#and creating in general is hard

[rebuke-me]

gonna be mildly petty in the tags but its not personal or anything

[psqqa]

yes, yes i know edgeworth’s big wet eyes and loser boy personality have captivated us all, but listen. listen.

phoenix wright

phoenix “genuinely unable to reconcile the girl on the stand with the girl he dated for eight months, a cognitive dissonance so profound it’s ultimately explained by them being literally two different people, but which he first sits with for five years and does not talk about at any point to anyone” wright

phoenix “don’t mention that name to me. i don’t want to talk about it. i don’t want to think about it. i am just going to keep myself in this state of perpetual crisis mode focus on other people’s problems until eventually i die and get to hang out with mia on the astral plane and never have to deal with any of these emotions ever again” wright

phoenix “overnight loses his career and reputation and sense of identity while gaining an adopted, probably pretty traumatized eight-year-old daughter, and rather than leaning on his friends for help, or getting therapy, or taking any time to process any of this, he *checks notes* spends seven years dedicating all his free time and energy to investigating the weird fucking circumstances around it and maintains a friendship with the guy he suspects was behind it all” wright

phoenix "runs across a burning bridge and falls through it, half a day after the game establishes that he is terrified of heights, because his friend is on the other side of that bridge" wright

phoenix “i sure felt surprised. maybe i had my poker face on” wright

phoenix “looking back on it that was actually a pretty dark period in my life” wright

phoenix “don’t ask me how i got started. i don’t remember” wright

phoenix “only you stood still, your eyes calmly watching” wright

phoenix “sometimes, life just sucks” wright

just

phoenix wright

crunchiest man in the world

and all i wanna do is chew and chew and chew on him

[shalomniscient]

gf called feixiao feifei………. what if i screamed cried died

[klamaric]

PONEDJELJAK, 13:12

[marlynnofmany]

Note for someone to turn into a story: one way to give the middle generation/s on a generation ship a purpose in life, aside from "raise the children whose children will eventually land on the colony world," could be as creators of art and story. Music too.

Just imagine: you have your whole life ahead of you with all the training and materials of this vast spaceship at your disposal, and all of society plans to revere the creative masterpieces you and your peers come up with.

No pressure.

But yes possibility.

[scificrows]

Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.

Some Thoughts™ I had while putting this together (under the cut):

In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.

It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]

The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]

Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]

In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]

In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]

Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.

[ink-the-artist]

so somehow it’s the first time I’ve seen your Dogs illustration from May. it’s very very cool and strongly reminds me of AI-generated art — did you use AI to inspire the shapes? or otherwise influence the piece somehow? interested in your process! very cool.

yes! some more directly reference ai images id generated than others lol

[shimmershy]

Undertale Month Day 5: Ruins

[vaguely-concerned]

the only thing that brings me more joy than emmrich being SO endearingly peevishly unimpressed with ingellvar pulling watcher 101 platitudes on him as a 'get out of emotional vulnerability free' card is rook's utter cheerful lack of repentance or pretence about doing it

[psychotic-nonsense]

|| >

There's not much Steve remembers.

There's a group of people walking through the woods, some older, some teens. He's amongst them. The sky is too dark and the trees are too dead. His hands are tight, holding something close. There's an air of panic, stress, hurry, caution. A mistake was made, and they need to escape.

Then instincts flare and the trees descend on them. Sharp rushes of wind, the shrill shrieking of something otherworldly. There's teeth and sharp whips and screaming and gunshots.

Then the swirling mass parts and the shrieks turn human, and Steve remembers the visceral fear of seeing the mass separate. One half rises, carrying a flailing, manic figure, and no no no Robin please no not Robin please no me take me instead you bastards not Robin please no Robin Robin-

Then the other half descends, whips circle his wrists, and the ground falls beneath him. There's screaming behind and before him as the earth fades away, and it's a cruel parallel, floating when all he wants to do is sink.

Robin's thrashing, Steve's thrashing. Their weapons have no use here, where teeth and whips maul them. Amid the pain, all Steve can do is plead to Robin, to forgive, to hope, to fight.

Robin finds the weak spot first. A quick succession of blind swings, a fierce thrash of flailing limbs. The bats scare, release her. But they're too high. Steve feels his throat go coarse as he watches Robin crash into the dead forest below, unable to differentiate the snapping between bark and bone.

Steve finds it in him to copy the act, do the same. And somehow, it works. Somehow, he's weightless.

There's a fierce pressure and the first snap he remembers feeling both on and within his skin-

And Steve wakes up.

It's not sudden, it's gradual. He feels the pains within him slowly throb to life, rousing him from sleep like an anchor rising from the sea. His left hand feels thick, and there's a burning poker laying across his forehead. His jaw feels wrong, and his eye stings and throbs.

His other senses slowly begin to return as well. He's laying down, his head tilted to his left, a bit cramped in the space as something presses around his shoulders. The material he's on isn't very comfortable either, some parts stabbing into his back, and there's a crinkling sound every time he breathes. He hears the faint rippling of water, and somewhere out there, it rushes fast and hard.

It's hell to even think of doing it, but as Steve returns to reality, his instincts rise to the surface, and he knows he has to get up soon. So he opens his eyes. He fights the involuntary tears, wincing as the stinging worsens, then wincing further when his face crumbles in the looping pain.

Finally, he can see a little. Where he is, it's thankfully pretty dark, with only a faint golden glow illuminating the area around him. His eyes strain to see through the darkness past the range of the light-

And then Steve notices where he is. A boathouse. The boathouse. The same one from a night that feels like a lifetime ago, rather than a few weeks. The start of their worst journey, the beginning of a friendship that would grow just to rot into a sour mess of guilt and loneliness.

He's laying within the same boat too...

His eyes focus on some motion across from him. A table covered in a lump of tarps and ratty cloths, and atop it sleeps a figure. Her face is scrunched up in pain, a patch of bloody fabric covering her cheek. One leg has been removed of all clothes, the ankle wrapped and foot elevated. Steve knows her, and instinct briefly overpowers everything else.

"Robs?-" Steve cracks out, his voice sore and rough. His body tries to rise, moving habitually, and he barely rises onto his elbows before the world pounces on him again. It's so strong and he's so weak that he can't move more than the closing of his eyes and the falling of his chin to his chest, can't make a sound louder than a whimper.

Suddenly there's a noise, there's movement beside him. The light glows just a tough brighter, and there's a base warmth suddenly pulsing through his chest.

It's a person, shushing him. Their hand is resting softly on his back, simultaneously supporting him and urging him down.

"Please, stay. It is better for you to rest."

The voice speaks softer than Steve can remember, but he still knows it. It's monotone, sounds ghostly, faint, quiet in a way that has nothing to do with volume, but it's still familiar. Still brings the memories around Steve right into the present, takes him back to that corpse, makes the presence around him feel more melancholic than scary.

Which is funnily enough, even more terrifying.

Steve can't move, can't pull his sight up to face what can't be reality.

"Apologies for the location. We cannot stray too far from the Gates."

The monotone changes to sound almost apologetic, more real, more like what Steve has been craving. It's what finally makes him cave, to turn his eyes to face the impossible.

Who he sees, what he sees, both crushes and rises his hope. Because past everything before him - the inhuman glow, the calm, plain expression - he finds exactly what he's been fighting for.

"Eddie...?" Steve pleads.

The blank face falls, just slightly. Like it's guilty.

"I'm sorry. No. Not quite."

(cleaner version below)

[gideonisms]

guy who needs floor time

[ganondoodle]

so, its pretty rough and by far not complete but this is a rough layout for the map of destiny (my zelda fancomic), i mainly took it after skyward sword but added parts of botw into it (like lanayru street, the twin mountains that were one mountain until ch3, the gerudo highlands, akkala ref; among more general map overlap)

this ones with some super rough chapter markers and some descriptions, the circle doesnt mean the chapter doesnt go to multiple places but the main happening of it is there, its again, pretty rough and lacks the correct order yet too, ill prob add that with time as i write out the scripts for the next chapters, so far i got the order until chapter 6 (chapter 4 is mostly at hylias temple and since there are alot of chapters happening there its not marked seperately)

chapter 1: demon (complete)

chapter 2: a dance of ice and fire (script done)

chapter 3: moving mountains (name not final)

chapter 4: starry night

chapter 5: a wound for a wound (placeholder name)

chapter 6: curiosity (possibly placeholder name, forgot to mark it on the map even tho i know where it goes)

most other chapters i know where and whats happening but i cant remember the exact order, i gotta make a structured chapter chart soon so i dont have to think over everything every single time i need the order

this is probably not very interesting but, even tho it is just a rough layout more for myself than anything else, i thought id share anyway, i know my handwriting when i write fast and tired is hard to read but uh .. feel free to send me an ask about it if theres anything youd like to know (do mention if you are ok with spoilers for the story)

[vaggieslefteye]

Alastor + "Wings"

[d3cay1ngst4tic]

can people just learn to create something born out of their own mind rather than waste their asses on gen ai?

[rawliverandgoronspice]

I do genuinely hate how trusting simple shit on the internet is starting to become a russian roulette game. Even if AI wasn't based on maybe one of the biggest heists of human history, it would still be a massive L to the culture that we are expected to become paranoid about any interaction we have with other human beings, our appreciation for art, our trust of the images we see, etc. This is just making everything so much worse, and there is no justification for it that holds any water.

[pallaspally]

Please please PLEASE show some love to my good friend @basiltonsbones who, without prompting, created this most gorgeous and perfect rendition of the one and only baby old man Sniper.

He looks truly perfect, look at how much youth and energy he has!! Exactly how he should be remembered forever. Thank you my dear friend!! <3<3