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#and how this may look messy
ruporas · 6 months
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dragon meat, you, and me
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ropes3amthoughts · 1 month
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This exact scenario happened to me before and I think it would also happen to Laios so I empathize with him
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Full messy page and unorganized rant about what happened in detail:
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Ok so in my sophomore year of high school I was best friends and queer platonic partners with this guy and I saw him like everyday because we went to the same school and we liked to hang out but one day she approached me after swimming in the morning and their hair was drenched like totally soggy and I could not recognize him at all like she walked up to me and I was so confused and then they started talking and slowly I was “wait a minute…” and then I asked if it was him and she said yes and then I explained I didn’t recognize them at first because his hair was wet and she laughed at me 😭 they were all like “you couldn’t recognize me because my hair was wet? You saw me walking over to you and saying hi and you were like “who’s this stranger” because my hair was wet?” And keep in mind this wasn’t because I didn’t know him or didn’t care about her or anything we saw each other everyday and we were best friends and we were queer platonic partners and we kissed like three times every time we saw each other this guy was my number one homeboy ever but because their was wet I just couldn’t recognize him and that’s just how it is with me like if someone puts on or takes off glasses or changes their hairstyle or something like that I often can’t recognize them very well and it can take me anywhere from a few minutes to weeks to realize it’s the same person and I think Laios is like that too he seems to have a lot of problems remembering faces and names like me like once I even forgot my own name anyways some people are mean to Laios sometimes like faces are just really really hard to recognize and I don’t think that’s him being careless or anything it’s just difficult a thing and I can really relate to that aspect of him like he’s not forgetting or anything it’s just a difficult thing for my brain and probably his too like recognizing people is hard and remembering names is hard
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psychomusic · 22 days
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oc time again! + her town & culture (heavily inspired by pre-roman italic populations)
she is suri sauthon (later suri laran, after her marriage). her story is linked to my swtor imperial agent, but most of her life for like. the one year away where she meets him, is spent in a town in the mountains of mirial.
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despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.
note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]
originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.
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this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.
BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).
later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.
years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)
#i overdeveloped this part of the background. IT'S QUITE LITERALLY USELESS. like. Vegoia will have so few memories of it (she'll become jedi)#i will make a post about her too when I'll finish designing her and outlining her story BUT that may be difficult cuz the frame for the mai#story is quite difficult to match with how developed the other stories are getting and i have to figure it Much Stuff yet#so I'm using these post to like. fix a certain part lf the lore because even my own notes are getting older and messy. better to start over#ANYWAY for those curious & who are still reading (if u exist. WTF THANK U!!); my main story is actually a research file in the jedi archive#BASICALLY i was trying to write my own story for years but then i watched a video (tcw doesn't hold up by sheev talks i think) and i finall#understood how to frame all of these stories together in a way that i feel can add to the star wars lore (because. the others were just#like. okay but who cares unless me? and i did want to have a cool frame that maybe some nerd would be interested in looking into)#so: when ahsoka anakin and obi return from mortis; they tell the council about it (yoda knows about it in s6). sheev talks complained that#it was incredibly full of stuff that was done so poorly it could ruin a big part of the original sw story itself and it was never brought u#again. and honestly i agree. SO my story is about a jedi that is tasked with research on the celestials & by having him figure out stuff i#can minimize/limit/reframe some of the controversial things in there (i love mortis arc so bad but i also agree with his critic. I'll Fix™)#so. many stories will be about people who have previously seen the celestials or have been to mortis one way or another (pre-tcw obv) & hav#had experience & knowledge that the researcher is looking for. so i get to have an anthology with many stories#and have a cool frame I'm intrested in developing + i can experiment with different storytelling styles depending on how he finds out stuff#+ there was another sw story with a similar frame i think? so if i decide to write the story as if it was the file itself and not the searc#i can have even a REFERENCE of what a file like that is supposed to be. LIKE. IT ALL FITS!!!#sw#star wars#swtor#the old republic#star wars oc#imperial agent#star wars fanart#mirialan oc#mirialan#star wars story#star wars the old republic#oc: suri sauthon
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sexologii · 2 months
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Saw someone on Twitter say “this is the easiest 750k Chelsie will ever make”
It’s the little things in BB that sneak up on you and kill you, she’s so ready to be rid of MJ when MJ is not actively doing anything to hurt Chelsie’s game and is blindly loyal to her, she’s allowed herself to get so distracted by LeahxCam that I’m not sure if CCC is even a thing anymore, she allows Cedric to volunteer himself for the block, there’s so much more but make no mistake this is a naturally gifted social player but do I have confidence this will be the winner of the season? No
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thatonefandomjumper · 6 months
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You ever just read a fanfic that rots your brain so much that you had no choice but to make a comic out of it? Yeah.
Anyway, here's the first 1000 words of A Mirror in the Dark by Fastern on Ao3 illustrated.
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(Click for better quality)
I know I could have picked some sort of big scene to illustrate, but idk man, I felt like going from the beginning even if it doesn't seem like much is happening. Trust me when I say this is the best Traitor Kaminari fic I have ever read. My initial plan was to do the whole first chapter but then I realized I didn´t have infinite time so have these 8 pages instead!
Anyway, go read the fic right now. You will not be disappointed.
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raynoddle · 1 year
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Detail shot of the green part of the color wheel.
Green is for Don't Worry~
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hballegro · 2 months
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alan alda storytime
the full story from one of the screenshots of my previous post.
story begins with my archaeology professor showing a slide of alan alda in the early 2000s holding some mammoth bones and asks the class if anyone recognizes him. i had watched some MASH with my mother when i was little and had also seen the movie The Object of My Affection, so i raised my hand and said it was alan alda. he lit up and said yes, it was, and told the rest of the class he used to be on this old show, and that when we got more into the bioanthro side of things, remind him to 'tell his alan alda story'.
about 2 months later, we are in bioanthro, and i remind him. he gets excited and says he included slides to talk about it.
[rest under cut]
he tells us how he had just moved to a new city, and he had taken a university job in order to get insurance for his new family [which he didnt get but thats neither here or there]. he gets news that his job is going to be working with Scientific American Frontiers, hosted by the one and only Alan Alda. my prof was thrilled, he loves MASH, and while he specifically wouldnt be involved in the process [being a presenter, working with alan, etc] he was allowed to be around incase they needed help.
i dont know the specific episode, or if it can be found anywhere, but the topic was early man and tools, and how there were mammoth bones that specifically had cuts that could only be made with tools, not by teeth from an animal. they had finished filming for the day and just needed B-roll of some lions at the local zoo chewing some bones [part of the experiment], and alan got a call. he asked if he could head out now, because he needed to get back to his hotel now, and the call had been important. the producers said sure, go ahead, and alan asked if someone could give him a ride.
my professor, having the chance to actually spend time with someone he idolized, and being a stupid late 20s-something, volunteered immediately. stupid why? well, i said he'd just moved there. he didnt know where the hell anything was, and he didnt have GPS available to him, he was just really excited. so they get in the car and start driving.
as i said in my previous post, alan alda had about 20 minutes with this random guy, and found out pretty quickly that he was an archaeologist, and the amazing topic of conversation that he picked was the [then new] theory that we developed agriculture specifically to make booze, and that the rest of the stuff was more or less a biproduct. which is pretty on-brand honestly.
after a while, alan catches on to the fact that this guy clearly has no idea where the hell hes going, and that they've been driving in circles around the city for a while now. he [reportedly very politely] said that actually, this here was his stop, and thanked him for the ride. he then most likely called a taxi that actually knew where it was going, and got to his hotel.
turns out the call was about The Aviator! the call was important because he learned it was confirmed he in it and they needed him to get over there.
its not a glamourous story, but its the only story i got. my prof reported he was a funny guy, and despite slightly kidnapping the poor man for a while, he was the picture of kindness and personability. and clearly he likes telling the story and it left an impression, because he took time out of our already-short lecture to tell a class of 20-somethings that had no idea who Alan Alda was about it.
sorry this is so verbose i dont know how to be short lmao
#oh yeah#this show is hosted by a guy from an old TV show#mash#mash 4077#mashblogging#alan alda#m*a*s*h#hawkeye pierce#this is the same prof that organized an off-campus field trip thing#and when i said i didnt have a way to get to the place he just. offered to give me a ride#this was a class of like 200 people and just 'well if you need to get there and dont mind a messy truck-'#A+ person overall. gave me a piece of obsidian debitage from a flintknapping demonstration#even babyproofed it for me beforehand. still cut myself on it [i broke a tiny piece off on accident and made it sharp again]#also that moment of raising my hand to go 'alan alda meethinks' was horrifying#silent room looking at this picture of this dude handling mammoth bones and im like 'i can identify this old man. maybe.'#wasnt even sure. ive rewatched MASH now but at the time it was foggy#wasnt even the first time hes shown up in my schooling! im going into psych and the bastard has appeared twice#that episode where they cut the guys corpus callosum. imagine being a 17 yo in a room of 15 yos#[i took the class late] and silently freaking out cause you know who that is but no one else does and then the teacher says#and then a year later being in college in your first psych class and the SAME VIDEO gets played. wild shit#anyway that makes 3 years in a row that at least 1 class has had alan alda in it. if it gets to May next year and he hasnt shown up#im gonna make him show up somehow. dissertation on how hawkeye pierce is a good example of PTSD in media#be the change you want to see in the world
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minticecodes · 5 months
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[ID: 2 Digital illustrations of a female DMCV Vergil in a dark space, lit from below. The first is a closeup of her face as she wipes blood off it with the back of her hand. Her eyes are slitted and electric blue. The second image is the fullbody. Blood's splattered on her clothes and hair, and soaks her forearms, hands and face. She glares up while swiping her bloody, gloved hand across her mouth, other hand gripping her sword, Yamato, by her side. Blood drips down the sheathe. Vergil's lit from below, casting eerie shadows on her face. Design: She wears trousers and a vest. The highcollar vest's altered so the midsection curves across the chest like a corset. Her matted hair's waistlength, unbound, and falls across her face and arm. Her arms are toned, and her fingers taper to clawlike points. The image is grainy, and encased in a square pink border; only Yamato's hilt pops out over the border. End ID.]
Read more for second version without blood.
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[ID: The same image of fem Vergil as above, but sans blood and with a subtler grain effect. End ID.]
I was listening to Familyjules/Lollia's Bury the Light cover for some of this. I like their different approach to the more growly parts of the song. The vibes of that cover influenced this piece a decent bit.
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kaizokunoyume · 10 months
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Parting ways feels like farewell
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undulla · 10 months
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Absolutely no hate to Aiko, she’s just a human like the rest of us and the onslaught of negative comments she’s already getting is undeserved.
That being said this is just fishy. I’ve been to the show, I’ve watched the reaction videos and considering that this selection is basically decided by the eurofans…it just does not add up. I hope the receipts are revealed.
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mars-ipan · 22 days
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i’ve realized i have a favorite communication dynamic in my ships
characters talk about their feelings and communicate effectively from day one- 👎👎👎👎 boring bad nothing of substance here. also 99% chance they would not fucking say that
characters never talk about anything and when the miscommunication comes to a head it gets moved on from without proper resolution- 👎👎👎👎 also bad where’s my growth. where’s my closure. continuity please
characters try to talk it out and are bad at it- ok we’re getting somewhere. this is a start
character A does Not want to have the feelings conversation but also knows that if the conversation is not had it will probably end up killing one of them eventually. character B would actually rather risk death than have the conversation but A has given them no choice- PEAK. NO NOTES. GROWTH SUCKS TO DO AND IS UNCOMFORTABLE BUT WE DO IT ANYWAYS. FUCK YEAH
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div-divington · 2 months
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i built a thing
a very not-remotely-screen accurate thing that took me more than two weeks
but she's so cool nonetheless :)
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amiharana · 1 year
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25 for the revalink prompts? Bonus for not the gerudo outfit
(ask game from here)
part two of You Guys Have the Same Brainworm in my Askbox. but aw darn ya got me anon!!! truthfully, if you want me to write this in canon, i'm not sure what other armor sets would incite the same sort of fluster the prompt implies? like i have a zelda wiki open on the botw armor page and i'm going through it like Hm. Not sexy enough. KJDFHJKDHF but i still wanna write this one in canon so we're gonna take the non-horny route on the definition of 'flustered' instead LMAO
👔 25. Link dresses up just to try and get Revali flustered.
"why in the name of the goddess do you have so much clothing?" revali grumbles, crossing his arms. he's sitting in the middle of their shared roost, surrounded by piles of link's collection of armor, growing more and more as the blond continues warping them out of the sheikah slate. how much could that little contraption hold?
"well, i didn't mean to get this much," link says, tapping at the slate. he holds one of his hands out and in the next second, a pair of opal earrings materializes out of blue light in his palm. "at first, it was just out of necessity. you know zelda left me with only one set of shirt and pants when i woke up? it was way too small and that shit had probably been molding for a hundred years."
he places the earrings on the table with the other jewelry he's pulled out of the slate so far. "i mean, thankfully i found some better pants on the great plateau, but i threw that shirt away as soon as i got to hateno. there's definitely some freak in akkala who got ahold of it somehow, though..."
"and then you just kept buying more?" revali says, peering at one of the piles. why did he have so many of the same green tunic?
"in my defense, i just found some of the stuff lying around hyrule!" link replies, raising both of his hands up in surrender. "but the stealth set is really useful, and the snowquill armor is my favorite of all of my armor." he smiles fondly at revali, and the rito can't help but melt a little bit under his songbird's gaze. "and i look really good in the gerudo top and sirwal." link wiggles his eyebrows at revali, his smile growing mischievous. "wanna see?"
warmth coils under revali's cheek feathers, but he wills it away as best as he can. "maybe another time, when you haven't made an actual nest out of our home," he mutters, looking away.
as he does, one of the armor pieces catches his attention. it's designed with glowing swirls of orange and dots of blue, reminiscent of ancient sheikah technology. "what's this one?" revali says, pulling the piece towards himself. the shoulder ridges sort of remind him of the crest of medoh's head...
link follows his gaze and hums. "that one's the ancient cuirass," he says. "you're supposed to wear it with the greaves over here—" link reaches over to a piece of the other side of revali, revealing matching pants. "and also the helm, but uh... the headpiece is honestly kinda goofy, so i just wear the diamond circlet because it's prettier."
he reaches back towards the table to find the circlet and places it on the head. link then places his hands under his chin and slightly turns his face to the side. "don't i make a prettier princess than zelda like this?"
revali snorts. "sure." he turns back to the cuirass. the orange glow honestly reminds him too much of windblight; the swirling patterns are too similar and he fights down a shiver. he has to remind himself that the sheikah technology had existed prior to the influence of ganon and that it was always meant to be used for good. "what does the helm look like?"
link giggles sheepishly, rubbing the back of his neck. "well, uh, here's the one i bought from robbie..." he taps at the sheikah slate and something that looks vaguely like the head of a guardian materializes and drops in link's lap. he holds it up towards revali, grinning in a way that looks more like a grimace.
revali blinks once and then his eyes widen, staring in disbelief at the headpiece. "what... in hylia's name is that," he says taking the helm from link. at closer inspection, the glowing blue circles dotting the circumference of the helm are reminiscent of guardian eyes, or like windblight's. revali shivers this time; he decides he doesn't like the helm at all.
link laughs again nervously. "yeah, like i said, it looks goofy and i feel really silly wearing it..." he trails off, looking away before perking up again. "oh! i have other ancient helms that you might like better than this one."
"robbie made more?" revali says, looking up at link.
the blond shakes his head, tapping at the slate again. "nah, he only made that one, and these ones..." he pauses, chewing on his lip. "um... would you believe me if told you these ones fell out of the sky after i defeated the ganon blights?"
revali blinks once slowly and stares at link, searching his face for any hint of mischief. the only expression on his little jewel's face is hesitance and wariness. "and how exactly would they have done that?"
"dunno, i couldn't explain it even if i tried," link says, shrugging. he taps at the sheikah slate again and another helm materializes from blue light, dropping in the blond's lap. but this time, revali's eyes widen. "i have four of these ones and they all look like—"
"what the hell?" revali exclaims. "how— what— where did you—?!" it feels like every feather on revali's body has risen, standing straight up. he probably looks ridiculous right now, but every part of his body is flushing warm with a feeling he can't put a name to. the helm looks like exactly like medoh's head, or perhaps more accurately, a smaller version of it.
link stares at him, frozen in place holding the helm. "uh... like i said, it kinda just... fell out of the sky after i beat windblight..." chewing on his lip, he slowly holds the helm out to revali. "do you wanna...?
revali just stares at the headpiece with wide eyes for a moment. how did link even get a hold of this? it was supposed to be... slowly and warily, revali takes the helm from link and turns it over in his hands until he's looking at it head-on. it really looks just like medoh.
"you said it fell out of the sky," he murmurs, running the tip of a feathered finger over the ridges of the helm, "but why... why was it given to you... and how did it get to you if..." he trails off, finally speechless.
"if what?" link says softly, trying to prompt revali to continue.
"this is the divine helm of medoh," revali says, his voice quiet. "it's supposed to be a treasure gifted to the one who controls medoh. and as her champion, this was gifted to me back then. i lost it during the awakening of the calamity and after windblight took over..." revali resists the urge to tremble. "i don't know what happened to it. how it came to be in your hands is..."
"i don't know either," link says. "i don't know why it was given to me either. i have other helms that look like the heads of the other divine beasts, too. if that one was yours, then i guess those helms belong to the other champions. i should give them back..." the blond fidgets. "do you... want yours back? it's not like i use it that much anyway. it's just been sitting in the slate collecting dust— i mean, if it could collect dust in there, i don't know how it's stored—"
"it's fine," revali cuts him off, his voice soft. he's still staring at the helm. "just keep it with you for now. the role of the champions and the use of the divine beasts is obsolete now, with ganon sealed away. i wouldn't have a use for it either."
"are you sure?" link murmurs. revali looks back at him and his precious little jewel's eyes are wide and shining. revali doesn't know if it's possible to love a person more than what he feels for link in this moment.
"yes, i'm sure, songbird," he replies and hands the helm back. "it will probably be safer with you in the sheikah slate as well. you'll take good care of it, right?"
"of course," link responds immediately. "it's yours, of course i will." he turns back to the sheikah slate and taps at it again. in seconds, the helm dematerializes in blue light, presumably back into the slate. revali wonders then how anything is stored in there; is it an endlessly sheikah-blue space, floating forever in a void inaccessible from this world?
then, link sets the slate off to the side and crawls forward into revali's lap, wrapping his arms around revali's neck. like clockwork, the rito responds by wrapping his own arms around link's waist and holding him flush against his own body.
"i'm sorry," link blurts suddenly.
revali raises a brow. "what for?"
"that i had the helm. i should have realized that it would probably be yours."
revali snorts. "it was, in the past. i'm not sure i'm worthy enough to have it now, failing my role as a champion and no longer being required as one. you don't need to suffer any feathers over it, snowdrop."
"i guess..." link shifts in his hold so that the side of his head rests on revali's shoulder and he faces revali's neck. "but you are worthy. you're always worthy of it, 'vali, even if we don't need champions anymore. i love you, you know that, right?"
"i do," the rito responds softly. "and i love you as well, much more than you could ever fathom, songbird. thank you." he hears link hum, a content noise against his throat. they sit like that, wrapped in each other's embrace quietly for a couple moments until link speaks again.
"wanna see me in the gerudo fit now?"
"link—"
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seagull-scribbles · 2 years
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Huuuijhjjpdlemod Blaze in a butler suit ahansidjwnisnwoe Rouge in a maid costume ahainsha7ab women <3
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~ W o m e n ~
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ganondorf in descant: okay sure I snapped at fate a few times but I am also very understandable + tragic so can you really blame me
gerudos in the background: *on the verge of tears, stress-drinking and trying to prevent him from getting murdered every 5 seconds while avoiding literal extinction themselves* sure my king whatever you say
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Looking at some screenshots from accomplice vs golden ending (or bad vs good endings, in general) I noticed that in the first case Yosuke is the last element in the group to speak, while in the second case he is the first one (and he really does not have much to say cause he knows they’ll meet in the future):
In bad endings, Yosuke is the last person to speak. He thanks the main character for the help, yet the vibes are just depressing and sad. The fog wasn’t lifted, the real culprit wasn’t caught (or they believe they caught him but it wasn’t the right person. tbh it gets more disturbing in the accomplice ending case, because the main character found the truth, but he decides to hide it from the others and to reject it (by burning the piece of evidence), and, Yosuke’s words will hit harder “You really helped us out with lots of stuff. Thanks, partner.” <- Yosuke always there, making me feel bad every single time i try to reach Adachi - rightfully tbh), no Dojima nor Nanako nor Teddie there at the station. It’s all gloomy, everyone is sad...because of Nanako’s situation, because of their own actions (if they kill Namatame they kinda do the same he did, manipulated by the killer, and in the name of self proclaimed “Justice” <- Nanako’s arcana, which is just revenge and has severe consequences), and/or a feeling of uselessness because the mystery wasn’t solved. No one runs for the train (the mood is really heavy, and the fog also reduces the visibility).
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In the good endings, Yosuke is actually the first one to talk and... he does not even have much to say. He had previously said that he wouldn’t even saying goodbye, cause Yu/Souji would be probably come visit them soon. The mystery was solved, the sky is clean, Dojima Nanako and Teddie are there too, and even if saying goodbye is hard, they all feel like their bonds are strong and that their friendship is stronger than ever. It’s a sad moment but with happy tones, and they will surely meet again (the same won’t probably happen in the bad endings, because even if not revealed to them, the fog will spread and everyone will become shadows).
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Yosuke’s expression is kinda similar in both cases, but knowing what has happened in the bad endings gives another meaning to his expression in the bad ones (it also makes me think about the scene where he catches Yu/Souji coming from the TV at Junes, after visiting Adachi, because it begs the question of how much does Yu/Souji trusts the team).
Yu/Souji’s stare is a bit different in both cases, looking more relaxed and calm in the good scenario, although in the bad ending he seems to be staring with some kind of affection (like, appreciation for their friendship and for believing in him, even if, in the accomplice ending he basically fucked everything up).(well, truth be told, they decided to recycle this part for every bad ending, so Yu/Souji will always look like that, being it his belief that Namatame is the killer or his hidden secret about Adachi. And the team looks the same, be it because of the unfortunate circumstances, or because they may feel Yu/Souji might have been hiding something <- which also reminds me how in many game options Yosuke keeps reminding him that he should not be the one carrying all the weight of the investigation and he should trust the team too)The accomplice ending final scene even adds an Adachi roaming aimlessly (or purposely crossing the line when the train Yu/Souji’s in is passing), and it is terrifying, kinda creepy (tbh it felt like he had became a shadow at that point and that he had been able to cross the line without being caught by the train because of that...at least it was what i felt first time watching it).He is waiting for the world as they know to simply end, and even if Yu/Souji decided to burn the piece of evidence, he does not even care about him as a person.On the other hand, completing his social link in a good ending route rewards you with a letter from him (and he calls Izanami bitch in the final final final final battle <3 certified Adachi moment).You can take his words however you want, but it feels like he truly appreciated the times he spent with Dojima, Nanako and Yu/Souji, even if he would still rather see the world burn than try to improve as a person. It does not mean he becomes a better person afterwards, but i guess he understands the concern some people still had for him, which is something he does no feel with Yu/Souji betraying everything he fought for until that moment (also cause going accomplice route is giving up the world, basically).On a final note, I also love how Dojima’s dialogue at the end (before leaving the house) changes depending on which bad ending the player gets, and how his questions are so on point, as if he was acting like some kind of conductor for the player to reflect on their choices.
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