#and essentially 'things that are not soundtracks'

[regallibellbright]

So after probably a decade, maybe some change, and some issues in the last few weeks involving the power button that I was getting concerned about, I synced my iPod up to my laptop only to find that it no longer recognized *checks notes* music.

Like, all mp4 AND mp3 files.

iTunes only claims 100 issue files but the iPod clearly has nothing on it, and those issue files include iTunes purchases, music burned off CDs, and downloaded elsewhere just from the ones I could find.

I may be able to fix this (I've just tried reverting it to factory settings - because, well, why the fuck not,) but given I suspect the problems are at least in part mechanical... yeah, I'm gonna be looking into a new mp3 player.

The good news is I started burning my iTunes purchases into mp3s last year for whenever Apple decides to stop supporting it and move to exclusively subscriptions because hahahaha no. So, y'know, THAT hard part's done, I've just got to set up all my playlists again.

Which will be.

A process.

[monards]

rhinedottir after her GODLESS nation that strives on the ambitions and achievements of HUMANITY starts effectively worshiping this random kid (who is most definitely a god or deity or just celestial entity of some caliber.) who literally came from the STARS and has the power to control the power of seven (the exact same seven they hate) and then she. the human. who is very likely one of the primary reasons they were capable of being considered humanity's prides. is never once acknowledged in any similar notion.

[soft-serve-soymilk]

In other news, I was listening to the P3 Movie ost in light of wondering if they will include it in the remake in some way.. it slaps harder than I remembered!

[stllmnstr]

sacred monsters: part one

pairing: lee heeseung x f reader

genre: academic rivals to lovers, vampire au, slow burn

part one word count: 19.3k

part one warnings: swearing, blood and all sorts of other vampire-y things, semi graphic descriptions/depictions of violence, I don't know anything about publishing and wrote about it anyway, not quite as much in this part, but I want to forewarn you that while there is still nothing explicit, we do get a little ~sexier~ than most stllmnstr fics

note/disclaimer: I have been itching to write an enha vampire fic for ages because hello? the material is RIGHT THERE!! this is a story I'm super excited about, and it's definitely gotten me out of my comfort zone. in order to help build this world, I did draw from some outside sources. primarily, a lot of the vampire lore and some plot elements are inspired by the dark moon webtoon series. I did also pull some things from twilight and other well-known vampire myths. lastly, there is a section with "poetry" in it. these "poems" are translated lyrics from still monster, chaconne, and lucifer by enhypen. some are in their original form and some I altered slightly. everything else is straight from yours truly! as always, happy reading ♡

soundtrack: still monster / moonstruck / lucifer - enhypen / everybody wants to rule the world - tears for fears / immortal - marina / supermassive black hole - muse / saturn - sleeping at last / everybody’s watching me (uh oh) - the neighbourhood

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

A literature student in your third year of university, you’ve been dreaming of having your writing published for as long as you can remember. With a perfect opportunity dangling at your fingertips, the only obstacle that stands in your way comes in the form of a ridiculously tall, stupidly handsome, and unfortunately, very talented writer by the name of Lee Heeseung. Unwilling to let your dream slip out of reach, you commit to being better than the aforementioned pain in your ass at absolutely everything.

But when a string of vampire attacks strikes close to your city for the first time in nearly two hundred years, publishing is suddenly the last thing on your mind. And, as you soon begin to discover, Heeseung may not quite be the person you thought he was.

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

The last sip of your coffee tastes bitter on your tongue. Acidic, like it was left to brew too long. Or maybe not long enough. Your limited knowledge of coffee extends to its effects on your alertness and little else. 

Taste has always been an afterthought, something of little consequence. Besides, some bitterness is to be expected when you take your coffee black. 

Suppressing the small wince that always follows your final sip, you set the reusable thermos down on your desk. Next to your open notebook and favorite ballpoint pen, it settles in nicely with your other class essentials. 

Call it poetic or romantic or unbearably pretentious, but you actually do prefer to take your notes by hand. Partly because it feels more fitting for a literature major and mostly because your laptop is on its last leg and between tuition and rent, you don’t exactly have the funds to shell out for a new one. 

Frowning at the bitter taste that still lingers on your tongue, you feel another pang of regret for forgetting to pack your water bottle this morning. But no matter. Today is a day for optimism. The bitterness now only means that your imminent victory will taste that much sweeter in comparison. 

Because today is the last day of the fall semester of your third year. Which means that this is the last morning you’ll be sitting here in this lecture hall in the minutes preceding 9 am. 

Which means that today is the day of your professor’s long awaited announcement. You still remember the day, nearly four months ago, when he first told the entire room of undermotivated, overcaffeinated students about it. 

A publishing opportunity. A real, actual publishing opportunity. Something most literature students would sell their soul for. 

Because Professor Kim, while a rather mediocre professor who prefers to dish out criticism and bite back praise, has an excellent eye for great writing. So much so that nearly twenty years ago, he founded his very own publishing house. 

Known by the name New Haven Publishing, it’s a small operation that deals mostly in short pieces that are marketed more for niche literary circles than mass public appeal. Being published by New Haven may not be a straight shot to the New York Times’ Best Sellers List, but it’s still professional publishing. 

And a week into classes, he announced that for the first time ever, he would be choosing one of you to not only intern at New Haven the following semester, but also to publish an original piece of short fiction with them. 

You’ve been fantasizing about it for months now. You can already imagine it. A piece of your very own, marketed and edited by professionals. Published and complete with Professor Kim’s stamp of approval. 

It’s what you’ve been craving ever since you decided to switch paths and pursue literature studies at the end of your first semester. It’s everything you’re sure you need. Validation that your writing is good, that your words are worth reading. 

Hell, maybe it will even earn you the approval of your parents. 

And, perhaps most satisfying of all, you will have officially beaten Lee Heeseng once and for all. You don’t want to speak poorly of the rest of your classmates and their writing abilities, but this has always been a competition between you and him. 

Or, at least, it has been for you. 

It’s the last day of the semester, and honestly, you wouldn’t be surprised if Heeseung still had a hard time remembering that the internship was even happening. Then again, you wouldn’t exactly be shocked if he couldn't remember your name, either.  

And if you were hard pressed to choose only one thing, that would probably be what annoys you the most about him. Not the way his hair is alway somehow perfectly mussed. Not the way his writing is painfully beautiful and poetic that you swell green with envy just thinking about it. 

No, the root cause of your infinite ire when it comes to Lee Heeseung is how damn aloof he is. Like his classmates and professors and even his greatest rival aren’t worth the effort of remembering. 

And it’s not like it’s because he’s got some kind of crazy social life outside of academics. Other than mandatory discussion groups, you’re not sure you’ve ever seen him so much as talk to anyone. 

But that’s just the way he is, you suppose. 

Perfect Heeseung with his perfect hair and his perfect writing and perfect attendance record doesn’t need anyone but himself—

Wait. 

Perfect attendance record. 

Glancing at the clock mounted high above the front door of the lecture hall, you can hardly believe what you’re seeing. 

8:59. 

There’s no way. There’s no fucking way that the universe is rooting for you this hard, that the stars are aligning this perfectly. 

Despite your doubts, the second hand continues its onward march. You suppress the sudden urge to bounce your leg in a matching rhythm. 

He has five seconds. 

Four. Three. Two. One. 

And it’s official. A ridiculous amount of pent up tension drains from your shoulders as your spine straightens. You can’t believe it was that easy. 

A semester of agonizing over every word, every sentence, every assignment you handed in for this class. A semester of panicking over missed buses and waking up way too early just to make sure you always beat the clock. 

But today is the day where everything comes to a head. 

And Lee Heeseung is officially late. 

Professor Kim, at the beginning of the semester, had only two pieces of advice to offer his students that were suddenly all gunning for a shot at being published:

One: “Don’t make me read awful writing.”

And two: “Don’t be late to class. I have zero tolerance for tardiness.”

Heeseung has just broken a cardinal rule. One row down, nine seats to the left from where you sit. It’s the place that would usually be filled with an annoyingly broad set of shoulders and distractingly sharp jawline. In fact, Heeseung usually beats you here most days. Not that you’re keeping track, of course. And not that it matters. 

Because this morning, this fateful morning, that particular seat, his seat, is glaringly, gloriously empty. 

Your eyes flicker over to it again without your permission. But you can’t help it. You’re so antsy now, teeming with self-satisfied excitement. It’s almost unbelievable actually. A golden stroke of luck that he chose today, of all days, to be late.

In fact, you think the more you stare at the empty seat, Lee Heeseung is such a reliable presence that the entire lecture hall suddenly seems a bit off kilter. Tilted too far in some precarious state of imbalance. 

Your smugness is still there, yes, but now there’s also a heavy feeling beginning to settle at the bottom of your gut. Why on earth is Lee Heeseung late?

You’re so distracted by his absence, the endless loop of possibilities and explanations running through your mind, that you almost miss the second abnormality of the morning. 

Because now the clock reads 9:04, and Heeseung isn’t the only one missing. 

All at once, your attention is on the podium at the front of the lecture hall. It’s empty, too. And Professor Kim may be a hardass, but he’s no hypocrite. Never once throughout this entire semester has he ever begun a class even a millisecond late.

Frowning, you pull out your phone to confirm that the clock on the wall is not playing tricks on you. Maybe there was a power outage or something, and maintenance hasn’t had time to correct it yet. 

But your phone screen lights up, and 9:05 is the time that stares back at you. 

Glancing around, no one else seems too particularly bothered by this. There are a few titters, a few annoyed grumbles that sound like hypocrite and double standard where they reach your ears. 

But still, the clock ticks forward. 

The minute hand has fallen another two notches when the front door finally opens, Professor Kim striding in unhurried. Despite his lateness, his steps are steady, even. There’s nothing frantic or apologetic about the way he sets his briefcase down next to the podium, pulling out his laptop and a small stack of notes before clearing his throat. 

As the students around you fall silent, class begins as it always does. Other than the time, nothing is out of the ordinary. 

But your spirits are still high, and you figure you can cut your professor some slack. Maybe he ran into a bad bit of traffic or spilled coffee all over his shirt. Maybe he’s too embarrassed to draw more attention to his error and has decided that not acknowledging it at all is the best course of action. 

Oh, well. It’s no use ruminating on it now. Settling back into your seat, you do your best to focus your attention on the front of the room and not that damn empty chair. But the distraction isn’t necessary for long. 

The clock is just striking 9:12 when a second late arrival draws the eyes of the class to the front door of the lecture hall. Like your professor, Heeseung maintains a certain air of composedness as he makes his way towards his seat wordlessly. 

There’s a moment, a fraction of a second, where Professor Kim pauses, letting a sentence drift into silence. 

Twelve minutes late. It’s a rookie mistake. For a fleeting moment, you almost feel bad for him. Because surely Professor Kim is about to make an example of him. No one walks into his lectures late and leaves unscathed. 

Wincing, you remember a handful of weeks ago when a poor girl that sits a few rows behind you arrived late. Not only had Professor Kim stopped the entire flow of his lecture to draw attention to her tardiness, he had also assigned her an extra short story for homework. One on the merits of punctuality.

But the ebb in the lecture begins to flow again, the moment passing as soon as it comes. Heeseung settles into his chair. Your professor resumes his sentence. 

For the remainder of the class, you do your best to pay attention, but you’re having trouble finding a point. It’s not like he can assign homework or an exam or a discussion on the last day of the semester. 

Like you, most of your peers are fully zoned out, just waiting for him to get to what everyone has been dying to know for months. 

Who’s interning at New Haven? Who’s getting published?

But distractions in this class have never been hard to come by. More than once, you find your wandering gaze drifting to the back of Heeseung’s head. Usually, you’d be bitterly admiring how soft his hair looks. But today, there’s only one question that plays in your mind as you stare. 

What on earth happened that made perfect Lee Heeseung late?

Your thoughts are only interrupted by the sudden shuffle of small movement around you as everyone sits up a bit straighter in their seats. 

“Ah,” Professor Kim glances at the time. “That wraps up our semester, then. As promised, I would like to announce the student who will be interning with New Haven Publishing this upcoming semester. And, of course, the student that will have the opportunity to publish an original piece with us.”

He pauses for a moment, looking down at his notes. You wonder if the people sitting close to you can hear the way your heart pounds in your chest. 

Please be me. Please be me. Please be me. 

The rushing in your ears is so loud that you almost miss it. But not quite. Because the sound of your own name is something you’d recognize anywhere. 

Because it was your name that he said. Not anyone else’s. Not Heeseung’s.

You. You did it. 

You’re officially going to be interning with New Haven. You’re going to be published. 

When he asks you to stay a minute after class to discuss the details, it’s all you can do to nod. Butterflies are still scattered in your stomach. 

As the rest of the students begin to file out, you pack up your materials with hands that shake slightly. It doesn’t feel real. It feels too good to be true. You poured your everything into this all semester long, and now it’s actually happening. 

Your mind is a mess, and an erratic movement almost sends your empty thermos flying. Luckily, you snap out of it long enough to  catch it before it hits the ground. With everything packed back into your bag, you make your way down to the podium on slightly unsteady feet. 

A handful of passing classmates congratulate you on their way out, and you smile in return. 

You’ve almost made it to the front of the lecture hall when a body blocks your path. It takes a moment for your brain to register the identity of the offender. And once it does, it spits his name with venom. Heeseung. 

Oblivious and self-centered as always, he nearly knocks you over. Rolling your eyes, you move to step around him. Apparently whatever gift he was given for writing doesn’t extend to his spatial awareness or consideration for others. 

But as you lean to the left, he follows the movement, still in your path. Your gaze snaps up, eyebrows raised when you find him already looking at you. 

Oh. So it’s not a spatial awareness problem, then. He’s in your way on purpose. 

As always, his expression is infuriatingly blank. You can’t get any sort of read on him, and it unnerves you. Irritates you. Here he is, blocking your path, and the only thing he has to offer you is an empty, silent stare.

You could just say excuse me, force your way around him, and be done with it. You should. The semester is over, your professor’s decision is made, and you have no stake left in this game. 

But you’ve been biting back snarky comments and masking irritated expressions with mild indifference for months. The nerve he has to block you. The utter gall of it all. To physically stand in your way when he’s been your metaphorical obstacle to success all semester. 

When every time you look at him, you still remember that one sunny afternoon, early in the semester. The time you tried, actually tried to be his friend. When he waved you off like a buzzing fly that was nothing more than a nuisance. 

You inhale, weighing your options. His head tilts slightly at the movement, and it’s your last straw. 

There’s poison in your voice when you bite, “Oh, what? Now that I’ve proved myself, you can spare some time out of your day to talk to me?”

Heeseung’s eyes widen, lips parting slightly. It’s the most emotion you’ve ever seen from him, and he’s wasting it on shock. As if he can’t quite comprehend why the girl he’s been giving headaches for months might not want to stop and have a friendly chat with him. Not that you imagine he’d even be capable of that if you tried. 

Already, you regret your comment. In a perfect world, you wouldn’t have said anything. You’d be just as detached and cold and aloof as he was on that day you hate to think about. You still remember it like it was yesterday. Without your permission, the memory floats front and center to your mind. 

It was warmer, then. The last clutches of summer were still holding on tight. Sunlight was bright in the sky, and it felt like a good time to breach the barrier of your comfort zone. 

Class had just ended. Usually, Heeseung was one of the first to leave. You had to pack up abnormally quickly just to catch him in the quad right outside the lecture hall. 

But you did catch up to him.

And in a voice braver than you felt, you asked, “Hey, it’s Heeseung, right?” 

You’d been brighter, then. Still full of an energy you haven’t been able to muster since midterms. Not yet burdened by the weight of assignments and rejection, your disposition was as sunny as the sky above. 

Heeseung hadn’t bothered to dignify your question with an actual answer, but he had at least stopped walking, and that seemed like an invitation at the time. Now, with the power of hindsight, you wince. You should have spared yourself the regret.

You remember watching as he pulled out his earbuds, tucking them back into his pocket before turning his attention to you. Or at least half of it. Even then, you never felt like he was truly looking at you, hearing you. His mind always seemed off in the distance, preoccupied somewhere you could never quite reach. 

You recall being nervous, heat in your cheeks as you tucked a loose strand of hair behind your ear. His eyes tracked the movement like a cat tracks a ray of sunlight. Lazily, intently. With an energy you weren’t quite sure what to do with. 

Instead, you had stuttered, “I, uh, I wanted to tell you that I thought your analysis today was brilliant.” The worst part is that it really was a brilliant analysis. Although you’d never admit that today, and much less to his face. 

Instead, you cringe just thinking about it. You should have taken his blank stare as a sign. You should have just let the one-sided conversation die there. With at least a little dignity and some of your pride left to spare. 

But you hadn’t. 

“I never thought about the use of sunlight as a metaphor for life. I mean, now that you’ve pointed it out, it seems kind of obvious.” The memory of your nervous giggles settle like rocks in your stomach. “Anyway, I feel like I’m rambling, but if you ever want to get together and look through assignments or review each other’s analyses, I’d love to—”

You’d heard his voice before, of course. In class discussions and presentations. But never this close. And never directed at you. 

He kept it short, his interruption, his response to your shaky offer. 

“I’m busy.”

And that was it. Two words. Two fucking words. And not even an explanation or an I’m sorry or a sheepish expression to go along with them. 

With that, you’d watched, a bit helplessly, as he pulled his earbuds out of his pocket, put them back into his ears and turned away from you before you could realize just how thoroughly you’d been rejected. 

With a sudden haze in the air and hope dying in your heart, your friendly smile slipped into confused dismay as you watched him track a steady path across the quad. 

If your cheekbones felt warm before, you were sure they must have been aflame by then. After all, it was your body’s natural response to the crushing weight of the embarrassment and thoroughly bruised ego he’d left you there standing with. 

Fine then, you’d resolved after walking as quickly as you could in the opposite direction, sending a prayer to the heavens that no one from your class had just witnessed the most mortifying interaction you’ve ever had. If Lee Heeseung wanted nothing to do with you, the feeling could be mutual. 

In fact, it was probably for the best. You were vying for that internship and if the past class discussions were anything to go by, Heeseung would be your only real competition. If he was too busy for you, then you would just have to be too busy for him. 

Too busy perfecting every assignment and acing every exam. Too busy drowning in dictionaries and thesauruses and reference materials to make sure everything you submitted was perfect — no, scratch that — better than perfect. 

Too busy to attempt another conversation or interaction or do anything but nod along politely whenever he did make an unfortunately great point in class. 

So, no. Heeseung doesn’t get to dictate your time or attention or conversation now that you’ve actually been awarded with a publishing opportunity, now that all of your efforts and dedication and late nights have paid off. 

If Lee Heeseung wants a bit of your attention on today of all days, at this moment of all moments, then you’re just going to have to be too busy to entertain him. 

Standing in front of you, still blocking your path to the podium, Heeseung has the nerve to look confused. As if you have no reason to give him the cold shoulder. As if you’re the one being unreasonable here. 

His brow furrows further. “What?” It’s the third word he’s ever spoken directly to you. It makes your blood boil. “No, I…” he trails off. You can practically see the gears running in his mind, like this wasn’t the conversation he expected to be having. Like he has no idea how to navigate it now. “I was just going to say that you should maybe reconsider.”

Your voice is ice when you ask, “Reconsider what?” 

“Well…” He’s treading in dangerous territory, and he seems to realize it too. “The internship,” he clarifies, and it’s the second most insulting thing he’s ever said to your face. 

You screw your eyes shut. Cold and detached. Blank and aloof. All the things you should be. But you’ve always run a little hot. And end of the semester exhaustion finds you more willing to throw caution to the wind. 

“You have got to be fucking with me.” Eyes reopening, you’re met with that same expression of mild shock. Brows raised, lips parted. And god, he even looks good like that. “Yeah, right. Let me guess, so you can do the internship and publish a piece of your own? If all you came over to do is insult me, then save your breath.”

“What?” He still looks so damn confused. “No, I—”

You don’t want to hear it. “I have nothing to say to you.” If he won’t get out of your way, you’ll just have to go through him. The shoulder check is maybe slightly more intense than it needs to be as you shove your way past him. He barely stumbles back an inch. It makes you want to rip your hair out. “Besides,” you add, not bothering to turn back to look at him. “I’m busy.”

It’s a dig at him, yes, but it’s also true. You are. This is the opportunity of a lifetime, and Lee Heeseung is not about to ruin it for you. 

To your unending gratitude, he doesn’t try to intercept you again. Your path to the front of the lecture hall is clear, and Professor Kim is just tucking his laptop back into his briefcase when you reach the podium. 

Ultimately, it’s a watered down version of the million times you’ve imagined this moment in your head. Even coming on the tail end of the most annoying interaction you’ve had in months. Professor Kim congratulates you again, and hands you a printed schedule of when you’ll be expected at the publishing office for the first time. 

There are also submission dates. Deadlines for you to submit drafts of the piece that you’ll be publishing. You take it all in with a beam and enthusiastic nods, mishap with Heeseung from minutes ago all but forgotten. 

That is, until Professor Kim’s gaze lands somewhere over your shoulder after he tells you he’ll also send you a follow-up email with all the information you need. 

You watch as his expression shifts, something uneasy, distrustful entering his gaze as he looks beyond you. “Something I can help you with, Mr. Lee?”

Following his gaze, you turn to look behind you. The lecture hall is empty, students cleared out from the class that dismissed nearly five minutes ago. All except for one, that is. 

Gone is the shock from Heeseung’s delicately sharp features. Instead, he wears his mask of indifference again, betraying no emotion. You must be imagining the way it looks almost strained this time, as if he’s forcing his expression into neutrality instead of it there of its own accord. 

Wordlessly, his gaze shifts to you. 

And now it’s your turn to be confused, but you won’t let it last long. At least not outwardly. You’re quick to match his gaze with nothing but pure ire, venom dripping seeping from every inch of your glare. 

Is he seriously still trying to ruin this for you? So much for being busy. 

“No, sir.” Heeseung shakes his head. He’s addressing your professor, but he’s still looking at you. A muscle ticks in his jaw, betrays a hint of tension. “I was just on my way out.”

True to his word, he begins a steady descent towards the front door. 

Your professor clears his throat, turns his attention back to you, resuming the wrap-up of your conversation. 

You’re extra grateful for that follow-up email now, given the way movement in your periphery distracts you from Professor Kim’s last few statements. Instead, your focus hones in on the even footsteps that carry Heeseung to the door, allow him to slip through it silently. 

It must be a trick of the light, must be a figment of your overworked, over irritated imagination. But you swear you see him linger there, just on the other side of the small glass window carved into the door. 

Professor Kim says his parting words, and you thank him one final time. If there’s an unnatural quickness in your footsteps as you turn to leave, you tell yourself that it’s because you’re excited to get started on your draft, not because you have the sneaking suspicion Heeseung is still standing just on the other side of the door. 

But you swear that’s his silhouette you see as you draw closer, shrouded in shadows but distinct all the same. You’re debating the merits of shouting at him or maybe accidentally shoulder checking him again as you pull open the door handle, a little more roughly than you intend. 

But the only thing that greets you on the other side of the door is a nearly empty hallway, save for the pair of students bent over a laptop a few paces away. You ignore their twin expressions of shock as you let the door fall closed behind you, much more calmly than you opened it. 

…..

The blank expanse of your notebook stares at you accusingly. 

You’d stare back, if that would somehow make words appear on the page. Sighing, you reach for your long forgotten cup of tea sitting on your desk. Taking a slow sip, you realize it’s gone cold. 

That just makes you double down on your frustration. How long have you been sitting here, waiting for inspiration to strike? 

People always talk about the merits of a change in scenery, but ever since you started your first semester of university three years ago, your favorite place to write has always been here, at the small, simple desk that sits in the corner of your bedroom. 

Back then, writing was a hobby. Something to do when the last of your biochemistry homework was finished. A way to release pent-up stress and tension from long days in the university lab and long hours feeling like you were drowning between all of the extra study sessions, TA workshops, and office hours. 

At first, it had been worth it. You maintained high grades and high spirits. Mostly because of the small sprinkles of support your parents showered you with. 

Every little You got this! that lit up your phone screen on dreary afternoons and We believe in you! that made your evening lectures a little more bearable felt like tokens of your parents’ affection. Something tangible to show for the care they held for you. 

Most of all, you cherished the We’re proud of you messages. You can’t remember the last time you received one. 

And it’s not like they were mad, exactly, when you told them you wanted to change majors. They did their best to be supportive in the ways that they knew how. 

For your father, that was concern. “Are you sure? Literature? What do the job prospects after graduation look like?”

And for your mother, that was letting you know that she thought you were capable of more. Of better. “It’s not that literature is bad, sweetie. It’s just… Well, you’ve always been such a smart girl…”

You get it; you really do. All the questions and prodding comments that felt like criticism were wrapped in nothing but love. But that didn’t do much to soften the sting. 

In the end, it was this desk that made you follow through with your change in major. Slumped in your hand-me-down chair late one Friday night, half finished lab report sitting untouched in your bag, the threat of tears burning at the corners of your eyes, all you wanted to do was write.  

To put into words the feelings and emotions and fantasies and frustrations that you could never seem to express otherwise. To commit a piece of your soul to paper and wonder if maybe, just maybe, there was someone else out there who would read it and find a sense of solidarity, of common ground. 

You submitted your official change request the next morning. You never regretted it once. 

But your parents still make comments, still share their concerns. And for the last three years, you haven’t had anything to show for it except for empty promises. But now, you have something. A real something. 

Publishing a story of your own is the exact validation that you need that your choice was the right one. And it’s the proof you need to assuage your parents’ fears, to show them that pursuing literature was the right call. That you can carve out a life for yourself with it. 

You’ve fantasized about this for years. For the chance to have your voice heard, your words read. There are a million half-baked thoughts and partially written drafts scattered in your notebooks and digital documents and on the corners of takeout napkins that have been lying in wait for a moment just like this. 

But no matter how hard you stare at the page in front of you, the words just won’t come. The more old drafts you scour, the more amateur your writing feels. The more you feel like maybe Heeseung should have won the internship over you. 

It’s a miserable cycle your brain works itself into. The less you write, the more you criticize, the more you wonder. 

What if he hadn’t been late that morning? What if Professor Kim was hoping to choose him instead? What if the reason he didn’t say anything when Heeseung finally arrived in class was because he was so disappointed that his first choice wasn’t an option anymore?

Groaning out loud to an empty room, your head falls on your desk with a muted thud. 

It’s there, facedown on your desk, where an idea strikes you. If you can’t manifest a draft out of thin air, maybe you just need some parameters. A general guide to get the creative juices flowing. 

Lifting your head back up, you push your notebook to the side and reach for your laptop. Opening a web browser, you navigate to New Haven Publishing House’s homepage. 

It’s a simple website, reflective of its simple namesake. Chin in one hand, you click the link that reads Recently Published. 

The list that pops up is modest. Unlike a larger, more corporate publishing house, your professor’s self-made enterprise is churning out new releases at a slower rate and smaller volume. 

Perusing the titles and descriptions, you note that the vast majority of the works are short form fiction. There are very few full length novels. The majority is made up of essay and poetry collections, short stories, and memoirs. 

Scanning the list again, a title close to the top catches your eye. 

The Thirst for Revenge: An Analysis of Contemporary Vampire Activity. It was published less than a month ago. 

Your cursor hovers over the link, brow furrowing. It strikes you as odd that something so… archaic would be published so recently. 

Professor Kim has always come across as a discerning man. Someone that prides himself on his well curated taste. 

But vampires… that’s hardly a headline worthy topic these days. 

While most people still practice caution walking down dark alleyways at night and some even go so far as to carry charms infused with garlic cloves, monsters of the night are by and large a thing of the past.

The entire species of bloodthirsty, ravaging immortals were hunted to near extinction almost two hundred years ago. Those that survived relocated to remote areas. Some adapted to life in the countryside by learning to enjoy the taste of animal blood. Others found humans willing to donate small portions of their own blood intermittently. You won’t pretend to understand, but you suppose it’s preferable to the alternative.  

Some still hunted in the traditional way, of course, but vampire attacks on humans are few are far between these days. After all, vampires, as a means of survival, have all but forsaken major urban areas. Population density spells demise for their species. 

You’d have to confirm through research, but if you remember correctly, the last recorded vampire-related death in your city was nearly two hundred years ago. 

Without bothering to click on the link, you continue scrolling down. Honestly, it was probably just a fluke. After all, who knows? Maybe there’s some niche circle out there that enjoys analyzing vampire literature, regardless of how outdated it is. 

The next title seems a bit more promising. Shadowless Nights. The brief description marks it as a short story published half a year ago. 

You click on it, take a sip of room temperature tea while the page loads. 

Night was my favorite time of day, the first line reads. 

I loved the stillness of it all, the all encompassing serenity. With the moon in the sky and stars in my eyes, every moment felt like a secret between me and the universe. Something we alone shared. 

I whispered secrets to the earth and held hers in return. My days felt like dreams. Distant, blurry, faded. It was only then, in the distinct stillness of midnight, that I truly came alive. 

Interesting, you think. It’s a bit more melodramatic than you expected, but maybe your professor prefers a poetic touch. 

In the night, I earned peace. And in the night, I learned fear. 

It came slowly at first, that sinking feeling of dread. The horrible suspicion that made the hair on the back of my neck feel sharp, the air in my throat feel shallow. 

But if I have learned anything of monsters, it is that they revel in that fear. That sickeningly overt reminder of mortality, of humanity. The way I couldn’t help the racing of my pulse, the darting of my eyes. 

He enjoyed it, toying with me from the shadows. Watching me become desperate, watching me become weak. 

But it paled in comparison, I’m sure, with what came next. Every story has its climax, and every beginning has its end. For him, it was the sweet, clean taste of my blood. 

Wait. Another vampire story? One was strange enough, but for the last two published works at New Haven to be vampire related doesn’t feel like a coincidence. Especially since the more you read, the more you realize it’s not as much of a story as it is thinly veiled anti-vampire rhetoric. 

The dramatized descriptions of a weak, innocent female lead being victimized by a faceless, bloodthirsty monster. It just feels… strange. Outdated. Irrelevant, even. 

Clicking back to the list, you scan over the next five entries. All of them are more or less the same. Some are more metaphorical than others, abstract in their rhetoric, but the topic is always the same. And the conclusion always affirms the immense, inevitable, irredeemable blight that vampirism is to the world. 

It’s just bizarre. Especially considering that Professor Kim never once had you analyze any anti-vampire propaganda throughout the entire semester. In fact, you were never assigned to read anything vampire related at all. 

If this type of literature is so central to his professional career, it doesn't make sense to you that he wouldn’t incorporate it into his class. Especially considering the fact that he was awarding an internship at New Haven to one of the students. 

You take another long sip of cold tea. Well… you could try to come up with something that aligns with the current profile of New Haven’s recently published works. It’s not like you’ve ever written anything related to vampires. Maybe you just need to think of it as a writing exercise, a challenge of sorts. Producing a piece that feels relevant and fresh even if the central topic is a bit out of style. 

According to the revision schedule Professor Kim gave you, your first draft issue in a week and a half. The same day that you’re set to go to New Haven for the first time and tour the office you’ll be interning at once winter break is over. It’s an ambitious timeline, but he did specify that he’s looking more for a solid concept than a well polished draft. But something in you wants to have more than just a concept. You want his approval, to impress him. 

So you have a week and a half to come up with a draft that will catch his attention, that will convince him that you were the right choice for this opportunity. Not anyone else in your class. Not Heeseung. You. 

A concept that will excite New Haven Publishing House’s usual reader base, that will maybe actually earn you some commercial success. 

A story that will prove to your parents that literature was the right choice for you. That your words do matter, that you can make a name for yourself with your writing. 

Well, you think, suppressing an internal groan, it looks like you have your work cut out for you. 

…..

Despite your admitted lack of vampiric knowledge, once you have your topic, the words start to flow. You’re not sure if it’s your best work. You’re not even sure if it’s good. But it feels a hell of a lot better than staring at a blank page for hours. 

This afternoon finds you in the corner of your favorite coffee shop. Mostly because they offer half priced lattes on Wednesdays. As you make a dent in yours, the pen in your other hand continues to fly over the pages of your notebook, occasionally stopping to scratch out a word or rewrite a sentence. 

The bare bones are there. Just like in the handful of stories you perused on New Haven’s website, your plot features a young woman. It’s a historic setting, mostly because you still can’t quite bring yourself to write vampires into the modern day when the reality is so starkly different. 

And it’s not a vampire story. At least not at first glance. Instead, you weave an enduring metaphor to symbolize a parasitic relationship between two lovers.

The woman in your draft is young, full of life and energy and optimism. And she dreams. Vivid, brilliant dreams that she clings to in order to escape the harshness of her reality as a lower class woman in the countryside. 

Her husband, however, is a brute. Older than her and with a decidedly less sunny disposition. When he learns that his health is failing, he discovers that he can heal himself temporarily by stealing these dreams from her. 

So, no. It’s not overtly about vampires. But it does fall into step with some of the more abstract anti-vampire tropes you came across in your preliminary research. 

Crossing a dark line through the word you just penned, you sigh. 

This is the fastest you’ve put a story together in ages. It’s cohesive, and the writing is solid. Your use of metaphor is strong and concise, and the prose feels true to your identity as a writer. 

But something in you withers a bit with every new word you commit to paper. It’s not that you hate your topic. If anything, it’s just that you have no stake in it at all. It doesn't feel innovative or exciting or representative of your creativity. 

No matter how easily the words flow out of you, something about it just feels… flat. One dimensional. 

You need something new. A different angle or an alternative perspective or… Or a fresh set of eyes. 

Struck with a sudden idea, you pull out your phone, plan taking form in your mind. The literature club at your university hosts bimonthly peer review sessions, and you haven’t taken advantage of them nearly as much as you should. They’re a chance for any writer, literature major or otherwise, to come together and workshop any piece of writing of their choice. 

Tapping your finger impatiently on the table, you wait for the page to load. The fall semester did end almost a week ago, so it may be a long shot. You’re not sure if the club typically holds sessions over winter break. But as you pull up the club’s calendar of events, a small smile tugs at your lips. 

Luck seems to be on your side this time. It’s written there in plain, bold font that there will be a session this upcoming Friday evening. That means that if you attend the session and get some solid ideas for revision, you’ll have exactly five days to refine your draft before you present it to Professor Kim. 

The idea of having not only a topic, as the schedule outlined, but an actual complete,  well-written draft to show him next Wednesday, turns your small smile into one that overtakes your features. 

Energized with a new vigor, you reach for your pen again. It doesn’t have to be perfect, you remind yourself, even as a turn of phrase makes you cringe. Even as a piece of punctuation feels out of place. It just needs to be written. You just need to have as much content as you can to share on Friday. 

Besides, you’re sure that a second opinion will help you fine tune this story into something you’re proud to share, something you’re excited to attach your name to.

The afternoon is quick to blur into early evening, and you’re still bent over your favorite corner table. Coffee long drained, you’re full of a new confidence. The thought of proving yourself suddenly doesn’t seem like such an unachievable, out of reach task. 

And when you do finally gather up all of your belongings and make your way back to your apartment for the night, you’re sure that this is the exact boost you needed. 

That same stroke of self-assuredness carries you all the way through a finished first draft. It’s rough and messy and littered with loose ends, but it’s tucked away in the bottom of your tote bag with a smile as you haul it to classroom number 105 in the university liberal arts building Friday evening. 

You pause at the door to the classroom, only for a moment. The inhale you breathe in is deep, full. Nodding to yourself once, you push open the door. 

You haven’t been to one of these workshop sessions since the second semester of your first year, back when you had just switched to a literature major. You remember being wide-eyed and incredibly protective over your work. It was hard to part with it, to let anyone else read over the sentences you were so unsure of. The writing you had little confidence in. 

But your partner had been kind. Another girl in her first year, she had nothing but gentle feedback to give and reassurance that your writing was worth reading. Honestly, it was such an overwhelmingly positive experience that you would have come back for more sessions if you weren’t constantly struggling to find minutes to spare in the day. 

You’re hoping that tonight will be just as rewarding as you enter the classroom, tote bag in tow. But as you survey the space around you, your face falls flat, easy going smile dropping from your lips. 

You weren’t expecting a big crowd, considering that it is winter break and most students are deliberately avoiding campus right now, but you were hoping there’d be more than one other person in attendance. 

Well, you think, deciding to look on the bright side of things. At least you’re not the only person. 

The other attendee is sitting in the far corner of the room, occupying a desk near the front of the classroom. At the sound of your entrance, they turn to face you. 

With that, your small disappointment is quick to snowball into an intense wave of exasperation. Because why is the universe so hellbent on playing games with you?

Your mouth drops open without your permission. “Heeseung?” 

Your sudden outburst fills the room and lingers long into the awkward silence that follows. You hadn’t meant to say anything, but really, what are the god forsaken odds?

If he’s bothered by your reaction to seeing him, Heeseung doesn’t show it. Instead he looks strangely… relieved. It makes absolutely no sense for him to feel any sort of relief at the sight of you, but it’s hard to put a more apt descriptor to the way tension drains from his shoulders, crease between his brows softening as he looks at you, scans you from head to toe. 

A moment of stilted silence passes between the two of you. Another. Your heartbeat feels too loud in your chest.

You exhale, a cross between a scoff and a laugh so humorless it could freeze a flame. Weighing your options, the most tempting by far is to just turn on your heel and exit the way you came. 

Heeseung seems to read your intention before you can commit to it. 

Breaking the heaviness in the atmosphere, he acts as if you’ve greeted him like an old friend, not as the source of all your recent headaches. 

“Hi,” he nods, so tentatively you almost want to let your jaw drop open in shock. Almost. 

Because what the fuck does he mean by ‘Hi?’ This has to be some kind of mind game, some way to get in your head and ruin this for you. 

“Right.” Your lips pull into a tight line. You don’t bother to return his greeting. “I’m just gonna go, then.” Hiking up your bag on your shoulder, you turn to do just that. Your first draft will just have to be unpolished. Oh, well. You’re sure Professor Kim will have better feedback for you than Lee Heeseung ever would anyway. 

Once again, Heeseung’s voice cuts across the classroom. “Wait.” There’s a command in his voice. Gentle, but firm. Insistent. So pervasive that you find yourself following without really meaning to. 

Mind made up and dead set on leaving, now you’re just annoyed. What a waste of a Friday evening.

“What?” You turn back to him. You’re not sure if there’s more venom in your voice or your eyes. 

And Heeseung, who commands a classroom with quiet grace, with his steady, unwavering presence, suddenly looks so damn unsure. As if tormenting you is uncharted territory. As if he’s never once left you in the cold with flaming cheeks and a thoroughly shattered ego. 

“I…” he trails off, not quite meeting your furious gaze. “Didn’t you come here to get feedback?”

“Right.” You scoff again. “Because I’m sure you’d love nothing more than to tear my writing to shreds. Forgive me, but I’m not interested in being the butt end of your joke tonight.”

“What?” If you didn’t know any better, the ignorance he feigns would be rather convincing. “That’s not why I’m here.” He shakes his head. “I brought something I want reviewed too.” 

Your brow arches. He can’t be serious. “Even if I did stay,” you counter, “you’re actually the last person I would want to read my work. Feel free to be offended by that, by the way.”

For a solid minute, Heeseung just looks at you. He wears that same damn deer-in-the-headlights expression he had after you brushed him off when he intercepted you in class the other day. He pauses, weighing words on his tongue. “Look, ____.” The sound of your name on his lips strikes a strange chord in you. Until now, you were certain he didn’t even know it. “Did I do something to offend—”

And no. Absolutely not. No way are you rehashing that day in the quad with him now. 

“You know what,” you interrupt. You need to go. Now. You need an out. “I’m actually, like, super tired. I think I’m just gonna head back, and—”

But then it’s his turn to cut off your train of thought. “It’s your piece for Professor Kim, isn’t it?” Heeseung takes your silence as confirmation. “Publishing is a big deal. A second set of eyes will only make your work stronger. And if you hate my feedback, it’s not like you have to use any of it.”

You hate it. You despise the way his reasoning matches your internal monologue nearly word for word. The way your thoughts align exactly. 

You pause, a decision weighing heavy on your mind. He is an excellent writer… There would probably be substance to his feedback. Real, actual, good substance that you could use to make your writing bloom into something truly amazing. He could be the exact spark you need to make your story come to life. 

You purse your lips. “What’s in it for you?”

Heeseung smiles, a nearly imperceptible quirk of his lips. He knows he’s won. “Like I said, I brought something I’ve been working on.” There’s an intention you can’t quite read behind his gaze when he adds, “I want to know what you think of it.”

Hook, line, and sinker.

With a grumble, you take reluctant steps towards where he sits on the opposite side of the classroom. And if you slide down into the seat next to him with a little more force than necessary, well, it’s just because you’ve had a long week. No other reason. None at all. 

“Fine,” you relent, reaching to pull your notebook out of your bag. “You get twenty minutes.”

“That’s not nearly long eno—”

“Thirty,” you concede. “And don’t push it.”

Sensing your disdain, Heeseung doesn’t respond. Instead, he accepts the notebook you reluctantly hand him with an outstretched hand and an open palm. The transfer between the two of you is gentle. You have the distinct sense that he’ll treat your work with care, in more than one way. 

Still, something in your heart seizes at the thought of letting your work be read. Of letting him be the one to read it. 

In return, he offers you a notebook of his own. Bound in brown, aged leather, it’s certainly much more refined than yours. Of course. 

He hands it to you still closed. Staring down at the cover, you ask, “What page?” It feels intrusive to start flipping through his writing uninvited. 

“There’s a bookmark.” Heeseung nods his chin towards the small piece of paper sticking out of the top edge that you missed at first glance. 

And then the transfer is complete. A piece of your heart is spread open on his desk, and a piece of his soul is in your hands. 

Ignoring the way your fingers tremble with a slight shake, you delicately open his notebook to the bookmarked page, letting it fall open on the desk in front of you. 

At first glance, the writing strikes you as odd. The paragraphs are strange lengths, ending at random junctures instead of extending all the way to the margins. And then it hits you. They’re not paragraphs. They’re stanzas. 

Poetry. Lee Heeseung writes poetry. 

You sneak a sidelong glance at him out of your periphery. He’s already engrossed in the pages of your notebook, pausing occasionally to jot a note down on a scrap piece of paper. His brow is furrowed, and there’s a tension in his jawline that only makes it sharper. 

Still, the image of his profile is shrouded in a distinct sort of softness. The kind of effortless beauty that feels like it should be reserved for intimate moments in the dead of night, secrets passed between lovers. It’s wasted under the fluorescent lights and patchy, beige walls of an underfunded classroom, but you waste another minute staring at him all the same. 

For a fleeting moment, it’s not hard to imagine those hands, those long, delicate fingers maintaining an even grip on a ballpoint pen to write something as romantic as poetry. 

Shaking your head, you clear the errant thoughts. Instead, you turn your focus back to the page in front of you and begin with the first poem. Forcing your eyes to focus, you read. 

As if nothing happened,

She looks at me

With shadowless eyes.

But it is me who has been 

Forgiven and reborn countless times.

You inhale. Exhale. Short and succinct with a distinct twinge of tragedy. That was… not what you were expecting. Pushing forward, you move onto the next entry. 

Even the stars in the universe

Will close their eyes one day.

Underneath their watchful gaze,

All of these moments are precious.

For memory, for regret,

I will carve them

Into the repetition of the moment.

Again, you pause, taking a moment to breathe. It’s so… melancholy, so poignant in its evocation of pain, of regret. While you’ve been familiar with Heeseung’s ability to analyze the hell out of a novella, this was not something you thought you’d find in his repertoire. And the more you read on, the more you realize these aren’t flukes. This is his identity as a writer, or at least a significant part of it. 

The world that abandoned us

Slowly turns to ash. 

But I don’t feel the pain. 

I only feel the cold.

My god. You nearly close the notebook on instinct. Without your permission, your eyes flick ove to the desk next to you. The broad set of shoulders that fill the seat. What has this boy been through? Why is he letting you read this? 

Heeseung looks up. Not at you, but the movement is enough to startle you out of your staring. Returning your eyes to his notebook, you read the last entry on the page. 

A shaded castle with no sun

The thick scent of dying roses never fades. 

In a broken mirror, I see myself. 

And my reflection whispers, “Monster.”

The breath you release is long. Audible. You’re overcome with the urge to run your fingers over his words, to feel the indents his pen made as he carved pain into the page. His writing is gorgeous. It’s beautifully, tragically haunting. Of that much, you’re certain. But you have no idea what to do with that information. 

His words feel too raw, too terribly intimate. Like something that was never meant for your eyes. You can’t understand what on earth possibly possessed him to let — no — to encourage you to read these. 

You can’t fathom any kind of feedback you could offer him. These feel like pieces of his soul, not something to be commodified or commented on in a writing workshop. Discussed in the cold, unfeeling walls of an old classroom.

Despite the discomfort that lingers with each passing stanza, his writing has an almost addictive quality. Over and over, you find yourself rereading each brief poem. You’re searching for meaning, for clarity, for something hidden between the lines that you missed on your first handful of reads. 

Thirty minutes pass in a trance, and Heeseung, true to his word, is the one to break the silence when your half hour is up. 

Mind still reeling, you realize with a sinking feeling that you have absolutely no feedback to give him at all. 

Instead, you turn to face him. Throwing a meaningful glance at where your notebook still lies open on the desk in front of him. Doing your best to not look too hopeful, you ask, “Well?”

For a moment, Heeseung just looks at you, an unreadable expression on his face. Tension pulls at his temple, his jaw. Frustration seeps from beneath his skin, and you can’t tell where it’s directed. 

“Oh, come on,” you prod when his silence extends even longer. “I know you’re dying to spill the gory details of how grossly incompetent I am and how horrifically amateur my writing is, so don’t—”

Heeseung wastes no fanfare. “This is awful.”

Your lips flatten. “Or just cut right to the chase.”

He’s quick to clarify. “But not for any of the reasons you just listed. I mean, sure, there are some craft issues here, but even those seem like a result of your concept.”

“What’s wrong with my concept?” The edge of defensiveness in your voice escapes without your permission. 

Heeseung just levels you with a look. Returning his gaze to your notebook, he reads from your draft verbatim, “...Stashing away the light from her life. Tucking it into his back pocket like extra change just for the satisfaction of temporary happiness. It was never love that bound him to her, but the promise of a never ending fountain of life. Of wishes and thoughts and hopes and dreams that he could use to sustain himself as long as he subjected himself to the numbing pleasure of existing at her side.” 

He raises an eyebrow, turns back to you. “I mean, really, ____? I’ve read some nauseatingly vitriolic vampire pieces in my life, and this just about has all of them beat. Besides, the whole vampire thing just feels so… irrelevant. Do people still read this stuff anymore?”

Your first instinct is to defend yourself, your work, even if his thoughts mirror your own. Before you can, Heeseung is pressing on. You don’t have the space to get a word in sideways. “I mean, what happened to the writing from that piece you presented back in September? I don’t remember all the details, but there was something about watching birds land on water and connecting it to the feeling of belonging but never truly fitting in.” He looks at you again. There’s more emotion, more glittering life in his eyes than you’ve ever seen from him before. “That was a fresh take and a well done metaphor.”

Your mind is reeling. It’s far too much information to take in all at once. But something stands out amongst the rest. Because that almost sounded like— 

“Was that a compliment?” It seems unlikely, but you can’t find another way to take his words. “You paid attention to my presentation?” 

You liked it? You don’t ask that question out loud, but the needier parts of you crave his answer anyway.

“Yeah, of course I did. Peer review was a mandatory component of the course.” Heeseung’s cheekbones remain the same, even, honey-tinted tone, but you swear you see a flash of embarrassment in the way he averts his gaze. 

“Well, yeah.” It’s not a justification that holds much weight in your mind. “But you don’t exactly seem like the type to really pay attention to other people’s stuff. Especially if you think it’s not worth your time.”

“I just told you your presentation was good, didn’t I?”

You arch a brow. “Yeah, right after you finished calling my draft horrific.”

Heeseung shakes his head. “I didn’t say it was horrific…”

“Oh, please. Spare us both the semantics. That’s what you meant.” You’re not sure why your mind always goes back to that day in the quad, but you find yourself still sore from his rejection, his new assertion of your work poking at old wounds. Picking at poorly healed scabs. “And it’s not like you were jumping for joy at the chance to review my work back then, either.”

Heeseung’s brow furrows. You can practically see the gears turning in his mind. You’re not sure if it makes you feel better or worse, the fact that he doesn’t seem to remember that day at all. 

In the end, you decide to spare him the effort of empty recollection. With a sigh, you spill your shame. At least this time around, you’re the only two that will bear witness. “That one day in class. Back at the beginning of the semester. We had to present our analysis of that one short story. You remember, the one about planting seeds in bad soil.” Heeseung nods, but there’s no spark of realization. Not yet. 

Continuing, it only pains you slightly to admit, “Your analysis was brilliant, and I gushed about it in front of the whole class. Laid it on thick with the compliments. And then after class, I stopped you in the quad.” Something flickers over Heeseung’s features. A memory tugging at the back of his mind. “When I asked if you wanted to review each other’s pieces for the next assignment, you completely brushed me off.”

Brow still pulled downwards, Heeseung is thinking back to that day, too. But it doesn't seem to hold the same awful, leaden weight in his mind. “I didn’t brush you off,” he argues. “I think I said I was busy.”

It takes a lot of willpower not to let your jaw drop open. “That’s brushing someone off!” Your voice is too loud for the near empty classroom, for your close proximity. “Like literally the textbook definition. Everyone knows that ‘I’m busy’ is code for ‘leave me the hell alone.’”

Almost imperceptibly, Heeseung’s features soften as he watches yours strain. The fluorescent light bulbs that fill the room suddenly don’t seem quite as harsh when he says, “Well, that's not what I meant. I was busy.”

It’s hardly a satisfying answer. But you suppose it makes little difference. If he wants to stick to his story, you’ll continue to feign indifference. “Whatever. It’s not like it matters now anyway.”

And then your mind is back on his poems. His beautiful, tragic, gorgeously phrased stanzas scribbled in his handwriting. Fragments of vulnerability that he handed to you without hesitation. 

It’s like comparing apples to oranges in a way, but there is no doubt in your mind that between the two of you, the writing he brought tonight is better. Better than your story, better than most things you’ve ever written, probably. The imagery is evocative, striking in a way you’ve never quite been able to achieve no matter how many seminars and workshops and lectures you attend. 

Not for the first time, your brain dangles a dangerous thought in a place where you can’t avoid it. What if Professor Kim chose wrong? What if Heeseung hadn’t been late to class that day? Would you be sitting here with a mediocre draft and a raging inferiority complex?

You’ll never know, not really, but you find yourself asking anyway, “Why were you late to class that day?”

As soon as the words leave your mouth, you wish you could take them back. It’s not like his answer will change anything. And it’s invasive. Far too personal to ask someone you barely know. That up until thirty minutes ago, you actively avoided. 

But maybe the universe is on your side for once. Maybe you got ridiculously lucky and he didn’t hear you, despite the fact that it’s dead silent in this classroom. Maybe—

“What?”

Or not.

Well, you’re committed now. “The last day of class. When the winner for the publishing opportunity was announced,” you clarify. “You were late. Honestly,” you add with a wry smile, “you’d probably be the one writing overdramatic vampire slander right now if you hadn’t been.”

It’s a self-deprecating joke. It might land poorly, but you’re hoping it will lighten the atmosphere. 

A dark shadow crosses Heeseung’s features. “Trust me, ___. You winning had nothing to do with me being late that day.”

If he thinks flattery will get him anywhere, he’s wrong. You can feel your frustrations bubbling in your throat, clawing at your mind. You won. You beat him. So why doesn’t it feel like it? Why doesn’t it feel like anything you do is ever good enough?

“C’mon, Heeseung.” He doesn’t deserve your anger. At least, not now. But he gets it anyway. Insecurities and inferiority and frustration all wrapped in rage. “You were practically a shoe-in, and everyone knows it.”

He’s just as insistent. Leaning towards you slightly, he looks anything but aloof now. “No I wasn’t. Professor Kim chose you to intern with him. He read both of our submissions all semester and chose you to publish with his firm. I told you, your writing is good. Really good.” Glancing down at your notebook, he adds, “Even if this one is a bit… uninspired.”

A compliment and a slight. His version of the truth, wrapped up in a bow and delivered right to your waiting ears. You don’t know whether to be furious or overjoyed. Maybe it would be best to feel absolutely nothing at all. It scares you, just how much weight his opinion holds. 

But approval from him has its way of feeling like a long sought victory, and now the air feels fraught with something delicate, fragile. Precarious, even. 

It’s early evening in a threadbare classroom. The most neutral territory imaginable. But it’s the two of you, alone, secluded. And suddenly, that frightens you. 

“Right.” You won’t tell him ‘thank you’ for the compliment or ‘go fuck yourself’ for the criticism. Both options feel like you would be revealing too much. 

Instead, you take a glance at the clock. It’s not late, but it’s an excuse. “I should probably get going.”

Heeseung exhales. Leans back in his seat. “Of course,” he concedes easily, reaching to hand you your notebook.

You do the same with his, almost sad to watch his poetry pass from your hands to his. It’s odd, the way his words already feel like something you’ll miss. 

You realize then that he hasn’t asked you for your opinion on his work. For your advice on how to make it better. In all honesty, you’re relieved. You haven’t the slightest idea what you would say. 

So instead, you busy yourself with repacking your tote bag. In your haste, you knock your pen off of your desk. The sound it makes as it strikes the thinning carpet can’t be loud, but it feels thunderous in your ears. 

As you reach to pick it up, Heeseung does the same. There’s a moment, fleeting but unmistakable, when the skin of his hand brushes against yours. 

Instantly, Heeseung recoils as if you’ve burned him. His hand is back in his own space at a speed so fast you nearly miss it. 

It was an accident, a tiny blip with no real consequences, but the way he’s looking at you with those damn eyes makes you feel like you should be apologizing. 

“Sorry.” The severity of his reaction stings like rejection. It’s not like he’s exactly your favorite person either, but at least you have the common decency to not look repulsed at the thought of touching him. At the accidental brushing of your hands. 

Heeseung frowns. Shakes his head slightly as if to clear his thoughts. “No, I…” he trails off, letting his words hang in the air for a moment. “I’m sorry,” he concludes, but it feels disingenuous. And he doesn’t bother to elaborate. Looking over your shoulder, he reads the clock on the wall. “It’s getting kind of late. Where are you parked? I can walk you to your car.”

His hands are busy putting his notebook back in his back. It’s a considerate offer, but coming on the tail end of everything else, it doesn’t hold much weight with you. His words don’t match his actions, and you decide you’d be a fool to take them at face value. 

“Don’t bother. I’m walking home, not driving.”

Heeseung freezes, hand still inside his bag. He’s not looking at you, but you feel the weight of his attention all the same. “Do you need someone to walk with you?”

The way he phrases the question makes you feel like a burden. He’s asking if you need someone to walk with you, not offering because he wants to. A subtle difference maybe, but the last thing you want is to feel like you owe him any favors. 

“No, I’ll be fine.”

“Are you sure?” He does look at you now, concern painted across his features. “It’s getting dark earlier these days, and—”

His words are wasted on you. You’re already halfway to the door. “I’m sure.” But before you leave, you decide one more hit to your pride can’t worsen the damage that’s already been done. At least this time, it will be by your doing. Standing under the doorframe, you turn back to him. “Thank you for your feedback. It was good to hear an honest opinion.”

Your words sink into the air. Linger for a moment. 

Heeseung nods. Something in his jaw tightens. “You know, if you do decide to change topics, I’d be happy to read whatever you write.”

It almost sounds like another compliment. Or maybe another insult. Either way, you’re sure that even if you figure it out, you’ll still have no idea what to do with it. You nod, only once, and then your back is turned again before you can linger too long on any of it. 

But his words, the sweet ones this time, replay in your mind the entire walk home. 

Maybe if you weren’t so distracted by the ghosts of compliments, you’d have noticed the pair of quiet, even footsteps that trailed after you in the distance. That only retreated once the front door to your apartment was pulled shut and locked tight behind you. 

Then again, maybe not. Heeseung has always had a knack for going undetected. 

…..

You wake up the next morning with Heeseung’s words replaying in your mind. 

Awful. Irrelevant. And of course your favorite, ‘nauseatingly vitriolic vampire piece.’

In the faded glow of morning light, you groan out loud to your empty bedroom. The worst part of it all is that he’s not even wrong. But it’s Saturday morning, and your first draft is due on Wednesday. The thought of starting a new story from scratch and writing it to completion within that time frame is enough to make you want to curl into a ball and screw your eyes shut until you can pretend the world outside your bedroom is nothing but a figment of your imagination. 

So no, you don’t think you can start over entirely. But maybe, just maybe, you can rework things. Tweak the narrative to feel less cliche, less outdated. More true to you. 

Part of you wants to abandon the vampire concept entirely, convinced it’s what’s holding you down. The other part is hesitant to do so based on New Haven’s list of recently published works. 

And while Heeseung’s criticism was the confirmation you needed that your story needs reworking, it’s not like he gave you any ideas as to what you should change. What direction you should take.

Nauseatingly vitriolic vampire piece. That seemed to be Heeseung’s biggest problem with your draft. Not that it alluded to vampirism. No, you think he disliked that it was a tired and rehashed propaganda piece on the inherent evilness of vampires. 

Everyone knows that vampires were monsters. Writing about it, no matter how many metaphors and symbolic phrases you wrap it up in, just isn’t interesting. 

That’s the route you’ll take, then, you decide. You don’t have to invent a new concept out of thin air. You just need to find a way to bring something new to the table. Something worth reading. Climbing out of bed, you switch your pajamas for clothes more acceptable in public. 

And then you make your way to the university library. 

Just as you suspected, it’s essentially empty. Between long rows of meticulously shelved books, vacant study rooms, and community computers, the only other person you see is the librarian that greets you as you arrive. Even her eyebrows raise in mild shock to see someone else during the break, and on a weekend at that.

Heading to the second floor, the first section you peruse through is historical records. But between old newspapers, reports, and journals, the content itself is quite cut and dry. Detached descriptions of vampire attacks that only contain details of the date, time, and death toll aren’t exactly riveting. And you don’t think they’ll do much for your feeble draft. 

Before long, you move away from the nonfiction section. Navigating to supernatural fiction on the third floor, you start browsing titles. Vampire stories make up a rather small portion of the texts, and from what you can tell, the vast majority align with what you found on New Haven’s website. 

From Demons of the Dark to Left in Cold Blood, you doubt that most of what you find will offer any kind of new perspective. But on your third, slightly desperate scouring of the shelf, you make a discovery. 

It’s a small, nondescript book. The muted tones and faded lettering on the spine go easily undetected amongst the much flashier copies of anti-vampire propaganda it’s nestled between. 

Pulling the book out from the shelf with a delicate touch, you flip the cover face-up in your hand. 

Sacred Monsters: A Collection of Essays on the Origins of Immortality

It piques your interest. At the very least, it seems different from all the other novels. 

Book in hand, you make your way to a nearby desk. Once you’re settled in, you pull out your notebook, opening to a new page with the intention of taking notes. 

The book you lay on the desk next to your notebook seems like it’s lived a long life, the old scent of dust and aged paper and time all contained within its pages. Flipping open the front cover, you look for an author or publication date. But there’s nothing there, not even a title page or a table of contents. 

Glossing over the slight oddity, you decide the beginning is as good a place as any to start. 

The Taste of Blood, is the title at the top of the page. 

And the first sentence begins:

It is neither sweet nor particularly savory. There is no distinct aroma, no compelling flavor profile, nothing that appeals to the eye or excites the taste buds. The only merit is the fact that it is necessary. For even those blessed with immortality know what it means to survive. And even those cursed to live forever know what it means to die. 

Frowning, you flip back to the cover, as if that will provide any clarity for the strange passage you just read. But nothing is different. Nothing new stands out. Just the same, faded title. No author or indication of any kind of publication date. 

Intrigued, you turn back and resume where you left off. 

Some are said to enjoy the act. The purity of release, of giving in to the instincts that can be convinced into domesticity but never fully silenced. I have never found such relief. The ghost of my humanity has always been stronger than the voice of the monster, even as he screams with unbounded ferocity. 

Without it, I feel incomplete. With it, I feel irredeemable. Even now, I dodge the truth, omit the profane. I have seen many moons, enjoyed their silver glow. I have stolen the very same pleasure from countless others. And yet, I struggle to call it by name. I cannot reconcile the battles waged in my bones, the war fought in my mind. 

There is no winner in either. All that remains in the taste of it. Lingering on my breath. Haunting my waking dreams. That which I cannot name. 

The taste of blood. 

In my fervor, it soothes like honey. In my regret, it turns to ash. 

And still, nothing changes. And still, nothing remains the same.

-- Anonymous

Well, if you were looking for something different, you found it. Because what the absolute fuck are you reading? If you didn’t know any better, you’d think it were written from the perspective of a vampire. 

Then again, shelved in the fiction section, you suppose it’s plausible. Actual vampires may have housed little room in their consciousness for anything outside of bloodlust, but it is an interesting idea to think of vampires as conflicted. Haunted by the brutality of their innate instincts. 

You’re not exactly sure how or if this will be able to influence your own story for the better, but something about it makes you want to keep reading. 

Alone, tucked amongst the dusty shelves of a neglected section of the library, you lose yourself between the pages of the mysterious book. 

As the title indicated, it’s a collection of essays. Most are quite short, around the same length as the first one you read. And none are claimed by an author. All are signed off with the same boldface type that spells Anonymous. There are subtle differences in the writing though, stylistic choices that make you think that more than one person wrote these essays. 

Despite that, they’re all woven together by a common thread. The first essay, as you discover, was not a fluke. Every single one is written in first person from the perspective of a vampire. 

The writing is compelling, humorous in places and deeply upsetting in others. It seems odd to you, just how much humanity is captured within the pages, within each turn of phrase. 

You feel inclined to root for the narrator in some stories and abjectly horrified by them in others. But never once does the writing make you think that vampires are incapable of self-actualization, of reflection, of morality. 

In all honesty, aside from Heeseung’s poems, it’s the most interesting thing you’ve read in ages. So much so that by the time you realize you’ve finished the last essay, the winter sun is teeming dangerously close to the horizon, and the library is nearing its closing hours. 

The notebook page you intended to use for notes, to jot down points of inspiration, is still woefully blank. But as you make your way back to the front of the library, the small, strange book comes along with you. 

Stopping at the front desk to formally check it out, the librarian frowns when she enters the number from the spine into the system. She clicks around on her computer for a moment longer before handing the book back to you. 

“I’m sorry, but the book isn’t coming up in our system for some reason. Would you mind writing down your student ID number for me? I’ll have to enter the information manually.”

You oblige her request, tucking the book into your bag before you leave. 

It’s chilly outside, the cold clutches of winter gaining a full grasp on the crisp, frigid air. After a long day in a stuffy library, the freezing air is almost soothing. Tucking your hands into your pockets, you turn towards the direction that will take you home. 

You’ve barely taken five steps when a voice calls your name from behind. Pausing, you turn to find the source of the sound. 

“Heeseung?” But there’s no mistaking it. That is most definitely Lee Heeseung, currently jogging towards you on the otherwise empty sidewalk in front of the university library. 

He catches up to you easily, no sign of perspiration or even a hint of breathlessness when he asks, “What are you doing walking alone at night?” As if you’re the strange one in this situation.

You give him a once over. The loose jeans and dark winter coat he wears are nothing special, but he wears them well regardless. You suppress the urge to sigh. “I could ask you the same.”

“Fair enough.” His tone is too light, too casual. Like he’s forcing it. Like he’s hiding something. “Are you headed home? I’ll walk you there.”

And if you weren’t suspicious before, you sure as hell are now. Why on earth would he want to walk you home? “I’m fine, thanks.” You turn away from him, heading in the direction of your apartment and hoping he’ll take the hint. 

Your wish goes ungranted. He matches your pace easily, even as you try to quicken it. “It’s after dark, ___. And there are a lot of…” He trails off, searching for the right word. “strange people out at night these days. I’m not letting you walk home alone.”

Lips tight, you don’t bother looking at him. The idea of Heeseung letting you do anything makes you want to throw things. “I’ll be fine.”

But he’s persistent. He’s all smiles and a strange amount of desperate when he says, “Either you let me walk you back or I’ll just follow you at a weird distance, which will be far more uncomfortable for both of us.”

That makes you stop in your tracks. And now you do turn to look at him. “Well, when you put it that way…”

Heeseung nods, “Exactly. So—”

You arch an unimpressed brow, crossing your arms over your chest. “It sounds like you’re the strange person at night I need to stay away from.”

Heeseung sighs, matches your eye. A strand of hair falls into his eyes, and he pushes it away with long fingers. “Are you gonna start walking or are we gonna stand here and argue a little longer?”

“You don’t even know where I live.”

“What a great night to find out.”

You stare at him a moment longer, lips tight. You don’t want to be the one to give in, to hand him any kind of victory, no matter how small. 

But it is getting late. The walk from campus to your apartment is never one that’s made you uneasy, but it never hurts to have someone at your side. Besides, you think he was serious about following you. He’s made it clear that he’ll be tagging along one way or another. 

“Fine,” you huff, arms still crossed over your chest. “But only because the streetlight a few blocks away is out.”

Heeseung inclines his head, a minute acknowledgement. There’s a hint of movement at the corner of his lips. “Naturally.”

You resume walking, and he falls into your pace with a practiced ease, hands in his pocket, eyes on the stars. It’s a cloudless evening. The sky above you feels vast, immense as the last rays of daylight lie to rest on the distant horizon. 

With a slight shiver, you pull your jacket tighter around your body. Heeseung notices the movement. Parts his lips as if he wants to say something. Changes his mind. Closes them. 

You’ve just reached the far edge of campus when he breaks the steady silence. 

“How’s your draft coming?”

“It’s…” You trail off, not sure how well honesty will serve you here. It feels vulnerable, like a blatant weakness to admit that you’ve got nothing. But something about cold air and the vast expanse of night has you wanting to tell the truth. “Not great.”

Heeseung lets your response settle. Turns it over in his mind a few times. You’ve noticed that about him. He’s careful with his responses. Weighs his words before breathing them to life. “Still looking for inspiration?”

“I don’t know if it’s inspiration I need.” It’s easier to talk to him like this, when your eyes have something to focus on, when your body has the constant repetition of steps to occupy part of your mind. Without little distractions like these, Heeseung has a way of becoming all consuming. “I feel like I backed myself into a corner with the vampire concept. I’m not sure if there's really anything there to explore that won’t feel outdated and irrelevant.” 

“Mm,” Heeseung muses. It’s noncommittal, neither an agreement nor an argument. “Maybe. You said it yourself; vampires are nothing but bloodlust. Riled completely by instinct. Nothing left of their humanity.”

Frowning, your footsteps almost falter. “I didn’t say that.”

“Forgive me.” If there’s a tinge of bitterness in his tone, you suppose it must be because of the cold. The fact that he’s wasting his Saturday night walking you home. “Heavily implied it.”

“Honestly, the only reason I even wrote that story was because there were a lot of similar ones on New Haven’s list of recently published works.” Your reasoning feels almost stupid when you admit it aloud like this. You’ve always prided yourself on your originality, your commitment to staying true to yourself as a writer. But when push comes to shove, you let your desire to impress your professor get in the way of that. “I wanted something that would align with their usual publications.” 

You’ve admitted a weakness, a poorly made choice. You’re expecting ire, more of that haughty contempt. But Heeseung’s mind is going in an entirely different direction.

He’s not questioning your abilities, not even alluding to them at all when he asks, “What do you think of vampires, then?”

His question catches you off guard. Why on earth would he care about that? “What’s it to you?”

“My bad. We can just walk in awkward silence if you prefer.”

It takes a ridiculous amount of your energy to swallow the laugh that bubbles in your throat. Since when did Heeseung crack jokes? Since when did you have to fight the urge to giggle at them like a schoolgirl with a crush? You suddenly find yourself grateful for the cover of night, the way shadows make the heat on your cheeks undetectable. 

But his question still lingers. Ruminating on it, your mind flickers to the small, odd book currently sitting at the bottom of your bag. 

Sacred Monsters. 

It feels like a strange combination of words, two concepts that shouldn’t fit together. 

“I think it’s more complicated than that,” you breathe. You don’t know if it could possibly be true, the idea that creatures of the night have a high level of consciousness, the ability to moralize, to feel conflicted. But it certainly makes for a more interesting story. 

“I mean, vampires had to have some level of base cognition, right?” You’ll never know for sure, but the more you think about it, the more it makes sense. “They were hunted to near extinction, but they put up a good fight. They hid. They fled. They tried blending in as humans. Some resorted to drinking animal blood. I guess there’s no way of knowing, but that doesn’t feel like pure biology or an evolutionary response alone. It feels like… something a human would do.”

“Wouldn’t that be worse?” Heeseung’s voice is low. If the faint hum of faraway traffic were any louder, you might not hear him at all. “For them to know what it means to be alive and still make the choice to take that away from someone else? To exist as a parasite.”

“It would certainly be tragic.” The words of the first essay come back to you. 

For even those blessed with immortality know what it means to survive. And even those cursed to live forever know what it means to die.

“It’s a fatal flaw, a cruel design. They need blood to survive. The very thing that their bodies used to create on their own. It’s parasitic, yes, but that doesn’t make it animal instinct. I can’t imagine the horror of having to experience that with the burden of human consciousness.” 

You feel the weight of Heeseung’s gaze on the side of your face. “It’s still evil, is it not?”

His words feel heavy, weighted under moonlight. Though you can’t imagine why, you have the distinct sense that your answer is important to him. 

“Like I said, I think it’s more complicated than that. Taking someone’s life is evil, yes, but that was never unique to vampires. Is a vampire that chooses animal blood still evil just because they’re a vampire? Is a human that chooses to kill another absolved of their crime just by virtue of being human?”

Your words settle into the space between you. 

“That,” Heeseung finally breathes, “would make a much better story than the one I read last night.”

This time, you do laugh, a light airy thing. It feels easy, lighthearted as some of the tension drains from the atmosphere.

“Unfortunately, I’m not so sure Professor Kim would agree. Based on everything New Haven publishes, he seems to have some weird anti-vampire vendetta.”

As you round the corner, your apartment comes into view. Nodding toward the staircase that leads to your front door, you tell him, “This is me, by the way.”

Heeseung glances at the stairs, then back at you. He shoves his hands into his coat pockets. “When is your draft due?”

“Ugh, don’t remind me,” you groan. “Wednesday.”

“Mm,” he winces, an offer of understanding. “What time?”

“I’m supposed to be at New Haven by three, so—”

“What?” Heeseung cuts you off, expression suddenly tense, voice suddenly sharp. “You’re going to the publishing office?”

“Yeah.” You nod slowly, unsure why that would possibly warrant such a strong reaction. “I’m dropping off my first draft and getting a tour. The internship starts right when spring semester does, so he told me I could come in person to familiarize myself with the space first.”

“Right.” Heeseung nods. The tension in his jaw doesn’t relax.

It’s all so strange. He always seems to be speaking in riddles, dealing with invisible problems you can’t detect. 

You’re tired and confused, and the moon that hangs above you doesn’t feel like a remedy for either of those things. In fact, it might be making things worse. 

Because despite the way you feel like you’ll never quite understand him, bathed in the shimmering glow of moonlight, Heeseung looks… 

He looks like all the things you’ve been trying to avoid calling him for the duration of the semester. Ethereal. Beautiful. Maybe even kind, at least when he wants to be. 

After all, you’re standing at the base of your staircase with company, and it wasn’t due to any insistence on your end. 

The silence lingers. A string somewhere is pulled taught. 

You’re standing still, and you’re still a little breathless when you tell him, “I should go.” You don’t want to. You’re not sure why. 

Again, Heeseung only nods. 

The movement sends shadows dancing over his features. The bridge of his nose. The plane of his cheek. The line of his jaw. Things you’ve never let yourself linger on. Things you’re having a hard time looking away from now. 

 But he’s seen you home safe and sound, and even nights under the stars have their inevitable end. 

It occurs to you then that you have no idea how he plans to get home, or even how far away he lives. 

After he walked you home,it’s the least you could do to offer, “Do you live far? I could help you pay for a cab or something if—”

Heeseung shakes his head. He smiles, but it doesn’t quite reach his eyes. “It won’t take me long. Besides, I like to walk at night.”

“Okay.” It feels strange, trading these bits of kindness. You’re craving some normalcy, something unwavering. So with a final wave and a small goodnight, you climb the stairs to your door. 

You couldn’t say for sure if his eyes follow you on the way up. You feel the heat of them, the weight of a steady gaze on your spine. But it’s a fickle sensation and you’ve been wrong before. And you can’t quite bring yourself to turn around and look. 

The door closes behind you. Surrounded by the stillness of an empty apartment, you release a long held exhale. It drains out of you audibly. You hadn’t even realized you were holding your breath. 

…..

Dawn breaks Wednesday morning and carries with it a certain kind of dread. 

Despite your efforts, and there have been many, your draft remains far too close to its original state for your satisfaction. No matter how many times you pour over Sacred Monsters, you can never quite seem to find a way to make your submission more interesting while also staying true to New Haven’s general themes. 

If anything, the book has been a distraction. Long hours that you could have spent editing or revising or rewriting were instead dedicated to detailed web searches with a variety of keywords and spellings that never seemed to bear any fruit. 

It doesn’t matter which search engine you use. It doesn’t matter which database you browse. Other than the copy sitting on your desk, Sacred Monsters doesn’t seem to exist. 

But the annoying, wonderful, awful thing about time is that it passes. Time doesn’t care that you haven’t found it in yourself to produce a draft you’re proud of. Time doesn’t relent just because you always feel like it’s slipping through your fingers. 

And Wednesday morning turns to Wednesday afternoon with the same steady predictability as always. 

You’d like to think that you know the area around your university quite well, but New Haven’s main office is in an entirely different part of the city. You’ll have to leave now if you want to catch the bus with a little cushion of time to spare. The last thing you want to do is be late to your first day. Especially since the draft tucked neatly into your bag isn’t one you can hand over with confidence. 

To your relief, the bus is relatively empty. You tuck yourself into a seat and thank your lucky stars that you missed the afternoon rush. 

Popping your headphones in, you’re searching for something to fill the time. There’s the draft sitting in your bag, of course, but the last thing you want to do is spend the next thirty minutes agonizing over it. For now, it will just have to be the mess of mediocrity that it is. 

Instead, you reach for your phone. Maybe some mindless scrolling will be what you need to put your nerves at ease. 

But when the app loads, the first post you see doesn’t have you giggling or rolling your eyes or scrolling on without a thought at all. Instead, your spine straightens, shoulders suddenly tense. 

Because the words you’re reading are not something you ever expected to see in your lifetime. 

Three dead in suspected vampire attack, the latest headline from your local news reporting channel reads. 

Clicking on the article, the details are hazy, but that does little to lessen the grip of fear that makes a sudden grab at your throat. Fragments of sentences capture your attention as you scan the page. 

Three bodies found near the river…

Bite marks on their necks…

No trace of recent animal activity in the area…

Eyes widening with every new piece of information, fear claws at your throat. 

Bodies completely drained of blood.

Two hundred years. Two hundred years of the belief that vampires have all but been eradicated. Shattered in one fell swoop. 

And in your city, of all places. At the river. Somewhere you’ve been. Somewhere you wouldn’t think twice about going. It’s not particularly close to your apartment or university, but it’s not exactly far enough away for comfort.

You shudder, suddenly grateful that Heeseung was there to walk you home last night. Not that he would be able to do much if you did stumble across the path of a vampire, but—”

Oh god. Oh god. 

Heeseung. 

You have no idea if he made it home safe after parting ways with you and you have no way of checking. He hadn’t made any indication as to where he lived before saying goodnight. For all you know, he could have been heading in the direction of the river. He could have been at the river. Right when the attacks occurred. 

Doubling down on your phone, you scour the article for any information you can find on the victims. Objectively, it’s probably a good thing that they’re described only vaguely. Probably an intentional choice to protect the privacy of grieving friends and families. 

But ‘three victims, two men and one woman, all in their early twenties’ does very, very little to assuage your terror. In fact, it only heightens it. 

Blood pounding in your ears and dread pooling in your stomach, thirty minutes passes in the blink of an eye, you nearly miss your stop. But as you get off of the bus, you’re spiraling. Should you even be here? It feels wrong, leaving such a terrifying loose end untied. 

But then you think it through a little further. Even if you got back on the bus, rode it all the way to the stop by your apartment, you have no idea where you’d go from there. You may have shared insults and confidence and a moment under the moonlight with Heeseung, but you don’t know anything about him. Where he lives, where to reach him, where he could possibly be right now. 

But Professor Kim might. You’re sure that student information is strictly confidential, but if you explain the situation to him, he might be understanding, might just be willing to bend the rules a bit for you. 

So with a heaviness in your heart and fire in your footsteps, you double check the address of New Haven’s office and start walking away from the bus stop. Your surroundings are not a primary area of your focus, but it does strike you as odd how deserted the whole area seems. 

Other than a few residential looking buildings, the street you walk is mostly empty lots. Abandoned houses. Not the kind of place you would consider ideal for any business. 

Despite the cold morning sunshine, the afternoon has brought a cover of clouds. Squinting towards the distance, you wonder if you should have brought your umbrella, just in case. It almost looks as if it’s going to rain. 

When you do finally find the building, you have to stop to double check the address. Not only is there no signage, but New Haven’s supposed headquarters looks just as run down as all of the other buildings in the area. 

Frowning, you reread your email. The address does match the faded numbers next to the front door, and Professor Kim seems too meticulous to make a mistake like an incorrect address. Then again, he also seems too well off to run his publishing company out of a decrepit building far away from any of the city’s major business centers. 

But you won’t bother worrying about it now. Even your dreary first draft feels like an afterthought at this point. Who cares if the building’s not what you expected, if the location isn’t ideal? Right now, you need to focus on finding Heeseung, on making sure he’s okay. 

Because the alternative…

No, you refuse to let yourself spiral there either. But the pressure of grief borrowed from the future is already pressing firmly against the backs of your eyelids, blurring your surroundings. 

As you approach the front door, you notice a small, faded placard. 

New Haven. Well, at least that confirms that you’re in the right spot. Even if it is a bit odd that they left off Publishing. 

Standing at the door, you hesitate. Should you knock? Just walk in? You take a sidelong glance at the window, scanning for any sign of movement. But there’s nothing there. In fact, it looks as if the lights are off. 

Dark, quiet, desolate. Strange, yes, but not something you’ll waste time ruminating on now. 

You knock once. Twice. The sound echoes; the only response is the whistling of the wind.

Deep in the pit of your stomach, a sense of unease begins to build. It feels off, like something is wrong. Senses on high alert, you force the feeling aside. You need a way to find Heeseung, to make sure he’s okay. Besides, the lingering unease is probably just the anxiety of not knowing if he’s safe. 

Steeling your resolve, you reach for the door handle, twisting it tentatively. It opens slowly, the hinges groaning in protest. As if the building itself doesn’t want you there. Stepping inside does little to shake the feeling. Dark and devoid of any decoration, the interior is nearly as gloomy as the sunless sky outside. 

And even the layout of the building is strange. The front door opens to a long, dark hallway with no lights on. It’s eerily quiet. Too quiet. Too empty. You weren’t expecting a welcoming party by any means, but it’s hard to imagine anyone, much less Professor Kim, even being here. 

“Hello?” You call, clutching your bag a little closer to your body, suppressing the shudder that licks at the base of your spine. “Professor Kim?” You wait a moment, but sustained silence is the only response. 

Forcing your footsteps forward, you tread tentatively down the hallway. After all, you didn’t come this far just to turn around. Especially now that Professor Kim might be your only way of finding Heeseung. 

Taking slow steps down the dark hallway, you pass two doors, both of them pulled shut. The end of the hall opens into a larger room, still empty of any furnishings. It certainly doesn’t look like a publishing house. It doesn't look like much at all. At the very least, there’s a bit more visibility here, faint traces of faded daylight streaming in through the half drawn blinds on the other side of the room. 

Turning to your left, you see another door. This one is also pulled shut, but there’s a name placard on the front. Drawing closer, you read your professor’s name. It still doesn't feel right. Ducking down slightly, you check the gap between the bottom of the door and the hardwood floor for any sign of light, of movement. But it’s just as dark, just as quiet as the rest of the strange building. 

As you stand back up to your full height, you raise a hand to knock. Just before your knuckles make contact with the door, you see it. An odd array of crimson stains near the handle. Peering closer, your brow furrows in a combination of disgust and confusion. 

If you didn’t know any better, you’d almost think it looked like blood. 

But that doesn’t make any sense. None of this does. You won’t pretend to know Professor Kim, but he’s never shown up to a lecture with so much as a hair out of place. Why on earth would he run his publishing company out of a building that’s nearly falling apart? Why would there be strange, suspicious looking stains on the door to his office? Why would it be empty at the time he asked you to come present your draft and tour your future internship location?

You have no idea what to do. Opening the door to his office and letting yourself in would feel like an inappropriate invasion of privacy, but you’re at a loss. This entire thing is so strange. 

Before you can decide how to proceed, you hear something. A faint noise, barely there, but distinct from the wind that still whistles outside. It’s disjointed, arrhythmic like the sound of hushed voices. Overlapping. Arguing, maybe. 

Inclining your head, your brow creases further. It sounds like it’s coming from your professor’s office, but how could it be? The noises are too muffled, too distant to be coming from right in front of you. 

You lean closer. Deciding you’re past the point of maintaining decorum, you press your ear to the door, careful to avoid any of the suspicious looking stains. 

For a moment, you hear nothing. Half convinced the voices were nothing but a figment of your overactive imagination, you almost pull away. 

But then you hear them again. Still muffled, still indecipherable, but undoubtedly louder than before. Which means they must be coming from behind the door. The voices pause, suspend you in silence once again. 

And then you hear another noise, different this time. Less like a voice and more like movement. Scuffling, maybe. Feet dragging against the floor. It’s punctuated by a strange gurgling noise. Something wet and thick and throaty. The kind of sound that makes you wince in a subconscious reaction. 

And then a sudden thump has your bones jolting beneath your skin, everything muscle in your body tensing as you suppress an uninvited gasp. Because that didn’t sound far away. It was loud, too loud to be anywhere but right on the other side of the door. 

Mild unease is quick to transform into sheer panic as you stagger backwards on shaky footsteps. You need to leave. You need to leave now. 

You’ll find another way to get ahold of Heeseung, to make sure he’s okay. And maybe there’s a rational explanation for all of this. Maybe this is an old New Haven office and Professor Kim forgot to send you the new address. Maybe there’s an email in your inbox now, and he’s apologizing for the oversight and rescheduling your draft meeting. Maybe he’s—

The sound of the front door you walked in through minutes ago slamming shut kills the train of thought. This time, you can’t bite down the noise that crawls up your throat. 

It’s stupid, from a logical perspective. A fatal flaw of human nature that your first instinct is to scream. To alert whatever danger surely lurks nearby of your exact location, the precise depth of your fear. 

But the terror that leaves your lips is muffled. It comes from behind, the palm that covers your mouth. The outline of a body that presses into your back, forces you into submission with a hand around your wrist.  

You thrash against the ironclad grip to no avail. Dig your heels into the ground but find little purchase in the hardwood floor as you’re dragged backwards, every nerve in your body singing with terror as you’re forced into a dark room. Even with your elbows flailing and head jerking, the grip on you remains steady, firm. 

In the end, it’s a bite that frees you. The hand that covers your mouth drops away as soon as you sink your teeth into the flesh of your captor’s fingers. There’s a muffled grunt of pain in your ear as you spin on your heel. 

Again, it’s stupid. You should be running, sprinting in the opposite direction, but everything in you is begging to know. To gain some sense of control over the situation. Eyes still adjusting to the dark and blinded by fear, you turn to find—

“Heeseung?” Your mind is spinning a million miles a minute. There are too many thoughts, too many emotions to keep up with. Relief. Fear. Confusion.

Relief, because he’s okay and he’s here, but—

“What are you doing?” You have a million questions that demand answers. “Why are you here? Why did you grab me like th—”

“Are you okay?” Heeseung takes a step closer to you, reaches his hands out as if to grab you again. Thinking better of it, he lets them fall back to his side with a slight shake of his head. There’s terror in his eyes too when he clarifies, “You’re not hurt?”

“No, I…” What the hell is going on? “I’m fine, but—”

A flash of relief makes itself apparent on Heeseung’s features before they’re morphing again, regaining all the urgency, the fear that was there before. He’s serious, gravely so when he tells you, “We have to get out of here.”

“Okay,” you stumble forward as he reaches for your wrist again, intent on tugging you behind him. “But I don’t understand. What’s—”

“I’ll explain everything later.” He’s frantic, you realize. Desperate. And so terribly afraid. Emotions you’ve never seen him wear. Not in the cool, calm mask of indifference he had in class. Not in the faint flickers of vulnerability from stolen moments under moonlight. This is different. This is so much worse. “But we have to go. Now.”

With that much command in his voice, that much fear in his eyes, you’re putty in his hands. But in the end, it makes little difference. The door to the room he’s dragged you into opens with a resounding bang before the two of you can make your escape. The sound is so loud, so frightening that you feel reverberations in your marrow as the door collides with the room’s interior wall, no doubt leaving a sizable dent.

And standing there, shrouded by the gray tones of sunless winter daylight, your professor blocks the room’s only exit. 

Instinctively, you take a step closer to Heeseung. He does the same, pulling you towards him, behind him, until half of your body is covered by his. Peering over his shoulder, the sight that greets you is one that will haunt waking nightmares for a long time to come. 

Professor Kim, who always prided himself on maintaining a neat, clean appearance couldn’t be further from that now. His clothes are ripped, hanging from his body at odd angles, adding an element of disfigured monstrosity to his silhouette. 

And his eyes. His eyes. Bloodshot and so wide they must hurt, they dart around the room, narrow in on you and Heeseung like he doesn’t see humans. Only targets. Enemies. Prey. Mouth open and snarling, you swear you see a glint in his mouth, the shape of a tooth far too long and pointed to belong to any normal person. 

But even those things you could force yourself to forget. 

What horrifies you the most is the blood. Even in the shadows, the unnaturally potent shade of crimson is unmistakable. It stains him, covers him, drips from him. Seeps from his clothes and his skin and his mouth. 

Panic clawing at your throat, you suppress the urge to vomit. 

“Get behind me,” Heeseung whispers, low. “Now.”

But a split second of averted attention is all your professor needs. Professor Kim, lover of literature, beacon of taste, a role model you’ve looked up to since the first time you stepped foot in his class a handful of months ago, pinches a tiny object between his long, bony, blood-covered fingers. And then he throws it. 

With startling precision, it whistles through the air, races through a hazy cloud of confusion and panic before it strikes its target true. 

It doesn’t hurt, not really. The hand that flies to the side of your neck is instinct, more than anything. But the fingers that linger on your pulse point don’t find the smooth expanse of your unblemished throat that they usually would. 

Because there’s something there now. An object lodged just beneath your jaw. Delicately, you draw your hand back in front of your face. There’s no blood on your fingers, but that doesn’t stop them from shaking. 

As you look over Heeseung’s shoulder, the world starts to blur around the edges. Darken, as if your eyes are closing of their own volition, against your will. You see him retreat, the terrible ghost of your professor. In the dark, he looks almost forlorn. Regretful. 

“Fuck,” Heeseung whispers. He doesn’t see the way your professor spins on his heel, runs in the opposite direction. His attention is trained fully on the space beneath your jaw. “Fuck.”

“Heeseung?” Your voice sounds strange to your own ears. Distant, muffled as if you’re submerged beneath water. You have so many questions. 

But it’s suddenly so cold. And you’re so tired. Wouldn’t it be nice to just lay down? Rest for a moment? Surely that couldn’t hurt anything. 

Your legs are wobbly beneath you, and you would collapse to the floor in an ungraceful heap if it weren’t for the two hands on your waist, supporting your weight. 

“I’m here,” he tells you. Cold. When did it get so cold? Your eyes try to focus on Heeseung, but your vision is swimming. You wonder if he would be warm. “I’m right here. Just… fuck.”

Gently, he eases you both to the ground. The floor is hard beneath you, but it feels like a reprieve. You’re tired of holding the weight of your body upright. Your blinking is becoming slow, lethargic. Your head is suddenly far too heavy for your neck. 

Slowly, Heeseung removes his hands from your waist, relocates them to either side of your jaw. With the care of someone well versed in patience, he delicately maneuvers your head to the side, exposing the length of your neck. 

Whatever he finds there must be displeasing. You can’t imagine why. You can’t think much of anything. The world has taken on a sort of dreamlike quality in which everything feels loose, fluid and unburdened by the laws of any physics. 

“Fuck,” he whispers for the fourth time. The curse scatters over your cheekbone like a kiss. 

Pulling back slightly, he meets your half-closed eyes. “I’m sorry.” It sounds like a prayer. “This might…” he swallows, something in his resolve wavering. “This might hurt.”

Pain. You can barely conceptualize the sensation. It feels like a distant memory. 

And then he’s tilting your head to the side again. His face draws closer, overcomes the last of your remaining senses, demands the full attention of what’s left of your consciousness. 

You think he might kiss you. Whatever desire remains in you almost wishes he would. 

Your eyes flutter shut, lips parting slightly as your eyelashes fan against the tops of your cheeks. 

But his mouth never finds yours. Instead, you feel the soft caress of his lips against the side of your neck, a fleeting touch against the sensitive skin just beneath your jaw. Inhibitions whittled to nothing, you shudder against the sensation, release the airy ghost of a sigh.

He was wrong, you think. With his mouth on your neck, pain is the last thing you feel. 

You feel his lips part against your skin, chasing away some of the cold that has only seeped deeper into bones, into the very essence of your being. 

And then you feel it. Whatever capacity for sensation that remains all focuses on the sudden flash of agony as his teeth pierce the skin of your throat. 

The tiny moan that escapes your lips is pitiful. Your ability to think, to rationalize, feels like something that’s dangling in front of you, just out of reach. Your body is too heavy, too weak to respond to the flash of searing pain as your skin is pierced deeper. 

He can’t speak, but you feel the shallow vibration of a hum against your neck. Soothing, calming. His hand that doesn’t bear the weight of your head moves to push a stray strand of hair from your forehead. It’s gentle, reverent. In complete opposition to the war he wages against your neck. 

Mouth still full of you, a groan escapes him. It’s heady, throaty, and you feel it travel the length of your spine, settle in the pit of your stomach. Sensation is the only thing tethering you to this world, and you can’t quite tell if this is pleasure or pain. 

He pulls back, the absence of his steady heat leaving your jaw vulnerable to the chill in the air. 

“Hold on,” you hear. You can’t pinpoint where the noise comes from. Sound surrounds you, washes over you in a strange uniformity. You feel the ground fall away, something warm and solid behind your shoulders and under your knees.“We’ll be there soon.”

Floating, you think. You must be floating. It’s hard to tell. Moments are bleeding into one another too quickly for you to keep up. 

Eyes closed, body molten, you relax into the steady grip that carries you. 

And the last thing you hear before reality loses its hold is the fervent, whispered sound of your name. 

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

CONTINUED IN PART 2 (which can be found on my masterlist!)

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

note: THANK YOUUUUU for reading!!! this is pretty different from what I usually write plot wise, so I hope it made for a good read. vampire heeseung and this oc are near and dear to me, and I'm excited to continue their story. the rest of this fic is fully plotted and partially written. I'm actively continuing to work on it, and hearing your thoughts/theories/screaming/feedback/etc. is great motivation! as always, I love know what you're thinking. ♡

[ham1lton]

TEN THINGS F1 DRIVER Y/N L/N CAN’T LIVE WITHOUT — GQ.

— part of my maneater series ꕤ

Y/N (throwing her hat in the air with one hand and catching it in the other without looking): see? told you i could do it! not my only party trick.

Y/N: hi gq! i’m y/n l/n, formula one driver and i’m here to show you my ten essentials.

NUMBER ONE: IPAD

Y/N: first, has to be my ipad. this was my first big purchase and seeing my bank account being drained of that money almost caused a heart attack. but this bad boy helps me to organise my life, stops me from being bored on flights, keeps me in contact with my family and lets me write my notes. so yeah, thanks apple. also you guys should sponsor me.

NUMBER TWO: NOISE CANCELLING HEADPHONES

Y/N: i never used to travel a lot. when i was younger, my family couldn’t afford it so flying around a lot was a big shock to my system. obviously as in f1, drivers are required to fly to different races and it means i had to get over my fear of flying. these help a lot with that. these plus a spotify playlist made by my angsty teenage self will make me forget about the fact i’m flying. these are my favourite ones, i have multiple pairs just in case.

NUMBER TWO AND A HALF: MUSIC.

Y/N: i guess this sort of goes off the second one? but music. i keep trying to bribe the engineers to build a blue tooth radio in the car but to no avail. spotify has been my biggest supporter all of these years. i know i’m sponsored by them now but i have been using my account for almost seven years now? so my algorithm is perfection. it truly has helped me so much. i listen to music on the way to races, on the way back from races, in my house, outside my house, cleaning, cooking and even when i’m in the shower. yes, i’m a shower singer. once i get in there, i’m beyoncé!

OFF SCREEN VOICE: what was the last song you listened to?

Y/N: one second, let me see. it was the twilight soundtrack, in particular, decode by paramore. told you i was an angsty teen!

NUMBER THREE: EMERGENCY BAG

Y/N: okay this sounds bad, it’s not as much an emergency bag as in like medical supplies but more so like extra toothbrush, toothpaste, menstrual products, lotion and other stuff like that. i always carry this with me anywhere in case my suitcase goes missing. it has helped me and my friends out so many times so it’s definitely an essential for me.

NUMBER FOUR: HER CAMERAS.

Y/N: i picked up photography relatively recently and this was the starter camera that the guy in the shop recommended. so this is that camera. for this one, i vlog, which you guys might have seen and this is the camera i use for those videos. i actually don’t record my videos, one of my friends or family or colleagues or whoever will film and i will be in front of the camera. it’s my favourite part when i ask the camera person to reveal themselves and they do their own little introduction. i obviously provide the camera for it. which is this beauty right here.

OFF SCREEN VOICE: who has been your favourite person to film you?

Y/N: i have had a lot of people film me. my most recent being rihanna for my recent holiday vlog! so many people to the point that i genuinely don’t think i could choose a favourite. i mean, i’ve had my sister do it a lot so i guess i can choose her. she knows my angles best!

NUMBER FIVE: LIPGLOSS

Y/N: when i won my first championship and i kissed the camera, the amount of calls from makeup companies my manager received was actually obscene. i think i got so many comments on social media asking what makeup i use and how it stays on throughout the race! to be honest, i don’t always wear makeup but in the original video, i was wearing this fenty gloss. it’s in the shade fu$$y. so, yeah, at least no one can call me a gatekeeper! i always keep it on me. i feel a little more ready to face the world with lipgloss. now, i have my own fenty collection! so check that out.

NUMBER SIX: HER LUCKY SHOES.

Y/N: okay i know i say i’m not necessarily a superstitious person but these shoes have been with me from f3 until now. every race i’ve worn these, i’ve won. so i like having them around. i think they bring luck. i can’t wear them any longer as they’ve worn through the soles now. really annoying but we power through.

NUMBER SEVEN: WINGSTOP BLACK CARD

Y/N: i was really craving wingstop one night. so me and my sister were in london? i think and i vlogged our hunt for wingstop and they reached out to me to give me a black card. i know, isn’t it gorgeous? i was so happy. too bad i have to cut down on what i eat thanks to my nutritionist, but my siblings and friends love this thing.

NUMBER EIGHT: SKINCARE ROUTINE

Y/N: okay, so i’m trying to get more consistent with my skincare but it’s not necessarily working the way i want it to. however, i still stick to the basics. sunscreen, cleanser and moisturiser. i really like keeping my skincare on check as there is this unsaid rule that women have to wear makeup in their jobs and if i keep my skin looking good then i can skirt that rule. i love this cream in particular, it’s moisturising but very light on the skin. best of both worlds.

NUMBER NINE: NECKLACE

Y/N: this was given to me as a gift from my family when i turned eighteen. it was a necklace that i’d had my eye on for a very, very long time. they saved up for so long to buy it for me and it’s become my signature piece. i wear it around my neck constantly. it’s weird having it off my neck to show you.

(she fastens it around her neck quickly)

Y/N: now i feel normal again.

NUMBER TEN: MY PADDOCK PASS

Y/N: i am so bad with keeping my paddock pass on me. for people who don’t know what this is, this allows me access to the garage and things like that. i usually keep it around my neck because if its in my pocket or my bag i’ll forget. my assistant sometimes carries mine. i’m not going to show you my picture because it’s awful. i had woke up really early after no sleep and one of the staff had made me take the picture. now i am forced to wear this monstrosity at work. i keep it hidden as much as i can. last time, lando saw it and laughed so hard he cried so yeah.

author’s note: this was hard as i wanted to keep it as vague as possible so that you can relate it to your own maneater! i’m still taking questions/asks/requests so please send some in!

[slavonicrhapsody]

why Divine Beast Dancing Lion has the best soundtrack in the entire game

When I watched the first DLC trailer 6 months ago, I was so focused on Messmer that I never gave the lion dancers a second thought. But in a shocking turn of events, Divine Beast Dancing Lion is now my favorite boss in the whole game. To me, what makes this fight truly exceptional is its soundtrack, so I want to go through the music and outline all the things that make it so great!

What makes the music stand out is that it feels SO different from the rest of the OST… the majority of the boss tracks have a pretty similar style and instrumentation, but Divine Beast stands out in my opinion because of how it emphasizes its rhythm and texture.

Conceptually, this boss fight is first and foremost a dance — you are fighting two Hornsent warriors operating a lion costume based on the traditional Chinese lion dance in an arena that’s actually a giant stage.

The Chinese lion dance is typically accompanied only by percussion (drums, gongs, and cymbals). So naturally, Divine Beast’s soundtrack has much more pronounced percussion in comparison to the rest of the soundtrack, featuring heavy drum beats and cymbals, plus shouts and chants from the choir. The music is in a steady 6/8, with 2 beats per measure divided into three pulses (think 1 2 3, 1 2 3) giving it a lilting, dancelike quality (this type of meter is often used in folk and traditional dances!). And, in the boss’s second phase, the dancing lion’s lightning, wind, and frost phases each have their own music and are timed to transition as the music transitions. The whole boss fight is programmed like a dance, so when you fight the boss it feels like you’re dancing with it too!

The choir has a range of vocalizations that goes beyond singing melodies and harmonies; as I touched on before, they’re also shouting and chanting. The shouts are used percussively and help accent the rhythm of the dance, and the low chanting also brings to mind a sort of religious ritual? Which is exactly what this boss fight is… in Hornsent culture, the lion dance is a ritual for invoking divinity:

“A charm depicting the crazed, cavorting dance of the divine beast conducted at the tower festival. Raises potency of storms. Divine beasts are messengers of the heavens, and their rage mirrors the tumult of the skies, of which storms are the pinnacle.” (Enraged Divine Beast talisman)

The lion dancers, or “sculpted keepers,” are those amongst the divine beast warriors (themselves the chosen amongst the tower’s horned warriors) who truly excelled at divine invocation, and were “granted the honor of the lion dance” (Divine Beast Warrior Armor). In the boss cutscene, the Hornsent Grandam calls upon the divine beast to possess the bodies of the sculpted keepers, and rise again to defend the tower… so the lion dance, performed by warriors skilled in divine invocation, is essentially a ritual for invoking the presence of the divine beast within the dancers in order to commune with the heavens.

The sculpted keepers, having invoked the rage of the divine beast, are able to channel the forces of the stormy skies — lightning, wind, and frost. The force of the storm is represented in the music by quick runs in the high woodwinds and strings that come and go like gusts of wind. The music almost never lets up or loses momentum; it goes at a powerful, furious pace until the end, embodying the divine beast’s fury.

But the Divine Beast that we fight has an extra layer of emotion that goes beyond divine ritual:

“When the Impaler's army assailed the tower, the ritual of the lion dance was turned toward martial ends—its divinity, its fury, its light-footed beauty.” (Remembrance of the Dancing Lion)

What was once a beautiful ritual dance conducted at the tower festival was forced to become a weapon of war in order to fight against their people’s annihilation at the hands of Messmer’s crusade. And even this was not enough…

The Dancing Lion that we fight was slain, lying in a pool of dried blood, when it is miraculously awoken again with a fervent prayer. This is the last lion dance that may ever take place, giving us a mere glimpse of this ruined city’s long-vanished splendor.

Listening to the soundtrack, there is not only pride in the music, but also an urgent, visceral, warlike rage, a multitude of voices joining in a desperate fight for their civilization’s very survival.

[thisisutl]

The real dog that inspired Ghost Trick's "Missile".

As many people on Tumblr have already pointed out, Ghost Trick is a game that is best experienced going in fully-blind. It offers amazing puzzle-based gameplay, a charming cast of characters and a unique story with plenty of twists and turns that will leave you both stunned and fulfilled by the end. My one true regret with the game is that I can't experience it for the first time again.

So, in trying to hype up the game for its release on Steam, Switch, Playstation and XBox, I decided to go for a novel approach: Instead of gushing about the game and potentially spoiling it for you, I will instead offer some facts about the real-life dog that inspired one of the game's most memorable characters. Knowing those facts won't spoil the game for you and will in fact make you appreciate its story a whole lot more, so feel free to reblog away, adding any facts that I might have missed about the game's Charismatic Cheerful Capable Caring Canine.

You know… This adorable little guy: 

Ladies and Gentlemen, meet Missile Takumi!

Missile was a pomeranian Puppy adopted by Shu Takumi on 2007. He was named after a dog appearing in Gyakuten Saiban 1 (aka Phoenix Wright Ace Attorney 1). The dog in the original game was a throwaway gag, not essential in the overall game’s story. The real-life  little pomeranian however proved to be an essential part of Shu Takumi’s life.

(Source)

(More facts after the break)

Missile was Shu Takumi’s best friend. The little doggie was always there for him, always available to lift his spirits with a cheerful bark when he was feeling down and always offering a friendly paw even in the gloomiest of circumstances. Missile was a truly loyal friend, offering unconditional love and friendship, helping Shu Takumi get over even the most difficult of times.

(Source)

So when time came to make Ghost Trick, a game about ghosts, regrets, mystery, loyalty, friendship and ultimate redemption, it was perfectly natural for Shu Takumi to give his best little friend a part in the story.

The game’s developers didn’t initially want to put Missile in the game. They didn’t have a problem with putting a dog as a character, they had a problem with the fact that the dog was a Pomeranian and they would have problems animating his fur in-game. Shu Takumi however insisted and eventually, after meeting the little doggie and falling under its charm, the developers relented into putting him in the game in all his Pomeranian glory.

(Image from lparchive)

Not only did they put him in the game, in fact, they went above and beyond in capturing his charm perfectly. They studied his moves and mannerisms, in order to get his movements down pat.

(Image from lparchive)

Missile’s iconic in-game bark was actually a recording of sound-designer’s Nobuyuki Shimizu Labrador Retriever who was coincidentally also named Missile! Shu Takumi wanted to record his own Missile, but Shimizu-san also wanted to put a part of his own dog in the game and Takumi eventually relented.

So, yeah, Missile in the game was voiced by Missile. Just not THE Missile.

In order to make up for not recording his own dog for the game Shu Takumi made a “character song” for Ghost Trick’s Missile:. 

Yes, those barks you hear in the song are recordings of THE Missile, no substitutes this time! This is how the little Pomeranian used to bark!

The song was made to celebrate Ghost Trick’s 3rd year release anniversary and even though the song talks about Ghost Trick’s Missile, a lot of the behaviors mentioned in the lyrics (such as Missile’s tendency to climb on the sofa and then needing help to get back down) are things that Takumi’s pomeranian friend used to do.

The song was later remade by CAP-JAMS and included in the soundtrack of the 2023 remaster of the game.

And, yes, the original Missile’s barks are still there.

If it’s not perfectly clear, Shu Takumi really wanted to tell everyone how awesome his little dog was. He made the little dog an essential part of Ghost Trick and stealthily  made the world, at least that small part of it that played Ghost Trick, fall in love with him.

Ghost Trick was released under critical acclaim, even receiving a nomination for Gamespot’s Best 2011 Puzzle Game, but the fact that it was released near the end of the DS’s lifespan and a lackluster advertising campaign made it 2011’s “Best Game You’ve Never Played”.

The game, however, slowly gained a cult following and within that following, the story of Missile resonated with everyone and became one of its standout points. He might not have been the player-character but he was definitely the show-stealer.

(To tell any more would be going into spoiler territory, but seriously go buy and play Ghost Trick any way you can. It really deserves a bigger audience).

So beloved was the little dog in fact that when Ace Attorney was eventually adapted into an anime, the animators couldn’t resist putting him into episodes 13 and 30 of the first and second season respectively. In fact, in the anime Missile was indirectly responsible for the “class trial” incident that shaped Naruhodo/Wright’s life.

Before you ask, no, Missile was not voicing himself this time (something about working with animals and children). He was voiced by Tomokazu Seki in the Japanese version and by Kyle Hebert in the English dub. Still a nice tribute to Takumi’s little doggie.

One final Missile fact that I can’t find a proper segway for is that Missile also got along surprisingly well with Wagahai and Sankichii, the cats that later also entered the Takumi household, though, the way Takumi tells this, it was the cats that called the shots more often than not. 

Missile passed away on the 10th of November 2018. The way Shu Takumi puts it, the valiant little doggie waited for him to return from the US, to spend some final time with him before passing on. We don’t know the exact details just that it was sudden and unexpected.

(Source)

Missile is no longer with us, but his memory lives on. He will always be remembered by Shu Takumi as the friend that always was by his side… and always will be with him.

…and he will always be remembered by the gaming community as the little Pomeranian that stole everybody’s hearts and made Ghost Trick a truly memorable experience.

MISSAIRU TONDEKE! 

(Missile’s Launched!)

[lelanida]

The dualism of Sky. A small essay.

Vincent Diamante, maestro, we don't deserve you. Music is the heart and soul of Sky. It's not the face of the game, no. Music does not try to attract attention and force you to interrupt the gameplay in order to enjoy it. Instead, it works for the atmosphere, not just without overriding everything else but also giving other aspects leadership positions. Sky's music is patiently waiting for you to pay attention to it. And since we're all here, let's appreciate it.

Sky has two main leitmotifs. The first is the theme of our first flight on the Isle of Dawn. It also plays during the loading of the game during the daytime. The second is the "Flight" by Aurora. Not many people pay attention to this, but these two melodies accompany us (in one form or another) in a bunch of other compositions. "The first flight" sounds at moments of special emotional uplift and "Flight" at moments of decline. You may think: "Well, what's the big deal? The music, written at a time when lore was still important, contains an interesting subtext.". But it's not that simple. I listened to the rest of Sky ost. I have tracked the use of these leitmotifs, and I can say with confidence that these two themes never play together. The composition either uses only one of the leitmotifs, or both, but at different ends of the song... ...I was thinking until I listened to the soundtrack of the season of prophecy.

The theme that sounds when you complete the trial. In it, both leitmotifs are woven together.

This is the ONLY theme in the entire game built in this way. I sat in a stupor for a while and was about to bury this musical analysis. But then it hit me. What was the season of prophecy about anyway? No, not about the trials. NO, not about the extra candle cakes. The season of prophecy was about Alef.

The theme of passing the trial is the theme of Alef. And it combines two opposing leitmotivs.

And now, ladies and gentlemen, get ready for madness because this simple detail puts everything in its place.

As soon as I found out about the existence of the Megabird in lore of Sky, this character immediately interested me. I liked how she was essentially detached from the whole action, but at the same time, incredibly tightly woven into it. Megabird is Sky's phenomenon whose potential TGC is afraid to exploit.

I have always been confused by the generally accepted image of a Megabird. She is always portrayed as a powerful, very wise, prudent, and merciful being. The true and only ruler of this world. Everyone was pleased. But not me. And the most important thing is that I couldn't explain why! Something inside me subconsciously resisted the concept of monotheism within the framework of Sky, but there was no specific reason. I had a feeling that it was simply... wrong. And now I realized: This is indeed wrong! Megabird, as the only deity, will actually break the whole system!

Sky is steeped in dualism. It's always one thing against another. I mean:

Life and death.

Nature and machine.

Sky and ground.

Descendants and ancestors.

Children and elders.

Light and darkness.

In this, Sky is different from Journey. In Journey, you didn't have a clear enemy. Journey taught that you can become your own enemy. The ancient civilization destroyed itself, not someone from outside. And the messengers must step over themselves, and themselves only in order to be reborn. Journey taught you to look into yourself. Sky is about something else.

Even though the concepts of these games are similar, Sky is a fundamentally different game. Sky is about joining up with others. Therefore, Sky sets a clear boundary between "we" and "they". And I'm not saying it's a bad thing. Otherwise, this system simply would not have worked. In Sky, everything has an opposing force. The other side of the coin, if you please.

Megabird just can not be the only deity. This contradicts the whole system, starting from philosophy and ending with music. Someone, something, sentient, unsentient, there MUST BE SOMETHING on the other side. That's why I made Angst.

Let's return to the topic of the two leitmotifs and the Alef. The system of confrontation between the two sides can give us an answer to another question.

What is "the void"?

We know that after the explosion of the crystal, Alef fell in a kind of "void", from which he still has not found a way out. But what kind of place is this? Many people used to think that this is something like a dimension of darkness. But I can disagree with this.

At first It is logical: Alef was imprisoned in a darkstone crystal and fell into darkness. But I have a question: Why does this "darkness" charge us?

The void is not darkness. If it was the darkness, it would have extinguished the skykids' cores in the blink of an eye. The void is the place BETWEEN light and darkness.

Alef, the child of light, was imprisoned in a darkstone crystal, the gift of darkness. Together, they created a new, third kind of energy. Chaotic, unpredictable, wrong. Alef has united in himself, things that, according to the laws of this world, cannot be combined. Therefore, it is his theme that connects the two main leitmotivs of the game. The Alef was on both sides at the same time.

But you can't be on two sides. You're either light or dark, or you're not on anyone's side, like ancestors were. At the moment of the Shattering, Alef literally tore the fabric of the Sky universe itself. That's why he got into the void. After all, if he does not obey the fundamental law of this world, then he has nothing to do in this world.

The void is the space between light and darkness. Like a number divided by zero, the void is negligible, but at the same time infinite. It is a mirror that doesn't allow energy to mix. Therefore, the floor in it charges us. The void reflects our own light back into the cape.

That's why the Megabird sends us to die in Eden. With our sacrifice, we repeat the same shattering on a reduced scale and fall into the void to the Alef. But Alef sacrifices a fragment of his former power to bring us back to the side of light. And when that happens, the void just pushes us out.

Something like that.

[green-typewriterz]

hello 🥹 could you possibly write an unrequited love oneshot with art donaldson that’s actually just the reader being oblivious and projecting art’s actions and looks onto tashi

QUICK GOSSIP

Tashi Duncan/ reader, Art Donaldson x reader

Ask: hello 🥹 could you possibly write an unrequited love oneshot with art donaldson that’s actually just the reader being oblivious and projecting art’s actions and looks onto Tashi

summary: Art had never looked the your way… at least not while you were looking

Warnings: none really, reader is jealous i guess

Author Notes: hello ml! Thank you so much for this ask it was fun to write… its not ofen i do unrequited love oneshots!! I essentially listened to l’oeuf from the challengers soundtrack on a loop while writing the stairwell scene idk if you can tell.

word count: 1504

THE CAFETERIA

Art. It was always Art. You had been friends for a long time, growing up together playing tennis and deciding to go to Stanford to further it. He was someone you’d describe as your best friend. Though, you had always hoped there’d be something more.

Then, however, Art met Tashi.

Tashi Duncan was nice enough to you - though you weren’t sure it was in her biological makeup to be more than ‘nice enough’. The one thing you didn’t like (you hated admitting this) was that Tashi made you jealous. It was impossible to not notice how Art looked at her, his eyes tracking when she played or drinking in her outfits.

So, it did feel a little uncomfortable for you when the three of you would sit together at lunch and you didn’t know what to say. You liked to listen, sure - Tashi had interesting things to say - but you wished Art would talk to you. Or even just at you.

“Y/N hit a great shot the other day,” Art said to Tashi, practically gushing over you (though you were the ever oblivious fool toward this), “I was surprised it didn’t go straight through Mia’s racket.” He continued, talking about your match with Mia Lee-Kendall. It wasn’t a match you thought much of, sure you were good, but Mia wasn’t and so your win didn’t feel all that special. At least that’s what you told yourself. Maybe the reason you didn’t want to think about it that much was because of Tashi watching from the audience…right next to Art.

You practically zoned out of the conversation, eyes tracking Art’s in a sense of solemnity as he spoke (you weren’t even sure what he was saying anymore) and eventually, when Art leaned forward into his conversation more, you had had enough and stood up with the claim you were thirsty.

It only took a few moments for you to reach the fridge yet it seemed Tashi and Art were already in a world of their own, giggling about something. Giggling. 

You could admit that it hurt, seeing how happy they looked beside each other, whispering about something you were almost certain didn’t concern you. This assumption was answered when you walked over and the laughing stopped, Tashi turning to look at you as if there was some sort of joke you weren’t in on.

Art’s face was gently warmed, cheeks pink from some sort of embarrassment - though you weren’t sure why. The conversation quickly shifted to some other matter concerning tennis, though you found you weren’t really listening.

TENNIS PRACTICE

You had been practising the same backhand swing for the past hour, still not managing to get the movement how you wanted it - you were nothing if not a perfectionist. Maybe you would’ve gotten it eventually, but Art and Tashi had decided to grace you with their usual gossipping. It was the same position of leaning into each other, eyes darting across the room as if they were preparing for something big. It pissed you off.

“Want to play?” Art asked, lifting his racket up to show that he wanted to play a match with you. You didn’t reply, only sending a quick, distant nod and he crossed the courts, ending up opposite you.

The game was harsh, fast - not something Art was used to when he’d play against you. Your usual style was calm, calculated yet equally as powerful so this sudden shift to aggression caught him off guard. He tried to match your energy, but was stopped short when you returned the ball he had served with such force that he had to move out of the way - dropping his racket as he dodged.

He raised his hands, looking at you with confusion and annoyance. “What the fuck? You could’ve hit me!” He said, brows furrowing as he walked closer to the net - a sentiment you made no attempt to copy.

“You wanted to play.” You replied, voice harsh as you went to get another tennis ball from the side of the court. He scoffed, crossing his arms.

You finally turned to look at him and found him staring directly at you, eyes full with an emotion you couldn’t understand. Mother evening picked at your skin, raising your hairs as you approached again. It wiped the sweat from your neck, cooled the heat against your cheeks. “Sure, but that doesn’t mean I want a tennis ball shaped hole in me.” He replied.

There was no reply. You simply furrowed your brow and raised your racket, showing him you wanted to go again. Art sighed but gave in, heading for the back of the court once more. He matched the energy this time, hitting with force as you did (you could admit it made it harder to play, but you weren’t thinking of tennis at that moment).

All it took was for you to miss a shot and your racket was left shattered on the floor, its golden handle the only thing intact. You grabbed your bag and headed for the door, though that meant passing by Art on your way out.

And of course that meant he wanted you to say.

Art’s hand gripped your wrist, mouth centimetres from your ear as he whispered, “What’s your problem?” His eyes were set on yours, cheeks flushed from exertion. You tried to pull away from his hand but he only pulled you closer, bodies pushed toward one another.

“You.” Was your reply, one that seemed to shock Art. “You and all your secrets.” His hand released you now, trying to move to your shoulder in what seemed to be an attempt at comfort - something you didn’t let happen. Instead you walk away.

He follows, of course, arms trying to wrap around you in some sort of reassuring hug but your struggle proved you had no want for it and he acquiesced. Tashi was his resort, as if she would have the answers to his confusion.

STANFORD DORMS - BLOCK A - THE LIFT

You wait. The lift was a temperamental thing, but you were too tired, too annoyed to walk up the stairs. Instead, you leant against the wall, face still warm from practice that day. The lift offered a pathetic beep as the doors opened and you had to fight not to scream at who was inside. Tashi and Art stood there, silent and awkward - neither making direct eye contact as if you were some wounded animal.

“I’ll take the stairs.” You said with an irritated grunt before turning on your heel and pushing the door of the stairwell open.

Art followed behind you, as you had unfortunately expected and sped forward to stop you. That’s where the two of you stood, still and silent in the bottom of an echoey stairwell.

“Why do you hate me?” His question forced a new kind of silence into the room, a tension sitting thick against your chest as you found the words to reply to a question you never thought you’d get. Though, he had decided that you had taken too long to answer and asked again, though this time with more anger behind his tone, “Why do you hate me?”

Your words were just as sharp as yours, arms rising in frustration. “I don’t! I hate that you don’t love me.” You responded and he blanched, face contorting in shock before shifting into an almost invisible smile.

“I do.”

The word seemed to echo, and as his smile grew you stepped forward (though you weren’t sure it was by choice). “What?” You asked, words quiet and unsure.

Art smiled again, looking downward - you found your eyes flitting to the soft blond curls that fell over his face. “It’s um-” He began, seemingly trying not to laugh, “It’s always been you.” His hand rose to his mouth and he pinched his lip, a habit he had that you were especially fond of.

You placed your hand over your necklace, fiddling with it awkwardly and replied, “But Tashi-”

“Was giving me advice, trying to convince me to ask you out.” He laughed awkwardly afterward and you joined him, both of you leaning forward. You were willing to admit, it wasn’t your smartest moment.

He stepped closer to you, hand twitching, reaching out for yours. Art’s eyes, a beautiful mix of brown and blue, stared into yours, that same smile still playing on his lips. “I really want to kiss you.” The words were so quiet, so soft. You closed the gap between your hands, allowing his cool skin to settle against yours and he leaned in. There was a gentleness to it at first, which was quickly deepened as you moved closer. Your hand travelled up his neck, finding a place in his hair which elicited a shiver from him, a gasp. His breath shuddered as you kissed his jawline, head turning upwards. Art’s hands pulled you into him, fingers tickling gently against your waist. He whispered once more, through soft breaths,

“It’s always been you.”

[quantum27]

To whom it may concern - the mutuals, the fandom-in-laws and the average movie goer. I would like to explain the plight of the Tron fandom.

The sequel announcements Disney pulled this year (2024) are insults to anyone who enjoys movies. There's nothing wrong with sequels, don't get me wrong, but to have a catalogue that has only 1 original movie announced is truly saddening, especially to those who love animation.

Then there's also the fans of Tron.

Tron (1982) was the first major motion picture to use CGI extensively for it's settings, vehicles, and many more things. Many of it's animators would go on to work at Pixar and pioneer CGI there. It was so early that it was rejected at the Oscars for special effects because it was considered "cheating" essentially. This isn't a post about the history though I recommend learning about it if you're interested in the medium of animation.

Tron was an average boxoffice movie. It made back it's money and that was it. However it became a cult classic. It's a strange movie- a bit hard to get into- I only fully understood the plot the second watch, even though it's not that complex.

It would spawn a video game sequel, Tron 2.0 (2003). Years later, in 2010, another sequel would come out, setting the current canon timeline (think of a Star Wars legacy canon and disney canon or Star Trek alpha or beta timelines- that's how the fans treat it) Tron: Legacy.

There were also other supplements, the ever mourned, cancelled after one season cartoon midquel Tron: Uprising- tie in video games and comics and a complete ARG before the release of Legacy. Then there was the planned third movie. It languished in development hell, canceled and uncanceled. (There's more complexity there, involving even, Tommorowland (2015) and of course money.)

Now what we're getting is Tron: Ares. A movie that doesn't even feature the actor for the character Tron, Bruce Boxleitner. There's also the fact that Cindy Morgan who starred in the original movie and original video game sequel was always ready to come back has now passed away. Jeff Bridges is set to return in some capacity, the most well recognized actor from the franchise to the point people assume he is the actor who portrayed Tron.

The first short trailer shown for Tron: Ares shows fundamental flaws in misunderstanding the concepts in the prior works, watering it down to an aesthetic. Most fans I've spoken with have little hope for a good movie at this time. It even stars the controversial actor Jared L*to as it's main character! All of these are red flags.

So, to those who read, please know, after waiting for a decade, Disney has decided to shill out a product with less love than any prior element in the franchise. And I mean even less love than the tie-in movie games for Legacy, of which are of varying quality. This is likely due to the opening of the US version of the Tron rollercoaster. The rollercoaster has more love and attention in it than the trailer shown. And with complete love to it and what I've seen of it- the movie should be a higher quality than a rollercoaster in terms of story and lore.

Our only current hope is for more visual novels after Tron: Identity was released in 2023. And I suppose the NIN fans will get a soundtrack.

Disney does not care about it's audiences. But it especially does not care about Tron fans.

[violetwolfraven]

You know what maybe I’m just tired and feeling the existential dread of growing up, but actually my small, petty hill to die on is that I don’t think I will ever forgive Disney for abandoning the fairies franchise. I cannot even properly express what those movies were to me as a kid. They very well may have been my first hyperfixation. But come on beyond the sentimental value, those movies:

Encouraged kids to take an interest in nature and be nice to plants and animals.

Depicted a (mostly female) friend group that spent virtually every scene they had together onscreen building each other up and supporting each other.

Featured a female lead who is essentially a mechanical engineer, and is not treated as any less magical or important for it than her friends who can magically make flowers grow or bend light (except for the first movie wherein her feeling less magical and important is the central conflict).

Gave said female lead a “love interest,” I say in quotations because while they are definitely implied to have romantic feelings for each other, he is never called anything other than her best friend and the two of them ending up together is never treated as an urgent priority. Their friendship is incredibly important to both of them, but no one acts like it’s a problem that they’re just friends for now.

Redeemed the mean girl pretty damn successfully (in my opinion), Vidia never apologizes for most of her actions onscreen, but she does realize when she’s gone too far and makes an effort to fix her mistakes, and from that point on she is integrated into the friend group who, as I mentioned before, spend 90% of their screen time uplifting each other.

In The Lost Treasure, let Tink’s temper have consequences, a good lesson for kids in not taking their friends for granted and treating them kindly, but also teaching respect for boundaries and personal space through Terrence’s end.

In Secret of the Wings, demonstrated that sometimes rules are there for safety reasons, but you can try to think of a creative solution to do what you want while still keeping things safe for everyone.

In Legend of the Neverbeast (admittedly not the greatest movie in the series), depicted the fairies having to say goodbye to an animal companion permanently, something most kids will probably experience at some point.

Inspired a banger of an online game and several banger songs.

And what has Disney done with this franchise they spent 7 years on (longer if you count the books)?

Allowed a massive decline in quality on the last movie made (Legend of the Neverbeast) and then acted shocked when it didn’t do as well as the previous ones.

Cancelled all fairy projects after that.

Shut down the game in 2013.

Made a bunch of the songs from the soundtracks seemingly disappear off the face of the earth.

I know it doesn’t make the top 100 shitty things Disney has done, probably not even the top 1000, but I am still extremely salty about it, even though it’s been almost 10 years.

[firelordsfirelady]

XXIII. The Necklace

Author: @firelordsfirelady

Imagine: When Y/N—a princess of one of the Water Tribes—is told she’s leaving her tribe, she never expects that she’s to be betrothed to the Fire Lord’s son, nor was she prepared to be exiled the very day she arrived at the Fire Nation. With her life in the hands of her new fiancée, how will life change for the princess? 

Pairing: Zuko x F!Reader

Trigger warnings: arranged marriage, feelings of fear, banishment, mentions of burns/abuse, frustration, violence, betrayal, language

Word Count: 1427

Destined to be Yin and Yang 

I own no rights to Avatar the Last Airbender or any of the characters/story. 

Author’s Notes

The characters as all aged up so Zuko’s banishment happens when he’s 16 

Keep in mind I am bringing a unique world with inspiration from ATLA in their characters, some of the events that happen, bending, etc. Not many things may align or occur with what happened in the show. It’s intended that way, so I hope you enjoy it regardless.

See Y/N’s inspiration here. 

Destined to be Yin and Yang Soundtrack (YouTube)

A few weeks later, Zuko and  I were in the middle of a training session when the sudden turning of the ship threw Zuko and I onto the ground with a loud thud. Zuko let out a soft groan as his body cushioned my landing. Both of our cheeks turned red at how close our faces were before we both scrambled to stand up. Zuko avoided looking at me as he stormed off towards the captain’s cabin as he complained about no one ordering a change of course. Quickly following behind him, I followed him into the steering room where Iroh sat at a pai sho game table. The gentleman all looked at the checkered boxes on the table and moved circular wooden tiles with painted symbols around to various spots.

“No one told you to change course.” Zuko angrily said to the captain as he approached.

“Actually,” Iroh said as he studied the tiles on the table in front of him. “Someone did.” I casually leaned against the wall by the door as Zuko turned around to look at his older uncle. “I can assure you that it is a matter of importance.”

“There’s news of the Avatar?” Zuko’s question sounded hopeful as Iroh stroked the beard on his chin while he pondered his next move. 

“I fear it is even more urgent than that.” I felt my own eyebrow raise at the older firebender’s statement as Iroh looked to the Prince. “You see--” Iroh sighed heavily as he clicked his tongue against the back of his teeth. “I’ve lost my lotus tile.” I let out a chuckle as Iroh slide a tile across the board and Zuko looked deflated.

“Lotus tile?” He asked and Iroh nodded towards the game on the table.

“Everyone underestimates the power of the lotus tile in pai sho because they often deem it insignificant.” Iroh slide another tile on the board as he spoke. “However, it is essential for the unusual strategy I use.” 

“So, let me get this straight,” Zuko started in a calm manner, “You changed our course…” The fire prince took a deep breath before he continued. “For a stupid lotus tile?” I laughed at the exchange between the two firebenders before I smiled at Zuko’s angry stance.

“A ten minute trip to the merchant stalls won’t harm anything. Who knows, maybe there will be some news of the Avatar.” I shrugged as Zuko let out a breath of fire towards the ceiling, and Iroh laughed.

“I’m glad someone appreciates the value of the lotus tile.” Iroh threw a wink my way as I lightly chuckled at Zuko.

“Lucky are you, Iroh, to have such a compassionate nephew.” I threw a wink towards Zuko before I left the room as Zuko’s cheeks turned red and Iroh belly laughed with the men around the table.

Zuko begrudgingly accompanied Iroh and I as we arrived at the port to browse the merchant stalls. I slipped away from the Firebenders as Iroh gushed over some musical instruments at one of the stands. Iroh had given me some money to buy whatever my heart desired, and I was on a mission for a couple of things: sea prawn dumpling soup ingredients and art supplies. I easily and quickly moved through the stalls and admired some of the unique items the merchant city had to offer.

Although Zuko may not see the joy in the situation, I was thoroughly enjoying the sights, sounds, and smells of the world I wouldn’t have been able to experience otherwise without the circumstances of Zuko’s banishment. As I browsed the various shops, I noticed a necklace haphazardly tossed to the side of one of the shops. I gingerly picked it up as the blue ribbon told me it belonged to a waterbender.

I thought back to the girl from a Water Tribe that was traveling with the Avatar, and I tucked it into my front pouch to show Zuko when I caught up with him. Five minutes later, I was curiously looking at a new dress when rough hands grabbed me and interrupted my browsing. Something sharp poking into my side stopped any protest I was about to make.

“Thought you could get away with stealing from me?” A rough voice said as the sharp object poked more into my side. “Any word from you and I’ll gut you right here.” The male voice growled in my ear as rough hands grabbed my wrists and began guiding me away from the stall and towards an interesting looking building nearby. I was roughly shoved through the door where the occupants all turned to look at us as I was roughly held by my bicep..

“I caught the thief.” The voice of the man holding me said as he shoved me towards one of the other men in the building. “Came back for her necklace.”  I fell to my knees in front of the man with the brimmed hat. The braid I had worked diligently to put in my hair was roughly gripped by the man in front of me as he used it to slightly lift me up.

“Tell me what you and that bald headed thief did with my scroll.” He growled as he tightened his grip on my braid. I bit back the yelp of pain that threatened to come from my lips.

“I don’t know what you’re talking about.” I hissed out the honest words, but the grip in my hair tightened to force my head slightly to the right.

“Did the bald kid have arrow tattoos?” I recognized Zuko’s voice as the grip on my hair tightened some more and I couldn’t hide the wince of pain from my face.

“And if he did?” The older man spat as he lifted me higher to get a better look at me. “That kid and those two waterbenders stole my scroll, and I want it back.” He growled as I yelped from the uncomfortable vice the man had on my braid.

“She’s not the Waterbender that was with the kid.” Zuko growled with clenched fists. “We are after the kid with the arrow tattoos. I think we can help each other here.”

“That doesn’t explain why—“ I was brought to look this man in his eyes. “—she’s got the necklace of the Waterbender.”

“I—“ I cleared my voice to try and make the words come out evenly. “I found it. I thought it looked familiar.” The huff the man let out smelt horrible to my nostrils as the man suddenly let my hair got and I fell harshly to the ground at his feet.

“They stole a scroll from us that we want back.” The man turned his attention to the firebender with clenched fists standing nearby. “We get the scroll and you can have the other three.”

“We just want the bald one.” Zuko growled as I stood up and brushed myself off. A rough hand wrapped tightly around my wrist to prevent me from walking away.

“You’re not going anywhere.” The man growled as he pulled me to stand next to him. “Once we have the scroll, you can have her back.” My eyes widened slightly as I looked at Zuko’s steady amber eyes as he coldly stared at the pirate’s hand tightly holding my wrist. 

“I’m going to need the necklace.” Zuko’s tone was even as he flickered his eyes to briefly look at me, but I couldn’t quite read the emotion his golden orbs had as they looked at me. 

“It’s in the front pouch.” I said and the firebender nodded as he approached then opened the pouch and gently grabbed the necklace. I didn’t say anything as he gave me a small nod before he pulled away and turned on his heel. Iroh gave me an apologetic smile as he turned to follow the younger firebender. I swallowed the fear in my throat as I was alone with a group of pirates, and I boldly met anyone who dared to look at me.

Following them to their small sailboat, I was surprised and relieved to find a smaller Fire Nation ship heading towards the ship I was being led to. The captain motioned for me to follow as he climbed onto the Fire Nation ship, where we met Zuko as he stood on the deck. Both of the men stared at each other with a distrustful stare as the ships began to move. I took a seat on the edge of the boat as we started traveling down the river.

Tag List @chevysstuffs @puttyly @ginger24880 @night-fall-moon @junieshohoho @0kauy @coolgirl458 @hypnoticbeing @angelruinz @preeyansha @playboygeniusphilanthropist @ssonniiu  @chi-ara @hagridshaircare @stell404 @kyo-kyo1 @herondale-lightworm @simonsbluee @nadlx33333 @nerdisthenewcool @jewelsrules @soggycrout0n @mymomsdisappointment @leeaintthere-blog @sanskritisays  @katie-tibo @stavitcutislamepodkrevet @niktwazny303 @fluffybunnyu

[wherebettertoescape]

Thoughts on The Outsiders Album

Okay, as I said yesterday, I have a LOT of thoughts on the album and I decided to revive this page so I stop bothering everyone IRL with my thoughts about it 😂 I figure there must be a good amount of people on tumblr who are down to listen to my rants about the album, so here goes.

I'll put it under a cut so there aren't any spoilers for anyone who hasn't listened yet, and I know there's one or two things which I've heard about the prouction via other posts and such. But I will stress that I haven't actually seen it, I've only listened to the album and obsessed over it 😂

It's also below the cut because it's fucking LOOOOONG

Please reply to this or send in your own thoughts - I have so much I want to talk about to do with this album and I'm like... shaking with the need to talk about it with people who actually want to listen 😂

(sad times living in the UK 🥲)

I'm gonna go through the album sequentially, like track by track, because that feels like the thing to do, even though I will say right off that I definitely have more thoughts about some tracks than others. And I will also give my favourite line from each song. But for a just, like, general overview to begin with - I love the album so much?

I will fully admit that I was kinda preparing myself for it to be bad - it's a book that I love and I wasn't the biggest fan of the movie adaptation for a few key reasons, but I was so pleasantly surprised by the musical soundtrack.

I'm in love with the style of music, I love the entire cast (all of them have such different singing voices and styles and I think that they merge together so beautifully), and it has most of the things that I love in a musical - for me, it's got the right balance of the talking sections included with the singing, as well, which I know some people aren't huge fans of, but I might be biased because Soda is and always has been my favourite character and most of the talking is by him 😂 (I love Jason Schmidt, but we'll talk about that later), and as well as that the style of music and singing like gives me a good picture of what the actual choreography might look like, which I'm obsessed with, since I probably won't get to see it unless it somehow gets to the West End (🤞🏻)

Tulsa '67

Okay so this song is just like ✨exposition ✨ but it's done in a fun way, and I've decided it's worth it just for the finale reprise

I was also like stupidly emotional the first time I heard it and it opened with the opening line of the book

I was wary because of the immediate characterisation of Sodapop as being the brother "with a broken heart" (side note - does this mean Sandy broke his heart before the show rather than after it? I've goes QUESTIONS) - I'll go into it again when we get into Grease Got a Hold for obvious reasons, but I was worried that Soda was gonna be reduced into just being a womaniser again, which is something that bothered me about the movie adaptation

Favourite line: "all the girls are pretty there, and all the guys are mean"

Grease Got a Hold

right so it has no right to be as much of a bop as it is, it's been stuck in my head for the past week since it came out and I can't even be mad about it 😂

It's essentially just a typical "gang" song to introduce and characterise all the different members

Dally always saying "Little brother" got me so emotional like immediately

And I know I just said that I was upset with Soda's characterisation as a womaniser, but considering later songs, I will say I do find it really funny that he basically just goes "yeah I'm a greaser bc I love women 😊"

I LOVE TWO-BIT MATTHEWS - I would die for Daryl Tofa, just something soooooo good about the line he gives after Soda's verse

I have to admit, I was a little worried that they were gonna be pushing some anti-Darry propaganda, but I had no cause to worry, as he's an actual angel. Also it's so funny how fucking Done he is the moment he starts speaking

Something really funny about Steve not getting a verse, but something really sad about Johnny not getting one, but I don't have fully fleshed out thoughts yet so I'm gonna leave that there

But also there's just something about all of them trying to act tough, but all of them just have the voices of angels

Favourite line: "I'm a latch-key kid but they keep changing the locks" and also "you wanna be a fighter? then know just what you're fighting for"

Runs in the Family

I'm upset because this song has been such an ear-worm for me, but it's actually just so sad? There are a couple of these, but this is one of the main ones for me

It immediately makes Darry just such a sympathetic character - it's well documented that Ponyboy doesn't feel like he's enough of a greaser, but I don't think we talk enough about Darry is a reluctant greaser

Side note: but I'm really glad that they included Darry having dropped out of school to look after Soda and Pony, because that was kinda glossed over in the movie, which I felt did Darry a disservice

I just want to hug Brent Comer and tell Darry that he's doing a good job and everything will be okay 🥲

Favourite line: "I don't know what them boys would ever do without me - and what would I do on my own?"

Great Expectations

honestly this song deserves a post all of it's own, and maybe one day I'll do a full analysis of it

but in the meantime, it's fucking GORGEOUS, like Brody Grant has NO RIGHT to sound like this I'm so mad

THE FUCKING HARMONIES I WANNA SCREAM THEY'RE SO GOOD

One of the things I've loved about the soundtrack in general is how Pony in particular draws parallels and comparrisons between Johnny and the other greasers - here it's between Darry and Johnny, and I love it because Pony references in the book that he feels like he and Johnny are the outsiders in the greasers, he feels like neither of them really belong there, and they convey that so well in the musical with these constant comparisons in the songs and music

The continual return back to this idea of a self-fulfilling prophechy - trying to prove that they're not all the same just because they're greasers (like with the different verses in Grease Got a Hold), and this striving for individuality despite the overarching label they've been given

Favourite line: "It's hard to write this story, when this story's writing me"

Friday at the Drive-in

they all just sound so young - that's my main take-away from this song

I love songs in musicals like this where you're forced to be reminded how young the characters are and you have to humanise them a bit more - a bit like with "Drink with Me" in Les Mis

Also anytime that a soundtrack includes the dance-break it makes me so happy 🥲

Favourite Line: "Got no more stress, nothing to worry me - no more teacher's pet or trigonometry"

I Could Talk to You All Night

I need to say that I love this song, but the opening from Cherry is so fucking savage - like fucking hell there's no need to do that to Pony 😂

Again obsessed with Pony not feeling like enough of a Greaser

I'm a sucker for two people who feel lost in their own worlds finding each other and bonding because they can be themselves in a way that they can never be around their other friends

It's just such a pretty duet, and I want more of Brody Grant and Emma Pittman singing - we could have a million songs of the two of them and it wouldn't be enough

Favourite line: "I'd rather read then fight a rumble, but Greasers have to go along"

Runs in the Family (Reprise)

Dude it's such a serious song, and I'm obsessed that despite that there's just Soda being a little shit in the background

"I'll fold your laundry - I'LL FOLD ALL OF IT"

I love that even in this song it's like you can tell he's just so worried about Pony but it's coming out so angry and frustrated

So full of grief for the life he almost had

He's just so angry at Pony for still being able to dream, and it's like he feels like he needs to prepare Pony for real life, because he feels like he can't dream or wish for things anymore

And then just the screeching violin at the end of the song followed by DEAD FUCKING SILENCE, and then it switches to the next song where Pony starts singing acapella it's just herugighadlsiughukdhjsak, y'know?

Favourite line: "Whats the use in dreaming, about a life I'll never know? That ship sailed long ago"

Far Away from Tulsa

okay so I've already said that I'm obsessed with it beginning with Brody Grant acapella, and I know that the songs probably don't flow straight from one to the other in the actual production, but for the sake of the cast recording the effect is incredible

But also, there was absolutely no need to make this song so gay 😂 - Ponyboy, the bisexual icon we all need

It's very reminiscent of Santa Fe, with just kids dreaming for a life that they could have outside of their big city. Especially with the line "this place is real, it's not just in my head", which is VERY similar to "just be real is all I'm asking, not some painting in my head", but I'm okay with it because Brody Grant is incredible

But that line, as well as the one "'Ponyboy you're just a dreamer', that's what both my brothers say" are also really great links back to the previous song with the references of him being a dreamer, and that being what sets him apart from the other Greasers

I also just wanna say that I think it's criminal that there weren't more Pony/Johnny duets. Sky Lakota-Lynch and Brody Grant own my soul

Also catch me being emotional over Johnny's dream being wanting a family - he doesn't realise that he's already got one in the gang 🥺 (I could write an essay about this and Dally's continued use of 'little brother')

OKAY ALSO OBSESSED WITH THE CIRCLE BACK TO GREAT EXPECTATIONS, AND WE NEED TO TALK ABOUT HOW THE LYRICS CHANGE FROM

"Torn between what is and what could be. It's hard to write this story when this story's writing me"

TO

"It's all becoming clear, there's no way we're gonna find that here"

GOTTA ESCAPE TULSA TO ESCAPE THEIR FATE, SOMETHING AGAIN ABOUT SELF-FULFILLING PROPHECIES, I JUST CAN'T

Favourite line: "I'm tired of blindly watching as we're inching towards the ground"

Run Run Brother

There's so much to say about this song, but I literally can't formulate the words, so it's probably gonna be one that I come back to and properly analyse later. so in the meantime, here are my key take-aways

right from the beginning, it gives just an "oh-shit" feeling, just so much urgency and desperation

All three of them have such different singing voices and styles and the combination of the three just makes me so happy and I don't even know how to like express what I'm feeling

Back to the thing about Dally always calling Johnny (and Pony, but we're emotional about Johnny here) "brother"

the music is just so fitting - I feel like I need to be up and moving every time I hear it, like if I ran ever this would be on the playlist 😂

And I'm going insane over the echoes of what has been previously been said - the "grease isn't given it's something you earn", and "let's leave this behind, let's just get up and go" like you're FORCED to face that they are being given what they want but in a really terrible way

Favourite line: "I hate to make you go, but there ain't no other way"

Justice for Tulsa

okay so I know that this is a really important song and everything, but I will admit this is the one I tend to skip most

I will say I think this song would hit harder if they kept with the themes of police brutality that there are in the novel and movie with regards to Dally's death (going off what I've heard about the script changes from people who have seen it, I can't verify myself)

The song feels very claustrophobic, with everyone just trying to blame everyone else, which I think is really well done. Especially with the multiple voices coming in with "you know just what you did"

And it does show the bias of the world trying to blame the Greasers just by reputation alone, which is thematically nice

and also just the kinda mob mentality of the whole thing, especially at the end, with a declaration of war

Favourite line: "or we could send them back a message, take an eye for an eye"

Death's at My Door

I think I've seen somewhere that this is the opening song for the second act and I just - fucking hell, what an opener 😂 they really just wanna destroy all of us, huh?

EDIT: I've been corrected, and it's Justice for Tulsa that starts act 2 - my bad guys, I don't know where I saw otherwise. JfT starting act 2 makes soo much more sense 😂

I wanted to like reach through my headphones somehow and hug Brody Grant, like holy shit

The first time I heard it all I could think about was how much he's going to blame himself when Johnny (and Dally) do die - especially with Johnny having comforted Pony about it

And I'm just emotional about the exploration of Pony thinking of himself as a burden on everyone he loves, especially going back to what Darry says to him in Runs in the Family reprise, just confirming everything that Pony already worries about himself

Favourite line: "I don't believe in the death that you're bringing - the reason I'm living is you"

Throwing in the Towel

I just love brothers okay? This song made me want to like message all my siblings and tell them I love them

I loved that we see Pony's inner thoughts and fears about being a burden on his brothers, immediately followed by seeing Darry's own thoughts and feelings - the two of them being so similar in how they blame themselves for everything

All three of the Curtis brothers being terrified of losing anyone else

AND THIS IS THE SODA CHARACTER REDEPTION I NEEDED - he becomes more than just the womaniser, you can see him having like actual thought and feelings, and the amount of emotion in Jason Schmidt's voice as he's trying to reassure Darry, like this song and Soda's letter gets across everything that makes Soda my favourite character

And there's something to be said about how they're finally like communicating their emotions 😂

Favourite line: "I know your head is full of doubt, but brother that's what love is all about"

Soda's Letter

Musical letters my beloved ❤️

I love songs like these - they're always just so vulnerable

It links to Tulsa '67 Reprise with the reference to how Soda kinda keeps the family all together. This song you can like see the strain that it has on him, trying to keep the brothers who he loves so much together, by trying to tell Pony that Darry does love him even though he shows it in a very different way

also anyone who has seen it and made it this far in the post can you tell me whether they keep in the bit about Pony reading this really heartfelt letter only to go "Soda's so dumb he can't fucking spell" because it's all I could think about when I listened to it for the first time

Favourite line: "Your brother needs you just as much as you need him, and brother we ain't doing to good alone"

Hoods Turned Heroes

The triumphant return of my beloved Two-Bit, and he's doing some king shit

I love him, okay?

This is another song where I know it's really important, but I actually don't have much to say about it, other than I do really enjoy it

Favourite line: "It's time to celebrate Greasers, take pride in the Greaser name"

Hopeless War

I love that it's just Cherry begging Pony not to change, and hoping that he's still an outsider of the Greasers like she is for the Socs, a hope that the two of them are still kindred spirits even after everything that happened

She knows that the rumble is gonna be where Pony loses that last bit of dreamer in him because he's holding just so much anger at the world - I dunno, there's something there I'm sure 😂

it's such a smooth transition into "Trouble" and I wanna SCREAM it's so good

Favourite line: "even if you win, it doesn't change a thing"

Trouble

It feels like a war chant or something

The music is just so agitated

It's like Run Run Brother where I feel the need to be up and moving

Favourite line: "Do it for Johnny, even the scores, time to rally the crew"

Little Brother

I get chills every time I listen to it

Something about Joshua Boone's voice guys, I don't even know like how someone goes about beginning to talk about it, but whoever takes over as Dally has got some big shoes to fill

It's a lament to Johnny, and I feel like I listen to it and I feel the same anger and indignation that Dally feels

It's a song where I listen to it and I know, even without having seen the production, how I'd stage it and that always makes me excited

The longer the song goes on, the more uneasy you feel listening to it

It links him and Darry together again, with how he blames himself for everything that happened to his little brother, he feels like he should have been able to protect Johnny, the way that Darry always tries to protect Ponyboy

The final tempo increase and the discordant violin at the end, and it feels like even just listening to it you're watching him fall into a grief-led madness, and his certainty that there's only one way that his story can end

Favourite line: "They can't take anymore from me - if I ain't got you, then I ain't got nothing else"

Stay Gold

It feels somehow criminal to put these songs next to each other, but I mean obviously they have to be - that's how they want you to feel, but it doesn't mean that I'm not mad about it

I've listened to it like a million times and it still brings me to tears every now and then

There's something about having the hopelessness of "Little Brother", with Dally bring so apologetic at having failed Johny, followed by Johnny asking Pony to tell him that there's still good in the world

Just how much everyone in this story needs each other and they don't realise that the others need them too, yknow?

Johnny being Dally's "gold" - a lot to say about that but yknow, this is already long as fuck

The simplicity of the music itself (same as with Soda's letter - makes them thematically the same blah blah blah with them both being letters and all that), but it makes the song much more vulnerable than some of the others - nothing for Sky Lakota-Lynch to hide behind

Also that line: "I have looked into a thankful father's eyes, telling me I've saved his daughters life", and how that links to what Johnny says in the book about the little girl's life being worth more than his - I dunno, it just got me emotional, okay?

Favourite line: "I hold on to the good 'cause I've made my peace with all the bad" and also "It's easy to forget when you're trying just to make it through"

Tulsa '67 Reprise

WE MADE IT BOYS (seriously though, for real, if you made it this far, thanks for reading through my descent into madness 😂 and please send your own thoughts and such, bc I'm desperate to hear other people's thoughts)

I said it at the beginning, but I think the reprise of this song makes the exposition at the beginning worth it

At the beginning we hear Ponyboy as a dreamer, and at the end he still has that, but rather than idolising and making everything spectacular, he sees beauty in the mundane - he sees it in his brothers, his friends, all of that

The call backs to the original song as well, which allow us to go back to the theme of looking at individuality - the Greasers wanting to be seen as more than just characatures, and by the end they are like fully-fleshed out people rather than just the basic stock figures we initially get them introduced as in Grease Got a Hold

The clearest examples are, of course, Darry and Soda

Darry goes from being "could have been a football star, people say he had a ticket out" to instead being "the toughest guy I've ever known"

Soda goes from "suffers from a broken heart" to "this family's life and soul"

and then it goes from "got no parents, we fend for ourselves" to "can you imagine how proud mum and dad would be"

just something so beautiful about that, I dunno

There's more I could say about the themes of brotherhood and individuality ("grease as their disguise", for example), but I'll spare it for now

Favourite line: "Just too damn good for growing old, and in his memory I stay gold"

(finally - if you've stuck around to the end, I've also recently set up an instagram account, just for me, so please also check that out if you wanna hear more about my thoughts about random musicals and stuff!)

Freddie 🐸 (Instagram)

[justmeinadaze]

I Have Nothing (If I Don't Have You) (Steddie X You)

A/N: Like I said last week, I was watching the music video for "Queen of the Night" by Whitney Houston from the soundtrack of this movie and it gave me this Steddie idea.

I have a few ideas I can take this! I seriously love protective Steddie. Probably something to do with my PTSD and need to feel safe lol Anyway... I hope you enjoy it! I dedicate this to @unfocused81 <3

Warnings: No smut (yet😈) but angst for sure. Security Steddie and Singer female reader. It is mentioned that Y/N does drink excessively and do drugs. Her boyfriend is a douchebag and assaults her (mentions of smacking and grabbing her, yelling at her, and calling her names) that results in Steddie intervening. There is also a bit of a riot at one of shows that they protect her from (kind of like that scene in the movie where people jump on stage and chaos ensues).

I wouldn't really call this dark themes but reader definitely has some things going on and is struggling a lot right now.

Work count: 5906

“What kind of security work have you guys done before?” 

Your manager leans against the outside of his desk as he continues to scan through the messages on his phone.

“Oh, um, we’ve done a lot before for the bar in our town and most recently a rock band in—”

“Yeah, yeah, yeah.”, the manager cuts Steve off as he speaks. “That’s all well and good. Look, I’m going to level with you. This is essentially expensive babysitting. Y/N is a handful. Our last security detail quit when her last party at her house caused a riot in the streets of LA.”

“A riot?”, Eddie turned to his friend and raised an eyebrow inquisitively. 

The guy sets his phone down, sighing with impatience. “Yes. Obviously, you two don’t read or watch the news…which is good. Saves me the headache. Now, do you want the job or not?”

Both boys glance at each other before looking towards the man again. “Um, yeah sure. I mean it pays, right?”

“That’s the spirit. Ok, she’s at the studio downstairs right now recording…or at least that’s what she’s supposed to be doing. Go introduce yourselves. Glad to have you aboard.”, he rolls his eyes as he shoos them out of his office.

“Steve are you sure about this?”, Eddie asks as they head for the elevator. 

“Yeah. Come on, Munson. This is our ticket to high-rate clients and more money! We can handle one little girl.”

As soon as they get off on the right floor, they are met with extremely loud music and giggles from the studio room. A tall, lanky kid leans back in his chair extending his hand to greet both boys. 

“Hey, are ya’ll the security? I’m Devon. She’s in there ‘getting inspired’.” Their eyes follow his finger as he points behind the glass where you and some of your friends were strewn around the floor. “Good luck, gentlemen.”, he sings. 

Both men carefully tip toe around arms and legs to find you with your eyes closed, a half smirk painted across your lips. 

“Uh, Miss Y/L/N? I’m Steve Harrington and this is Eddie Munson. We’re your new personal security guards.”

“Hmm…sounds sexy.”, you slur. Your glassy, drug fueled eyes look up to meet theirs. “At least Jack hired some good-looking ones this time. Who is who?”

“Maybe, if you stood up and actually greeted us, you would have heard who is who the first time.”, Eddie chided. 

Your eyes fully open as your head tilts in his direction. No one ever had the balls to scold you like that since you became famous. It was usually “Yes ma’am” this or “Anything you want, ma’am. We’ll make it happen.”. Rising to your feet, you fully take them in through your haze. 

They both were attractive especially with that air of confidence you hadn’t seen in a long time. Your current boyfriend was cocky but definitely not confident. Everyone else around you seemed so fucking timid and you hated it. 

“Eddie. Steve.”, Steve repeated, pointed to his friend then himself. 

He was dressed head to toe in what you would call “conventional” clothes; nothing designer or anything to make him stand out. You could tell under the button up white, short sleeve shirt that he did have muscles that could protect you physically if need be. The jeans and sneakers he donned didn’t give you any new information that could tell you something about him except he probably didn’t make a whole lot of money. 

Eddie was more or less the same with a much more grunge fashion sense that, to you, he pulled off well. You pointed to his Metallica t-shirt with your finger. 

“My music isn’t like theirs. It might make your ears bleed.”

“As long as I can still see you and see you’re safe, I think I’ll survive.”

He’s quick witted. I like that…

“Ok. We’ll give it a try. Tomorrow, you’ll meet me at my house and I can tell you more about what you’ll be doing.”

***

“Steven Harrington, have you read half this stuff?”, Eddie sighs as he leans forward and places his elbows on his knees as he points at things on his laptop.

“She’s been arrested twice; once for possession and another for disorderly conduct where she was found having sex with someone while she was drunk in public. The cops have been called to her house multiple times due to, honestly, take your fucking pick. Her boyfriend was arrested just last week for sucker punching one of her fans for ‘getting too close’. How are we supposed to protect someone who invites all this chaos into her life.”

“I don’t know, Ed. The same way you protect anyone I guess.”, Steve leans back on the couch as he takes a sip from his bottle of beer. “Again, this is just a steppingstone. I’m sure after a few months of handling her, any number of high value agencies will want to hire us. WHICH MEANS…”, he glances towards Eddie. “…you need to control your Dom voice.”

The metalhead chuckles as he leans back as well. “It’s going to be hard with a fucking brat like her. Dude, she didn’t even have the common courtesy to say hello.”

“I know… I know… but just, try. For me?”

#########

It takes you awhile to open the door when they knock but when you finally do, you look completely hung over. 

“Yeah, come…come in. Do you want something to drink? Jack? Vodka? I have them all.”

“It’s 10am.”, Steve responds as he looks at his watch. 

You raise an eyebrow at him before heading for the kitchen and grabbing the whole bottle of Jack Daniels. “If you’re boring, Eddie. Just say that.”

“Steve. I’m Steve.”

“Right now, I don’t care—”

“We can tell.”, Eddie growls.

You blink as you look up at him. You’ve never wanted to toy with a man so bad in your life. He wasn’t even trying to hide that your disrespect was bothering him and honestly you couldn’t get enough. 

“I’m sorry, gentlemen. I don’t do mornings. Unfortunately, my manager insists on scheduling interviews for me that require me to up at this ungodly hour.” They watch you as you slump onto the couch and throw your arm over your eyes. “So, how much did Jack tell you?”

“Uh, just the basics. We watch out for you.”

“Good. It’s just following me around and making sure I don’t get swarmed or murdered. I’ll give you guys a key to my house before you leave today and when I stay at hotels I’ll do the same. You’ll most likely be staying in the same room as me anyway so…”

The sound of banging on your front door makes you cringe. “I guess I’ll get it.”, Eddie sighs as Steve’s eyes follow him. “Your makeup people are here, your highness.”

A big grin spreads across your face as you turn your head to look over at them. “I like him. Steven, you need to start stepping it up or he’ll become my favorite.”

The metalhead lazily glances towards his friend with playful wide eyes. “Well, lucky me.”

***

As snotty as your attitude was, they couldn’t deny how beautiful you were especially after your prep team was done putting you together. The makeup hid all damage you had done to yourself the night before and the outfit they had you in sexily showed off all your curves. Your eyes shifted to them, watching them as they looked around.

“No one is going to shoot me in here, boys.”

“Hm. You never know.”, Eddie exhales as he points to things. “Someone could come in through that back door behind you or because no one checks any of these people’s IDs, someone could sneak in pretending to be a hair stylist and take you out like that.”, he snaps his fingers. 

“Bags that hold all the beauty and camera equipment are big enough to hold even a rifle let alone a handgun. That’s implying someone would want to shoot you instead of stabbing or blowing you up.”, Steve followed. 

“Wow. Just charming.”

“It’s our job, Miss Y/L/N.”

“I think due to the circumstances you can call me Y/N.”, you grin. 

The producer gets your attention, walking you through the questions that would be asked and how the interview would go. The boys watched you in amazement as your personality practically changed when the camera went live. No one would ever be able to tell what you did behind the scenes or any other narrative then the one you provided. 

An hour later and after many questions, the interview ended and your face fell. 

“God, I need a drink.”

“Can we at least go over the tour first?”, your manager whined. 

“Baby!”

You excitedly got up and ran to your boyfriend’s arms. “Simon!”

Everyone in the room cringed at the heavy smacking sounds that left you two as he continued to sloppily kiss your lips. 

“Who are the new guys?”

“Babe, these are the new security guys. This is Eddie and Steve.”

They stand up to shake his hand but as Steve extends his palm the man looks down at it like the gesture was beneath him. “Yeah, listen boys, hands off, okay? She’s mine.”, you giggle as he slaps your ass.

“Come on, baby. I got a surprise for you.” You squeal as he lifts you over his shoulder and carries you towards your bedroom. 

“Y/N! We still have things to go over!”, Jack shouts as the door closes loudly. 

#########

“I want to go home, Steven. It’s 2am and they’ve been fucking in there all god damn day. At this point we shouldn’t have a client anymore because he killed her by not giving her any food or fucking water. It definitely won’t be due to her climaxing because I haven’t heard that happen yet.”

“We can’t leave until he does.”, Steve sighs. “Or she dismisses us for the evening.”

As if on cue, Simon saunters past them into the kitchen, casually opening your fridge, and begins chugging from a jug of orange juice. “Um, I’m pretty sure you two can leave. She’s not even here.”

“What?!”

“Yeah, I’m assuming she climbed out the window after I crashed. She does that to escape the security teams. It’s kind of a rite of passage honestly.”

“Where would she go?”, Eddie growls. 

“Um, there’s a bar about a mile up the road. She likes to walk there for some reason.”

***

“So, pretty lady. Do you want to come back to my place tonight?”

“Ugh, no. Get off me. I just want to drink in peace.”

“Oh, come on, honey.”, the man slurred. 

“Hey! The lady said no.”, Steve’s voice echoed through the bar as he starred the man down. “Leave. Now.”

The patron held up his hands defensively, staggering back towards his table. 

“Come on, Y/N. Time for you to go home.”, Eddie motioned for the bartender to stop serving you as the other boy reached into your purse to pay him. 

“You’re my security. Not my fucking dad. I can stay here and drink if I want.”

“You’re at a bar in a nightie, shorts, and flip flops at 2 in the morning. It’s a safety concern.”

“Oh shit.”, you giggle. “I am in my nightie.” Steve roughly grips your arm and tugs you out the door towards his car. “Let me go, you fucking dick.”

A switch flips in the man’s brain; he can’t help it. For the past couple of days, he’s tolerated your disrespect but like Eddie, he hated it. They both could handle a lot but you were pushing them too far. Still holding onto your wrist, he twirls you towards the vehicle till your back hits the door. 

“Now, listen here because I’m only going to say this once. We’ve handled the tone and the blatant disregard for what we do but it ends now. Our job is to keep you safe not fucking babysit some spoiled, rich washed-up singer. This is the last time you pull a stunt like this; do you understand me?” 

Steve’s body was so close to yours you could feel his angry breath fanning your face. It had been ages since someone put you in your place like this and you’d be lying if you didn’t say you were a bit turned on. A new feeling washed over you though as your eyes scanned his face. For the first time since you entered this industry, you actually felt safe. 

They weren’t afraid to be blunt with you which compared to everyone else in your life was a nice reprieve. You knew 90% of the people in your life, given the chance, would sell you out in a heartbeat but would still stand there and tell you how perfect you were. 

“Yes.”

“Yes, what?” Eddie’s voice startled you, completely unaware he was standing beside you with his hands in his pockets, glaring down at you with those same angry eyes. 

“Yes, I understand.”

“Good. Now get in the car.” 

#############

That following morning, they half expected to be fired but were surprised when you opened the front door as soon as they knocked. 

“We have to go to the studio first and then I have to get ready for the gig tonight.”, you mumbled as you swished around them, trying to get in the backseat of his car to no avail. “Can you open the door…please?”

Eddie caught it in your tone first…something wasn’t right and it had nothing to do with them. 

“Are you okay?”

“Yeah, I’m fine. Can we just…”, you gesture towards the car.

“HEY! When you get back tonight make sure it’s with a better fucking attitude!”, Simon yells from your front door. 

“Well maybe I won’t come back, you free loading mama’s boy!”

“Stupid bitch should learn how to talk to a man.”, he muttered under his breath as he slammed the door shut.

Steve and Eddie exchange a look before the metalhead speaks to you. “Is that something we need to handle?”

“No. He’s just being a fucking prick.”

He opens your door and you slowly slide in before both men do the same. As the car begins to move, Steve keeps checking on you in his rearview mirror. Your sunglass covered eyes remain focused on the window as you stare out into the California streets. 

“I’m sorry about yesterday. About leaving and keeping you guys out late when you didn’t have to. Simon just pissed me off and…”

“Does he talk to you like that often?”

“No. Sometimes he’s an asshole.” You flash them a sassy smirk that grows when you see Eddie try and hide his own at your sarcasm. “He’s just…hot headed, you know? He’s been through a lot.”

“And you haven’t?”

Your eyes swivel to Steve before glancing down at your hands. “Nothing I can’t handle.”

“He shouldn’t be talking to you like that, Y/N.”

“Yeah, well, neither should I so…”

“Just because you have an attitude doesn’t mean you deserve to be treated like trash. Maybe you just need someone stronger who can handle it and not take it personally.”

“Oh? And who would that be, Steve? You?”

“Aw, Munson, that’s cute. She thinks we can’t handle her.”

“Y/N, sweetheart, we’ve dealt with worse than you.”, he smiles as he turns around in his seat. “It’s you that can’t handle us. Thankfully though we aren’t in a relationship so we’ll never get to find out.”

“I never say never, gentlemen.”

****

After going over the tour dates, everything you would be doing, and everything you need, your next stop was the venue you would be performing at tonight. 

Eddie cringed as the feedback of the mic echoed around the building.

“Hey! Try plugging it into the correct port!” The young man shrugged his shoulders causing the metalhead to go over and show the boy what he was doing wrong.

“Let me guess? Rock and Roll drummer in a Metallica cover band?”, you grin at him as the mic starts picking up your voice perfectly. 

“Guitarist and our own band, not a cover band.”

“What about you, Steve? Are you musically inclined?”

“Unfortunately, no.”

“What are you good at?”

“Babysitting.”, he raised his eyebrow in your direction making your smile grow. 

As the additional security from the venue finally arrived, you watched with fascination as the guys took on a more authoritative tone, telling each person where they would need to be. Time slowly dwindled till it was about twenty minutes before the show. You began pacing as you shook out your preshow jitters.

“Hey, they say they are ready for you to head towards the stage.”

You jumped at the sound of Steve’s voice. “Goddamn it! Okay, fucking thank you!” His eyes narrowed in your direction as he came in and closed the door behind him. “Can I help you with anything else?!”

“Are you alright?”

“Jesus fucking Christ, you’re not my father, Steven, or my friend. Get the fuck out! I’ll be right out!”

The boy bites his bottom lip as he nods his head. “Yes ma’am.” As he starts to open the door, he pauses turning to face you again. “You look really beautiful, by the way. Your voice is amazing. Eddie and I have actually never heard any of your songs before today. This will be our first concert. I’m excited to see it.” 

Your wide, glassy eyes turn to look at him as he slowly begins to close the door again. 

“Steve! Thank you…”

##########

That night you gave it your all and then some. Occasionally, you would glance down at the bottom of the stage watching as Steve and Eddie’s demeanor remained focused on the task at hand. Sometimes, however, you would notice a foot tap to the beat or a head would bob to your lyrics. If this was the first time they were attending a Y/N concert, you wanted them to enjoy it and show them what you bring to the entertainment table. 

So many people when you were starting out told you that you would never make it. That your dream of becoming a singer was a pipe dream for people with “actual talent”. Since day one you always felt like you had to prove yourself, hell, even before you started singing. In your house growing up you felt like you had to fight to be seen. 

Once you crossed that threshold, everything came easier but you never stopped fighting. Fighting the fear of being nothing again, the knowledge that everyone in your circle just wanted a piece of you and what you earned. Fighting to keep everyone happy including yourself. The alcohol and drugs helped immensely or at least that’s what you believed. You thought it helped numb your brain and the pain so you could just get through every day. 

When Eddie sassed you in the studio, you knew he was different. For a while you couldn’t get a read on Steve until that night outside of the bar. The fact that neither of them had asked you to hear their demo tape or hit on you was already a point in their favor but they genuinely seemed to want to protect you so you wanted to return the favor in some way, your voice.

When the concert ended, they snuck a peak at you. Eddie was never a fan of the type of music you sang but he couldn’t deny that what you did sing went straight to his heart. Steve noticed that while you sang, it was like you transported to a different place. You seemed calmer and more in tune with yourself, making you seem more confident than when you weren’t. 

This was the first time since they met you that you genuinely seemed happy. 

Something in the atmosphere changed. Maybe it was too many booze served at the bar or just the energy of the evening but people in the crowd started chanting for an encore. You were exhausted having gone longer on your set then you were supposed to already. You gave the crowd your best smile, thanking them for coming out, and telling them how much you loved their support. 

A fan jumped on to the stage and Eddie was quick to pull him back down. Panic set in as you watched the crowd start to fight with each other and the security team jump into action. The metalhead was in front of you and you hastily gripped his arm as he scanned the area trying to find Steve. 

“Harrington?!”

After tapping his shoulder, you pointed to the corner near a wall where you saw the boy in a fist fight of his own. Eddie pushed you towards the side of the stage behind a curtain.

“Don’t move! I’ll be right back, ok?!”, he shouted over the chaos as you gave him a firm nod. 

You watched as he jumped off the platform, running to pull the man off his friend and shoving him to where you were hiding. Steve didn’t even hesitate as he lifted you into his arms and they both ran down the hallway. They didn’t stop until they reached their car and placed you in the back seat, him climbing in with you as Eddie sped away. 

“Wait…what about Jack…and everyone else?”

“No. We have to get you out and away from the building especially during a scene like that.” Steve searched through his jacket pocket for a tissue, placing it against his nose when he finally finds one. 

“Are-are you okay?”

“Yeah. Fucking asshole got me good.”

About a mile down the road, Eddie parked the car into a gas station and got out to check you both over. “What happened, Harrington? Let someone get the best of you?”, Eddie chuckled. 

“Dude, they cornered me so fast especially after I pulled him off of the venue’s security guy.”

“Did I do that? Did I do something wrong?” Their head swivel around to look at your frightened frame. “Th-that’s never happened before…I-I-I…”

“Hey, hey, hey Y/N. It’s ok. You didn’t do anything wrong. I seriously think it was just…”, Eddie shrugs. “Beer and a packed in place. People just being…too rowdy. It happens but that’s what we’re here for.”

The man throws his arms up in surprise when you suddenly tackle him, wrapping your arms around his waist as you press your head into his chest. 

“Thank you…so much.” You let him go as you turn to give Steve a hug as well. “I’m so sorry you got hurt.”

When you started to pull back, his arms came down to hold you to him. “Hey, better me than you.”, he gently sighs, “Come on. Let’s get you home.”

#######

“Oh my god! What the fuck happened?! Baby, are you okay?” Simon ran to you from his place on your couch as you and the guys entered your house. 

“The concert ended a bit roughly but I’m ok. Really…”

“Isn’t it your job to fucking protect her!?”

“Yes and we did that.”

“Are you fucking kidding me?! Look at her! She’s a mess and she’s shaking!” Your boyfriend charged up to Steve who glared down at him as he continued to yell in his face.”

“Simon, leave them alone. Please, I just want to get this crap off and go to bed.”

Eddie gripped his friend’s arm as he spoke to you. “Is there anything else you need, Y/N? Do you feel safe enough for us to leave and let you rest?”

“Of course, she fucking does. I can take care of her.”

Your eyes met theirs as you nodded. “Thank you.”

“We’ll talk to Jack and everyone in the morning.” The metalhead tugs at Steve forcing him to back down from your boyfriend. He flashes you one more cursory glance before turning around and leaving you for the night. 

###########

“You boys did good last night. I don’t know what happened but you knew what to do.” Jack gave them a smile as he nodded his head in approval. “Please keep up that vigilance next week when we go on tour. I think—”

“Wait. You’re still doing the tour next week?”

Your manager looked at Eddie in confusion. “Yes? Why wouldn’t we?”

“I mean…she just went through a pretty traumatic event. I couldn’t imagine getting back up on a stage immediately after something like that.”

“Yeah, well, your security not a musician so—”

“I actually am but whatever.”

Jack sighs, pinching the bridge of his nose as speaks to you. “Do you feel like you need more time?”

You didn’t even hear the man’s question. Since they picked you up and brought you to your managers office, you had been uncharacteristically quiet. You were thinking about everything including what transpired last night. It WAS incredibly scary but they did pull through and keep you safe. Not only did they look after you but each other; you appreciated that loyalty. 

Now as Eddie defended you, thinking of your well-being, you felt yourself spiraling at the action. No one cared about you this much and they barely even knew you. What was their end game? What made them tick? What made them this way? Was it genuine or was it just their jobs?

“Y/N!”

“Huh? Oh, um, I mean…a week would be fine…especially if I can just rest…”

“Yeah, sure, whatever.”, Jack responded in a nonchalant tone. “Go ahead and take the week but be back here on Thursday so we can go over everything.”

You nod as you head out of the office with your protectors in tow. “Hey, um, did you guys want to go get some lunch or something?”

***

“So, why security?”, you ask as you bite into your burger.

“Like Steve said, I mean, we’re good at it.”

“Well, good at protecting people. Security work just allows us to get paid for it.”, the man smiles as he takes a sip from his drink. 

“And you two have been friends for a while?”

“Since high school.”

“And where was that exactly?”

“You’re asking a lot of questions, sweetheart. Can I ask why?”, Eddie playfully narrows his eyes in your direction making you smile. 

“I just…you two are very different then people we usually hire. I just want to know more about you.”

“Different how?”, Steve asks.

“I don’t know. You just seem to genuinely care.”

“If the people around you don’t genuinely care then you need to hire some new people.”

“Yeah, well, that’s hard to find in this industry.” You reach in your purse and raise a flask in their direction as you pour a bit into your coffee.

“Is that why you do things like that?”, Eddie gestures towards you drink. 

“No, baby. I do things like this to keep me from going insane.”

“How about you do the healthy thing and stand up for yourself?”

You angerly turn your attention to Steve. “I can stand up for myself.”

“Oh? Is that why you let your manager, boyfriend, and entourage talk down to you the way they do?”

“Go fuck yourself, alright?! Look, I can stick up for myself and say what’s on my mind. For example, you two are complete fucking assholes.”, you growl. “I’m done eating. I want to go home.”

Eddie smirks as the other boy sighs. “Such a whiney, spoiled brat. I swear.” The metalhead pulls out his wallet, throwing money on the table as they both get to their feet. “Your highness.”, he gestures towards the front door. 

“I’m not whiney or spoiled. I worked hard to get here and I’m not going to let you or anyone talk to me like that.”

“Yet you do.”, Steve retorts as he opens the back door to his car. You roughly reach across, slamming it shut. “I thought you wanted to go home.”

“Apologize to me.”

“For what? Pointing out the obvious? Frankly, I don’t get why you have such a low opinion of yourself. You’re beautiful, talented, and you have such a gorgeous voice yet you pump yourself with poison and let these people take advantage of you. Why?”

You exhale as you look towards the ground. “I can handle it.”

“You say that a lot.” Eddie folds his arms on top of the car as he leans onto his hands. 

“Because I can.”

“By getting wasted?”

“My personal life is none of your fucking concern.”, you growl. 

“You’re right.” Steve opens the back door again and this time you climb in. “You just seem like you deserve better.”

##########

“I swear, man, that girl is going to get us killed. Or put in prison after WE kill her.”, Eddie chuckles from his place on the sofa. 

“I kind of like her.” The metalhead coyly raises his eyebrow at his friend. “Oh, come on, like you don’t?”, Steve sighs as he leans back against the couch. “There’s something hidden under all that sass and alcohol…I saw it when she was singing. I’d love to get to know that part of her better.”

Eddie grinned as he reached for his phone, smile fading when he saw the ID. 

“Hello. This is Eddie Munson.”

“E-Eddie? I, um, I think—FUCK YOU! —I need help.”

“You stupid bitch! Open this fucking door right fucking now!”

Eddie ross to his feet, tugging at Steve’s arm as he searched for his keys. “Where are you?”

“I-I’m in my bedroom. Simon and I got into a fight and-and he’s wasted. Pl-please…I’m scared. He’s never been this angry.”

Steve had already started the car, speeding towards your house. “Hey, it’s ok, sweetheart. We’re on the way, alright? Just stay on the phone with me, ok?”

“I’m sorry I was so mean to you guys today. Fuck… you two seem s-so different. I-I just…”

“Y/N don’t even worry about that right now. Everything’s going to be alright. We’re almost there.”

“You think you’re so high and mighty! Think you can talk to me anyway you want to! Fuck you, you fucking slut! Open the door, Y/N!”

“Oh, sure! You fuck all the groupies and fans that show up to my concerts but I’m the fucking slut!”

“Y/N, stop engaging. Talk to me.” There’s a loud crash and a squeak from your side as the line cuts off. “Steve…hurry.”

Five minutes later, they are bursting through your front door, running towards your bedroom where they hear your boyfriend shouting. Steve tackles him to the floor subduing him with his knee in his back. 

“Get the fuck off me!”

“Stop moving. You’re lucky I don’t fucking shoot you, asshole.”

“Y/N?”, Eddie softly called your name as you continued to cower in the corner with your head tucked into your arms. “Princess, everything is ok. I’m going to touch your arm.” You jump when his fingers graze your skin but you allow him to guide you to your feet. “There we go. Good girl. You’re doing so good. Can you look at me so I can check you out here?”

Your lips trembled as you faced him, his eyes slowly growing dark with fury as he scanned you over. Your face was red from your tears but he could also see where Simon had smacked your cheek. You had bruises that were starting to form on your arms where he must have grabbed you. 

“I’ll call the police and EMS.”, he grumbled trying to contain his anger. 

“No! No EMS. Please…I don’t need those pictures or attention.”

“But I do of me being pushed into a fucking cop car.”, Simon spat. 

Steve grabbed his hair and hit his head into the carpet. “Shut. Up.” His eyes meet yours as he speaks in a much gentler tone. “Are you sure?”

“Yeah, um, I have a first aid kit here and all that so I’m fine.”

*** 

The police came by and took Simon away after taking everyone’s statements. Eddie and Steve took care of almost everything which you immensely appreciated. After everyone left, you expected them to as well but as your front door closed, you found you weren’t the only one on the other side. 

“I’m going to see if I can get your bedroom door back on its hinges.”, Eddie turned the corner to head down your hallway as Steve followed. 

You tiptoe after them, watching them with bewilderment as the metalhead got to work and Steve began straightening up the things Simon had damaged.

“What the fuck is wrong with you?” They both froze, straightening up to look at you. “Why…why are you so nice to me? I’m such a fucking bitch to you. According to you, I’m a bratty, spoiled, washed up singer. WHY are you doing this?!”, you gesture around the room. 

They glanced at each other and after a few minutes it was Steve who finally spoke. “How should we be? Hm? Should we be like him? Do you think you deserve to be treated like this, Y/N?”

Their voices and demeanor completely changed in the moment; talking to you like a little girl who had just run into your parent’s room crying about a monster under her bed. 

“Sweetheart, NO ONE deserve to be treated like this. You didn’t trigger this. What he just did…isn’t your fault. You did the right thing calling us here. Now what kind of protectors would we be if we left you here alone with your house like this?”

You broke, sobbing almost uncontrollably as your hands covered your face. Strong hands tenderly grabbed your biceps, pulling you into a chest as you wrapped your arms around his back. Another palm delicately petted your head and for the first time in your life, you had never felt safer.

Stepping back, you wipe your eyes, glancing up to see Eddie’s kind, worry filled orbs running over your face as Steve stood beside him doing the same.

“Can, um, can we worry about this tomorrow and you stay here with me tonight?” 

“Yeah, we can stay here, honey. Do you have another room you can sleep in? I don’t think tomorrow morning you should open your eyes and this is the first thing you see.”

“I have a guest bedroom down the hall here.”

“Good because I agree with Steve. We can sleep on the couches out here and—”

“Can you sleep with me?”, you interrupt, your question startling both men. “I-I-I mean, you don’t have to. I just… I’m still a bit scared. I’m…forget about it.”

Eddie grabbed your hand as you started to walk away. 

“We can do that for you. If that’s what you want.” You nod your head to his statement, watching him closely as his eyes shift from security Eddie to something you had never seen before in any man. Whatever it was it made you feel weak in the knees. His fingers reached out to brush a loose strand of hair behind your ear. “Can you say it?”

“I-I want you two to sleep…in my bed…with me. Please.” That last word comes out almost in a whisper, pleading with them to stay. 

Steve’s fingers softly caress your cheek before gliding under your chin, turning you to face him. He had that same look Eddie had, that air of confidence you remembered seeing when you first met them but more dominate. 

“Good girl.”

[stllmnstr]

sacred monsters [teaser!]

pairing: lee heeseung x f reader

genre: academic rivals to lovers, vampire au, slow burn

teaser word count: 1.7k

teaser warnings: swearing

release date: saturday, august 3, 10 PM EST

soundtrack: still monster / moonstruck / lucifer - enhypen / everybody wants to rule the world - tears for fears / immortal - marina / supermassive black hole - muse / saturn - sleeping at last / everybody’s watching me (uh oh) - the neighbourhood

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

A literature student in your third year of university, you’ve been dreaming of having your writing published for as long as you can remember. With a perfect opportunity dangling at your fingertips, the only obstacle that stands in your way comes in the form of a ridiculously tall, stupidly handsome, and unfortunately, very talented writer by the name of Lee Heeseung. Unwilling to let your dream slip out of reach, you commit to being better than the aforementioned pain in your ass at absolutely everything.

But when a string of vampire attacks strikes close to your city for the first time in nearly two hundred years, publishing is suddenly the last thing on your mind. And, as you soon begin to discover, Heeseung may not quite be the person you thought he was.

note: this fic is my BABYYY so I really hope it’s well received and you all have a good time with it. it’s probably no surprise that still monster is one of my absolute favorite enha songs, and this story is essentially (my interpretation of) it in written form. this is going to be a multi-part story, and as of right now, the first part is almost ready to share. for now, enjoy this snippet!

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

Crossing a dark line through the word you just penned, you sigh. 

This is the fastest you’ve put a story together in ages. It’s cohesive, and the writing is solid. Your use of metaphor is strong and concise, and the prose feels true to your identity as a writer. 

But something in you withers a bit with every new word you commit to paper. It’s not that you hate your topic. If anything, it’s just that you have no stake in it at all. It doesn't feel innovative or exciting or representative of your creativity. 

No matter how easily the words flow out of you, something about it just feels… flat. One dimensional. 

You need something new. A different angle or an alternative perspective or… Or a fresh set of eyes. 

Struck with a sudden idea, you pull out your phone, plan taking form in your mind. The literature club at your university hosts bimonthly peer review sessions, and you haven’t taken advantage of them nearly as much as you should. They’re a chance for any writer, literature major or otherwise, to come together and workshop any piece of writing of their choice. 

Tapping your finger impatiently on the table, you wait for the page to load. The fall semester did end almost a week ago, so it may be a long shot. You’re not sure if the club typically holds sessions over winter break. But as you pull up the club’s calendar of events, a small smile tugs at your lips. 

Luck seems to be on your side this time. It’s written there in plain, bold font that there will be a session this upcoming Friday evening. That means that if you attend the session and get some solid ideas for revision, you’ll have exactly five days to refine your draft before you present it to Professor Kim. 

The idea of having not only a topic, as the schedule outlined, but an actual complete,  well-written draft to show him next Wednesday, turns your small smile into one that overtakes your features. 

Energized with a new vigor, you reach for your pen again. It doesn’t have to be perfect, you remind yourself, even as a turn of phrase makes you cringe. Even as a piece of punctuation feels out of place. It just needs to be written. You just need to have as much content as you can to share on Friday. 

Besides, you’re sure that a second opinion will help you fine tune this story into something you’re proud to share, something you’re excited to attach your name to.

The afternoon is quick to blur into early evening, and you’re still bent over your favorite corner table. Coffee long drained, you’re full of a new confidence. The thought of proving yourself suddenly doesn’t seem like such an unachievable, out of reach task. 

And when you do finally gather up all of your belongings and make your way back to your apartment for the night, you’re sure that this is the exact boost you needed. 

That same stroke of self-assuredness carries you all the way through a finished first draft. It’s rough and messy and littered with loose ends, but it’s tucked away in the bottom of your tote bag with a smile as you haul it to classroom number 105 in the university liberal arts building Friday evening. 

You pause at the door to the classroom, only for a moment. The inhale you breathe in is deep, full. Nodding to yourself once, you push open the door. 

You haven’t been to one of these workshop sessions since the second semester of your first year, back when you had just switched to a literature major. You remember being wide-eyed and incredibly protective over your work. It was hard to part with it, to let anyone else read over the sentences you were so unsure of. The writing you had little confidence in. 

But your partner had been kind. Another girl in her first year, she had nothing but gentle feedback to give and reassurance that your writing was worth reading. Honestly, it was such an overwhelmingly positive experience that you would have come back for more sessions if you weren’t constantly struggling to find minutes to spare in the day. 

You’re hoping that tonight will be just as rewarding as you enter the classroom, tote bag in tow. But as you survey the space around you, your face falls flat, easy going smile dropping from your lips. 

You weren’t expecting a big crowd, considering that it is winter break and most students are deliberately avoiding campus right now, but you were hoping there’d be more than one other person in attendance. 

Well, you think, deciding to look on the bright side of things. At least you’re not the only person. 

The other attendee is sitting in the far corner of the room, occupying a desk near the front of the classroom. At the sound of your entrance, they turn to face you. 

With that, your small disappointment is quick to snowball into an intense wave of exasperation. Because why is the universe so hellbent on playing games with you?

Your mouth drops open without your permission. “Heeseung?” 

Your sudden outburst fills the room and lingers long into the awkward silence that follows. You hadn’t meant to say anything, but really, what are the god forsaken odds?

If he’s bothered by your reaction to seeing him, Heeseung doesn’t show it. Instead he looks strangely… relieved. It makes absolutely no sense for him to feel any sort of relief at the sight of you, but it’s hard to put a more apt descriptor to the way tension drains from his shoulders, crease between his brows softening as he looks at you, scans you from head to toe. 

A moment of stilted silence passes between the two of you. Another. Your heartbeat feels too loud in your chest.

You exhale, a cross between a scoff and a laugh so humorless it could freeze a flame. Weighing your options, the most tempting by far is to just turn on your heel and exit the way you came. 

Heesung seems to read your intention before you can commit to it. 

Breaking the heaviness in the atmosphere, he acts as if you’ve greeted him like an old friend, not as the source of all your recent headaches. 

“Hi,” he nods, so tentatively you almost want to let your jaw drop open in shock. Almost. 

Because what the fuck does he mean by ‘Hi?’ This has to be some kind of mind game, some way to get in your head and ruin this for you. 

“Right.” Your lips pull into a tight line. You don’t bother to return his greeting. “I’m just gonna go, then.” Hiking up your bag on your shoulder, you turn to do just that. Your first draft will just have to be unpolished. Oh, well. You’re sure Professor Kim will have better feedback for you than Lee Heeseung ever would anyway. 

Once again, Heeseung’s voice cuts across the classroom. “Wait.” There’s a command in his voice. Gentle, but firm. Insistent. So pervasive that you find yourself following without really meaning to. 

Mind made up and dead set on leaving, now you’re just annoyed. What a waste of a Friday evening.

“What?” You turn back to him. You’re not sure if there’s more venom in your voice or your eyes. 

And Heeseung, who commands a classroom with quiet grace, with his steady, unwavering presence, suddenly looks so damn unsure. As if tormenting you is uncharted territory. As if he’s never once left you in the cold with flaming cheeks and a thoroughly shattered ego. 

“I…” he trails off, not quite meeting your furious gaze. “Didn’t you come here to get feedback?”

“Right.” You scoff again. “Because I’m sure you’d love nothing more than to tear my writing to shreds. Forgive me, but I’m not interested in being the butt end of your joke tonight.”

“What?” If you didn’t know any better, the ignorance he feigns would be rather convincing. “That’s not why I’m here.” He shakes his head. “I brought something I want reviewed too.” 

Your brow arches. He can’t be serious. “Even if I did stay,” you counter, “you’re actually the last person I would want to read my work. Feel free to be offended by that, by the way.”

For a solid minute, Heeseung just looks at you. He wears that same damn deer-in-the-headlights expression he had after you brushed him off when he intercepted you in class the other day. He pauses, weighing words on his tongue. “Look, ____.” The sound of your name on his lips strikes a strange chord in you. Until now, you were certain he didn’t even know it. “Did I do something to offend—”

And no. Absolutely not. No way are you rehashing that day in the quad with him now. 

“You know what,” you interrupt. You need to go. Now. You need an out. “I’m actually, like, super tired. I think I’m just gonna head back, and—”

But then it’s his turn to cut off your train of thought. “It’s your piece for Professor Kim, isn’t it?” Heeseung takes your silence as confirmation. “Publishing is a big deal. A second set of eyes will only make your work stronger. And if you hate my feedback, it’s not like you have to use any of it.”

You hate it. You despise the way his reasoning matches your internal monologue nearly word for word. The way your thoughts align exactly. 

You pause, a decision weighing heavy on your mind. He is an excellent writer… There would probably be substance to his feedback. Real, actual, good substance that you could use to make your writing bloom into something truly amazing. He could be the exact spark you need to make your story come to life. 

You purse your lips. “What’s in it for you?”

Heesung smiles, a nearly imperceptible quirk of his lips. He knows he’s won. “Like I said, I brought something I’ve been working on.” There’s an intention you can’t quite read behind his gaze when he adds, “I want to know what you think of it.”

Hook, line, and sinker.

With a grumble, you take reluctant steps towards where he sits on the opposite side of the classroom. And if you slide down into the seat next to him with a little more force than necessary, well, it’s just because you’ve had a long week. No other reason. None at all. 

“Fine,” you relent, reaching to pull your notebook out of your bag. “You get twenty minutes.”

“That’s not nearly long eno—”

“Thirty,” you concede. “And don’t push it.”

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TO BE CONTINUED...

⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖⋆.˚⟡ ࣪ ˖

note: thanks for checking out this little snippet! I can't wait to share the full first part soon. this one is going to be so much fun I'm buzzing already. I don't have a tag list, but I will most likely update this post and reblog it once I have a confirmed release date. like I said in the note at the beginning, I'm anticipating it will be ready to go by this sunday (august 4 EST) at the latest. woo!

[stoportotouch]

thoughts, again, of the pathologic 2 soundtrack.

Genuinely one of the best soundtracks of a video game that I have ever heard, and also one of very few game soundtracks to use the noble prepared piano (including in River of Flegm, and also as the melody of Young Vlad's Shack Music). I have a Master's in what essentially amounts to Knowing About Music And Music History and it struck me that the P2 soundtrack does some genuinely very interesting things with essentially "making" an entire fictional culture's musical history using bits of real, pre-existing musicology.

The game's animal based mythology mostly centres around bulls but it's set in a region which places a lot of value on horses, and which has music that makes reference to The Gaits Of The Horse. To make its own version of that, the Pathologic Soundtrack uses the sounds that cattle make (most obviously with the voice imitating a cow lowing in Song to Boddho, which you hear when Artemy finds out that his father died in Day 1).

Meanwhile Scorn2, which you hear in the Abattoir, also uses not just pitch-shifted cattle sounds but pitch-shifted sounds of industrial meat-processing equipment. It is undeniably really eerie but it also works like... unsettlingly well with the general themes and narrative of that part of the game. It also meshes well with the other Plague Music (particularly Mad Mother Earth, which you only hear the beginning of when you meet the Rat Prophet), which takes one of the traditional elements of the soundtrack (the drum motif for Mad Mother Earth, the Cow Sounds for Scorn2) and twists and distorts it.