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koltarmi · 5 years

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Things I liked/noticed about Amélie the Musical UK

Before the show:

• A friend and I watched Amélie at The Watermill Theatre in Newbury, which is absolutely tiny. (Picture below) It seats about 200 people and is in the middle of no where. It was a hour’s walk from Newbury Station, but he scenery was quite nice. We got two seats in the front and they were cheap (about £26) because there was a pole, but it was so skinny it didnt block anything.

• Because it was in the middle of nowhere, the surrounding area was beautiful and nothing like a traditional theatre. There was a nearby stream and everyone was sitting on on these iron park benches and just enjoying the view.

• The theatre and stage is tiny. So tiny it makes the theatre that I work at which only seats 50 people look like Carnegie Hall.

• The cast : Audrey Brisson as Amélie, Chris Jared as Nino, Johnson Willis as Collignon/Dufayel, Kate Robson Stuart as Suzanne, Sioned Saunders as Gina, Faoileann Cunningham as Georgette/Sylvia, Oliver Grant as Lucien/Mysterious Man, Caolan McCarthy as Hippolito/Elton John, Samuel Morgan-Grahame as Joseph/Fluffy, Josh Sneesby as Blind Beggar/Gnome, Jez Unwim as Raphael/Bretodeau

• Here’s the set:

ACT ONE

• The show starts with the subway light effect and a transit announcement in French.

• I really hope the UK cast records an album and that it includes the “Everybody’s Connected” song because I love it.

• All the actors spoke with a French accent and used French words when saying hello, goodbye, thank you and etc.

• So instead of having a child actor play young Amélie they used a puppet controlled by the guy who plays Lucien while Audrey provides the voice. And holy shit the puppet was terrifying. It had Dora the explorer choppy hair and had this wooden sheen. It also had the ability to blink which added to the creepiness factor.

• Because of the limited space the actors played their own instruments, ocasionally switching off with someone else when they were in the scene.

• The photo booth doubles as a door frame, the background of the sex shop, and a confessional booth in Notre Dame. The large sign that says “Photo Booth” has a light inside that turns on and which makes the inside of the booth visible from the outside and it looked super cool.

• Instead of it being a tourist from Brussels being on top of Notre Dame, they go back to a tourist from Quebec like in the film. The actor stood on top of the photo booth Instead of jumping, the tourist shoots himself and falls on to a crash mat, killing Amadine.

• Amélie describes her mother’s death using the word “squish’

• As they transition scenes, they straight up drag Amadine’s body off stage and it is hilarious.

• The garden gnome is used as an urn for Amadine’s ashes. Like they literally pour her ashes from the urn into the gnome.

• “Times Are Hard For Dreamers” was moved from the first act to the second act and is after “No Place like Gnome”

• I really want “Going Around Circles” to be in the album and I hate that it isn’t cause it’s a bop.

• Hippolito and Joseph smoke while in The Two Windmills, giving it a more Paris vibe

• A bit off topic, but I went to the Two Windmills cafe in France. The food is so good. If you’re a fan of the movie, I definitely reccomend you visit! (Some photos included below.)

• The guy who flirts with Amélie in the cafe leaves his number on a receipt. As she cleans up his table, she stuffs the receipt into her mouth.

• After, Suzanne invites Amélie to go our for drinks with her, Gina, and Georgette, but Amélie refuses.

• The two pianos on stage convert into Georgette’s tobacco counter and the market where Collignon and Lucien work.

• The clock at the top doubles as Amélie’s apartment. The face of the clock slides open into two doors. There aren’t actually any stairs so to get up there, a pulley with a lampshade is dropped down and Audrey just grabs onto it and swings into the apartment. I kept getting nervous every time she went up because the pulley moved so fast, even though it says in her bio that she grew up doing several Cirque du Soleil shows.

• Speaking of Audrey Brisson, SHE IS SO TINY AND I LOVE HER. Like I’m a pretty short person and she was shorter than me.

• Dufayel has the camera to see the outside world like he did in the film.

• One thing they added was at the beginning if each scene they stated the date, time and occasionally the weather, humidity and etc which is a callback to the film. The whole story of Amélie (by which I mean the events that happen within the show) takes course over three months.

• Chris Jared, who played Nino was HOT, in my opinion at least. The headshots were in black and white in the program, so I didn’t know he was older until I saw a few grey hairs, but he was still super hot in a DILF kinda way.

• They make it clear that Collignon hates figs which is why he gets annoyed when Lucien sings “Three Figs”. He’s so disgusted by figs that he vomits in his hat before putting it back on.

• When Amélie starts her quest to do good deeds, she calls Suzanne and asks for a day off. Suzanne agrees and asks slyly, “What’s his name?” Amélie replies with, “Dominique Bredoteau.”

• They included the scene where Amélie goes door to door looking for Bredoteau, another callback to the film.

• Due to the inaccessibility of the second floor besides the lampshade pulley, if a character needed to stand out, they would climb and stand on top of the photo booth. Amélie stood on it in “Tour de France” and Nino stands on it during “When the Booth Goes Bright”

• When Amélie calls Bretodeau, the phone is held by an ensemble member who makes the ringing noise. When he picks it up, the light in the photo booth turns on, revealing Amélie wearing a scarf around her head and a pair of sunglasses as she speaks to him.

• Before “Goodbye Amélie”, as the report of Princess Diana turns into one of her fantasies, Amélie reaches into the TV and puts on a sparkling tiara as Elton John enters.

• She stands on top of the two pianos placed back to back as they serenade her. At the very end of the sing, she lies down across them with her arms crossed and her tiara on her chest as she winks at the audience.

• There’s actually an intermission.

ACT TWO

• It starts with everyone on the subway. Amélie and Nino are on the opposite end of the train car and they sing a lovely duet. I don’t remember the exact lyrics, but there was metaphor of being lost at sea hinting at “Halfway”. I love the song and I need it in a cast album.

• At the end of the song Nino, stands in front of the audience as if exiting a subway car and Amélie sees him, but she immediately sinks into her seat so that he doesn’t see her.

• Nino leaves his photo album on top of the photo booth when he goes to catch his last train. Audrey Brisson is so small that even on her tip toes she couldn’t reach the top of the booth, so she climbed the door frame of the booth to reach the album.

• During intermission, the grocery stall is replaced with a display case full of different sizes and colors of dildos fo the sex shop scene.

• In the scene where Nino laments the loss of his photo album, (“years of his best work” as he calls it) his coworker is polishing a large black dildo with a cloth.

• Audrey plays the piano as she sings “Halfway” and its absolutely beautiful, so much so that I had tears in my eyes and I got a tattoo inspired by the song in Amsterdam.

• What isn’t beautiful is the return of the Young Amélie puppet during “Halfway” who is visible through grown-up Amélie’s clock apartment.

• She calls Nino from her seat on the piano bench while he’s standing behind the piano, which I thought was brilliant staging. It shows how strong their connection was, but despite that, there was still an obstacle preventing them from meeting each other which was Amélie’s reluctance to reach out to him.

• She leaves him with the riddle of solving Xeno’s paradox along with a photo strip of her dressed in a Zorro costume, which is another callback to the film.

• They also narrate Amélie forging a letter from Gina’s late husband. She does so by taking some of the letters he wrote her before Amélie returning the box of letters to Gina.

• Collignon comes into the cafe, complaining about Lucien. Seeing a chance to get back at him, Amélie serves him a fig tart. As Collignon becomes sick, three people wearing nightmare fig costumes bust out of the photo booth and haunt him. The lights around him and the cafe go dark and turn nightmarish meanwhile Amélie is brightly lit in the downstage left corner by the cigarette counter, as she leisurely unwraps a mint and pops it into her mouth. Collignon is shaken out of his fig nightmare when Lucien enters the café to grab his attention. Collignon admits as a young man he wanted to be a doctor or a lawyer, but his mother wanted him to be a grocer and so he became one despite having no love for it. The reason he is so mean to Lucien is because he sees how much care and love Lucien takes when handling the produce that it makes him bitter. He apologizes to Lucien. Lucien replies he has no idea what he’s talking about and offers to close up the shop for Collignon, who agrees and says that Lucien is a good boy. I love this addition as it doesn’t sweep Lucien and Collignon’s plotline under the rug like the Broadway production does. It’s addressed and resolved before the end of the show.

• After the fig-induced nightmare sequence, Raphael rushes in to the cafe in distress. Instead of going into “No Place Like Gnome” they pause the scene in the cafe.

• They narrate that 275 km away Nino posts flyers of Amelié in the Zorro costume around the city and they move into “Thin Air” instead. Nino comes in from the side of the clock and stands on top of the photo booth. Again because of the limited space, the posters are just stuck around the metal framing of the clock.

• They return back to the café after “Thin Air”. After “No Place Like Gnome” as Amélie spray paints Hippolito’s quote below the clock, she notices the posters and panics ripping one off, but leaves the rest hanging. A took a picture of the set at the end of the show.

• Amelié sends another photo strip to Nino writing, “It has come to my attention that you are looking for me. This Friday. 5pm. Montmartre Carousel. Bring five francs.”

• Amelié wears the Zorro costume in “Blue Arrow Suite”. The ensemble acted as the carousel and had blue arrows on the back of their instruments or on them. For those playing smaller instruments, they wore blue gloves and pointed towards the next “arrow”. The top of the hill was the photo booth and Nino pulls a red stand of binoculars out of fucking nowhere.

• Joseph says Georgette looks lovely when she’s flushed. She replies she’s flushed because of her gluten intolerance.

• When Nino and Amelié are set to meet at the cafe, the airline hostess is one of the customers there and joins in signing “A Better Haircut”

• They cut out the line where Nino says he loves Amelié and doesnt even know her name in “A Better Haircut” and I’m honestly so glad they did that. It works so much better Instead it just goes, “But you know I think she understands me/ I don’t know why she would understand/She may not even feel the same/But I don’t even know her name” with the “She may not even feel the same” part being dragged out a bit more.

• Georgette gets Hippolito to write down Amelié’s address on a page in his notebook that he tips out and gives to him.

• As Amelié sits in her clock apartment, the photo booth is turned so the side that is the door faces the audience. Nino waits below in front of it as they sing “Stay”. As they sing, Amélie moves from her apartment to the top of the photo booth. Again I love the staging, the use of different levels shows both the emotional and physical distance separating them.

• At the end of “Stay”, Nino realizes she won’t be opening the door. He looks like he gets an idea and walks away as the booth is turned to show the photo booth side. Amelié collapses in on herself and cries. From his window, Dufayel tells Amelié there is nothing to fear and shows her his new painting: it’s Amelié drinking a glass of water, making her the girl with the glass.

• Instead of opening the door, Nino climbs through a “window” aka on top of the photo booth (at least that was my interpretation of it, it wasn’t very clear how he got in)

• They sing the “Halfway (Reprise)” and do the the famous kiss on the cheek, neck and eye. Honestly, the tension between them was insane and had whole audience dying with anticipation as we collectively held our breaths. Audrey Brisson and Chris Jared have such crazy good chemistry. When they finally kissed it was like a sigh of relief washed over the audience.

• As the ensemble kneel before Amelié and Nino, Raphael stands, stating that he finally goes on a trip with Suzanne by his side, who then stands up beside him and smiles at him.

• In “Where Do We Go From Here?” one of Nino’s line is changed instead of singing, “Will there be sweet things?” It goes “Will you be with me?” and Amélie’s reply sticks to the original lyric as she answers with, “I hope so.”

• After bows, the cast sing a finale song that combines “When the Booth Goes Bright” and “Times Are Hard for Dreamers”. I cannot stress enough how badly I want a cast album of this show.

In Summary

• The show has improved so much and fixes a lot of the issues the Broadway version had.

• Overall, the UK production stays more faithful to the movie, including lots of callbacks and scenes from the film itself as well as the overall atmosphere of the Paris.

• I. Need. A. Cast. Album. Of. The. UK. Production.

#amelie #amélie uk tour #amélie the musical #audrey brisson #musical theatre

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burningschuyler · 5 years

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are there any other amélie UK audios or even a bootleg floating around? i have audio from the first ever show, but is there anything from later in the tour???

pls pls pls send me links if there is any though

#amelie #amelie uk #amelie bootleg #amelie uk bootleg #idk what to tag for this #the amelie fandom is still tiny

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itmeansvictory · 5 years

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❝ She did not need much, wanted very little. A kind word, sincerity, fresh air, clean water, a garden, kisses, books to read, sheltering arms, a cozy bed, and to love and be loved in return. ❞

BRIE LARSON? No, that’s actually VICTOIRE WEASLEY. Only TWENTY SIX years old, this HUFFLEPUFF alumni works as an CURSE-BREAKER and is sided with THE ORDER OF THE PHOENIX. SHE identifies as CIS FEMALE and is a HALFBLOOD ( ONE EIGTH VEELA ) who is known to be OVERPROTECTIVE, STUBBORN, and SELF-DEPRECATING but also CONSCIENTIOUS, NURTURING, and PRAGMATIC. { r, 27, mst, she/her/hers }

GENERAL

FULL NAME: Victoire Apolline Weasley NICKNAME(S): Vic, V, Tori, Tor AGE/DATE OF BIRTH: 26, 05/02/1997 OCCUPATION: Independently Contracted Curse-Breaker GENDER: Cis Female PRONOUNS: She/Her HOMETOWN: Tinworth, Cornwall, England CURRENT RESIDENCE: London, England POSITIVE TRAITS: Conscientious, Nurturing, Pragmatic, Loyal NEGATIVE TRAITS: Stubborn, Self-Deprecating, Overprotective, Moody

BIOGRAPHY

victoire apolline weasley - though you may know her as a number of monikers: blonde weasley, curse-breaking milf, mom friend™, whatever. she’s the eldest weasley cousin, part-veela, a mother, and yes she is a natural blonde. these are often the defining characteristics she is known by, but there’s a lot more than meets the eye.

born on may 2nd, 1997, almost two years after the fateful tri-wizard tournament where voldemort was defeated “once and for all”, she is the first child born to bill weasley and beauxbatons champion fleur delacour. the first of her generation; hers was a charmed childhood, only made more exciting by the arrival of two siblings and many cousins. seeing as she was older than most of them by a handful of years, victoire became somewhat of a “babysitter” for the family. she spent most of her formative years running after younger weasley-potters, patching up scrapes and kissing bruises as well as diffusing tense situations. from an early age she just naturally took on the role of “mom” among her social groups, the nurturing tendencies carry on even to her hogwarts years where her friends often teased her for being so overprotective of them and “babying” them.

at hogwarts she was sorted into hufflepuff - the first of her family to not be a gryffindor much to the changrin of several of her family members. while the hat had debated between the two houses, it was ultimately the pragmatic and sensible nature of the girl that lead her to being placed among the badgers. this turned out to be best suited to her traits. victoire’s easy going youth lead to her being soft and gentle but also incredibly empathetic and warm. aside from being the aforementioned “mom friend”, she was basically the poster child for hufflepuff - being dutiful, hard-working, trustworthy, loyal and fair. the one “weasley trait” that followed her was a deep love for quidditch, being a beater for the house team for a few years. but her true loves had been herbology, history of magic and charms; the girl spending most of her days studying old textbooks, hanging around the greenhouse, or learning new charms to advance her abilities.

due to a studious nature, she was usually in the favor of her professors and hadn’t found herself in detention like many of her family members might have. it was for this reason she was chosen as a prefect during her latter years, and head girl her seventh. she was responsible and organized in comparison to most of her peers, and actually took pride in being a role model. a side effect of being the oldest in her family - there were always eyes on her and victoire wanted to live up to their expectations.

following school, it was of little surprise when she announced she would be a curse-breaker in training under her father’s tutelage. she possessed much of her father’s qualities - she was an academic achiever as well as laid back in nature, while still managing to be serious when necessary. as a child she was a daddy’s girl and had a very keen interest in bill’s occupation. she used to pretend she was a curse-breaker, "disabling” curses and jinxes on teddy bears and various odd objects throughout the house. so when it came time to take her NEWT level classes, she made sure to structure her schedule around what classes would help her become a successful curse-breaker. it was a thrilling and adventure-filled career path, but her time with gringott’s would only last a few years before she opted to be an “independently contracted curse-breaker” - a choice made in order to continue the work she loved while being a single parent with full custody of her child.

before she began her apprenticeship, victoire spent the summer holiday after her seventh year in france with relatives. despite her claims she would come back “still very much the same victoire” the girl had returned from holiday a very different woman - a married one, actually. hardly one to make rash decisions, it was a shock to hear that after just four weeks of courtship victoire had married a beauxbatons alum she’d met while touring the french riviera. much of the family was opposed to the union, but victoire swore that she was happy and it was meant to be - and for a while that was true.

it turned into a tumultuous affair and would last all of four years before the ill-suited pair would inevitably call it quits - an embarrassing fact considering how adamant she had been that their love was “real” and that it would “work out just fine”. it turned out over time that the two were not exactly suitable and wanted very different things. for one, he wanted to live in france while victoire wanted to stay near her family in england. the only complication left after the marriage was a child that neither had originally planned for - a little girl named amélie whom victoire has full custody of. now her trips to france - via portkey every other weekend - are begrudgingly made in order to allow their daughter time to stay with her father, with whom she has remained (or has tried to remain) amicable and civil despite how poorly the relationship ended.

these days victoire is hardly around. contracted with many independent buyers and sellers of magical antiques and the like, the woman travels across the wizarding world in order to acquire such objects and to reverse whatever hexes have been placed on them as security measures. it’s become harder to balance this job with raising a child, and as such has made her home base in the UK in order to receive the support from her family. she was away on such trips when things began to escalate back home and has since taken on less jobs and has been spending more time in london and close to her relatives during what feels like the return of dark times.

joining the reinstated order of phoenix, victoire is at war with the impending fight. the young woman isn’t too eager to be part of another wizarding war. a little bit of a pacifist, victoire just wants to see a happy future again. having a young child, and seeing the aftereffects of her uncle’s death on his family, makes her worried to put herself in a position where she will no longer be able to take care of amelie. but she also knows that it is up to the order to put an end to the death eaters once and for all - choosing to ultimate put herself in harms way in order to make sure her daughter gets to grow in a safe and happy world like she herself did.

tbh i’ll probably be editing this as i go along.

MISC

SEXUAL ORIENTATION: Demisexual ROMANTIC ORIENTATION: Heteromantic LANGUAGES: English, French, Gobbledegook, Some German, Spanish and Chinese FAMILY: Bill Weasley (father), Fleur Weasley née Delacour (mother), Dominique Weasley (sister), Louis Weasley (brother), Amélie Weasley-Dufour (daughter), Bastien Dufour (ex-husband) PETS: Barn Owl named Athena, Kneazle named Pyewacket ZODIAC SIGN: Taurus MBTI: ISFJ AESTHETIC: black coffee forgotten and cooled to room temperature; books and files piled up on every surface; scuffed up doc marten’s, cracked brown leather jackets, vintage band tees; makeup-less face and messy buns; chipped black nail polish; teeth marks running along her wand; reading glasses sitting on the button of her nose, a finger shaped smudge on the right lens; world map with assorted pins and thread connecting cities across the globe; bleached shells, creased postcards, and faded photographs in a trinket box long forgotten in the far corner of the closet; freckles that only come out with the sun, sideways smirks and a mischievous twinkle in dark chocolate eyes; the cry of seagulls and the salty sea breeze; pressed flowers in leather bound notebooks lying e v e r y w h e r e, blue ink stains on hands; trinkets and odd little souvenirs from various countries and cities on every desk; finger paintings and crayon drawings with ‘i love mummy’ in the corners; bottomless bag with everything a mom ever needs; nights spent alone and welcoming the solitude

WANTED CONNECTIONS

THE SCHOOL FRIENDS (2) - a couple fellow hogwarts alums who would have attended at the same time as victoire, they have remained close friends since leaving school and regularly meet up for drinks and to catch up and reminisce. they are hufflepuffs and have their own trio kind of like harry/ron/hermione. bonus points if one is a death eater, 1/2 taken

THE RIVAL - a fellow curse-breaker or someone from victoire’s youth who she has never seen eye to eye with. perhaps its because of opposing ideals, a dislike for the weasley-potter family or whatever petty reason - these two just don’t get along and are constantly butting heads. bonus points for being rivals in the curse-breaking field, open

THE EX - self explanatory; victoire’s ex-husband and the father of her daughter. this is not meant to be a romantic connection. they weren’t very well suited for each other and instead insist upon being civil and amiable for the sake of their daughter. is french/a beauxbatons alumni and would be newly arrived in britain should you take up this role, npc

tbh i’m really bad at these; just hmu and we can brainstorm afheahpfieaihfeiafpieafea

#iidyintro #divorce tw #&& bio.#this is a hecking mess but ahfieahpfa here have my child victoire #and pls don't hesitate to mssg me about plots #i'm really bad at coming up with wcs >.<

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kiensboots · 5 years

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Bootleg Masterlist (As of 29/04/2019)

UPDATED LIST

If you see something that you would like you can either send me a private message on Tumblr @natelikesbroadway or send an email to [email protected] Trading is encouraged but if you are just starting out/don’t have anything that isn’t on my list, I am fine with gifting up to three items (videos or audios, doesn’t matter). For trading, I will take anything that I don’t have. I will try to respond as soon as possible but if I don’t respond after a few days, send me another message/email.

FULL LIST OF BOOTLEGS ALPHABETICALLY UNDER THE CUT

shows starting with ‘the’ are under ‘t’

(If this makes you mad its because it would bother me if I put ‘,the’ because Les Mis would be wrong but its also wrong to have Mis, Les so yeah thats the tea)

shows starting with ‘A/An’ are under ‘A’

All shows are videos unless otherwise listed

New additions are bolded

21 Chump Street

25th Annual Putman County Spelling Bee

An Act of God -Broadway 2015

A Chorus Line -Broadway 2006 Opening Night

Aladdin -OBC (missing James Monroe Iglehart)

Amélie -Phillipa Soo In Los Angeles -missing first half of act one

Anastasia -OBC

A New Brain

Angels in America -Proshot 2017

Avenue Q

A Very Potter Musical -Team Starkid

A Very Potter Sequel -Team Starkid

A Very Potter Senior Year -Team Starkid

Bandstand -OBC

Bandstand - audio 04/01/2017

Bare: A Pop Opera - audio Los Angeles 2000

Bare: A Pop Opera -OOBC 2004

Bare: A Rock Musical - Los Angeles 2013

bare: the musical -Off-Broadway

Be More Chill - audio 21/06/2015

Be More Chill -OOBC (recorded vertically)

Beautiful -OBC

Bonnie and Clyde

Book of Mormon -OBC

Book of Mormon -Chicago

Book of Mormon -London with Ben Platt

Cabaret -Emma Stone

Carousel -Live from Lincoln Center

Carousel -2018 Broadway Revival

Carrie -2012 Off Broadway Revival

Chicago -US Tour

Company -2011 Neil Patrick Harris

Dear Evan Hansen -OBC

Dear Evan Hansen -Taylor Trencsh

Dear Evan Hansen - audio Colton Ryan 05/03/2017

Dear Evan Hansen - audio Micheal Lee Brown 14/06/2017

Dear Evan Hansen -audio Micheal Lee Brown, Colton Ryan, Garrett Long 07/19/2017

Dear Evan Hansen -audio Taylor Trencsh

Everybody Talks About Jamie -West End

Falsettoland -1992 OOBC

Falsettos -1993 LA (First National Tour)

Falsettos -2016 Broadway Cast

Falsettos -2016 Proshot

Firebringer -Team Starkid

Frozen -Denver (Pre-Broadway ??/09/2017)

Fun Home -OBC

Grease -New Broadway Cast

Hadestown -West End -recorded vertically but 1080p

Hairspray -2005 US Tour with Aaron Tveit

Hairspray -Andrew Rannells

Hamilton -OBC

Hamilton -audio Tour 014/03/2017

Hamilton -audio Workshop

Hamlet -National Theatre Proshot 2010

Heathers -OOBC

Hedwig and the Angry Itch -Anthony Rapp

Hedwig and the Angry Itch -Andrew Rannels

If/Then -Broadway Preview 03/08/2014

If/Then -Broadway 25/05/2014

If/Then -Final Show 22/05/2015

In The Heights -audio Karen Olivo’s last 26/10/2008

Into The Woods -1989 Proshot

Jersey Boys - Broadway 2006

Kinky Boots -OBC

Kinky Boots -audio Brendon Urie

Legally Blonde -MTV Recording

Legally Blonde -San Francisco Closing Performance 24/02/2007

Les Misérables -Hollywood Superbowl

Les Misérables -Dallas Theatre Centre 2014

Mean Girls -OBC 24/04/2018

Miss Saigon

Natasha, Pierre and the Great Comet of 1812 -OBC

Natasha, Pierre and the Great Comet of 1812 -audio OOBC

Natasha, Pierre and the Great Comet of 1812 -audio OBC

Next To Normal -OOBC

Next To Normal -2nd Broadway Preview

Newsies -OBC ??/03/2012

Newsies -Broadway ??/07/2013

Newsies -National Tour (??/01/2016)

Once -OBC

RENT -Opening Night on Broadway

RENT -Final Night on Broadway -Proshot

RENT - 20th Anniversary US Tour - 09/12/2016

RENT -audio 20th Anniversary UK Tour

School of Rock -Broadway 2015

Sister Act -Broadway 02/04/2011

Something Rotten -OBC

Spamilton -audio

Spongebob Squarepants -Chicago

Spongebob Squarepants -Broadway Previews

Spring Awakening -OOBC

Spring Awakening -OBC

Spring Awakening - Broadway, Matt Doyle

Spring Awakening -Deaf West (25/09/2014)

The Band’s Visit -Broadway 16/10/2017

The Color Purple -Broadway 2006

The Guy Who Didn’t Like Musicals -Team Starkid

The Lightning Thief -audio OOBC

The Phantom of the Opera -audio London Preview 26/09/1986

The Phantom of the Opera -audio London 10/10/2016 -30th Anniversary Performance

The Phantom of the Opera -Broadway 21/02/2013

The Phantom of the Opera -Broadway 14/03/2014

The Phantom of the Opera -Broadway 2015

The Phantom of the Opera -Broadway, Norm Lewis

The Producers -OBC

Tick, Tick…Boom! -OOBC

Urinetown -OBC 29/08/2001

Waitress -ART

Waitress -OBC

Waitress -Broadway Betsy Wolfe

Waitress -US National Tour

War Horse

War Paint -OBC

West Side Story -Broadway 2009, Karen Olivo

Wicked -OBC

Wicked -Broadway 02/01/2015, Caroline Bowman and Kara Lindsay

Wicked -Broadway, Jessica Vosk -Last 22:50 of act one, first 18:48 of act two

Wicked -Rachel Tucker and Jonah Platt -Missing Defying Gravity

Wicked -Chicago 2013, Alison Luff and Gina Beck

Wicked -OLC

#broadway #bootlegs #broadway bootlegs #bootleg trading #bootleg #theatre bootleg #theatre bootlegs #musical theatre bootlegs #theater bootlegs #musical theater bootlegs

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