#and debut on the 26th january 2023

[tennet]

all jeff davis knows is write california teenage werewolf show for mtv

[impromptu-sketches]

BUDDY DADDIES MASTER POST

Happy Buddy Daddies 1 Year Anniversary!!!!

To celebrate 1 year Buddy Daddies, I've created this master post featuring the english sub episode list and all of the extra content in chronological order for new and re-watchers to enjoy! Plus, my commentary 🩵💁🏻‍♀️

✨ If you're about to watch Buddy Daddies for the first time, I recommend going in blind except for reading my little blurb below.

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Buddy Daddies is a 12 episode original anime from P.A. WORKS that aired from January 7th to April 1st, 2023 about two assassin partners who somehow end up taking in a four-year-old girl. You can watch it in sub or dub on Crunchyroll. I personally recommend watching it in sub especially for the first watch.

Tags: action | comedy | found family to the MAX | family life | character development | wholesome adult characters | hilarious and emotional | red character x blue character

CONTENT LIST

Dec. 9, 2022 | Before the series aired, there was a short preview from Kazuki's POV.

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December 31st, 2022 | Also before the series began, they debuted Kazuki's instagram account - fantastic_sweeper0516 - which has real life photos of Fukuoka, Japan, the city where the anime takes place and photos of food that they (mostly Kazuki) makes in the show. I don't think many people knew about his instagram account until later into the series. Kazuki's 1st instagram post: fantastic_sweeper051 - street photo

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January 2nd, 2023 | Kazuki's 2nd instagram post: fantastic_sweeper0516 - street photo

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January 5th, 2023 | Kazuki's 3rd instagram post: fantastic_sweeper0516 - grocery shopping

January 5th, 2023 | Kazuki's 4th instagram post: fantastic_sweeper0516 - cooking

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January 6th, 2023 | Kazuki's 5th instagram post: fantastic_sweeper0516 - work outfit

January 6th, 2023 | Kazuki's 6th instagram post: fantastic_sweeper0516 - cooking

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January 7th, 2023 | Episode 1: Piece of Cake

January 7th, 2023 | Kazuki's 7th instagram post: fantastic_sweeper0516 - cooking

January 7th, 2023 | Kazuki's 8th instagram post: fantastic_sweeper0516 - dinner

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January 11th, 2023 | Kazuki's 9th instagram post: fantastic_sweeper0516 - street photo

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January 12th, 2023 | Kazuki's 10th instagram post: fantastic_sweeper0516 - apartment photo

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January 14th, 2023 | Episode 2: The Kiss of Death

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January 15th, 2023 | Kazuki's 11th instagram post: fantastic_sweeper0516 - cooking

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January 16th, 2023 | Kazuki's 12th instagram post: fantastic_sweeper0516 - food

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January 18th, 2023 | Kazuki's 13th instagram post: fantastic_sweeper0516 - food

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January 19th, 2023 | Kazuki's 14th instagram post: fantastic_sweeper0516 - playground photo

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January 20th, 2023 | Kazuki's 15th instagram post: fantastic_sweeper0516 - food

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January 21st, 2023 | Episode 3: Spice of Life

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January 22nd, 2023 | Kazuki's 16th instagram post: fantastic_sweeper0516 - food

January 22nd, 2023 | Kazuki's 17th instagram post: fantastic_sweeper0516 - banana note

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January 24th, 2023 | Kazuki's 18th instagram post: fantastic_sweeper0516 - breakfast

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January 28th, 2023 | Episode 4: What Will Be, Will Be

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January 29th, 2023 | Kazuki's 19th instagram post: fantastic_sweeper0516 - clothing store

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January 31st, 2023 | Kazuki's 20th instagram post: fantastic_sweeper0516 - sewing

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February 1st, 2023 | Kazuki's 21st instagram post: fantastic_sweeper0516 - journal

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February 4th, 2023 | Episode 5: Crunch Time

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February 5th, 2023 | Kazuki's 22nd instagram post: fantastic_sweeper0516 - financial planning

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February 11th, 2023 | Episode 6: Love is Blind

February 11th, 2023 | Kazuki's 23rd instagram post: fantastic_sweeper0516 - food

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February 12th, 2023 | Kazuki's 24rd instagram post: fantastic_sweeper0516 - food

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February 15th, 2023 | Kazuki's 25th instagram post: fantastic_sweeper0516 - food

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February 18th, 2023 | Episode 7: After Rain Comes Fair Weather

February 18th, 2023 | Kazuki's 26th instagram post: fantastic_sweeper0516 - note

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February 20th, 2023 | Kazuki's 27th instagram post: fantastic_sweeper0516 - cooking attempt

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February 22nd, 2023 | Kazuki's 28th instagram post: fantastic_sweeper0516 - after dinner

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February 23rd, 2023 | Kazuki's 29th instagram post: fantastic_sweeper0516 - new umbrella

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February 25th, 2023 | Episode 8: Nothing Seek, Nothing Find

February 25th, 2023 | Kazuki's 30th instagram post: fantastic_sweeper0516 - Rei's birthday cake (Rei's birthday is August 10th which is when this takes place in the show)

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March 4th, 2023 | Episode 8.5: Recap episode that summarizes episodes 1-8 with Kazuki and Rei's narration (mostly Kazuki's).

I personally recommend watching this because I enjoyed their voice overs, it added even more cuteness.

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March 11th, 2023 | Episode 9: No Sweet Without Sweat

March 11th, 2023 | Kazuki's 31st instagram post: fantastic_sweeper0516 - Rei cooking

March 11th, 2023 | Kazuki's 32nd instagram post: fantastic_sweeper0516 - Rei's cooking

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March 18th, 2023 | Episode 10: Lost At Sea

March 18th, 2023 | Kazuki's 33rd instagram post: fantastic_sweeper0516 - Ferris wheel :'(

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March 21, 2023 | Dangle on YouTube posts an English cover of the opening song, SHOCK! by Ayase.

I didn't know about this until JUNE!!! And then I analyzed the lyrics of both the original and the cover. Absolutely LOVE both the opening and credits songs + this english version.

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March 25th, 2023 | Episode 11: Everyone Will Be Hypocrites

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March 29th, 2023 | Kazuki's 34th instagram post: fantastic_sweeper0516 - breakfast

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March 31st, 2023 | Kazuki's 35th instagram post: fantastic_sweeper0516 - french toast

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April 1st, 2023 | Episode 12: Daughter Daddies (series finale)

The end! And then I cried for three days straight ☠️ But fear not! We've been blessed with more content all year! The lovely @Lily_20210401 on Twitter, one of the animators who worked on Buddy Daddies (so I consider these canon-ish), has posted many drawings of the characters throughout the year. We also got four drama CDs which were AMAZING!!!! And Kazuki's instagram has continued! These and more are listed below.

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May 16th, 2023 | Kazuki's 36th instagram post: fantastic_sweeper0516 - Kazuki's birthday cake! (Kazuki's birthday is indeed on May 16th)

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May 24th, 2023 | Kazuki's 37th instagram post: fantastic_sweeper0516 - nighttime street photo

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June 29th, 2023 | Kazuki's 38th instagram post: fantastic_sweeper0516 - hydrangea garden

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June 2023 | Special Drama CD Volume 1 Audio on Soundcloud & English translation by kudouusagi on Tumblr. Thank you kudouusagi!!! ♡♡♡ We appreciate you!!

Also for the Drama CD Volume 1, the angel known as gandoon on Youtube posted the Special Drama CD Volume 1 with English subtitles and images from the anime. (ノ ˘_˘)ノ thank you gandoon.

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Summer 2023 | Special Drama CD Volume 2 Audio on Soundcloud & English translation by kudouusagi on. Tumblr. Thank you, kudouusagi ♡ Drama CD photo thanks to @moriokart ♡

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Summer 2023 | Special Drama CD Volume 3 Audio on Soundcloud & English translation by kudouusagi on Tumblr. Thank you, kudouusagi ♡ Drama CD photo thanks to @moriokart ♡

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Summer 2023 | Special Drama CD Volume 4 Audio on Soundcloud & English translation by kudouusagi on Tumblr. Thank you, kudouusagi ♡ you're the best! Drama CD photo thanks to @moriokart ♡

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August 11th, 2023 | Kazuki's 39th instagram post: fantastic_sweeper0516 - Rei's birthday cake! (a day late) (Rei's birthday is August 10th)

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November 8th, 2023 | Kazuki's 40th instagram post: fantastic_sweeper0516 - Miri's Birthday cake! (Miri's birthday is indeed November 8th)

This is currently the most recent post. More to come?

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Throughout 2023 | The amazing Lily on Twitter has posted drawings of the characters throughout the year and will continue to post them in 2024!! Her latest has them celebrating the holidays and the new year!

★゜・。。・゜゜・。。・゜☆゜・。。・゜゜・。。・゜★

I plan on adding all of her drawings to this master list, but since there's so many that will take a while longer.

I also plan on adding to this list as new content comes out!

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OFFICIAL LINKS

Official Website

Official Twitter

Even more news & content on their official platforms including the full soundtrack and an 'on air' radio show.

[asystol]

OFFICIAL PROFILE

         ᯓ FILE 000. — LEE, NICOLE ๋࣭

 ⩨͢  BASIC INFORMATION ⍣

͙͘͡ ★ ◞  BIRTH NAME.     nicole lee

͙͘͡ ★ ◞  KOREAN NAME.     lee nakyung

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀HANGUL.     이나경

͙͘͡ ★ ◞  ALIAS.     nikki ❪ given by julie, origin from her birth name ❫⠀ ⠀collie ❪ ‘ pronounced cole-lee ’ given by belle, origin from her birth name ❫⠀ ⠀nana ❪ given by natty, origin from her korean name ❫⠀ ⠀뿌 ppu ❪ given by haneul, origin is 뿌 is a cute expression like the ‘ 😁 ’ emoji ❫⠀ ⠀naky ❪ given by daniel, origin from her korean name ❫⠀ ⠀ttokki ❪ given by fans, origin from her representative emoji ❫ ⠀ ⠀nakorita ❪ given by haneul, origin from the pokemon chikorita ❫ 

͙͘͡ ★ ◞  DATE OF BIRTH.     april 1st, 2001

͙͘͡ ★ ◞  AGE.     23 years old

͙͘͡ ★ ◞  ZODIAC.     aries

͙͘͡ ★ ◞  CHINESE ZODIAC.     snake

͙͘͡ ★ ◞  PLACE OF BIRTH.     toronto, canada

͙͘͡ ★ ◞  NATIONALITY.     canadian

͙͘͡ ★ ◞  ETHNICITY.     korean

͙͘͡ ★ ◞  RESIDENCE(S).     port hope, ontario, canada ❪ 2001 — 2013 ❫⠀ ⠀chungcheongnam-do, south korea ❪ 2013 — 2015 ❫⠀ ⠀seoul, south korea ❪ 2015 — ❫

͙͘͡ ★ ◞  LANGUAGES.     english ❪ fluent ❫⠀ ⠀korean ❪ near fluent ❫⠀ ⠀spanish ❪ advanced ❫⠀ ⠀japanese ❪ intermediate ❫⠀ ⠀thai ❪ beginner ❫

͙͘͡ ★ ◞  GENDER IDENTITY.     cisgender female

͙͘͡ ★ ◞  PRONOUNS.     she/her

͙͘͡ ★ ◞  SEXUAL ORIENTATION.     bisexual

͙͘͡ ★ ◞  ROMANTIC ORIENTATION.     homoromantic

͙͘͡ ★ ◞  RELATIONSHIP STATUS.     single

͙͘͡ ★ ◞  HEIGHT.     163cm (5’4”)

͙͘͡ ★ ◞  WEIGHT.     —

͙͘͡ ★ ◞  BLOOD TYPE.     a

͙͘͡ ★ ◞  EYE.     brown

͙͘͡ ★ ◞  NATURAL HAIR.     black

͙͘͡ ★ ◞  BODY MODIFICATIONS.     lobe piercing ❪ left and right ❫⠀ ⠀upper lobe piercing ❪ left and right ❫⠀ ⠀industrial piercing ❪ left and right ❫⠀ ⠀helix piercing ❪ left and right ❫⠀ ⠀conch piercing ❪ left and right ❫⠀ ⠀belly button piercing⠀ ⠀‘ i am the somebody ’ tattoo ❪ right rib ❫⠀ ⠀strawberry tattoo ❪ left hip ❫⠀ ⠀koi fish tattoo ❪ behind right ear ❫

͙͘͡ ★ ◞  FACE CLAIM.     nana of wooah

͙͘͡ ★ ◞  SPEAKING CLAIM.     nana of wooah

͙͘͡ ★ ◞  VOCAL CLAIM.     juria of xg

͙͘͡ ★ ◞  DANCE CLAIM.     yuna of itzy

͙͘͡ ★ ◞  RAP CLAIM.     rei of ive

 ⩨͢  CAREER INFORMATION ⍣

͙͘͡ ★ ◞  STAGE NAME.     NAKYUNG (나경)

͙͘͡ ★ ◞  COMPANY.     pledis entertainment ❪ 2015 — 2022 ❫⠀ ⠀off the record entertainment ❪ 2018 — 2021 ❫⠀ ⠀axs entertainment ❪ 2019 — 2021 ❫⠀ ⠀⠀ ⠀swing entertainment ❪ 2020 — 2021 ❫⠀ ⠀s2 entertainment ❪ 2022 — ❫

͙͘͡ ★ ◞  TRAINING PERIOD.     five in total ❪ skipping 2018 — 2021 ❫

͙͘͡ ★ ◞  SURVIVAL SHOWS.     produce 48 ❪ 2018 ❫

͙͘͡ ★ ◞  OCCUPATION.     idol

͙͘͡ ★ ◞  GROUP(S).     IZ*ONE ❪ 2018 — 2021 ❫⠀ ⠀KISS OF LIFE ❪ 2023 — ❫

͙͘͡ ★ ◞  DEBUT DATE(S).     october 29th, 2018 ❪ IZ*ONE ❫⠀ ⠀july 5th, 2023 ❪ KISS OF LIFE ❫

͙͘͡ ★ ◞  DEBUT AGE(S).     17 years old ❪ IZ*ONE ❫⠀ ⠀22 years old ❪ KISS OF LIFE ❫

͙͘͡ ★ ◞  DISBANDMENT DATE.     april 29th, 2021 ❪ IZ*ONE ❫

͙͘͡ ★ ◞  DISBANDMENT AGE.     20 years old ❪ IZ*ONE ❫

͙͘͡ ★ ◞  POSITION(S).     vocalist, sub rapper, visual ❪ IZ*ONE ❫⠀ ⠀vocalist, center ❪ KISS OF LIFE ❫

͙͘͡ ★ ◞  REPRESENTATIVE COLOR(S).     WISTERIA ❪ IZ*ONE ❫⠀ purple ❪ KISS OF LIFE ❫

͙͘͡ ★ ◞  REPRESENTATIVE EMOJI(S).     🦋 butterfly ❪ IZ*ONE ❫⠀ 🐰 bunny ❪ KISS OF LIFE ❫

͙͘͡ ★ ◞  INDIVIDUAL FANDOM NAME.     nakyorita ❪ origin from chikorita + nakyung ❫

͙͘͡ ★ ◞  INSTAGRAM USERNAME.     nicolee ❪ public, 11.4m followers, 14 following ❫

͙͘͡ ★ ◞  DISCOGRAPHY.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀COLOR*IZ.     october 29th, 2018

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Suki to Iwasetai.     february 6th, 2019

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀HEART*IZ.     april 1st, 2019

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Buenos Aires.     june 21st, 2019

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Vampire.     september 25th, 2019

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀BLOOM*IZ.     february 17th, 2020

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Oneiric Diary.     june 15th, 2020

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Thirteen.     october 21st, 2020

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀One-reeler / ACT IV.     december 7th, 2020

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀D-D-Dance.     january 26th, 2021

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Stardust love song.     march 6th, 2022

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀KISS OF LIFE.     july 5th, 2023

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Born to be XX.     november 8th, 2023

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Officially Cool (with BANG YEDAM).     february 9th, 2024

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Midas Touch.     april 3rd, 2024

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Sixth Sense.     may 25th, 2024

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀Sticky.     july 1st, 2024

͙͘͡ ★ ◞  KNOWN FOR.     placing second in produce48, the ‘listener’ for the yapper best friend (julie), her duality, accidentally kissing chaewon during a live, everyone’s parents loving her more than their own kid, the switch in concept between iz*one and kiss of life, her vocals, slapping/patting her members’ butts for no reason, belle recording her crying over the finding nemo movie, being the biggest moomoo, her stable cover of bad news while drunk, openly being a ‘gleek’, affectionately being called a loser in a hot body by fans, her sanrio themed room

 ⩨͢  PERSONAL INFORMATION ⍣

͙͘͡ ★ ◞  MBTI TYPE.     intj-a ❪ assertive architect ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀ANALYZING.     an assertative architect tends to have more self confidence than a turbulent architect, particularly when handling life’s ups and downs. if things do go the way they expect, an intj-a is not likely to second guess their initial actions or experience regret.

͙͘͡ ★ ◞  POSITIVE.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀rational.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀ambitious.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀self-assured.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀adventurous. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀observant. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀efficient. 

͙͘͡ ★ ◞  NEGATIVE.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀arrogant. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀impulsive. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀impatient. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀nosy. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀withdrawn. 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀rigid.

͙͘͡ ★ ◞  FAMILY.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀joshua lee ❪ father ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀angie lee ❪ mother ❫  † ❪ 1975 — 2021 ❫

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀daniel lee ❪ brother ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀ciara lee ❪ sister ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀kim seoyoung ❪ maternal grandmother ❫ † ❪ 1955 — 2018 ❫

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀park hojin ❪ maternal grandfather ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀park jaewoo ❪ maternal uncle ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀park sooyoung ❪ maternal aunt ❫ 

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀lee jihyuk ❪ paternal grandfather ❫ † ❪ 1950 — 1994 ❫

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀jung yeonhee ❪ paternal grandmother ❫ † ❪ 1954 — 2011 ❫

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀lee eunbyul ❪ paternal aunt ❫ 

͙͘͡ ★ ◞  HISTORY.    

 ⠀⠀  ⠀nakyung was born on april 1st, 2001 as nicole lee in toronto, canada. she grew up in port hope, ontario, canada with her older brother, daniel, and younger sister, ciara. her mother, angie, worked as a middle school music teacher and her father, joshua, was a construction worker.

 ⠀⠀  ⠀she became interested in music early on, her mother teaching her how to play guitar and piano as soon as she was old enough. when nakyung wanted to be a singer “just like stevie nicks” at eight-years-old, angie put her in vocal lessons.

 ⠀⠀  ⠀after being persuaded by her best friend, she joins the free ballet classes at her school with her. she starts to take dance and her vocals more seriously, finding it more fun than instruments. 

 ⠀⠀  ⠀when she’s thirteen, her parents tell her and her siblings that her mother was diagnosed with ovarian cancer the year before. they wanted to wait to see if chemotherapy would help. angie had gotten laid off from her job, leaving joshua the only financial support. 

 ⠀⠀  ⠀for more financial stability and emotions support, the lee family moved from canada to south korea to stay with angie’s parents. nicole didn’t even have time to say goodbye to her friends.

 ⠀⠀  ⠀nicole, now going by nakyung, didn’t make very much friends in her new school and kept mostly to herself. she got a job under the table as a waitress to help her parents with bills, telling her family she was at a dance studio by her school.

 ⠀⠀  ⠀while working, she was scouted by pledis entertainment. despite her parents thinking it was sketchy and cult-like, she auditioned and was accepted. as her brother was going to seoul national university, she moved to seoul with him to train at pledis.

 ⠀⠀  ⠀in 2016, nakyung’s parents announced that angie was in remission. she started working as a teacher again after becoming healthier.

 ⠀⠀  ⠀nakyung was in the final line-up for pledis’ upcoming girl group, but was pulled out due to ‘not being ready’. she almost left the company until her mother convinced her to stay and become better.

 ⠀⠀  ⠀with no news of a new pledis girl group, nakyung volunteered herself to join mnet’s survival show, produce 48. she would end up placing second in the last episode and debuting in temporary girl group, IZ*ONE, in 2018.

 ⠀⠀  ⠀in 2020, nakyung’s parents announced that angie’s cancer had came back— being part of the 10-20 percentage of ovarian cancer recurrence. angie would not try chemotherapy again, wanting to be with her family and go to new zealand. due to the pandemic, the family would ultimately stay in korea and not fulfill angie’s wish.

 ⠀⠀  ⠀in 2021, her mother dies and IZ*ONE disbands. nakyung is not seen for a long time, not even by her IZ*ONE members until her OST song for kdrama ‘twenty-five twenty-one’, stardust love song, was announced. she would, again, disappear.

 ⠀⠀  ⠀in 2022, it is assumed nakyung left pledis around this time as she later joins S2 entertainment after lee haein offered her a spot in ber upcoming girl group.

͙͘͡ ★ ◞  FATHER.     joshua lee was born march 13th, 1973 in daegu, south korea as lee jaehyun. the day he turned eighteen, he left his house and moved to canada with his best friend and legally changed his name to joshua lee. he met angela park in 1994 and would go on to have three children with her. the first being daniel in 1997, nicole in 2001, and ciara in 2004. he doesn’t want to be in korea when they have to move but does it for his wife. when angie dies in 2021, he completely barricades himself in their room. one day, his number is changed and all of his belongings are gone. we never find out what happened to him but he either killed himself or changed his name again and started a new life. he is referred to as ‘dad’ or ‘deadbeat’. (non affectionately)

͙͘͡ ★ ◞  MOTHER.     angela ‘angie’ lee was born on october 29th, 1975 in jeju, south korea as park jangmi. she goes by angela or angie now because she likes the name. she was studying abroad in canada when she met joshua. in 2012, she is diagnosed with ovarian cancer. together, they decide to bare the news on their shoulders alone and decide not to tell anyone unless chemotherapy doesn’t work. it begins to work, but it’s too expensive and she’s laid off. they have to move to seoul to be near her family for help. she hates the person she is while on chemo, and turns to god in her sickness and health, even when she’s in remission in 2016. she begins working again. in 2020, the cancer come back, but angie doesn’t want to be on chemo again. she wants to be with her family, in new zealand. but then they can’t go and she dies in korea. she is referred to as ‘mom’.

͙͘͡ ★ ◞  BROTHER.     daniel lee was born on august 15th, 1997 in toronto, canada. he grew up teasing his younger sisters, ever so mean to them during puberty but there for them when they were upset. his relationship with his parents wasn’t so great, always noting a difference in the way they brought him up compared to his sisters. when he was eighteen, he left for seoul national university in 2015 with his sister. he now works as a cyber security engineer. he is referred to as ‘daniel’, ‘danny’ or ‘dumbass’. (affectionately)

͙͘͡ ★ ◞  SISTER.     ciara lee was born on november 3rd, 2004 in ontario, canada. she grew up wanting to be everything like her sister, wanting to be around her constantly. she slightly grew up in nakyung’s shadow, but that didn’t matter to her— it just made her want to be her even more. she wants to become an idol just like her older sister— and she will. she currently lives with their aunt, sooyoung, and her girlfriend, bora, in busan, south korea. she is referred to as ‘chaeyoung’ or ‘cee’ or ‘ciara’.

͙͘͡ ★ ◞  MATERNAL GRANDMOTHER.     park seoyoung was born on january 19th, 1955 in busan, south korea. she met lee hojin in 1972 and shortly married him a few months later the same year. they would go on to have three children, one boy, two girls. in 1996, seoyoung and hojin moved to chungnam, south korea and settled there for the rest of their lives. in 2017, her health begins to decline. in 2018, she dies in her sleep peacefully. she is referred to as ‘할머니’ (halmoni).

͙͘͡ ★ ◞  MATERNAL GRANDFATHER.     park hojin was born on may 12th, 1949 in ulsan, south korea. after his father died during the korean war, his mother moved them to busan. he met seoyoung in 1972, marrying her and having three children with her. in 1996, he and seoyoung moved to chungnam. in 2001, he suffered from a heart attack. he is currently retired, but used to work as a contractor.

͙͘͡ ★ ◞  MATERNAL UNCLE.     park jaewoo was born on february 21st, 1973. he is currently a businessman, living in new york.

͙͘͡ ★ ◞  MATERNAL AUNT.      park sooyoung was born on september 27th, 1977. she is currently living in busan with her girlfriend, bora, and her niece, chaeyoung/ciara. she works as a hotel secretary.

͙͘͡ ★ ◞  PATERNAL GRANDFATHER.     lee jihyuk was born in 1950. he was verbally and physically abusive to his son, jaehyun, which was one of the leading factors of why jaehyun left forever at eighteen. he died in 1994 of a heart attack.

͙͘͡ ★ ◞  PATERNAL GRANDMOTHER.     jung yeonhee was born on july 1st, 1954. she never tried to protect her son from her husband, but joshua was soft on her and it took a lot of him to leave her behind. after jihyuk died in 1994, she tried to find jaehyun, as she knew him, but failed. she later settled in jeju, south korea in 2000 and died of a car accident in 2011. 

͙͘͡ ★ ◞  PATERNAL AUNT.     lee eunbyul was born on december 28th, 1981. her brother was nine years older than her and never cared enough to talk to her, despite the two having more in common than he thought. she was relieved when their brother left and then her father died. when her mother tried to look for her brother who never even wanted them, she grew angry and began to resent her mother and her brother even more. 

 ⩨͢  TRIVIAL INFORMATION ⍣

͙͘͡ ★ ◞  HABITS & MANNERISMS.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀making sound effects, making sweater paws, switching from english to korean in a sentence, constantly organizing and reorganizing things, talking in aegyo, sleep talking, mumbling to herself, makes up lies about random, unimportant things for no reason, pouting or puckering her lips, sleeping in late, using ‘like’ constantly in a conversation, gesturing while talking, checking her phone, laughing in serious situations, poking haneul’s cheeks, slapping/patting her members’ butts for no reason, talking about stars, getting overstimulated with too much noise under stress, bursting into songs and choreo, being jumpy.

͙͘͡ ★ ◞  HOBBIES & SKILLS.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀singing, writing, playing the piano, playing the guitar, watching old and new cartoons, gardening, seeing how far she can push her members, vlogging, watching tiktoks/being on her phone, sleeping, shopping, collecting her bias’ photocards, journaling, collecting rubber ducks, doing mindf*ck games.

͙͘͡ ★ ◞  LIKES.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀sleeping, music, shopping, reading, strawberries, rubber ducks, learning, butter pecan ice cream, astrology, stars, science, organizing, candles, dramas, the season fall, color purple, swimming, gentle rain, night time, puzzles, talking about her mother, ice skating, museums.

͙͘͡ ★ ◞  DISLIKES.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀alcohol, the color orange, loud noises, hot weather, clowns, thunderstorms, liars, mint flavor, horror movies, assumptions, being vulnerable, repeating herself, being active besides dancing, chronically late people, wasting time, camping, cemeteries, family dinners, waiting, dirty fingernails, sundays, cheese, cleaning, world ending conspiracy theories/far stretched conspiracy theories.

͙͘͡ ★ ◞  PHOBIAS.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀heights, blood.

͙͘͡ ★ ◞  FAVORITE COLOR(S).     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀lavender and pink.

͙͘͡ ★ ◞  FAVORITE SEASON.   

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀fall.

͙͘͡ ★ ◞  FAVORITE ANIMAL(S).     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀bunnies, dogs.

͙͘͡ ★ ◞  FAVORITE NUMBER.     

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀seven.

͙͘͡ ★ ◞  PERSONAL PLAYLIST.

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀anywhere but home, seulgi. gibson girl, ethel cain. rhiannon, fleetwood mac. spring day, bts. teeth, enhypen. out of the woods, taylor swift. take a bite, beabadoobee. liquid smooth, mitski. bye my neverland, kiss of life. left alone, fiona apple. black madonna, cage the elephant. you know i’m no good, amy winehouse. 

͙͘͡ ★ ◞  CLOSE FRIENDS.   

 ⠀⠀  ⠀⠀  ⠀⠀ ⠀former iz*one members. ryujin and chaeryeong, itzy. aespa. yunjin, le sserafim. miyeon and shuhua, (g)i-dle. nagyung, fromis_9. gaeul, ive. heeseung, enhypen. mark, chenle, haechan and jaemin, nct. sungchan, riize. yiren, everglow. yeonjun, txt. chuu. keeho, p1harmony. tsuki, billlie. soojin. matthew, zerobaseone. lily and haewon, nmixx. isa, stayc. park jihoon.

inspo from @m3loria

[putschki1969]

Broadcasting Schedule of “NHK WORLD – JAPAN MUSIC FESTIVAL” on NHK

Below is the information on when the “NHK WORLD – JAPAN MUSIC FESTIVAL” program will be aired, which was filmed on October 28th (Saturday), 2023 at the NHK Hall in Tokyo. The event can be viewed in 160 countries and regions around the world. It will showcase Japan's latest and cutting-edge artists to fans overseas.

NHK WORLD – JAPAN MUSIC FESTIVAL

NHK WORLD – JAPAN Channel: Part 1. 9:10 – 9:59 AM, November 19th (Sunday), 2023 (Broadcasted again in accordance with each country’s time zone from 3:10 PM, 9:10 PM, and 3:10 AM of next day) Part 2. 9:10 – 9:59 AM, November 26th (Sunday), 2023 (Broadcasted again in accordance with each county’s time zone from 3:10 PM, 9:10 PM, and 3:10 AM of next day)

NHK G Channel: 10:35 – 11:35 PM, January 3rd (Wednesday), 2024

Yuki Kajiura: Celebrating 30 years since her debut, Kajiura Yuki is a legend in the Japanese anime music scene. She performs a special medley, including the main theme of Kimetsu no Yaiba, and (!!!)Magia(!!!) [featuring Hikaru!], the theme song to Puella Magi Madoka Magica, along with SOUKYUU NO FANFARE, the 10th anniversary theme song for Sword Art Online featuring special guests ASCA and ReoNA.

Hikaru ch. 1st Anniversary Event

Official merchandise has been revealed for Hikaru's upcoming anniversary event on November 11. ◆Official Event Goods ・Acrylic stand (~6cm) ・Photocard Set (2 types) ・Logo Badge Set (32mm) ◆Original Drink (2 types) Comes with a random coaster (3 versions) ◆B-day LIVE Goods [remaining stocks] ・T-Shirt ・Cap ・Sicker set

Title: 『Hikaru 1st Anniversary Event』 Date: 2023/11/11 Venue: Akihabara TALK LIVE BAR from scratch Day: open 13:45; start 14:30; Night: open 17:15; start 18:00 Ticket price: ~4000 yen Ticket sale: 9/23 21:00〜10/07 23:59 ※first come, first served ↓↓ https://t.livepocket.jp/e/cm7zu

[clarktooncrossing]

Didn't Wanna Feel Older in 2024? TOO LATE!

So long, 2023! You have been a weird-@$$ year to say the least. Between by having to repair old thumb drives, purchase a new printer, finding out I'm susceptible to anxiety attacks, trying out dating for the first time, getting my Discord and Steam account hacked, starting a new Discord server since said account was never unhacked, opened myself up to commissions, managed to post art for Halloween, got Covid, summoned more Kaijus to play an elaborate game of poker, and had a merry enough Christmas. Here's hoping 2024 will prove better. At the moment I have no new goals, since I just want to relax after four months of constantly being active. There's a mile of books, movies, and TV shows I need to get caught up on! My opinions on all of them will be given in future Giraffe's Eye Views, but for now let's get to what you all came here for: yet another unnecessarily long list of things celebrating major milestones this year!

You all loved it when I did this last year. In fact it got more attention that anything else I posted, including the original art I put way more effort and time into. Nah, that didn't sting at all. Seeing my sketches get ignored is so much fun. Passive-aggressive joking aside, I do still love making these lists, so let's get started with some major stuff this year.

Thanksgiving wasn't too long ago, so why not mention that the Macy's Thanksgiving Day Parade turns 100 this year? I know, that's insane! Watching this festive event has become a seasonal staple in my house and is the only reason I've ever signed up for Peacock. Thank goodness in all those years it hasn't been smashed by a giant monster.

Godzilla turns 70 freak'n years old this year! How crazy insane is that? Here's hoping his old age won't slow him down when he teams up with King Kong this April. Even if it does, Gojira will continue being cinema's coolest character!

Contrasting with the King of the Monsters, Mary Poppins turns 60 years old this year. This movie, considered to be Walt's last masterpiece, has aged considerably well even after all this time.

Oh yeah, and Mickey Mouse enters the public domain this year. Still not entirely sure how that works, but whatever. What I do know is...

Anything from 1974 turns 50 this year. That includes-

The Fort Wilderness Resort (January 1st)

Happy Days (January 15th)

Blazing Saddles (February 7th)

"Waterloo" by ABBA (March 4th)

“Sundown” by Gordon Lightfoot (March 25th)

"Rikki Don't Lose That Number" by Steely Dan (April 25th)

Herbie Rides Again (June 6th)

"Sweet Home Alabama" by Lynyrd Skynyrd (June 24th)

America Sings (June 29th)

Gone in 60 Seconds (July 28th)

Hong Kong Phooey (September 7th)

Shazam! (TV series) (September 7th)

Little House on the Prairie (September 11th)

Wolverine debuted in The Incredible Hulk #180 (October)

Arkham Asylum makes its first appearance in Batman #258 (October)

The Texas Chainsaw Massacre (October 11th)

Phantom of the Paradise (October 31st)

Earthquake (November 15th)

The Year Without a Santa Claus (December 10th)

Young Frankenstein (December 15th)

The Godfather Part II (December 20th)

Winnie the Pooh and Tigger, Too! (December 20th)

The Island at the Top of the World (December 20th)

An Adaptation of Dickens' Christmas Carol, Performed by The Walt Disney Players

“Bennie and the Jets” by Elton John

"Hooked On A Feeling" by Blue Swede

“The Loco-Motion” by Grand Funk Railroad

Anything from 1979 turns 45 this year. That includes-

Captain America (The TV movie) (January 19th)

The Dukes of Hazzard (January 26th)

The Warriors (February 9th)

John Carpenter's Elvis (February 11th)

Hair (March 14th)

"In the Navy" by the Village People (March 17th)

The Bad News Bears (March 24th)

Phantasm (March 28th)

"We Are Family" by Sister Sledge (April)

Nickelodeon (April 1st)

"Boogie Wonderland" by Earth, Wind, & Fire (May 6th)

Alien (May 25th)

Rocky II (June 15th)

"My Sharona" by The Knacks (June 18th)

The Muppet Movie (June 22nd) - THIS MOVIE SLAPS!

The Apple Dumpling Gang Rides Again (June 27th)

The Amityville Horror (July 27th)

"Highway to Hell" by AC/DC (July 27th)

Apocalypse Now (August 15th)

"Don't Bring Me Down" by Electric Light Orchestra (August 24th)

Big Thunder Mountain Railroad (September 2nd)

The Bugs Bunny / Road Runner Movie (September 14th)

Scooby-Doo and Scrappy-Doo (September 22nd)

Spider-Woman (TV show) (September 22nd)

The Black Stallion (October 17th)

Atari's Asteroids (November)

The Fish That Saved Pittsburgh (November 6th)

Pink Floyd's The Wall (November 30th)

Star Trek: The Motion Picture (December 7th)

1971 (December 14th)

The Jerk (December 14th)

The Black Hole (December 20th)

Mickey Mouse Disco

Anything from 1984 turns 40 this year. That includes-

The Kid Who Collects Spider-Man (January)

Night Court (January 4th)

"Rock You Like a Hurricane" by Scorpions (February 3rd)

Footloose (February 17th)

Nintendo's Punch-Out!! (February 17th)

"Eat It" by Weird Al Yankovic (February 28th)

Splash (March 9th)

Children of the Corn (March 9th)

Run DMC (March 27th)

Romancing the Stone (March 30th)

The Toxic Avenger (April 11th)

Friday the 13th: The Final Chapter (April 13th)

My Little Pony: Rescue at Midnight Castle (April 14th)

"We're Not Gonna Take It" by Twisted Sister (April 27th)

The Teenage Mutant Ninja Turtles Franchise (May)

Marvel's Secret Wars (May)

Spider-Man's Black Suit debuted in The Amazing Spider-Man #252 (May)

"What's Love Got to Do with It" by Tina Turner (May 1st)

WHAM!'s Make It Big (May 14th)

Indiana Jones and the Temple of Doom (May 23rd)

Once Upon a Time in America (June 1st)

Star Trek III: The Search for Spock (June 1st)

Bruce Springsteen's Born in the U.S.A. (June 4th)

Ghostbusters (June 8th)

Gremlins (June 8th)

The Karate Kid (June 22nd)

Prince's Purple Rain (June 25th)

Conan the Destroyer (June 29th)

The Last Starfighter (July 13th)

The Muppets Take Manhattan (July 13th)

The NeverEnding Story (July 20th)

The Adventures of Andre & Wally B. (July 25th)

Dragon's Lair (TV show) (September 8th)

Voltron (September 10th)

Muppet Babies (September 15th)

Miami Vice (September 16th)

The Transformers Franchise (September 17th)

Murder, She Wrote (September 30th)

Thomas & Friends (October 9th)

Fist of the North Star (anime) (October 11th)

"We Belong" by Pat Benatar (October 16th)

The Terminator (October 26th)

"Like a Virgin" by Madonna (October 31st)

A Nightmare on Elm Street (November 16th)

Supergirl (movie) (November 21st)

Beverly Hills Cop (December 5th)

Hydlide (December 13th)

Starman (December 14th)

Frankenweenie (December 14th)

Breakin' 2: Electric Boogaloo (December 19th)

The Country Bear Christmas Special (December 19th)

Anything from 1989 turns 35 this year. That includes-

The Arsenio Hall Show (January 3rd)

Gotham by Gaslight (February)

SimCity (February)

LJN's Friday the 13th for NES (February)

Bill & Ted's Excellent Adventure (February 17th)

The Toxic Avenger Part II (February 24th)

"Like a Prayer" by Madonna (March 3rd)

Quantum Leap (March 26th)

The Jim Henson Hour (April 14th)

Ranma 1/2 (April 15th)

Pet Sematary (April 21st)

Nintendo's Super Mario Land (April 21st)

Tom Petty's Full Moon Fever (April 24th)

Dragon Ball Z (April 26th)

Disney's Hollywood Studios (formally Disney-MGM Studios) (May 1st)

Disney's Pleasure Island (May 1st)

The Trial of the Incredible Hulk (May 7th)

Konami's Teenage Mutant Ninja Turtles for NES (May 12th)

Road House (May 19th)

"Bust a Move" by Young MC (May 22nd)

Indiana Jones and the Last Crusade (May 24th)

Typhoon Lagoon (June 1st)

Dead Poets Society (June 9th)

Star Trek V: The Final Frontier (June 9th)

Tales from the Crypt (June 10th)

Ghostbusters II (June 16th)

Roger Rabbit in Tummy Trouble (June 23rd)

Honey, I Shrunk the Kids (June 23rd)

Tim Burton's Batman (June 23rd)

The Karate Kid Part III (June 30th)

Do the Right Thing (June 30th)

Weekend at Bernie's (July 5th)

Seinfeld (July 5th)

Lethal Weapon 2 (July 7th)

When Harry Met Sally… (July 14th)

Splash Mountain (July 17th)

UHF (July 21st)

Friday the 13th Part VIII: Jason Takes Manhattan (July 28th)

Kiki's Delivery Service (July 29th)

A Nightmare on Elm Street 5: The Dream Child (August 11th)

"Pump Up the Jam" by Technotronic (August 18th)

Saved by the Bell (August 20th)

"The Best" by Tina Turner (August 21st)

Little Monsters (August 25th)

LJN's Back to the Future on NES (September)

G.I. Joe: A Real American Hero (September 4th)

The Super Mario Bros. Super Show! (September 4th)

American Gladiators (September 9th)

Captain N: The Game Master (September 9th)

Beetlejuice: The Animated Series (September 9th)

LJN's Who Framed Roger Rabbit for NES (September 14th)

Capcom's DuckTales for NES (September 14th)

Doogie Howser, M.D (September 19th)

Janet Jackson's Rhythm Nation 1814 (September 19th)

Baywatch (September 22nd)

Family Matters (September 22nd)

Penn & Teller Get Killed (September 22nd)

Capcom's DuckTales for NES (October)

Neil Young's Freedom (October 2nd)

Prince of Persia for Apple II (October 3rd)

Halloween 5: The Revenge of Michael Myers (October 13th)

The Little Mermaid (November 17th)

All Dogs Go to Heaven (November 17th)

Prancer (November 17th)

Back to the Future Part II (November 22nd)

The Toxic Avenger Part III: The Last Temptation of Toxie (November 24th)

America's Funniest Home Videos (November 26th)

National Lampoon's Christmas Vacation (December 1st)

The Wizard (December 15th)

The Simpsons (December 17th)

Konami's Castlevania III: Dracula's Curse on NES (December 22nd)

Fester's Quest for NES

Anything from 1994 turns 30 this year. That includes-

You're in the Super Bowl, Charlie Brown (January 18th)

The Critic (January 26th)

Roger Rabbit's Cartoon Spin (January 26th)

"Baby, I Love Your Way" by Big Mountain (February 1st)

Green Day's Dookie (February 1st)

Sega's Sonic the Hedgehog 3 for Genesis (February 2nd)

Ace Ventura: Pet Detective (February 4th)

Where on Earth Is Carmen Sandiego? (February 5th)

Aladdin: The Series (February 6th)

The Busy World of Richard Scarry (March 9th)

Naked Gun 33 1/3: The Final Insult (March 18th)

Nintendo's Super Metroid for SNES (March 19th)

Food Rocks (March 26th)

Thumbelina (March 30th)

Final Fantasy VI (April 2nd)

Space Ghost Coast to Coast (April 15th)

All That (April 16th)

Doom II for MS-DOS (May 5th)

The Stand (May 8th)

Weezer's Blue Album (May 10th)

The Crow (May 13th)

The Return of Jafar and Disney Direct-to-Home Sequels as a whole (May 20th)

Beverly Hills Cop III (May 25th)

The Flintstones (May 27th)

Speed (June 10th)

The Lion King (June 15th)

Forrest Gump (July 6th)

Angels in the Outfield (July 15th)

True Lies (July 15th)

Black Beauty (July 29th)

The Mask (July 29th)

The Little Rascals (August 5th)

"Cotton Eye Joe" by Rednex (August 12th)

EarthBound for SNES (August 27th)

VR Troopers (September 3rd)

Street Sharks (September 7th)

The Magic School Bus (September 10th)

The Tick (September 10th)

Quiz Show (September 14th)

Léon: The Professional (September 14th)

Tekken (September 21st)

Friends (September 22nd)

The Shawshank Redemption (September 23rd)

Ed Wood (September 27th)

Earthworm Jim (October)

Spider-Man's Infamous Clone Saga (October)

A Troll in Central Park (October 7th)

Pulp Fiction (October 14th)

Wes Craven's New Nightmare (October 14th)

Sega's Sonic & Knuckles for Genesis (October 18th)

Clerks (October 19th)

Aaahh!!! Real Monsters (October 22nd)

Gargoyles (October 24th)

Gullah Gullah Island (October 24th)

Killer Instinct (October 28th)

Mortal Kombat II (November)

Mary Shelley's Frankenstein (November 4th)

In Search of Dr. Seuss (November 6th)

The Santa Clause (November 11th)

Rare's Donkey Kong Country for SNES (November 18th)

Miracle on 34th Street remake (November 18th)

Star Trek Generations (November 18th)

The Swan Princess (November 18th)

Spider-Man: The Animated Series (November 19th)

Disney's Greatest Hits on Ice (November 25th)

Wing Commander III: Heart of the Tiger (December 12th)

The Land Before Time II: The Great Valley Adventure (December 13th)

Dumb and Dumber (December 16th)

Richie Rich (December 21st)

Rudyard Kipling's The Jungle Book (December 25th)

Anything from 1999 turns 25 this year. That includes-

Ed, Edd n Eddy (January 4th)

Batman Beyond (January 10th)

The Sopranos (January 10th)

Jon Stewart becomes host of The Daily Show (January 11th)

Disney's All-Star Movies Resort (January 15th)

Nintendo's Super Smash Bros. for N64 (January 21st)

Zenon: Girl of the 21st Century (and a crap load of other Disney Channel Original movies for that matter) (January 23rd)

Zoboomafoo (January 25th)

"My Name Is" by Eminem (January 25th)

Family Guy (January 31st)

Square's Final Fantasy VIII for PS1 (February 11th)

The Planet's Funniest Animals (February 17th)

October Sky (February 19th)

Office Space (February 19th)

Konami's Silent Hill for PS1 (February 23rd)

Batman: No Man's Land (March)

The League of Extraordinary Gentlemen (March)

Pepsiman for PS1 (March 4th)

Test Trak (March 17th)

RollerCoaster Tycoon (March 22nd)

Doug's 1st (and only) Movie (March 26th)

"Livin' la Vida Loca" by Ricky Martin (March 27th)

The Matrix (March 31st)

"I Want It That Way" by The Backstreet Boys (April 12th)

"What's My Age Again?" by blink-182 (April 13th)

Mickey Mouse Works (May 1st)

SpongeBob SquarePants (May 1st)

The Mummy (May 7th)

"Genie in a Bottle" by Christina Aguilera (May 11th)

Aliens Versus Predator (game) (May 13th)

Star Wars: Episode I – The Phantom Menace (May 19th)

The Many Adventures of Winnie the Pooh (ride) (June 4th)

Disney Sing Along Songs: Flik's Musical Adventure at Disney's Animal Kingdom (June 8th)

Smash Mouth's Astro Lounge and their hit "All Star" (June 8th)

Austin Powers: The Spy Who Shagged Me (June 11th)

Tarzan (June 18th)

South Park: Bigger, Longer & Uncut (June 30th)

Wild Wild West (June 30th)

American Pie (July 9th)

The Blair Witch Project (July 14th)

Muppets from Space (July 14th)

Eyes Wide Shut (July 16th)

Inspector Gadget (July 23rd)

Deep Blue Sea (July 28th)

Rock 'n' Roller Coaster Starring Aerosmith (July 29th)

The Iron Giant (August 6th)

The Sixth Sense (August 6th)

Rocket Power (August 16th)

Who Wants to Be a Millionaire? (the American version) (August 16th)

Dragon Tales (September 6th)

Law & Order: Special Victims Unit (September 20th)

The West Wing (September 22nd)

Capcom's Resident Evil 3: Nemesis for PS1 (September 22nd)

Freaks and Geeks (September 25th)

Alvin and the Chipmunks Meet Frankenstein (September 28th)

Tony Hawk's Pro Skater (September 29th)

Journey into YOUR Imagination (October 1st)

The Adventures of Elmo in Grouchland (October 1st)

Spider-Man Unlimited (October 2nd)

Scooby-Doo! and the Witch's Ghost (October 5th)

Fight Club (October 15th)

Namco's Pac-Man World (October 15th)

The Amanda Show (October 16th)

The Nuttiest Nutcracker (October 19th)

Grand Theft Auto 2 (October 22nd)

Ubisoft's Rayman 2: The Great Escape (October 29th)

Insomniac's Spyro 2: Ripto's Rage! for PS1 (November 2nd)

Mickey's Once Upon a Christmas (November 9th)

Courage the Cowardly Dog (November 12th)

Square's Chrono Cross for PS1 (November 18th)

Tim Burton's Sleepy Hollow (November 19th)

Nintendo's Pokémon Gold and Silver for Gameboy Advance (November 21st)

Toy Story 2 (November 24th)

Fantasia 2000 (December 17th)

Stuart Little (December 17th)

Wakko's Wish (December 21st)

Man on the Moon (December 22nd)

Galaxy Quest (December 25th)

Asia at Disney's Animal Kingdom

Anything from 2004 turns 20 this year. That includes-

Winnie the Pooh: Un-Valentine's Day (January 6th)

Teacher's Pet: The Movie (January 16th)

The Butterfly Effect (January 23rd)

The Lion King 1 1/2 (February 9th)

50 First Dates (February 13th)

Power Rangers Dino Thunder (February 14th)

"Somewhere Only We Know" by Keane (February 16th)

Clifford's Really Big Movie (February 20th)

Nintendo's The Legend of Zelda: Four Swords Adventures for Gamecube (March 18th)

Eternal Sunshine of the Spotless Mind (March 19th)

Scooby-Doo 2: Monsters Unleashed (March 26th)

Home on the Range (April 2nd)

Danny Phantom (April 3rd) - Screw Butch Hartman, but this show still rocks!

Hellboy (April 2nd)

Ella Enchanted (April 9th)

Kill Bill: Volume 2 (April 16th)

Nintendo's Pikmin 2 for Gamecube (April 29th)

Super Size Me (May 7th)

Van Helsing (May 7th)

Shrek 2 (May 19th)

Harry Potter and the Prisoner of Azkaban (May 31st)

Marvel Knights: Spider-Man (June)

DC's Identity Crisis (June)

Garfield: The Movie (June 11th)

Napoleon Dynamite (June 11th)

"My Happy Ending" by Avril Lavigne (June 14th)

Dodgeball: A True Underdog Story (June 18th)

Phil of the Future (June 18th)

The Notebook (June 25th)

Spider-Man 2 (June 30th)

Anchorman: The Legend of Ron Burgundy (July 9th)

"Breakaway" by Kelly Clarkson (July 19th)

Nintendo's Paper Mario: The Thousand-Year Door for Gamecube (July 22nd)

Catwoman (July 23rd)

The Bourne Supremacy (July 23rd)

Harold & Kumar Go to White Castle (July 30th)

Justice League Unlimited (July 31st)

Blue's Room (August 2nd)

Alien vs. Predator (film) (August 13th)

Foster's Home for Imaginary Friends (August 13th)

Mickey, Donald, Goofy: The Three Musketeers (August 17th)

Brandy & Mr. Whiskers (August 21st)

The Batman (show) (September 11th)

Ned's Declassified School Survival Guide (September 12th)

Higglytown Heroes (September 13th)

Sly 2: Band of Thieves for PS2 (September 14th)

Super Robot Monkey Team Hyperforce Go! (September 18th)

Star Wars: Battlefront (September 21st)

Green Day's American Idiot (September 21st)

Lost (September 22nd)

Shark Tale (October 1st)

Drew Carey's Green Screen Show (October 7th)

Surviving Christmas (October 22nd)

Grand Theft Auto: San Andreas (October 26th)

Saw (October 29th)

Insomniac's Ratchet & Clank: Up Your Arsenal for PS2 (November 2nd)

The Incredibles (November 5th)

Mickey's Twice Upon a Christmas (November 9th)

Halo 2 (November 9th)

Naughty Dog's Jak 3 for PS2 (November 9th)

The Polar Express (November 10th)

The Sims 2 (November 14th)

Stitch's Great Escape (November 16th)

Turtle Talk with Crush (November 16th)

Kangaroo Jack: G'Day U.S.A.! (November 16th)

Vampire: The Masquerade – Bloodlines (November 16th)

Metal Gear Solid 3: Snake Eater (November 17th)

Half-Life 2 (November 18th)

National Treasure (November 19th)

Hi Hi Puffy AmiYumi (November 19th)

The SpongeBob SquarePants Movie (November 19th)

Howl's Moving Castle (November 20th)

Nintendo DS (November 21st)

World of Warcraft (November 23rd)

Christmas with the Kranks (November 24th)

Star Wars Knights of the Old Republic II (December 6th)

Kingdom Hearts: Chain of Memories for Gameboy Advance (December 7th)

PlayStation Portable (PSP) (December 12th)

Lemony Snicket's A Series of Unfortunate Events (December 17th)

The Life Aquatic with Steve Zissou (December 25th)

Shaun of the Dead

Anything from 2009 turns 15 this year. That includes-

Hotel for Dogs (January 16th)

Wolverine and the X-Men (January 23rd)

Paul Blart: Mall Cop (January 16th)

Coraline (February 6th)

Friday the 13th (remake) (February 13th)

Halo Wars (February 26th)

Sega's Sonic and the Black Knight for Wii (March 3th)

Capcom's Resident Evil 5 (March 5th)

Zack Snyder's Watchmen (March 6th)

Power Rangers RPM (March 7th)

Race to Witch Mountain (March 13th)

The Secret of Kells (March 19th)

Monsters vs. Aliens (March 27th)

Batman: Whatever Happened to the Caped Crusader? (April 2009)

Special Agent Oso (April 4th)

Parks and Recreation (April 9th)

Dragonball Evolution (April 10th)

Iron Man: Armored Adventures (April 24th)

X-Men Origins: Wolverine (May 1st)

Plants vs. Zombies (May 5th)

Star Trek (remake) (May 8th)

Terminator Salvation (May 21st)

The Boys: The Sherman Brothers' Story (May 22nd)

Night at the Museum: Battle of the Smithsonian (May 22nd)

Up (May 29th)

The Tonight Show with Conan O'Brien (June 1st)

The Sims 3 (June 2nd)

The Hangover (June 5th)

Indiana Jones and the Staff of Kings (June 9th)

"I Gotta Feeling" by Black Eyed Peas (June 15th)

Ghostbusters: The Video Game (June 16th)

Transformers: Revenge of the Fallen (June 24th)

Ice Age: Dawn of the Dinosaurs (July 1st)

"Fireflies" by Owl City (July 14th)

Harry Potter and the Half-Blood Prince (July 15th)

G-Force (July 24th)

(500) Days of Summer (August 7th)

District 9 (August 14th)

The Time Traveler's Wife (August 14th)

Inglourious Basterds (August 21st)

Batman: Arkham Asylum (August 25th)

Rob Zombie's Halloween II (August 28th)

Disney buys Marvel for $4 billion (August 3st)

Waking Sleeping Beauty (September 6th)

Dinosaur Train (September 7th)

Walt & El Grupo (September 9th)

9 (September 9th)

The Vampire Diaries (September 10th)

Marvel: Ultimate Alliance 2 (September 15th)

Cloudy with a Chance of Meatballs (September 18th)

Jennifer's Body (September 18th)

Kingdom Hearts 358/2 Days (September 29th) - Still the dumbest name ever 15 years later.

Zombieland (October 2nd)

Where the Wild Things Are (October 16th)

Borderlands (October 20th)

DJ Hero (October 27th)

A Christmas Carol (November 6th)

Fanboy & Chum Chum (November 6th) - BOO! This show was the actual worst!

Fantastic Mr. Fox (November 13th)

Lego Indiana Jones 2: The Adventure Continues (November 17th)

Left 4 Dead 2 (November 17th)

Assassin's Creed II (November 17th)

Planet 51 (November 20th)

The Twilight Saga: New Moon (November 20th) - YUK!

Turtles Forever (November 21st)

Big Time Rush (November 28th)

Phineas and Ferb Christmas Vacation! (December 6th)

Prep & Landing (December 8th)

The Princess and the Frog (December 11th)

Avatar (December 18th)

Alvin and the Chipmunks: The Squeakquel (December 23rd)

RuPaul's Drag Race

Minecraft

New Super Mario Bros. Wii

Anything from 2014 turns 10 this year. That includes-

True Detective (January 12th)

The Lego Movie (February 7th)

South Park: The Stick of Truth (March 4th)

Mr. Peabody & Sherman (March 7th)

The Grand Budapest Hotel (March 7th)

Dark Souls II (March 11th)

Muppets Most Wanted (March 21st)

Jim Henson's Creature Shop Challenge (March 25th)

Captain America: The Winter Soldier (April 4th)

Rio 2 (April 11th)

Last Week Tonight with John Oliver (April 26th)

The Amazing Spider-Man 2 (May 2nd)

Chef (May 9th)

Godzilla (May 16th)

X-Men: Days of Future Past (May 23rd)

Seven Dwarfs Mine Train (May 28th)

Maleficent (May 30th)

Edge of Tomorrow (June 6th)

The Fault in Our Stars (June 6th)

Phineas and Ferb Save Summer (June 9th)

How to Train Your Dragon 2 (June 13th)

Shovel Knight (June 26th)

Transformers: Age of Extinction (June 27th)

Dawn of the Planet of the Apes (July 11th)

Angry Video Game Nerd: The Movie (July 21st)

Phineas and Ferb: Star Wars (July 26th)

Tom Petty and the Heartbreakers's Hypnotic Eye (July 28th)

Guardians of the Galaxy (August 1st)

Teenage Mutant Ninja Turtles (movie) (August 8th)

Five Nights at Freddy's (August 8th)

P.T. (August 12th)

BoJack Horseman (August 22nd)

Destiny (September 9th)

Gotham (September 22nd)

Disney Infinity: 2.0 Edition (September 23rd)

Black-ish (September 24th)

How to Get Away with Murder (September 25th)

My Little Pony: Equestria Girls – Rainbow Rocks (September 27th)

Middle-Earth: Shadow of Mordor (September 20th)

Star Wars Rebels (October 3rd)

Annabelle (October 3rd)

Gone Girl (October 3rd)

Alien: Isolation (October 6th)

The Flash (October 7th)

BİRDMAN or (The Unexpected Virtue of Ignorance) (October 17th)

The Book of Life (October 17th)

John Wick (October 24th)

Taylor Swift's 1989 (October 27th)

Sunset Overdrive (October 28th)

Interstellar (November 5th)

Big Hero 6 (November 7th)

Assassin's Creed Unity (November 11th)

Far Cry 4 (November 18th)

Penguins of Madagascar (November 28th)

Toy Story That Time Forgot (December 2nd)

Peter Pan Live! (December 4th)

The Hobbit: The Battle of the Five Armies (December 17th)

Night at the Museum: Secret of the Tomb (December 19th)

Wow, that took forever to type. Chances are I missed something, so if something you enjoy is hitting a major milestone this year, leave it in the comments below!

MAY THE GLASSES BE WITH YOU!

[impy96]

Peak Time Contestant List

Alright so because I couldn't find one with a brief search I've made it myself! Here's a list of all the contestants on JTBC's Peak Time in order of their ages (oldest to youngest) and also including their debut dates for the fun of it.

Long post warning, there are 86 people who made it through the first round. I tried to take photos of the members from the PEAK TIME account where possible, but for the big groups they don't have individual shots for everyone...so I went with twitter selcas instead!

Garam (L) - Born 28th June 1991 - Debuted in DGNA on 4th March 2010, previously with Xing sometime in April 2008.

Injun (R) - Born 9th March 1992 - Debuted in DGNA on 4th March 2010, previously with Xing sometime in April 2008.

Taebin (L) - Born 8th December 1993 - Debuted in BLK on 28th November 2017.

Byungjoo (R) - Born 8th January 1994 - Debuted in ToppDogg/XENO-T on 22nd October 2013.

Taehwan (L) - Born 15th January 1994 - Debuted in Vanner on 14th February 2019.

Heejae (R) - Born 22nd February 1994 - Debuted in MASC on 18th August 2016.

Sorim (L) - Born 22nd February 1994 - Debuted in BLK on 28th November 2017.

Ireah (R) - Born 25th March 1994 - Debuted in MASC on 18th August 2016.

Jay (L) - Born 31st March 1994 - Debuted in DGNA on 4th March 2010, previously with Xing sometime in February 2007.

Jongup (R) - Born 6th February 1995 - Debuted in B.A.P on 26th February 2012.

Bitsaeon (L) - Born 4th June 1995 - Debuted in M.O.N.T on 4th January 2019.

Gon (R) - Born 7th July 1995 - Debuted in Vanner on 14th February 2019.

Ilkyung (L) - Born 4th November 1995 - Debuted in BLK on 28th November 2017.

Hyesung (R) - Born 17th January 1996 - Debuted in Vanner on 14th February 2019.

Ahxian (L) - Born 27th March 1996 - Debuted in Vanner on 14th February 2019.

Heedo (R) - Born 22nd April 1996 - Debuted in B.I.G on 8th July 2014.

Inno (L)- Born 23rd May 1996 - Debuted in BLK on 28th November 2017.

E-Chan (R)- Born 19th February 1997 - Debuted in DKB on 3rd February 2020.

Yeongkwang (L) - Born 22nd September 1997 - Debuted in Vanner on 14th February 2019.

Teo (R) - Born 22nd October 1997 - Debuted in DKB on 3rd February 2020.

D1 (L)- Born 15th February 1998 - Debuted in DKB on 3rd February 2020.

Minseok (R) - Born 31st May 1998 - Debuted in DIGNITY on 23rd September 2022.

Luo (L) - Born 8th July 1998 - Debuted in DIGNITY on 23rd September 2022, previously with MASC on 12th September 2017.

Roda (R) - Born 19th September 1998 - Debuted in M.O.N.T on 4th January 2019.

Luke (L) - Born 25th September 1998 - Debuted in DIGNITY on 23rd September 2022.

GK (R) - Born 29th September 1998 - Debuted in DKB on 3rd February 2020.

Gon (L) - Born 13th November 1998 - Debuted in Argon on 11th March 2019.

On (R) - Born 14th November 1998 - Debuted in DIGNITY on 23rd September 2022.

Seongjun (L) - Born 14th March 1999 - Debuted in BDC on 23rd September 2020.

Kiyong (R) - Born 25th March 1999 - Debuted in 24K on 19th July 2019.

Heechan (L) - Born 31st July 1999 - Debuted in DKB on 3rd February 2020.

Hyeongjin (R) - Born 26th August 1999 - Debuted in DIGNITY on 23rd September 2022.

Sihun (L) - Born 13th October 1999 - Debuted in BDC on 23rd September 2020.

J-Min (R) - Born 16th October 1999 - Debuted in BAE173 on 19th November 2020.

Hangyul (L) - Born 7th December 1999 - Debuted in BAE173 on 19th November 2020, previously with IM66 on 1st September 2017 and X1 on 27th August 2019.

Jihun (R) - Born 9th January 2000 - Debuted in BXB on 30th January 2023, previously in TRCNG on 10th October 2017.

Hyunjae (L) - Born 14th January 2000 - Debuted in BLACK6IX on 7th April 2017.

Lune (R) - Born 27th February 2000 - Debuted in DKB on 3rd February 2020.

Shin (L) - Born 18th March 2000 - Debuted in GHOST9 on 23rd September 2020.

Junhyung (R) - Born 21st October 2000 - Debuted in GHOST9 on 23rd September 2020.

Yoojun (L) - Born 22nd December 2000 - Debuted in BAE173 on 19th November 2020.

Junseo (R) - Born 16th January 2001 - Debuted in DKB on 3rd February 2020.

Hyunwoo (L)- Born 21st January 2001 - Debuted in BXB on 30th January 2023, previously in TRCNG on 10th October 2017.

Imchan (R) - Born 24th January 2001 - Debuted in 24K on 2nd August 2019.

Junghwan (L) - Born 19th February 2001 - Debuted in BDC on 23rd September 2020.

Hyeongjin (R) - Born 25th February 2001 - Debuted in NTX on 30th March 2021.

Muzin (L) - Born 29th March 2001 - Debuted in BAE173 on 19th November 2020.

Siwoo (R) - Born 11th May 2001 - Debuted in BXB on 30th January 2023, previously in TRCNG on 10th October 2017.

Xiwoo (L) - Born 6th June 2001 - Debuted in 24K on 26th July 2019.

Go_U (R) - Born 15th June 2001 - Debuted in BLITZERS on 12th May 2021.

Juhan (L) - Born 21st June 2001 - Debuted in BLITZERS on 12th May 2021.

Yunhyeok (R) - Born 9th August 2001 - Debuted in NTX on 30th March 2021.

Hamin (L) - Born 13th November 2001 - Debuted in BXB on 30th January 2023, previously in TRCNG on 10th October 2017.

Junseo (R) - Born 28th December 2001 - Debuted in BAE173 on 19th November 2020.

Jinhwa (L) - Born 15th January 2002 - Debuted in BLITZERS on 12th May 2021.

Jaemin (R) - Born 7th March 2002 - Debuted in NTX on 30th March 2021.

Yuma (L) - Born 13th April 2002 - Debuted in 24K sometime in 2022.

Changhun (R) - Born 4th May 2002 - Debuted in NTX on 30th March 2021.

Yuku (L) - Born 12th May 2002 - Debuted in DKB on 3rd February 2020.

Hojun (R) - Born 22nd May 2002 - Debuted in NTX on 30th March 2021.

[euroquision]

Creative or Copycat: The SloMo Dancebreak

Three countries came to the 2023 competition with a SloMo-inspired dancebreak to share with the world. Whether you're a fan or not of these songs, my question applies to all of them: Are these dancebreaks a creative take on Chanel's trend? Or are they lackluster copycats? Let's find out in the latest EuroQuision essay!

Written and Researched by Beatrice Quinn

They say imitation is the highest form of flattery. I, for one, consider large sums of riches or compliments about my cheekbones more flattering, thank you. In Eurovision, however, sharing truly is caring as it is no secret to anyone that trends, ideas, staging elements, and even songs themselves are imitated amongst countries the following years – for better and for worse. Should any country pull off anything impressive that manages to have a lasting impact on the viewers, be prepared to see redo’s, redux, and remixes of that very same idea. If you thought the visuals of Mans’ ‘lil balloon child army was “neat,” be prepared for one loud Russian man to get sent hurtling through the depths of space while somehow still inside an arena in Sweden. If this reference means something to you: cool! Please stick around for a later edition of this series where I talk about how 2016 was plagued with “Heroes”-VFX ripoffs. For this first edition of “Creative or Copycat,” we’re gonna watch some dance moves in slow mo-mo-mo, and decide whether the decadent dancebreaks of Eurovision 2023 were creative or copycats.

Where were you when Chanel first performed “SloMo” at Benidorm Fest on January 26th, 2022? After having had access to the songs for Spain’s golden goose egg of a National Final since Dec. 21st, 2021. In that month, fans were treated to early standouts like Tanxugueiras’ “TERRA,” Rigoberta’s “Ay Mama,” and Rayden’s “Calle de la lloreria.” Of the 14 total songs, there was a dembow pop gem called “SloMo” by debut-artist Chanel. Previously a regular face in the Spanish musical theater scene, the Cuban-born singer’s song was catchy, fun, and quite the earworm. However, the song itself sonically didn’t stand out as other selections. Without visuals, it was easy for many fans to overlook Chanel’s potential. By no means did people hate her song – until she did well in Eurovision, but that’s a different essay – but it simply didn’t get as much “hype” as some other songs did. That was, until the first live show…

Chanel takes to Havana-esque stage and begins what can only be described as a meticulously staged, choreographed, and executed ensemble dance routine to what is still just a solo female pop song. As she interacts with the drop-dead-gorgeous dancers around her, we launch into the first chorus. As we’re hit with the “mo-mo-mo” of the chorus, the lights strobe to create an attempt at a “slo-mo” effect before the dance resumes with impressive synchronicity. Chanel continues to dominate all corners of the stage, letting her hair down and repeating the same dance routine as the second chorus hits us. Now remember: for the last month we had only been hearing this song where the second chorus just repeats the same words identically once more; not a very creative direction, but it’s fine, I guess. So as the song gears up to continue as expected, Chanel’s jacket comes off and the music drops. Before you have any moment to prepare, Chanel and her dancers whip their entire upper bodies to the floor and back up as the most impeccable, well-oiled, show-stopping dance break captures our attention and doesn’t let go until Chanel has gone from shaking every angle of her body, collapsing to the floor, high-kicking, flipping her hair some more, and getting back up before singing the rest of the motherfuckin’ song.

So. It was unsurprising when Chanel won the jury vote and ended up winning Benidorm Fest and taking “SloMo” to Eurovision. But now there was an issue presented: Chanel surprised us by saving the dancebreak until the last minute, ensuring that people who had already been listening to the song were surprised with something new, while the dancebreak on its own was still thrilling enough to capture the attention of first-time viewers. But now everyone has seen the dancebreak, and really I mean seen it. Every ESC Pre-party, on Instagram, TikTok, Chanel’s publicity team was going nutso in the buttso with this dance. How was it still going to impress come the night of the Grand Final? Surely would it not have worn itself out? Lucky for the viewing audience, Chanel proved to still have more to give on the night of the final. No, it sadly wasn’t a super-secret-surprise 2nd dancebreak, but there were sparks falling from the ceiling, a fan being tossed across the stage, a new vocal run, and new choreo for Chanel herself where she proceeds to do another vocal run while being dipped.

Naturally, this impressed juries and televoters alike and placed it right up on the podium with a flashy bronze medal. And the success didn’t stop there: on Dec. 31st, 2022, “SloMo” dethroned “Euphoria” [SWE’12] at #1 on the Eurovision Top 250 – the annual radio show where everyone around the world votes on every ESC song in existence – which hadn’t placed lower than #1 since its victory in 2012. So why am I using two full pages and some change of my article to sing the praises of Chanel like she was the second coming of Christ? Because she may as well have been! Spain went from colonizing the Americas to colonizing the Bottom 5 of Eurovision finals ever since they started qualifying for said-final. Out of the 19 editions of ESC Spain has been in since the introduction of semis, 12 of those were in the Btm. 5, with one being dead last in ‘17. Compare that to their Top 10 finishes: a whopping 3. Then: in a brand new National Final format, a Cuban-born singer takes her debut single to ESC and get Spain on the podium. Spain couldn’t even get back in the Top 10 for nearly a decade without getting an artist from a land they colonized, performing a song in a genre of the country Spain colonized–

"Hello!"

"My name is Lynda Woodruff, and I’m the official spokesperson of the EBU. I’m here to remind you all, along with Ms. Beaches Quilt, that Eurovision is a non-political song contest. Now, back to EuroQuizzin– EuroQuestion– Quision! EuroQuision."

Sigh.

Lynda, you get a pass because you’re universally loveable. But we’re not gonna pretend that an international song contest with audiences and artists from countries that have significant histories of geopolitical conflicts, while also at most times actively having geopolitical conflicts, sometimes with other competing countries, is somehow “apolitical.”

However, Spain and colonization isn’t what we’re here for. We’re here to remind ourselves why this is called The SloMo Dancebreak. This is by far not the first dancebreak in this contest’s history, but this song’s dancebreak is associated with a legacy, a redemption after taking a risk and crafting an amazing live performance featuring a stellar new artist. And on top of that, what did we get in 2023? A whopping three acts that contain what we can qualify as a SloMo Dancebreak, and thus we get to decipher: was it creative or copycat?

Ok I promise: I’ll shut up about SloMo after this and talk about 2023. You’ve been so great and so patient, get yourself a treat. I’ll give you a sec.

*waits patiently*

Got a snack?...Great! So the last thing we need to get in writing is what actually “characterizes” the SloMo dancebreak. Like I said, people have danced here before. Other than the legacy and why people like it so much, what’s unique about the SloMo dancebreak/what rules a SloMo or non-SloMo dancebreak? And this is what I love about the concept of “rules” in Eurovision is that there are none – other than the legal ones and ones the producers make up and other rules thereof. But in a spiritual sense, there are no “rules.” Therefore, some rules can be bent and reconstructed. Anyway, my general rule about what makes a SloMo Dancebreak is its essence, and the execution of said dancebreak is up for interpretation. If we were to look at the SloMo dancebreak structurally and how it works in the song, the break itself occurs around the metaphorical 3/4ths point of the song. That is, typically: after the 2nd chorus and either during/part of or in place of the bridge, all occurring before the final chorus. Performance-wise, a SloMo dancebreak is when the lead artist is the unobstructed focal point of the dancebreak. Additionally, the dancebreak is intended to be a noticeable break from lyrics/lead vocals, as Chanel performs no “vocals” during her break. Another important note is that the SloMo dancebreak was not a solo, even though Chanel was the focal point. She had her heavily-involved backup dancers all up in her business from start to finish; her dancebreak was like the one moment where it was just mostly Chanel herself in focus. What comes with this is a certain attitude about the dancebreak – remember how this is more essence than execution. SloMo’s dancebreak commands attention, performing choreography that at minimum looks very impressive to the Eurovision audience, and typically carries a sense of “Should I stunt on the hoes? I think I’m gonna stunt on the hoes.”

So! Are we all agreed on why this dancebreak is significant and what qualifies it? Amazing! Then let’s get to our three acts in question. The SloMo Dancebreaks of Eurovision 2023 are, as I’m sure you already know:

“Solo” [POL] by Blanka

“Unicorn” [ISR] by Noa Kirel

“Future Lover” [ARM] by Brunette

And while I hope this reminder goes for every article I publish, keep in mind I will genuinely attempt to be as objective as possible. In theory, that’s what all of these articles are about: objective deconstruction of Eurovision songs/acts. While I can and will happily share personal opinions where I think appropriately/most comically advantageous, the topic at hand is one that I think merits detail, context, and scrutiny no matter my personal preferences. With that being said, we’ll start by going alphabetically by country. So let’s all decide to be good, do good, and look good with “Future Lover.”

PART I: FUTURE LOVER

After 2022, where a simple folk pop song that finished 20th landed on the fast track to soon hit a billion Spotify streams, Armenia had quite the shoes to fill. Instead of trying the same thing twice, “SNAP” and “Future Lover” are jarringly different songs, especially in the case of composition. Even compared to the 2023 line-up as a whole, Brunette’s dynamic ballad about the anxieties, insecurities, and passionate wants about love is scored with an orchestra that creates a truly dynamic journey through just three minutes. Chilling vocals over a solitary piano soon becomes a soundscape of strings, light percussion, and a noticeable build that ends up thrusting us into a spoken-word verse. Not only is this a unique song for 2023, this is unique in comparison to many Eurovision songs of recent years. On top of this, Brunette is alone on stage while singing atop of a flat, angled, white pane as projected lights and graphics transform the pane into a morphing panel or lights and images. All of this put together creates a truly unique and memorable Eurovision entry, but I know what you’re thinking:

"Where's the dancebreak?"

Well don’t worry! Even though the song in studio/the music video was released without any such dancebreaks, so when Brunette put down her microphone and the song momentarily dropped, audiences were in for a surprise as she began what I personally describe as an abstract contemporary dancebreak. Important note: while I do my best to take it upon myself to research the cultural relevance behind many Eurovision entries, I am not an expert on everything! So, if there’s any cultural context behind Brunette’s choreo, anyone who knows more than myself is free to let me know!

Whether or not you were wondering, hoping, or jonesing for a dancebreak, we got one! Let’s compare and contrast, shall we? Brunette’s dancebreak is similar to Chanel’s in its location in the song, at about the 3/4ths marker. It contains no lyrics (other than amorphous “Oh-oh’s” we’ve already heard) and served to us by Brunette with a distinct “Stunting on the hoes” vibe from her commanding eye-work and fluidity in her routine. Her moves also bring her from standing positions, down to the floor, and back up by the end, similar to Chanel’s choreo. Taking another page out of the dancebreak handbook, Brunette’s dancebreak was kept a secret until the live performance, which we didn’t see until Eurovision itself as opposed to Spain’s NF. The dancebreaks of each song are even the same length: 8 measures of music/8 counts of 4. Of course we can’t overlook the glaring differences. Noticeably, Brunette is all by herself on stage with her emotional-support ambiguous white panel. No sexy backup dancers are there to lift Brunette off the ground and perform other such tasks that Chanel’s team did for her. Brunette’s dance also does not come after a 2nd chorus; “Future Lover” has a slightly unique form in that the song goes Verse - Chorus - Verse - Dance/Bridge - Final Chorus, so simply there’s no 2nd chorus to be found. In my opinion, putting a dancebreak into a song that already has an unconventional structure and exists in a genre that’s much more ethereal ballad than pop power is a risky move, despite it being an enjoyable dancebreak regardless. Another risk Armenia took was the fact that there’s multiple instances during the dancebreak where the screen goes dark and obscures Brunette’s dancing; something that “SloMo” does not do.

Perhaps this is what kept Armenia away from a higher result overall. Coming 12th and 13th in the jury and televote, respectively, this may not have had the same success as Spain had the year prior because “Future Lover” by all accounts is just so much more unconventional for the choices it’s making. It already exists as a song that’s hard to dance to, and doesn’t seem like it would be enhanced by a dancebreak. This is one of the biggest factors as to what makes this dance creative or copycat: does it enhance the performance in any meaningful way? It’s also very important to note that something doesn’t need to be “necessary” to enhance the act. This is Eurovision, people; if we start asking “But is this necessary?” we’ll undo the very fabric of Eurovision. Australia has a DeLorean on stage, Austria is singing about Edgar Allen Poe, and I have seen more elderly Croatian men in their underwear than I ever anticipated seeing in my life; none of this is “necessary,” and that’s why we love Eurovision. Moving on.

“Future Lover” is a very hard one to decipher. A good result does not make one dancebreak better than the other if we’re just trying to judge the dancebreak itself and how it functions in the song/performance. In the case of Armenia, I would argue Brunette’s dancebreak is a creative interpretation of the SloMo Dancebreak. Nothing about Chanel’s performance felt like it was copy-pasted into “Future Lover,” and Brunette herself is clearly a capable and confident dancer. The song already being unconventional can be a risk to appeal to juries and televoters for different reasons, but that didn’t stop Brunette from adding some creative and unexpected flare to the performance. In my thoughtful opinion, I could’ve seen Armenia finishing Top 10 with juries, but alas, the points given have been given. Ultimately, what I think saves “Future Lover” from being a copycat dancebreak is the fact that it is a song that attempts to create a dancebreak unique to the song and performer; there aren’t many other songs and dancebreaks that sound/look like “Future Lover.”

RESULT: CREATIVE!

PART II: UNICORN

Free Palestine.

Anyway! With the important business out of the way, let’s talk about Israel’s song. And no, I’m not gonna waste your time asking you if “you wanna see me” talk about my Eurovision hyperfixation for another essay. You’re already here, you’re already on part two, I know you wanna see me talk about Eurovision. However, if I were to ask you three times if you wanted to read my article, I wouldn’t be surprised if you just said no. Anyway, I’ll touch on this lil bit soon. Let’s talk about the song!

I need to begin by talking about the musical horse in the room which is the fact that “Unicorn” is clearly three different songs stitched together, three songs I call “DNA,” “Watch Me,” and finally “Unicorn.” These songs exist within three different parts of the song. “DNA” are verses one and two, including the earworm of “Phenomen- Phenomen- Phenomenal.” “Watch Me” is my nicer name for the dancebreak section, as the first draft name “Black Pink Is Calling Their Lawyers” was too wordy. Lastly, “Unicorn” itself exists in the chorus where the lyrical simile of “stand[ing] like a Unicorn” occurs. While the dissection of “Unicorn” could/probably will be an essay all on its own, I promise you this is important. To give you the SparkNotes edition, here’s what makes me think “Unicorn” is three different songs:

Musically: the instrumentation of the verses, choruses, and dancebreak are all almost completely different. The verses have an electronic composition beat with crisp, punchy music that has no connection or transition into the sudden power ballad it becomes in the chorus. This difference is especially jarring considering that “real” instruments are used in the chorus primarily, whereas the verses have some percussive string instruments here and there as embellishments. The dancebreak is the most egregious offense where this sudden electronic build comes out of nowhere and uses a meter/beat that we haven’t yet heard and could not sound more different from the chorus if it tried. The song jumps genres and compositions with no connecting motifs or callbacks.

Lyrically: We start by singing about our DNA and if you’re gonna do it (spoiler: don’t do it). Then we start singing about…unicorns? And how they stand? And the power of said unicorn? My point here being: the lyrics of the verses and the chorus literally have nothing to do with each other. In verses about writing a new book and how phenomenal it will be, we go back to these comparisons to a unicorn that don’t really mean anything. “I got the power of a unicorn.” What “powers” does a unicorn have? Jesus I’m tired.

So what does this have to do with the dancebreak? I’ll finish explaining once we do a quick compare and contrast. These two dancebreaks are more similar than “Future Lover” was to “SloMo.” No main vocals, a small costume change/reveal, lead act supported by attractive and skilled dancers, the hoes and their impending stunting, and many dance moves that involve impressive stretching and posing of various limbs. However, “Unicorn” goes to numerous lengths to differentiate itself from “SloMo” by doing things such as announcing the dancebreak before it begins; again, the offer seems pretty hollow given the fact that you’re probably gonna start dancing even though I’ve given you a clear “NO” in response. The dancebreak also falls at a notably different point in the song: the end! When you look at the time stamps of the song, Noa stops “singing” at 2:15, meaning the last 45 seconds of that 3-minute Eurovision window has her not singing at all. 45 whole seconds! So where the SloMo break lasts 8 counts of 4, “Unicorn” (starting from “Watch me” and not “You wanna see me dance” because, well, she’s not dancing yet) lasts a whopping 16 counts of 4; literally twice as long as the break in “SloMo.” The routine itself, once you’ve watched it upwards of twelve times like I have (because I take my research seriously, dammit!) you begin to notice these dance moves are more akin to…poses?

Roll with me here: the dancebreak starts, Noa hits that impressive backbend into a frontwards drop, bringing her to the stage floor. So naturally, her next set of moves consist of a backwards roll, some yoga-like poses where she continues to impress with her control by lifting her legs and kicking, then whipping her hair in time with the beat of the song. Up to this point, I’m genuinely impressed. Then, she hits what is literally a downward-facing dog position, and then goes back down onto her knees and slides to the floor to do the splits over her own body. So I don’t think it’s totally unreasonable for a viewer to at this point start to think “Yeah this is really cool, but like, there’s not so much dancing going on.” Then once poor Noa is finally allowed to stand upright, her dancers join back in and they perform a series of synchronized moves to the “U-NI-CORN!” blasting into our ears. So why are we suddenly in this new genre with a new rhythm, new instrumentation, and new pacing while Noa performs a series of admittedly challenging moves but are ultimately glorified “poses.” Also: an assisted backflip at the end? Another thing I didn’t ask for.

So as you can see, “Unicorn” is not an easy one to pin down. Going back to my analysis of the song and how disjointed it feels, I think the dancebreak itself is the most alienating way to end this song, especially because we don’t hear Noa sing literally anything else after she starts dancing. The fact that we’ve just dealt with two sets of verses and choruses that sound like two different songs, this Black Pink homage dancebreak looks flashy but doesn’t actually provide character or flavor to the song as a whole. It brings ah flavor, yes, but I don’t know what I’ve been tasting for the last 2 minutes and 15 seconds, I don’t know what I’m tasting now. Therefore, I shall be labeling “Unicorn” as a hybrid creative copycat. It is definitely creative in the sense that it didn’t attempt to do the same exact thing “SloMo” did in terms of execution, song style, dance style, etc etc. However, what makes it also part copycat is the fact that I don’t know why or how this dancebreak even made it into this song. To me, it almost feels as if the dancebreak was something they knew they wanted to do from the beginning, but then wrote a song that didn’t have natural space for a dancebreak. So they then compressed the verses and choruses to the first 2/3rds of the song and slapped the dance in at the end and called it a day. This reads as fairly inauthentic and ill-considered. Compare this to “Future Lover” and how yes, that song also didn’t “need” a dancebreak, but remember: necessity does not dictate something working or not working. “Future Lover” carved out a natural space and time within the song to create a dancebreak that sonically fits in with the rest of the song and provides a solid build of momentum to the final chorus. “Unicorn” and their K-Pop-influenced dance (which was more posing than anything) sticks out like a sore thumb and attempts to distract from that by being incredibly flashy.

RESULT: CREATIVE COPYCAT

Anyway, creative copycat is what I’m stickin’ with. I’ve already wasted enough of my own time listening to and watching this song several times over. Please tell me I don’t have anything worse waiting for me after this song—

PART III: SOLO

Son of a BITCH--

“Solo” is a song. By definition. And I too found myself asking the wrong question of “Why is this dancebreak here? Was it really needed?” a couple times. And in full transparency, yes: Poland is 37th in my ranking of 2023. However! Let the record here and now show that I will attempt to give this dancebreak a fair shot just as I did for the two prior. In fact, let’s start with a guessing game! I’m going to list out some key characteristics about a dancebreak, and it’s up to you to guess if I’m talking about “SloMo” or “Solo”! Ready? Go! GUESS! THAT! DANCEBREAK!

This dancebreak in question starts with a costume change/reveal and the lead performer flips her hair vivaciously. The music of this dancebreak is nearly entirely percussion; drums, rhythmic clapping, and maybe including one or two musical highlights that exist elsewhere in the song. There’s a quick one-two beat where the dancer thrusts a part of her body in time with the beat, the dancebreak lasts for 8 counts of 4, and it ends with the lead performer being handed her mic from a backup dancer. So now you guess: which dancebreak am I talking about?

…Got a guess? WRONG, it’s: both of them. Here’s the thing: initially I was going to start with a compare and contrast list like I’ve been doing, but I quickly realized that this is all “compare” and no “contrast.” The only thing that might noticeably be different is that Blanka is doing significantly less dancing than Chanel was. This is not an attempt to say that Blanka can’t dance or wasn’t dancing at all. I saw her up there in those heels hitting some moves, she definitely danced. But did she stunt on them hoes? While Chanel was going from upright and down to the floor and back up again, Blanka had no moves that were anywhere near as complex or physically demanding as Chanel. Meanwhile, everything else seems lifted right out of “SloMo” and given an off-orange coat of spray paint and messily slapped together. For fuck’s sake, one song is called “SloMo” and the other is “Solo.” The names literally rhyme and use the same letters, minus a singular “M.” I know, I promised I would be fair and objective about this analysis, but I’m also genuinely just working with the information I’ve been given. If I close my eyes and just listen to the dancebreak, it sounds like I’m listening to a demo of “SloMo.” And if I open my eyes to the onslaught of on-screen effects Poland is treating me to, I see what I interpret as an intermediate backup dancer version of “SloMo.” This dancebreak is almost unapologetically a copycat of “SloMo.”

RESULT: COPYCAT

I’m almost sad that this is the shortest section of the three analyses, but sadly it’s just the most obvious offender. I’ll end this section by sharing two things. First: I don’t harbor any hatred or resentment towards Blanka, she’s just a performer doing what I’m sure is her best. My disappointment is at the greater picture of Poland in Eurovision and how I feel they have incredibly unique things to offer, just like they have in the past. We don’t need this kind of thing from Poland or any other country for that matter. Second: in the second verse, I had always heard the lyric “Bet you regret how” as “Bet you’re a Grey Hound” and I didn’t realize that until the writing of this essay. In my defense, the next line goes “What goes around comes around” which actually rhymes. Whereas “how” and “around” are near rhymes, “hound” is a perfect rhyme, that’s all I’m saying.

PART IV: CONCLUSION

So there we have it. Three different dancebreaks, three different results. I think it would be most helpful to end this essay with re-examining why this question of “creative or copycat” exists, specifically in relation to something like the SloMo Dancebreak. Trends and the recreation of them have always been and forever will be core to the essence of Eurovision. In the process of uniting Europe through music and participating in a cultural exchange, countries trying to put their own spin on successful trends will be inevitable. So let this certainty be a reminder that simply trying to emulate a trend or anything of the sort is never an inherently bad thing. It is not something to be looked down upon or just labeled as unoriginal without thought or consideration. Inside every Eurovision song and performance exists artistic value and intention, to varying degrees, and that is what should decide whether emulating a trend is a positive or negative thing.

If I could somehow magically communicate this message to the artists and delegations of not only Armenia/Israel/Poland, but to all Eurovision competitors, it would be this: Following a trend will simply never be enough. What proves most effective is doing something that elevates and enhances the performance. Despite the fact I think Israel’s dancebreak is a “creative copycat,” I also can’t deny that it objectively did its job the best out of the three we’ve discussed here. But this is also another flawed line of thinking: If a song got a good result, that must mean it did everything creatively, right? Not always! One day when I make a “Unicorn” deconstruction essay, I’ll elaborate on my theory that the song did so well because it’s the most “Eurovision Movie”-sounding of all the 2023 songs, but I digress. Until that essay, thank you for joining me in another EuroQuision think piece! Truly hope this one was phenomen- phenomen- phenomenal for you all to read.

[mitchbeck]

SWAMP RABBITS RE-SIGN COLTON YOUNG

Forward comes back to the Upstate after splitting first full pro season in ECHL and AHL By: Mark Binetti, Greenville Swamp Rabbits GREENVILLE, S.C. – The Greenville Swamp Rabbits, the proud ECHL affiliate of the NHL’s Los Angeles Kings, announced today that second-year forward Colton Young has signed back with the Swamp Rabbits for the 2024-25 Season. Young is the second player announced for the 2024-25 Swamp Rabbits, joining rookie forward Austin Saint, who was announced last week this week. Young returns to the Swamp Rabbits after completing his first full season of professional hockey. The 6’0”, 185-pound forward logged 39 games with the Swamp Rabbits, accruing six goals and 16 points. On January 26th, Young earned his first career AHL call-up to the Ontario Reign via professional tryout (PTO). He made his AHL debut one night later and earned his first AHL goal on February 2nd. Young stayed with the Reign for three months and ultimately chipped in a pair of goals and a pair of assists in 19 games during his time in the Inland Empire. He returned to the Swamp Rabbits for the regular season finale and made a massive impact in the 2024 Kelly Cup Playoffs, leading the Swamp Rabbits in scoring with over a point-per-game pace (6gp, 3g-4ast-7pts). “I’m extremely excited to come back to Greenville. It’s been such a great home to me for my career with amazing, supportive fans,” Young explained on his decision to return. “Last year was a great first full season. I really liked my development, and Greenville as a whole really helped me in understanding what it takes to be a pro and step-up game-by-game and week-to-week. This season, I’m looking forward to being more of a leader. As a rookie, you take time to learn from the veterans, but now that I have a year under me and understand the league, it’s imperative that I be a leader and an impact player both on the ice and in the locker room. I’m excited to play under Coach Mountain and help this organization win more games. We had high expectations to be the best in our division and win a title last season, so I’m looking forward to defending our standing in the South Division and make a deep playoff run towards a Kelly Cup.” “Younger does a bit of everything: he's very dynamic, versatile, and incredibly tough to play against. Having him back with another year under his belt is huge for our team,” said Kyle Mountain, Swamp Rabbits Head Coach/Director of Hockey Operations. “Younger is a guy that leads by example and can play up and down the lineup in a variety of situations, so he has the ability to step in and be impactful in a multitude of ways on any given night. His time in the AHL with Ontario helped elevate his game to the next level, so we look forward to all the ways he'll contribute this season because of his hard work. Outside of his dynamic play on the ice, we know he'll bring solid leadership qualities to our room, so I’m excited to see his growth as a player and a leader in year two.” Hailing from Calgary, Alberta, Young, 25, broke into the professional ranks with the Swamp Rabbits at the end of the 2022-23 ECHL Season and has amassed 20 points (7g-13ast) in 43 games in the Upstate. Prior to turning professional, he skated four seasons in NCAA college hockey with Colgate University, earning 34 goals, 48 assists, and 82 points in 134 contests. He helped lead the Raiders to the 2023 ECAC Championship in his senior season. About the Greenville Swamp Rabbits … Acquired by Spire Sports + Entertainment (SS+E) in 2020, the Greenville Swamp Rabbits hockey team has been providing family-friendly, live entertainment at Bon Secours Wellness Arena since 2010. Formerly, the Greenville Road Warriors and the Swamp Rabbits are the highest-level professional minor league franchise in South Carolina. The Swamp Rabbits are the proud ECHL affiliate of the NHL's LA Kings and the AHL's Ontario Reign. Greenville is an ECHL Premier ‘AA’ Hockey League member. GREENVILLE SWAMP RABBITS HOWLINGS Read the full article

[dreamings-free]

The songs were shared while he embarked on two world tours

By Liberty Dunworth | 26th April 2024

Louis Tomlinson has dropped a surprise album ‘Live’ – featuring songs that he recorded at 15 shows across 15 different cities.

Announced and shared yesterday (April 25), the album comes after the singer and former One Direction member embarked on two world tours over the past three years – playing just shy of 200 shows globally.

Now, a variety of performances from both tours – the ‘Louis Tomlinson World Tour’ and the ‘Faith in the Future World Tour’ – have been compiled into a new live album, which is available now.

Fifteen songs are included in the tracklist, and each was recorded in a different city, at a different show from across the three-year run. The album comes in both digital and physical formats, and features his singles including ‘Bigger Than Me’, ‘We Made It, ‘Walls’ and ‘Out Of My System’, alongside fan favourite album tracks, all released live for the very first time.

“I’ve been lucky enough to spend the last 3 years touring the world twice over. The feeling I get sharing those live moments will be with me forever,” Tomlinson said in a statement. “To be able to record these songs from all over the world and put them out as an album like this feels so special, and a real tribute to the fans who make each and every show feel unique and incredible. Thank you! Enjoy!”

There are four exclusive tracks split between the physical editions of ‘Live’, including a special version of the One Direction classic ‘Where Do Broken Hearts Go’ – which is available only on the double CD.

Accompanying video clips of compiled tour footage will be shared on Louis’s social channels to support the release, showcasing a glimpse into his past three years on the road and 170 performances.

Check out the tracklist for the album below, as well as the cover art. Visit here to listen to the album.

The ‘Live’ tracklist is:

‘The Greatest’ (Live From London, 17 November 2023) ‘Face The Music’ (Live From Nashville, 18 July 2023) ‘Bigger Than Me’ (Live From Vancouver, 26 June 2023) ‘Holding On To Heartache’ (Live From Barcelona, 6 October 2023) ‘We Made It’ (Live From Manila, 16 July 2022) ‘Chicago’ (Live From Chicago, 15 June 2023) ‘Fearless’ (Live From Rio, 27 May 2022) ‘Common People’ (Live From Sheffield, 10 November 2023) ‘All This Time / She Is Beauty We Are World Class’ (Live From Munich, 22 October 2023) ‘Walls’ (Live From Buenos Aires, 21 May 2022) ‘Written All Over Your Face’ (Live From Budapest, 15 September 2023) ‘Out Of My System’ (Live From Brisbane, 30 January 2024) ‘Saturdays’ (Live From Paris, 14 October 2023) ‘Silver Tongues’ (Live From Krakow, 10 September 2023)

At time of writing, Tomlinson has shared two huge solo albums since departing from One Direction. His debut album arrived in the firm of 2020’s ‘Walls’, which has sold over 1.5 million copies, and the follow-up was called ‘Faith In The Future’. The latter went to Number One in the UK, Spain and Belgium, and Top 5 in the USA, Australia, New Zealand and across Europe.

Since May last year, Tomlinson has been on his ‘Faith In The Future World Tour’, which hits South America next month for its final leg. From there, the vocalist has a number of festival appearances lined up for the summer. Find remaining tickets to his shows here.

In other Louis Tomlinson news, earlier this week the singer, alongside Courteeners and English Teacher, were among the acts to be honoured at the first-ever Northern Music Awards.

The inaugural ceremony was hosted by the UK’s largest music therapy charity, Nordoff And Robbins and took place at the Albert Hall in Manchester; celebrating northern artists, festivals, venues and industry figures. The event saw Tomlinson named as Artist Of The Year.

Earlier this year, he also criticised the rumours that he was once in a relationship with Harry Styles, calling the speculation “irritating” and “far too personal”

[wikiuntamed]

Top 5 @Wikipedia pages from a year ago: Sunday, 26th March 2023

Welcome, velkommen, mirë se vjen, მოგესალმებით (mogesalmebit) 🤗 What were the top pages visited on @Wikipedia (26th March 2023) 🏆🌟🔥?

1️⃣: John Wick: Chapter 4 "John Wick: Chapter 4 (released in Japan as John Wick: Consequences) is a 2023 American neo-noir action thriller film directed and co-produced by Chad Stahelski and written by Shay Hatten and Michael Finch. The sequel to John Wick: Chapter 3 – Parabellum (2019) and the fourth installment in the John..."

2️⃣: Jonathan Majors "Jonathan Michael Majors (born September 7, 1989) is an American actor. A graduate of the Yale School of Drama, Majors rose to prominence for starring in the drama films The Last Black Man in San Francisco (2019) and Da 5 Bloods (2020), and the HBO horror series Lovecraft Country (2020), for which he..."

Image licensed under CC BY 3.0? by HOTSPOTATL

3️⃣: Dan Hurley "Daniel S. Hurley (born January 16, 1973) is an American college basketball coach who is the head coach of the UConn Huskies men's team at the University of Connecticut. In 2023, Hurley led UConn to an NCAA Championship. He previously coached at Rhode Island and Wagner. ..."

Image licensed under CC BY-SA 2.0? by Liam Enea

4️⃣: ChatGPT "ChatGPT (Chat Generative Pre-trained Transformer) is a chatbot developed by OpenAI and launched on November 30, 2022. Based on a large language model, it enables users to refine and steer a conversation towards a desired length, format, style, level of detail, and language. Successive prompts and..."

Image by

Original:

OpenAI

 

Vector:

Zhing Za

5️⃣: Emily Ratajkowski "Emily O'Hara Ratajkowski (, Polish: [ratajˈkɔfskʲi]; born June 7, 1991) is an American model and actress. Born in London to American parents and raised in Encinitas, California, she signed to Ford Models at a young age. Her modeling debut was on the cover of the March 2012 issue of the erotic..."

Image licensed under CC BY 3.0? by Rogue Artists

[thelensofyashunews]

SKEPTA RELEASES NEW TRACK AND VIDEO "GAS ME UP [DILIGENT]"

Skepta makes his comeback with the release of his new track “Gas Me Up [Diligent],” produced by Cardo. Fans gave it the nickname 'Diligent' following a viral teaser dropped in April 2023.

Reigniting his roots in rap, the song serves as a preview of his highly anticipated album Knife and Fork, reaffirming Skepta’s position as the UK’s top rapper.

It will drop alongside a video that begins with Skepta on the rooftop of TraxNYC jeweller in New York, and features Clint 419, with scenes shot across London. The video was co-directed by Skepta and collaborator Stevo1k.

The release follows the announcement of the line-up for Skepta’s Big Smoke Festival which happens in London on July 6th. Skepta will perform, as will Mas Tiempo, with The Streets announced as a headliner.  For more information visit: Festival Republic

‘Gas Me Up [Diligent]’ serves as the credits in Skepta’s debut film, "Tribal Mark," which premieres on 24th January, followed by a nationwide UK release at Everyman Cinemas on 26th January. "Tribal Mark" explores the narrative of a Nigerian immigrant in London with Skepta starring in and serving as co-director and executive producer of the film. With a 90% minority ethnic cast and production team, the film stands as a landmark project from Skepta's 1PLUS1 Production company.

[bradyoil]

Getting Unstuck with Sacha Reeb: Ideation Techniques and Creative Pushups.

My guest is Sacha Reeb, Chief Creative Officer at Manifest. Sacha shares insights into real collaboration and explains Creative Pushups - an internal exercise turned event series - sparked new ideas through contributions to "mini briefs" on Slack. Constantly improving ideas through collaboration or reflection is key.

Sasha's real-world examples of how Creative Pushups evolved demonstrate how opening ourselves up to others' perspectives can strengthen our creativity. Enjoy!

Thanks to our editor Jake Brady We could not do the show without him and love this guy behind words. Need your pod spruced up? Check out his Podcast Wax.

4+ NEW BEHIND-THE-SCENES

I've uploaded more raw behind-the-scenes, with dailies, agency interaction, directing top talent and collaborating with my crew, all at  Commercial Directing Masterclass. 

FLOW

All of January 2024, try Magic Mind for FREE with this link and code JB20 when you subscribe for three months. MAGIC MIND and gobble it up daily after your coffee. If you follow me on Instagram you've seen my geniune endorsment of this mighty mind power juice.

EVENTS

Our 3rd annual Filmmaker Retreat Joshua Tree is Thursday, September 26th – Sunday, September 29th, 2024. I always use the word "transformational" in describing the past two years - because our tribe of like-minded filmmakers express that the retreat truly changed their lives. Both professionally and personally. Reserve your spot before the end of the year to take advantage of that last minute 2023 write-off. Limit 20 Filmmakers.

My next in-person Commercial Directing Bootcamp is Saturday, April 27th, 2024. Limit 12 Filmmakers.

Check out my Masterclass or Commercial Directing Shadow online courses. (Note this link to the Shadow course is the one I mention in the show.) All my courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details.

How To Pitch Ad Agencies and Director’s Treatments Unmasked are now bundled together with a free filmmaker consultation call, just like my other courses. Serious about making spots? The Commercial Director Mega Bundle for serious one-on-one mentoring and career growth.

  Jeannette Godoy’s hilarious romcom “Diamond In The Rough” streams on the Peacock. Please support my wife filmmaker Jeannette Godoy’s romcom debut. It’s “Mean Girls” meets “Happy Gilmore” and crowds love it.

  Thanks,

  Jordan

  This episode is 90 minutes.

My cult classic mockumentary, “Dill Scallion” is online so I’m giving 100% of the money to St. Jude Children’s Hospital. I’ve decided to donate the LIFETIME earnings every December, so the donation will grow and grow. Thank you.

Respect The Process podcast is brought to you by Commercial Directing FIlm School and True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc.

Check out this episode!

[gbhbl]

EP Review: The Throwaway Scene – On Death & Dying (Self Released)

Watch this band closely as 2024 goes on. There are big things coming in their future.

Sheffield emo rockers The Throwaway Scene will release their much-anticipated debut EP, ‘On Death & Dying’ on January 26th, 2024. Although this is the band’s debut release, they have already achieved so much. With appearances in 2023 at Burn It Down and Thrown Fest, as well as shows with Static Dress, Lonely The Brave and Love Is Noise. If their accomplishments in 2023 are an indicator of what…

[idolstylekpop]

Summary of musical year 2023 k-pop:

BANDS DEBUT: +(KR)ystal Eyes - May 4th, 2023 with "Cherry Talk" 8TURN - January 30th, 2023 with "8Turnrise" 82MAJOR - October 11th, 2023 with “On” A-plus - March 2nd, 2023 with "Candlelight" ACID EYES - June 6th, 2023 with "Cherry Gene" ADYA - May 9th, 2023 with "Per" Aesther – July 31th, 2023 with “Hands Up” AMPERS&ONE - November 16th, 2023 with "Ampersand One" ANTARES - April 16th, 2023 with "White Code" Ascension - February 24th, 2023 with “Like a star” BABYMONSTER - November 27th, 2023 with "Batter up" BABYS - June 20th, 2023 with “Unlock It” BB Girls - May 3rd, 2023 with "One More Time" BOYNEXTDOOR - May 30th, 2023 with "Who!" Blossom - July 21th, 2023 with “Focus” Bunny.T - June 19th, 2023 with "Body Shake" BXB - January 30th, 2023 with "Fly" Catch The Young - November 1st, 2023 with "Youth" Cherish - January 13th, 2023 with “Bloom” Clair - February 10th, 2023 with “Dubi dubi dum dum” Closer – May 16th, 2023 with “Eternal Love” CMDM - April 27th, 2023 with“Already Go Ready” CoA - August 5th, 2023 with "A New Beginning" DDgirls - November 7th, 2023 with “Knock Knock” D-One - August 27th, 2023 with “Torch” DALUNA - July 28th, 2023 with “Swallowing Summer” Delight - March 30th, 2023 with “Neverland” DIOS - May 4th, 2023 with “Whistle” DXTEEN - May 10th, 2023 with “Brand New Day” E:LFIN - July 18th, 2023 with “LOVE:ON“ EASTSHINE - November 16th, 2023 with “Double Down” Eite - November 3rd, 2023 with "Independent Woman" EL7Z UP - September 14th, 2023 with "Cheeky" EOS - January 16th, 2023 with "Big Bang" EVNNE - September 19th, 2023 with "Trouble" EVOLution - October 11th, 2023 with "Invincible" FANTASY BOYS - September 21th, 2023 with "New Tomorrow" Feverse – May 9th, 2023 with “Cho” HANA - January 8th, 2023 with "Bla:ze" HAWW - February 23rd, 2023 with “How Are You" HORI7ON - July 24th, 2023 with "Six7een" Ikling - April 28th, 2023 with “Stargram” JUJU SECRET - March 25th, 2023 with "Lonely Night" Kandis - August 27th, 2023 with "BF" KISS OF LIFE - July 5th, 2023 with "Kiss of Life" LA FLOR – March 13th, 2023 with “Rotation” LIONESSES.G - March 31th, 2023 with “My Pretty” LIMELIGHT - February 17th , 2023 with "Love & Happiness" Loossemble - September 15th, 2023 with "Sensitive" LOVElution - August 17th, 2023 with "Girls' Capitalism" LUN8 - Juny 15th, 2023 with "Continue?" MAVE: - January 25th, 2023 with "Pandora" and "Wonderland" MIRROR – May 12th, 2023 with “백월” N-DAY - August 16th, 2023 with "That's Me" NiziU - October 30th, 2023 with "Press Play" n.SSign - August 9th, 2023 with "Wormhole" NCT DOJAEJUNG - April 17th, 2023 with "Perfume" NXT -December 23rd, 2023 with “Just Do It” ONEST – January 27th, 2023 with “Wisp” ONE PACT - November 30th, 2023 with "I wish" PLAVE - March 12th, 2023 with "Asterum" PRIMROSE - January 13th, 2023 with "Red Moon" QI.X - March 23rd, 2023 with "Lights Up" QWER - October 18th, 2023 with "Harmony from Discord" RIIZE - September 4th, 2023 with "Memories" RuViChe - March 23rd, 2023 with "Minsu of Delivery" SHOWNU X HYUNGWON - July 25th, 2023 with "Love Me a Little" SUPER JUNIOR-L.S.S. - July 5th, 2023 with "Close The Shutter" T5 - June 28th, 2023 with "Move" Team 24 o'clock - June 26th, 2023 with "4:ever" The Wind - May 15th, 2023 with "Island" THE7 - January 29th, 2023 with "Get Loose" TMC - June 20th, 2023 with "Color" TOZ - September 27th, 2023 with “Magic Hour" TripleS - February 13th, 2023 with "Rising" Two Sisters - June 19th, 2023 with "Love's Macchiato" VI'ENX - April 7th, 2023 with ‘On my way‘ WE:A - April 4th, 2023 with "24/7:Twenty-Four/Seven" WEUS - April 3rd, 2023 with “Purple Sky" X:in - April 11th, 2023 with "Keeping the Fire" Xikers - March 30th ,2023 with "Tricky House" and "Rockstar" XODIAC - April 25th, 2023 with "Throw A Dice" Yeonseo & Wony - October 4th, 2023 with "Wind" YOUNG POSSE - October 18th, 2023 with "Macaroni Cheese" ZEROBASEONE - July 10th, 2023 with "In Bloom"

SOLO DEBUT: Ahri - March 29th, 2023 with “Eyes On Me” Bang Yedam - November 23th, 2023 with “Only One” Becky – May 15th, 2023 with “Illusion” Bella - February 27th, 2023 with “Juice” Chuu – October 18th, 2023 with “Howl” Chuurry – July 27th, 2023 with “Funky Night” Dason – March 30th, 2023 with “Tear Glass” Giuk - April 20th, 2023 with “Psycho Xybernetics : Turn Over” Heejin - October 31, 2023 with “K” Hwang Min-hyun – February 27th, 2023 with “Truth or Lie” Hyoeun - January 30th, 2023 with “The Day We Meet Again” Jaechan – September 6th, 2023, with “Hello” Jang Ye-eun – April 13th, 2023 with “Cherry Coke” Jihyo - August 18th, 2023 with "Killin' Me Good" Jimin – March 24th, 2023 with “Face” Jini - October 11th, 2023 with “An Iron Hand In A Velvet Glove” Jinyoung - January 18th, 2023 with “Cotton Candy” Jisoo – March 31th, 2023 with “Me” Joohoney – May 22th, 2023 with “Freedom” Joohyun – March 9th, 2023 with “The Ocean” Jueun – April 27th, 2023 with “Easy Breezy” Jungkook – July 3rd, 2023 with “Seven” Jun Seoyeon – January 3rd, 2023 with “Blue Drama” Kim Doah – May 23th, 2023 with “Dream Walking” Kota – January 15th, 2023 with “Go or Back” Kwon Jieun - April 28th, 2023 with “Our First Love” Lee Mi-joo - May 17th, 2023 with “Movie Star” Le'v – August 18th, 2023 with “A.I.BAE” Mincheon – March 4th, 2023 with “Way Up” Park Rossi - February 20th, 2023 with “Gossip” Park Woojin - February 27th, 2023 with “Own” Ren – June 13th, 2023 with “Ready to Move” Rockhyeon - February 10th, 2023 with “Over” Soojin – October 25th, 2023 with “Agassy” Soopia – April 28th, 2023 with “The Blue” Swan - July 2nd, 2023 with “Twenty” Taeyong – June 5th, 2023 with “ Shalala” V – August 28th, 2023 with "Scenery", "Winter Bear", "Snow Flower" Yeeun - April 13th, 2023 with “The Beginning” Yubin – April 2nd, 2023 with “Spring of Mine” Yu Soohyun – March 1st, 2023 with “Chuk & Chak”

[sportzbuzz]

Shubman Gill total centuries in international cricket

You would be knowing that Shubham Gill is one of the most famous Indian batsmen who has hit his fifth ODI century in the match. If the person wants to know about the Shubman Gill total Centuries then they must read the below content.

Shubman Gill ODI Centuries List:

When he started playing internationally he tried his best to show consistency in all formats. Shubham Gill made his debut against Australia on 26th December 2020. On 3rd January 2023, Shubham Gill made a T20I debut against Sri Lanka. He has made many improvements in playing when we see the performance in limited overs format. Shubham Gill also showed his class when he played the role of an opening batsman. Shubham Gill has made 6 centuries and 9 half centuries in ODI matches. During the Asia Cup 2023, he was the highest run scorer. He has made 302 runs in just 6 innings. On 18th January 2023, he scored his double century when he was playing against New Zealand.

Shubham Gill Test Centuries List:

As an opener, he has showcased his talent when there is a need. When the person wants to score a good total then the right-handed person can grasp a good score easily. On 26th January 2020, a 24-year-old man made a wonderful test debut against Australia. He has made 966 runs in 18 test matches in which he has scored 2 centuries and 4 half-centuries.

Shubham Gill T20I Centuries List:

Shubman Gill became the fifth Indian to strike a T20I century against New Zealand, reaching his century in just 54 balls. With his final score of 126, Gill became the highest scoring Indian in T20 international history. Prior to this, Virat Kohli held the record for the highest-ever Indian T20I score — 122 — against Afghanistan during the Asia Cup. During the Kiwis match, Gill overtook him. With the help of 12 fours and seven sixes, Gill maintained his excellent form and displayed his variety of skills, hitting the New Zealand bowlers to all parts of the Narendra Modi Stadium to score 126 not out off just 63 balls.

Conclusion:

Shubham Gill is considered one of the best batsmen in cricket. He has various abilities that can turn the worst matches into good ones. He has created a number of centuries in ODI matches, test matches, and many more. Shubham Gill has made a great personality among the players and is considered a valuable player in the Indian cricket team. Through this, the person would get to know about the centuries made by Shubham Gill.