#also no I do not have any lore to go with this lmao

[khytal]

modern au movie date for vash’s birthday :]

[arklay]

RESIDENT EVIL → THE WESKER FAMILY

To the public, little is known of the families behind some of the world’s most renowned bioterrorists, but the question remains: did they play a role in causing their children to walk down the path that they did? Or are these individuals simply ambitious criminals with delusions of grandeur?

For Diana Wesker (née Afanasyeva), her introduction into the bioweapons black market trade was upon discovering her employers were using her research into limb regeneration with salamanders to further their experiments in creating enhanced soldiers, instead of developing human therapies with which she was recruited for. Although the prospect of using biological weapons in the military did not appeal to her, the concept remained fascinating for her own selfish endeavours. Born on the 27th of October, 1963 in Sydney, Australia to Russian immigrant parents, Diana had harsh expectations placed upon her at a young age, ones that no matter how hard she tried she could never live up to. Her mother, Tatyana, was an unfeeling woman, absent for long stretches of time with little regard to how it affected her daughters, much more concerned with her craft as an accomplished opera singer. Viktor was no better. A strict man whose role as father and ballet master blurred, he pushed his girls to one day follow in his footsteps. Whilst Sofia enjoyed ballet, and went on to become a professional ballet dancer, Diana’s heart was set on going into the field of biology. She wished to make a name for herself, separate from her family – to which she succeeded.

Diana was married to former U.S. Marine, Dave Monroe, for only a year until he was declared dead in 1992 after succumbing to injuries sustained in a horrific car accident. Foul play was ruled out while Diana played the role of the grief-stricken widow, but in reality, she had snapped after years of mistreatment at her husband’s hands, and opted for something she could pass off as an accident to be free of him. For years she believed he was dead – and he was, legally – but that proved to not be the case when he found his way back into her life again in 1999. Unbeknownst to her, she had been lied to by the police and coroner, who were paid off by her employers when they took Dave’s body for themselves and used him as one of their first test subjects in developing supersoldiers. Before he could ever hurt her again, Diana’s second husband, Albert Wesker, tracked the man down, captured him and tortured him, before allowing Diana to get her violent and bloody revenge.

The origins of Albert Wesker’s involvement in bioterrorism, alongside his twin sister, Alex, are much different than that of Diana’s. The two hail from London, Canada, but unfortunately, they hold no memories of their lives there, nor what happened to their biological parents when they were eight years old. Agents of Oswell E. Spencer, an aristocratic billionaire and eugenicist, took the twins from their home and executed their parents as per Spencer’s orders. Albert and Alex were then placed in a home funded by the Spencer Foundation where they were given new names and a privileged upbringing. They had access to the best education possible, free to pursue whichever field they decided, but it was by no accident they both went into virology and bioengineering; at home, their adoptive parents – agents whom they believed to be their real parents – instilled them with the beliefs of Oswell E. Spencer, harbouring disdain for war and pestilence, and believing humans to be an evolutionary dead-end in need of a rebirth. They were only two of the hundreds of children “adopted” as part of what is known as Project W, a plan intended to develop an advanced race of human beings. The most promising candidates were headhunted by Umbrella Pharmaceuticals, the twins amongst them, where they went on to create bioweapons for the company founded by none other than the man who had handpicked them for his plan. The final stage of this was to infect the thirteen Spencer saw fit, however, only two survived; Albert received the intended effects, now possessing superhuman abilities, however, Alex was only offered more time to live due to her terminal degenerative illness.

In the summer of 1995, Diana was working undercover within Umbrella to gather development data on their projects for her company. Here, she had a chance encounter with Albert, an intelligence officer at the time, which permanently altered the course of her life. The two were never seen far from one another’s side, marrying in 1998, and they went on to become notorious in the bioweapons industry. The development of the Uroboros virus was where things took a turn for the worst. Although Diana’s infection was successful and she bore abilities that rivalled her husband’s, the plan itself did not succeed as they had hoped, and almost cost Albert his life at the hands of his former subordinates.

Now, they work within the shadows, with Diana declared missing and Albert believed to be dead. Their legacy, however, lives on with the mark they left on the world. As visionaries in their field, they influenced bioterror attacks carried out by countless individuals and organisations. In turn, they also inspired others to fight against such atrocities. One such person happens to be Albert’s son from a former relationship, Jake Müller, whose existence he was unaware of.

[sweetandglovelyart]

Knightfall in Dream Land - Page 4

Meta Knight shares what it was like to grow up being raised by Nightmare.

[the-lark-ascending69]

> be a robin buckley fan

> be lesbian

> project on robin

> look up "internalized homophobia robin buckley" on tumblr because it's cathartic

> 3/4 of the posts are about st3ddie or just about steve

[sanchoyo]

Ik I went on a wild tag ramble abt it already (screenshots on that post for context of where I’m coming from and my tags below)

but stillllll thinking abt the preview for next weeks tmmn ep. woke up immediately thinking abt it. And I have more to add on.

from what I can see of the outfit it’s….like. WILDLY different from 1. Our modern alien’s outfits (which, ok I have thoughts on those vs ancient aliens clothes but assumedly it’s been thousands of years so time and a different environment and struggling to survive changes fashion. Whatever it’s fine I’ll save that for another post) in the original series the ancient aliens clothes were very very Greco-roman!!!! But this mystery person has a very princess/royalty silhouette that doesn’t necessarily fit that description. The colors are suitable for what we see in those screenshots (very light colors, dark colors or brights used as accents) but for all I know, new changed what all of the ancient aliens wore!!! It’s really hard to speculate if it’s comparably fancy when there’s no other ancient ppl in the single shot we got. Also if it turns out she is royalty like I suspect based on how elaborate the clothing looks, will we get insights into how the aliens society functions?? Or used to? (How would an assumedly important princess figure get left behind if that’s what’s happening??)

As for Why Lettuce is the one seeing this stuff…she’s both the most sensitive in the group with her compassionate attitude towards the aliens AND her association with water (mew aqua-> magic sometimes crystalline water) mew aqua feels like it has a will and is actively choosing to let her see.

And!! The possibility it does tie to the little mermaid story based on the title!!!!! Which is my favorite fairytale…(and very sad/bittersweet!!!) Can it be next week already 😭

[spinoff-antithesis]

(muth being music theory!)

[orbleglorb]

rambling about my life rq

idk if i've mentioned this before, but i've been interested in judaism and want to learn more about it, possibly convert, etc. i've done a lot of reading & i feel like at this point it would help to also see about visiting a shul. however. the only person that could go with me is my mother. my mother was raised christian and just,,, does not understand a lot of things about jewish culture & customs. and it's really hard to explain to her b/c it seems like she just cannot process that you cannot just walk into a shul. like she scared the absolute shit out of a rabbi because she just wanted to "drop in and introduce ourselves" despite me explaining to her 5 different ways that You Cannot Do That. and then when she saw he was freaked out she went "oh whoopsies!" girlie we cannot do that. please. for the love of anything and everything holy i need you to not. she was like "it just never occured to me that we couldn't just walk in" BESIDES THE 5+ TIMES I TOLD YOU??????? GIRL??????????? anyway i need to learn how to drive

[akkivee]

i enjoy seeing everyone’s lists of wants for the new season of rhyme anima lmao like they all highballin for the impossible anyway i hope we get an nmcd song thru rhyme anima kinda like how we got tdd working together but better—

[waloeders]

and u know what i need to play xvi some more i havent in a while. see my bois. then more forspoken n when i finish it, try alan wake :3

[musical-chick-13]

Always funny to me when people say, "Why was the Doctor ever interested in River in any way when she's Not A Good Person," as if a) their oldest and closest friend in the universe isn't The Master, someone very much not known for being a particularly good person, and b) there wasn't literally a line that went, "And unlike me, [River] really doesn't mind shooting people. I shouldn't like that; kind of do a bit."

[villa-kulla]

oh snappppppppppp 

[unproduciblesmackdown]

spent the evening reading through all of the like galley pdf copy of the 2 trans 2 furious zine and a great time start to finish like it was Not an effort to keep at it despite its being like 160 pgs. and despite my not having ever seen a f&f movie or really especially directly "correctly" being interested, though i'd ofc love to see any of the films like live & in person w/a bunch of trans strangers, say

laughed and teared up multiple times and thought about how impressive and creative entries were and like, the momentum was easy, everything was engaging and intriguing and invigorating and enriching....and Printed Editions (that ship to US & canada) are still available for pre-order, for about another week (also the window given for us going over the digital copy for edits/corrections lol) soooo. again i like haven't seen any f&f movies, and that didn't impede anything at all, and it was a fantastic time:

and another reason i'm like Oh My God So Appropriate To Have Sent In An Entry is how, like, it's all transformative fun and serious yet not somber Media Analysis on media you don't have to have actually even seen, or "like" straightforwardly, or at all, or be the "correct" audience for, or have an "intended" interpretation, lol, lmao....like this is Extremely our shit out here lol, what one is up to all the time in the world of Billions Series Analysis like, personally haven't even seen it, i'm not cishet enough to be the intended audience or otherwise sharing various particular assumed perspectives that are occasionally required to even parse, much less enjoy, some material....and yet!!

and like, if there was an all-autistic contributor's fun fan media analysis / commentary / parody / exploration / transformation / etc zine about billions? it'd be like wow how exactly me, and yet ofc i'd be at way more of a loss at what to scream abt winnie, perhaps ft. & tay, and the overall [billions]ing, much less how to actually execute that lol. it was easier to do a Very 101 Intro To: Cam Stone Exists Btw, nonbinarily, in that i limited myself to One Page so i could actually feasibly get it done, but in doing so i, as expected, could only say a fraction of what i could say about cam, were i explaining things in full / just unleashed, and skim the surface but just go "they exist btw and here's a tiny bit of further 101 info." it's not like, An Issue, b/c i don't think the [everything] that i could say would work great in full, and i can't write a great little short form piece of text about them (or winston, or anything else)....but it was also like, well if a trans f&f zine Doesn't have the trans f&f character in it then what are we doing, and We Know Of Cam Stone, so the most feasible [handing out a flyer] version of telling ppl they exist has gotta be done

and it's like, it's (relatively?) matter of fact to this end of only having so much room to put in words, and definitely ending up having to squeeze lines in vs struggling to fill the space. it could've been weirder, or funnier, or hornier, but it successfully exists and maybe it's a little weird, funny, and horny (drew an Especially [ooh sexy cam stone]-tinged pic lol) and whatever is difficult for me to perceive abt my own personality infusion in whatever, like how i have to be reminded like oh right, my Art Style, the way that Eye draw lol....and of course, i can't and don't expect my one page informative crash course intro to cam stone to be able to be Everything, any more than years' worth of lots of [winston billions] material in various formats of various extensiveness from various angles has been Everything. and the zine as a whole can't be Everything but it is, in fact, So Much abt So Many Things from so many different approaches. i enjoyed everything, especially like, "An Ode to X" as in fast x, which evolves into "x" as an (implicitly nonbinary) in-universe character and i was Moved and teared up, and i see it immediately follows "Jason Statham Will Call My Dad A Pussy In Fast 12" which moved me and made me tear up, which follows an entry that's a haiku about each film, none of which i've seen, which i didn't get misty about of course but was fully engaged with and enjoys, which follows my entry

there's naturally plenty about roads and horizons and racing and speed and i'm also like, i'm a gay who can drive, and i can feel it re: the trans contributor whose entry mine follows which is about their irl experiences driving in a demolition derby, inspired by f&f. and i can feel it re: enjoying f&f beyond how you're "supposed" to, or how you would in a cishet(tm) way, and how so many of these entries had resonance, and that intrigue and engagement, and lenses on where to find explorations of gendering which will kind of Have to come up whenever anything succeeds in approaching things that are genuine and really truly more To Life, even while the point of f&f is not to be "realistic," especially about, you know, the driving and what you can do with cars, which i fully appreciate and definitely understood more for cam stone being in a story ramming through a wall outracing an avalanche hacking cop cars and defusing bombs and ramping over bucket wheel mining excavators and being swept out of the way of a train that was going full speed but silent until like 0.05 sec ago when it also burst through a wall or something? and whomever all is involved with racing like a rocket launch fr. and having fun, being yourself, and killing people, hell yeah

and like, the [this is like my autistic ass out here laser pointing at winston billions as autistic and having that lens on this media that doesn't intend it or directly invoke it] relevance also Of Course in that, through kompenso, that is where it is like yes as i have that personal symposium of ongoing compounding unfolding branching distilling consideration, analysis, appreciation, transformation, etc going on, so too does my colleague as the world's preeminent tayficionado, which is where they looked into akd's oeuvre and found the cam stone material, and passed it on to me, then passed on the [zine call for trans f&f contributions], So

and that, just like as is also found crucially in kompenso / the then preexisting & all eventually following winnie n tay material, there's that Autistic and Trans resonance. some particular quotes from this zine were especially like, oh, pointing, pointing...."Thirty minutes into my visit, I suddenly just didn’t want to be there anymore. I didn’t feel angry, not really very sad at all either. I just longed to be elsewhere. A different place, with different people, within a different moment. And then every cell in my body pleaded to not feel that way in all of my moments, in every group of people, in all places." ....[from a poem, ft. formatting thusly:] "It made me feel important, kind of? Like, more present? Like people talked about me a lot but never exactly about ME, if you know what I mean. I mean, of course sometimes I could feel something inside of me. A sneaking or, like, a skittering. I just kind of figured everyone feels that sometimes, like really deep down, right? It’s just that no one really talks about it, you know. That’s what I figured." ....[from a section of a contribution w/the context of the author not yet knowing that they're trans]: "but he was familiar and didn’t make me think too critically about much in the world, especially myself, especially as he never seemed too interested to ask me about me—not that I would’ve had much insight to share at the time beyond “please do not think too deeply about how I am.”"; and then, w/the context that they do realize, and have expressed, that they're trans: "but I was still learning about the concept of mattering, so I didn’t push the issue of basic respect at the time." ....from another submission, that is Sooo: "maybe i am transing Fast and Furious just by loving it" ...."Discovering, loving, and sharing this franchise (and myself) with others has been such a wildly different experience—maybe even the opposite experience—than self-policing myself into who I thought I should be. It’s nourishing, welcoming—an open invitation to learn and grow rather than an ongoing test to constantly worry about failing."

an ongoing test to constantly worry about failing....here ofc a parallel to Gendering, and, ofc, the autistic & trans [handshake] and resonance, to Autisting....i resonated with plenty, genderingly, but this wasn't a surprise or even like, my focus, and of course not all the entries themselves Textually mention [gendering], but it's like, a trans space in a zine lol, a baseline of that understanding and perspective, vs having to be actively looking. nonzero textual neurodivergence mentions, too, and other lenses of ways to be Othered / non normative, like race, nationality, religion. the overarching, Constant [omg sooo me] resonance is that of like, having this foundation of refusing Limits, of approaching a Rich Text a hundred different ways, w/different tones, and different formats, and different experiences and ideas explored. you don't need the source material to acknowledge any noncishet people textually exist (to be understood by noncishet audiences), or to be deemed Good, or Enjoyed, or your entry to be proffered as like, correct and definitive rather than One exploration you could offer up, amongst many offered by many others who could say more, again, differently....i've been like, balancing excitement for having this contribution, and its being like ooh fancy lol this is the one time i can say i have (non self-)published work, and it'll be Out There, and (including all contributors' gifted copies) apparently that ft. abt a thousand printed copies atm, and the digital distribution option hasn't happened yet....along with, like, it can't even be my comprehensive, definitive [cam stone exists btw] theoretical Ideal Entry lol b/c that would not be feasible for me to make or to be put into a zine. knowing i have Points on my side for it being crucially relevant lore (and the competition being hotter for the small form text entries, though there's other illustrations, comics, collages, edits, etc) like, yeah the strength of this isn't in its being as weird or funny or horny as anything could be, lol....but my Personality is embedded in it as per like, see: how that Journey of relevant interests and enthusiasms and engagements and perspectives and weirder, hornier, more extensive and varied works led up to and contribute to this piece's existence (such as, years of drawing winston 9000 times being part of how my drawing looked in march, when i made the cam stone piece)

and like, in not seeing everything as a test to fail, in seeing [when are you seeing things as that test to fail], &/or similarly/overlappingly seeing [when are you seeing things as a test to Prove Value to others or something and achieve person status in their eyes b/c of it] like, lol, i hope a thousand plus ppl learn cam stone exists, and it'd be fun if they enjoy that process. put in little floaty hearts as flair, just as i often do, b/c by now i just Know and Embrace that i do. and i'm not like "i hope everyone ever is blown away" b/c why would they be lol, and that's fine. like how even in [i just say some shit abt winston billions, and ofc abt myself and my experiences / perspectives through winston billions while knowing that's not what's "meant" out here probably maybe though put me through to will roland, yknow...] i'm like oh don't be thinking abt proving your value w/this specific oeuvre lol like. anyone Caring as validation like, it's too late by now, i like people liking shit and getting anything out of it but it's like, i'm doing my thing, i'm having a specific ass symposium abt quantent and billionsing "wrong" that eye enjoy, i enjoy getting any feedback/attention on shit i put out there in case ppl wanna partake, i don't enjoy any/all of it in any/all ways just so long as it's Anything, yknow. like same with interactions/attention on Me as an autistic person who actually exists, lol. speaking being exhausting when it's ppl saying shit At me, would-be "positive" attention that's from someone like deciding what i'm like or what i'm communicating and wanting something from me, that shared discussion Abt something can only be a gateway into like "normal" exchanges to "normally" socialize, finding that pattern of not being worth effort unless it's effort that gets something out of hurting you / thwarting you; all versus: i have plenty of expertise knowing myself vs needing feedback, i like doing my thing, i like doing my thing Alongside others, probably strangers, within a certain context, like being cooped up at college and socially recharging by going ""alone"" to the coffeeshop down the block, while going "with" people would generally be a mixed bag if not disheartening to even distressing. which, here i am, doing my little thing alongside strangers in this context of transgendering and fun and serious but not not funny and varying and daring and earnest materials exploring something that's about anything or everything or nothing, and not made for You, but here you are anyways, as you always have been

anyways, that is to say, like, perfect that it's turned out so like "yeah you don't need to have seen the movies even" and such enriching Reflections and like, so different and yet cohesive without needing to like, painstakingly group or order things to create some Connections, they're all there, and i'm like damn yeah cam's quarter-mile V neck, so fucking true. and i'm like, this is so Me, without having to be like, "and that is b/c i have put Me on the page, in full, with utmost success, and Everyone Will Love It (Me)" lol, which was not like, a danger, but that's through all the years of going [everything is a test i'm failing / can fail at any moment] and yknow, even up to recently and this very moment wrangling with and realizing things like, hand on shoulder are you looking to "earn" some estimation of Value in others' eyes that they can only choose to give by seeing everyone as a fellow person w/inherent value who deserves basic respect. like the mortality mondays that ramped up since late january, but also since '09, but also since like forever in different forms, and back when first discovering billions and, for like the only time while we've been watching, Knowing when everything in a season will air, but also not thinking i'd get to see it, and now in a similar boat, but different (having done "nothing" on paper over the years but like, been Realizing Things, been powering up, been assigning the Value to myself and Understanding myself & my experiences further. and also other things that you Could put on paper, but yknow), and like, it's still about [grr let me see billions through, even though i don't even see billions] and still about [!!!] despite it all and things that are "unserious" and also not and who needs like a certain kind of validation from enough of certain kinds of people

anyways, the autistique resonance within it, and in the process of reading it, and having our specific path to sending something in, and making it. it's an excellent ride and it's very epic that it exists so consider that print copy preorder if you want (plus the intended eventual digital distribution option, not yet available)

[pagesofkenna]

I'm plotting out this book based on my D&D OCs as if I was plotting out a campaign I'd be DMing, and when it comes to writing it I'm very tempted to fully roll dice to see what happens

[avtrbee]

the prince [2]

✢summary: what happens when your husband brings home a son that is not yours?

✢tags: arranged marriage gojo satoru x reader, reader is a clan kid, she’s v traditional, obvious cat and jon snow references

✢tw: implications of cheating, mentioned abuse, misogyny ig, fanfic gojo, ooc gojo

✢ a/n: here's part 2! i'd like to emphasize that depsite this being a gojo x reader fic, the main realationships i'll be focusing on are y/n and the kids gojo brings home lmao. also im raw dogging the lore as we go so if there are any inconsistencies, please lmk. as always, have fun and lmk what you think!

i don’t do taglists.

part one ✢ masterlist

If it were up to you, you would have shut the gates of the Gojo estate as soon as the child entered the grounds, but your husband had given him the the maids so quickly that you’re sure they have spread the word around already. You could hear the rumors in your head. Gojo Satoru has brought home a child out of wedlock. Gojo Y/N is barren. Gojo Satoru has a mistress.

You expected Gojo to be frantic, stumbling over his words in explanation as to why he has a son- it was his son, there was no doubt about that- reassuring you about his vows remain unbroken, or whatever else but silence. You are silent too as you watch the child get scurried away by the estate staff to scrub the dirt off his face and to get a change of clothes.

Even as he is being escorted away from you, his cursed energy did not fade. You feel it like how everyone feels Gojo’s, but more raw and untamed. Whoever this child is, it is Gojo Satoru reborn again. 

Silence. Silence is what took the Gojo estate into a chokehold as the maids finish bathing the child and then put him in a spare bedroom a good distance away from yours. The maids must think you resent him. 

Satoru pretends like everything is the same as if the boy had been there since the beginning. During the first night, you watch with a blank face as the cake you've baked for him is eaten by the child. Neither the boy nor Satoru expresses their gratitude towards you. You doubt they even know you baked it.

To his credit, Satoru had treated the child better than you had expected. He is blossoming into fatherhood, you realize and you feel the rage and anger burn in your stomach.

He pats the boy's head and messes his hair, before pointing to his own messy mane exclaiming, "See? We match!"

Satoru had tried to include you in conversations with the boy, even daring to seat him on his right at meals. Satoru would blab after seeing the child gobble mochi. "Mochi is Y/N's favorite too!" He turns to look at you with a bright smile. "Right, Y/N?"

You want to point out that the boy had gobbled everything served to him, but you just give a brief nod.

At night, you sleep like a log- rigid, straight, and quiet. Satoru, on the other hand, remains comfortable, snoozing the day's exhaustion behind him.

Tonight will be the same as it has been for the past few weeks. You stare at yourself in the mirror of your vanity, wondering if your reflection is the perfect example of a foolish woman. How stupid of you to think he was different.

There was nothing but quiet as you prepare yourself to sleep, brushing your hair quietly. You hear the door creak but you do not turn and greet him with a smile like you used to.

“I expected you to be more emotional about this,” came Satoru's words beside you. Me too, you want to reply but held your mouth shut.

You had expected yourself to scream, and let your anger flow through your voice. You wanted to cry until your tears were dry and there wasn't any left. Neither you nor Satoru would be surprised if you use your technique against him in a fit of fury, and if you truly knew your husband, you know he'd take your anger like it was penance. You want to be the fire that burns him badly. But you did none of those.

You are as cold as their blue eyes. You are quiet.

You continue to brush your hair.

"Do you want me to get rid of him?" offers Satoru. "Just say the word, and I will."

You blink in surprise. You meet his eyes in the mirror. Satoru looks nonchalant in his posture with his hands in his pockets. But the fact that his glasses were nowhere to be seen tells you he is not joking.

Your ears recall the promise he made months ago. My wife, my equal. A promise to try, to try to be happy to spite everyone who was determined to make your lives miserable. 

The sudden exhaustion hit you, your shoulders slumping from your previous postures. You lean back, letting your nape rest on the back of the chair. You stare at the ceiling, your head forbidding you to forget how the child looked like. White hair. Blue eyes. You hear Satoru sigh somewhere near you. You hear his footsteps come. From your peripheral, you see his figure beside you. A feather-like hesitant hand touches your shoulder. “I was not unfaithful to you.”

Satoru moves to kneel in front of your sitting figure. He reaches out to your head, and touches his forehead against yours. You find yourself looking up at his eyes, the same shade of eyes that he shares with the child. His hands cradle your face, desperate for you to believe him. “Please. Please, Y/N.”

You remain silent. 

“You’re the only one I have left, Y/N, please.” He begs. There are tears threatening to spill down to his pretty face, and you find some sick satisfaction in them.

That is not true. Your husband has his clan, his estate servants, his high school friends, and his teachers. It is you that has no one but him. By your culture’s traditions, you do not belong to your clan anymore. You know that some elders have begun to doubt their choice in choosing you as the wife of Gojo Satoru with the obvious lack of children, but with the sudden appearance of Gojo-sama’s bastard child, they might annul your marriage by force- or, god forbid, cast you aside for another, more fertile woman.

You do not wish to share your thoughts, but your husband grips your head so desperately. You have made a god beg.

“I know.” You say. The child may be young, but he was old enough to walk and talk small phrases on his own. He must be at least two years old. The child is older than your marriage.

His shoulders immediately drop in relief before quickly detangling himself from you and wrapping his arms around your waist. He slides his head to hide in your neck and like instinct, you welcome him wrapping your hands around his waist.

"Where would you leave him?" You manage to ask, still not believing his offer.

"The cabin," he says. You can see the cracks on your husband now. You spot his hand making a fist inside his pockets, like it pains him to speak. “The one by Nagasaki, remember? I’ll send a maid and give him money every month. We can send him right now. The maids will not say anything outside the estate, not if I threaten to chop their tongues off. We can send him off with a caretaker to a cabin somewhere and leave him there. I- I can visit him a few times a year- just to make sure he’s fine.”

You blink. You did not expect Satoru to offer that. You let the fantasy linger in your head. You imagine the boy’s life so far- abandoned by his mother and unknown by his father. Children do not understand things the way older people do, so it is up to the adults to help and explain certain things. But he has not had an adult in his life before. Would you be happy if you were left alone in the cabin in the middle of the woods with no one but a caretaker for company? Better yet- will the caretaker even stay to care for him without anyone around?

That sounds incredibly lonely, you realize. The premise sounds all too familiar to you- an empty house with no one but servants. But this boy will only get one.

He needs people to protect him, but you are unsure if you’d like to. Your instincts tell you to agree, get rid of the boy before he becomes more of a threat.

“Satoru,” you say slowly, thinking of your next words carefully. “He is just child. He is no danger to me.”

You hold your breath, suprised to hear the words out of your mouth. From your lap, Satoru holds your gaze- piercing eyes trying to read your mind. If he caught your lie he does not show it.

"Are you sure?"

No. "Yes."

-

Hiroki. Satoru had names him Gojo Hiroki.

He spends most of his days inside the estate surrounded by maids or inside his room playing with the toys you off-handedly ordered the day after he arrived. The maids gush about him already, the older ones excitedly murmuring how the little lord acts so much like your husband as a child. You would be a fool not to agree.

Hiroki runs barefoot through the estate, tracking mud on precious tatami floors before a servant finally catches him. He likes people, likes the maids and the servants, and thus has migrated to the kitchen a few weeks after his arrival like he was addicted to places were people are the most. He draws. He draws so much it’s almost ridiculous. You could have a library full of childish scribbles.

Like your husband, he devours his dessert the best before any dish. He eats mochi, ice cream, cookies and whatever sweets there are on the table like it was his last meal. You recall one of the maids gasp as a drop of cream lands on your cheek when he slammed his fork in his cake. 

Satoru is free in his affection for the boy, unexpectedly flourishing in fatherhood. He remains firm in his belief that children should be children and makes an effort to see Hiroki out. Satoru becomes known to sneak the child away from the estate to parks, to mini-vacations you begrudgingly join after Satoru’s incessant pestering. And of course- school. Hiroki made history once again when Satoru announced his decision to enroll Hiroki in a totally normal, public Japanese preschool.

You realize that Satoru was meant to be a father. And one good one at that. It brings you comfort that any children that he is at least good to his son after he confessed his plan to be a teacher after graduation.

Tokyo’s jujutsu highschool would be blessed with his presence, thought one of Satoru’s female seniors would disagree.

“Yo, Y/N-chan,” came a voice.

You twist your body over to the source of the voice, and your face lights up at the sight of a familiar face. “Getou-san!”

If Satoru's presence is an overwhelming force, making everyone and everything bow to him as if he is god, Getou is a dark, uneasy, slinking feeling. His cat-like features morph into a happy expression with a polite smile on his lips.

“Is there a mission today?” You ask as Getou comes nearer. Satoru would try his best to keep any of his classmates away from his estate, but there is nothing he can hide from Getou and Shoko. "Can I come?"

After you had let slip that you wanted to become a licensed sorcerer, Satoru had made it a habit to sneak you into some missions with Getou. You had fretted about the technical legalities and questioned the safety of the public when an inexperienced sorcerer like you enter the battlefield but Satoru merely shrugged and simply gestured to his best friend. We're the strongest!

Getou leans his shoulder on the wall. "Nope, not this one Y/N."

“I see,” you say, failing to hide your disappointment. Sometimes you wonder why you enjoy the missions so much. Was it the thrill of doing something you never would? Perhaps it was the freedom of it all, unleashing your power to poor curses who quiver beneath your feet?

Your ears perked at a familiar high pitched laugh, and your eyes immediately lock to the window where Hiroki soon runs across. He has dried soil on his feet. His pale hair is slicked back with sweat and it glistens against the sun like snow.

A maid forces a laugh in panic as she tries to catch him with his shoes on one hand.

Away from him. That’s why you enjoy it.

Getou follows your line of sight. “How is he?”

You glare at him. “How would I know?”

Everyone knows that Hiroki is a taboo topic if it’s within your earshot, lest they want the you in a foul mood. But Getou does not shy away from his question and only raises an eyebrow, calling your bluff.

“You’re telling me you do not know your own household?”

“The garden is his place,” you sigh., and admitting it felt like defeat. “He likes the grass on his feet and likes big spaces. He gets angsty when a room is too small.”

“Mmhm,” Getou agrees. “Did you know Satoru plans to enroll him in a daycare?”

Your eyes widen in horror. “In a- what?” You shriek. “He has a dozen of servants here willing to serve him-! Does he even realize the risk he’s putting the boy in? Assassins, curses, cursed users…” you trail off, remembering your own childhood. It was strange to be surrounded by servants but feeling so alone at the same time. “I see.” A daycare meant potential friends, friends that you never got to have. “Does…does the boy like it at least?”

“Me?” Getou barks out a surprised laugh. “Shouldn’t you know that?”

You glare at him. Getou meets your gaze unapologetically, almost as if he was challenging you. Finally, he sighs. “Have you ever talked to him at least?”

You roll your eyes. Your sharp tone echoes around the room. “And why would I do that? He is no concern to me.”

"He needs you."

"He does not need me," you snap, suddenly impatient for Satoru to come out of wherever he’s hiding so Getou and him can go. “He will resent me when he’s older, I know it.”

You have seen this same scene over and over again. Children and the wife of the husband do not get along. Both suffer at the existence of the other. This is the fate that Satoru had subjected you to. This is the fate you have set upon yourself when you refused to send him away. You wonder if your kindness will cost you one day.

“Well,” Getou shrugged nonchalantly. “You haven’t given him any reason to like you either.”

You opened your mouth to retort, only to be interrupted by Satoru.

“Getouu,” he whined, comically trudging towards his best friend with a hunched back. “Why are you so early?”

You see Getou open his mouth to reply, but you are lost in your head. You watch Getou ignore Satoru’s childish gimmicks, already dragging him out of the room and towards the door. You feel Satoru kiss your cheek before waving goodbye, but your head was in a daze mindlessly repeating Getou’s words. You feel shiver creep down your spine before shifting your gaze towards the garden where Hiroki’s presence was last.

-

thank you so much for reading guys! i’d love to hear all criticisms and suggestions for this universe <33 please lmk through comments :>

here’s my masterlist

[akajustmerry]

Can someone please explain this richonne van lore to me? I can't listen to the podcast you mentioned

oh, I will GLADLY. so season 7 episode 12 of The Walking Dead is called 'Say Yes' and is widely known as the rick and michonne honeymoon episode by cast and fans alike. It aired in 2017.

For context, it's not a literal honeymoon but those are the vibes. it's the first episode dealing with their relationship properly after they first get together in season 6. Rick and Michonne hornily volunteer for a sneaky cheeky supply run to go retrieve supplies surrounded by a herd of Walkers.

Rick and Michonne are horny as fuck so the episode has lots of them kissing and so forth. now, the VAN SCENE™ is them in the back of the van they've been driving around making out very aggressively. it's as close as TWD can ever get to a sex scene where people are not having sex because TWD was a cable TV show. It's a very brief scene, less than 30 seconds but it's uhh VERY hot.

after the episode aired, Danai Gurira and Andrew Lincoln were asked about shooting these scenes on a panel (I can't find a link but if I do I'll put it here/if anyone has one lmk). both of them mention that, while shooting the van scene, there was a take where they got so "carried away" the footage would never be released. the director of the episode also joked he keeps the footage locked up. None of them ever really said what was in the footage but....well, we're all adults and we can all have a guess. and that's all we could do.... UNTIL NOW.

So, there's a podcast called Richonne Revelry, hosted by some huge fans of TWD. In an episode they released earlier this year about the trailer for The Ones Who Live, one of the hosts mentioned that they met, TWD director Greg Nicotero. Nicotero directed 'Say Yes' and so the podcast host says that she asked Nicotero to tell her about the van scene shoot.

ACCORDING TO HER, Nicotero spilled the beans. Apparently, they just set up the gear in the van with no crew as a closed set and told Danai Gurira and Andrew Lincoln they could just do their thing, which is pretty standard for scenes like that. BUT, according to the host of this podcast, Nicotero said that when his crew got the footage, it was wayyyyyy too raunchy (she says he told her danai was topless for most of it) and danai and andrew were making out so uh.....intensely that the footage couldn't even be spliced to make it appropriate for the show. Danai and Andrew, apparently, were very shocked they had to reshoot because they were actually really happy with it, but Nicotero insisted they do it again and rein it in so they could have some usable footage. The version of the scene we see in the show is the "tame" reshot version, allegedly.

All of this is alleged, of course. A lot of people joke like it's a sex tape, but honestly nudity guidelines for commercial TV are so strict and specific it doesn't take much for any intimate footage to become unusable. Plus, unsimulated sex is a hugeeee no no in mainstream entertainment. Productions get crucified over it. so if that had happened we absolutely would not have heard about it, let alone hear actors joking about it for years. But anyways, that's the lore! One thing we can all agree on is that Danai Gurira and Andrew Lincoln are DEDICATED to their craft, by all reports lmao. personally, I'm just glad to hear a behind the scenes story about actors getting carried away in the moment which DOESN'T involve anyone getting hurt or mistreated 🥰

[phantaloon]

something really interesting (aka fucking tragic) is how like, this story is going so far

bc overcompensate starts strong on the fighting back (both lore wise and just, life wise ig), and then next semester comes kinda hopeful/hopeless about new beginnings (a common theme with the pilots)

and then theres backslide, which, like its name, is such a big backslide mood wise and theme wise and like, you know personally for tyler's mental health state (i have no idea how to express my thoughts)

like it goes to a darker place, and unlike next semester, it doesn't have any hopeful undertone, it's quite the opposite, questioning whether one deserves help, whether one is worth even the minimun sign of help, even tho he desperately wants to keep fighting and just isn't strong enough to do it anymore

and going from "do you think that nows the time that you should let go?" to outright saying "you should let go" bc its over his head, and just the way he whispers "i don't wanna backslide" in the end, just barely audible

im afraid clancy is gonna be the end of me lmao tyler is really pulling out the pain in this one

(and its also quickly becoming my favorite album despite only 3 songs being out)