Chapter II
"What are you talking about" Shen Jiu hissed. He does not have the time nor the willingness to entertain this clearly delusional man more than he already has. Honestly, he probably shouldn't have freed his mouth if this is what's coming out of it.
"Gege I know it's been like 20 years or something but you couldn't have forgoten about me, could you? This breaks Didi's poor heart" Said the other, batting his eyelashes like a little mistress asking daddy for a new dress and it's making him sick. Fuck this. Fuck all of this.
"You don't even know my name and this one doesn't have any siblings, so shut up. I'll fucking leave you here if you say another stupid thing" Shen Jiu walks to the corpse of the fat man with a grimace. He would prefert to not do this but the prospect of ruining a nobles day by liberating "the merchandise" is too sweet to pass after all.
Taking the sleeve with just two fingers, Shen Jiu brings it up enough to search inside. Dropping on the ground the knickknacks the man inexplicably had inside. Well, the money he keeps. Shizun is too cheap with her disciples and inns are disgusting while brothels are expensive. He'll need a good night's sleep after this and his prey will be founding it.
"We didn't actually had names" With the keys in hand Shen Jiu walks to the largest cage he can see and passes his founding to the frightened woman inside. Only when she understands what to do and gets to work opening all the cages on sight does he turn around to the nuisance still tied and sitting on the dirty ground. "What?"
"When we lived with mother; we didn't have names. That man-" He said it with so much venom Shen Jiu could for a single moment believe they were siblings after all. "-never let her name us. He was planning on selling us from before we were even born so she 'shouldn't get attached'. She fought him, naturally, but Mother only could do so much... He took you first, I was too sick to be sold just yet"
Shen Jiu is marginally grateful the other slaves ran as soon as they were freed from the cages because he doesn't need reports of what he'll do to this bastard to reach Shizun. A murder outside of the permitted by the mission will look so bad on his already muddy reputation. "Good story, you should write a book" He deadpans.
"It's the truth!" The guy pouts, as if that helps his case at all and doesn't just make him look crazier. "Gege could easily prove we are related with a talisman, couldn't you? I know fancy cultivators have that type of tools just lying around!"
"You want me to believe you remember bullcrap from when 'we' were, what, 4 years old?" Shen Jiu said mockingly
"Gege isn't even denying he was a slave like me" A curious head tilt and Shen Jiu suddenly feels like he's missing something, again. He hates that feeling. "He knows deep down that this Didi is saying something important." That knowing look is pissing him off, but he can't deny felling the littlest bit curious. The guy stole his face, that's undeniable. And a sibling relationship could very well explain it.
But is he ready for the implications? Is he ready to have a family, a fucked up one he is sure, but, family?
Qi-ge Yue Qi used to call them brothers but that didn't stop him at the moment of betraying him for a better life. Is this guy actually interested in Shen Jiu or is this his ploy to be freed? He already saw Shen Jiu give the keys to the others, surely there's no need for him to still be talking to Shen Jiu at all?
Shen Jiu could always just make the test and drop this guy on the streets if it came out negative and... And if it's positive that'll mean there's someone in this world who is his.
There's no way to change one's blood. He knows that very well. His blood may very well be running in this guys veins. An undeniable bond to someone, something unbreakable. This could mean he has a brother, maybe even a mother that... Loved him.
A mother. One that loved this wretched creature. Proff that he didn't came out wrong, twisted.
Is Shen Jiu being too naive? The simple promise of a past loved one has him doubting the most basic instinct of caring for no one but himself. Hope is an ugly thing he thought dead and buried years ago under charred wood and ash.
Shen Jiu returned his gaze to the young man, serious and grave. He can't believe he is doing something so stupid but one thing is true in all street children: If you can take something, do it. And never give anything back. "You will follow me and not say a single word to anyone. Understood? I will have to ask someone back at the sect for a blood testing tool" This guy wants to be his brother? Fine. Let him cope with his horrible personality. Shen Jiu is never diminishing himself for the comfort of others. Never again.
A sly smile is his answer, and he can't quite help the feeling he just got played. "This Didi will do as Gege says..."
Prev - Next (soon)
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Thinking about the car accident aftermath in "Teach Me Tonight" again:
Luke is understandably all over the place in the episode where Jess is sent to town. He's simultaneously buying Frosted Flakes and explaining to a skeptical Lorelai that all Jess needs is someone to "give him a little space" and "treat him like a man." Luke resists Lorelai's overreactive but not entirely unreasonable questions and advice until he responds to Jess's defiance and declaration of not wanting help by pushing him off the bridge. Then, he goes right to Lorelai as he panics about not being cut out to raise a kid (he's made a big mentality shift here!) because of having "no patience for jam hands." She reminds him that Jess isn't a toddler, but this situation is going to take work.
Fast forward to "Teach Me Tonight." The first two things Rory tells Lorelai over the phone in reference to the accident are "I need you to be calm" and "I'm alright." Rory has already buried her own reaction and is trying to put Lorelai at ease as much as she can; for not the first or the last time, she has to be the more mature person in their relationship. Lorelai demands that Rory have extra tests that the doctor didn't recommend, and then she leaves Rory at the hospital to hunt Jess down. It isn't Lorelai's intent to make Rory carry both their emotions by herself, but that's what ends up happening even though Lorelai is extensively focused Rory's physical injury. It says a lot about how Lorelai and Rory function as each other's peers and as each other's parents. The only person who will offer advice that matches the injury Rory actually has, listen to how she feels about the accident, and validate her perspective is Luke.
When Luke finds Jess hunched over on the bridge, Jess doesn't say anything about his own safety or ask Luke to stay calm. He just says, "I made sure she was okay." This is of course reflective of how much Jess cares about Rory and how devastated he is about her getting hurt, but it also strongly suggests that it doesn't even occur to Jess that his own well-being would matter to Luke. One could understand why Jess might've thought that way; Luke is openly, sometimes extremely, protective of Rory and continues to be when Rory is years older than Jess is here. He confronts both Dean and Logan unprompted on Rory's behalf. He wants to intervene when Rory decides to leave Yale and maintains a warm relationship with her even though he avoided addressing Jess's school/work situation directly until he kicked him out and later yelled at him for returning for his car. We know what's in Luke's heart here, though, because he just explained it to Lorelai at the cost of their relationship. He won't rest until he knows both kids are okay.
Luke could've in this moment screamed at Jess for being reckless with Rory, damaging property, smoking, and throwing a wrench in his friendship with Lorelai. He could've demanded that Jess be a man and stick around to repair the damage and face the wrath they both know is impending. He doesn't do any of those things, though. He sees how anguished Jess is and realizes now that he shouldn't have to be a man quite yet. Luke offers the precious comfort of immediately believing that Jess took care of Rory with "I know you did," and that's that. Of all the choices Luke could've made here, he chooses a quiet sort of mercy, so there they are in calming silence with their matching postures and green jackets and emotional repression in the same place where Luke shoved Jess into the water months earlier. Yes, there's an argument to be made that Jess going back wasn't the right way to handle this, but at the same time that choice has incredible compassion behind it.
The variety of parent/child relationships on this show is just so fascinating; it's a snapshot of families living in the same time and in the same place, and no two dynamics or perspectives on how a child should be raised are the same. These relationships are all deeply flawed and are sources of immense harm at times, but they're grounded in so much love.
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Maybe yandere master Ahsoka in a au where she never left the Jedi order and she gets a padawon , and she sees reader as family hcs please 🙏 🌙
Sure! I'm a bit rusty with her but I hope this alternate take based on her personality is good :)
Yandere! Platonic! Master! Ahsoka with Padawan! Darling
Pairing: Platonic
Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Overprotective behavior, Fear of loss, Slight manipulation, Violence, Isolation, Dubious companionship.
Jedi aren't meant to be close to many people...
Companionship, relationships, any sort of close bonds are frowned upon in The Order.
Suppressing such feelings is necessary for a Jedi to serve.
Ahsoka herself has learned how to do such things.
However... That doesn't mean she doesn't feel complex emotions.
The bond between Jedi and Padawan is a close one, but less distracting than most.
Many view their Padawan's like siblings, or a kid they couldn't have.
Such a bond is similar to how Ahsoka feels with you.
She herself had a close bond with her master, Anakin... before he went to the Dark Side.
While she may not agree with The Order all of the time, she's stuck with them for many missions.
Even right up until The Order fell.
Now, as a Jedi Master, it was only natural for Ahsoka to take a student of her own.
Ahsoka has always wanted to protect people.
She defends people and has given everything to the order.
She has the spirit of a Jedi... always caring and ready to solve problems.
Then The Order deemed her worthy to train you... a young Padawan to call her own.
Ahsoka doesn't expect taking care of a Padawan to be easy.
Jedi training is taxing on the mind and body, yet upon going on a few missions, you're proving to be capable.
You remind Ahsoka of how she was when she was younger.
Now she finally understands how Anakin felt when she was acting reckless and impulsive.
It's easy for Padawans to get carried away.
She'd know such a thing as she was once overly ambitious herself.
Yet she can tell you're not only brave... but loyal too.
Ahsoka had you as her Padawan before Order 66 was executed.
She may even still keep you under her wing after Order 66, wanting to keep you safe.
Ahsoka as your master seems like she'd give off either big sister vibes or mom vibes.
Either way she'd be protective of her Padawan, fully away from the dangers that the Galaxy has to offer.
She wants to teach you to follow your heart yet stay cautious.
She's kind to you yet also isn't afraid to scold you for your mistakes.
Ahsoka may actually be a good master for you.
The one issue I'm seeing?
Her fear.
Fear can poison a Jedi and their motives.
In fact, fear... love... and anger can poison a Jedi.
This is the reason Jedi aren't allowed to have personal connections.
Having a family, a relationship, or even children can be distractions.
If a Jedi can not control their emotions, they become vulnerable to the Dark Side.
Ahsoka's issue towards you would be the fear of losing you.
Especially after Order 66 in this AU.
She's lost many close to her, an unfortunate part of being a Jedi.
She's even lost her own master.
So, really, you'd be all she has as a Jedi master.
You're her student... the family she could never have....
Teaching you becomes increasingly hard due to these feelings.
Each time she sees you do something risky, she tries to be optimistic.
Yet she can't help but think of you getting hurt.
She wonders if The Order chose right...
She wonders... if she really is the right teacher for you.
But then you look at her with eager eyes.
It's such a familiar sight.
When she sees you so bright and determined, despite it all, she smiles.
Yes... Yes they must've chosen right.
They put you in her care.
So... She should take care of you the best she can.
No matter what.
I imagine this AU would also take place after Order 66.
During it, Ahsoka kept you close and defended you against every rogue clone she could.
She isn't sure what she'd do without her Padawan.
She definitely sees you as family, treating you protectively and always observing any who come close.
She is moralistic... but as she learned from Anakin...
Sometimes you have to bend the rules to do the right thing.
Killing people often happens as a Jedi, like it or not.
Ahsoka takes no joy in it... yet she'd do anything to protect you.
Speaking of which, after Order 66 she'd take you with her into hiding.
She can't really teach you when in hiding... as using the Force would get you both detected.
Ahsoka, as your master, would give you both a fake name to hide from the growing Empire.
After Order 66, Ahsoka views you even more as family.
Since she can't teach you to be a Jedi, you two really do end up adopting a familial role.
Be that siblings or mother and child... Ahsoka hates to admit it but she's attached.
She knows such a bond may poison her... yet The Order is no more.
You two may be Jedi at heart, yet nothing is stopping you from having personal connections now.
Ahsoka's biggest fear is losing you.
Be that by death or the Dark Side... both are just as bad.
Such thoughts are what make it hard for Ahsoka to let you mature.
At some points she coddles you, especially when you have to pretend to not be Jedi.
She's worried about letting you out into the world.
It's just... too dangerous right now.
One mistake and you could be hunted.
The thought makes Ahsoka worry more than she should.
In fact, it makes her isolate you.
Naturally you believe her subtle manipulation when she asks you to stay.
You trust her, you know she wouldn't let anyone harm you...
So, if pretending to be farmers is what you have to do, you'll do it.
Ahsoka cherishes the trust you hold for her.
Which is why she feels bad when she abuses it.
Ahsoka is mostly just... protective.
She wants a life where she'll always have you, and a quiet one away from the Empire happens to be on her mind.
Although, eventually, you'll want to leave her side.
Padawans naturally have to leave their masters at some point.
They deserve to be independent... and Ahsoka knows that...
But things have changed.
When you tell Ahsoka you wish to leave, to make a life of your own... she hesitates.
N-No... No, you really shouldn't.
She hates to say it, really does... but it isn't safe.
What if you get caught?
What if the Empire executes you after realizing you're a Jedi or... Force sensitive at the very least.
Or... what if they choose to use you as a weapon against her?
Ahsoka would try to convince you into staying with her.
All you need is each other... you've been through so much already...
Why don't you sit back and stay with her?
You can have a quiet life!
She understands you crave action... that you want to join the Rebellion...
She was once a similar way in her youth.
Yet, she may even Jedi mind trick you in an attempt to keep you safe.
Ahsoka keeps telling herself she's just... bending the rules.
What she's doing isn't wrong.
Keeping you in hiding at a farm isn't wrong.
Convincing forcing you to stay isn't wrong, either....
She's protecting you.
Cutting someone who knows your secrets down isn't bad either.
They were a threat to you
Tricking you is... underhanded but...
You need her.
Ahsoka looks after you because you're all she has now.
Many of her friends are gone, her master is gone, The Order is gone...
It's just you and her... alone in a galaxy that wants you dead...
However, Ahsoka will always protect you no matter the cost, you're all she has and she plans to keep you all to herself... under her protection... safe and sound.
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I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.
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Something about this interaction between Harry & Janeway - specifically Janeway but it's notable that Harry's the one listening because I think, say, Chakotay or B'Elanna might push back against the idolization of this 'it was different back in those days' way of thinking.
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The idea that Gascoigne and Henryk were hunting partners (presumably with Henryk being Gascoigne's elder and mentor) and that Viola was Henryk's daughter is the funniest shit. Like how do you think that went over.
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(Out of nowhere, you are approached by a familiar lightbulb-headed Cog.)
Ah, it's you, cat. Thinking you're oh-so-slick. Muttering and whispering under those raggedy whiskers of yours... Thinking I am unable to hear it all...
Well, you've simply underestimated my fantastic hearing. You probably want to know the reason why I'm here, taking a 'break' from my incredibly important scientific breakthroughs? It's quite simple, really!
(She gets close, and squints her eyes.)
I know what you are.
Farewell, now!
(She then leaves the way she came from.)
(Spam giggles immensely, covering her face... it always seems like she's giggling, isn't she? This lasts... at least thirty seconds. Longer than usual.)
And I know what I am too, Sparky! You broke through something, that's for sure. Really, broke through...
(She looks down, continuing to laugh nervously.)
You know, I find it odd you Havent tried to bulb blast me into the stratosphere by now. I mean knowing how you acted with Frostbite. Is there something peculiar about me that you perhaps can't quite track? Something about me that you... don't know what I am?
I know, I know, I'm talking to nobody again. But you were there when I had a moment today with the one the only Frostbite The Bravecog. You may be remaining. Lurking in the shadows. Knowing about these thoughts that I'm thinking.
(The giggling resumes, lasting far shorter this time.)
Your brother's a piece of fucking barp, by the way
(She braces for impact for a few seconds, wincing while smiling, before comically looking around to realize nobody's there. She sighs.)
Wow, okay maybe toony superhero show logic doesn't apply in this situation. Cool.
WAIT I JUST FUCKING REALIZED WHAT SHE MEANT but like. Dude if she meant that then what's the point I mean the whole ahh sellbot department barping knows unless you're Really low on the ladder. Heheh... maybe she did mean what I thought she meant.
Oh i'm so fucking screwed. What kind of bitch gets filament fever
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thinking abt dove baek and how they've done a variety of illegal things to survive and they justify all of it bc it was for their survival right and as an adult they're avoiding breaking the law as much as possible bc they have to be a good influence for sparrow bc they don't want him to pick up any of their bad behaviors right but at the same time they're super nonchalant and open abt some of the stuff they did (there's some things that are going to stay buried forever thank you very much) so sparrow absolutely picks up on that energy and the first (and only) time dove has to come pick their son up after he's caught stealing they're incredibly upset – at him but mostly themself – and they fear for their LIFE bc it's totally going to be blamed on them and while karina isn't gonna hold it against them forever she won't be happy abt it and her parents will be even more upset.
meanwhile sparrow thinks he's done some cool shit and doesn't understand why everyone's not being chill about it
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it's because the bear wouldn't kill me just for being a woman. the bear doesn't kill me for fun. the bear can be shouted at, and will leave me alone. the bear won't make a tiktok complaining about how i crossed to the other side of the path when i saw him coming. if a bear kills me, it's just being a bear: it cannot understand logic. it is not acting out of malice - just fear or hunger.
bell hooks once wrote about how porches might be the only outside space left for women - it is still the domain of the house while it is also outside-but-safe. when i am in the woods, i am in the bear's home, and he has a right to defend his property. outside spaces - anywhere at night, certain parks in the day - those are often implicitly "owned" by men. i cannot explain the feeling of knowing when you have entered a man's "territory." you walk into a place and just know you are in their space. you get a sick sense - you're in danger.
the other day a group of about 8 men were fooling around in the woods while i walked my dog. i had to go around, take the extra 3 miles just to avoid them. it's okay, i like walking. this wasn't even a #feminism moment. it was just a tuesday.
what a plain and easy question. only one of the situations is seen as a tragic accident. i would rather die and have a park bench erected in my honor rather than have my family questioned about why they let me, an adult, walk in the woods in the first place when i should really be at home in the kitchen.
i worked in retail and food service. i have had women say and do absolutely heinous and abusive things to me - not because i was a woman, but because i was there, and they were angry. the way men treated me when angry was different - it was because i was a woman. you can always feel the difference, how there's an undertone of i'd hurt you worse if i could get away with it. i keep seeing people try to cite stupid statistics. why is there always a strange rage whenever women agree on things? like men can argue their way out of our lived experiences? it isn't a buzzfeed quiz - which of these traumas are you? 10 super cute ways not to fear strange men.
i have actually (thrice!) seen a bear in the wild, by the way. i died each time, obviously, and am a ghost writing to you. (it was scary but completely and utterly fine). the second encounter was a black bear with her cub. she looked at me like - do we have to do this or are we good? my dog was busy sniffing a bush, completely nonreactive. i felt like i was in a sitcom: feminist poet reacts - does she actually mean she'd choose the bear? my only thought was - she's so beautiful. her paws are massive.
and there's a part of me that feels the rage spinning out in a corner. why do we have to come up with quippy little comments in order to teach men empathy. would you rather die in a car accident or due to a mugging? and would you rather your house burn down due to an electrical fire or due to arson? gee willikers - it's almost like we're human people, and want to risk the accident versus the intention.
i would rather my last thought be oh shit, a bear rather than i'm a person too. why doesn't that matter? why don't you care?
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"I know JK Rowing is a terrible person but her books are so good-"
You sure about that?
I mean, just for a start, have you taken a good look at her fantasy creatures lately? A whole bunch of them are straight-up based on malicious and dehumanizing stereotypes about actual people.
Remember the werewolves? And being a werewolf was made into a kind of metaphor for having AIDS?
And you know how AIDS was first associated with gay men? And how conservatives back in the day were claiming gay men were preying on children in order to convert them to gayness?
Remember how Fenrir Greyback preyed on children in particular? Yeah, she put that subtext in there. She was an adult in the 90's. She knew damn well what she was doing.
Remember the house elves? Remember how most of them loved to serve and needed to have a home and a master or else they just wouldn't know what to do with themselves?
Did you know that's literally what slavers in the American South said about the Black people they kept enslaved? Go look up the happy slave myth.
Do I even need to get into the goblins and the antisemitic tropes they're based on? No, folkloric goblins were not gold-hoarding bankers waiting for their chance to stab humanity in the back.
"But the characters are so good!"
Are you kidding me?
Most of her characters are pretty one-dimensional, including Harry. Her idea of making a morally complicated character is giving a tragic past to a bully. Numerous characters are little more than stereotypes. (Looking at Fleur right now.) Literally anybody, including you, can easily make dozens of characters just as good, if not better. (It doesn't exactly take a lot of character designing skill to go, "hey, actually, having a sad backstory doesn't make it okay to bully children" or "hey, maybe I should not base a character on the first stereotype that pops into my head.")
"But the rest of the worldbuilding!"
Sorry, but her worldbuilding is just as basic as her characters. Magical castles and secret passages are stock tropes. Magical people who keep their true nature secret from humanity is the premise of pretty much every White Wolf TTRPG. Most of her fantasy creatures are just common European fairy tale and folklore creatures with shitty stereotypes projected onto them.
I'm not saying "basic worldbuilding bad." I'm saying, you could do just as good, if not better, with minimal effort.
Also there's her magical bioessentialism, where only Harry's abusive blood relatives could provide him with supernatural protection from Voldemort. Rowling thus effectively declared that non-biological family isn't quite real family, and that abusive biofamily can give you some essential thing that a loving, supportive family that isn't related to you just can't.
The Hogwarts houses are one of the most insidious elements of her worldbuilding. The idea of being sorted gives you a little dopamine hit because wow now you have a li'l niche where you belong!
But the actual function of the houses and sorting system and the House Cup is teaching children to see each other as rivals, and ensure that the most toxic views of the upper class get passed on to every new batch of kids sorted into Slytherin.
Hogwarts effectively prepares children for a dystopia where magic serves to distract its citizens from how nightmarishly awful it is. Economic inequality is so bad that people like Arthur and Molly Weasley can barely afford to put their kids through school, casual sadism is just an accepted norm in everyday society, and non-humans are second class citizens. Rowling sorta acts like she thinks this is a bad thing with certain lines she gave to Dumbledore, but in the end, her special boy protagonist becomes an auror; IE, a defender of the status quo. So.
If you've never seen it, Lily Simpson's video goes into even more detail on how the worldbuilding of Harry Potter is actually incredibly fucked up, and how it betrays small-minded attitudes on Rowling's part. There's no separating the art from this artist, because Rowling's rotten values pour out of nearly every page.
Yes, there are many things in Harry Potter that evoke feelings and inspire people, but there's absolutely nothing in it that this series has a monopoly on. You can find those same experiences in much, much better media.
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notes from nicole piastri's interview on red flags pod
oscar started playing monopoly and chess when he was 4-5 but he was too good at chess (relative to nicole) that she boycotted it
nicole opened her twitter account because oscar wasn't replying to her at boarding school and she needed a place to chastise him ("can you not answer... i KNOW you're on your phone") (it worked because he started replying to her there)
instead of unflappable she calls him "conservative"
even during christmas and birthdays he was never super excited, one time they went with a group of 5 mums and 5 kids to a hi-5 concert (popular australian kids' musical group) and while all the kids were "going nuts" oscar just sat there "focused the whole time" and didn't smile or move lmfao. they were like 3 years old
didn't know what she was doing with oscar as a baby because he was her first child and her mothers' group was her only reference and they went "isn't the best part of the day when you wake up and go to their crib and they smile at you?" and she was like ??? because oscar would wake up and just SCREAM every single day needing to be out of there immediately and she thought that was just normal... then she had the girls and went "ahhhh... so that's what they're talking about"
when he was younger than 2 he needed them to read car magazines to him and was already obsessed with all things automotive and while they were driving would just name off and point out car brands by their badges
for a long period of time he behaved like he was a car and would "spin" his wheels and pretend to accelerate and run like a car lol
did a big burnout the first time he was on a bike (it had training wheels but he still learned very early)
as a mum she wishes he'd chosen golf or tennis since it's much safer than f1 and sometimes people tell her that she technically had a say in that when he was a kid and she said "but i didn't! it was just in him!!!"
won an academic award when he was 13 and she was president of the parents' community so she presented it to him, normally these events are super formal and you simply shake hands but she gave him a big kiss and instead of acting embarrassed or spluttering he looked at the crowd, nodded silently, and walked off
came back for the summer a few years ago and they were biking on the beach together when she had to brake hard to avoid a kid and went over, when she recovered and got back on he went "are you all right?" very deadpan but after they got home they checked his heart rate monitor and saw that he was totally steady the whole time except for when she crashed and his heart rate went through the roof, told him "ah so you do have a heart... we just don't see it"
"there's no sibling that can piss him off?" "well he's a boy with three girls so he just doesn't go there because he's never going to win"
met lily in person for the first time when he came home for the melbourne grand prix (was still alpine reserve), at midnight oscar was like "hey mum you know the dts film crew are coming tomorrow morning right?" and she was like WHAT... and he was like yeah it'll be chill they just want to film us having breakfast like a normal family or whatever and she was like Mate you haven't lived here for 5 years now do you know what breakfast looks like. it looks like your sisters storming downstairs and grabbing an inappropriate breakfast and storming out the door giving me the finger!!! and then the next morning lily comes down and nicole is like "oh is oscar up?" and lily is like no... i think he's still in bed... (many such cases) and then mae refused to be in it so she got dressed and ran off to school 2 hours early to escape them. and then the mclaren fiasco happened and the whole thing got cut out of dts anyway
when she said "oh my god you met matt damon!" he was just like (shrugs) "yeah... yeah..."
they communicate by facetiming and he's Always lying in bed. one time in bahrain he was leaning back on an ornate tapestry and she asked what hotel he was staying at and he was like oh i'm at the royal palace i'm like a guest of the crown prince. she freaked out and was like "oh my god!!! get your head off the tapestry!!!" and he just looked back like ? no it's fine it looks pretty old lol
called her to tell her that he signed his f1 contract and when he said mclaren she Realized and was like oh no i love daniel!! and he straight up deadpanned "yeah everyone loves daniel. that's going to be a problem..." and said verbatim "of all the f1 drivers ever daniel is the worst one to be replacing"
one time in f4 chris couldn't go to a race and billy monger had just had his crash so she flew to the uk for the weekend to support him and when she was driving him back to boarding school she was happy because she had 2 hours to spend with him and she wasn't sure when she'd see him again but instead he slept the whole way through and the moment they got back to school he went "ahhhh... home sweet home" and she wanted to slap him lmfao
first day of primary school when he was 5 years old he said he didn't need her to walk him to school and she was like "well i actually do mate" so he forced her to walk behind him the whole way and the moment they got there he turned to her and went "all right i'm here you can go now" 😭
the chinese & italian & yugoslavian is on chris's side of the family while nicole's is scottish & irish ("that's where the pasty skin comes from")
red flags pod sent her a shirt with oscar's face composed of His Tweet and she showed it to him and he immediately said he wanted it
he gave her a small warning before he posted the tweet but it was just like "mum so this is going to happen just don't worry about it. it's all under control. it'll be fine" and was very calm the whole time
"we just had to trust that his personality would come through at some point, because the way he came across was not at all what he's like. people will work out who the real you is so just continue to do what you do" 🥺
all of the kids were obsessed with Cars (2006)
likes his mum's golden syrup dumplings and grandmother's rumballs
AT THE SINGAPORE GP IN 2023 HATTIE DISAPPEARED FOR HOURS TO GO SEE A K-POP CONCERT 😭😭😭😭 i think it was p1h lmfao (nicole was asked for her favorite group and went "i have no idea. five boys") ((it's txt)) meanwhile oscar is only into house music and she thinks everything he plays is the same song
did pilates when he went home but never with her and thinks it's a lot harder than it looks
takes him minimum 24 hours to respond to anything she sends
she had an exact conversation with oscar where she asked who he wanted to be teammates with and he said "well if i go up against lando i don't even have to get close the first year because everyone knows how good he is" 😭
oscar you are so you 🧡
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"au where (insert one Bat here) gets sent back in time" delicious.
but also give me "au where (insert Bat here) is sent back in time and has no idea ALL of the other Bats were also sent back in time because they ALL think they were the only ones and not a single one is telling the others and it creates the most hilarious dynamic where shit keeps changing (because they all want to save their family, friends, etc. from pain/create a new life for themselves where at least their family is happy and stable) and the everyone is slowly going fucking nuts trying to figure out why their family isn't doing the same thing they had done before in the previous timeline"
Bruce: i have to save my children from every bad thing that ever happened to them and I will BE a better father this time. i read so many books and i went to therapy... i should continue therapy. maybe i can save some of the rogues from themselves while i'm at it. hey why are my kids acting weirder than usual did i break them? dick is not as angry as i remember, jason doesn't want to be robin even a little bit, tim is actively avoiding me and my family, cass is chasing tim, damian is far less murderous than he should be... i know i begged talia to let me raise him earlier but i feel like he's adjusting to this easier than he should be... and duke doesn't even have a reason to be here yet but i'm not complaining?
at least steph is normal. i don't know why she's here far ealier than before but she's stealing my food and using the credit card i gave her with reckless abandon but that's normal and good
the kids: what the FUCK is up with B?
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i really need to talk more about salvador and isa because i do have an unholy amount of thoughts about the both of them
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Hello Mr. gaiman, I need your help, but there's a high chance that you won't see this,
but I'll write the thing I want to say anyway (writing makes me feel better, and lighter, such as a feather).
I'm lonely. I have always been lonely. But two month ago or so, a girl came to the high school I'm study in(I'm also a girl). I...fell in love for the very first time in my life, and she also fell in love with me and confessed her love to me a month ago. I recommended good omens to her, and she loved it(I also do! Can't wait to get an autograph in my beloved good omens copy I own), basically, she was the Crowley to my aziraphale…
Everything was good...until last night. She told me she doesn't think she wants to be like this (both of our families are homophobic, and she's scared), and we can't be 'us' and she just pretended and tested love on me (as if I'm a laboratory sample)... I had a massive panic attack... I'm heartbroken, and I can't talk about it with my family... told her I'll give her time to think…she apologised, but her apology is not enough, I'm afraid. She's the only one for me... Not only that, but I want and need her love.
What shall I do? God is not helping me at all... no one is helping me, I'm lost. I just want everything to be good! I never said a bad thing to her, I was the kindest, I was her angel (yes she used to call me that) and now...we had a break-up.
There are no break-ups as bad as high school break ups. There are no highs and no lows as hard as what happens when your heart is held and your heart is broken then. And right now your heart is broken.
I can't give you advice on the person or even about dealing with your homophobic families, other than to keep yourself safe, and to hang in there.
What I can say is, it will be okay and you will be okay. You will find your person or your people, you will find yourself, you will find your world. This isn't the end of anything, it's just a stumble on the road.
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I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).
However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.
She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.
And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?
Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.
So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.
If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.
Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:
It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.
Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:
Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.
And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:
That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.
It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone
So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.
Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.
But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.
And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.
Izutsumi...
is a foil to Falin.
Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.
Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.
And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.
In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.
She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.
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