#and also rude characters??

[lastoneout]

Watching Deep Space Discounts straight up revived my desire to create art, I've been floundering for like a year now with insane art block but this show(+ some moots being really sweet about my ocs last night when I spam reblogged all my old art) has reminded me how much I love original characters and how much fun it is to make my own, so yeah thank you to this show and it's creator for not just making something amazing but making something amazing enough that it makes other people make amazing things too!!

[catinfroghat]

Nuwho doctors meeting each other: HI BESTIE 🤗 let's trade compliments 🥰 and maybe lightly make fun of each other for our silly quirks 😝

Classic who doctors meeting each other: the bbc broadcasting standards are the only thing preventing me from calling you a slur.

[sweetmapple]

drew this so fast, Mohg-posting is no longer illegal. Long live Mohgwyn and his fruitiest surgeon

[jadewritesficshere]

Steddie soulmate AU where Eddie is a famous musician, everyone assumes he doesn't have a soulmate. Eddie was just smart and doesn't confirm, doesn't want to go through rabid fans who claim to be his soulmate. He's had too many show up wearing his initials they tattooed on themselves even before he was asked about soulmates in an interview.

Enter Steve Harrington who works as a nurse. Just casually on his third nightshift in a row in the ER. Sipping some coffee trying not to fall asleep when they get the call about some confidential patient coming in.

Eddie comes in for some injury. Steve has 0 clue who he is, just says "You look familiar, did we go to school together?" And Eddie practically falls off the stretcher at Steve's feet. Goes all googoo eyes at him. Steve being mildly concerned because Eddie's heart rate keeps skyrocketing (its because Steve is touching him).

One of the other nurses can't help but try and get the gossip from Steve, who is very much confused as to why she cares about this random patient. She tells Steve who Eddie is, and he's just like ???? Okay???

Steve doesn't admit it but the picture she shows is HOT. It's Eddie, flipping off the camera, tongue out. He's covered in tattoos, including the word 'sorry' written in a weird script on his middle finger. He's shirtless and his pants are so low that Steve can see the dip of his hips creating a v and-

Steve has to walk into the supply room to get himself under control. Pretends it doesn't mean anything and goes back to his job as his heart thuds rapidly in his chest.

Eddie tries not to pass out when they draw his blood, Steve holds his hand. It feels right. Eddie can't help wanting to ask," Hey, do you have a soulmate?" But he hates being asked that question, so he won't.

Until Steve bends over, his scrub top lifting up slightly. Eddie can't help glancing at his ass, but then he can't breathe. Because on his lower back is the initials EJM.

"Steve G. H?" Eddie asks as his voice goes up an octave. Steve turns, bewildered ," How did you-?" "Edward James Munson." Eddie whispers.

Oh

[babtest]

The most awkward travelexperience in recorded history, as recounted in 'Galactic Hot Ones', was had by actor Eknie Jef Chem, when,

during a cross-planet 6 hour shuttle-flight, their seatneighbour at first seemed panicked to sit next to them(Chem tries not to be insulted),

requested to sit somewhere else (no other seats were avaiable),

proceeded to ignore Chem for hours (they're pretty sure the neighbour didn't move at all, just stared straight ahead),

until Chem realised that the audio-hallucination they kept having was in fact the neighbour humming the theme from The Rise And Fall Of Sanctuary Moon in a barely audible frequenzy (Chem is still glad to have been on the show, and despite having moved on to bigger things, is still on good terms with a lot of the crew. They'd be there for a limited time revival),

and so Chem thought, okay, just a weird fan, and when they got ready to disembark( the neighbour did not move out of the way),

they turned to the neighbour and said:"Boldness is all", figuring it would make someones day (might even go a little viral, who knows).

The neighbour then got up, headed straight for the emergency exit, ripped it open (which triggered an alarm),

jumped out (at least 6 meters) and sprinted away across the landing zone (got hit by a cargo-truck, kept running).

[largemandrill]

It is imperative to me that Cullen and Dorian’s weird little chess bond remain platonic because it means that Cullen learned how to care about a mage in a way that wasn’t just him being horny. And that matters to me.

[bittersweet-jack-of-no-trades]

Stanley is an absolute asshole and that's one of my favorite parts about him. Like yeah we can talk about his hidden heart of gold and whatnot, how he subtly shows his care for the kids and for his brother, but, like. He's still an asshole.

He has beef with multiple children! (Gideon and Pacifica, at the very least). And he has a reason--- defending his family--- but it's still beef with children! He regularly scams travelers out large amounts of money! He doesn't pay his employees! He insults people to their face! Even if he's doing it out of projection love, he still gives Dipper the short end of the stick, like, all the time. He opens a potentially world-ending portal just to get back his brother--- that's an asshole thing to do!

And this isn't a critique of Stan at all. But his churlish asshole nature is a beautiful part of him that makes him a really fun character. Being a good character doesn't = being a nice character. I'd even argue him becoming nicer isn't--- shouldn't be--- a requirement for his character development post canon. This is a guy who's yelling at other boaters over the radio. This is a guy who undoes your boat's drain plug 'cause you insulted his brother. Stan's a rude, penny-pinching curmudgeon that his family insists is nice deep down because he is--- to them. He don't give a shit about anyone else!

Let Stan be mean, dammit. He deserves it.

[egophiliac]

Please elaborate on your twst Pokémon headcannons I’m very interested

I had planned on drawing everyone for this (I made a LIST!) but it. hasn't been going well. 💀 soooo here's what I have so far!

Riddle - Roserade (I was going with 'no legendaries', otherwise I would've given him a Shaymin) (and I don't think Togedemaru is actually a hedgehog or I would've given him one of those too) (...they kind of do fit though. hmm.)

Trey - Alcremie (clover/mint cream + strawberry/ruby cream)

Cater - DITTO SQUAD! DITTO SQUAD! DITTO SQUAD!

Ace - Impidimp (I feel like there's probably a better one for him, but I can't think of it)

Deuce - Scraggy (meanwhile I KNOW deep in my heart that this is true)

Leona - Pyroar (but like. a nasty Pyroar. just a grizzly old Pyroar with the shittiest attitude imaginable. they pretend to hate each other but secretly they are a bonded pair, do not separate)

[kan-be]

and there’s a special kind of sadness that seems to come with spring

it’s blorbo’s birthday yay 🥳 🥳🥳

[superbbirdofparadise]

I get why some people say that moon.exe confirms Sun x Moon and fem!Sun in Security Breach, but I just don't think that's the case. Yes, they do symbolize the Murrays, but I think it's just that: symbolism. It's possible that SOTM Sun and Moon are actually Fiona and Edwin in some way (this is the ghosts possessing machines franchise, after all), but they are different characters than the Daycare Attendant. No one would say that Fredbear is the same as Glamrock Freddy, and Spring Bonnie is not regular Bonnie, who isn't Toy Bonnie, who isn't Bon Bon, who isn't Rockstar Bonnie, etc.

Also, we know how Fazbear designs female characters. Glamrock Chica and Roxy aren't on the same level as Toy Chica, but if they wanted SB Sun to be a woman, they would've either added glitter and pink paint, or some Grow Up Skipper nonsense, or both. He's just a skinny guy with a higher-pitched voice who's a little bit silly and whimsical.

[fceriegifs]

Benedict Cumberbatch as Dr. Stephen Strange

Doctor Strange (2016)

[diemonts]

i just saw the most arse opinion ever about the pjo fandom 😭 okay so basically they said calling characters who aren’t canonically gay is rude? they also said AND I QUOTE ‘next time you ship valgrace think to yourself ‘would i be okay with being called gay?’” vroh you cannot be serious right now. i personally do not like valgrace, it isn’t for me, but it is NOOOOT that deep. i respect valgrace shippers because yea the ship is cute but wow. how do you even. i can’t believe this is real how do you even begin to form an opinion like that do you hate it THAT much

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[astrocket]

Watched the Lorax (2012) at school, hated it, and decided to take it out on the Once-ler

[x-ac1d-tr1p-x]

how did they whitewash a white women?

[starspilli]

seen a lot of people talking about fanon stuff specifically irt dc recently and i have to say i think it really comes down to a lot of people just… not caring about comics as a medium. which sucks imo! comics are such a unique and special format for storytelling and i really just think a lot of these stories or characters don’t hit the same when you divorce them from that context. which is where i think a lot of the stuff i’ve seen people talk about comes from… like sure you can look at panels posted online or read through a character’s wikipedia article and know all of the technical canon about them but i think that by not reading the comics you’re robbing yourself of smth very special... i really love when you can tell people who talk about these things have a real love for & knowledge of the medium and its history