sometimes i think about how nendo, kaido, saiki, (and sometimes kuboyasu but usually only when associated with them) are canonically the losers of PK and people actively dislike them, talk bad about them, make rumors about them, etc.
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Honestly the main attraction for Shinjiham is how contrast their personality is and it is always funny for me to think about how people around them would react if they found out they're dating in this AU lol
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Ya'll probably know this by now given how much I post about it but one of my favorite pastimes is watching people react to Stranger Things. I bring this up this time because I've noticed a pattern.
People root for Mileven in seasons 1 and 2 with no problem (with the exception of a couple of reactors who took forever to pick up on it in s1 or just didn't like the idea of rooting for such young kids to be kissing). Esp s2 because everyone wants them to reunite and then said reunion is absolutely adorable.
However, by about halfway through ep1 of s3, everyone just seems to be so bored of them. Like nobody I've watched has ever really expressed the want for them to get back together when they break up. I realize this is probably partially because of the annoying nature of their relationship and the way their whole breakup is played off like a big joke, but that's actually precisely what I'm getting at. Why would the writers choose to make it so easy to stop rooting for the "main couple" of the show??? Just so they could have a comeback arc or seven? If Mileven is endgame, this will probably be one of my biggest hangups, esp given the way Mike was the brunt of the "joke".
One of the main reasons I always go back to Byler endgame despite all of my doubt is because of how the writers treat Mileven's relationship. It's pretty toxic and so it's easy to stop rooting for them or just the repetitive-ness of their story as a couple makes them boring. They wouldn't make the "main couple" the most annoying couple in the show if they were actually going to be endgame.
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actually i'm still thinking about the moral orel finale.
he has a cross on his wall. do you know how much i think about that bc it's a lot.
a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).
but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.
and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.
he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.
and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal
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it ever hit you out of nowhere that castiel is living in a dead guy's body and the show just does not care. it does not care. jimmy novak might as well not exist the moment he or claire is out of sight. cas stole a guy's body and his face and his life, and we can't ever talk about it or discuss it in detail because of how fucking horrifying it is that sam and dean's best friend just walks around in a dead guy suit. there's not even a human soul in there anymore. it's just a corpse. stone-cold body snatcher indeed.
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Once again pondering Peri & Dev's dynamic and I've come to the conclusion that I feel like the best end goal for them is just... ambiguous found family?
Dev really needs a proper family figure in his life, but Peri is most likely around 23 years old, way too young to be a dad. However, a brother figure is probably off the table too, as I feel Peri would be hesitant to declare himself another sibling, especially since Timmy isn't around to get to know Dev himself.
Ergo... ambiguous found family. Not every found family needs to have defined roles, and plenty don't. Peri doesn't need to be Dev's father or brother, he can just be family and be there for him like any family member would. No need for names, just the feelings.
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Finished themmm
Accidentally
I planned on going to bed early as a celebration, but then I looked at my unfinished pf of Siffrin in the sketchbook and boom couple of hours of sketching, lining and coloring and the beans are now officially paper figured
I can now randomly take photos of them in a forest whenever I feel like it. I have couple pfs on me every day just in case of this happening
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@vulpixisananimal sifstem art jumpscare!! more specifically i got bored and decided to mess around with sif and mal's outfits.
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puppies go shopping
idk if that color makes it better or not so im just leaving the normal version here
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hear me out on this ok. ROTS AU where Anakin still turns to the dark side but that's Palpatine's problem.
So, Palpatine decides last minute that ehhhh maybe dooku could come in handy later and he doesn't encourage Anakin to kill him, and Dooku gets arrested and imprisoned in the Jedi Temple awaiting trial. (Also he didn't get his hands cut off because of uhh plot reasons?)
Fast forward.
Palpatine is encouraging Anakin towards the Dark side, tells him about Plagueis the Wise, etc. etc. But see, the thing is, Anakin is at the end of his tether, probably hasn't slept more than three hours over the past week, and has no remaining impulse control or inhibitions, and upon hearing that the Dark Side can save people from death, his first thought is, "wait a sec, we've got a Sith Lord in-house at the moment!" and he sprints out of the space opera and books it back to the temple.
Now, Dooku has been calmly waiting in Temple custody, confident that Darth Sidious will arrange his escape. But THEN Anakin barges into the cell like OMG THE CHANCELLOR TOLD ME THE SITH KNOW HOW TO KEEP PEOPLE FROM DYING AND I'M HAVING DREAMS ABOUT SOMEONE DYING AND I NEED YOUR HELP TO SAVE THEM
At which point, Dooku realizes Palpatine's plan. He's going to tempt Skywalker to the Dark side and REPLACE DOOKU. this is totally uncool.
So he's like "...who are you dreaming about, exactly?"
Anakin freezes. He can't admit it's Padme because their relationship is top-secret and he can't admit how important she is to him so he tries to think of a good fib and goes "uhhhh OBI-WAN! Obi-Wan, it's Obi-Wan, I'm dreaming about Obi-Wan dying-" and he just throws himself into the drama because now he IS imagining obi-wan dying because Obi-Wan is fighting grievous at the moment and he MIGHT ACTUALLY DIE and that's in addition to Padme dying and he's totally spiraling at this point- "pleasepleaseplease you gotta help me he's like the only father i've ever known I don't know what i'll do without obi-wan I have to save him YOU GOTTA TELL ME WHAT TO DO I'LL DO ANYTHING--"
Dooku begins to smile.
(Would stealing Skywalker out from under his Master's nose be petty? Oh, yeah.)
(But it would also be very, very satisfying.)
---
Obi-Wan calls in to a council meeting to report his defeat of Grievous, but before he can say so, Mace announces that Dooku has escaped and the Sith Master has been killed.
Silence falls between the eleven councilmembers (eleven, not twelve, because their newest one is conspicuously absent. Obi-Wan wonders just what Anakin's up to now. Honestly, that boy will be the death of him.)
Obi-Wan clears his throat.
"...indeed," he says, trying to handle the shocking news with composure. "Well... at least we're down to one Sith, now."
Another awkward pause.
"Yeah, about that--" Mace begins.
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Wang LingJiao used the chance to scramble out. She took out a cylinder of fire-light from her lapels and shook it a few times. A light shot out of the cylinder. Along with a sharp whistle, it rushed out of the wooden window and exploded in the sky outside. Then, she fumbled out a second one, a third one. Hair tangled, she mumbled, “Come… Come… Come here… Everyone, come here!”
Through the pain, Wei WuXian pushed Jiang Cheng, “Stop her from sending any more signals!”
Jiang Cheng let go of Wei WuXian and lunged in the direction of Wang LingJiao. Yet, at the same time, Wen ZhuLiu was closing in on Madam Yu. He looked as if he was about to knock her down. Jiang Cheng hurried, “Mom!”
He immediately gave up on Wang LingJiao and threw himself over. Wen ZhuLiu didn’t even turn his head as he struck, “Not even close!”
Jiang Cheng’s shoulder suffered the attack. Blood immediately burst from his mouth. Wang LingJiao had already let out all of the signal fire-lights. Sharp whistles and bright sparks filled the entire grey-blue sky.
- Chapter 58, EXR
It's quite interesting how, in this moment, Jiang Cheng does exactly what he's always criticised Wei Wuxian of doing: endangering the Yunmeng Jiang sect by 'playing the hero'. That's not what either of them are doing, of course – it isn't a motivation for Jiang Cheng here, it's not a motivation for Wei Wuxian anytime else, and the motivations they have definitely make sense – but it's exactly the sort of behaviour Jiang Cheng would criticise Wei Wuxian for, with those exact words.
Yet, no character ever criticises him for this – Wei Wuxian doesn't, even when it was his (necessary) advice that was disregarded; Madam Yu doesn't, even when her sect suffered as a consequence. Even when it very likely played a role in Lotus Pier's downfall (at least in getting a lot of Wen sect cultivators to get there very fast), it's never brought up by any character ever again... whereas Wei Wuxian's action of saving Lan Wangji, Jin Zixuan and Mianmian in the Xuanwu cave constantly is, even when the Wen sect was pretty certainly going to attack Lotus Pier anyway*. That's not to say Jiang Cheng should be blamed for the fall of Lotus Pier, either – that's on the Wen sect, and regardless of both of their actions, the attack was probably going to be a success. And can we blame someone for making a panicked decision protect his mother? – but one's action is definitely more direct than the other, and it's not the one that's constantly blamed.
The aim, though, isn't to compare the actions so much as the attitudes of the people involved, and this is another little detail that shows the imbalance in Wei Wuxian and Jiang Cheng's dynamic. Again, Wei Wuxian doesn't say anything about this afterwards, and doesn't seem to blame him, even when it's his words that were disregarded, and when the Jiang sect and Lotus Pier were undoubtedly very important to him as well. Which is good! That's a good thing and definitely the healthier option for both of them! If the roles were flipped, and Wei Wuxian saved a(n admittedly non-Yu Ziyuan) person, disregarding Jiang Cheng's orders while leading to more danger falling on Lotus Pier? Jiang Cheng would never stop blaming him or bringing it up. Even after the many years that passed between then and Wei Wuxian's resurrection, he still blames Wei Wuxian for the fall of Lotus Pier due to his actions in the Xuanwu cave** – once again, a much less direct scenario.
--
*Very strategic location (trade hub etc), they attacked the Cloud Recesses already, Jiang Cheng's internal narration literally admits this:
In his heart, Jiang Cheng knew clearly that back in the cave of the Xuanwu of Slaughter at Dusk-Creek Mountain, even if Wei WuXian hadn’t saved Lan WangJi, the Wen Sect would have found some reason to come over sooner or later. But he had always felt that, if the whole thing with Wei WuXian didn’t happen, maybe it wouldn’t have been so soon, maybe there would’ve been some way to turn things around
- Chapter 59, EXR
Yet there was some time between the end of the Wen indoctrination and the Fall of Lotus Pier, and we never even saw attempts at security adjustments!
**As we see in the Ancestral Hall:
Jiang Cheng mocked, “Look how forgetful you are. What does unwelcome people mean? Then let me remind you. It was because you played the hero and saved Second Young Master Lan, who’s standing beside you right now, that the entire Lotus Pier and my parents went down with you."
- Chapter 87, EXR
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y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!
How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!
I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.
Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.
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in a better timeline where theo is actually a character and not just a plot device he and rakiel develop this weird and confusing dynamic where rakiel is still very clearly theo's older brother except for those moments where his inner ahjussi comes out and he parents theo more than his father ever did and he slowly starts taking asterion's place as theo's father figure.
neither of them really notice because 1) lee han was an only child and he's not really that aware of what is or isn't normal sibling behavior and he doesn't really care either he just sees theo craving approval and being lowkey passively suicidal and goes "is anyone gonna take care of that" and then doesn't wait for an answer before doing it himself and 2) because theo has been neglected his entire life and doesn't recognize what rakiel is doing as 'parenting' because, well, asterion never did that with him so his first experience with that kind of care and treatment is from rakiel so he automatically files it as 'hyung behavior'. so none of them actually realize when their dynamic blurs the line between siblings and parent-child.
but asterion does. just... way too late. when he's already lost his chance with not one, but both of his children. when one son is forever out of his reach and the other has filled what should've been his place with someone else. only then does he realize what his neglect and putting his title as emperor above that of father has cost him. when there's nothing he can do about it.
he wanted his sons to grow up without needing him. and they did. they don't need him anymore. and he didn't realize how terrible of a thing that was until it was far too late to fix it.
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Falin panel in my style
:D I suddenly felt compelled to redraw the panel. Miss Touden you are my muse
Lineart + original panel under the cut
I mean, look at the improvement from one drawing to the other, Ryoko Kui’s art makes me think hard about anatomy + physics and it feels really good to draw :3
\/ original panel!
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