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#also no i dont care if they dont fit EXACTLY with their book descriptions :)
sleepy-vix · 5 months
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What would your ideal book be like (as in, what theoretical book would be your absolute favourite) what genre, page count, setting, characters, etc would it have?
oohhhh this is such an interesting ask. hmm i'll have to lay this out in dot points
BE READY FOR LOTS OF TEXT!
also i am indecisive and messy so my opinions will probably change idk T-T
alr here we go
- genre: psychological novel? im not exactly sure what the genre is but i love when books follow a mentally ill character that's just trying their best to navigate through life, and the book is about the way they interact with their surrounds and respond to issues and cope with their past and come to decisions, iykwim?
BUT I WANT FANTASY in it too so it will be epic. i love fantasy world building and i love when it makes so so so much sense. it would be cool if they had elements and got sorted into elemental groups too- that is so satisfying and fun to read.
- page count: probably 500. personally i think a normal book is 300, and it seems daunting when it's got like 700 pagesz but considering that this is my ideal book, i think i'd be sad if it had less than 400 pages (cus the story would be over soon) so i'd say 500 pages is the perfect amount.
- setting: in terms of time, i never really cared for it. i realise that i should probably have a preference on which century i like to read, but i find that characters can be mentally ill and epic no matter if they are from the future or the past.
in terms of location, hmm i wouldn't want to read about a character being anywhere with tropical or summery vibes. i like my characters knee deep in snow and drenched from head to toe in rain. it keeps them depressed and relatable ^^ (/hj....?)
oh also it would be cool if the country and places were mad up, since that this is a fantasy.
WAIT OR asia. i am obsessed with books that focuses on/is based off asia :)
- characters: trios are the best and i will die on that hill. ok like i dont need the trios to be together 24/7 but i need there to be THREE main characters if you know what i mean. one of them can be an antihero idc. it just has to be THREE.
oh also i love to read in the perspective of characters who are ambitious and feisty and impulsive because they're the opposite of me. but also i'd like them (idc abt gender) to be cunning, witty and good at making plans.
another character that i need in the trio is the smart one. there HAS to be a smart side character or else i will NOT fall in love with the book. i need the character who makes all the entensive plans. i need the character who is a walking dictionary. i need the character who hates to fight and would rather be learning but is somehow good at it and therefore forced to fight alongside the makn character. (oopsies im just describing the poppy war. but that is not a crime ;])
if its a soldier poet king trio i will be obsessed with it forever and ever
ok so for the stuff that u didnt ask but im gonna include:
-writing style: advanced. work my mind to death but enrichen it at the same time. i dont mind a difficult and layered magic system- in fact i LOVE THOSE, as long as they make sense and they are creative. do not give me that "she let out a breath she didnt know she was holding" bs.
i want "the night circus" level description when it comes to settings. i need to see taste hear smell FEEL the fucking surroundings
-vibe: doomed from the start. i dont want my characters to be happy. make me fall in love and then break my heart and do not apologise for it :,) (shit am i masochistic? damn)
- others: it would be cool if it is somehow relevant to our present irl current political state/ real world problems. it would be even cooler if it somehow fits a ton of mitski songs. also gayness is very welcomed
yeahh thats all i got for now. oops i wrote alot. at the start of my reply i was thinking along the lines of solitaire and crime and punishment and no longer human, but then it was all scrapped and i based it all off of the poppy war trilogy because it did fantasy and character dynamics/personalities/backstories SO RIGHT.
tysmmm for this ask. i would love to ask it right back, but i dont know who you are :(( ahsvsj feel free to tell me anyways tho in my askbox as an anon !!
*this was not proofread
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bonesandthebees · 1 year
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okay first of all i love the title anyways lets go!
i should potentially reread the prequel bjt yolo
title sic infit means so it begins thats neat i like it
im never going to shut up about the way you describe things like this is a dude resding a book but every word is written with such care that its so much more
ooh a ferronnière fancy i am googling so hard rn
the announcement from the snippets! i am very excited about this bit
i think that if wilbur isnt told about it that means it probably has something to do with him in some way. but i do think that even though he thinks phil would be told that he might mot have been its probably a pretty big thing i would think. if it was nothing wilbur would know i think so yeah i would assume that even if it doesnt directly pertain to wilbur that it will be something that will impact him
ah his choice on the heir? yes
i like the break you chose it fits
tnt duo!
i feel like its gonna be some curveball idk im like so skeptical that it would be that easy i also didnt read the summary oops anyways but ywah i feel like a secret third option gets named heir or something like tommy because you said we dont meet him this chapter but will next and yeah idk i dont ever expect things to go how people think they will
phil wasnt told
its definitely going to be a curveball
i dont think its the announcement they think it will be i truly think if it is related to the heir hes going to bring in a third option or just announce that a third option is the heir
something is happening tonight lets see it
how gay are ponk and sam on a scale of 7-10?
NEW VISITORS. TOMMY!
willum hehe
I WAS RIGHT (potentially)
i am so excited for this fic oh my god its going to be so good i can just tell
this pendant means so much its his family and his power and his status and its interesting
YOU HAVE PINTEREST BOARDS I WANT TO SEE THEM
OMG AND THE PLAYLIST FOR THIS FIC oooooooh i like the vibes
anyways im sooooo excited for this fic i think its going to be a fun one!
- 🪿
thank you!! the original title was just 'under the rose' but it felt off to me (partly bc I have a fic already titled under the brine and I thought it would be too similar) so I wanted to make it slightly different but still hold the same meaning. eli helped me brainstorm different words to add to it and then they suggested hanging and I was like ooo ok yeah we're gonna go with that, and I'm very happy with it now
the prequel is very fun if you want some more context + rainduo being cute kids
lol yeah figured sic infit was fitting as a first chapter title
tyyy I always struggle with finding my 'voice' in the first chapter of a new long form fic, because I need to figure out how I'm going to describe things and what word choice I'll lean towards so this chapter had a lot of me experimenting with different descriptions. i'm so glad you like them though!
ty ty I always have fun (read: struggle) with choosing the line breaks for my fics because I want them to hold at least some kind of meaning/connection to the story but also look nice. I experimented with a few unicode flowers and the order to put them in before I decided on the break I have now and I think it looks exactly how I wanted it
curveball :)))
sam and ponk are like a 9 because ponk isn't the king and even though sam keeps saying it's fine they know they gotta show some decorum in public
the pendant gets talked about more in the prequel, but yes it shows wilbur's status as being the son of the consil. it's representative of the role that has defined his entire life at the palace so it holds a lot of meaning to him
usually I have no problem sharing my pinterest boards for fics, but I actually don't have a public board for this one I just realized. the only board I have for it is a private one so it can be as messy and disorganized as I want and mostly just be used to hold references. I might make a public one though and if I do I'll share it with you all! for now though all you get is this one screenshot of part of it (yes there are so many screenshots from game of thrones on it because the costume design for that show is literally amazing)
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the playlist is also a lot of fun I am trying so hard to find exactly the right vibes for it
thank you so much I'm so glad you're excited for this!! i'm so excited to share it with you all after so long :D
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weatherbane · 3 years
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ladies of the Republic Commando novels, my beloved
i drew these bc i have an impossible time picturing faces when reading novels and needed some visualization for myself!
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ectonurites · 3 years
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a very very genuine question: so its bad to repost art but no one says anything when people repost things from the source material/creator's sketches.....why?like sure everyone who likes it may recognize the style but there are plenty of fan artists i recognize immediately, new or old art, with or without. to me it just feels the same, like either dont repost art or people should be able to repost stuff, i dont see how they can work at the same time. and this isnt me saying people should be allowed to repost and all that bc i do understand the theory of why reposting hurts artists, just that the logic doesnt seem to fit once it extends to famous artists/creators. just bc its official and easily recognizable makes it okay? how does that work? again, there are plenty of fanartists who are easily recognizable and lose no money when people repost their work (bc they posted it for free) and from my own observation, it seems it just, somehow, makes them want to do art less (from what i have read from artists themselves). why do we not consider that when it comes to official creators? wouldnt they also feasibly be less motivated seeing their hard work plastered across the internet for free when thats the sole way they make their income? and its not a system where its solely sticking it to the man bc it hurts the artists income, as well. but if it makes them happy to see people enjoying and sharing their work with others, drawing interest, why isnt it the same with fan artists? people often repost art, not out of malice or intent to claim credit, but bc they enjoy it + want to share it, esp on social media where sharing isnt a feature (instagram, for example) again im not trying to justify reposting, just confused about the contradiction
First of all instagram does have a form of sharing posts- stories. Which yes they are temporary by default, but you can use the highlight feature to collect your favorite things you’ve shared from people right there on your own profile AND it links back to the original post and can permanently be on your profile as long as you keep it there. You can even label them and everything! But then moving on to answering more of your actual questions
To start: this is a very complicated thing. And I feel everyone trying to answer it might have slightly varied opinions. 
I personally see a pretty clear distinction between ‘Officially published/released’ works (like comic book [as like you’ve probably seen I frequently post comic panels] or other materials that may have been released in creator guides, official video game art, promotional art for things, etc etc) as opposed to like, personal work and fanart. Because with official works:
There’s usually a source to buy it and you should if you’re referencing it a ton (while I don’t own every comic I’ve ever read I do have a lot and if I did read something first through illegal means [because some comics are just straight up hard to find due to age/being out of print] and enjoyed it I try to seek out a physical copy after if possible)
There is a level of far wider recognition (I know you personally might find fanartists’ styles recognizable but like, things that are in mainstream media.. have just such a higher profile. it’s not really comparable) 
If you’re not supporting the official release you’re harming the big company that published it far more than the individual artist (like, the individual artist probably also wouldn’t appreciate it, because it can effect them for sure as well, but they’re not gonna be taking the brunt of the damage unless it was entirely self-published work, which I’d definitely categorize differently from what I’m mainly talking about here.)  
Often fanartists/professional artists who aren’t that well known, in addition to wanting to just create work for the sake of it, also want to build their own platform, to have an audience that they interact with. Or like, if they’re offering commissions, a bigger platform puts you in a position where people will actually see the art and want to commission you. When you say reposts of smaller artists’ fanart doesn’t ‘loose them money’ because they didn’t charge to post it, you’re missing the fact that it makes them loose out on proper linked-back-to-them exposure. Especially like, when a repost account on insta or something says ‘ah yes credit to [username] on tumblr’ the vast majority of people who see it aren’t going to then open up a whole different website and look for the artist. Some people might! but if there’s anything i’ve learned from working professionally in arts marketing it’s that people want things that are convenient and directly in front of them. Someone who wants to see more works because they liked one is significantly more likely to click on the username of someone who posted it rather than opening up a browser or a different app and searching a separate name put in the caption. 
Then honestly, I do feel weird about reposts of professional artists’ more personal works unless the artist has stated they’re fine with people reposting with credit. It should be about the comfort level of the artist. I think a lot of professional artists who aren’t in a position where they’re as worried about building a platform, because they already have one and might have professional connections/opportunities already lined up, might not really care about reposts especially on a website they don’t use. (Like tumblr. I’m coming at this mostly from a comics artist perspective here, but most professional artists I see are waaaay more active on twitter and instagram than tumblr) If it’s a website they don’t use, it’s not taking away from the platform they had been building there for themselves. And also, some artists really just don’t give a shit, which is their choice they can make with their work! But that’s not a universal thing. One artist being fine with their personal art being reposted =/= all artists being fine with it. 
In my own experience as a fanartist, when I see my art reposted without credit, especially when it’s art I’ve also already posted on the same platform... it’s definitely disheartening. Even worse is when the repost gets even more attention than my original post. (something that has happened to me multiple times!) Like, it can get so upsetting!  Because it lets me know that someone else was using my art to build their platform and I got exactly zero benefit out of it. Then when it’s reposted with credit it’s a little less annoying, but I still don’t... get much out of it. Especially if it’s an instagram repost and they credit my tumblr not my account on there, since insta captions don’t actually do links unless it’s to other insta accounts. Also with insta for example, I have a 'business’ account set up so I can look at and track popularity of my posts and see how they’re doing as something to keep in mind when considering posting times, etc etc. When other people repost my art there I have no control over it. That sucks a lot! Also, when I quite literally ask people not to repost my art (it is IN! MY! DESCRIPTION!) and they still do, it’s just straight up disrespectful. I asked for a boundary to be respected with my work and people have just completely ignored it. That doesn’t feel good at all.
But, conversely, I’m gonna talk about my more professional irl work for a sec. I’m a graphic designer, so I do things like posters, logos, etc, When I design a poster for a client that is meant to be advertising something, even if it’s got my own original illustration or something as part of it, I know my name isn’t necessarily going to be attached to it the same way as it is with my personal work. I get a credit line somewhere, but that’s in a fine print probably not even on the poster itself at all, but that’s like, part of what I signed up for. I already get paid separately, I am giving permission for my work to be out of my own hands in that way. Professional work for a client is often setup in some way similar to this. I don’t get mad when I walk down the street and see a poster I made up somewhere without it directly ‘linking’/referencing back to me (aside from maybe my signature if it had an illustration), in fact I go ‘OMG ITS THERE ugh wait i see one pixel is off oh noooooo” and then move on with my day. It’s just an entirely different situation because that kind of work has a different arrangement from the start, where you know it’s going to be put in a different type of circulation.
So yeah, my word isn’t god here, but I definitely see official releases as having a different set of permissions based on the fact that they are published in an entirely different situation. And I think reposts of personal art aren’t cool if the artist isn’t okay with them, no matter how big a platform they have. Other people probably approach this with a slightly different perspective, but that’s mine!
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amuelia · 4 years
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I'm not sure if you've ever mentioned anything about this but how do you feel about show Roose? I was really sad to see his character get cut so much but I really like his voice,,,,it's a good Roose voice ( also it's CRIMINAL how they took away the Bolton's pink like they don't even wear anything but black in the show 😭😭 ) (( also also I absolutely love your art YOU MAKE SO MUCH GOOD ART OF UNDER APPRECIATED CHARACTERS ITS SO GOOD TO SEE 🥺😭♥️♥️ ))
I think the actor is very handsome and talented! I like reading his Interviews, he seems very intelligent and you can see the thought he put into his character and his scenes. He did a great job with the material he was given, and i think it’s very understandable and professional that he read the first books but then decided to focus his portrayal on the show scripts, because the way they wrote him was too different.
Did you read the books before you started filming? I read the books before I started. Well, I read two of the books, and then I stopped actually. Because the character in the books is very, very different to the character in the show. The core differences were he spoke with a whisper. He never raised his voice. He had no emotion on his face. I remember there's a [line] that joy and laughter were very similar. So you couldn't play that. It's fine if it was the Roose Bolton show, you could do something like that. The character was not written like that at all. So it kind of did me a disservice reading the books. So I put them aside and just concentrated on the character in the scripts. - Michael McElhatton, IGN interview
But also, in the end, what he mentions about the difference is part of why, as a book stan, the show version doesn’t interest me that much; it’s not even about him specifically, but just a general thing all the show characters share. Just like most other characters they adapted, they completely suck the fun out of the character grrm wrote - no leeches, no icy eyes or pale face, no pink house sigil; ending up with a character that pretty much looks and acts like every other dude. I don’t need Roose to look like Dracula (as much as i love it, the long dark hair for example is not book canon, since his hair is never described), but he should be memorable! Instead, i often hear that people new to the show don’t remember his s2 scenes, or mix him up with other regular looking dudes like Stannis, or otherwise don’t remember him. One of grrm’s biggest strengths is how with just a few traits he makes every character memorable and distiguishable; think about any random character and youll probbaly remember at least one “special trait” that sets their appearance or personality apart from the rest. The show completely falls flat in this regard, ironically making it so that the books make better use of the “visual medium” than the show does.
Apart from that, visually the actor is ok; Considering a Dance with Dragons came out at a similar time as the first season and the casting process takes a while, I don’t blame them for leaving out some details of his character descriptions (for example his “ageless” appearance or the small close-set eyes are only mentioned in aDwD). His height (175cm, influenced my hc for the book version) and body type are close to the book, though i wish they’d left him clean-shaven like in s2 for the entire show. He has a bit of a long face which fits with the book’s northmen. He’s no Supermodel but i heard him called handsome frequently, so idk if that fits with the book description “not handsome but not quite plain”; i love interesting faces more than conventionally attractive ones so i can’t really judge objectively. Voice is imo too deep (imdb also calls it “commanding”), i imagine him having more of a mid range voice; and the actor also just talks normally instead of being notably whispery/quiet.
In terms of characterization, as the actor hints at, I do not think they are written very similarly. Roose in the books is a character who is ruled by an underlying fear/anxiety that drives him to, at all times, ensure his own safety and health (I elaborate on this more in this meta); The show version the way i remember it does not show this a lot. He doesn’t have the leeching scene and if he has scenes about being obsessed with health they werent prominent enough for me to remember (maybe the Jaime scene included some book dialogue?). He is serious, but he does not act emotionless to hide his feelings (Though the show scene where he says he doesn’t drink was a nice touch; it is not completely congruent with book canon, but brings across the same idea that he wants to be in control of a situation and his feelings).
For a bigger example: Show!Roose’s characterization in the Red Wedding episode shows him acting very confident and in a great mood, bantering with Cat, and staying in the room the entire time while wearing chainmail; while in the books he barely eats and doesn’t talk to Cat, is shown exchanging threatening glances with Walder, and leaves early to ensure his own safety only to return fully decked out in armor to give Robb the final blow. In the books, imo, you can see that he is stressed out by the situation; because while he planned it very thoroughly with Lothar Frey, it is still a great risk for such a cautious man to take, and he needs to trust that Walder doesn’t backstab him.
Bolton had made a toast to Lord Walder's grandsons when the wedding feast began, pointedly mentioning that Walder and Walder were in the care of his bastard son. From the way the old man had squinted at him, his mouth sucking at the air, Catelyn knew he had heard the unspoken threat.  
They are not necessarily great story-changing differences, but to me still paint a different picture of his character. People always say “oh a character doesnt need to look exactly like the descriptions as long as the actor works for the story, oh you dont need to adapt every little character detail as long as the story is intact”, but do this too much and somewhere along the way you lose what makes the character themselves. The small details and human traits are what makes me love a character, so if those are missing i end up not seeing them as a an adaptation of the same guy, even if the plot is similar. I do think there are scenes in the show where you can see the scriptwriter read the books and put in some of the book characterization, but the general direction of the character is still different.
I also loathe the s2 change that had Arya as Tywin’s cupbearer; it removes one (/two) of Roose’ best chapters and also the one that establishes a lot of his character traits and Red Wedding foreshadowing. The Tywin-Arya scenes are everything wrong with the show; changing scenes arbitrarily to prop up fan-favourite characters (later culminating in stuff the s7 wight hunt), bad “feminism” (like Arya saying “most girls are idiots”), having characters act OOC to be more “likable” or “sympathetic” (like that weird “fatherly” way Tywin acts towards Arya), ignoring how people in that time period and universe act (as if a man like Tywin would even glance at a servant), etc etc... here is a great post on that scene by @turtle-paced.
As far as the post-s3 scenes go I’m not a fan (though i did not rewatch those a lot, so feel free to remind me if i forgot something). i don’t like that they made Ramsay the main character of the plot, with Roose merely as a supporting role side character; the books give Roose a great arc starting in aDwD that imo is needed as a continuation of the Red Wedding plot. They pretty much cut out the Winterfell aDwD story (one of my fave storylines in asoiaf) entirely and replaced it with forgettable scenes. Replacing Jeyne with Sansa not only makes no sense for Littlefinger but also for Roose, since that makes him antagonize the Iron Throne. His death scene was so bad that it makes me hopeful he will have a bigger story in the books, and that they just culled him because they wanted to thin out plots like they did with Mance, Barristan, and Stannis.
Though in the end, while i don’t like the show’s writing and visual direction, i do still thank them for making the Boltons such prominent characters; They seem to have gained a lot of fans through the show, and are regarded as very important characters (i even see them in some “great houses” gifsets). They are of course also important in the books, but not as prominent/central as for example Ramsay was in s6. So even if they are adapted badly (Show Ramsay is especially bad), if they make people interested in their book counterparts, it’s still some sort of a win in my book.
(Also, thank you so much!! Glad you enjoy my art ❤️❤️)
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kendrixtermina · 4 years
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Further reactions to "The book of lost tales":
I appreciate that Idril canonically wears armor and does swordfighting.
I feel like I can actually imagine adult!Idril much better now like in armor and with open hair, distraught but ready to fight while babby Earendil does not yet realize the danger...
My first thought is that Earendil was probably cute in that baby chainmail. My second thought is OUCH, Idril and Tuor always made sure their growing baby had fitting chainmail cause they felt the apocalypse might get them at any moment. Imagine that, imagine them having the baby armor fitted every year or so :(
Its fun how much of the basic structure already exists but most of what you'd consider the main characters doesn't exist or is scattered across various minor roles The only Prince anywhere in sight is Turgon - Except for Team Doriath, theyre all accounted for. I suppose Maeglin is kinda there in name only with vaguely the same role & motivation, but looks personality and background all did a 180 since. Luthien is still pretty much "princesd classic" at this point, not quite the fearless go-getter from the final version - markedly this version tells Beren that she doesnt want to wander in the wilderness with him whereas the final one says she doesnt care and its Beren still wants to get the shiny so as not to ask this of her and also for his honor.
I mean in the finished version Id consider the 3rd and 4th gen royals to be the main characters (well, alobgside Team Doriath and the varioud human heroes) and theyre hardly here. Imagine the silm with no Finrod!
Feanor had no affiliation with the royal family whatsoever, and is also generally less super. He's just the guy who won the jewelsmithing competition, not the inventor of the whole discipline. Still seems to have been envisionad as a respected member of the community who gets called to the palace for crisis meetings and is listened to when he stsrts giving speeches. From the first he already has the backstory of going off the deep end (or at least growing disillusioned with Valinor) after a family member is killed by Melkor and theyre still the first to die, but its just some other rando unrelated to the royals
The situation regarding the humans is different - instead of Melkor leaking their existence, its Manwe who explains that the other continents were supposed to be for them eventually. So Feanor goes off on a tirade about weak puny mortals comes off as a more of a jerk unlike in the final version where Melkor barely knew about the humans and described them to the Noldor as a threat. On the other hand in this one, also very much unlike in the finished product, Melkor dupes even Manwe into being unfair to the elves as a whole. In this the final version is a definite improvement, both Feanor and the Valar come off as a lot more sympathetic and though still deceived he's partially right in some things at least, so you have more of a genuine tragedy rather than a simple feud
There is something to the idea of Commoner!Feanor tho. I guess some of this survived in his nomadic explorer lifestyle and how both his wife and mother (who arent mentioned here) eventually were the ones to get that background of being not especially pretty ladies who are not from the nobility but got renown, respect and acclaim for their unique talent and contribution to society, with each having invented things and Nerdanel also being renowed for her wisdom. Hes sort of an odysseus-like Figure in that sense. I suppose later developements necesitated that Maedhros & co. have an army not just a band of thieves, which means they needed to be nobles/lords. That said this being a society where artisans are very respected and half the lords have scholarly/artistic pursuits going, the gap was probably not as big to begin with as it might have been in say, medieval England. Esoecially since Nerdanel's father had been given special honor by one of the local deities and that the social order might have been a very recent thing in Miriel's time. One might speculate that the first generation of Lords started out as warriors during the great journey, or perhaps just Finwe's friend group.
Also found that bit intetesting where the Valar have to deal with the remaining political tensions and effects of Melkor's lies on the remaining population in Valinor... - i guess with the change of framing device it was less likely for news of something like this to reach Beleriand. That, or the existence of Finarfin and his repentance made this go smoother this over in later cannon
Turgon's go-down-with-the-ship moment reaaly got to me. Im half tempted to write a fic where his wife, siblings and dad glomp him on arrival in Mandos. I dont care that none of them exists yet in this continuity i want Turgon to get hugs
I love all the additional Detail that got compressed out in the shift from fairytale-ish to pseudohistoric style especially all the various Valinor magic insofofar as it is compatible with the final version - particularly love the idea of the connection between the lamps and the trees that is now integrated into my headcanon forever
Its actually explained what the doors of night are
If I had not already read unfinished tales or volumes X to XII where this is also apparent, this is where I would say: Ah so the Valar were supposed to be flawed characters. Manwe has an actual arc; by the time he sends Gandalf he finally "got" it. I think in the published silm the little arcs of Ulmo and Manwe are mostly just lost in compression/ less apparent when only some of the relevant scenes got in but not all
It occurred to me way too late that the "BG" chars are the most consistent because theyre at the start and most stories are written from beginning to end. Finwe doesnt get a dedicated paragraph of explicit description until HoME X but my takeaway was that he's described pretty much like I always imagined him anyways/ same vibe I always got from him... charismatic, thoughtful, enthusiastic, sanguine temperament, brave in a pinch but at times lets his judgement be clouded by personal sentiment (though that last bit is more apparent/salient as a character flaw once he became the father of a certain Problem Child) ...i guess this would be a result of jrrt having had a consistent idea of him in his head for a long time.
This means Finwe's still alive at the time of the exodus which is just fun to see/interesting to know... Interestingly he sort of gets what later would be Finarfin's part of ineffectually telling everxone to please chill and think it over first while Feanor simply shouts louder (which is consistent with his actions before the sword incident in later canon where he initially spoke out against the suspiciozs regarding the Valar) - but its not exactly the same, he's more active than Finarfin later in that when "chillax" availed nothing he said that then at least they should talk with the other Kings and Manwe to leave with their blessing and get help leaving (This seems like it would have been the clusterfuck preventing million dollar suggestion in the universe where Feanor is related to him and values him) but when even that falls on death ears he decides that he "would not be parted from his people" and went to run the preparations. I find it interesting that the motivation is sentiment/attachment (even phrased as "he would not be parted from [his people]" same words/ expression as is later used for the formenos situation), not explicitly obligation as it later is for Fingolfin (who had promised to follow Feanor and didnt want to leave his subjects at the mercy of Feanor's recklessness )
Speaking of problem children. It seems the sons of Feanor were the Kaworu Nagisa of the Silmarillion in that originally all they do is show up at some point and kill Dior as an episodic villain-of-the-week. And then, it seems their role got bigger in each continuity/rewrite... probably has something to do with the Silmarils ending up in the title later making it in the sense their story that ends and begins with them. They have zero characterization beyond "fierce and wild" at this point, though in what teetsy bits there is we already have the idea that Maedhros is the leader and Curufin is the smart one/shemer/sweet-talker, though not the bit where Maedhros (or Maglor, or anyone really) is "the nice one". Which I guess explains why "Maglor" sounds like such a stereotypical villain name.
"The Ruin of Doriath" was purportedly the patchworkiest bit of the finished product, but I never noticed and it actually left quite an impression of me upon first reading, the visual of Melian sitting there with Thingol's corpse in her arms contemplating everything thinking back to how they met... she had the knowledge to warn him not to doom himself but couldnt get him to understand it because he doesnt see the world as she does.... After reading this though I wish there was a 'dynamic' rendition that combined all the best bits like, youd have to adapt it to the later canon's rendition of the dwarves, have Nargothrond exist etc. But i mean that just makes Finrod another dead/doomed relative of Thingol's whom bling cannot truly replace, like Luthien and Turin. In the Silmarillion you could easily read it as just an "honoured guest treatment" but here and in unfinished tales I get the impression that Thingol actually did see Turin as a son.
Already you see the idea of trying to make the stories all interconnected but there is less than there will be (the human heroes aren't related yet and there is basically no Nargothrond, which is later a common thread for many of the stories - a prototype shows up in the 'Tale of Turambar' tho complete with half baked prototypes of Orodreth and Finduillas
O boi im not even through yet
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conchstellations · 5 years
Text
watching the 1990 LOTF movie!! my reactions:
hello all!!!! i was bored at midnight again so here it is: me watchin the 1990 movie, for the first time, hell yeah!!!!! here we go!!! its got the other movie to live up to, so im excited for a comedy lmao!! tl;dr at end if u want!!! its kinda long btw lmao
- castle rock entertainment??? piggy u better watch out bro
- fuck is that the pilot???
- k this isnt a big thing but why are they in water? the plane left a scar in the earth, they were on land.
- okay, again, me nitpicking. but idk, to me, they dont look 12?? maybe its just cause theyre all dressed up n that but they dont look like 12 yr olds to me like the last movie
- why tf does ralph (?) have a glowstick lmaooooo
- why are they all together. where is my conch. wher are my stupid ass choir outfits. maybe im not there yet and they have them, but i want my stupid cloaks!!! jack would not stand for this!!!
- why TF is the pilot alive???
- am i supposed to know whos who by now?? did i just miss that?? which ones ralph? which ones jack?? wheres simon???
- conch??? the conchs main job is to bring them together, and here theyre already together so???
- piggy already makin me love him gosh piggy is child
- okay so im guessing brown hair kid is ralph
- piggy protecting conch rights
- i do like piggys sass... very iconic
- okay whAT??? is that blonde kid supposed to be jack?? first off, jack has red hair. second off, there is no way in hELL THAT MY basTARD child jack merridew would let ralph win the election just like that??? wheres my choir??? wheres my c sharp???
- okay jack would for sure call piggy shitbrain nvm
- mY CHOIR WOULD NOT ACCEPT THAT SINGING. 
- wheres simon????
- r they fuckin cookin lizards??? nvm look away simon pls dont be in this
- is thAT BITCH supposed to be Simon?? hes got a lot to look up to. also why the FUCK is the adult alive. taht ruins the whole purpose of the entire book
- was that a dream??? sorry im dumb af lmao
- alrght simon is kind of an adorable hild and he likes lizard maybe hes valid?
- idk.. for some reason this ralph isnt like, giving me ralph vibes?? hes just not bring like ralphish u know??
- now im getting a little bit more of our beloved lil bitch ralph..
- okay wtf is going on lmao
- “SHOVE THEIR DICK IN THE CONCH” had me laughing for a solid fucking 30 minutes. william golding who??? whoever wrote that line is the new icon
- ‘EAT SHIT AND DIE”  okay wtffff im so confused but also vv entertained
- for some reason jack’s character is like 100% off, but also somehow 100% on point “thats exactly what i meant” like holy shit. like idk hes not jack but just sometimes he radiates “jack if he was allowed to swear and was less of a lil bitch” energy
- ok simon and lizard?? valid
- i swear to FUCKING GOD i will kill that child!!!
- im gonna cry. wtf. why would you kill his lizard. even this movie’s jack seems like he thinks thats fucked up and hes a psychopath. also, lemme say, at this point, i think most of the book characters would beat the shit out of someone if they were mean to simon like that, bc the choir were his friends, and ralphs tribe respected him, sooooo
- why tf is it simons job to take care of the adult that shouldnt even be there? liek wtf hes grieving asshole
- no fucking duh hes scared of everyone but simon i would be too 
- honestly kinda glad they let ralph say fuck he deserved it
- “back off man im sick of ur shit and sos my gang” fuckin got em
- let me guess pilot dude is the new beast???
- honestly wtf is goin on lmao
- okay piggys actor actually made me sd when he was crying about his glasses so good job
- simon comin through with the glowstick. also, good job simon
- well at least the lord of the flies looks terrifying as always
- are samneric putting on warpaint this early?? bc i WILL NOT stand for that shit. i am a samneric STAN Ok??? they were two of the tHREE left when simon died who didnt become cowards and go savage. they wree LOYAL to ralph until they were LITERALLY tied up and FORCED to join jack, and even then they helped ralph!!!! so fuck u. samneric are better than that.
- oh simon :(
- im glad they actually kind of (?) shwed simon like with the pig head bc last movei it was just ike them flipping the camera from pig to si so idkk
- ok that was a pretty ralph move to bring up the fire 24/7 lmao
- piggytits?? tf
- simon with hus fuckin glowstick lmao
- awe, simon
- okay HOLY SHIT. the sounds of what i assume to be them fucking stabbing simon are horrific. and then that cut to simon’s fucking mutiliated corpse?? holy SHIT. like as much as im complaining, thats the gruesome shit i expect from this book. i was expecting them to shy away from it bc its so awful, but im SO glad they didnt, bc that gave me fuckin chills. finally, something i can praise them on. thats the lord of the flies i expect. 
- i feel bad for ralph.. good job
- ok good. samneric came back. good job again.
- ok. nvm. the disrespect to my loyal children. alright.
- okay that child screaming as hes being whipped?? wtf.
- ok that line of piggy being scared that the russians will take them nad make them go into the olympics? gold. 
- piggys laugh is so pure
- why the fuCK are they finding instruments lmao
- poor piggy
- did roger just wolf whistle at ralph what the fuck is going on
- holy SHIt this movie does not hold back on the blood. but, wheres my conch explosion?? if ur gonna show him getting hit u gotta show the conch exploding. although, the conch means like nothing in this movie lmao
- okay wow piggys dead body cool cool cool
- ralph fucking YEETED that kid to the ground lmao
- okay, ralph crying?? good acting
tl;dr/conclusion/my thoughts: hooooo boy so i see why everyone likes 1960 one better. 
first, lets start with the obvious: why this isnt lord of the flies. because its not. if this wasnt telling me that its lord of the flies, i would think of it as that, really. first off, the conch. the conch represents civility, it brings them together. its important. when piggy dies, it dies, representing how all civility is now gone. i maybe saw the conch three times this movie. didnt do anything.
second, the pilot, captain whatever. the point of the beast to me is that they made it up. sure, the corpse was real, but it didnt pose a threat, it was simply a corpse. they made it into what it was, therefore proving that they are the beast. sure, the pilot here was harmless, but he grbbed a boy’s foot and was therefore making himself a possible threat. maybe its not a big deal i guess.
third, the characters. the point of lord of the flies is that they are rich kids who havent gone through anything. theyre the perfect, spoiled kids who havent done anything wrong. half of them are in choir. chOIR. in this movie, lets take jack for example. they said he stole  a car and got sent to military school. no. the point of jack is that he was a perfect kid. leader of choir. he was manipulitive and got even ADULTS to trust him. its part of hs character, showing that this perfect choir leader kid went fucking insane to prove how literally everyone can be evil. also samneric???? the direspect!! they were loyal to ralph until they were tied up and FORCED to join jack, and even then, after roger like beat the shit out of them, they were STILL loyal. fuck you.
so those are the MAIN reasons why it wasnt lotf. 
now, what i liked i guess.
the swearing was NOT lotf, and it didnt fit with the story, but ill admit that i laughed, so i guess thats a plus.
second, i liked how they showed the gore, i guess? sounds weird, hear me out. lord of the flies is a gruesome, violent, awful book. theres descriptions of death in detail, and im so glad they showed it. when simon’s body was there, literally torn to shreds? the shock of it, the true savagery you see that these boys murdered him SO violently, is amazing, because thats the essence of lotf. simons death shows how theyve lost all their civility, and showing such a gruesome corpse really brings that through. so good job.
and now, of course, the obvious: thats not the characters i pictured when i read the story. simon doesnt look like that, ralph doesnt look like that, jack doesnt look like that.
 where did the choir go, too? forgot to mention that, and i think that also adds into the whole, theyre supposed to be perfect kids and then become savage thing. also, the choir was a group. they voted for jack and went with him for a reason. 
so yea, thats that. dont know why people would read this lmao but thats my thoughts!!!! i just need to keep myself busy when i watch movies and to make sure i focused, i figured id just write down my thoughts as i went. if u wanna watch for free, look up lord of the flies 1990 google drive. 
;)))) and yea im posting this at 230 am lmao why not
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lairofsentinel · 7 years
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I finished it! (taking advantage of my Bronchitis, so I could not do anything but to play a quiet game such as Tides of Numera that makes you read a lot.)
My gosh. I could feel and notice how similar everything was to Pillars of Eternity. Even the final is so PoE. I  mean you really perceive that the whole game was made by the same people who did PoE.
Spoilers Ahead
The Changing God had been dead long time ago. Sooo, soooo PoE that. In their games there are never Gods at all. The Ninth World, like Planescape:Torment gives a really amazing landscape to explore and different quests with different chars, but everything feels too shallow. I mean, you go to Sagus, to find the Martial Artist there, you solve the problem and that's all. You never again interact with him. It's a world so empty of “daily life”. It feels like the whole world is setted in a way just for you to explore, command and do staff. I don't know why I feel it that way.
The merecaster system (exactly the same system you use for “reading souls”in PoE) was quite interesting, even though sometimes it was boring. The long descriptions of the environment was too much sometimes. But I have the feeling that most of them, when they are not related to castoffs, it's just a bunch of scattered memories, they do not make sense , they dont have anything where to fit, (and produce a higher feeling of shallow senseless in a world like the Ninth, where you can see headless people walking around, chilling.) Probably this is what strikes your mind most of the time: the lack of sense in everyone’s existence. Of youse, you can interpret Ninth as an allegory of our current life, but it doesn’t suffice. At some point, you have to stop trying to find sense or symbolic interpretation, because everything is crazy. Like the Baker with the “wrong” Levy, asking another year of his life. I mean, there are amazing things and concepts such the Dendra O'Hur cult, or the Changing God itself, Aligern’s family/tatoos in his body and mind, th glow of Erriti that will kill him but it was going to be “amazing”, the Bloom itself devouring us all to its whim, Rhin crafting her own “Gods” (sublime allegory) or the same existence of the castoffs. All of them are quite interesting allegories, but you need to stop at some point, because everything goes too wild. Like the people living in a Whale, with the lack of written words, and ill, that wanted to land in Sagus, or the book you return to Falinda (she speaks narrating). Or the man researching the reproduction processes of many species... one of them was removing a limb of your own body from which the “kid” developed itself, condemned to have a role according to the limb (like, arms=worker, head=scientist, etc). This was a whole .. what? the?fuck?.
Characters
Now, this was really good.
Tybir broke his heart and mine, and probably most players' (I’m grateful he didn’t turn in a story I was expecting of, the greater betrayer). However, I'm angry at this story, because this is the usual sad, angst gay story. I grow up reading and watching these stories, and I 'm not fond of them, in fact I’m too tired for them. It's like repeating all the time that gay relationships are always condemned to death. Anyway, what I loved of this quest was that the concept didn't go only into a bad ending romance. It was also the exploration of  human kindness. Tybir and Auvigne were both kind men. Tybir was raised to be honest and gentle, he said so, but the world hardened him. He lost his faith in the world, mainly after the Endless War that clearly messed his mind beyond repair. On the other hand, Auvigne was more optimistic. He did not lose his faith in the world, he even wanted to change it, to turn it into a gentler place. Everything goes to hell when Tybir lived Auvigne's death in the endless war. He was never again the same.
The story sound quite real for Ninth (this world is crazy). I resent a lot that you, with all your mighty ass of a castoff, can't find an object and use it as a mere to change that past and make Auvigne to avoid the Bloom. With that it would have been enough. I hate that the game did not offer you options here. You change everything, even the Changing God's end! But not Auvigne 's. Pft.
And the ending of Tybir going to atone his sins in the village he almost destroyed... alone... meh. The big protector, dying old and alone. I don't like that ending :/.
Aligern is another of my favourite chars. His story was more like I would have liked for Tybir. The man with all his angst about his daughter and wife, and in the end, you can save them. You have the option through the choice of using or not those tattoos. But we all know heterosexuality is a bless, and makes things go right most of the time. Meh.
Anyway, I liked his story. From the fallen Aeon Priest, to super angry, cynical, grumpy dad, to a man in peace with his fate and his family sound and safe.
Rhin!!!!!!! My god. She is perfect. She simply is. She crafts now “Gods”, and they are powerful when they are crafted with the bounds of love. Myyy. I let her go to her world, thinking that was going to be all, but... I couldn't believe she was an adult woman (TALLER than the your char themself!) coming to rescue the “castoff in distress”. I loved her. Every bit of her.
Erritis. I only played more with him after I sent Rhin to her world. I think I missed his personal quest, if he has one... but the small bits I saw in the process were scary. I made the surgeons to dig inside of him, and the nano-bright bullshit was a horrible discovery and still yet, amazing. I loved his symbol. I mean.. yeah, it's sad I don't know if he chose to take those nano-things on him.  But the concept is really good. Scary, but good. This thing of live fast and intense but short. That was more or less what he did. Burning his life through the nano-bright shit to enjoy life to the extreme. What I think it’s a bit troublesome is his lack of bounds. He doesn’t remember himself, he doesn’t remember his family, where he comes, or anything. He is blind enthusiasm for new things, all the time, everyday, until the last day of his life. And, his end was sooo very very PoE (Very Sagani :(  ). Just died in a road, there, left to rot. Alone.
Sadly, I got Matkina too late in the game, I was too curious about Aligern’s and Tybir’s and Rhin's backgrounds to get her into my party. So she did not catch my attention.
Same happened with Callistege. In the first moment I chose Aligern over her because well... Aligern was all the time saying she was going to back-stab me, so.... that, and the small details that showed her like a character more interested in learning things, and curious about knowledge than caring over people. She really felt like she could put you into a machine with some tricks just to research yourself. I mean, more of less it was what she did with Aligern (keep him close as long as she could understand the tattoos and what happened). Of course both characters keep saying that they got a kind of short mutual benefit in their weird relationship.... but... The way she used Aligern, even though she was fully aware of the extremely vulnerable state that he was... I don't know. Thing is, I did nothing with her... so, at the end of the game, she finished dead somewhere, they don't even specified that. Like in a dark corner of the streets... wtf.
I don't know. I liked the choices, the story in general, the way you develop the plot through scraps of memories lost everywhere.  It has a clear sign of PoE’s people everywhere.
I liked the end they allowed me to choose. I was mostly a golden-red castoff, so I played all valuing life individually. The final end allowed me to be coherent with that, even more, the Sorrow said “well, the solution is not the optimal, but it makes sense with what you said before, so, cookies.” lol. That was weird, very very Ninth, that the Grim Reaper congratulates you for being coherent with your words and actions. Like, sure, man, did I impressed you so much for you to stop chasing after me?. No?. Sad.
I left the things the way they were. Every castoff had to choose how to live their lives until the end. With the Sorrow.
What I don't understand much in this is the concept of the Sorrow. The Gods do not exist, or they are small powerful being, no more. However, the Sorrow looks like a Death God, who protects the “seals of the madness”. I don't know, the Sorrow looks like too much of a God to my taste, and I think there is a contradiction in this because, after playing PoE and this game now, I know that both games reinforce constantly the concept of “there is no God in this world”. I would like to read any meta related to the Sorrow, if someone gave a thought bout it.
But well, I loved this game. A lot.Like PoE. They are quite beutiful, simple and sooooo bok-like (you feel like you are all the time reading a book, not playing a videogame xD)
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domina-alba · 7 years
Text
Seditionis Adamas
VI There were many abandoned docking bays around Homeworld so it wasn’t hard to find one that was also out of range of any of the air traffic control towers. Pink waited in silence with Jet. The other Pearl was still mad at her she knew but hopefully after today everything would be ok. She had excused herself from Domina for the day, the girl had been busy going over some of the things that Steven and his friend had sent her, and most likely wouldn’t have noticed her absence even if she hadn’t said something.  She didn’t know what Jet’s excuse was.
****
Domina was trying to concentrate on the third Spirit Morph book, Overneath the Underworld, she really was, This one kept distracting her as she attempted to match up the descriptions of the Underworld both from her father’s stories and what the book described. Steven and Connie both had sent her a wide variety of Earth fiction and she was astounded by the variety. There was something else distracting Domina of course, the same thing that had been distracting her all week, Pearl was hiding something. She knew it was probably a relationship. She knew that the incident with the Pearl and Sapphire had probably freaked her Pearl out. She just wish she knew how to bring this subject up, she couldn’t lose Pearl.
****
The roaming eye landed smoothly. Pink waved to the craft moments before the hatch open and White stepped out.
“White,” Pink said “Everything went smoothly I assume?”
“Yes much more so this time around,” She said. Oblivious to Jet’s opened mouth awe.
“Sup Pinky.” the overcooked Amethyst said hopping out of the craft. The fusion came through ,
having to duck her head to get through the door. She was followed shortly by Steven.
“Hey Pink!” Steven said with a wave. He then grinned broadly at the still starstruck Jet. Pink
blinked startled.
“Steven? Are you sure it’s safe for you too be here.”
“He’s as safe here as any of us are.” Garnet said adjusting her glasses. Amethyst slung an arm around stevens shoulder and grinned.
“Or at least as safe as we are before Greg finds out we took him to space again.”
****
It took roughly ten minutes for Domina to get ready with Yellow sent a message requesting her and Blue for a meeting about the newest set of planets that had been scouted. Why this couldn’t have waited was beyond Domina. She pulled her jacket and cape over her white jumpsuit, ran her hand through her hair quickly and warped directly to the citadel.
Where a year ago she walked emotionless through the hallways she smiled at the guards as she passed them, the ones that were used to her smiled back or nodded. Being able to be herself, or rather, no longer caring about upholding White Diamond’s aloof reputation, had made this last year bearable. The other diamonds pearls were inside the room when Domina kicked herself up into the air. Out of the corner of her eye she could see them talking.
“Where is your Pearl?” Yellow asked after Domina had landed on a platform that put her roughly level with the other diamonds.
“Busy,”
****
“So if I remember right there’s a service entrance at the back.” Pearl said projecting a holographic image of the building in front of them. “Amethyst, You and Pink should be able to get us through the door and hallways with limited issues. After you’ve distracted the guards the rest of us will enter.”
“Right,” Amethyst said shapeshifting into a form that was closer to your average quartz.
“Pink you have the location’s?” White asked. Pearl nodded and pointed out the levels.
“Excellent. Garnet and Steven go with Pink to the lower levels. Jet, Amethyst, and I will got to the upper levels. Guards are posted here, here, here and here.”
“They’ve never been particularly vigilant” Pink said. “If we’re careful we should be able to sneak right by them.”
****
These kind of meetings were tedious, and repetitive. Yellow and Blue knew the formula as well as Domina did but even so having to repeat that there was little to no way of predicting successful implantation numbers for silica based gems was beginning to wear on her.
“This would be why I’ve been pushing for scrutinizing shattering case more closely, perhaps even allowing for some gems in certain cases to move outside-”
“White I told you we are not doing this.”
“And just why not Yellow?” Domina asked.
“Because the empire thrives on order.” Blue said from where she had been sitting, mostly just watching Yellow and Domina argue. Blue Diamond gave Domina an indulgent smile. “I understand your accustomed to the colonies, but here with gems that are much closer to the mold it simply will not work.” The cape over White Diamond’s shoulders started to billow slightly.
“‘Closer to the mold’?” she asked coldly. “And just exactly what are you implying by that?” Before Blue diamond could respond the door opened. Yellow shot a glare at the Fire Agate that had dared to barge in on a Diamond meeting, Blue sat a little straighter in her seat, White forced the air around her still.
“What?” Yellow asked.
“Forgive me your radiances but a situation has arisen that I believe should be brought to your attention.” The Fire agate said with a salute that perfectly formed around the white diamond on her jumpsuit. “There was an incident within the cell block in the white-”
“Domina!!” Steven’s voice shouted from the hallway. Domina felt her face go pale as the eyes of the other two diamonds and their Pearls turn on her.
“Oh shards” She muttered.
“White care to explain?” Yellow asked her voice as disapproving as it had ever been.Blue Diamond stood at the sound of Steven’s voice.
“Bring them in” She ordered. Domina felt every curse she had ever heard run through her head simultaneously as Steven, the renegade pearl, the Overcooked Amethyst, a ruby and a sapphire were corralled into the room by a group of Jaspers. And then her heart stopped as Pearl was brought in, her pearl.
Yellow’s eyes were burning a hole into her back.
“Rose Quartz.” Blue diamond said looking down at the group.
“His name is Steven.” Domina said unable to stop staring at Pearl who wouldn’t meet her eyes. “Leave us.” Domina said. The Agate and Jasper Guards bowed and left the room.
“Care to explain exactly what’s going on White?” Yellow asked. Domina could feel every instinct inside her screaming to wipe the minds of everyone here and start from scratch, but she saw the renegade’s gem, shaped not unlike Pearls. She needed to use her words for this.
“That applied to both of you as well.” Domina said turning to face the other two diamonds.
“Excuse me?” Blue Diamond said.
“I said leave,” Her mind was racing like a computer program pulling up files up any scrap of information that could help her. “ I will explain later.”
“You can’t expect us to just leave White, These are the ‘crystal’ gems, whats left anyway, this matter is far beyond you.”
“These gems are mine.” Domina said, she had remembered something, something that might just get them out of this.
“The pearls, are yours. The sapphire and ruby belong- belonged to my court.”
“And now they dont” Domina stepped into the air. “Domestic law, 73.962, Criminals whose records have been on file for an excess of 4 millenia are immediately placed in whichever court the member of which has returned them. The recipient court is therefore responsible for dealing punishment as they see fit.” She recited.
The two Diamonds stared at her and then Yellow pulled up a screen and quickly searched for the law. Moments later Yellow Diamond frowned and nodded.
“She’s right.”
“That’s impossible you-!” Blue started to protest glaring ferociously at the Ruby and Sapphire.
“Ha! Take that you Sha-” The Ruby yelled before being cut off by the Sapphire pulling her back and putting a hand over her mouth.
“Technically according to that law Rose Quartz belongs to Blue and I.” Yellow said, she raised an eyebrow Domina.
“That’s not Rose Quartz, I will grant you he is ‘A’ Rose Quartz but not ‘The’ Rose Quartz, he is in the same category as the amethyst.” Domina said. “Steven how old are you?” She didn’t turn to look at them. She needed to be focused.
“15, Domina I-” He said.
“Time from emergence to report to the nearest commanding officer is 1 decade in extraneous circumstances” Domina cut him off. “He and the Amethyst are both AWOL, and military law 56.2217 dealing with this matter redirects back to the domestic law in the case of off colors, placing them both in the high diamond’s court so that they can either be shattered or reassigned.” Domina finished clasping her hands behind her back like she had seen the Zircons do countless time upon winning a case.
Yellow was already bringing up the military law she had cited. Blue stared at Yellow unblinking the entire time until her fellow diamond frowned and nodded.
“We will speak of this later Domina.” Yellow Diamond said.
“I’m sure.” Domina said. Blue Diamonds face had gone dark and domina could feel her emotions twist slowly, into unadulterated rage as she moved towards Domina, Suddenly Yellow slammed her fist on the arm of a chair.
“Enough! Let’s go Blue, we’ll get our answers later!” the rage was gone, Blue Diamonds face retook a relatively facade but she still shot Domina a murderous look as she and Yellow left the room their pearls trailing behind them staring at the party until the last possible moment.
Domina sighed allowing the stress to leave her body as she slowly turned and lowered to the ground to face her next problem. Garnet had reformed by the time she alighted on the ground, and was now giving her the same disapproving look that the renegade was. Steven chuckled nervously.
“Funny how we keep meeting like this...” he said twiddling his fingers. Domina didn’t smile, she stared at Pearl, then looked over the crystal gems.
“Well,” she said lowly “Is someone going to tell me what the frack is going on?”
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kendrixtermina · 7 years
Text
INFP vs. INTP - Another potential distinguisher in the form of “Venting Behavior”
So I read this post recently where the person observed that “Vent Songs” that sorta aim to rile you up or get you to join in are a Fe thing as is “venting” in general, even in lower Fe users. 
Heck, I’m working on an entire Vent- Book at the moment
Of course one person saying it doesn’t mean anything but I’ve thought it over and I though I’m still observing for more data it does seem consistent with my experience so far. In particular it jives with my previous observation that “Hate Songs” & “Musical Pause for Shock value” seem to be lower Fe things. 
Come to think of I saw some other distinguishing writeups mentioning “venting” as a distinction (during those embarassing 3 days a while ago where I briefly considered that I might be xNFP) but the full structure of the statement didn’t stand out to me at the time-
Some of these writeups weren’t exactly correct either (nor is the socionics conception of the inferior and how it would come in here... on the other hand, one concept from there that might or might not be relevant here is ‘role functions are a thing, especially with contact subtypes’), since most INTPs are enneagram 5s (5s generally prefer to process their feelings on their own or with some distance to the situation) - perhaps its different with the 9s (who’d have their own hangups tho) but it would probably not be accurate to say that “You prefer to talk out your feelings with others rather than be left alone” as the ore general Fe description goes. 
So it’s more nuanced, complex & varied (as it often is with the inferior - because of its nature individual biographical factors matter a lot) and I daresay a great percentage of INTP’s aren’t going to be down for sharing (the 5 tendency would be to compartementalize/ have it on your own terms somehow - say, tell the whole thing to strangers on 4chan in all gross detail - indeed it seems to be a commonthing for ppl to dislike it if someone calls attention to their involuntary reactions to stuff. ) but there’s something to be said about “venting” being present as a general tendency even if it presents mostly as a “fuck you too” attitude. 
This also reminds me of this socionics article where - as you may know they tend to conceptualize Fe as being about “changing & influencing the emotions of oneself & others” & in that contexts well Fe doms are very persuasive & good at cheering ppl up (or withering their souls away with judgemental glares, depending, presumably, on their mood and alignment) & at the other end you get “Can’t really change/regulate mood very well  & may treat it as “fixed””( also “might benefit from having a lovely ESFJ to fix that & animate them” because socionics is the crackships fangirl of typology.  Or you know, maybe thats my natural state of existing and there’s nothing to “fix” about it only to manage & read the instruction manual so to speak)
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So in that sense you could classify both INFPs and INTP (though there’s excetions) as largely fitting the “melancholic” temperament in its “slow but sustained arousal” definition (”Hard to get thm into a particular mood, hard to get them out of it”) - the INFPs because they’re largely doing their own thing independent from the rest of the room & tend to have long-term reactions, the INTPs because there’s a higher threshold to reacting and if they do they may be “stuck” with the reaction for a while
In hindsight I say that a lot like “Hey they can’t turn it off like a button, sometimes this shit dont make sense,  what matters is wether they act on it” [= try to listen to rationality regardless]
I guess part of why this distinction isn’t really out there is that that the genereal gist of how our type’s emotional expression “Well they’re not very expressive at all”, which I suppose might be what some outside perspective might notice, but from a First Person pov this is a tad useless, after all you react when you feel a reaction is merited, same as everyone else.
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This isn’t really something I picked up on before reading that because I interpreted things from my own minset were “people obviously do that” & perhaps saw venting as more universal than it is, but in hindsight it seems overwhelmingly true that Fi doms don’t exactly vent or at least not start conversations like “Ughh this thing that happened” - Usually their emotional state is quite apparent, but it’s more indirect like you’ll notice in the kinds of comments they make & how they make it, sure they might talk to you further if you ask without too much pushing. 
Even when they express it indirectly (art & sad blog posts) it’s more of an enclosed, just-for-myself thing telling very specific stories, like all those INFPs post their stuff with no thought that someone (like some Fe user (tertiaries included) who thinks they’re the police or something) may aprroach it and go “Wait do you mean to imply...?!” when that’s not the purpose of their statement. 
(And I was aware of this tendency but I see it in a different light in the realization of how it’s really a different purpose. Also, I always though the subset of FJs who nonstop talk shit about people are the worst kind of FJs. Gotta be careful in the future that I don’t sound like that)
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I’m not 100% sure especially in how the TJs fit into this. Some of them can have little tolerance for “drama” or just read it as  weakness (8), negativity (1w9) or ingratitude (1w2) though to some extent they’rejust not comfortable to people blowing reactions into the air. That might be enneagram based to some degree the one 5w(cp)6 INTJ I know drips dark sarcasm though more as a way to critique things than personal venting. Still reserving judgement
Or perhaps the difference is more in how the ‘feels discharge’ is supposed to happen - In that Fi users come from a PoV where one person tells their life & the other kinda sits there & absorbs whereas with Fe there’s an expectation of “reaction noises” which the Fi peeps may be annoyed at or... 
I’ve had the situation where I tell a joke and my Fi dom sister stays quiet and I’m like “Sorry was that joke bad?” and she explained that she was just reacting inwardly but totally listening. 
Another thing I’ve observed is Fi users getting worried when their favorite TP is having a sucky day and goes  “AAGHH EVERYTHING ALWAYS SUCKS!” and just voicing that kinda discharged the battery and snaps you bad to SenseMakingMode where they’re able to put the local little annoyance in context, but the Fi user will be all worried because they assume it’s a long-term thing that’s always under the surface because that’s what their feels are generally like. 
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