#also it's only 12 episodes so...

[silverior968]

Someone watch Children of the Whales I beg of you I can't be back in the fucking building alone

[yurayuray]

breaking news: local office worker heartbroken after being rejected by stray cat

[moeblob]

Look, I rewatched all of Bravern to try and make more sense of it now that I know plot twists and stuff and honestly how does Lewis never ask anything about the cockpit that he was in for four seconds. I think he should mention it. I think he's allowed to talk about it.

[satoumafuyuss]

First (real) date 🤗

based on this text post

[inkedberries]

the passion and love for this series..... imma cry

read more here: https://www.japanaradio.com/node/98

text under read more

How much involvement did Nightow-sensei have in the production of the show? You mentioned in your panel earlier that he just gave a green light and said to just have fun. Can you elaborate further?

K: It started with Nightow-sensei, myself, the director Muto, and also producer Takei. So four people altogether, just talking to each other for quite a long time. We heard from Nightow-sensei about what kind of a person he is, what he was thinking about when he was creating Trigun, and what he wanted to cover in that story. And that's where we started. Building on that, we moved on to the concept stage. We had two main staff members working on that.

We had Kouji Tajima, who worked on the concept art, and Takehiko Oshiki, who worked on the setup, writing the text that would describe the overall concepts of the world. Oshiki-san is a huge Trigun fan, a fan of the original anime and the manga. And so, he gathered together for us a bunch of design documents, set up documents, describing the themes that were covered in the original manga, and also the themes that were hinted at, but not really ever explored. Then, based on the text that he had pulled together and written for us, Tajima-san started creating concept art. His goal was to create concept art that would show the overall feel of this world and help us with world building, to envision what kind of a world the planet is, and he took over a year working on all the concept art.

During all of these conceptual design parts, we were continually checking in with Nightow-sensei. So, even before the usual pre-production process, we're showing him the setup text and the concept art, and he gave the okay to all of that. After being deeply involved in the concept design, he told us, "Everything, from here on out, the scripts, the character designs and so forth, the regular stuff of pre-production, you can do as you wish. That's because I'm confident now that you fully understand where you're going with this, and I've signed off on all the pre-pre-production concept designs that you've done."

It's not like he gave us completely free rein to do whatever we wanted. However, because we had actually that much deep, intense collaboration at the very start, he thought that we knew where we were going with this, and he's also good with where we chose to take this.

M: Usually, when you're adapting a book, a manga, to anime, you'd just be facing the book itself. But, in my case, I really wanted to face the person who created it first.

[fallcolorspringrapid]

hi. if you like weirdly intense mentor-protégé relationships, War of Faith (追风者) might be for you.

the protégé: Wei Ruolai, a little potato, a poor, brilliant, idealistic boy whose n:o 1 ambition in life is to... work for advisor Shen Tunan of Central Bank. apparently. as his personal assistant.

"My life is not worth much anyway," Wei Ruolai says,

wow. ok.

and this is Shen Tunan, Wei Ruolai's boss and mentor. here he's looking at Wei Ruolai who has just said something very smart.

i'm going to eat that little potato for breakfast —Shen Tunan, probably.

people. these two have Chemistry. Shen Tunan keeps looking at Wei Ruolai like he can't quite believe his luck at having found such a sweet potato and can't make up his mind about which part to bite into first. and Wei Ruolai is just *incoherent noises* he's just so earnest. he's quiet and smart (and also very stupid) and tenacious and a tiny bit of a brat, and he lights up under Shen Tunan's attention.

Shen Tunan: "You spoke well earlier."

Wei Ruolai, having looked bashfully away:

ahem.

praise kink, anyone?

[20001541]

My Hero Academia: Season 7 Episode 12 - All for One Scenes

Yoichi warning Izuku about AFO

AFO's face reveal

AFO retrieving the stuff Garaki left

More of AFO's rewinded body

AFO taking his first breath of fresh air without any assistance or struggle

AFO falling from the sky like an angel

AFO happily taking someone's quirk and clothes

AFO talking to Hawks

AFO talking about his dream

Bonus

Close up of AFO's chest

[breezy-cheezy]

Tristamp may be finished but I’m not. This has been in the works for awhiiiile I just draw slowwwww

Just my hopes for episode 12 before it came out. We kinda got there! More people reminding Vash he’s loved please :’‘>

Please don’t tag this with ship tags, thanks!

[redrobin-detective]

Which Danny Phantom episode had the Coolest idea but the Worst execution

[kerryweaverlesbian]

They really fumbled the season 14 emotional core specifically by not having Mary be present and recognisably Mary for MOST of the season. It feels like we see more of her after her death than before it, and when we do see her before it she's a completely different character who's their uncomplicatedly loving mom.

Take season 10 Charlie, who was present and dynamic and alive and forming new relationships with other major characters and was generally a big part of the plot for season 10. Take season 12 Mary even! So cool they fridged her thrice. The high level of emotion from Dean and Sam after her (apparent) s12 finale death was meaningful to the audience because Mary IS season 12. Take season 7 Bobby! He is active and present and having an emotional arc and has been consistently a part of the fabric of the show.

And compare these to season 14 where she is living in a cabin with an unimportant side character, she's being sweet and motherly full stop, she's in The Pearl where her husband comes back from the dead and she has NO complicated scenes or emotions to process with Dean or Sam and gets maybe 3 lines in the whole 'pisode. The show doesn't give a fuck about her. And this is after season 13 where she's mostly in another world doing fuck all.

For a death to have weight in fiction you need to remind the audience consistently that THIS CHARACTER IS IMPORTANT by having them form new relationships, do things for the plot and generally be present onscreen. As it stands, even though intellectually I know that if MY mom got killed and her murderer came to see me going 🥺 it was her fault really 🥺 will you comfort me 🥺 and I knew they were going to kill more people, I would probably be easily persuaded to put them in eternal prison or shoot them in the head - the emotional truth of it on the show just doesn't carry through.

It feels like an overreaction for Dean to be so angry about this for so long because the show didn't care about Mary enough to have her around. What is he losing by not having her around? In season 14, they don't show us. They did in s12 - the potential to be seen, and the complex joy of getting to know his actual mother rather than the idea of her. And by not showing us, it makes it not exist, because its a tv show and anything that isn't being depicted implicitly isn't important to the story. If you removed all of Mary's scenes from s14 before her death, what would change? Pretty much nothing.

Now to be clear, I don't think they should have fridged Mary at all. But they could have at least done it properly. The sexism that made the writers less bothered about characterising Mary thoughtfully in s14 is a blight on the show.

[seaweedstarshine]

Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.

There's this part in Doctor Who Unleashed where RTD says this:

“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”

And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).

I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)

To quote RTD:

“...before you start to think, everyone in this community is white.”

This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)

—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?

How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?

And this just keeps happening.

And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.

The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.

[cerise-on-top]

Hank, Sanford and Deimos with a Reader who does Handcrafts

Gonna post my old MadCom stuff since people seem interested in it! I didn't write too much back then, but I'll post it anyway and hope for some MadCom requests as well! What the title says! Reader knits, crochets and embroiders in this! The format is different from how I usually write, but that's because I wrote this months ago, if not in 2022! I don't remember when, but it's been a while since I wrote this!

Hank

If you get his attention while doing one of your crafts, expect him to just stare at you for a while. He knows what knitting is, since you can use those needles to stab someone with enough force, but he never really cared much for any of it. So, seeing you do those small, but precise movements has him somewhat curious. If you beckon him closer to check out what you’re doing, he will approach you, taking your piece from your hands and gently examining it, before returning it to you.

While he won’t join you that often due to his occupation, Hank will lie down next to you from time to time, watching you work until he falls asleep eventually. Doing so next to you, especially when you’re knitting or doing embroidery, takes a lot of trust on his behalf, so it’s a rather rare occurrence, but it might happen. Still, sometimes even Nevada’s most wanted can’t resist getting some sleep in.

If you give him a scarf or anything of the likes it might seem like he doesn’t like it at first. As he only grunts in acknowledgement and doesn’t wear it, it might seem disheartening at first glance. But rest assured, he’s well aware that him wearing it would only get it covered in blood, and he wouldn’t want your creation, that you put so much love into, to get sullied like that. Hank does keep it somewhere hidden where only he can find it so that it won’t get stolen as well, he truly does treasure anything you give him.

Sanford

He has helped his mother crocheting every once in a while when he was young by holding her wool for her. Sanford always thought it to be really cool how you can make something so beautiful out of something as simple as wool and yarn. Much like he did when he was younger, he’ll hold your yarn for you, making it more comfortable to knit or crochet for you. Unlike Hank and Deimos, he will try to learn it as well. It seems relaxing, so why not? But by no means is he a master. Due to his strength, he will likely rip the yarn and wool apart from time to time and come to you for help.

In order to relax and unwind a bit, he’ll likely come to you and ask if you would like to practise your craft for and with him. Having you around in and of itself already makes Sanford happy, but just getting to spend time with you without having to worry about being killed by the enemy makes it all the better. If you let him, he will hold you close, lean into you, put you on his lap, anything you’re comfortable with.

Please give him a sweater. Because he’s never wearing a shirt he gets cold fairly easily. He’ll cherish it dearly and wear it whenever he can, and whenever he knows it won’t get ripped. Another thing he’d be very happy with would be a piece of embroidery. It reminds him of better times and gives him hope, especially when your piece of art is something pleasant and sweet to look at. Because of that, he will put it up somewhere in his room where he can always see it. Even if Deimos makes fun of him for it, he will simply lightly jab at the smoker, all the while smiling at it.

Deimos

He’ll lovingly call you a grandma for having hobbies like these. Even while doing embroidery, where you stab things thousands of times, he will snicker at you whenever he catches you doing any of these things. Though, he doesn’t mind that sort of thing at all since that means you’ll be sitting still for a while, meaning you’ll give him a chance to unwind with him. Deimos will wrap his arms around you, leaning onto you or just cuddle into you in general. No fighting, no getting hurt, just watching you do the same movements over and over again.

Despite possibly calling you boring, he does have great respect for your craft, since he can’t do any of it. It’s too tedious and he can’t sit around for long enough doing something like this. It’s simply not exciting enough. But the moment you give him his first sweater, he will think it’s the most awesome thing to ever exist. Proud as a peacock, he will flaunt and taunt his new piece of clothing, especially to Sanford and Hank, declaring just what a great lover he has.

Present him with a plushie and his mind will be blown. He always thought knitting and crocheting are just for woolly hats and sweaters and scarves and all. If he sees you made him a tiny grunt, he will simply lose it, run around the Status Quo base and show everyone what you’re capable of. It doesn’t even matter to him whether or not it looks good. Your hands are magical to him and absolutely everyone has to know just how cool and epic you are.

[scrumptiousstuffs]

“If you are trying to bring something up, I suggest you leave. Sand and I are starting our relationship. There’s no point in digging up the dead past. I won’t have an problem if Sand’s available. But he’s my boyfriend.” Ray

“Ok. I see. Your boyfriend takes ownership of you as if you’re his dog.” Boeing

“You’re right. When I love someone, I become a dog. But at least my owner loves me. Honest with me. He doesn’t get a new dog when he’s bored.” Sand

Only Friends, Episode 12

28/10/2023

(Look the fact that Ray is physically smaller than the other 3 boys on screen but still fierce and protective 🫣😂 - reminds me of a cute chihuahua dog barking, attempting to protect his much bigger partner - I’m going to equate Sand like a golden retriever 🙃… I still adore them though)

[no-s-estelle]

I've been gnawing on The Librarians like a dog on a bone ever since I finished the series a few weeks ago, and now I have Thoughts:

I hope the new show explores more of the library's history and the magical universe around the library. There's so much potential for Lore there, and so many implications the show never touched on. The library's existed for over 2000 years, but all the Librarians we see are white Europeans/Americans? (Besides Ezekiel) Technically Charlene and Judson as the original Guardian and Librarian must have been ancient Roman, Greek, Egyptian maybe, but that was never explored. The library went from Alexandria to the New York Metropolitan Library? Where was it in the interim? It could have literally been anywhere in the world! Show me the library in tsarist Russia, or Edo Japan, or the Incan empire. Or at least mention that the library spent time anchored there. You have 2000 years of history to play with, ffs.

And then in the earlier seasons the show implied the existence of a whole magical society, and then barely did anything with it. Show me how the library as an institution impacts the magical world, beyond just collecting and locking away artifacts! Give me more librarians mediating disputes between pissed off dragons, except we don't have the CGI budget for actual dragons so they're just guys in fancy suits! What happened with the lake forum??? I kept waiting for that to be a bigger storyline, and it never went anywhere, even though Cassandra kept using magic. It felt like an unfired Chekhov's gun. Just. Just give me lore, please.

From press releases, it looks like the new show is going to at least start off in Serbia? Or just generic Central Europe? So I'm interested in what they do with that. Idk, I mostly want them to really lean in to the world-wide storytelling potential, even if they shoot it all in Oregon. I believed the same one forest in British Columbia was 50 different alien planets for Stargate; I'll believe Oregon is China or Japan or West Africa or wherever they want me to believe it is.

[springypaws]

Some midnight speedy sketches as I try to materialize how I imagine the Wolf 359 characters in digital form (I am not succeeding and Hilbert and Hera look nothing like how I imagine them)

Anyways

[hauntingblue]

Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me