What's this, a new d&d character?
hi. I have a DND character. his name is Oliver (oli). I may or may not be projecting onto him, a lot, but that is not the problem today. I made a character playlist for him and I want to talk about how it pertains to his (planned?) character arc. Ergo, this
The important thing to begin with is the basic gist of his backstory. Oli is a satyr paladin, oath of the ancients. Early to mid twenties or so. Gay (and ace), which is relevant, because he has a Tragic Backstory!!!!
Basically, he grew up in and out of the feywild, either there or in this one elven town that just so happens to have a portal to faerie very close by (and also might have been the childhood home of the other character in the campaign, quinn, who belongs to @ineffeblygay (hi mars. hope you don't mind the tag!! feel free to ignore this if you want /not sarcastic /not passive agressive), but neither of them remember that all too well (see their Tragic Backstory™))
He, as many gays are wont to do, had a boyfriend!!! I have not figured out said partner's name yet but that is okay. However, there was An Accident, that Oli thinks he would have been able to prevent if he had been there, and his partner died. Oli blames himself for it. He made his oath because of them, and so he holds to it, both because he believes in it, and because he feels like it's the least he can do. (Notably, for semi-related reasons, he avoids using the magic that comes with the oath if at all possible (I'm thinking it's cause he tried to help them with it, and he failed, and he thinks that it's cause he did something wrong and it was his fault (hi. remember what I said about projecting--)
song #1
she's in love with the boy by trisha yearwood
This is about the childhood romance type thing. It's like the, oh, hey, they're in love, and it's sweet, and they're going to spend the rest of their lives together, and no one can stop that-- until, hey, whoops, dead (hence song #2)
song #2
if i should fall behind by bruce springsteen, specifically the live in dublin version
this is the part that functions as the section about his partner's death. ''if I should fall behind / wait for me'' Ahhhhhhh. so, in this case falling behind is them dying. which. oh hey that's fun, metaphors!!
it's them promising the wait for each other, to remember each other, and it's also about Oliver refusing to move on
song #3
ophelia by the lumineers
listen. ophelia dies, thats gotta be something. is their partner the ophelia in this situation? honestly, hell if I know. maybe? probably, even, but possibly not. cause the thing with ophelia is, she either killed herself or it was an accident, twist of fate. and that's what his partner's death was, and like ophelia, no one can know for certain.
song #4
all that heaven will allow by bruce spingsteen
the thing with this song is, I first heard it when my dad was trying to prove to me that bruce springsteen does have at least a couple happy songs. my immediate response was that the narrator was dead, this definitely isn't a happy song. (On an unrealted note, my dad thinks he was trying to get into heaven, and I think he was trying to get out. I have many opinions on this song) I stand by that opinion.
This is the part from what would be, if it was a book, Oliver's partner's pov. he wants more time, he wishes he could have had more time, and he's coming to terms with that, that he's dead. which in theory would take place while his soul is traveling from the material plane to the shadowfell
Song #5
achellies come down by gang of youths
this is the bit where Oliver's depression gets REAL bad, he tries to kill himself, but he doesn't do it, which is uh. both kinda important because I need him to be alive for the campaign and also, you remember what I said about the projection bit? yeah that. but the thing is, he doesn't admit it to himself (again, projection). the year and a half to two years after his partner died were the worst years of his life, and then one day he woke up and just. shoved all his emotions in a closet and ignored them (which is extremely not healthy)
and he stays like that for a year to a year and a half, and sometime in that time period is where the campaign picks up with him.
song #6
welcome to the black parade by my chemical romance
this one doesn't fit as obviously as the other ones do, but "though you're dead and gone believe me / your memory will carry on" cause one day he just decides to pretend that he's perfectly okay (he's not) and isn't traumatized at all (he is) and he is perfectly capable of being a functional human being person
cause carrying on. he has to pretend he's okay because if he's not what the hells does he do then?
song #7
i'm not okay (i promise) by my chemical romance
hey look, he's admitting it now. he's beginning to heal!!!! (tbh this probably comes after a pivotal and highly emotional time in the campaign, probably after one of them comes super close to death and they're above like, level 5, idk, I haven't worked out all the details yet (gods I love being dm))
song #8
take me home, country roads by john denver
to be honest, there's something missing between song #7 and #8, but I don't know quite what it is. but, at the very end of the campaign, he's gonna go home. he's going to go back to where he came from for the first time in three or four years and he's going to see his family and his friends because he's finally at a point in his life where he feels like he can face them without blaming himself.
so, that was it!!!! if you have questions please ask me I love talking about oli--
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