#also it would be criminal for Mr not to mention that in this ep everyone starts voicing the characters all annoying Rowan and it so amazing

[anxious-chaos-art]

Hey guys did y’all know that this (fan)art Karina Drawfee made is actually so important to me

[jq37]

The Case File – Mice and Murder Ep 3

The Case of the Curious Clues

Before we start, a quick plea to Grant O’Brien: Please stop finding clues. I can only take notes so fast. You’re killing me Grant. Moving on...

We start off this episode with yet another flashback, this time to the final confrontation of Sly and his supposedly dead arch nemesis Fletcher Cottonbottom at Reichenbunny Falls (...Brennan please). Fletcher was using a local castle as a storage center for munitions but Sly tipped off the cops before they could be moved. They do some repartee back and forth before Fletcher, the madman, handcuffs them together and jumps off the edge. They hit the water but Sly is able to lockpick himself out and escape while Fletcher disappears beneath the waves. 

You know what I got from that story? No body.

Anyway, we jump back to the present where there *is* a body, Squire Badger’s specifically. Everyone in the room who isn’t a PC thinks that this must either be the work of ghosts or Mrs. M who was the only person in the room when it happened (allegedly). 

This is a crucial time for clue gathering and Brennan keeps everyone in initiative for investigative purposes. Now, *so much* stuff happens here that I’m not going to recap every single detail--just the major clues and the things that seem relevant. I’m serious, this is like the volume of info we usually get in the once per season later game lore dump ep but it’s episode THREE.

Daisy tries to find a secret door but critically fails. She clocks Gangie, a fellow criminal, and in the moment Rekha and Katie decide that they prob have worked together in the past even though they are very different kinds of criminals. 

Buck, who is outside listening to what’s going on in the room notices that his ankle knife is missing which is Concerning considering a man was just knifed to death. 

Sly has Lars guard the door (he opens it and Buck is discovered, whoops) and then rolls a NATURAL 20 plus NINE to investigate so Brennan just has to tell him literally everything. RIP to him and me. Anyway, here’s the rundown (along with some of the stuff other ppl got):

Mrs. M’s hands are covered in blood but she couldn’t have done it. Based on her personality for one and for other reasons we’ll get to.

The wound is much messier than it would be if a person stabbed themselves typically.

There is a note in Squire Badger’s handwriting that says “Sylvester Cross I am afraid” No indication of if that was the whole message or if he got interrupted (maybe Buck could figure it out with his handwriting checking skills). Daisy from across the room clocks that Sly’s name is written on the paper but can’t read the rest.

The knife is a hunting knife with a pronghorn handle--an animal not common in England but very common in Texas (and Buck is sweating obv).

There is a slight layer of charcoal type dust on everything on the big resolute desk in the room (which makes sense, ash from the fireplace) but there is parchment type dust on the bust of Barkus Aurelius (OK, that one’s good) on the table and that’s the only place that dust is. Ian later notices that the date on the bust is wrong. 

Speaking of, the desk (which we learn later was put in and taken out of storage once Loan Hall was modernized) is bolted to the ground and a lot of stuff has been thrown off it as if by a powerful force but Sly notices that it’s just the metal stuff like things made of silver or with screws. Stone things like the bust and other non-metal things have stayed put. Plus he smells ozone. This was the work of magnets, not ghosts, he concludes. And, for the record, Grant figured this out himself!

Mrs. M’s eyes are rapidly dilating. She is questioned about what happened and she says that she was told she was fired and would receive a small pension. 

(Not a part of Sly’s clue dump but Buck rolls a 24 with disadvantage to persuade everyone he didn’t do it but then 2 nat 1s in a row to see if Harding--who said he was standing outside the door--is suspect. Buck thinks he’s at most a stooge but he did roll a nat 1 so who knows?)

Anyway, back to Mrs. M. Gangie fully believes Mrs. M is innocent and scared. She doesn’t quite remember what happened for a couple of seconds in there and it’s clear this is not the first time she’s had missing time. Sly calls Longfoot (the bunny photographer) over to take a picture of Mrs. M which everyone is a little appalled at until they realize he’s making a point. When the flash goes off, she bugs out like she did in episode 1 and forgets that the picture was ever taken. Sly then has Dr. Magpie list the symptoms of epilepsy. It seems that Mrs. M had an episode triggered by the flash she mentioned seeing and then lost time. It’s possible that what she thought she saw after that she didn’t actually see.

[While Sly is monologuing this Rekha texts Brennan and gets a 17 to swipe the “I am afraid” note. Sly doesn’t notice.]

So if it wasn’t her, then who was it? There’s only one door into the study and anyone who walked in would have to have walked past Mr. Harding, Shellcrest, Calliope, and Tabitha (who is having a marvelous time being in the midst of so much drama). Ah, but who said there was only one door? Sly has Harding pull a sconce and a SECRET DOOR OPENS! Woo! Finally! It’s a classic bookshelf one that opens into the hallway and there is some extremely fine crushed glass under the door. Hmm.

Sly clocks that there is something under the desk but we don’t know what it is because Brennan texts it to him and it’s redacted. There are actually a couple of redacted texts that go around this ep so we are def missing information. 

OK, that’s more or less everything. 

Sly notices that the page is missing and Grant gasps while Rekha does an excellent job of pretending like she doesn’t even remember what paper is being talked about. Constance asks if it’s possible that Mrs. M totally made up the memory because of her epilepsy and between Dr. Magpie and Sly they determine that that’s uncommon but possible. Dr. Magpie says that everyone should leave so he and Sly can examine the body and Sly says that someone should watch Gangie at all times. 

At this point, Harding and Gilfoyle (the butler) say they should establish where everyone was at the time of the murder. A lot of the staff and guests have solid alibis cause they were in big groups/cleaning up together. But the PCs were off alone (or with each other) and had reasons to want to guy dead so they’re prime suspects. Sly even admits that he’s one too. Also everyone dogpiles Ian because Raph makes it so fun. 

Harding mentions the letter that was given to Buck (the one selling his shares in BB and giving voting writes to his rival Josiah) and asks him to read it. Buck reads it and gives a streamlined version of the truth, saying everything except for the part with the proxy vote. With a 26 he is able to allay everyone’s suspicions for now, but now he’s purposefully hidden the truth in a way that can be readily called out if anyone sees the letter or the contract which he resolves to find. 

Buster distracts the group so Daisy can “check the body for a pulse” aka: check the body for the contract. She doesn’t find a it but does find a key attached to a piece of red silk--something that would be weird for him to be carrying around instead of his valet. She figures this must open whatever locked drawer the contract is in and swipes it but Sly clocks her stealing it (his perception ties her sleathiness but an earlier Bless from Ian tips him over the edge--poetic).  

Calliope says that everyone is kinds suspect, including Sly, but *someone* has to solve this and Sly’s their best bet so everyone should just stay put and they can guard the exits. The butler says that, besides the front door, there are some towers that poke up above ground and a servant's exit/entrance by the elevator in the kitchen wing but they can lock down both and have someone guard the front doors. 

The butler is like, lmao yeah Sly I know you didn’t do it and I’m not gonna stand guard here but you know, everyone is keeping an eye on y’all. And then he leaves the PCs, Mrs. M, Constance, and Dr. Magpie in the room with the body. 

Lars is about to go watch the kitchen staff but, before he goes, Sly says to him that he saw Cottonbottom and is obviously quite scared. Gangie, who used to work for the guy, overhears and asks what’s going on. Sly assumes Gangie is playing coy but rolls high enough to know that he isn’t. He saw a starkly white Cottonbottom and one of his known conspirators doesn’t know he’s back? Perhaps it was a ghost after all. 

Case Notes

My 2 fave bits of this episode were “bad to bad bad bad” (and the further riffing) and Daisy throwing increasingly bigger books at Sly.

Even with a Nat 1, Sly gets a 16 on Investigation. Wild. 

I don’t think Rekha got enough props for her “Cross examination” line so I’m mentioning it here.

Brennan said the ozone question was still open--but I assumed it was like the electricity smell from an electromagnet. That would make sense, right? Maybe he meant they hadn’t found the source of it specifically yet?

Brennan says Buck’s knife is a pronghorn knife. I assume they’re made from the animal’s horns? Even if they’re the kind that fall off every season, is that weird? Or is it just like human hair wigs? Also, does this world have leather?

I love that the dice keep supporting the narrative that Daisy simply cannot get her shit together when she’s with Sly because he distracts her too much. Delicious. Their whole relationship is delicious. 

OK, I am a tiny bit suspicious of Calliope. It’s partially the way she took control of the situation near the end and partially the fact that she doesn’t seem like the kind of person who would be involved in this which would make her heel turn delicious. No hard evidence and obv she couldn’t be the person who actually stabbed a guy but idk. Just spitballing. I’m very curious about whether we’ve met everyone we’re going to meet more or less or if there are still outside people/hidden inside people. Because, in real life, a murderer could be literally anyone but in a story, you can’t just introduce a new villain all of a sudden at the end. Bad storytelling. Weak payoff. We’ll see how things start to pan out. 

[angelmichelangelo]

i’m about five years too late and nobody asked for this except me and i need to just get this out of my brain because it’s 2am so here’s a list of things i wish happened on glee that didn’t HERE WE GO:

- new directions being actual teenagers. just them hanging out. going to group sleepovers. giant study sessions (because school exists in this universe?) like remember in tpp when they were eating lunch together ? that’s what i wanted MORE of. just them being actual friends. a sleepover episode is all i wanted imagine all the abba songs we could have gained from that episode

- a halloween themed episode. the closest to this that we got was the ‘thriller/heads will roll’ mashup which YES was iconic but im greedy and it’s not enough. my idea for a halloween episode is that the gang gets trapped inside the school after staying behind to idk rehearse? or something? and then things get progressively worse as they start to go a little mad, thinking the school is haunted and they split up into pairs trying to find an escape and they think they’re seeing ghosts/someone lurking around the school and they’re getting real spooked but it turns out it’s just sue fucking with them lmao

- kurt and finn being brothers. THE POTENTIAL WAS THERE and sadly after furt we are left with crumbs. why ?? WHY?? little moments like finn saying that he’s driving back home with kurt or them saying they can’t do something because they have a family thing would have been good enough. more scenes of them hanging out in their home with their parents would have been *chefs kiss* but alas. it never happened because glee writers are bastards

- based off my last point: sam actually living at the hudson-hummel house because he actually did live there? but nothing is ever said like what’s the dynamic there why weren’t kurt and sam and finn close if they all lived together for what? like a year? was sam living in the mf shed? did he ever get close to carole and burt?? where tf did he live when everyone went off to college did he just stay in their house lol who knows not me LMAO

- blaine dealing with his trauma ? mental health was never dealt with very well on this show. emma’s ocd was just ignored after she got married or whatever and blaine mentioned his trauma once and then it was ignored until it was mentioned in passing a few seasons later and even he just brushed it off and it was never brought up again like wtf. i have no idea how they wrote a whole episode about hate crime in bash and they never once thought to have blaine and kurt have a single conversation together, let alone a conversation about how they’d both been victims of a hate crime. AND THE ONLY TIME BLAINE DOES MENTION IT IS IN TESTED WHERE ITS JUST USED AS A REASON FOR THEM TO FIGHT AAAAAAAA no wait im calm it’s okay. i just would have liked to have seen kurt and blaine have an emotional moment together in that episode that didn’t include blaine singing and kurt being knocked tf out. just sayin.

- kurt dealing with HIS trauma !! again, glee gets bad points for talking about mental health and it just is crazy that they had so much potential with kurt, ie: depression, anxiety, ocd (kinda?) his bullying, being literally assaulted (i see u ryan murphy taking that whole plot line so loosely mmhm) and then shoehorning in the fact that he was suicidal AT THE SECOND TO LAST EPISODE when they had a whole episode about suicide and they could have mentioned it at any time but ofc they didn’t because the writers just wanted to shove in as much as they could in the flashback episode AYE AYE AYE the potential!!!! oof.

- literally just more tina. jenna ushkowitz is a fantastic actor/singer/preformer and she was criminally underused. i like the episode props because of two reasons: one. everyone switching characters was amazing. and two. some actual tina scenes. even if she.. technically was rachel but also herself or something? either way. i digress

- this is just in general but MORE ABBA AND ALSO THE CARPENTERS and also some sound of music songs would have worked GREAT but they already had like a million songs and as the show progressed they veered away from old songs and more towards popular songs at the time to help chart numbers blah blah blah whatever it’s cool. but also how did they only do a few abba songs that is criminal

- a more fleshed out ending that wasn’t so rushed. like rachel won a tony and everyone else is just? there? why is sam at mr shue’s house ??? how did artie get up the stairs? did quinn graduate from yale? and where tf was kurt and blaine’s child during ‘i lived’ because burt and carole are vibing in the audience and rachel isn’t pregnant so like? is the baby just?? alone somewhere in the wings?! lmao where are u bby girl!! but once again i know they didn’t have the time to do it so idk it’s fine what they did it just sucks we didn’t get more! but again. fanfic exists so yah im all good

- more of blaine’s mum. or mom, in this case i guess. why cast gina gershon and then give her ONE line like ? ik there was a whole deleted script that explained why she was there but i love that up until that point blaine seemed like he genuinely murdered his parents, lived in their big house all alone and when people got suspicious he just told them that they were “out of town” :) either way pam is great i love her and i wish she had more to do in the one episode she was ever in. not even a moment with blaine?? wasted.

- more of cooper anderson, matt boomer is so fucking funny everytime i think of the emotion tornado i bust a lung laughing like it’s so fucking stupid but oh my good i love it. (and if you haven’t watched the special feature of cooper’s transformers audition tape please please watch it because it’s just so funny.) ik he was just a special guest but i wish they got him back for at least the wedding ep but guess my mans was just busy. boo ;(

- going back a couple of points, i wish they’d done a whole episode like props. every actor here just shines when they’re impersonating each other. finn and puck as kurt and blaine is beautiful and quinn and sugar is incredible. also idk why they refused kevin the right to wear the cheerios skirt; they could have put a little more effort into some characters but that’s glee for ya lmao but yeah. a whole episode like that would have been so much fun

- they should have let chris colfer write more episodes. purely for the fact that he wrote with his own bare hands the whole scene where lea michelle’s character gets dragged down a road by dogs. this guy. it’s a shame he only got to write one since he actually did a really good job! i would have loved to have seen what other episode ideas he had :)

- glee in the summer! obviously it only was centred around the school year but after season 3 who honestly gave a shit about the glee club and mckinley lmao i wanna see them in SHORT SHORTS and POOL PARTIES but nope we just got september - june so like rip all my hopes and dreams

- WHAT HAPPENED TO DALTON? bitch just burst into flames ?? and for WHAT?? oh yeah plot convenience smh this is so sad i wish they’d either written something better than “we need the warblers to team up with new directions so uhhh the school burnt down” like. it’s a private school. if the school is gone and they’re just staying at mckinley what are the parents paying for? they’re just cool with sending their kids off to public school now? every adult in this universe has been murdered by these kids, haven’t they? they’re just doing whatever they want jfc

- a wedding was a good episode. ish. and yknow, huge kudos to them because gay marriage wasn’t legal in the us at the time so im less harsh on the fact that they definitely threw up the rainbow flags and made it less about the characters getting married and more so “we have gay characters and look they’re getting married what a concept” but i do wish we could have gotten some more married!klaine since they don’t really have much to do after this understandably but a little moment alone together after the wedding would have been nice :) IT WOULD HAVE BEEN NICE IM TELLING YOU

- get rid of the hummelberry friendship and send mercedes to new york instead. i have nothing else to add to this other than the fact that i mourn the fact that kurt and mercedes went from bffs to just. school mates. this is tragic this is traaaaagic !! and all for more of the rachel berry show smh

- every day i wonder what was going through carmen tibideaux mind when she watched the kurt hummel preform not the boy next door and was like :) and then watched rachel berry have a breakdown on stage and then proceeded to give rachel the spot at nyada and kurt gets payed literal dust. and THEN she had the nerve to tell him it was because his performance had no heart. AND HOW DID ADAM GET IN THIS BABY GOT BACK MOTHERFUCKER?! nyada is a circus school oh my god !!!!! kurt deserved better im telling yall he deserved so much better

there’s so much more i could rant about but im going insane im so tired and i need psychological help after watching glee so im gonna leave it here and say peace out homies it’s been fun but i need to sleep so bad

[joneswuzhere]

in anticipation of episode 4.14, i watched ‘how to get away with murder’ s1

here’s my thoughts on how rd might be playing out an homage to the show, and on what these parallels might suggest to expect from the whole ‘jughead dies’ plot

below are complete spoilers for ‘how to get away with murder’ s1, a few spoilers for s2 and s3. and also. spoilers for donna tartt’s ‘the secret history.’ cool ok here we go

- first. we’re abbreviating the title to htg

- second. htg’s plot is pretty convoluted and out-of-order, so it’s hard to mention one thing without having to explain four other things. riverdale’s format is so chill in comparison. i apologize for repetition and confusing timeline discussion

- also, maybe u watched this show! or maybe u want to. or maybe ur impatient and just here for riverdale lol. i’m not going to make u scroll through a whole plot summary of htg’s first season. BUT i did write one up here if that’s something u want to read. it will probably make the following easier to understand, but i’ll do my best to make it accessible without that

- third. like i said, my goal here is finding potential parallels and, based on that, speculating on what rd is doing with this plot. i have no conclusions but i do have some thoughts and maybe you do too

- ok the basics of htg:

- this show is the visual inspiration for rd’s flash forward hook, as well as for the murder cover up in the woods.

- the show structure is: a main timeline, intercut occasionally with flash forwards to a murder that happens at the midseason point. similar to rd

- a difference: in rd, the flashes jump to different points over a period of days - burning their clothes, the search party, body identification, then the arrests, the line up, and then back to the ‘death’ scene. in htg, all the flashes jump to different points during one particular night, and only deal with the groups effort to dispose of the body and evidence.

- where was i. oh, but there’s 2 murders in htg. murder #1 happened before the series start point. in the main timeline, the investigation into murder #1 builds up to the midseason climax that results in murder #2 (the one the group is covering up).

- after the timeline has caught up to the midseason murder, then the flash forwards are replaced with flash backs that begin to reveal past details about murder #1.

- so right away, what stands out to me is the possibility that, once the main timeline catches up to whatever happens to jughead in the woods, rd will continue to follow this format. but what would rd flash back to? hang on,

- the genre here is inverted detective story, where instead of finding out someone was killed and following along to find out who did it,, you learn right away who’s doing the murdering and how. the mystery lies in whether they’ll get away with it and/or what led up to that point.

- in htg, murder #1 is a regular mystery, and murder #2 is inverted. in rd, jughead’s death is an inverted mystery, and there’s several other regular mysteries/deaths: chipping’s suspicious suicide, the old generation of the quill & skull society, + the missing kids that jughead and betty are investigating

- so it may transpire that we see flashbacks to those missing students, like moose or the stonewall 5. or maybe context on why chipping jumped, what dupont said to him. or a glimpse into fpj1′s time at stonewall. i’m spitballing

- hm a note on genre here: maybe there’s a conversation to be had about inverted murder mysteries and perfect murders (recall, the theme dupont assigned for the class). like, crime fiction specifically told through the perspective of getting away with it. (a perfect murder is specifically a murder that resists all explanation. no suspects, no evidence)

- ok. the first half of htg s1 is the lead up to the night of murder #2. the second half of the season focuses on how participating in and covering up a murder is affecting the people involved. grief, guilt, anxiety, nightmares. strain and changes in their relationships with each other, friends, and family. again, perhaps we’ll see rd focus on this in a similar way.

- hey btw, does that sound a little familiar to u? it might if you read the secret history. we already know this book is one of the influences behind rd’s s4 plot, but i was surprised at how much overlap is apparent between htg’s plot and the book plot. i made a chart about it lmao. more on that later

- what else fits into a parallel between rd and htg?

- some similarities between characters. htg has a group of law students from privileged backgrounds who are super competitive with each other, similar to the stonewall kids. and there’s the one outsider student who gets into the class last minute, is far less privileged, and who has a tragic past and a head for snooping and investigation.

- there’s a student/teacher affair that gets violent. it goes down pretty much the opposite of in rd; the girl gets pregnant, is totally in love, suggests the affair should be revealed to the teacher’s wife, and then she goes missing and turns up dead (murder #1)

- also, unlike rd where we have only donna’s word, in htg the affair is confirmed, and revealed through a bunch of evidence - dick pics on phones and postmortem pregnancy results, etc

- some other minor details from the show that the rd writers may have reflected upon:

- a window jumper suicide. circumstances very not the same tho

- a blink-and-miss-it scene with a dog named mr. chips, which is the nickname of the film character who rd’s mr. chipping is probably named after (goodbye mr. chips)

- also, ok. the 2 murders story is the show’s long A plot, but each episode also has a short B plot in the form of court cases that annalise and her group of student/interns work on. (btw lead character annalise is a criminal defense lawyer & law professor). details worth mentioning from some of these subplots:

- there’s a case involving cult brainwashing. a former devotee is charged with something terroristic with a bomb she did years ago, idk. annalise has her visit her old cult leader in prison to ask him to help her by testifying that he forced her to participate. this backfires - she falls back under his sway, he escapes custody during the trial, and they run away together, abandoning the family she made after leaving the cult

- in this ep the patty hearst trial is mentioned - the difficulty of trying to legally prove someone acted under duress, or prove they were brainwashed. and how trying to claim both at the same time is a terrible legal defense

- in another case, a woman is charged with murdering her housemaid while sleepwalking. she resists help from annalise bc she feels so guilty. the woman says ‘can u imagine waking up to realize that you killed somebody you loved? that’s what i did.’ except she didn’t; they figure out she was being framed by the real killer, her husband, who was jealous bc he thought he was the only one sleeping with the maid but he found out his teen son was too. yikes

- there is so much cheating in this show smh. anyway,

- these subplots are interesting to compare to rd, but sort of trivial in terms of htg’s overall plot. so what happens in the A plot after murder #2?

- a catch-up if u skipped the plot summary: annalise keating, lawyer, professor, is the central character. she’s direct, takes no shit, and puts up an emotionally impervious wall that keeps almost everyone out. but it’s also apparent from ep1 that she’s really suffering - her marriage is falling apart, she’s cheating and finds out her husband, sam, is too. they agree to repair things and sam seems to be making a big effort, but she keeps catching him in lies that point toward murder #1.

- in the latter half of the season, while she’s helping make sure the kids get away with murder #2 (they accidentally kill sam while pursuing him as the murder suspect), annalise’s grieving process is a focus. there’s an emphasis on her appearance as her armor, guarding her complicated grief over the trauma of her loss and the destruction of her trust. her cold exterior is both a protection and, at the same time, a point of suspicion for police, lawyers, and public who wonder how she can be so unaffected. meanwhile, in private, she has a total breakdown.

- this builds from a parallel that’s played with throughout the season - annalise’s control of her image vs hiding or confronting the truth. like, at one point, it’s evening, she wipes off all her makeup and pulls off her wig, then turns barefaced to her husband and asks him bluntly for the truth, why she caught him in a huge lie. and the flip side, later walking around with her whole look in place, as if nothing is wrong, is part of her effort to cover up the murder.

- i bring this up bc it reminds me of something that (the brilliant, the illuminating) @bettycooperoutfitwatch​ talked about in her 4.05 post, regarding That Sweater.

- in this post, at the flash forward arrest scene, she points out ‘it’s betty cooper in disguise as betty cooper.’ which, like. i’m floored by this observation

- the persona betty originally created to conform to her parents’ unattainable expectations of perfection and normality, now (not for the first time) dialed up and re-purposed to try to disperse suspicion???? love this

- annalise and betty are very Not alike as characters. but it seems that betty, like annalise, will be involved in the murder of her loved one. i’m interested to see if rd will follow htg’s emphasis on emotional turmoil and pretense in the aftermath of trying to get away with something horrible

- oh but that reminds me, i promised a chart

- i haven’t read the secret history and i have no desire to, but i foraged enough details to be able to point out some bare bones similarities going on here. it’s important to include this bc, at the moment, it complicates any attempt to figure out which, if either, inverted murder plot rd might be paralleling at any time.

- in other words, all my speculations here about htg parallels might be worthless bc i might be looking at the wrong text. it’s cool, i think that makes it more fun

- book spoilers in here. sorry it’s small, u can try to zoom in here

- please feel free to jump in with corrections or more details if you’ve read the book

- [update as of 2/25: i’m reading the fuckin book after all, so i may make another post with an updated chart at some point. maybe]

- last thing. in htg, the inverted mystery (whether or not the kids get away with it) is resolved by annalise planting evidence that frames someone else (whom she chooses bc she’s confident she can get him safely out of the charges). the bottom line there is: someone innocent is framed for murder #2.

- and then a new development - one kid involved in murder #2 freaks out and may decide to turn the others in - leads to a 3rd death. hm (post s4 update: that’s jonathan i guess)

- actually no, the real last thing. wikipedia says there’s a subplot in htg s2 that involves blackmailing annalise and others with uhhhh creepy surveillance videos of them, some that incriminate them in murder #2.

- and then, in s3, drawn out over another series of flash forwards, there’s a character death reveal... of the guy who’s most in parallel to jughead.... lmao. and speak nothing of s6. so like, there’s definitely potential for more or continuing parallels here

- i kind of hope not though, bc i don’t have it in me to watch more of this show. it’s Very high strung, i can’t deal with it (post s4 update: no i never watched any more of this show but yes, that was all definitely used by rd)

- bonus: wait do u want some of my opinions on the actual show?? favorite characters: annalise, bonnie, and oliver. i liked the fast pace but the constant tension stressed me out. also, not enough lesbians; i kept expecting bonnie and annalise to kiss. the guy who plays wes.... not a very good actor, is he? viola davis though: amazing. that’s all. watch if u like stress. sorry i spoiled everything

[yfere]

Shipping Calculus! Live updates from C2E64

They say that fire exposes a person’s priorities, but we here at the lab believe that a gaggle of overly friendly moaning demons can also do the trick. Thank you to @softazelma, @fyeahthominho, and @alarnia for helping with data entry! Masterpost here.

+500 to The Mighty Nein/Totally Not Anachronisms. Beau invented the phrase “Don’t shoot the messenger,” and also ravioli, with her hidden chef talent. Caleb, having wheeled and dealed with the rich assholes of the Empire, naturally invented the game of golf during his year at the Academy. And Moro watched only half of the first season of Stranger Things. Don’t spoil her, okay?

+150 to Caleb/Astrid/Eodwulf “FOR FUTURE REFERENCE, JESTER, I’ll have you know that Eodwulf who I have never mentioned to you and who was not mentioned in the letter was buff and muscular and strong and so talented whoops that’s not even a physical description anymore but did I mention he was impressive? So if Marion Lavorre meets a black haired blue eyed incredibly eligible and attractive and gifted heartthrob of a man that’s the one you’re looking for BEWARE.” Okay, Caleb. Gone are the days of being content with all the love being directed at Astrid, I see. All right.

+0 to Jester/Beau Well, if an indirect kiss involves drinking from the same water glass, is it an indirect flirt if you both flirt with the same person? Moro became the unlikely receptacle of both these gal’s affections this episode, between Beau’s loud and enthusiastic appreciation of Moro’s criminal hustle, and Jester making sure Moro knows that Jester thinks she’s cute (and that she’ll kill her for lying to them). Beau as usual hyping up Jester’s awesomeness to everyone (in this case Caduceus) who will listen. Shockingly, this episode Beau seems to have acquired the ability to actually fool Jester into thinking she’s fine, which resulted in point loss and meant Caleb instead had to pick up the slack to gracefully get some help for the poor beat up monk. (For him, that’s +6 to Caleb/Faking Injury for Friendship)

-30 to Fjord/Shortcuts Just as when Captain of the Ball-Eater, Fjord is ALL ABOUT running into clear danger if it means shaving one or two days off of a trip. Into the eye of the storm! Into Ground Zero of the Calamity! We care for speed here, not safety!

+18 to Caleb/Jester and speaking of Caleb having a Thing for strong people, how he continues to single out Jester as the Strongest Woman, who even is Yasha, which creates a perfect combination of #ItPaysToBeADamselInDistress and #LovesToBeAKnightInShiningArmor between the two of them, as Caleb begs for assistance getting a horse on his moorbounder of COURSE Jester can do this alone, Jester squashing Caleb adorably and staying there for….a length of time while at Moro’s (I guess Caleb is the type to have people sit on his face huh), and Caleb very effectively pulling his “Oh no, I am so weak and delicate I must have a fainting couch to rest upon for a spell” to Jester’s delighted crowing over how weak he is. Caleb as usual thinking Jester’s out-of-the-box thinking with an aerial view is The Best Thing Ever. Jester wanting to get in on the Healing Caleb Action Caduceus has been hogging with a Cure Wounds, what do you mean Fjord is injured too? (#ItReallyDoesPayToBeADamselInDistress). Caleb’s Worrywarting directed at full strength at Marion Lavorre. +4 to Yasha/Cockblocking for Jester bringing Yasha in on the horse moving action. Point loss for Caleb’s Worrywarting creating Jester Worrying and making her lose sleep. Nein! Not okay!

+17 to Beau/Yasha because as we all know mutilating corpses with Beau is a sure way to her big gooey heart. Also, Beau adopting a Striking Pose after striking the enemy dead, and the Gay Power of that alone probably making Yasha’s rage drop, as she struggles to pick her jaw up off the floor and reorient towards combat.

-10 to The Mighty Nein/The Neighbors as they apparently carry a couplea severed heads in plain view all across town on their way to the Xhorhaus before storing them. According to the local Mighty Nein Neighborhood Watch, this is only the third or fourth weirdest thing they’ve done.

+24 to Caleb/Caduceus as Caduceus continues as always to think Caleb is the solution to all problems always with his cool magic and his alarms, though +5 to Cockblocking for both Jester and Beau who tragically remind him that there are other people out there who can also do things. The slip into nearly calling Caleb “Mr. Clay” instead of “Mr. Caleb” is of note, and someone needs to investigate what he’s been writing in those hearts in his journal pronto. Caduceus making Caleb his #1 priority in battle, #ItPaysToBeADamselInDistress, with his ray of enfeeblement, healing, attacks, and physically standing over the wizard in a defensive stance to protect him! Batting away attacking bats (while Caleb crawls around collecting guano!). Points taken away because poor Caduceus forgets for a moment that the next brightest thing after his own pink hair is Caleb’s. It’s still romantic if you’re saving people from trouble you sent their way, right? Right? Points gained for asking if Caleb is okay after the fight, and for them both being very dark, between advocating for decapitation and threatening Moro and her employee with decapitation, simmer down a second Caleb.

+10 to Caleb/Vulture Culture. Between Frumpkin’s new shape and getting Those Good Spell Components, our dear Caleb, covered once more in gore and shit and Death, is his happiest self. Hopefully he didn’t ruin his new fancy threads.

+2 to Beau/Hosting as Beau practices Manners and Decorum with a “no, sir” to the attacking demons (#CustomerService). Some mixed messages by following this up with pummeling them to death, but An Effort Was Made.

+4 to Caduceus/Nature as he found a new mushroom! Which will definitely not be a bad mushroom in any way.

+90 to Caleb/Cat-Shaped Creatures. There’s the usual spying Frumpkin rigmarole, but it says something about your love for cats when you’re willing to forgive, nay, even love, suspiciously dog-like behavior of gross licking for affection—so long as it’s coming from a cat. Caleb cleverly disposing of troublesome corpses and feeding his favorite members of the M9 at the same time. Caleb also adorably taking Jannick out for a little run on the Fields of Death, and all the Moorbounders coming in clutch as fighting machines (with some wonderful light-based assistance from Caleb, Support Catster Extraordinare), and somehow remaining unscathed during battle.

+45 to Fjord/Jester. Lips. Made. Contact. With. A. Cheek. That is very cheeky of you Fjord, if I do say so myself. Jessie is said, not once but twice, and Jester gets to be her true #LovesToBeAKnightInShiningArmor self as she saves Fjord repeatedly by murdering the demons attacking him, only getting slightly annoyed that he gets in trouble immediately after she saves him the first time. Seriously though, the amount of Goopy Feelings Jester has for saving this poor man….well, #ItPaysToBeADamselInDistress. Point loss for poor Jester failing to look as cool as the knights in the novels as she falls flat on her face with the handaxe strike, but she makes up for it by pounding the creature to death with her spiritual weapon instead, that was totally intentional. Point gains for Fjord being very Pleased with anything and everything Jester got up to, Jester pumping up Fjord’s accent and impersonation skills, contributing to Corpse Interrogation with her own Disguise Self, and the Excellence that was the fake Insta-Death spell the two of them threatened Moro with.

-8 to Nott/Yeza “Tell Veth I love her” does not make up for fucking ditching your husband without a word, Nott, you absolute asshole. Please talk to your spouse.

+13 to Caleb/Fjord/Jester In another great week for this triad, they all prove to be Excellent at Delivering Deceptive Threats, though Caleb is as per usual a little too serious about his contributions (though the other two are uh a bit more on the serious side as well this is a Bloodthirsty Throuple) The Epic Triangle Of Saving Each Other, as Jester rescues Fjord and Fjord hustles to rescue Caleb, followed by Jester’s healing action. Fjord taking joy in Jester falling on top of Caleb, and the both of them being very good about letting the Totally Actually Injured And Not At All Faking dramatic wizard take a short rest for Beau.

+1 to Fjord/Caleb. Most of their points this week were more applicable to Caleb/Fjord./Jester, but the instant “Moro, you got to die” when Caleb Can’t-Switch-Tasks Assassin Wizard suggests it is still very fun. Fjord sort of leaps to Caleb’s suggestions this episode, the ultimate yes-and-man.

+6 to Fjord/Detective Work as he steers the party clear of the Bad Tar Pits, they might have landed in quite a sticky situation otherwise

+20 to Critters/Detective Work, as the cast very loudly run through the Totally Natural Conclusion to the clues provided in the last ep, they Definitely Solved This Themselves, they had No Help From The Internet.

+14 to Fjord/Caduceus. Fjord offers to “loom” over Caduceus’ shoulder and points out that he looks “fleek” like damn, Caduceus, the boy is making an effort for you! As usual they are On The Same Wavelength and good cop/bad cop Moro and co. like pros, no discussion or even a conspiratorial glance required, they know what the jig is before anyone else. Fjord advocating for sending Moro money because that was Caduceus’ plan, no one is allowed to argue. Also being excellent interrogators of corpses together. Fjord is a huge fan of Caduceus’ magical food powers, #MagicalCrush, would “not turn down” Caduceus’ healing, and he kills some bats Cads was slapping around. Unfortunately without the bats Caduceus proceeds to slap a bunch of points out of the ship by saying he “doesn’t care.” That is cold.

+7 to Jester/Caduceus as they do a little awkward dance on the steps to make it around each other, and spending hours annoying everyone else in the party by talking about Cleric Things. Caduceus being impressed over Jester totally lying about being able to talk to dead horses, and Jester going wild over HOW COOL the Corpse Interrogation was. The Clerics Cuddling for comfort when the enemies first attack, since that was definitely what Jester and Caduceus were doing no questions here. Points taken away because Jester’s enthusiasm for Corpse Interrogation sort of glosses over how Caduceus “feels dirty” over the whole affair, they are apparently not too compatible in this area.

-5 to Nott/Yasha as Nott makes a sincere and successful effort to apologize to Yasha for sticking her like a pincushion and trying to be Nice and Supportive with memory games to help Yasha remember the “drow.” But points are drained away into the negatives as Nott goes a little too hard with the interrogation over Yasha having potentially killed people to make orphans (“that’s a cool name” and “Orphie” is terrible and does not make up for this nonsense), and Yasha’s well-received but still terrible allowance of Nott’s alcoholic predilections. They are a wonderful trainwreck to watch.

-20 to The Mighty Nein/Names. As of right now, there appears to be one (1) member of the Mighty Nein in Caduceus Clay who did not at some point either change their name or have some type of Name Angst over what someone else has named them. Though making faces at ‘Ducey might come to count for something, in time.

+11 to Nott/Jester Speaking of Disguise Self Shenanigans, how Nott is the Moro to Jester’s invisible bugbear, making them the logical pairing of the Corpse Interrogation Caper. Jester’s adorable confusion over her nickname being “Little Sapphire” which leads to Nott instantly screeching about how beautiful and perfect Jester is, that lovable dumbass. Nott using the word “shiny” to describe Jester, which seems technically a little odd but says loads about Nott’s affection for the gal, as this is the #1 lover of Shiny Valuable Things in the party speaking.

+8 to Jester/Yasha as Yasha in her sweet soft way also points out how Jester is very pretty and brings up Fluffernutter as a potential badass name that some of the people in her tribe might have been named for. Jester, for her part, directing Worrywarting in Yasha’s direction over how she was recognized and trying to give Yasha control over what they do next and what Yasha wants, though dear Yasha who cannot assert herself to save her life only manages to tentatively say she wants to know what’s going on before saying she’ll do whatever the group wants. (They! Want! What! You! Want! Yasha!)

-6 to Jester/Curtains, which surprisingly don’t taste as good to tieflings as they do to moths. Further experimentation required to determine how delicious they are to goblins, firbolgs, half orcs, aasimar and humans.

-101,019.01 to Critters/Child Poverty. TAKE THAT, CHILD POVERTY! This is how much was raised at the end of the stream, and a deserved kick in the face to all Child Poverty ships everywhere #AntiChildPoverty

[grace-facing]

001 for TC

001 | Send me a fandom and I will tell you my:

Favorite character: Janet Wood :)))

Least Favorite character: should I keep it main cast? Hmm... I guess technically Lana since we never spent more time with her and I like everyone else at least a bit more. Also, any man on this show that exuded toxic masculinity and mistreated any of the girls.

5 Favorite ships (canon or non-canon): 5’s a stretch honestly, but,

Jack x Janet

Terri x Larry

Janet x Terri

Mr. Roper x Mrs. Roper

Furley x Aunt Becky (her name??)

Character I find most attractive: Terri

Character I would marry: Janet

Character I would be best friends with: Cindy

A random thought: I love Chrissy, I hate Suzanne and how she ruined it for everyone, especially for herself and for her character. I wish there was a way to bring back Chrissy for the finale of the show without having to bring back Suzanne, but that was—and is—impossible.

An unpopular opinion: the heiress is one of my favorite episodes. Obviously NOT because it’s the introduction to Phillip (the beginning of the End), but because Janet looks sooooo good in that ep and also it’s really funny?? Like, I crack up watching that episode more than I acknowledge it being the 4th to last :/

My canon OTP: Jack x Janet The Ropers? Technically? Yeah

Non-canon OTP: :))))) y’all already know

Most badass character: all the women are all generally badass, really. Janet tho.... AND Terri... Mrs. Roper, too why not?

Pairing I am not a fan of: There’s a lot to mention here. Jack x Vicky, Jack x Chrissy, Janet x Philip, etc.

Character I feel the writers screwed up (in one way or another): they screwed up a lot, let’s just start off with that, but without mentioning the obvious, I’m gonna instead mention Terri. Her exit was....so underdeveloped and criminally rushed and useless lolol. At least she can get away from all the other bullshit and have her hot girl summer in Hawaii!

Favorite friendship: big fan of Janet having the best friendship with Terri and Jack.

[thenixkat]

Static Shock notes 50

Episode 11 (50)

No one notices Francis and water lady on the building b/c no one in this city looks up when they have every reason to

I don’t want to see Francis in an abusive relationship, expescially not after getting to know him better the last time he showed up

Also what the fuck did they do to AquaMaria? Her design, her personality? They fucked up a perfictly good character

They changered her entire manner and speaking patterns

Since when is Daisy on the swim team? Daisy is on the swim team… plot bullshit

Virgil is actually stepping up a bit as a boyfriend, holding Daisy’s place in line to get CDs from this new artist

Don’t be a creep Richie.

Daisy wants the boys to come support her swim team

Fucking Rast

Heheheh. Daisy, Virgil, and Richie warn Candi that she shouldn’t work with Rast

Hah, even Rast knows he’s slime

Honestly, Hotstreak’s kinda chilled out. That fire show wasn’t even directed at people. No explosions or trying to set people on fire?

Candi is done. She could probably sue Rast for like indangerment what with him willfulling withholding info

Why does Maria sound like a 40 yr old woman?

Why does Maria need cash? Does she eat?

Wow Gear actually remembered that he has freezing bombs! I assume the plot wanted Maria captured, b/c why else would Gear be useful in a fight

Static fails to catch Hotstreak who flees at the first chance he gets.

Hotstreak has a getaway truck?

What happened to his plane?

Why did the city turn a criminal teen over to a lab for experimentation?

Who the fuck thought that was ok?

“Clean up the metahuman situation” the fuck is that ok? Who is Dr. Todd with? Is this a private lab? What the fuck?

Yeah, Static, yall should be worried. Also why are Static and Gear here in the first place?

The fuck kinda unethical shit is this

Ok, these people are clearly not working with either of the earlier groups working on helping Bang babies with their mutations.

Why the fuck do they think a cure that works on a pure elemental would work the same on people with very different mutations?

Also this shit should not be on human trials yet, there is their previous testing on mutant animals?

They are seriously violating Maria’s rights.Like she should be in processing right now not on a slab against her will. The fuck. The absoluete fuck.

NO STATIC AND GEAR THEY ARE FUCKING VIOLATING HER FUCKING HUMAN RIGHTS AND HOLDING HER ILLEGALLY AGAINST HER FUCKING WILL FOR EXPRIMENTATION

The fucking hell writers

The fucking hell

So the government take this Hispanic girl and on the basis that she’s a crimminal hand her over to a private lab for human experimentation without going through any legal channels and denying her the rights she should have as a citizen… and everyone. Is. OK. WITH. IT

Maria shouldn’t trust any of you people. This ep needs to be rewritten so hard

Why could she go back home? Why can’t any of these kids go back home? Why cause the writing is shit

Mr. H mentions that he gets lonely now that SHaron is buisier with her studies. Where the fuck did Trina go? Where da fuck did Trina go?

Dr. Todd works for Genomatech

Francis wears a disguise and getts coffee. Francis gets pissed from the news and goes off to save Maria

Francis fucks up. Francis was not only sneaky and didn’t fucking announce himself to people he could easily overpower, but backs off. Why didn’t he force them to stop what they were doing?

Lying is not helpful. Hotstreak can’t look Maria in the eyes while lying to her and wipes his mouth.

I called it. Daisy being on the swim team was for plot reasons.

Why the fuck is Dr. Todd wearing a lab coat to his daughter’s swim meet?

Yeah, Hotstreak is a house husband.

Why kidnapp the doctors to force them to run the expiriment again when they woulda tried to do it again if you hadn’t left the lab?

My son BacPac does work

Yeah, Gear does focus more on the tech than using common sense

Hotstreak says to much and incriminates himself

This is why you should be honest with yer partner

Also why you should drop abusive women

Wait, then how the fuck does that work? If the cure needs to be highly electrically charged as a liquid to work at all… who did they get it airborne and working in Power Outage?

So I was right, the lake is called Lake Dakota

Why and how did this turn into ‘we have to stop this crazy woman from drowning the world’

WHAT THE FUCK WHAT THE FUCK WHAT THE FUCH that’s not how computers work. How do you remotely type on a keyboard?

By slowing her down Gear causes a flood that results in more property damage and harm to civillians

Gear litterally fucked shit up even more than necessary

And now the entire water supply is contaminated with experimental chemicals

Static and Gear can swim

This is the worst episode of the show

[drink-n-watch]

Genre : Josei, Horror, Mystery, Psychological Thriller

Studio: J.C.Staff

I’ve been on a business trip for most of the week. This means no Buddy, no anime and very little sleep. For those of you who aren’t forced to go on those and think they sound like fun, let me tell you right now, they are not. If you take nothing else from this review, remember this, you should get paid more if you have to travel, it’s not a benefit. I finally stumbled home on Friday evening and first (only) thing I did was watch Angels of Death. Priorities!

we all know what Alice in Wonderland was really about, right?

I mentioned the obvious Alice in Wonderland motif running through Angels of Death in my episode 1 review. In fact, I have noticed that anime in general seems to be very inspired by Alice, even more so than western fiction. I wonder why. It’s a great story don’t get me wrong . I hope we get a wave of little prince next, I love that book.

The ghost of Alice is back in fine form as Ray gets thrown right back into Wonderland. I’m pretty sure she’s hallucinating (dreaming) at this point but the rules of the Angels of Death universe have always been shaky at best so it’s hard to tell. In any case, Rachel finds herself once more separated from her port in the storm, Zack so of course she immediately follows a suspicious white rabbit down an enormous hole. Not a metaphor, this is literally what happened.

And just as Alice, she landed herself in a trial rigged from the start against her. There were a few things I really liked about this episode. The entire trial conceit is a nice sneaky way to essentially put together a recap episode just before the finale, even throw in some clips and everything, while making the whole thing feel new and as if it’s actually advancing the narrative.

progress!

It also made me realize just how much of a brick Rachel is as a character. I mean Rachel is just the basic materials of a character not an actually realized person. She could become anything but she is still pretty much nothing. A plot device to move the story forward. As such, other characters don,t have much to work with when they share a scene. It’s fine for Zack, even great, as all Ray needs to do is temper him for the dynamic to work. But for everyone else…

Fact is, all the previous characters were way more interesting and somehow felt more fleshed out this episode, and I really believe that it’s because they got the chance to play off each other. Not that anyone had evolved or anything. Cathy, Eddie, Danny and the Padre (Abraham Gray – I had to look it up) are still exactly the same people we met before, but they work well as a group. They are simply much better as supporting characters. Of course they do go a bit extravagantly crazy again, that’s the show’s signature after all. But it really didn’t bother me at all. It worked well within the fever dream atmosphere of the episode.

even Cathy’s design seemed better…

Angels of Death has never been shy about it’s thematic representations. Once again Rachel had to face her demons as both illusionary ghosts and judges. Danny, represents the judgement of rational as his own sanity splinters and breaks, as Ray defies logic. Eddie is the judgement of the heart, constantly betrayed and disappointed by the uncaring and selfish Rachel. He is all about feelings but Ray has no consideration for the feelings of others and few of her own.

Cathy is the most literal judgement of law and society. We do know that Rachel is not particularly interested in the rules of men. She shows little hesitation in doing what she needs to achieve her ends in the fastest way possible. I would not be surprised to find out that Ray has a criminal past of some sort. As for Mr. Gray, the good reverent has appointed himself as representative of the judgement of God. By now we all know how that goes.

That ending shot of a crucified Ray about to be burned as a witch was a bit much for my tastes however on the whole I enjoyed the episode a lot. The purity and extent of Rachel’s faith has been put into question repeatedly over the course of the season. Most notably the Reverent keeps asking what Rachel will do if God has a different plan than what she had in mind. But to me, this boils down to an even simpler and more intriguing question, what if God doesn’t like you? No real reason really, but you know how you sometimes just don,t mesh with someone, what if that was your relationship with God?

They found you sort of annoying or maybe a little boring and just didn’t really see things the same way you did. What then? Maybe it’s a silly question, but I would watch a show about that.

relax I’m still going to watch this show too!

Here are a few more – once again the show is making me want to play the game. Have any of you guys reviewed it?

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Angels of Death ep 10 – Back in Wonderland Genre : Josei, Horror, Mystery, Psychological Thriller Studio: J.C.Staff I've been on a business trip for most of the week.

[calamity-bean]

American Gods 1.01

AT LONG LAST, after literally YEARS of waiting and waiting and clinging to the faintest of rumors, two of my favorite flavors of weirdness -- Neil Gaiman and Bryan Fuller -- collide on screen. The result is as bizarre as expected, in an extremely exciting way.

Not everything in the premiere worked for me. I reckon there will continue to be things that don’t work for me. But honestly, I’m just so dang HAPPY that one of my favorite books is in such capable adaptation hands, and I can’t wait to see how elements get translated to screen. Regarding the first episode, here’s my very personal & informal take on what was good, what was not so good, and what made me glance around nervously and giggle, “What the fuck? What the fuck???”

Spoilers for episode 1 and for a few comparisons to the novel, but only to book material that was covered in the ep.

The Good

The CASTING. Of everyone, so far. I actually wasn’t really familiar with Ricky Whittle before this, but dang — that man can carry so much emotion in just the twitching of his jaw and the trembling of his hands as Shadow spends a large part of the episode alternately numb and quaking with suppressed grief and rage. Ian McShane is not as rugged in appearance or wolfish in manner as I always imagined Wednesday, but he’s got this charm that is at once oily and debonair and very intriguing. I approve.

Pablo Schrieber, meanwhile, is just so fucking fun to watch as Mad Sweeney — always one of my faves. He’s got this infectious streak of madness and high-spirited but mostly good-natured bloodlust that you can truly see shining in his eyes even before he unleashes his fists. The coin tricks and the bar fight were both two of my favorite parts of the episode, and I also love his whole character design, particularly his hairstyle. Yetide Badaki, likewise, is enchanting to watch, absolutely radiating sensuality, mystery, and a hint of deep vulnerability -- a neediness that is partly a show but partly genuine. I’ve always had a soft spot for Bilquis, and her sex scene is honestly incredibly hot except for all the ways in which it’s not.

But my favorite so far may actually be Jonathan Tucker as Shadow’s cellmate. Like, his eccentric mannerisms, his bad teeth, his accent and rapid speech ... On one level, all of that so strongly telegraphs that this is some kind of backwoods petty criminal, one of those twitchy, kind of hillbilly guys. But it's all anchored by that perfect dagger-sharp, lopsided, mischievous smile. I really liked how Shadow “sees” him in the airport; I wonder if that’ll continue to be a thing?

On that note, I’m glad they managed to fit in the “don’t piss off those bitches in airports” anecdote. Giving it to Tucker’s character was a smart choice. A good lesson for us all, and again, I loved Tucker’s delivery of it.

Wednesday’s introduction was, I thought, an example way of showing things that the novel largely tells at first. The show gives his and Shadow’s initial meeting a lot more breathing room and space to play out in, and the sharp contrast between when we first see him -- disheveled and seemingly senile -- versus his smoothness on the plane serves both as a great establishing character moment for the audience and as an excuse for Wednesday and Shadow to connect over the fine art of the con.

Shout-out also to the poor beleaguered waitress at the Crocodile Bar. She expected better of you, Shadow. She expected better.

The cinematography. Visually, of course, the show is stunning. Gorey and gritty and high-contrast, like an extremely color-saturated noir. Unsurprisingly, it reminds me fondly of watching Hannibal, which is never a bad thing. The vikings’ battle in the prologue was a bloodbath of straight-up “Mizumono” proportions, and just as beautiful, in that very special way that bright, vivid splashes of slow-motion blood splatter are.

And the titular bone orchard! Eerily gorgeous and fascinating. I want to visit. Probably not the smartest travel decision I’ve ever made, but also probably not the worst.

The music. I had a notion that I’d probably be pretty damn into the music on this show; the first trailer set my expectations high by using Fantastic Negrito’s version of “Black Girl,” so I’d been hoping that the overall auditory landscape of the show would likewise be in keeping with my tastes. The verdict: heck YES it is. I need this soundtrack stat.

Oh, and did I mention Ricky Whittle is great? Cause he’s great. My mum and I have been fan-casting our perfect Shadow for years, but I don’t know if we ever hit on someone who does such a good job of combining Shadow’s imposing physicality with his soft-spoken and often gentle demeanor. And then to see his reserve shatter at Laura’s graveside, as he’s speaking to her and finally lets his heart pour out ... I loved that scene. Right up until the moment I didn’t.

Which brings us to...

The Not So Good

*sighs* Audrey.

Apparently, the only reason that scene didn’t actually progress to the proposed blowjob is that Neil Gaiman, bless his heart, threatened to throw himself in front of a bus if it took place. Thank you, Neil. In the original, fellatio-filled version, was Shadow supposed to be into it, I wonder? Or would it still have been sexual assault? Because that’s what we got on screen, at least: Audrey aggressively and physically assaulting him, though thankfully all she managed to do was shove him around.

I don’t entirely know what the point of that scene was meant to be, in terms of character or of narrative. Audrey, poor drunken Audrey, spends all of her appearances stumbling back and forth between sympathetic and repugnant — which is actually exactly how her character should be. But was it really necessary to do that by having her alternating between assaulting and hugging Shadow?

In the novel, Audrey’s shocking moment is at the funeral itself, when Shadow sees Audrey walk up to Laura’s open casket and spit on her corpse. I’ve always thought that moment extremely effective. It’s a much smaller gesture than trying to revenge-fuck Shadow, of course, but that’s kind of what I always liked about it. Not a grand, aggressive assault; instead, a small but stunning slap. And directed against Laura herself rather than at a proxy.

I don’t know. That whole scene just felt immensely uncomfortable, which I know was the point, but also unnecessary. Moving on, though—

I also did not particularly care for the Technical Boy’s goons. Their costuming / character design was weird and ineffective, imo, and doesn’t it rather undercut the entire nature of the Technical Boy — whose big threat is to delete Shadow, to literally overwrite him in the programming of reality, such that he never was — that he follows up that deletion threat by having his “children” just ... kick and lynch Shadow instead? That’s ... not really in keeping with his theme. Technology has advanced a lot since this novel was first published back in 2001, and although some aspects of the Technical Boy’s scene, such as the virtual-reality-limo interface thing, reflected that, the “children” and their methods felt incongruously low tech.

Overall, though, I didn’t really have many legit complaints with the episode. Just some things that made me cackle with incredulity, horror, and delight:

The WTF

An ARM flew through the SKY with a SWORD in its hand and STABBED A MAN in the THROAT.

It was VERY ELEGANT and AMAZING and I LAUGHED OUT LOUD.

Also laughed out loud at the viking who became a human quiver. I’m honestly so baffled by that. It’s a striking image, but it doesn’t make a lick of sense. That honestly seems like more arrows than any locals were likely to have on hand, and even if they did, why would they shoot them all into one person. For the sake of my sanity (and the show’s dignity), I have chosen to believe that things like this and the arm did not, in fact, happen; that they are merely embellishments on the part of Mr. Ibis, who has a lively and imaginative mind, after all, and who possibly has watched a few too many action movies.

And then there was That Scene. The one I had been eagerly awaiting above all others. The Bilquis Scene.

Bilquis’s first chapter is one of those moments in literature that fundamentally changed me as a person. I had a life before I first read the Bilquis scene, and I continued to have a life after, but it was not the same life as before. Ever since this series finally started moving forward, my number one question has been how the HECK they were going to execute it, and ... well. They executed it, by golly. They really really did. I think I’m pleased by how they executed it, but also deeply, viscerally disturbed, which is as it should be, I suppose.

Overall? A really interesting and promising start. Even though I’ve read the book many times, I still feel as though I don’t truly know how to expect, which ... is honestly a delightful feeling, considering how much faith I have in the creators. (It is not always a delightful feeling. Even before GoT surpassed ASoIaF, I increasingly found myself uncertain what to expect from it, too, but in a much more aggravating and disappointing way.)

Whatever happens, this is going to be a wild ride. The book is also kind of a wild ride, but the show is, I suspect, going to be even wilder. And I’m all for that. Now where is that soundtrack? I need it in my ears.

[mild-lunacy]

TFP: to squee or not to squee, that is the question

...well, here we are. I’ve watched it. More like made myself finish it, haha. If not today, then when? So.

I’ll just... be over here, then. Meanwhile, I have some feels about TFP, so here you go if you’re interested.

So yeah. The way it turned out, I ended up watching the Eurus plot on Sunday, and the rest today. Even though I’ve been avoiding fandom pretty hardcore, I haven’t been able to entirely avoid the negativity, so my initial squee has been a bit spoiled. It’s ironic, because I expected S4 to hurt, but I thought fandom would help somewhat (even if it made certain things worse). I expected that it’s likely enough I’d have to avoid fandom altogether after S4, no matter what happened with canon Johnlock, because there were no non-wanky solutions, more or less. Well... at least that prediction came true. Oh man.

Anyway, so my initial PBS watching on Roku stalled out at exactly the moment Mary was saying something about what John and Sherlock ‘could be’. Can you imagine my reaction? That was where my connection died. I was so happy. I knew (I was told) canon Johnlock didn’t happen (I was told after the leak on Saturday! gah!!), but like, I had about 20-30 seconds of disbelieving, if hysterical, bliss, all alone away from the Internet. After the leak, it’s not like I really believed the ep really sucked that much (nothing would convince me that’s possible), but my expectations had still been low. So I was amazed at how much I enjoyed it. I loved the plot of TLD, as I said, but I loved the plot of TFP even more. I always loved the surrealistic touches and stylistic elements of BBC Sherlock, and I love huge, dramatic reveals. I always wanted Mycroft to be hiding some kind of huge secret, which is what attracted me to M-Theory (in part). I love extreme drama and action, I love badass soldier!John, so I loved the whole thing (including the clown, okay). I loved the Eurus plot, really. It’s all a bit tarnished, knowing that apparently most people hated it, but it’s just so delicious. The hidden fortress prison, the forgotten Holmes sister, Victor Trevor (Jesus Christ fandom! several of us totally nailed it!), this exact kind of angst.... as far as a plot resolution, honestly, it’s everything I could’ve desired. Intense! Great acting. Action-packed! Dramatic! I was at the edge of my seat.

So, stuff I loved:

EURUS! I loved Eurus. I know it’s over-the-top (the secret evil sister!) but this is the only worthy successor to Moriarty (whom I love, but let’s face it, he’s a crazy over-the-top guy who rants about shoes). The true appeal of a worthy Big Sherlock Villain is the high drama and the intellectual equal aspect, as well as some emotional mirroring and trauma. You need someone who Sherlock can admire but will also traumatize him hardcore. That’s why Mary as Moriarty never worked for me-- she is so dull in comparison to sparkly, clever Sherlock! But Eurus, on the other hand... now that’s what I call a level up. I love the sheer ballsiness of it. Jesus, the East Wind from HLV is a person. Whoa.

The setting in general-- Sherrinford was a place! It’s a great, genre classic setting from top to bottom, and their arrival (with Mycroft in disguise! oh my god!) was priceless. You can really tell the love of genre infusing the whole thing. Baskerville 2.0, except even better.

‘TELL MY SISTER I’M HERE’ haha

Mycroft as the client! Oh my god, the whole idea is a fantasy come true. He’s much more satisfying in ‘the chair’ than Mary was, ‘cause he actually did tell them (some of) the truth. It was really great. I loved all the Mycroft, and I mean, I don’t even like Mycroft that much. 

‘There’s a place for people like you....’ Oh my god, John. I missed you, John. *sobs*

I even loved the sudden bomb thing. I just love the idea of Mycroft doing legwork and/or having to go all James Bond. Oh man.

Mycroft as the chump, though! haha. That was awesome. I was really creeped out and a bit freaked out, too. And then it just went further and further, until it was just funny. Both creepy and funny-- again, genre classic setting.

Solving the murders in minutes such a great homage to TGG and our old Sherlock, I could cry! The TGG feels were very overt and I felt so nostalgic. Ahhh.

John! John!! The old morally correct-to-the-core John Watson. Gaaaah. Light of my life, fire of my heart! Maybe I’m pathetic (I don’t care) but just seeing John be John and the two of them being partners (FINALLY!!!) made my heart beat faster.

The Dilemmas! Need I say it? Genre classic! haha. I dunno if you enjoy it as much if you’re not a fan of the 50s/60s old mystery/horror shows, but this is some prime Twilight Zone-type psychological angst stuff. And of course, seeing Sherlock emote so much, so intensely, is all I loved about the Mind Palace scene in HLV leveled up.

Mycroft vs John! And the fact that it’s just so inevitable and obvious that Sherlock would choose John, because that was the only solution! And Mycroft trying to make it easier... by mocking John, like that would make it easier for Sherlock to kill him. Aaaah. *claws at the wall* It’s a weird form of emotional intimacy. Seeing them all stripped bare, though particularly Sherlock. Gah. Yes please.

MORIARTY! Oh my god, oh my god, oh, ohhh. Even that little bit of old-school Moriarty flashback, that first glimpse of him at the beach. I nearly squealed. I cried a little. I’m sitting here with a huge doofy grin on my face. I really did miss him. And it really does explain why he’d kill himself, knowing Eurus was his back-up. It makes sense.

REDBEARD! Oh my god, it really was set up, all the way back in TSoT what with ‘remember Redbeard’, all through TAB and everything! I was like, wow. Fandom really saw the Victor thing! Amazing. I really didn’t like non-dog Redbeard, but honestly, it just made sense and so I was happy.

The Molly thing was so intense! Did I mention I love angst? Because I love angst. That was brutal. (*insert evil laugh*) On the other hand, I sort of cringe imagining how could their relationship recover in a normal way after this. Yikes. On the other other hand, I mean, certainly, Sherlock and John have recovered from things that were just as bad and worse, so... I don’t feel too bad. Hurt herrrr! Paaaainnnn. Heartbreak. Loss. DEATH! It’s all good, haha. (With the only exception of death re: John or Sherlock).

Equating John and Victor at the well was so... lovely and right. Even if John is more, I just love the symmetry and it was done so beautifully.

Oh man, Mrs Holmes going all hardass on poor Mycroft. That was great. (Though it does make me wistful that she never did find out about Mary.)

Anyway, I really loved it. It’s like the most over-the-top, deliciously painful caper. All the genre high notes, all the time. While I really enjoyed the crazy ‘cereal killer’ stuff from TLD, this levels it up and then some. I watched it thinking ‘wow, I’m apparently enjoying this way more than I’m supposed to’ at the back of my mind, but the fact is that the Sherrinford stuff is ridiculously fun. I mean, on the one hand, I don’t watch BBC Sherlock for the cases-- I watch it for Sherlock and John. But I’ve always loved the genre, and yeah-- the cases, too. A lot of it’s like, people not getting how over-the-top and pulp the cases always were, though they’ve leveled up in that sense. The very presence of Moriarty, of Baskerville, of Irene Adler the dominatrix-- all that was always pure pulp. Maybe the fact that most ‘casefic’ fanfics just had them pursuing ordinary criminals should’ve clued me in that people weren’t exactly aware of how weird this show is. Anyway, the whole drama was intensely personal, too! It was all about Sherlock’s family history, after all.

Would I prefer it was all about Sherlock and John, ala TSoT and TAB and/or fanfics? Yeah, but... I mean, it’s always about Sherlock and John. I don’t know, the fact that I feel vaguely defensive and uncomfortable after being spoiled as to the lack of canon Johnlock is why I’ve been procrastinating on this. It’s ironic, ‘cause I personally never really expected canon Johnlock in S4 (though who’s listening?) Many people in fandom whose opinion I respect and whose intelligence I admire seemed pretty sure. And there was definitely some heavily suggestive PR, as well as the existence of TAB (though I was hesitant to admit TAB was all but impossible without Johnlock, it was certainly a heavy undercurrent). I’ve definitely expected and hoped for some kind of resolution of certain things I found unclear in the first two eps, in terms of the characterization. Anyway, that’s a heavy burden to place on the last 3 minutes of the show, and there’s definitely no way to really resolve anything in a satisfactory manner in that time. My trepidation has understandably been pretty severe, but I had to know, and so, my first impressions....

Oh my god! ahahahaha. Yeah, I’m so relieved. Oh my god I was so scared I barely made myself watch this. This was terrifying. I was expecting Mary to say god knows what awful yet subtexty thing, to either create or destroy Johnlock, to put some awful stamp on them forever, somehow. I mean, Christ, I was so stressed the past few days. So stressed. I really thought the ep was somehow ruined in the last 3 minutes, though I should’ve known. I should’ve known that if I disagree with everyone on the rest of it, the last bit couldn’t possibly be not to my taste.

Still, I heard that the ending wasn’t simply bad, but also just ambiguous.

No. Yeah, okay, no canon Johnlock. But nothing happened. I mean, obviously I’m disappointed and confused about that, to say the least, but we’re no worse off than before, and better off than anytime other than the end of Series 1, though I suppose they’re not living together (but they haven’t since Series 2). Well, except for the Parentlock (*sigh*) but I’m relatively open to that the same way I was relatively open to Birdy!Mary. I just... don’t think it’s an ambiguous ending, really?

It was just a bit lame ‘cause Amanda’s narration wasn’t remotely natural-sounding (the same sort of issue I had with Mary’s death). Here, you can tell it’s not the writing-- the writing’s fine. It’s definitely Amanda’s acting. She really wasn’t pulling it off too well. She seemed to be somehow using the Narrator voice, which, okay if you’re the narrator, but otherwise... weird. A bit cringey. Not her best acting. Still, it was a narrative epilogue, through and through. Rather than leaving things genuinely open-ended, I thought the narrative (and it was ‘the narrative’, not Mary) said this is their life, and they’re about to live it, same as they always have. It wasn’t even particularly subtle about that. The summary was reductive.

Although Mary said ‘I know what you could become’, that’s not as impactful as similar things Irene and Janine have said. Mary’s definitely not pushing for Johnlock like Irene did; this is closer to being on the same level as Janine, with her knowing the ‘kind of man’ Sherlock is. When she says ‘I know who you really are’, she’s essentially summing up the show on the most surfacey level it has ever been. That’s ‘the story’, the legend of the detective in the funny hat we’ve heard about in TEH and TAB. The bit where Sherlock ‘solves crimes to get high’ is practically a calling card at this point. No revelation there. Even the part about ‘who you really are, it doesn’t matter’ is stuff that we’ve gone over before, although putting it here, at the end, certainly makes it sound like their final word on the matter. Not ambiguous so much as unimportant to the story. That’s their thesis: it doesn’t matter, because ‘it’s all about the legend: the stories, the adventures’. The bit about ‘the last refuge’ even echoes the thing John told Mycroft earlier, which makes it even less like Mary’s voice and more explicitly that of the narrator.

Is that disappointing? Of course it is. But I take it as gloss. Mary says she knows Sherlock, but she doesn’t; we know she canonically idealizes rather than really understands John, and she went along with the ‘psychopath’ thing in HLV, so there’s no reason to pay her too much attention. Of course, she’s elevated by her placement as a framing device and/or narrative voice. The heteronormative voice, even. That’s unfortunate. I don’t pretend to have processed or addressed all of the mixed feelings I have about that. Still, nothing shocking happened, on the characterization front. John’s arc is more or less unresolved, and all these things I said ‘the jury’s out’ on have not been addressed, unless you count that awkward conversation at the end of TLD. That is, he’s ‘not a saint; not a hero’ (ala Sherlock’s proclamation to Magnussen). Instead of giving John a growth arc, he’s just sort of who he is, in the end. ‘It is what it is’; in that sense, while BBC John’s clearly a sign of progress from Conan Doyle and TPLoSH, he still hasn’t had his day in the sun.

The fact is, though, I still love him, and I still love them. And, goddamnit, I can’t help myself: I still love this show.

[thepeakmoment]

More Returns

Here's a superb podcast on Peaks. May 30 is the most recent episode. A great listen. Counter Esperanto Podcast: Tangents About Twin Peaks: 10th Secret: The Return

On Tue, Jun 13, 2017 at 1:53 PM, Dom wrote: I'll check it out tonight.

So my Diane prediction was on the fucking money.

I got another theory I'm working on.

Who's the mysterious billionaire? I heard some people say it may be Audrey Horne. I heard some people say it is Jack (John Justice Wheeler). I heard some people say it is Phillip Jeffries or Evil Cooper.

Put on your tinfoil hat for this one. The Billionaire is Leo Johnson. He lived through his spider ordeal. Then he took everything that Windom left behind (notes, computer files, other assorted Windom things) and built a criminal empire. I find it very hard to believe that the fucking casting director's son who was in the 1st two seasons and the fucking movie is NOT in this one.

The secret history of twin peaks tells us what happens to a bunch of characters like Leo. For instance Hank dies in prison. But not one word in the book about Leo? I got to believe that he lives and he’s not just a slobbering fool any more. I know this is probably not going to happen. But that's my theory.

I cannot imagine Leo is a rich billionaire — how did he make his money? A theory that makes sense I’ve heard on EW TP podcast that it could be BOB-Cooper attempting to catch Good Cooper if he ever left the Lodge. But really, I have no idea… not as of end of P7.

I like how Lynch-Frost are using all official Twin Peaks releases as canon to draw the narrative from — Laura’s Diary, FWWM, Missing Pieces of blu-ray edition, as well as many classic episode threads.

And like Erik, I KNOW, that Sheriff Harry S. Truman will make an appearance in this season. I feel it in my bones.

It’s looking grim for Harry — or rather, it sounds grim from Frank saying to Harry, “beat this thing.” But actually I can see Ontkean coming out of retirement to have a role toward the end of the series. I also (want to) believe Josie returning … maybe she’s the billionaire, but why would she make such a contraption mounted to the side of building?

On Sun, Jun 25, 2017 at 2:26 AM, Erik wrote: Good Morning Gents. Grab a cup a joe and settle down a minute. I got some backed up information for yous … << Starts Tape Recorder…. >>

Spot on is right Mr Domi. You got that Diane was Laura Dern AND that she drinks at the Pub we went to. I even want to say she is seated in the area of the bar that we were sitting at that night.  Glad it wasn't raining when we went, "FUCK Gene Kelly, You mother fucker!!" LOL I love Albert, he is my favorite this season. (Location: Max Von's Bar = Casey's Irish Pub, 619 South Grand, LA)

So Episode 7 should have shut up all those whiner's and complainer's of Ep 6. There was a lot of hate on the internet, and even in our FB Group, about that episode. I was ok with it. I did not like the scene with the kid getting hit by the truck, but the scene ended with the Fat Trout Telephone pole, so I'm ok with it.

"Lynch has gotten flak for the male gaze in his work, but the problems go a lot deeper than lingering shots on female anatomy.…” Laura Hudson in Vulture.

Also in EP 6 we finally got two major new pieces of music from Angelo, not his best work, but still great to hear.  The overall lack of his music is my biggest complaint this season in case I didn't make that clear.

When Johnny Jewel's Windswept first appeared, I thought that was Badalamenti  finally debuting new music. I was definitely disappointed it was not Angelo, no disrespect to Johnny. But I agree with you Erik about no AB original score. That music is what made classic Peaks so memorable. I don’t get why Lynch is using such popular music. There really wan’t any such tracks in FWWM, it was Angelo’s music and further cemented Peaks as evergreen. Lynch is acting like Scorcese in the epic cinematic story… and he doesn’t need to. Marty did not have a Badalamenti in his arsenal. Lynch does. Please use him.

EP 7...There's a body alright.. is definitely the shit. Now we are cooking. Jerry!!!! Come out of it man... Lets get Ben and Jerry back in action, not disfunction. The diary pages, Annie's message from FWWM, Leland hiding pages, DIANE from hell! ... Bringing it all back home.

There’s a dark undercurrent with Diane and Cooper. All signs are indicating something very bad happened to Diane. I think BOB-Cooper raped her.

I wonder where Frank Truman was at the time of Laura's murder? He says he remembers Leland, her father, did it, but is not really familiar with the case. BUT why the heck is Frank not asking "So what is "the Lodge" you keep talking about?” Hawk?

The way Hawk talks so knowledgable about both Lodges and the way Frank does not question or disbelieve him, then it must be common knowledge among the indigenous culture. Wonder if Frank is a Bookhouse Boy?

Ancient Doc Hayward, kinda sad, but he was still funny. Did you catch his Skype name?  MiddleburyDoc... Warren Frost was actually living in VT right? They probably actually did just Skype him and screen capture it…lol

I caught that right away about Warren Frost’s Skype handle. And no doubt, Frost stayed in Vermont to do his scene. That just recorded the screen.… I do miss Briggs. Yet he died long before Lynch-Frost’s three-year tenure writing the new story, they had plenty of time to work the presence of him into the story.

Briggsy.. Oh Major Briggs. how we miss thee. Should be interesting how this plays out. And When the hell are we going to go back to I bet the road where Andy is waiting to meet the Truck owner is up there at Frankln Canyon Pond.

The Dog Leg.... WTF?  Is Joe McCluskey the guy that rigged the car and Mr C Killed earlier on? I do think the Psycho Little guy with the Ice Pick and Gun is kinda silly. Over the top for no reason.  Oh well.… It's kinda silly also that no one has taken Dougie to the Doctor. Everyone just plays along. we have to suspend disbelief I guess.

OMG enough with the guy sweeping at the Roadhosue. Is this all the extra time he told Shotime he needed more money for to tell the story properly?  lol and more music used in hundreds of shows and commercials. I love Booker T and the MGs don't get me wrong, but ... UGH I miss you Angelo... Also... Kinda weird to see Jean Michel... Did Jacque Renault have a twin brother? lol Mr. C and Ray getting out of Prison.. Bad stuff gonna happen. I think they might have used San Bernadino County Jail for this locaton. The Cell block Cooper is located on looks familar.  I will compare some screen grabs from my Locaton and Publicity Photos we took for Beyond Scared Straight at that jail.

And beause they needed to pad the ending to get to the alloted running time... Back to the RR Diner for the end scene, and yet another over-used stock song they probably had to pay more to use than what they paid Angelo for everything. Plus, I liked that song better when they used it in the X-files episode ��Home" but No, I'm not bitter.

General notes: Glad Naomi Watts has such a big part. She really owns her scenes. Wish Jennifer Jason Leigh was more present but Mr C just left Jail for somewhere... It's slightly brilliant how Lynch (but probably Frost came up with it) still has made Harry a character in the show. even if only on the phone and never even heard. I feel like Harry is there kinda. Also brilliant... Robert Forrester.... wow. Wish he was in the original or the movie. Not sure how I feel with Dern as Diane. I'll go with it and see what happens.

Outstanding questions for me....(cause I haven't been reading blogs or listening to podcasts)

What is up with all the Arthurian Legend references? Dougie lives on Lancalot Court, down the street from the Merlin Market. Janey-E meets for the ransom drop on the corner of Gueneivere and Merlin. And of course, Glastonbury Grove... Pete Martel: "King Arthur's burried in England!"

Why is it when Dougie puts his thumb up or his hand out to shake, he turns his body 180 degrees?

What is up with the creepy guy (from Mulholland Diner scene) in the Vegas Office? I can't seem to catch his meaning in the story line.

What is up with Cooper's Room Key from the Great Northern? If has finally made it back to Ben Horne...Soooo?

One last question... Did Lynch quit smoking?  He made two references to people (Gordon Cole even) quitting. Did we ever even see Cole smoke in the series or movie? weird for him to say he quit when the character never smoked on camera. "You think about that Tammy."

On Jun 25, 2017, at 4:29 PM, Dom wrote: I think Frank Truman was a police officer in Seattle during Laura's investigation if I remember the book correctly. But I think that a "Sheriff Truman" has been in power for over 60 consecutive years now between the 2 brothers and their father. It sort of like there must always be a Stark in Winterfell.

To my knowledge that was the first time ever we have heard name Joe McCluskey. I have no clue who that is. But I have a feeling we will learn.

Yea, I don’t recollect Joe McCluskey. Gotta watch again to see if he first appears or is mentioned earlier.

I think Ike the Spike is either from the black lodge or an agent of the black lodge. Remember he smelled "funny" per the little girl.

Spike did look a little monstery, his teeth especially.

I actually loved that scene of the sweeping. I could just imagine everyone watching was freaking out and I enjoyed that. And I thought that Walter did some great acting while on the phone as Jean-Michel. "He owes me for two!"

That ending scene from the RR diner was weird as shit. Its either the worst continuity error of all time or something truly weird happened there. Completely different set of people dining there after David Lynch's son runs in and asks if anyone has seen Billy.

Lynch did not quit smoking. He, like Harry Dean are lifers.

Both Laura Dern and Naomi Watts are killing their roles. Both doing a fantastic job. I just cannot wait to see them come face to face over Dougie.

And MacLachlan! All his Cooper iterations are really well done. I love that BOB-Cooper character. Can’t wait to see what trouble he kicks up now!

My new tin foil theory is that we may be dealing with 2 Twin Peaks. Twins of each other if you will. I'm still working this one out. Different versions of the same town in different universes a part of a greater multiverse?

Did you notice Andy was wearing a rolex? Kind of weird.

…And he was supposed to meet the guy at 4:30. Is that one of the numbers from ????? ?

The guy from the Vegas office is working directly for Phillip Jeffries or whoever is pretending to be him IMO.

Don’t overlook the black soot guy walking in the hallway toward the female FBI agent in the morgue. I think it’s related to the guy next to Bill Hastings cell.…

Lots of Arthurian Legend stuff from way back when. I never got that. But its seems to be very important. I would love to go to Merlin's Market.

During the end credits from the last episode buried in the music is Windham Earle's theme mixed into the background too!!!!!

I might try headphones for tonight’s part to see exactly what sounds I miss. I know there’s a lot of low audible noise and rumbling that I don’t hear when our apartment is 86º and the fan is going.…

On Jun 25, 2017, at 8:10 PM, Dom wrote: Some last minute thoughts...

Yeah I agree about MacLachlan is killing it and should win an Emmy for best actor. Black soot guy is awesome and its the same dude for sure from the jail cell. Some people seem to think we have seen him a third time as a homeless man outside of Vegas at the Rachera Rosa is whatever it is called. I don't think that we did. I will need to re-watch that again. Another tin foil hat theory. On those three pages from Laura's diary she refers to knowing who it is and that its not Bob. At least everyone thinks she is referencing Leland. That is probably most right. However I am thinking that she is referring to an evil more powerful and sadistic than even Bob.Like whatever came out of the glass box and mutilated those younglings.

On Jun 25, 2017, at 8:17 PM, Erik wrote: > "Yea, I don’t recollect Joe McCluskey."

I am thinking if the guy in the diner eating food non-stop the whole scene with Ray and the chick Mr C shot in the head.  Just before he kills her, he tells her "i killed joe, and the she freaks out, knowing the gig is up.   The previous scene the eating guy "joe" does something to a car in storage and then cooper like squeezes his face for a whole minute.   Could be McCluskey?

> "Lynch did not quit smoking."

Well, its mighty fine of him to send a non smoking message to all the youths. Considering Cole does not smoke, it is a conscious message.

> "All his Cooper iterations are really well done."

Yes, Kyle will def get an Emmy nomination. Dern and Watts will also I predict.  

> “RR diner was weird as shit. Its either the worst continuity error of all time or something truly weird happened there.”

There are no accidents on a Lynch set. If an error occurs and he likes it he will use it. So who knows why he did it. On the same level as the windows  flashing code on the FBI jet.  He is throwing out decoys i feel.  

> “then it (the Lodge) must be common knowledge among the indigenous culture.”

Then why the heck is Truman not like "well lets go up there" nor does Hawk tell him he was up in those woods when Log Lady last called.

> “Don’t overlook the black soot guy walking in the hallway”

Nope, I did not mention him cause i consider it another decoy.  Kinda like the shambling being behind the diner in Mulholland Drive...never came up again. i am sure he will play a part at some point.  

But i did forget to mention the playing card Mr. C  showed the girl in the hotel bed before he shoots her.  Aliens? Very well could be.

Have a good viewing. The damn internet saying EP 8 is extra noteworthy. Could it be Phillip Jeffries? Windom Earl?  More Leland and Laura? (I actually doubt we will see either of them again).  Audrey? Big Ed? They got plenty of options.

Cheers! ~G

Sent from the Black Lodge.