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osaemu · 5 months

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GOJO SATORU: HUNGRY FOR MORE

✩ ‧ ˚. serial killer!gojo x detective!reader: fucking the serial killer you're supposed to be arresting might be the best (or worst) decision you've ever made. PART 2 | NSFW

contents: fem!reader. porn with plot, dubcon, public sex (in an alley), p –> v, orgasm denial, fingering, he cums inside, unprotected sex, degradation, praise, lil' bit of dumbification, hair pulling, squirting, dirty talk, manipulation/coercion, mentions of murder (he's a serial killer what did u expect), non-sexual mentions/usage of guns, probably more. 3K words.

author's note: wrote this instead of writing my research paper and studying for my math final. if this flops i will actually become the serial killer /j. anywaysss tagging @satoruhour @screampied @satorena.. and yes, the "season 2 coming soon" in the banner means something ;)

“looks like your little killing spree’s gonna have to come to an end,” you muse, crossing your arms and cocking an eyebrow at the man across from you. he grins back at you, and it’s almost unsettling—he looks a little too smug for a killer who’s just been caught.

“i don’t think so, sweetheart,” the man responds dryly, leaning back against the alley wall, features relaxed and at ease. he—satoru gojo—has been your target for a couple weeks, and now that you’ve finally cornered him, you find yourself feeling a little… unfulfilled. usually, when you caught criminals, they begged for mercy and showed a little more emotion than what satoru’s shown so far.

also, the criminals usually weren’t this good-looking.

you maintain eye contact with satoru while you carefully reach into your coat’s pocket, withdrawing your phone and unlocking it. unexpectedly, satoru doesn’t make any move to stop you from dialing the number to your boss, instead smiling coyly as you do so.

“so, you’re one of those guys who don’t care what happens to them?” you ask, tilting your head as you hold the phone to your ear. satoru shrugs and his grin only widens the longer your phone rings. ten seconds pass before your phone tells you that the number you dialed is currently busy, and satoru’s muffled laughter becomes unbearably suspicious. you narrow your eyes and involuntarily take a step back. “what’s with the smile?”

satoru scoffs and dips his head, pushing himself off the wall and taking a step towards you. “y’know, you’re rather brave, comin’ out to catch a serial killer all by yourself. and in the middle of the night, too.” he stops advancing when he sees you pull a gun out of your pocket and hold it up threateningly, a look of warning in your eyes. “okay, okay, relax. i’m not gonna do anything to your pretty face.”

“what did you do?” you ask suspiciously. satoru widens his eyes in mock disbelief, as if he’s completely and utterly shocked that you’d ever accuse him of anything.

“besides the fifteen separate counts of murder? not much, really.”

“i’m not an idiot,” you snap, cocking the gun and aiming it at his head. “you’re not the one in control here, satoru gojo. spit it out before i put a bullet through your skull.”

satoru laughs and holds his hands up in surrender. “fiesty, aren’t we? it’s alright, i like my girls with a little fire in them.” he tilts his head to the side and looks you up and down, eyes lingering on parts of you that suddenly make you feel naked, despite the coat covering most of your figure. “put down the gun, sweetheart, then we can talk.”

you wait a second, scanning satoru’s overly relaxed face before cautiously lowering the gun. “what are you hiding?” you ask again, eyes hardening.

“a lot of things. but i think you’re talking about what i did to your boss, right?”

“you have five seconds before i shoot you.”

satoru makes a face and then rolls his eyes dramatically. “fine, since you’re bein’ so pushy about it. i killed him, obviously. you’re a smart girl, shouldn’t you have figured that out by now?” when you don’t immediately answer, satoru sighs and shakes his head. “and here i thought that the girl who’d been tailing me for the past week would have a little sense in that pretty head of hers. looks like i was wrong.”

“shut it,” you snap again, re-dialing the number and letting your phone ring for fifteen seconds. when nobody picks up, you internally curse and think about what to do next. dialing 911 would be worth a try, but the look in satoru’s ice-blue eyes makes you think otherwise. despite the gun in your hand, something about him makes you entirely certain that he could overpower you, even if you landed a shot on him. and even if you just shot him right now, he’s been shown in the past to be able to function fine with a bullet through his chest. that’s how two of your subordinates lost their lives to him—by underestimating your city’s notorious killer.

so you decide to bide your time.

“ran out of options?” satoru asks smugly. he raises an eyebrow when you slide your phone back into your pocket and exhales a laugh. “you gonna wait for a big, strong man to rescue you? ‘cause i’m right here, honey, and i could be your savior.”

“that was actually the shittiest line i’ve ever heard,” you scoff, rolling your eyes at the self-satisfied look on his face. “are you seriously proud of that one?”

“well, it worked.”

he pushes himself off the alley wall and towards you so fast that you hardly even have time to process it, and before you know it, you’re the one pressed to a wall with a gun to the side of your head. satoru’s other hand grabs both your wrists and pins them above your head, and his face is close enough to the point where you can feel his breath—which is unexpectedly minty—on your cheeks as he grins down at you. “you really think i’d use a line as shitty as that if i didn’t know it’d make you lower your guard? tch, you really shoulda known better.”

you use every curse word you’ve ever heard in that moment and grit your teeth, rapidly thinking through all the possible ways you could get out of this situation, but nothing comes to mind. you’re quite literally stuck in between a rock and a hard place, with a gun pressed to your head and with your limbs out of commission.

satoru clicks his tongue and widens his eyes at you, leaning in closer. his lips are uncomfortably close to your own as he traces the gun down the side of your face, cold metal brushing against your heated skin. “not gonna fight back? that’s no fun.”

“the fuck you want me to do?” you snap irritably, glaring up at him and curling your hands into fists. satoru tightens his grip on your wrists and cooes a sarcastic apology to you, taking his time looking you up and down again. if you didn’t value your life, you probably would’ve said worse, but seeing as you were the only person in this ridiculously isolated alley, it wouldn’t be worth much.

“i dunno. didn’t that detective academy or whatever teach you anything?”

you roll your eyes again, and somewhere in the back of your mind, you consider the possibility of your eyes getting permanently stuck in the back of your head just because of him. “y’know, you’re not giving me a whole lot of options.”

satoru laughs. “if i did, that’d defeat the whole purpose, wouldn’t it?”

at this point, death would be preferable to hearing his idiot talk any longer.

“so, i’m gonna be the one asking the questions from now on,” satoru continues, clicking his tongue disapprovingly when you scowl. “if you behave, i won’t hurt you that badly, ‘kay? keep that in mind.”

“thought you liked your girls feisty.”

“oh, that’s true,” satoru muses thoughtfully. “yeah, never mind, you can be a little bratty. i need a reason to fuck you stupid anyways,” he grins after a moment of consideration.

“what the fuck?”

“you heard me, sweetheart,” satoru cooes, feeling his pants tighten as he watches your eyes widen. your “tough” demeanor drops for a split second, and satoru can’t help but want to fuck it off again when it returns. your scowl deepens and you frantically think through all your options again, but there isn’t a whole lot you can do at this point.

“if you wanna stay alive, you’ll be a good girl and you won’t scream,” satoru murmurs, leaning in closer and pressing his lips to yours. you grit your teeth and try to shove him away with your shoulder, but it doesn’t do much. satoru smiles against your lips and hums softly, pulling away with an almost affectionate look on his face. it’s so at odds with who he is and what he’s done that you drop your guard again, wanting to believe that he really will keep his promise not to hurt you.

satoru sees the shift in your features and smiles tenderly, all traces of his borderline-sadistic look gone. he studies your face for a moment and kisses the corner of your mouth, letting his lips linger for a second before he pulls away again. “i’m gonna let your hands go now, m’kay?” when he drops your wrists, they fall limply on his shoulders as you warily study him, eyes wide with confusion. it’s jarring, the way he just… changed personalities within the span of a couple seconds. “i’m not gonna hurt you, pretty,” he breathes, dropping the gun and letting it fall to the floor with a loud thwak. “this’ll be a lot more fun for me if you don’t resist, yeah?”

oh, fuck it.

“okay,” you murmur, ignoring every siren going off in your head. you don’t really have any other options, and honestly, nobody was going to walk by and get you out of this sticky situation anytime soon. and satoru was pretty attractive… and you could just arrest him afterwards, right?

as if he read your mind, satoru smiles and promises, “you can handcuff me after i’m done with you. just let me have a little fun one last time, baby.”

yeah, it’d be a stupid decision to believe the sweet-talker towering over you. there’s no way he’s just going to let you drag him off to jail, but there’s a reason he’s stayed out of the grasp of the law for so long. it’s hard to live a life as on-the-edge as being a serial killer, but the reason satoru’s survived for this long is because he knows how to use his words. he knows how to make a person go against every warning in their head, and he knows how to get what he wants.

which, for tonight, includes you.

“you have thirty—no, twenty minutes,” you mumble, knowing damn well that this would be the end of your career as a detective. whether or not you dragged satoru in after all this, you could never continue your work knowing you had sex with the biggest serial killer in the city.

satoru laughs and kisses you again, lips trailing down your face and settling on your neck. “haven’t i already made it clear that i’m the one in control here?” he muses as he slips his hands under your coat and tugs it off. it falls to the cold ground and bunches up around your feet, leaving you in a button-up shirt and flowy, dark pants. “c’mon, let’s get these clothes off you.”

within a minute, the rest of your clothes save for a black lacy pair of undergarments join your coat on the floor, and the chilly nighttime air nips at your skin. “i’m cold,” you mumble, feeling yourself involuntarily tense up everywhere but where satoru’s hands cloak your skin. satoru laughs in response and presses his knee to the spot in between your thighs, and something in you snaps at the point of contact.

“you really are an idiot, aren’t ya,” satoru scoffs, hand sliding down to your waist. his fingers latch on the waistband of your panties and he tugs them down, exposing your already-wet pussy to the cold evening air and his eyes. “lettin’ a serial killer fuck you in a dark alley… what kind of detective does that?” satoru spits on two of his fingers and slips them inside you, instantly groaning when he feels you clench around him. “fuck, you gotta be the tightest pussy i’ve felt in a while,” he mutters, white hair falling into his eyes as he looks down shamelessly. “do you not have sex with other guys?”

“don’t have time,” you swallow what would’ve been an embarrassingly loud moan as his fingers go deeper and deeper. how long are this man’s fucking fingers?

“aw, look at you, you’re so cute,” satoru cooes, smiling down at your scrunched up face. you look back at him through squinted eyes, hips starting to roll against his fingers. it’s true—you really haven’t had time to have sex given your already-insane schedule. it’s almost like you spent more time tracking the man who’s now knuckle-deep inside you than sleeping, but the slutty part of your head tells you that it paid off.

“‘m gonna cum,” you whine pitifully, squirming around satoru’s fingers as he curls them inwards, making you clench around him even tighter. a shiver runs over your body, starting from in between your thighs and spreading all over you as satoru’s fingers move back and forth inside your soaking wet cunt. “g-gojo—”

“call me satoru, baby, and you’re not cumming until i say you can.” with that, satoru withdraws his fingers from your pussy with a pop! and grins at the way you glare at him sullenly. he mockingly pouts and licks his drenched fingers clean, tongue lapping up your essence. “heh, don’t worry, i’ll make you cum more than you knew you could once you’re stuffed with my cock.”

although you’ve determined satoru’s “promises” to be dubious at best, he fufills this one after he’s spread your legs wide open and positioned his cock at your entrance. “this might hurt, baby, but remember, no screaming.” after you nod in acknowledgement, satoru slips his tip in and watches, amused, as you try to close your legs on reflex. “uh uh, keep ‘em nice and wide f’me,” satoru tuts disapprovingly.

and true to his word, it hurts—a dull ache spreads throughout your legs as his dick goes farther and farther inside you, reaching places you hadn’t felt in a long time. satoru’s hands settle somewhere on your waist as he pushes himself deeper, ignoring your gasps and pleas for him to slow down a little. your shaky hands move to his hair and you unwittingly pull on it, somehow eliciting a soft groan from satoru’s lips, and somewhere in the back of your mind you think that of course a serial killer has a hair pulling kink—it just makes sense.

“s-satoru, it won’t fit,” you whisper, feeling satoru hit an especially tight spot in your cunt. even with how wet you are, it just feels like you can’t possibly take any more of him—he might as well be ten feet inside you, given the pain in your hips. but, as expected, satoru only smiles tauntingly down at you and murmurs words of encouragement as he somehow pushes past the barrier and gets all the way in amid your pained whimpers.

“yeah, that’s it, knew you could do it,” satoru says sweetly, voice coated with poisonous honey. now that he’s all the way in, the ache from your waist down starts to fade into pleasure, especially as satoru starts moving himself in and out to get you used to the feeling of his dick. “just like that, pretty girl. jus’ like that.”

soon enough, he sets an unexpectedly harsh pace that makes your back arch off the cold, brick wall behind you, and even as satoru tries to keep up his “cool serial killer” act, you can hear his quivering breaths as he gets close to cumming. “shit, i forgot how fuckin’ good it felt to fuck a cunt this tight—” he mutters through gritted teeth. “‘m gonna cum inside, ‘kay?”

you nod breathlessly, chasing your own pleasure and not actually listening to the words satoru murmurs in your ear. at this point, it didn’t matter—all your pathetic little head could think about was satoru’s dick, and somehow, you forget that he’s a killer when he cums inside you. it’s hot and thick and it almost knocks you over—when was the last time you felt this good, if ever?

the coil in your stomach snaps and you cum with him, nodding along to satoru’s praises on how well you’re taking him. you squirt all over his painfully hard dick and suck in a sharp breath as you do so, body trembling from the force of both of your orgasms.

“see, that wasn’t so bad, was it?” satoru murmurs when you both come down from your highs, stroking your hair almost tenderly. you bob your head in response, face warm and eyes unable to properly focus. he stuffs his fingers back inside your puffy cunt and scoops the cum dripping down your thighs back inside, mumbling something about not letting a single drop go to waste. “who knew the pretty detective i’d had my eye on would be this good to me?” he cooes, grinning snarkily.

satoru’s earlier promise floats through your head and you force yourself to look him in the eye. “y-you said you’d let me arrest you after,” you breathe, back still pressed to the wall as satoru surveys you amusedly.

“oh, sweetheart, you’re in no condition to be giving orders,” satoru says condescendingly, pulling up his pants and grinning at you. his cheeks are still flushed red, but whether that’s from the cold nighttime air or from the heated sex, you don’t quite know. “we should do this again sometime,” he continues conversationally as he picks up your coat for you. despite the fact that you’re still naked and trembling, satoru drapes your coat around your shoulders and helps you button it up.

“but you said—” you protest, but satoru cuts you off with a raised eyebrow.

“you didn’t seriously believe me, did you?” satoru tuts, shaking his head. “i’m a serial killer. i’m not gonna turn myself in just ‘cause of a detective’s pretty pussy, baby. you should’ve known better, doll.” satoru wraps an arm around your limp shoulders and tugs you in for a kiss, lips pressing firmly against your own for a couple seconds before he pulls away with a satisfied smile.

he leaves you with a promise to see you soon.

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maaaxx · 8 months

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sometimes i remember how when i first started writing fanfic i was like a die hard christian and wouldn't let my characters swear. (if you read ihiap from the beginning you might have noticed this) but all the fanfic I wrote was gay, like ihiap was gay from the beginning, i posted a few anonymous things, i started plotting out more fics. and all of them were gay, some were smut too.

so like 17 year old baby author max was out here like 'i can excuse gay sex but i draw the line at the word piss' and i just really love that for her.

#how did a christian end up writing gay sex on ao3 you might ask #idk bestie i would tell you if i knew #it was the devil /j #if i could go back and talk to myself when i first started writing fanfic i would have so much to say to me like wtf was i doing #how did i end up here #max thinks shes relevant

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room-surprise · 4 months

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Evidence that Kabru from Delicious in Dungeon is Indian, a Masterpost

(Some of this info is taken from my upcoming essay about the names and cultural origins of all the characters in Dungeon Meshi. There's a link in the source to the AO3 version of this essay.)

Since Kabru’s first appearance in the anime is upon us, I wanted to write something that compiles all the evidence we have that Kabru is meant to be a person of South or Central Asian ethnicity, or at least whatever the equivalent to that is in the Dungeon Meshi world.

Ryoko Kui can and does draw people of many different ethnicities, and the way she draws Kabru matches the way she draws other Asian characters in Dungeon Meshi. He doesn’t look Black, or Hispanic, or any other ethnicity because he isn’t supposed to. He looks like a dark-skinned South or Central Asian person, because that’s what Ryoko Kui probably intends him to be.

So let’s go through the evidence! (There are no spoilers for the plot of Dungeon Meshi below, but there ARE spoilers for Kabru's backstory as explained in the manga, and in extra materials like the Daydream Hour and Adventurer's Guide book.)

KABRU’S NAME

The Dungeon Meshi Adventurer's Bible tells us Kabru’s real name is unknown. There are other characters whose real names are only told to us in the Adventurer's Bible and were never revealed in the manga, but then Kabru, Thistle and Izutsumi’s entries simply say their real names are unknown, and though Kui could tell us their true names, she doesn’t. I assume this means that the characters themselves don’t know what their real names are, and that the names they go by are not their birth names, but this is only a supposition on my part.

KABRU THE MOUNTAIN

Kabru (काब्रु) is the name of a mountain on the border of Nepal and India, and part of the Himalayan range. It’s the 65th tallest mountain in the world and it is very snowy and icy, with frequent avalanches. Because of this, even though it’s not the tallest mountain in the world, climbing it is challenging, and is not often attempted. Those few that have managed to climb it consider it a major achievement.

“This prohibitively fearful icefall… had thwarted numerous expeditions, perhaps even the 'thought' of attempting the mountain… Unstable seracs of the icefall, a complex maze of chasms, and delicate snow bridges spanning seemingly never ending, near bottomless crevasses… Each time the members stepped into the icefall, they stood a good chance of never returning.” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

WHAT DOES KABRU’S NAME MEAN?

Kabru is a character that is known for being very good at charming people, but who doesn’t express himself honestly, because he’s trying to manipulate the people and situations around him in order to maintain control at all times. I think nobody really knows who Kabru is deep inside, maybe not even Kabru himself, so a remote, hostile, icy mountain that’s hard to climb seems like an extremely appropriate name.

Some of the oldest English sources I found regarding Kabru suggest that Kabru isn’t the correct local name for the mountain (a common problem in early Himalayan exploration by Europeans) and might just be a descriptor, or that it’s a misspelling.

This makes the name seem even more appropriate, since Kui’s told us Kabru’s true name is unknown. It’s possible that Kabru was a place-name or a descriptor that Milsiril (Kabru’s elven foster mother) was given when she picked up a traumatized 7 year old Kabru, and she just started using it as his name, and that even he doesn’t remember his real name thanks to his severe trauma.

The fact that people in the real world can’t seem to agree on the mountain Kabru’s name, or what it means, reminds me of the running gag of Laios repeatedly getting Kabru’s name wrong in the manga.

"All the people near the Kabru massif call it 'Kaboor'." (The Alpine Journal, 1921-22 Volume 34, Edited by George Yeld and J. P. Farrar) “It is also said that the name applies to a peak close to Kinchinjunga on the southeast, and not to the peak known to Europeans as Kabru… [The real name is] Pahung Ri [Pauhunri].” (Appendix I: Place Names in Darjeeling. The appendix says it was “compiled mainly from an article written by Colonel Waddell and published in the Journal of the Asiatic Society of Bengal (Vol. LX, part I, 1891)”) “Kangchen is a Tibetan name… the Sikkhimese use it as the name for the peak called Kabru by Europeans.” (Charles Bell, Dyhrenfurth's Himalaya (Berlin, 1931)) “...Kyabru or the horn of protection. The name is… Kabur… possibly a corruption of Kangbur or the swelling of snow; it might also mean the white swelling (kar-bur).” (Appendix I: Place Names in Darjeeling.) “Kabru literally means the 'White Avalanche' peak (Ka means 'white' and bru means 'avalanche').” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

I’ve seen one other mountaineering article cite the “white avalanche” meaning, and I think it’s plausible since the Appendix says it can mean “white swelling” or “swelling of snow”, which may very well be a literal translation for “white avalanche”.

WHAT ABOUT UTAYA? IS THAT INDIAN TOO?

Utaya means “raised” or “uplifted” in Hindi, but it’s also a real village and a Japanese boy’s name.

Utaya (ウタヤ) is the name of the village that Kabru was raised in before his mother died and he was adopted by the elf Milsiril. Utaya is located in the southeast of the Western Continent. It’s worth noting that Kabru probably wasn’t born in Utaya, since his mother had to flee from her home to keep Kabru alive, so Utaya may be some distance away from his birth place… Not so far that a woman with a newborn baby couldn’t survive the trip, but far enough that her husband’s family gave up on chasing her. So Kabru was probably born in a close-by area.

In the real world, Utaya (Yakut: Утайа) is in an extremely rural and isolated area with a population of less than a hundred people. It’s located in the Sakha Republic, which is in the Northeastern part of Asia in the Russian Federation. The Yakut/Sakha are a Siberian Turkic people.

The Turkic peoples are a collection of diverse ethnic groups of West, Central, East, and North Asia as well as parts of Europe, who speak Turkic languages.

Early and medieval Turkic groups exhibited a wide range of both East Asian and West-Eurasian physical appearances and genetic origins, in part through long-term contact with neighboring peoples such as Iranian, Mongolic, Tocharian, Uralic/Yeniseian peoples, and others. Turkic peoples share, to varying degrees, non-linguistic characteristics like cultural traits, ancestry from a common gene pool, and historical experiences.

JAPANESE MEANINGS FOR UTAYA

Utaya can be a Japanese boy’s name with several different meanings, depending on which kanji it’s spelled with. In most of the spellings: Poetry, sing a poem, singing, compose poetry

In many of the spellings: The place where the sun shines, it's been a long time, distant, big, to shoot with a bow, to swear, affirmation, question.

The Utaya disaster happened a long time ago.

If Utaya is up in the mountains above the clouds it’s a place where the sun shines brightly.

Kabru has sworn to himself that he will prevent another Utaya tragedy from happening.

In only a few of the spellings: to mend, feathers, wings, a word for counting birds and rabbits, sort them out, washing with water to separate the good from the bad, roof, house with a roof, a world covered with a big sky, infinite space, song that praises the Buddha, Eight.

Counting birds and rabbits makes me think of divination and also that the people of Utaya were like little birds and rabbits (small prey animals) to the monsters that devoured them.

Separating the good and the bad could hint to the “judgment” of Utaya and the greed of its people that led to their downfall, also sorting through things to separate good and bad is something that’s done with food and other resources.

The Himalayan region is often referred to as the “roof of the world”, with a big open sky above it.

The infinite could refer to the dimension the demon comes from, or to the sky above the mountains.

Buddhism is a common religion in the Himalayan region, and eight has auspicious connotations in Buddhism.

With all that in mind, Utaya as a name for Kabru’s home village is an interesting choice, and adds another layer to his origins, maybe suggesting not just North Indian/Himalayan, but Central or North Asian cultural influence as well.

It is also possible that the name is just telling us that Utaya is “up” in the mountains, or that it was “uplifted” by the wealth of the dungeon, or even that Kabru was “raised” there… The Japanese name meanings are also extremely fascinating and hint at similar ideas, as well as the tragedy that happened to Utaya.

WHY ELSE DO YOU THINK KABRU AND UTAYA ARE HIMALAYAN?

In the real world, the Himalayan mountain range is an extremely popular tourist destination, and the amount of people who want to visit and attempt to climb the mountains far outpaces the local ability to support it. This makes me think of the dungeon of Utaya and how people overcrowded it in their desire to conquer and exploit it.

Dungeons as an unsustainable way for locals to make a living that leads to the destruction of their homes when the dungeon inevitably collapses is a major plot point in Dungeon Meshi, so I think the parallel is likely intentional. Characters often talk about someone “conquering” the dungeon, and “conquer” is also the terminology commonly used for climbing a mountain. This terminology obviously has a hostile, imperialist subtext in the real world, since it’s most commonly used by outsiders talking about proving their strength by climbing a mountain.

Also, there are local legends in the areas surrounding Mt. Kabru that there is a valley of immortality hidden on its slopes, which reminds me of the way that the dungeons can grant conditional immortality to the people inside of them.

This image of Utaya could be showing us a village built on a mountainside. The house shapes seem a bit more Middle Eastern than Nepali/Indian, but it’s not a detailed drawing and the roof styles are a mix of flat and peaked.

CULTURE

In the Daydream Hour sketchbook, Ryoko Kui included a small comic about characters sharing desserts from their home countries. A young Kabru is shown enthusiastically trying to share an unnamed sweet, and he is interrupted by his elven foster mother, who insists he present a type of elven cake instead. We know that Kabru hates this type of cake, and he seems disappointed to have to eat it and talk about it.

The white balls in Kabru’s dessert are very likely meant to be an Indian sweet called rasgulla (literally "syrup filled ball"). Rasgulla are a dessert popular in the eastern part of South Asia, made from ball-shaped dumplings of chhena dough, cooked in light sugar syrup. While it is near-universally agreed upon that the dessert originated in the eastern Indian subcontinent, the exact origin is disputed. Rasgulla are as culturally important to the Bengal and Odisha regions of India as Parmesan cheese is to the region of Parma in Italy.

Rasgulla are also popular in Nepal, where they are called rasbari.

KABRU’S PHYSICAL APPEARANCE

Kabru is one of several characters in Dungeon Meshi with clearly non-European features: he has brown skin and thick black/dark brown curly hair. He has almond-shaped eyes with long, dark lashes (fans like to joke that he’s wearing eyeliner). All of these are traits common to people from the Indian subcontinent. His blue eyes are not common for someone with his skin/hair color, but blue or green eyes are not unheard of in that region either.

(Indian man with blue eyes)

Blue or light eyes are often a cause for discrimination, like what Kabru experienced as a child. More on this in a moment.

Kabru is 5’7” (170cm) tall, which is short for a Northern European man (180), tall for a Nepali man (162cm), but close to the average height of Indian men (177cm). He has a slender build, which is also common for Asian people in general, and South Asian men in particular.

Compared to the European-looking tall-men in Dungeon Meshi (such as Laios, Falin, Delgal, Marcille’s father), Kabru’s facial features look more like the other Asian characters, such as Toshiro and his party.

CAN DARK-SKINNED PEOPLE HAVE BLUE EYES?

Yes. Light-colored eyes are very uncommon in parts of the world where most people have dark eyes, since dark eyes are a dominant trait in real-world human beings. That means that in order for two parents with dark eyes to have a child with light eyes, both parents need to have a recessive light-eyes gene (or for there to be an illness or genetic mutation), and that’s rare in populations that don’t have a lot of light-eyed people to begin with.

THEN WHY DO SO MANY DARK-SKINNED CHARACTERS HAVE BLUE EYES?

Anime and manga often give characters with dark skin light colored eyes instead of allowing them to have brown or black eyes, which is much more common in real life. It’s a hurtful design trope that makes many readers feel that their natural dark eyes are somehow ugly or inferior to blue eyes.

This trope is used over and over again by authors who want their characters to look “cool” and “exotic”, and for their eyes to be high-contrast to make it easier to show their emotions.

I don’t think this is what Ryoko Kui is doing in Dungeon Meshi.

UNREALISTIC HAIR AND EYE COLOR COMBOS IN ANIME

In a lot of anime/manga, blue eyes (regardless of skin color) don’t actually mean anything in the narrative, in the same way characters having green or pink hair doesn’t mean anything, the colors are non-diegetic, they don’t actually exist in the world, like the music that plays in the background without an on-screen source.

It’s an artistic shorthand to make characters visually stand out, instead of giving them all black hair and eyes like most real-life Japanese people… Which is what most anime/manga characters are meant to be: Japanese people.

Dungeon Meshi has a large cast of characters that are explicitly meant to be non-Japanese. We know this because there’s a group of characters that are Japanese, and they’re drawn differently from everyone else, they wear ethnically Japanese clothing, and have ethnically Japanese names.

Unlike other series, where eye and hair color don’t mean anything, Dungeon Meshi has no unrealistic skin, hair, or eye color combinations.

(Except for the elves, who seem to have different genetics than real world-humans. I’ll get into that another time.)

Ryoko Kui must be aware of the dark skin, blue-eyes design trope, because if she gave Kabru blue eyes just because she thought it looked good, surely she would have made some of the other Asian or dark-skinned characters have light eyes. Out of 9 Asian or dark-skinned tall-man characters, Kabru is the only one with blue eyes.

Kabru having light-colored eyes is central to his story, and Kui talks about it.

KABRU’S STORY AND WHY HIS BLUE EYES MATTER

Kabru’s father and his family tried to kill Kabru when he was born because he had blue eyes. Kabru’s mother ran away, and ended up raising Kabru by herself in Utaya. She didn’t try to return home to her own birth family, but instead struggled to raise a child completely on her own with no money or support, which implies she had no other options, due to the fear people of their region have for people with blue eyes.

This is a real thing that used to happen frequently in areas where most of the population has dark eyes, and it still happens to this day.

In a realistic story, this is logically what would happen to a character with dark skin born with blue eyes in a place like the Utaya region. It’s rare for manga or anime to show dark-skinned blue-eyed characters facing this.

WHAT IS THE “EVIL EYE”?

The “evil eye” is a supernatural belief in a curse brought about by a person looking at you. The belief in the evil eye has existed since prehistory, as long as 5,000 years ago. It is estimated that around 40% of the modern world's population believes in the evil eye. This concept is most common across the Mediterranean, the Balkans, the Middle East, and Central and South Asia, areas where light-colored eyes are uncommon.

In areas where light-colored eyes are rare, people with green eyes, and especially blue eyes, are thought to bestow the curse, intentionally or unintentionally. Just one look from a blue-eyed person is often considered enough to inflict a curse.

One of the most famous and widespread talismans against the evil eye is the nazar, a glass amulet featuring concentric circles in dark blue, white, light blue and black. It’s supposed to “bounce” the curse away from the wearer.

HOW DOES THIS APPLY TO KABRU?

Imagine Kabru growing up in a village surrounded by people wearing and hanging talismans that look like his eyes, because the people around him think blue eyes are evil. They call his mother a witch for birthing him, and a whore because she doesn’t have a husband. Imagine parents forbidding their children from playing with or even talking to Kabru. People crossing the street to get away from him, or chasing him away by throwing rocks.

I think the reason young Kabru was able to learn how to speak some kobold is likely because he was so heavily ostracized by the other tall-men around him, the only children he could occasionally interact with in Utaya were kobolds, who might not share the same cultural superstitions that the tall-man do.

This childhood trauma, combined with Kabru’s experience of the dungeon collapse in Utaya, and being raised by an elf that treated him more like a pet than a human being, set Kabru up as a character who has never had a home where he belongs. He has been an outsider from the instant he was born, and every place he has lived treats him as an “other.”

To his father’s family, he was a curse. To his mother, although she loved him, he was a burden. To the people of Utaya, he was a monster. To the elves, he’s a tall-man baby (no matter how old he gets) with funny looking eyes, to the people on Merini Island, he’s a foreigner from the West with elven ways and education.

CONCLUSION

I wanted to write this because I know some people will see Kabru in the anime for the first time today and think "Oh, another dark skinned blue eyed character! This is a bad character design that is evidence that the author is racist at worst or ignorant at best.” And I don’t think that’s a fair assessment of Ryoko Kui’s work in Dungeon Meshi.

This isn’t to say that Ryoko Kui has never done anything wrong, or that her work couldn’t be more inclusive, or that there’s no way in which she could improve.

But there are pages and pages of artwork she’s done that shows she cares about these issues, and I think it’s worth celebrating when someone makes that kind of effort with their artwork.

ANYWAY…

If you’ve read this far, you’re very strong hahaha. I hope you enjoyed this essay. I’ll be publishing more soon when I finish my Dungeon Meshi research on the names and cultures of all the characters. Wish me luck!

#dungeon meshi #delicious in dungeon #dunmeshi #kabru #my stuff #analysis #character of color #theories #Dungeon Meshi Research

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me-and-your-husband · 1 year

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yours truly and forever || j. miller

summary: you find ellie and joel in need of help, desperately. you take care of the two, when affection for joel creeps up on you and you can’t shake it. he can’t stay, but maybe, if you don’t think too hard about it, that won’t matter.

an extension from the end of episode six, “kin”.

warnings: female reader, kinda reference to the events of the game, so potential spoilers for the season i guess?, angst, smut, smut with feels, fingering, dirty talk, unprotected sex, creampie, size kink (?), half proofread, not as feral as what i usually write? kinda soft sex. let me know if i missed anything.

word count: 5.6k (i think this is officially my longest fic???)

A/N: episode six destroyed me on a different level. didn’t stop my thirst tho. also, i am NOT a medical professional so the terminology and stuff is probably not correct. tried my best.

here’s my masterlist if you’d like to read more of my work!

“I think we’re safe.” Joel’s weak body slumped off the horse, falling into the snow. “Joel, no, no, no! Shit,” Ellie cursed as she dismounted the horse and scrambled to him. She called his name to no avail, using his hands to cover the festering wound on his abdomen. “Joel, open your eyes. Open your eyes. Joel, you gotta get up,” she pleaded. Her voice dropped to a whisper, “I can’t fucking do this without you. I don’t know where the fuck I’m going, or what the fuck I’m gonna do. Joel! Please. Joel, please.”

She sat fisting his collar, pleading for him to open his eyes, when she heard the sound of hooves shuffling through the snow. She first thought Shimmer had run off. Whipping around, the horse was right where she left it. The panic that was already coursing through her became more potent. She reached for her gun, ducking in the snow next to Joel. She could almost taste her fear on her tongue as a figure on a black horse trotted over to Shimmer. Reaching out a hand to stroke Shimmer’s muzzle, the figure said, “Hey, girl. Where’d you come from?” It was a woman’s voice. Ellie clutched her gun, just the way Joel had taught her. The woman dismounted her horse, boots crunching in the snow as she walked around Shimmer. When her gaze trailed down to the young girl with a gun pointing at her, she brought her hands up slowly, non-threateningly.

“Stay back!” Ellie shouted. She couldn’t see much of the woman, a bandana covering her neck, reaching under her eyes. She had a hat on, one of the ones Maria had worn in Jackson. She was well bundled for the weather, Ellie noted. Must live around here.

“I’m not here to hurt you. Just saw a stray horse. Thought someone might need help, is all,” you said, hands still in the air. “And it looks like I was right.”

Ellie glanced towards Joel. “How do I know you’re not gonna kill us? Fucking eat us, or something?” She spat.

You laughed, “I’m not going to eat you. That’s what my cattle and crops are for.” You told her your name. “I’ve got a house just a few miles up. I was doing a perimeter check before I found you, actually. It’s secure. I can help your dad there.”

Ellie didn’t bother correcting you. Instead, she contemplated taking you up on your offer. Well, if she didn’t go with you, Joel was dead. If Joel died, she might as well be dead too. “Fine.”

“Will you lower your gun so I can help him?”

She put her gun down, watching as you calmly moved towards Joel, hiking him up over your shoulder and situating him on top of your horse. You sat behind him, his weight fully leaning against you, as Ellie mounted her horse. “This way,” you said, pressing your calf into your horse’s ribcage to get her to go. Ellie followed close behind as you led her to your home.

“Why’re you helping us?” Ellie asked when you were about halfway there.

You took a few seconds to answer. “There was a time when I needed someone to help me, but nobody would. This way, come on.”

You put the passcode into the keypad, opening the gate, gesturing for Ellie and Shimmer to go in first. You followed her, instructing her towards the large white house that sat in the middle of the property. When you got to the porch, you dismounted the horse and placed the man back over your shoulder, climbing up the steps. Ellie dismounted too, looking for some place to tie the lead.

“Don’t worry about that. Fence goes all around the place. Come help me open this door,” you said, occupied with trying not to let him fall from your shoulders. His frame was much bigger than yours, making it difficult to balance. Ellie twisted the nob and pushed the door open. You found your couch immediately, laying him down as gently as you could, shoving a pillow under his head. “Stay here with him. I’m gonna go grab my kit.”

She waited there with Joel until you returned, squeezing his hand, praying for him to wake up. Praying that they were safe here.

When you returned, you were carrying a giant leather bag. She had expected a simple first aid kit. At her puzzled expression, you said, “Normally, I’m doing surgery on the horses or cows, not men.” She nodded in understanding.

As you set up with bedpans, scalpels, scissors, gauze, anything you might need, Ellie took a moment to look around. Hung on your walls were portraits of anything and everything. She’d always loved art, never having the time to really explore it herself. This place didn’t look like it was home to someone who was gonna slaughter them. “I’m Ellie,” she said, making you turn from your stool by the couch. “That’s Joel.”

You gave a reassuring smile. “Nice to meet you, Ellie.” Now, you pulled down the fabric from your mouth and threw your hat down on the floor, shucking your jacket off too, hoping it would make you less intimidating to the young girl. “Might wanna get comfortable. This’ll take awhile.

Ellie made herself a home on the loveseat adjacent to the couch Joel was on, taking her jacket off and laying it next to her backpack. “How did this even happen?” you asked as you sanitized your tools.

“He got stabbed,” she said, looking down at her hands. “He didn’t even notice at first. He…” she trailed off. You gave her a look of understanding.

You cleaned the area and got to work. You were happy that he was unconscious. All you had was horse tranquillizer, and you were almost positive that it would kill him. Joel twitched and squirmed a little, but you were calm as you worked.

Ellie’s eyelids were drooping and her head was falling when she heard you say, “All done,” as you wiped your bloody hands on a rag. She got up to get a look at Joel. His bloodied shirt and jacket were off, showing the wound on his abdomen, all stitched up. “See that area around the wound?” You said, fingers gently grazing over the skin. “It’s pink. Means there’s probably an infection. I’ll see what I have, but I don’t think I have enough antibiotics,” you said as you cleaned the blood from your tools. You saw a look of disappointment in her eyes.

“But,” you started, “there’s an old pharmacy a mile or two from here. I can go tomorrow. See what they have.” She nodded, a hopeful look in her eyes. “Come on, help me get him upstairs.”

The two of you took him to one of the guest bedrooms, laying him down on the bed. You slid his thick jacket back on, but left it unzipped so you could easily redress his wound. “I can show you to the other guest room. Mind, I don’t usually have visitors, so it’s-”

“No,” Ellie cut you off. She flushed. “Thanks, but I’m staying with him.” You nodded. She didn’t want him to wake up alone.

“Alright, then. There are blankets in the closet over there,” you pointed. “My room is across the hall, at the end. If he wakes up or something is wrong, come get me. I’m leaving for the pharmacy at dawn, so help yourself to anything in the kitchen. You can shower if you want, too. If he wakes when I’m gone tomorrow, don’t leave. I’ll need to give him those antibiotics as soon as I get back.” She nodded. You began to walk out of the room, but she stopped you by calling your name. You turned.

“Earlier, you said that there was a time when you needed help, and nobody would give it to you…?”

You sighed. “A while back, about ten years ago, before I settled here, I was travelling with some people and my little brother. He ended up getting shot. His leg. I couldn’t stop the bleeding and…they just left us there. Left him there to die,” you swallowed, looking down at your feet. She looked at you, offering a sad smile. “Night, Ellie. Get some sleep.”

You returned around noon the next day with the antibiotics for Joel. Announcing yourself when you walked in, Ellie came stumbling down the stairs. You took in her wet hair and changed clothes. There was hope in her eyes, but also urgency. “He woke up! Just for a little while. He was pretty out of it, but he asked where we were,” she said.

“And what’d you tell him?” You said as you took your outerwear off and grabbed your bag with the antibiotics.

“I told him we were safe. He wasn’t awake long enough to give him the full story, but now he’s all sweaty, and mumbling and shit and-”

“Shit,” you cursed, rushing up the stairs past the girl.

“Wait, what is it?” she called after you.

“Sounds like he’s got a fever. Could have delirium, too,” you said as you entered the room Joel was in. He was clammy, sweating, chest heaving, body radiating an ungodly heat, mumbling incoherencies. You moved his jacket to the side. “Looks like the infection is spreading,” you mumbled. Grabbing the syringe and bottle from your bag, you filled the syringe, sticking it into the pink flesh of Joel’s stomach.

“He’ll need another dose in a few hours. It probably won’t kick in until the second or third dose,” you said, wiping the sweat from his head and neck with a rag. You turned to Ellie, who’s eyes were fixed on Joel, yet distant. “Hey, did you eat yet?” She shook her head. “Let’s get you something to eat, then,” you said as you led her to the kitchen.

Four days passed before Joel woke up. Four days spent mostly at his bedside, reading some book in between administering his doses. Making sure Ellie was fed. On the second day, Joel woke briefly again, panicking. However, Ellie was able to calm him down, reassuring him that they were safe. On the third day, you got through to Ellie a bit more.

“So, what brought you two this far out?” you asked innocently, closing your book and resting it on your lap. She seemed to freeze.

“We, uh…we were looking for Joel’s brother. We ended up near the university and got ambushed,” she said. She was lying. That was fine. You couldn’t really blame her. You hummed in response.

It was silent for a few minutes before she spoke again, “He’s not my dad, you know.”

You offered her a soft smile. “Okay.” You went back to reading your book.

On the fourth day, when Joel woke up, you were in the kitchen doing the dishes left from your lunch with Ellie. A few hours ago you had re-dressed his wound and given him another round of antibiotics. The angry pink of his skin was subsiding and he was no longer feverish, resting peacefully on the bed. You hummed to yourself as you scrubbed the plates in the soapy water.

Hearing two voices from upstairs, you dried your hands on a dish rag and made your way upstairs. The deep, gruff voice halted as your footsteps sounded out against the hallway floor.

“It’s safe, I promise. I trust her.” Ellie’s voice, pleading. A grunt.

You turned the corner with a polite smile, resting against the doorframe. You took the man in, greying hair dishevelled, sat up, staring daggers at you.

“Good to see you awake,” you said, telling him your name.

“How long was I out for?” he asked, his voice a gruff southern accent, but still laced with distrust. He was on edge.

“Five days.”

He looked at Ellie, who nodded. He groaned, eyes training back to you. “Where’s my stuff?”

“Ellie has it all in the other room. Your horse is in my stable.”

“Then we’ll be on our way,” he said, attempting to get himself up, a groan of pain ripping through his chest as you walked forward, pushing him back down by the chest.

“Hold on, cowboy. You were stabbed. You have an infection. You’re in no shape to go back out there. Besides, there’s a storm rolling in soon.” You reached to the nightstand, grabbing the bottle of antibiotics and the syringe.

He looked at Ellie. “She’s telling the truth. She found us when you fell off the horse. She brought us back here. Stitched you up and shit. She even went out to get you those antibiotics. She’s the reason the both of us aren’t dead. She’s been feeding me and everything,” Ellie said, then quieter, “I trust her.”

Joel looked you up and down. You held up the syringe, asking silent permission to give him another dose. “Fine,” he grunted.

It took a few weeks for Joel’s infection to heal and for the winter blizzard to pass. After about a week of bedrest, as prescribed by you, Joel was walking around with Ellie, going to the dining room for meals rather than you bringing them to the bed, and even helping you with small tasks. The truth is, Joel felt indebted to you for saving his life. For taking care of Ellie. For going so far out of your way to bring them safety. After a while, he was able to trust you.

But there was more. As he helped you put away the dishes, your fingers would brush as he passed you a plate, the air between you two going still. You’d be silent for a few moments, continuing your task, before picking conversation back up as though nothing happened. You’d be out in the stable together, brushing the horses. One of them would whinny and you’d genty laugh. He found your laugh infectious, finding a smile spreading across his face and a chuckle falling from his lips. When you caught his eye, he’d flush, looking back at Shimmer. She’d nudge him with her muzzle, as if to prompt him to say something more to you. He never would. Or maybe it was the time you were eating dinner with him and Ellie, pouring yourself and Joel wine. You had reached over to give him his glass, knocking yours onto yourself in the process. You had cursed, lifting your shirt over your head, white undershirt untouched by the stain. You didn’t miss the way Joel looked away, warmth rising up his neck. Ellie didn’t miss it either, as she held in a laugh and nudged him suggestively, lifting her eyebrows. You didn’t say anything.

Between the lingering touches, the fleeting glances, and the burning moments, you knew that there was something unspoken that hung thick in the air between you and Joel.

After three months, Joel was fully healed. The storm lasted about a month, the last winds finally subsiding. Ellie had slept in. It was just you and Joel having coffee. You leaned against the counter. He sat at the table, facing you. You were making light and easy conversation, as it usually was between you two.

He cleared his throat and looked into the liquid in his mug. “We’ll be outta your hair in about a week, if that’s okay. Don’t wanna overstay our welcome,” he said, avoiding eye contact. You began to protest, but he cut you off, “You’ve already done so much for us,” his voice was like honey, thick and smooth. There was some kind of resistance mixed in with it. “Don’t worry about us, darlin’.” The name rolled easily off his tongue. It was a recent development, always something endearing. You figured it was just his way of showing he trusted you.

You huffed. There was no arguing with him when his mind was set on something. “Alright, then. Take any supplies you need. We’ll load up your horse the night before you leave,” you said, pouring the rest of your coffee down the drain and leaving the kitchen. Joel caught the hint of…something, in your voice. Sadness? Anger? Loneliness? He recalled a conversation he heard you having with Ellie about two weeks back.

“Doesn’t it get lonely out here? All by yourself all the time?”

A brief silence. “Yeah. Yeah, it does.”

Joel thought he was doing what was best by ignoring the searing touches and stolen glances, ignoring the feelings in the pit of his stomach. He thought that growing attached to you would only hurt the both of you. He knew he was right, but he began to wonder if you might be worth the pain.

That night, after you had bid Joel goodnight and Ellie was already asleep, you sat on your bed, in your thoughts, when soft knocking came from your door. “Come in,” you called out. The door opened and you looked up to see Joel. There was something behind his eyes that wasn’t there before. Guilt?

He approached you slowly, “May I?” You nodded. He took a seat next to you at the edge of your bed.

How was he supposed to start?

“I, uh,” he sighed. “I’m not very good at this. And I know we aren’t leavin’ just yet. But I wanted to, uh, thank you. For helpin’ me. Us. We’d both be dead if it weren’t for you. And for your hospitality.” He looked at his hands resting on his lap. “You’re a real good person for that.”

You just shrugged and offered him a tight-lipped smile. Silence hung thick in the air between you two.

He cleared his throat, getting up from the bed. “Well, I guess I’ll get-”

“Why won’t you stay?” Your eyes met his, brows furrowed, something anxious brewing behind them.

“I’ve gotta get the girl to her people,” was the only thing he could offer. He felt at a loss. You just nodded, standing in front of him.

“Am I ever gonna see you again?” It was more of a plea than a question.

Joel swallowed. “I don’t know.”

Your gaze drifted down to the floor. “What happens if you get hurt again, and there’s nobody like me there to help you?”

In an unexpected move, both by you and him, he grabbed your face with his hands. “I’ll be just fine, darlin’.” Your hands slid atop his.

“You don’t know that.”

He began to lean in. “I don’t know,” he said, his breath warm across your lips. “All I know is that now I’ve got somethin’ to come back for, someone I-”

“Don’t tell me you want me,” you cut him off. “Don’t tell me you want me now, when you’re about to leave.” He closed his eyes. Your hands fell from his. You moved out of his hold. “I can’t do this.”

The loss of his hands on your skin felt sore, wrong, but you knew that if you let him touch you, he’d hook you in, and it would hurt all the more to say goodbye in one week’s time.

“Please,” you whispered, eyes closed, a single tear streaming down your cheek. You could feel the warmth of his body leave, hear him close the door gently behind him.

You didn’t rest much that night.

Every day for a week, you rose early, making breakfast for Ellie and settling back in your room to sit with yourself. Peering out of the window every day, you couldn’t help but stare out at the snowy planes of Colorado, taking in the austere, frozen environment you’d settled in. The desolate feel of the earth around you only made you realize how lonely you had been before Joel and Ellie had showed up, longing for something, anything, but always left unfulfilled. In Ellie’s bright smile and Joel’s unspoken touches, you thought that you might’ve landed a few companions who could keep your soul warm in the winter. It felt like you had lost something when you realized that wasn’t the case.

When you ventured throughout the house to shower, cook, or do household work, you found yourself tiptoeing, almost like you didn’t want to get caught. You savoured your conversations with Ellie, but you kept your words to Joel down to necessity. Short responses to his questions, shorter replies to yours. Never touching, in fear that the friction, like electricity, would spark something that neither of you could stop. Holding your breath when he was close to you. Avoiding eye contact. Never giving more than you had to. You both thought it would be easier to part this way, the fire growing in your insides unsatiated.

The night before he was set to leave, you found Joel in the kitchen, rough fingers silently brushing over a map laid out on the table.

He jumped at the sound of your voice, “I’m gonna go get your horse set with the things you’ll need.” He turned to you.

“I’ll come give you a hand,” he said, downing the last of his coffee and grabbing his coat.

The walk to the stable was thick with tension, the dense silence lingering between the two of you. The sun was out, casting the image of your shadows on the crunchy snow. When you reached the large door, you slid it open, letting him go first. You still couldn’t look at him.

You trailed behind him as he moved towards Shimmer, grabbing her saddle and slinging it over her back, fastening it. You knew Joel carried all of his guns on his person, so you began filling the saddlebags with medical supplies, ammo, water, cord, tape, anything you had stockpiled that might help him and Ellie get to where they needed to.

“All set,” you said, fingers running over Shimmer’s mane.

“Thank you,” Joel breathed. He was looking at you, searching for your eyes. You could feel it.

You nodded. “Don’t worry about it.” A few moments of rigid silence. “Leaving at dawn?” The question fell past your lips before you could think about it.

You saw him nod out of your peripherals. “Yeah.”

You give a nod, lips pursed. Still looking at Shimmer. Still avoiding his gaze.

“Will you look at me?” He said suddenly, voice demanding, but ultimately soft.

You didn’t obey, looking at your feet instead. “Why?”

“It’s been a week. I know you’re givin’ me the cold shoulder, but at least look at me. Don’t act like you hate me. You’re killin’ me, darlin’.”

You blew out a puff of warm air. “If I look at you…” you started, nearly losing your gall. “If I look at you, I’ll forget that I’m trying to let you go.”

The words were thick, heavy. They hung between you two as if they were forbidden.

“Then don’t let me go,” he said, taking a step towards you.

You said his name in a warning, taking a few steps towards the door.

“You don’t have to let me go. I know I’m never gonna stop thinkin’ ‘bout you, honey. And I can’t promise that you’ll see me again, but I’m damn well goin’ to try to make it back to you.”

You sniffled, “You don’t mean that.” You crossed your arms over your chest.

“I do. I mean it with all of myself,” he said, moving forward to press his forehead against yours. “Let me show you.”

Once again, you could feel his breath on your lips. His were just inches from yours, almost touching, but never quite close enough. You finally looked at him, tears brimming your eyes.

“I can’t give you much, but let me give you what I can,” he whispered, squeezing his eyes shut and pressing his forehead into yours harder, more desperately.

At that, you broke. “Okay,” you breathed.

He took that as permission to lean himself into you, the skin of his lips grazing yours, breath mixing with his. When he finally connected his lips to yours, it was like he breathed a warmth into your body, lighting every nerve. Your hands tangled in his hair, his cupping your face. The kiss started chaste, but became breathy and passionate. It ended with your lips red and swollen, both of you needy and desperate for something more. Always more.

The rush through the snow, through the front door and up the stairs to your bedroom was needy, your hand in his, dragging you behind him, nearly sprinting with anticipation.

As Joel was locking your bedroom door behind him, you were fisting the collar of his shirt and kissing him. Your mouth opened wider for his tongue to explore, whines muffled by his mouth. The kiss was all the things you couldn’t say, I want you, I love you, stay.

He walked you backwards into your bed, falling on top of you when your legs hit the edge. Your hands found solace in his hair, tugging just right, making him groan into your mouth. He parted from you to grab the hem of his shirt and tug it over his head. Now, your fingertips explored the expanse of his chest and soft stomach, soft pads tracing the scar that brought you to him. Kissing into your mouth, across your neck, sucking at your pulse point, his fingers grazed the hem of your shirt.

“Can I?” He asked between kisses to your collarbone. You nodded, lifting so he could pull it off.

“Take it off,” you said, left just in your bra. His fingers reached behind you to unclasp it, pulling it off and revealing your tits. He barely hesitated, taking one in his warm mouth and palming the other. Your hands fixed back in his hair, moaning. “Joel. Fuck, I need you. Please,” you whimpered. After weeks of building up the tension, of his fingers tracing your skin just for them to stop, staring at his lips and yearning, you needed him. More than anything.

Joel groaned. “Beggin’ so pretty already for me, honey,” he said as he moved down your body, undoing your belt, sliding it off with your pants and chucking them to the ground. His fingers smoothed over your panties, noticing the wet spot growing in the centre. He grinned, “Let’s see how wet you are, hmm?” Pushing the fabric to the side, he could almost moan at the sight of your drooling cunt. “Fuck,” he said, running his fingers through your slick folds, brushing your clit gently, sending a shiver shooting through your spine. “This wet already? All for me?”

When you didn’t answer, he pinched the inside of your thigh gently, “Answer, honey.”

“All for you. Only for you, Joel.” You were breathless, nearly delirious. You’d give anything for him to touch you, to put you out of your misery.

Joel eased one finger inside of you, then two, and began pumping them in and out of your slick folds. You moaned wantonly, all shame abandoned. “That’s it, pretty girl. Takin’ my fingers so well. Squeezin’ them so good. Can just imagine how you’re gonna feel wrapped ‘round my cock.”

You could feel the knot in your core get tighter and tighter every time his fingers hit that spot inside you, obscene noises coming from your cunt. He could feel you sucking his fingers in, growing tighter around him. He eased a third finger in and used his other hand, previously squeezing into your thigh, to rub circles on your clit. “Fuckfuckfuck,” you sputtered, getting closer and closer.

“That’s it, honey. Cum on my fingers. There it is,” he said as you clenched around his digits, moaning his name like it was the only word you knew. He rubbed the flesh of your thighs as you came down, kissing the supple flesh of your thighs. When you caught your breath, you pulled him back up into you.

You began to notice the firm tent pressing against you. Surely, he was begging for release, too. Who were you to deprive him of that?

“Your turn,” you said.

Flipping him over, you began to undo his belt and slide his pants off, laying your head on his thigh, when he stopped you, resting a hand on your jaw.

“Honey, if you put me in your mouth, ‘m not gonna last,” he says, slightly flushed, chest heaving just as bad as yours. If you didn’t know better, you’d say he looked similarly to how he did when he was feverish. Delirious. “Just wanna be inside you. That okay?”

“Fuck, yes,” you breathed, crawling back onto him. This time, he flipped you over, caging you between his arms. He shuffled his boxers off, his hard length springing out and hitting his lower stomach, tip weeping precum. You couldn’t help but whimper. “Fuck, you’re big.” He chuckled, flushing a little. “How’re you gonna fit inside me?”

“Relax, honey. I worked you open. Shouldn’t be too much of a stretch,” he assured you, pressing a sloppy kiss to your lips. “Ready?”

“Yes,” you breathed. “Need to feel you. For so long.”

He lined himself up with your entrance. You held your breath, letting it out in a moan as he sunk into your waiting cunt. He groaned when he was fully sheathed inside you, the sound coming deep from his chest.

He kissed you as you took him in, your body accommodating his length. “Move. Please,” you moaned into his mouth. He pulled out, sliding back in with the help from your slick. He set a slow but hard pace, clutching your body to his as he speared in and out of you. His lips barely left yours, sucking in each other’s moans and converting them to breath.

“So tight, fuck,” he moaned. “Already clenching around me. Feels so good around me, pretty thing.”

You moaned his name, a needy, desperate call for him to go faster. He picked up his pace, breath becoming erratic, a slight sheen of sweat breaking out across his skin.

“Not gonna last long, honey,” he groaned.

“Neither am I. Cum inside of me, please. I want all of you,” you begged, too out of it to think of the consequences. He let out an obscene moan at the request.

“Want me to fill you up, yeah?” He said as he roughly fucked into you. “Fill you up so good that it’ll still be leakin’ outta ya tomorrow?” He was delirious, almost pussy drunk. You were both chasing your release, clinging to each other like there was no tomorrow. Because there wasn’t. Not for the two of you.

“Joel, I’m…oh, fuck!” you moaned as your orgasm hit you, knocking you into hysteria.

“Right behind you, pretty girl,” he said, grunting. “You’re squeezin’ me so good,” he moaned, finally spilling into your cunt. He pulled you back into him as you both finished, moans muffled by each other’s tongues, sucking, biting, licking, kissing.

When the ecstasy ended and he could feel you squirming underneath him, he pulled out gently, taking care not to brush your clit too roughly. He watched as his cum leaked from your puffy hole, taking two fingers and shoving it back in. You whimpered a little at the contact. “I know, honey. Just makin’ sure I’m gonna stay inside of you.”

He finally laid down next to you, bringing you into his chest. You shoved your head in the crook of his neck, taking all of him in.

You didn’t have to talk about tomorrow, or think about it. You just needed to be here, in this moment with him, face nuzzled into his neck, his seed still leaking out of you.

Tomorrow could wait.

You woke like you normally do, to the rays of splendid sunlight shining in through your thin curtains. Stretching, you remembered last night. Your hand reached for the spot you left him in, finding the bed cold. The cold of the sheet travelled through your fingertips, up your arm, through your shoulder, into your chest, and hit your heart. You scrambled out of bed, throwing on whatever you could find, and scrambled downstairs.

There was no evidence that he had ever been there, except for the two pieces of paper that sat on the kitchen table.

Your breath hitched as you picked the first one up, tears threatening to spill. It was a drawing done in simple graphite. A drawing of you sitting next to Joel, who was laying in bed. She had done it when he was still feverish. In the bottom right corner, she signed:

“Thank you for everything. I know it will work out. -Ellie”

You clutched it to your heart as you picked up the second one. A letter. It read:

My girl,

I hope you can forgive me for leaving you no room for a goodbye. Part of me thought it would be easier this way, not having to think about what you were going to say, or what you should have said. The other part of me wanted to stay in that bed with you, cozied up in your arms, until the two of us were too old to get up. I want you forever.

But I made Ellie a promise a long time ago. She’s got nobody left. She’s just a girl, and I can’t leave her on her own. The guilt would eat me alive a lot quicker than any infection could. I have to get her to her people. When I’m done, I promise you that I’ll come back. I’ve marked your little farm on my map, there’s no chance of me missing it. Before you, I would’ve laughed at the idea of forever. Forever seemed like too long living in this world. Now, all I want is forever if I can spend it with you in my arms.

Thank you. For more than you know. I’ll see you soon.

Until we meet again.

Yours truly and forever,

Joel Miller

part 2

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