’s all he needs to get rid of.”

In the SUV, you are jittery. Morgan sits in the driver’s seat next to you, and Spencer in the back. As you fiddle with your vest straps, you can’t help but think of Mrs Walker, the woman who never wanted a soulmate. And now her soulmate is trying to kill the love of her life.

Maybe Spencer was right?

Hotch is barking orders at the gathered agents when you step out of the vehicle. Nodding along, you fall to the back of the group, your designated role until you’re called to enter the house.

Your vest is uncomfortable. The straps are always too long or too short, and you have to get it right before you storm the house, but your thoughts are so loud, and Rossi on the phone with the unsub is so piercing, and it feels like you will never get comfortable.

Finally, you feel like giving up, until warm hands find purchase on your shoulders. Looking up, you see Spencer, standing before you with a slight, nervous smile. His hands gently move yours away from the straps, and he looks at you questioningly.

“Can I?” You nod dumbly, unable to tear your eyes away from him.

The touch is soft, tentative. He pulls at the straps dangling over your shoulders firmly, tightening the vest until it sits snugly over your chest. As if acting on instinct, he slips a finger under the kevlar, brushing the thin fabric of your shirt over your collarbone delicately. It makes you shiver.

“Is that good? Too tight?” His eyes are devastatingly soft, head tilted down to face you fully.

“No, it’s good. Thanks, Reid.” You have to get yourself away from the magnetic pull of him, stepping back and letting out a sigh of relief.

You walk away, heading Emily’s way, completely missing the look of confusion he aims at you as you brush past him.

Joining the circle of agents and officers, you tune into Morgan’s run down of the plan.

“Hotch and JJ will take 5 officers and break down the front door. Now, we know there are two other doors that the unsub will probably make a break for once we enter. Prentiss and I will be at the northfacing one, Reid and Rossi at the westfacing one. L/N, you and Captain Peretti should be stationed in the land behind the house, secure the outbuildings before the unsub can think to rush to them and destroy evidence.”

You nod, exchanging a glance with the police captain.

“Remember, this unsub is severely narcissistic and delusional. He won’t stop at anything to get what he wants, including opening fire on us. Do not engage him in a confrontation. Challenging his goals and views will push him further, and we don’t want any more casualties at the hands of this man.”

With a decisive nod, Morgan breaks away from the group, the people beginning to station themselves at their posts. With the captain at your side, you walk around the house to the field behind it, directing officers to each of the small barns and outhouses dotting the land.

With the captain, you stand ready at the large wooden door of what you think is a stable, when the crackling of your earpiece alerts you to JJ’s voice.

“We’re heading in on 5, 4…” You can hear a crash and a shout, and JJ’s voice turns hurried. “We head in now!”

A few minutes have you tapping your index against the side of your firearm, worried.

“He’s not here. We have Mr Walker here, multiple stab wounds but a relatively steady pulse. House is clear.”

Emily starts speaking. “He hasn’t gone through our door. Rossi?”

Rossi crackles out a negative response. Bringing your wrist to your mouth, you speak into the mic embedded there.

“If Walker’s still bleeding out, the unsub has to have just been there. Are there any other possible exit points?”

There’s silence for a second until Reid’s voice comes over the comms, frantic.

“There’s a northwest facing window that’s unlocked! Footsteps leading away from it, into the field.”

Immediately you spring into action, autopilot taking over as you direct multiple officers to search the surrounding woods, and the rest to clear out the outbuildings.

Counting down, the police captain kicks in the stable door, and you flick on your flashlight, advancing.

The large room is drafty, the old wood planks creaking with every gust of wind. At first glance, the dark room seems quiet and empty, and each movement of your flashlight seems to confirm this.

The only thing of note you see is the row of stalls along the left wall, the angle of the opening making sure that you can’t see into all of them.

Silently, you begin to walk towards them, signalling for the captain to follow. Despite the first few being completely empty save for some hay, a chill runs down your spine, bracing yourself for a confrontation that hasn’t happened.

As you begin to inch your way to the second-to-last stall, you hear a shout from outside the building.

“There’s someone in the woods!”

One of the officers rushes past the open door to the stable, and the captain raises her head immediately, dropping her defensive stance.

“That must be him. Let’s go!” Without waiting for a response, she turns, running out of the stable, as if she can’t hear your hushed whispers.

“Captain! This building hasn’t been cleared—” She’s gone. You can hear the rush of officers running past the building, towards the wooded area to the back of the property. Despite the high probability of the unsub being the person spotted there, you know you can’t leave this building without clearing it.

You really should wait for someone to do this with you. Never enter a potential crime scene without backup. Rossi’s voice rings in your ears.

But there’s only two stalls left. The rest of your team are still securing the house and the victim. The officers are gone.

You can clear two stalls on your own. They’re probably empty anyway.

Having made up your mind, you straighten up, tightening your grip on your gun and flashlight, and advance.

Slowly walking to the first stall, you turn the corner, quickly flashing your light in the small space. Empty.

One more.

The floorboards bend slightly as you walk across them. The wind rushing past the walls ruffles your hair. The metal of your gun is warm under your palm.

The wall of the final stall comes closer, closer, until you’re stood behind it. One step forward and a turn to the left, and you’ll be at the doorway.

It’ll be empty. They’ve all been empty.

You take the step, right foot planting in front of you, and turn on the balls of your feet, flashlight and gun extended in front of your chest.

“Hello, agent.”

Not empty.

The house is finally cleared, and Mr Walker loaded into an ambulance. As he watches the vehicle retreat down the road, Spencer hears the chatter over the comms.

“Is it him?”

“The woods are thick, how did he get here without us seeing—”

“—in pursuit of the person we saw—”

“He’s a white man, late 60s—”

“It’s not him! You hear me, officer? That’s not him, do not arrest that man!” Morgan’s voice cuts through the jabbering, voice stern.

They haven’t gotten the unsub? Spencer turns on his heels, striding back into the house, where Hotch, JJ and Rossi stand around the blood spatter on the floor.

“Spence. Doesn’t look like the unsub could’ve gotten to the woods in time, not before we were stationed in the field he’d have to cut through anyway.” JJ stands with her hands on her hips, irritation clear on her face.

“The other buildings on the property?” He comes to stand next to Hotch.

“I saw Captain Peretti. She said they were all cleared. CSU’s sending more units to secure all of them, but we’re not considering any of them crime scenes as she says it’s clear he hasn’t been in them. It’ll take a while for them to get here and secure them all.” Hotch replies, brows furrowed.

The door opens, and Morgan and Prentiss walk in.

“Everything okay?”

Emily huffs. “The locals almost arrested the elderly neighbour, but other than that, the woods are seemingly clear.”

Morgan adds, “There’s some trampled plants in the cornfield to the west of the property, so we’ve got officers searching that now, but that field backs up onto a major road. If he made it through that, he could be anywhere by now.”

Rossi sighs, shoulders slumping.

“I’m getting sick of this son of a bitch slipping out of our hands.”

“I agree. Rossi, go with Prentiss and Morgan to the road by the cornfield. Canvass anyone you find, ask neighbouring homes if they saw anyone emerge from the crops onto the road or lone cars idling. If he took that way out, he'd have had a car waiting for him there.” They nod, shuffling out.

JJ pipes up, her brow furrowed in thought.

“The smears were on a milk carton in the fridge and an envelope. Me. His message is finished, isn’t it? ‘She belongs to me’. What’s he going to do now?”

Spencer’s not sure. Hotch shakes his head exasperatedly.

“JJ, let’s go find Captain Peretti. We’ll head back to the PD and see what we can make with the old clues now that we think he had an intricate exit plan. Reid, stay here, get updating the geographical profile with the information from this crime scene. We’ll send L/N here to work on it with you.”

Spencer nods, heading to the SUV to grab his map, and settling at the Walkers’ dining table to get working.

It’s hot, sweltering. A throbbing pain thuds in your skull, the feeling of dry hay against your face making your cheek itch. Instinctively, you attempt to bring your hand up to brush it away. It won't move.

You jerk your wrists, but find them bound, and a dull pain pangs in your thigh. It’s clear you’ve been out for a little while, your eyes feeling crusted shut.

With a little effort, you prise your eyes open, feeling your pupils adjust to the darkness of the room. You’re still in the final stall, sprawled against the far wall. Another experimental tug on your wrist and you realise that they’re bound together, the coarse rope wound around your right thigh, forcing you to stay hunched over.

It all comes rushing back. Losing the unsub. Peretti leaving. The empty- no, not empty stall. The raspy voice that met your ears before the resounding blow to your head.

Twisting your hands awkwardly, you begin to pick at the rough rope, trying to map out the knot that keeps you in your uncomfortable position. Sweat drips in rivulets down the back of your neck as you crane your neck.

Your position ensures that you can’t survey the entire stall, but he’s got to be close. The property’s crawling with officers.

“I’m still here, sweetheart.”

The voice rings out from somewhere behind you, dark and smug. Your hand automatically makes for your holster, but the rope digs into your skin, leaving you unable to reach it.

“Don’t bother. You think I’d let you keep your gun?”

You can hear the bastard smirk, anger and fear running hot through your veins. Your gun is your lifeline in situations like this, as not only a means of attack, but a grounding feeling. Without it you feel unmoored.

The only thing you have in your arsenal is your knowledge of the case. Of him.

“Why don’t you come stand here? Don’t tell me you’re afraid of showing me your face.” Your voice is low, cracking with dryness.

Prodding him just enough should… there it is. You hear his footsteps, walking past your bent head until you can see his feet and legs, standing in front of you.

“That enough for you? You can see me now?” He crouches, squatting by your calves to show you his face.

He’s surprisingly handsome, flushed from the heat, dark eyes boring into yours. Dressed in a suit that’s slightly too large for him, he looks out of place in the grimy stable. He’s playing the role of a businessman, save for the gun dangling from his left hand, and the telltale bulge of another— yours— in his pants pocket.

This unsub is severely narcissistic and delusional. Morgan’s words come back to you now.

“You- you outsmarted us all. We were sure we’d catch you.”

A smile spreads over his face, his ego clearly swelling. You can see his shoulders relax slightly.

“You thought so, huh? I guess even the FBI has hubris.” His lips form the word hubris with some effort, pronouncing it as huh-brus. It’s clear he’s putting on airs.

You need to get the others here. You could wait it out, until the crime scene techs eventually make their way to this building towards the back of the Walkers’ land.

But he has two guns, and he wants Amaya Walker, not you. Who knows how long he’ll be content to lord over you, until he inevitably gets tired of playing with you. He has two guns.

How do you get a message to them? There’s no way he’ll let you have your phone, and this guy has no reason to contact anyone but Mrs Walker. He doesn’t need a phone for that, just a pen, probably in his jacket.

A pen. Spencer. That’s it.

“So, you and Mrs— um, Amaya. Are you guys going to meet in person soon?”

That does the trick. His eyes glaze over with an expression that would look love-drunk, if you didn’t know about the blood on his hands.

“Soon. There’s nothing keeping us apart now. I’ll go to see her as soon as I’m done here.”

“That’s why you’re dressed up? I think she’ll like that suit.”

His voice is deceptively soft, almost tricking you into forgetting how dangerous he is.

“I think so too. I borrowed it from a friend, John. She’ll like it.”

John Coulhain. The second murder victim, the lawyer. You resist the urge to gag.

“Yeah. It’s- it’s hot in here, isn’t it? Maybe you should take off the jacket and save it for when you see her. You don’t want to sweat through it.”

His metaphorical hackles raise, and you can tell he’s getting ready to stand and walk away from you.

“No, I don’t mean it in an insulting way, not at all. It’s just really- really warm in here. I’m sweating. Maybe Amaya would like to hug you when you meet her. She won’t want sweat on her.”

Your voice is wavering, eyes unable to move from the gun still in front of you.

It takes a long minute before he speaks again.

“Maybe I should take off the jacket. Just for a little.” He’s clearly loathed to admit his perceived fault, muttering to himself rather than speaking to you. Straightening up, you hear rustling above you, until the jacket falls in a heap in front of your bound wrists, part of the fabric falling on the tips of your fingers. You grasp it in your hand, wincing as the rope rubs the sensitive skin on your wrists raw.

As smoothly as possible, you hunch over further, settling in the foetal position, pulling the jacket to cover your hands a little more.

Seemingly not noticing your movement, you see his legs walk out of your eyesight, padding around you until he comes to a stop somewhere behind your body.

“Now, we’re going to wait here until your police friends are all done at the house. Then I’m going to take you with me, and we’ll go see Amaya. You’re going to be our witness, and then I’ll get rid of you, got it?”

His voice is unnervingly slow and deliberate, as if he’s fully convinced this plan will work. You wish you had that same conviction, but you’re sure you know how this is going to end. The stress of hiding out will surely break him, sending him into a spiral where he will either kill you and then himself, or kill you and let the police kill him.

You have to get them here before that happens. Heart pounding, you slowly inch the jacket closer to you, until your hands are fully buried in the folds of fabric. Feeling around blindly, you trace the inner lining of the expensive fabric until you feel a lip of material. The inner pocket is welcoming to your aching fingers, and you sigh, nearly delirious with relief when your index brushes against a pen. You were right.

Thanking whatever deity there is, you grip the pen, shoving it between your bound wrists, out of sight.

Tugging once more, you’re resigned to the fact that you don’t have the range of motion to write legibly on your forearm, hands laying uselessly against your clothed thighs. The nearest exposed skin is on your ankle, and you have no hope of contorting to reach that without him noticing.

Chancing a look behind you, you can see him hunched over his knees, muttering to himself. You don’t have much time left.

Deciding to make a rash decision, you grip the pen once more. Shifting so your left leg is hiked up, your wrists shoved between your legs, you take the pen, jabbing harshly at the fabric of your pants. Without being able to see, your aim is sloppy, but after a few minutes of brute force, you’ve ripped a jagged hole in your pants, near where your left calf meets your knee.

Tension runs through your body, shifting the pen in your hand so that you can write.

‘Spencer’

Spencer is stumped. Standing over the large map spread over the dining table, he can’t think of a reason why the unsub would ever leave the scene. This was his endgame, his final target until he could have Amaya Walker to himself. Why would a narcissistic sociopath flee after that?

Garcia’s voice comes crackling over the comms.

“My good doctor, it’s a little ridiculous that I had to use the PD’s satellite phone to get in touch with you. Do any of you pick up the phone anymore?”

He huffs out a laugh.

“We’re in the middle of farm country, Garcia. None of us have signal. Have you got anything?”

“You know I do. I took a look-see into Mr Walker’s history to see if he’d been stalked, and in multiple stretches of CCTV footage he’s being tailed by a white SUV. Including two hours ago, when he was on his way home. The car followed him on the main road, and pulled into their private road after Walker.”

“The car probably belongs to our unsub then. Do you have a name?”

“Do you even need to ask? Name’s Randall Slater, seems to tick most of the boxes of the profile. I’ll call back when I have more, Garcia out!”

Spencer slumps back in his chair. Sure, they have a name, but until he gets anything else from Garcia, it does nothing to help him with the geographical profile.

Wracking his brain for any possible lead, he doesn’t hear Hotch and JJ walk back in, not until they stand at the table with him, the police captain in tow.

“Reid. Where’s L/N?” Hotch speaks in a low and measured tone, but Spencer can tell that he’s worried.

“She’s not here yet. I thought you guys were going to send her here?” He raises his head, meeting JJ’s concerned eyes.

“She wasn’t with Captain Peretti.”

“When we were pursuing the neighbour in the woods, I lost her. I figured she’d come back to find you guys.” Peretti’s voice is tight with worry, and a tinge of something else that Spencer doesn’t have the time to decipher right now.

“Morgan and the rest haven’t heard from her?”

Hotch shakes his head no.

“Her comms have gone silent.” JJ brings a hand up to rub her temples.

“Captain, inform your officers that we are looking for Agent L/N as well. Hopefully there’s nothing wrong, but we can’t rule out the possibility that the unsub found a way to get close.”

Peretti nods stiffly, striding out of the room hurriedly.

He can barely wrap his head around it. You’re not checking in? If there was a word stronger than worried, he’d find it, but his brain seems to be wading through sludge at the moment. He hadn’t realised how untethered he feels when you’re not there, until now, where it feels like the only thing he can think of.

He can’t just sit around. Spencer straightens up, snatching his FBI windbreaker off of a chair and beginning to put it on.

“Okay, I’ll head out into the crop fields. If he took her as he fled, there’s got to be evidence of it.”

He’s already halfway across the room when Hotch calls out after him.

“Reid, no. You need to stay here. Work on the geoprofile.”

Spencer can feel the irritation bubbling up inside him, his voice straining with the effort of not yelling.

“Hotch, I’m not going to sit around here and do nothing when the unsub could have Y/N with him. If I can find—” Hotch cuts him off.

“We. Reid, I know you’re emotional, we all are, but you cannot forget that this is a team. We’re all prioritising this. You know that you are best used here. If the unsub took her, we need to locate that secondary location immediately, that’s what you need to be doing.”

Incensed, Spencer can’t help but raise his voice.

“Do we even know that he left? We profiled him to be a delusional narcissist, why would he ever leave? Hotch, I’m telling you, something is wrong here!”

Hotch’s eyes flash with emotion, and he opens his mouth, presumably explaining why Spencer shouldn’t leave. It’s all a moot point, however, because in that moment, he feels a burning on his left calf.

The one-sided conversation goes over his head as Spencer can’t help but tug up his pant leg, itching at his skin as he runs through possibilities in his head. The unsub could’ve done what they’d now theorised, taken you and dragged you through the cornfield, into a car that was waiting by the main road. But why?

He huffs, sitting down in a dining chair as he continues scratching at his leg. Hotch falls silent, but he doesn’t notice, lost in his thoughts.

“Spencer. Spence!”

JJ’s voice snaps him out of his haze.

“What, JJ?” He snaps, irked that he’s been pulled out of his thoughts.

“Spencer, your leg.” He follows her pointed finger to the exposed skin of his calf, red from his scratching. It looks normal, smattering of hair covering the dark moles and lines covering his skin.

Wait. Lines?

He shifts, hooking his ankle over his right knee so he can see his calf more clearly. Shaky lines are forming on the skin in jerky motions, spelling out words in a familiar script.

‘Spencer

unsub in stable

west edge

2 guns

wants amaya’

The handwriting is slanted, letters running into each other and words misspelled. And he knows it’s yours.

“Y/N. It’s her handwriting. She’s writing to me.”

He feels like he’s in an out-of-body experience. He can hear JJ’s gasp, but it feels as though it’s coming from miles away. Hotch is saying something, but the words don’t register as anything more than misshapen sounds.

Graphology is one of Spencer’s specialties, but now he wishes he’d never learned about it. He wishes he didn’t know that the harsh angles of your writing indicate that you have adrenaline pumping through your veins. He wishes he didn’t see the way your letters jumble together, a physical manifestation of your fear.

He slowly comes back to his body, finally understanding what Hotch is saying into his comm.

“—a stable on the west edge of the property. We need the three of you back immediately, JJ, Reid and I will coordinate with the locals to have the building surrounded. Reid, can you hear me? Reid!”

Spencer nods, looking up at Hotch.

“We need to know what’s happening in there. Is she hurt? Can she overpower him?”

He agrees, snatching up a pen and wracking his brain on what to write.

‘Are you hurt?

Are you armed?

Can you talk him down?’

He writes carefully, focusing on the drag of the ballpoint pen on his skin rather than the pure fear riddling his body. Once finished, he doesn’t set down the pen, fiddling with it in an attempt to stop himself from running to the building immediately.

JJ sets a hand on his shoulder, and although he’s grateful for her support, he can’t bring himself to look at her. He can’t look away from his leg. He has a soulmate.

You’re laying at an awkward angle, neck craned and back hunched over so that you can read what Spencer’s written.

Are you hurt? Your head hurts like hell, and the rope has irritated your skin to no end, but nothing that impairs you. You write a shaky ‘N’ next to the question.

Are you armed? You chance another look behind you, looking longingly at your gun in his pocket. Another ‘N’.

Can you talk him down? Can you? You remember the many times Rossi tutored you on interacting with narcissistic unsubs. Learn what they want, promise they will have it, and don’t challenge them. What does he want?

You decide you can, writing a small ‘Y’. Next to that, you scrawl hurriedly, hearing him shift around.

‘bring amaya’

With that, you stuff the pen in your sock, relaxing your body and hoping you don’t look like you’ve been up to something.

The unsub is unsettled, and you can hear him oscillate between standing and sitting repeatedly.

If you want to take control of the situation, you need to act quickly. He’s losing patience with you and the officers outside. If you wait too long, he’ll snap, and then you’re done for.

A final peek at your calf finds the words ‘5 minutes’ etched there.

Five minutes to talk him down. You can do it for five minutes.

You croak out lowly, vocal chords rasping against each other.

“I— I spoke to Amaya. When we were investigating. She told me about you. About the two of you.”

You can hear him stop moving abruptly, and then the patter of his feet as he walks quickly to you. He comes to a stop right in front of your face, your eyeline taken up by his feet and ankles. He speaks in a hushed tone, as if tasting the words carefully before speaking.

“She did? What did she tell you?”

“She said you’d been talking for a while. That it started when you drew a flower on your upper arm? She drew it for us.”

His voice has regained some of its smugness as he replies. His feet are tapping softly, as if he has all the time in the world.

“Of course she did. She loves me.”

You nod jerkily, continuing with your waffle.

“It's clear she does. I'm— in the FBI, I'm a profiler. I'm an expert on human behaviour, and I could see it, despite…”

You trail off, hopeful that he'll take the bait. He does, voice gaining a dangerous edge.

“Despite? Don't let me stop you from speaking your mind, agent.”

“Well, she was scared when we spoke. You know, suddenly there were all these dead bodies that were linked to her. She was pretty shaken.”

His tapping stills.

“Because of the bodies? I did that for her. For us!”

“Yes, I know. It's romantic, really. But, it scared Amaya a bit. It's all so sudden, you see. She was a little freaked out, especially because you hadn't told her about it.”

He's silent for nearly a minute, breathing heavily.

“She's angry about what I did for her?”

“No, not angry. I know she'll understand. You did it for her, she'll love it. She just… wanted to know from you, instead of the police.”

There. You've set your trap, and hopefully he'll fall right in it. Rossi's good-natured lectures play out in your head.

Never challenge a narcissist directly. Make them worried, but never tell them outright that the object of their desire isn't going to be theirs.

He feigns nonchalance, but you can hear in his voice that his narcissistic possessiveness is warring with the uncertainty you've introduced.

“Your friends had better be leaving. I've got to get Amaya, and if that takes too long, it's on you.”

You fall silent, hearing him mutter to himself as he begins to pace. If you push further you might be toeing the line too far.

The five minutes are almost up, you've got to believe that you've done enough to help them talk him down.

As if on cue, you hear the familiar crackle of a megaphone. Rossi's voice, albeit muffled, comes booming towards you, sending a shiver down your spine.

“Randall, we have the building surrounded! Let the agent go and we can end this peacefully!”

The unsub, Randall, you suppose, straightens up, and you see him walk cautiously away from you. He walks to the far wall of the wooded building, and you catch a glimpse of him peering through the wood planks. He swears, shoves his gun into his waistband and paces hurriedly back to you.

“You bitch. Did you tell them? Huh? Did you?” He grabs a hold of the rope binding your wrists to your thigh, tugging you up to face him. The rope cuts harshly into your skin, forcing your right leg up at an unnatural angle to follow your wrists.

“I didn’t! I didn’t tell them, I don’t have my phone!”

Wrong thing to say. His eyes darken, and you see his hand twitch toward his gun.

You’re so close, you just need to show him what he’s here for. You hope Spencer got Amaya here.

“I can get you to Amaya! I swear it, if you let me talk to them, I can get them to give you Amaya.”

It works. He doesn’t let you go, and you whimper at the feeling of the rope cutting you, but he pauses, and you can see him thinking it over in his head. It takes one long minute, but he seems to make up his mind.

“No funny business. I’m going to be right there, so don’t even try sending them any messages, got it?”

You nod, and he whips out a pocket knife, using it to slice through the rope. You let out a deep sigh of relief, your right foot meeting the floor so you can finally stand alone. Blood seeps from the cuts on your wrists and thigh.

He grabs you by the throat, pressing himself to your back, and you register the cold barrel of a gun pressing against your side, where your vest doesn’t cover.

As he half marches, half drags you to the large door, he hisses in your ear.

“I don’t want to hear anything other than Amaya, got it? You say anything that doesn’t have to do with getting her here, I shoot you.”

You nod wordlessly, stumbling towards the door. He comes to a stop right behind it, and maneuvers around you to shove it open, thrusting you out into the fading light of the evening.

Blinking rapidly, you slowly focus on the cavalry in front of you. Multiple SUVs are parked at a three meter’s distance from the stable, doors flung side open so the officers and agents can huddle behind them. A few steps away from them stands Rossi, the sight of him sending a rush of comfort through you.

Rossi clutches the megaphone tighter, and you notice he’s speaking to someone by the SUV in front of him— Oh. Spencer is crouched at the car right in front of you, silver revolver glinting in his hand, and his eyes trained on you as he speaks to Rossi.

It feels rather stupid, but you can’t help but note how pretty he looks, hair tousled and jaw clenched.

You’re pulled out of your reverie when Randall jabs you in the side with his gun, making you yelp.

“Now.” He warns. You straighten your neck, making eye contact with Rossi.

“He’s demanding to see—” Another jab. “—to have Amaya Walker. Please bring her out.”

As you speak, you take your right hand, which was dangling at your side, and bring it up to your pants pocket. Making a gesture that resembles a gun, you slip it into your pocket softly. There’s no significant signal that they’ve understood, but you see the skin around Rossi’s eyes pinch, and you hope you’ve gotten the point across.

If they can get him to move just a little, you can retrieve your gun from his pocket and incapacitate him. And the only thing that will get him to move now is Amaya.

Rossi brings the megaphone back up to his mouth.

“We can get her here, but we need a guarantee that you won’t harm this agent. Randall, can you do that? Give us Agent L/N, and we can get you Amaya.”

Incensed, Randall hits your side harder with the barrel of his gun. You see Spencer and Morgan twitch forward slightly.

“No! I want Amaya here, now, and I’m not letting your girl go until I see her!”

Rossi nods quickly, signalling to someone behind him. At that motion, JJ emerges from who-knows-where, Amaya Walker in tow. The older woman is wearing a bulletproof vest, her face ashen at the sight in front of her.

They walk forward until they’re standing by the cars.

At the sight of her, Randall relaxes slightly, but not enough to where you can easily maneuver to your gun. Shaking your head slightly, you see JJ prompt Mrs Walker.

Her voice is shaky and quiet, but you know Randall is hanging on to every word.

“Randall. That’s your name? I’m—” She chokes back a sound. “I’m so glad to meet you.”

Randall makes a pitiful noise from behind you.

“They said you were scared of me.”

JJ prompts her again.

“I- I could never be afraid of you.”

At that, Randall lets his hand fall from your throat, and you move. Whipping around, you shove his gun away, diving into his pocket and retrieving yours. You straighten, pointing your gun at him as steadily as you can, with the wobble in your right leg.

He attempts to run to Amaya, but JJ’s already swept her away.

“Randall, surrender now! You’re surrounded!” Rossi’s voice booms, but it only serves to madden him further.

With a roar of anger he begins to charge to you, and you squeeze, before collapsing. The bullet hits his thigh, the last thing you see before you pass out.

It feels like hours later when you come to, but it's clearly only been a few minutes. You’re sitting on something hard, cold metal, but your back is being supported by something warm.

Only a few beats pass until the sounds come rushing back. You hear the chatter of multiple people around you, but three voices come the clearest. One is deep, interjecting intermittently to the conversation.

The other is calm and melodic, speaking in a steady rhythm that doesn’t falter at all.

The last is hurried, speaking so quickly that it feels as though it all runs into a pleasant hum. They’re clearly asking questions to the second voice, but you can’t fully understand what they’re saying.

You want to know who it is. With an immense amount of effort, you prise your eyes open, blinking blearily at the lights.

“Hey, there she is.” There’s that deep voice. Turning to it, you see a familiar face. Derek smiles at you softly, his hand coming up to rub your shoulder.

“You had us worried there, sunshine.”

Looking around dazedly, you can finally take in your surroundings. You’re sitting in the open doors of an ambulance, the evening having given away to the darkness of night. Headlights from multiple cars light up the area, leaving you spaced out.

There’s a medic standing next to Derek, tending to the cuts on your thigh. Who’s the last voice?

You twist around, much to the chagrin of the medic, but their protests fall away when you see him.

Spencer sits next to you, your back leaning against his side. His eyes are worried, pinched together, but still lovely.

“Hey.”

It’s simple, but the word seems to mean something more, when it’s coming out of his mouth, and when he’s looking at you like that.

You’re frozen, unable to speak. The medic pats your knee, saying that the rest of your patching up should be done at the hospital. Derek walks away after kissing your forehead. You can barely say goodbye to him.

It’s only once you’re relatively alone that Spencer speaks again. You turn to face him, immediately missing the heat of his torso against your back.

“Was… this why you were acting differently?” He raises his leg, pulling up his pant leg to show you the words on his skin.

You nod.

“You said you didn’t think it was real. I didn’t know how to tell you yet, and then— it was the only way to contact you.”

You see his hands raise slightly, but refrain from touching you. You want him to touch you.

“I don’t know if I believe in it. But… Even without it, I wanted this.” His words are achingly sincere, and his hand comes to rest over yours.

“Wanted it since we met.”

Your breath hitches slightly, and you turn your hand to hold his, your wrist with pen marks meeting his.

The words don’t come to your tongue, but you’re sure he knows. He figured it out.

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