Twst Duchess, Cobra's wife
Name: Duchess(Twisted from Aristocrats Duchess)
Gender: Female
Age: 38 years old
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Voice Actor: Akeno Watanabe
Introduction Line: "Be careful, little one and remember ladies don't run."
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Star Sign: Capricorn
Birthdate: January 5th
Home: Land of Pyroxene
Species: Cat Beast
Occupation: Teacher
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Favorite Food: Seasoned medium cooked fish
Like(s): Time with Cobra and her triplets
Dislike(s): Cobra scaring Thompson
Dominant Hand: Right
Hobbies: Teaching manners
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Legal Guardian: Duchess Adelle Bonfille
Husband: Cobra
Son(s): Toroune, Rio and Maron
Daughter: Mariana
Father-in-law: Mandrake
Mother-in-law: Night
Stepsister-in-law: Thea Vanrouge, River, Springlily
Stepbrother-in-law: Lilia Vanrouge(Married to Thea), Duke, Wolfsbane
Niece: Livia Vanrouge, Ella, Meena Vanrouge, Jubilee Vanrouge, Willowbrook Vanrouge, Dawn Vanrouge, Iguana Vanrouge, Lily Vanrouge, unnamed nieces
Nephew: Copper Vanrouge, Circuit Vanrouge, Wolf Vanrouge, Crowley Vanrouge, Dusk Vanrouge, Owl Vanrouge, Noble Vanrouge, unnamed nephews
Adoptive Niece: Silk, Maria, Lavender, Moon, Tukla/Tuk, etc
Adoptive Nephew: Golden, Silver, Shadow, Elikai, Barin, Ralph, Kuro
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Personality: Duchess is a sweet woman who shows compassion for those around her, no matter who they are. She had a habit of being able to befriend people, no matter their rank or species, which at times can get her into trouble. She's not easily startled or afraid of others(As shown when she called Cobra handsome and unique for his appearance). She enjoys time with her children and was previously distraught when she thought her husband died when she was expecting the triplets, after being told by a soldier that he was lost during a war.
Duchess loves and cherishes her kids, teaching them manners and loving them equally. She befriends a former street thug named Thompson, who helps her raise her children. She's joyful and relieved when she finds Cobra alive, crying tears of joy and introducing their babies to him. She tends to scold Cobra who at times hisses or growls at Thompson, telling her husband that the fellow cat beast was friendly.
Appearance: When she was younger Duchess had waist length snow white hair, that would normally be in a half up half down style. Her eyes are a sparkling sapphire blue and were stated by Cobra to twinkle when light hits them. She used to wear ankle length white dresses with necklace jewelry and a white bow in her hair along with low heeled white or blue shoes.
Nowadays she wears white knee length dresses along with a white ribbon with a green sapphire in the middle. She wears medium high heels that are blue or white with little bows on the front. Her hair is chin length and a straight wavy mixture. Around her neck is Cobras old collar like necklace that she gifted him and he'd wear whenever he visited her.
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Trivia:
-Duchess is friends with Deuce's mother, so their kids would play whenever they visisted
-Duchess taught Vil about mannerisms when the child asked
-Cobra states that Duchess was twenty-two or twenty-three when she was expecting the triplets
-It was stated that Duchess wouldn't fall in love with Thompson because her heart belonged to Cobra
-Duchess is the first to call Cobra handsome to his face
-Ambrose confirms that Duchess teaches at RSA where her son's attend
-Duchess enjoys time with Livia after meeting her niece
-Cobra says that Duchess can get a bit rude and tells Livia that his wife snapped on some men who were spreading rumors about him
-Livia comments that learning etiquette with Duchess is fun and non-pressuring
-Duchess enjoys spring due to meeting Cobra during that season
-She hates milk with her entire being but will eat food that needs milk
@anxious-twisted-vampire @yukii0nna @writing-heiress
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HEART'S PRICE - CHAPTER 52
*Warning: Adult Content*
With disarming obedience, Ambrose Thorne does as Noah Hunter says.
He eats his soup and drinks the cup of tea Noah makes for him and then follows him upstairs to the large master bathroom for a shower.
At Ambrose’s insistence, Noah joins him but only because he’s worried he might fall in his weakened state and because he is in need of a shower himself.
Afterward, Noah sits behind Ambrose on the wide bed in his bedroom, running an old wooden comb through his long, tangled curls.
As Noah gently picks through the snarls in his hair, he tells him about the impressions Julian Hart got from Brutus' ring and about what happened with Thomas.
He leaves out the part about visiting his house as a Wolf and seeing the wolfsbane and about getting sick.
When Noah finishes, though, Ambrose twists to look at him and his face is marked with pain and regret.
"I heard you," he says quietly. "I heard your Wolf-song, that night and I barely stopped myself from going to you, then. The pain in that sound... It hurt, more than I can say."
Noah looks back at Ambrose, at the lines between his brows and at the unhappy turn at the corners of his mouth and wonder what he might have done if the tables had been turned, if he could have pushed him away for his own good, even knowing how much harm it might have caused them both.
He doesn't think he could.
"It was the song of a wolf calling for his mate and knowing there would be no answer," Noah says. "It was supposed to hurt."
"Noah..."
Ambrose reaches for Noah, traces the side of his face with his fingertips and then reluctantly withdraws his hand and turns his attention back to the pile of photos in his lap.
He's been restraining himself, although it's clear that what he wants more than food or drink, or rest, is to touch Noah.
In the shower, though, he'd kept his eyes and hands to himself ‘mostly’ for which Noah was grateful.
Ambrose mis leaving it up to Noah to decide what to give him and how much and when, his forgiveness, his love, his permission and it's doing a lot to thaw the last of Noah’s anger and resentment, though he has still yet to explain himself.
As Ambrose studies the picture of the figure standing over Brutus, arm raised, Noah moves closer so he can look at it over his shoulder and he feels him shudder with suppressed longing as Noah leans lightly against his back.
"So?" he asks, tapping the photo where the telltale glint of gold shows on the figure's hand. "Does it mean anything? Or did I get shot and make you ruin your fancy car for nothing?"
"It means something," Ambrose says and sighs, "Though it only confirms what I already feared.
He turns, interlacing Noah’s fingers with his and lifting their joined hands to his lips.
"For my own sake, Noah, I am overjoyed to have you here. To see, and touch, and love you, and to have you at my side, is heaven but for your own sake, I wish you'd stayed away. I wish you'd let Thomas keep his nasty pictures and said to hell with me. For your sake, I wish I'd never laid eyes on you."
"Ambrose..."
He leans closer and rests his forehead against Noah’s a moment, his eyes closed. Then Ambrose kisses his mate’s brow and gets to his feet, pulling Noah with him with a resigned sigh.
"Come on," he says. "There's something you ought to see."
~ ☾ ~
Grabbing a flashlight from the drawer of his nightstand, Ambrose leads Noah out into the dimly lit hall, stopping at the top of the grand staircase, where the wall is covered in portraits of his Oakfield ancestors.
The beam of light washes over the darkly colored paintings, most bearing the grim, antiquarian aspect of a bygone era and lands on the one Noah had noticed on the day he'd moved in.
The one he'd thought looked a lot like Ambrose but which was too old to possibly be him.
"This is Rowan," Ambrose says, nodding up at the artwork, "When he was about my age, my apparent age, that is. You can see the resemblance, I imagine."
Noah can indeed. Rowan shares Ambrose's pale complexion, auburn hair, brown eyes, expressive mouth and dark, even brows, the overall shape of his physique and bearing are also similar.
There, however, the likeness ends.
Rowan's hair is shorter and a slightly darker shade, his nose thinner and more arched and his mouth has a cruel set to it that Ambrose's lacks.
The light in his eyes, which the portraitist had done an excellent job of capturing, is cold and bitter, while Ambrose's is always warm.
It's as if the two men were cast from the same mold but one has a heart of fire and one of ice.
"He's a match, aye?" Ambrose asks.
"For the man in the photo?" Noah returns, blinking in surprise.
Ambrose nods, not taking his eyes from the portrait, the twist of his mouth turning so grim he looks almost like the painting's mirror image.
"Yes, but... he's dead, right?" Noah says. "I mean, I thought the whole reason you're here is because he died and left you this house."
"Indeed, little wolf. That is the entire reason that I am here, in Spring Lakes, in this strange, ‘Gods forsaken little town’ just like the rest of the remaining occultists. I am here because my grandfather—who, as I have said, hated me with something of a passion, left me everything he could call his own in this world. I am here because Rowan Oakfield wanted me here."
"But he is dead, right?" Noah repeats. "I mean, didn't you say you were sure of that?"
Ambrose nods, fingers pressed to his lips and his other arm wrapped tight about himself.
“I thought so. Everything was in order. His council, his lawyer, that is, showed me all the proper documents. There were even pictures of his... of his corpse. But Rowan, as you've heard, was a magician, in every sense of the word. If anyone could pull off such a deception, it would be him."
"How did he die?" Noah asks, looking up at Rowan's likeness with a growing sense of dislike and unease.
"Self-inflicted gunshot," Ambrose replies, miming the act. "A hard death to fake, I'd imagine, except it was quite a while before he was found. The... remains... were so degraded, he was identified by his... well, by the clothes and accessories he wore."
"Who identified him?"
"Ah... Brutus, I think," Ambrose says. "As his son, it was expected he'd have known him well enough, I suppose and as Rowan lived here alone, it wasn't as if there was a broad field of possibilities."
"Okay... so why? What makes you think he's behind this?"
"The ring," Ambrose says. "The ring your brother took, for what his Fae love might glean of it. Seeing it reminded me of the one Rowan wore and which bore the Oakfield Crest. It should have passed to Brutus after his death but it wasn't among his things."
"So? Maybe it got buried with him. If he was... in the condition you described..."
"No. The mortuary returned all his things, everything worth saving, that is, in a box along with his ashes. His watch, his cufflinks, the mother-of-pearl buttons off his waist-coat, for God's sake. They'd have returned his ring if it were there. After you left that day, I went and checked again. It wasn't."
Noah remains silent a moment, thinking.
"There are lots a reasons a dead man's ring might not be among his things, Ambrose," he says. "Maybe he took it off before he... before he died. Maybe it just got lost."
Ambrose shakes his head.
"Any other man, any other ring and I'd agree with you, little wolf. But this is Rowan Oakfield we're speaking of and that ring was more than just a ring to him. It was his gift-relic. Unless he was the first victim, then..."
"You think he's still alive," Noah states. "You think he's still here, somehow, orchestrating all this."
"I do," Ambrose confirms. "Rowan built this house, based on his old estate in Scotland and I'd not be surprised if he included a few secret rooms and hidden passageways while he was at it. As for the why of it all,well, that's what troubles me."
Ambrose turns to face Noah, meeting his gaze with an openness and intensity the young man can't look away from.
"There were nine, the first time," he says. "But ten, if you count my mother, the medium. Rowan would have had his own relic, of course, as well as Aengus' book of spells and Jack's lucky coin. Then, one by one, he's collected the others. The thing dearest to the heart of each, representing what they most love, what they live for, and what they can't live without. And then... Well, then there's me."
Ambrose takes a breath and blows it out, gazing up at the array of portraits with a frown.
"If Rowan intends some... reverse ritual, say... he'll need a medium. My mother was the original but as she's dead— of this, at least, I am sure, she's beyond his reach. In her stead, what more perfect medium than I, who shares something of my soul with the dragon himself? But I was my mother's Gift and I had no Gift of my own and so..."
Ambrose’s voice fades as he lapses into thought, staring at the wall without seeming to see.
"Ambrose?" Noah says, reaching out to touch his arm. He startles and then blinks, giving Noah a broken smile.
"That's why, little wolf," he sighs. "That's why I wanted you gone,and away and safe. Because you are what is most dear to me. As I told you, I've lived my life alone and not been greatly bothered by such solitude. But when I came here, I.. .I felt the loneliness a little sharper than I ever had before and I wished... I wished not to be alone anymore. And then you fell into my life and I fell in love with you and it was like... Well, it was like a gift, really."
Ambrose smiles, a whole smile, this time and reaches out to touch Noah.
"You're not only my treasure, Noah. You are my Gift. You are what I love most and what I cannot live without and that is a burden I did not wish on you. It isn't fair, to put that on another, is it? And more than that, if Rowan is taking Gifts, for whatever reason, then I fear that he will take you, as well. And nothing we've done has been able to stop him yet. I was afraid and I thought the best thing for both of us, for everyone, was for me to let you go."
The fire in Ambrose’s eyes dims with pain and Noah can't help reaching for him, stepping straight into the bands of his embrace.
"I still don't understand," Noah says. "We already knew I might be targeted because I'm important to you. Why would it matter if I'm your 'Gift' or not?"
Ambrose sighs.
"Because, whatever Rowan intends, I don't think any of us, Thornes or Oakfields alike, are meant to come out of it alive. I thought that if only I could give you up, give away my Gift, as it were, maybe it would interrupt his plans. Even if it killed me, at least you would be safe and as much as I knew it would hurt you, I also know that you're strong. You'd have healed, in time and someday you'd have found another, someone else to love, someone else to love you. And I..."
Ambrose’s breath catches and Noah pulls him into a kiss.
"I don't want another," Noah says against Ambrose’s lips. "I want you, Ambrose Thorne. But I'm nobody's Gift. I'm your Choice, just as you are mine and I Choose you again, freely, here and now. I choose to be yours and to take you as mine, if you'll choose me in return."
"I do," Ambrose whispers, sliding his hands up Noah’s back and turning to push him against the wall. "I Choose you, Noah Hunter, my sweet little wolf, for as long as you'll have me, for as long as you'll let me have you and for as long as we both shall live."
Ambrose’s mouth covers Noah’s in a kiss like liquid fire and the young man feels his own fire awaken in reply, his hands sliding and seeking along the smooth skin beneath his shirt as he presses his body to Ambrose’s.
Noah is ready and willing to ignite, to let his fire join Ambrose’s and burn with all the heat he desires, right beneath Rowan Oakfield's disapproving, painted gaze.
Noah closes his eyes as Ambrose trails kisses down his throat and slips his hands, now pleasantly warm, beneath his clothes, pulling him against him even as he presses him into the wall at his back.
Ambrose reaches a hand above Noah to steady himself and knocks Rowan's portrait to the side as he does.
Then something clicks, Ambrose meets Noah’s startled expression with his own and with a weird sensation of surprise and helplessness, the young man tumbles backwards into space.
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@gossamerashes from here
Whatever vile concoction the apothecary compelled Wolfram to imbibe proved only slightly better in its effects than that of the wolfsbane it supposedly nullified. In the end, he was no longer in pain and an hour into the treatment had seen the world stop spinning. Obstinately, and to the dismay of the doctor, Wolfram seized upon the gift of fractured clarity and absconded back to his own abode.
He ended up as a boneless heap within the armchair stationed before the hearth. The desert nights were cold and for all of Wolfram’s preference for the chill, he was in this instance glad for the servant’s insistence on maintaining an evening fire.
The flames curled and flickered within the hearth, and Wolfram watched them with the unfocused gaze of a man given to daydream. He blinked, brows furrowing, when Ambrose entered into his vision. Where there was typically a cold suspicion etched into Wolfram's countenance, rested the expression of a man forcibly woken from a deep slumber. Wolfram could not determine how long Ambrose had been there. Perhaps he’d always been there. No, Wolfram was certain he wasn’t. Or was. Or—
He swallowed. His thoughts were disconnected; the leaves fallen from a tree and drifting upon a water’s surface, subject to the whims of the wind. Ambrose looked different within the orange glow of the fire. Wolfram’s eyes traced his features, wandering as aimlessly as his thoughts. Ambrose looked different, yes, but –
“You are beautiful,” Wolfram noted, his tongue loosened by numbed inhibitions. “I’ve always thought you so.”
"I know.” If it tormented Wolfram, all the better. Vain as Ambrose was, there was no achievement in his artifice. It was not real.
He had stood there for a time, at an observational distance. Most of the household had gone to rest. He, too, was clad in nightwear, hair loose and feet bare to track wet prints across the stone floor. They would vanish by morning, before anyone was awake to wonder about it.
“Whereas, you look terrible and smell worse.” Ambrose was not known to be a flatterer. He stalked forward, a hand on his hip, a flicker of fire catching the tapetum lucidum he ought not have. “Is there where you want to be?” As Wolfram had chosen to expire there, it must be so.
Ambrose did not approve. He could scent herbs now, some known to him and some not. That did not concern him so much as the slumped posture. Wolfram looked haggard enough without waking up to the results of that come morning, or whenever he thought himself recovered enough to vacate the chair. Too soon, and not soon enough by Ambrose’s reckoning.
“Let’s get you to bed.”
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