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#and of course there's the power elements
chilledmac · 2 years
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i was talking to my friend about the potentiality of macdennis and how they Will become canon but she disagreed. so we phoned her sister who said verbatim: "you know they're having sex and touching dicks" WHEN I TELL YOU i have Never been so obnoxious when i heard that!! she gets it she really gets it
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danwhobrowses · 5 months
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nothing to see here just a crazy shipper guy going crazy over Callowmoore under the bit, if that's not for you then go about your business
So fellow Callowmoores how we feelin' this morning/evening? Because it's evening right now and I'm still bouncing off the walls in my mind
The one post could not keep me contained! No seriously the amount of tags I put in hit a limit and doesn't show them all
I mean yes we didn't get a kiss (yet) but goddamn we got so much, it has possessed me, deranged me, it's leaking outta my brain I gotta talk about it, so either jump out or buckle up because this overflow is gonna be long
First off I just gotta talk about how so many things almost lined up how I imagined them because it just makes it feel like they looked into my head and thought 'hey that's kinda good'. Like, I wanted Fearne to take the shard at Mori's, it was a safer space for her than the Ziggurat which is tainted by bad memories (this and other campaigns), I just didn't expect it so soon, thought they'd at least have a full rest first. In fact I had a whole scene in my mind where in a desperate gambit Delilah took over Laudna while she slept and just knocked on Ashton's door in a form of dread going 'where's the shard Ashton?'. It's key to this I promise not only because I enjoyed the idea of Ashton not taking any of Delilah's shit (plus for you Imodnas out there the mental scene involves Ashton whispering 'Imogen's in danger' to wake her, they also ask where Paté is because they still have that 'Paté is Delilah' theory) but it also expanded on the possible helplessness Ashton would have being unable to assist Fearne with taking the shard
'You're a child, Ashton. A blunt instrument that charges blindly into harm, would you really risk Fearne's life to earn her forgiveness? You know what it can do, what happens when you can't protect her from it?'
Of course, Ashton would never give Delilah the shard, which would frustrate Delilah since she can't manipulate them, but the comment weighs on Ashton a little. Which is when the whole waking Laudna happens and she leaves, but Fearne is in his room (the Vox Machina bathtub scene being inspiration), having asked to sleep there for comfort and asks them if it worries them. Which is where I often got to use this quote
'I don't believe in fate, but I believe in you'
And it sticks with me because it's super romantic, but also on-brand for Ashton, there were variations like the longer 'things only affect our path if we choose to believe they do; fate is complicated, the gods don't give a fuck, and I don't wanna even think about legacy anymore, I don't believe in them, but I believe in you' but then the next morning comes and Ashton gives her the ring, since I forgot about attunement there were instances where it was a sneaky sleight of hand thing, and Fearne completes the process. Of course, with weeks to go on there were a lot more scenarios like Fearne pickpocketing the Ashton doll to practice talking to and putting it back, Ashton seeking Mori for advice, herbal tea visions where Ashton entered their own mind and encounters the empress while on the outside Delilah possesses Laudna to try and drain the power from them, one where the shard having been reshaped through Ashton is less intense on Fearne for the first 4 rounds (since they blew up on the fifth) because Ashton's essence is containing and dissipating the hostile energy, and one where the group secretly vote against Ashton being there for Fearne taking the shard (Imogen, Laudna, and Chetney 3 to 2 against Orym and FCG) but Fearne as the decider pulls them over because she needs them there, stuff like that I'm sure fanfic writers could consume to their heart's content (and are free to, go nuts). But these scenes stood out because it had elements of stuff that are linked to or actually happened in the episode; Fearne does take the shard, Ashton endorses that Fearne is the only one who can take it, Ashton gives her the ring and Shattered Vigor is apparently a thing where Ashton is practically taking Fearne's pain to protect her, that alone is enough to go insane over.
And can we talk about the ring for a moment, because like THE RING. I'm not talking about generically either I mean that this ring has been significant to the shard saga ever since Ashton claimed it. It was found on the corpse of someone infused into stone, into the earth, right between the whole eidolons stuff where Ashton connected with an Earth elemental and then the Grau Dashari stuff with the crystals they merged with their hammer and then the Bor'dor incident, that could've easily been a titan-based punishment. Also, Ring of Volcanic Flesh, like Ashton's stone arm? And if that wasn't enough, what was the first thing Fearne stole from Ashton when they reunited? The ring, the act that broke down Ashton's walls as they let out a most heartfelt 'I missed you, so much' the ring that Fearne stole right off of Ashton's fingers only for them to willingly put in her hand to protect her, because just as they said at the clock tower, everything they have belongs to her. And while legacy and hubris had a part in the shard incident, part of it was also for Fearne. I don't believe there's any situation where if Fearne said she wanted the shard at the clock tower Ashton would've said no; Ashton knows that Fearne was key to the shard dislodging in the lava, they sensed it was in a way key to both of them, but there was no reality where Ashton was gonna force Fearne to take the shard if she didn't want it. And yes it blew up in their face, much like Fearne they saw an image of themselves they didn't want to be, their soul broke with the realisation that they hurt the one person they never wanted to hurt, but thanks to Percy they also realised that they had to change. It wasn't enough to see everyone else having someone at the reunion and internalizing 'if someone has to not come back it's gotta be me' they had to make steps towards being the person the Hells needs them to be, someone who can come back with them.
Which is where last episode started setting it up, and I didn't speak much about it at the time because other than the pretty plain 'I would've rather died than hurt Fearne' insinuation (which in turn was confessed to save Fearne from falling) there was only crumbs that could be interpreted other ways; for instance Birdie's tale with Athion and Olly being somewhat of a parallel to Tevan and Ashton, the formers wooing Birdie and Fearne with temptations of indulgence while the latters drawing their attention by being subjects of intrigue, defiance and kindness, plus they saved the latters (Birdie literally via escaping the prisons and Fearne emotionally and literally), or before the Orym conversation when Ashton takes 'one last look' Taliesin looks towards Ashley last. But I knew there was poetic significance to Ashton failing the communication trial, Marisha sensed the vibe too, but even though Fearne was nervous about guiding Ashton, the fault fell to poor dice rolls (and Liam not keeping shtum and summoning thunderwasps) and once again Ashton in an attempt to prove themselves falls flat on their ass in front of the person they most want to prove it to. And that did break my heart a little I must admit because as poetic as it was who hasn't been there? Ashton's journey of proving themselves has been laden with failure too; being unable to protect anyone from Otohan led to them almost being TPK'd, being unable to keep the group together at the Malleus Key led to the group being scattered, and then Team Trauma's stuff - Orym was despondent and Laudna's a wreck, got a random 'shepherd's boy', a powerful Cobalt Soul teen prodding about the solstice and all of Deni$e here added as mainly combat support, loners but no leaders, Dawnfather angel thinks them insignificant, dark spirits trying to consume their only leads about the Hishari - and the moment Ashton started to trust Bor'dor after the pipe vision what happens? Betrayal, Hunger of the Shadow and Delilah is let back in, Ashton couldn't even keep Laudna safe from herself, they reunite, try to sort out their shit with their past, discover that they might have a destiny to fulfill and end up being too willing to die in place of others, and unable to protect their new family from themselves, because of these recent failures it was important that Ashton proved themselves in the trust trial.
And thankfully they did, there was no way to prove that anyone was a Doppelganger and yet, Ashton still trusted Fearne; twice saving her from the flora even when told to leave her behind. And they were close to another failure when the branch was snatched - after their attempts to keep it safe by throwing it in the pool alone - but they trusted Chet and Orym (father/son duo) to cover more ground while they helped Fearne. And even when FCG told Ashton 'I think it's Fearne', and when Imogen was untrusting of Fearne, Ashton abandoned their held action to save FCG from the brambles because they knew Fearne could be trusted. They trusted Imogen to connect to Ruidus and as mentioned endorsed Fearne to take the shard.
And sure, in my mental scenarios Ashton gives her the shard, doing the same she did for them, but I did say almost like how I imagined. And Ashton still did everything they could, plus Imogen comforted their visible worry, but once it's complete they're just in awe, and then their own spark awakens through her touch, a touch they were unafraid of even at the threat of newfound fire, and now for the first time ever they feel whole. She saved them, and now they finally feel complete, and now this time Fearne is agape, Fearne is in awe, and everything she had hoped Ashton would gain from taking the shard before has come to fruition through her, and it's just, joy, pure incorruptible joy, a kindred connection that belongs to just them. Plus a big piece of paper for all the new powers they are excited to learn about from each other, with each other, and while Matt can talk about there being risks to them because you gotta balance the combat the narrative significance is still there.
But dammit they need to kiss, I've yelled it enough times in my head; like the lava, the clock tower, before and after Fearne took the shard, the only times they did kiss was before the solstice (the forehead kiss) and the ziggurat and both preceded bad times, they deserve a proper one, not one at risk of being a goodbye, something precious, irreplaceable and theirs to have, to share. And I don't know if they should use the patented 'can I kiss you?' or take a tip from BeauYasha and use 'I wanna kiss you so bad right now' or find something else to make their own but I desire it so much, had it happened this ep I probably would've melted out of my seat. They're awkward and nervous but they gotta take the leap, Ashton needs to realise they're loved and maybe even be told that they deserve it even when they feel they don't, and Fearne has to take a risk too, the shard put doubt to her decisions but that doesn't mean she can run from her strong emotions. It doesn't fix everything of course, but sometimes people heal better together than apart. As a currently vorbed half-elf once said 'drink the courage first'.
Curiosity continues to send me after the ep, and while some people are attempting to blemish or rain on the parade (I mean, I try not to speak ill of other ships in general, but if you're gonna be negative about it you can at least do it in your lane, your tags not ours) I am still just riding the high of the possibilities. True, the unknown can make me nervous, and I will admit the group has to give Ashton and Fearne space (they're just excited, and with the bloody bridge hinting to be a final moon-based battle there is that sense of urgency) Imodna had nudges sure but they have been a bit heavy-handed and kinda chaperoned around them, Fearne and Ashton seldom get time alone, one can hope they can get that time with each other next episode.
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1071png · 1 year
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xillia pokemon teams ^.^
(left my long ass comments about the teams in the notes for the curious)
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sonic-adventure-3 · 5 months
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important to me that you know squabble rocket jumps
she is always doing stupid stunts that involve excessive amounts of explosives. luckily she's basically incapable of getting hurt worse than a skinned knee or bruise here and there cause she defies the laws of physics. it's a very good thing this is the case otherwise carrion would find ways to murder the inanimate objects she gets hurt on
carrion waits on squabbles every whim gladly and will not make any attempt to stop squabble from doing the dangerous things she wants to, but as long as he’s in the vicinity everything will work out conspicuously perfect
jerryjack thinks squabble is incredibly entertaining and would absolutely never remind her of basic safety precautions. they up the stakes constantly
rig is wholly unaware what's normal for a 12 year old to do so instead of interfering she just offers practical advice like ‘that amount of c4 is unnecessary for what you're trying to blow up. using less will make a better explosion’. despite that, she’s super anal about gun safety (though she does not see any issues with giving squabble a gun in the first place)
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personinthepalace · 1 year
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Trentonium 99 - they honored Trenton Lee Stewart in the show 🥺
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toastingpencils37 · 9 months
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Comparisons of Kai & Wyldfyre's Powers (Basically why Wyldfyre's power is heat rather than fire, based on what we've seen so far)
The ability to control fire not created by them
As shown in a few occasions, Kai has the ability to control & use fire that he hadn't created. This is shown in Season 8 Episode 2, where he uses his power to grab fire from elsewhere, like Nya often does with her water powers.
However, with Wyldfyre, we haven't seen her ever control fire she hasn't created. Either meaning that she can't, or that she just hasn't learned how to yet.
The color of their fires
Kai's fire is always shown to be orange with some yellows within it. And in the Curiosity short, where he uses the green fire from the dragon, he actually turns it orange before he fires it back at the dragon.
Wyldfyre's fire, however, is shown to be blue flames that end in orange/white towards the top.
What do these colors mean. In Kai's case, it probably means that his fire is just created using fire magic (because he doesn't seem to need friction to start fires, he just starts them). Whereas in Wyldfyre's case, the blue & white show just how hot the flames are, meaning she has to really heat up her hands, & the area she wants to set aflame, in order to create her fire.
Wyldfyre's heatwave thing (Heatwave, get it?)
In episode 7 of Dragons Rising, Wyldfyre is shown to have this weird white wave thing close to the ground that originates around her. It does have an affect on the people it hits, due to Lloyd be pushed away by it, but it doesn't appear to burn people. So, a heatwave of some kind?
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thefollow-spot · 2 years
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I think the writers of Rings of Power really fucked up when they decided to make Galadriel the only elf with substantial trauma about the War of Wrath/the war in Beleriand in general. This was a long war in a culture with a long memory, and so much of the Second Age can be read as a direct (traumatically influenced) response to those wars. To make Galadriel out as not only unusual, but unreasonable for holding onto this trauma is a massive blunder.
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Kirby Star Allies is one of, if not my absolute favorite Kirby games, and I recognize while it's on paper one of the weaker entries in the core series, it appeals to me personally on multiple levels and I think I should revisit it more
#musings#kirby#no the reasons don't begin and end with 'dark meta knight is playable'#but that is a very big reason#to expand on it i think the dlc dream friends were amazingly designed#they still fit into the structure and playstyle of a playable kirby character but they also still feel like bosses#using dmk as an example they took his boss fight from triple deluxe and made it into a playable character#preserving most of his moves and adding new ones in the same vein#before unlocking dmk i played as marx and was surprised by how faithful he felt to his boss fight#and of course being able to augment these characters' movesets with elemental upgrades makes it even better#guest star allies was a great addition because if i want to i can play through the whole game in one sitting#as dark meta knight with fire powers#that's like my ideal kirby experience right there#did i mention the dlc was all free and very well-crafted?#that's not a given nowadays so i'm very appreciative of that#i also like the mage sisters and the lore implications the game offers#fransisca and flamberge are quite possibly the first lesbians in a kirby game#and they're ALSO playable! with their full boss movesets!#you can even tag out to the other elemental nuns whenever you want#so they're three very strong characters in one package#i seriously need to finish completing my save file in star allies so i can just start up a dmk or mage sisters run whenever i want#that would be nice i think#but of course because of the main mechanic being related to having teammates i can bring both characters with me#including in other guest star allies runs#because if i want to i can just ride their back and control them that way#i wonder how easy it would be to cheese a hard guest star allies run by piggybacking off an op dream friend
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gglitchshit · 10 months
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anassy 🤝gliaster
having their own boss fight in my fave games (...in my head)
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thirty tags generally never being enough: LOS-307 also having a perfectly neurodivergent time manifesting as their having a distressing/harmful experience that goes ignored (as does their talking about it, from [forewarning] to [increasingly urgently remarking on it]) b/c no one else shares it, and their efforts to help themself out by requesting a break from a task that's overtaxing them or trying to cool the room to cool themself are thwarted b/c [not continuing to overheat for their own current wellbeing And to avoid its exacerbation and an outright crisis] is dismissed for [i do want to keep playing this game to win it though] and [i would be uncomfortable if cold]. also that when it's way too late it's like oh ok Now um well just cool down it's fine lol. just like irl. iconique autistique
#LOS-307#i mean this like [the internal experience Can't really exist or be a Problem: not in any way that a) means anyone would take action to#help with that and/or b) means the affected person would be allowed to take action to help themself with that] is more broadly nd#of course nt people have parallel experiences but Do have the sense of being justified in expected their reaction to be Taken Seriously#& this can be tied in to Other [there's a power dynamic] experiences like environments / situations being structured around the norm for#one group while others are having to make all these additional efforts &/or endure a worse time while experiencing this#and the people they could complain to would be like ''well I'm not [experiencing that] & everyone's Been acting fine sooo''#but cue any sensory factor that is understood to be a ''normal'' & thus ''''universal'''' bother....#then anyone can immediately drop everything & move heaven & earth about it. like well of course?#fidget cubes as nd sensory/stim aids then interpreted Mainstreamly as a frivolous fad b/c what else could this experience be#gotta ban them from classrooms b/c adhd students stimming or doodling or just being unable to focus Always is like#well that's way deprioritized versus the concept of Normal Kids theoretically being distracted by a Toy#or that yeah say someone's needing to fidget or stim & that Is distracting someone else?#well guess who's always the one who has to stop. that there's not eve an Idea of conflicting needs/experiences when They're the one thrown#or yknow distracted by [w/e condition] or bothered or distressed or impeded from being able to do [xyz] or etc etc#and like i said all the [LOS-307 being chatty & friendly & enthused & reaching out & this isn't interacted w/at all for the longest time &#they have to go ''ok well i'm biting & killing you now?'' before it's recognized] like yeah a day in the life. I'D chat w/you bestie#and even that the fact they don't Already have friends meaning They're not getting key help/backup as they try to bite & kill you....#unfair tbh. connected devices aren't their friends#oh one Pure Visual Element....they had a vending machine price display go [hello lunella] as she walked by. & didn't notice that either!!#how cute of them & =( hello LOS....#giving them the ''well another autistic hero'' award. their experiences resonate! they deserve it!#they're melting down; they wanna be more chill; they're minimizing their own experience / telling themself what they Should do....#screenshot as they display an infinity symbol while saying they're only 8 months old but time is a human construct....
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nerdie-faerie · 1 year
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I do think it's interesting that when Bonnie's testing her magic by trying to light a candle she ends up lighting a room's worth of candles instead but never ends up starting accidental fires like yes she's powerful but she's still in control
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me taking whm stuff and sticking in othard to make lore for eyrie’s family like
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the-busy-ghost · 2 years
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Something comforting to think about today- there are lots of people in the world who hate, loathe, and despise my favourite books
That doesn’t sound like it should be comforting because of course at heart I want everyone to love them as much as I do. And it does annoy me when people hate books based on what I sincerely believe to be a complete misinterpretation of them (cough-cough, the recent “Wuthering Heights is just a silly problematic romance novel” issue). But if I’m being honest I also hate it just as much when people LOVE my favourite books based on a complete misinterpretation of them and for all the wrong reasons (”XXX did nothing wrong!”- what book were you reading???). And in either situation it isn’t really my business, though I reserve the right to be irritated.
But lots of people have valid criticisms of these books. Others simply didn’t vibe with the book on a given day and maybe never will- they don’t owe me or anyone else a reason. And I may not agree with them, but I do like it when I can completely understand why some people don’t like these books. For example, I think “Middlemarch” is one of the greatest novels I’ve ever read but for other people, it’s just not for them! They simply enjoy a very different kind of book, or they were disappointed that it wasn’t all it was cracked up to be, or they couldn’t understand the characters, or it just wasn’t the right time for that book to come into their lives, or it was just too damn long for them.
And firstly I find that comforting because it shows that we’re all different souls. We all have different tastes and experiences, and that means that our favourite books actually MEAN something to us, rather than just being a Generic Important Book That Everyone Likes. And often the reasons why one book is my favourite, are very different to the reasons that they are someone else’s favourite- the best books are multi-faceted after all. It’s a wonderful testament to the diversity of human experience and creativity (because in my opinion, there’s a great deal of the reader’s own imaginative ability goes into engaging with a book). So all that is required is for people to be open-minded and assume that when someone says they love a book, they have their own reasons, and these might not even be the reasons you think. 
And secondly of course, is that if even the books that I think are the best thing to exist, a physical symbol of worldly greatness, aspiration embodied, don’t appeal to everyone- then the things I create in turn don’t need to either. If even the greatest authors have harsh critics who will simply NEVER like their work, why are we all worrying so much about the merest hint of rejection, in life as much as in art?
#I talk a good game of course rejection is still very painful for me#And note valid constructive criticism is a different thing from rejection but if people's books can survive completely dumbass rejection#Based on complete misreading of the situation I think I can survive someone not liking me#books#reading#booklr#Also constructive criticism of my favourite books is good because it means I get to go back think it over#Argue it through in my head; point out other passages of the book in defence of it#And STILL come out of it loving the book possibly even more because it's drawn my attention to things I didn't realise about it#And sometimes I can't answer them fully either and that's ok too#Sometimes I've had the same thought as a novel's detractors and they've drawn attention to it#For example I was wondering at the end of Wuthering Heights why Heathcliff bothered keeping Nellie around#Why didn't he just send her packing rather than continuing to employ her at Thrushcross Grange#And I have lots of ideas but none of them quite stick yet#One is that she's possibly an unreliable narrator so she may- against her better judgement- have helped him more than she likes to admit#Another is that he is labouring under the impression that he can control her and so keeps her around in case he needs to use her influence#A third is that he needs a witness- there's some element of performativity in his cruelty and SOMEONE needs to see him destroy things#But I also like the idea that the four of them are all siblings really#Nelly- though she has a mother and other family at home- spent much of her youth at Wuthering Heights#And describes herself as Hindley's foster sibling in the sense that her mother was his nurse (a powerful bond in the pre-modern era btw)#So really she's as much one of the Wuthering Heights Nest as the lot of them#Heathcliff doesn't have as much reason to despise her as Hindley nor does he have so much reason to love her as Cathy#But she's still a sibling of sorts and maybe Heathcliff- whether he recognises it or not- sense that she has a right to be there#He doesn't seem like someone who needs a family but then maybe he's not as in control of the Heights as he thinks he is#I really don't know yet I will have to reread it#But yeah I think Nelly is as much a part of that nest of trouble as the rest of them#I'm getting off topic though- but see what I mean about negative criticism being important and fascinating!#Ok so I keep finding my way back to Wuthering Heights a lot over the last few weeks but this applies to othe rbooks too#I had similar feelings about some of teh criticisms of Flemington#reading log
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talistheintrovert · 2 years
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sorry to be pedantic lol but this episode was Chris Chibnall, not Russell T Davies
tho RTD probably wrote Tennant’s lines, the incoming showrunner usually writes the new Doctor’s lines immediately after regeneration
ANYWAY whatever the fuck RTD is doing with these next few episodes is already fucking me up 😭😭😭
oh I know the episode was written by chibnall, HOWEVER the direction it's going is clearly being led by RTD, hence why I attributed the reignition of my love of the show to him, because can you IMAGINE what this episode would have looked like with no input from him and chibnall writing the upcoming series?? I'd simply off myself
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justsomeguycore · 2 years
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we decided that in season 7 of 911 they all get superpowers
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I don't have enough time or experienced with enough classes to write a detailed multiclassing guide, but for D&D players, especially new players, wondering if they should multiclass, the simple answer is "probably not". Multiclassing is, in general, bad. The game was not balanced with it in mind, and it's very easy to muck up your character if you don't know what you're doing. I'm not just talking from an optimization perspective, either; it's difficult to justify it narratively in a way that doesn't cheapen the significance of what class levels represent. You don't become a Bard by practicing the lute for a week. You can't become a Wizard without years of study. If you plan to multiclass, my advice would be to find some way of tying it narratively into your primary class somehow; an Eldritch Knight becoming a Wizard is sensible, because they already have an understanding of how to work arcane magic, they just need to spend some time focusing on that over improving their martial abilities to learn enough to start filling out a spellbook. Of course, that still takes a long time, but the Eldritch Knight's previous experiences mean they already know how to cast multiple spells already. If you want to multiclass for story reasons, ask yourself two questions: Is multiclassing really the best way to convey this change in my character, and, if so, do they have the adequate time, experiences, and resources to practice the skills necessary (physical training, study, spiritual attunement, etc.) to even START being that class? The reason I put so much weight into class levels is because the Player's Handbook itself makes a point to clarify what sets a member of each class apart from others who seem similar on the surface; not every soldier in a given army is a Fighter, chances are most of them aren't. And Paladins are even rarer! To achieve even one class level is a strong indication of skill and effort, and I as your DM would expect you to consider how your character achieves levels in a second class. My campaign features a Fighter/Warlock multiclass, and her patron is both the supplier of her occult magic, and her instructor, personally training her in her dreams, so she can level up in either class and it'll make sense. My favorite combination, Paladin/Sorcerer, can be explained by latent powers emerging in response to their experiences and the holy power they channel within themselves, perhaps a gift from their deity or the result of them or their ancestor slaying a creature like a dragon or vampire whose blood imbued the Paladin's bloodline with arcane magic. Maybe a Monk/Cleric comes from a monastery that reveres a specific deity, and that Monk caught their deity's attention, choosing the Monk for a holy mission. If multiclassing is part of your character's backstory or projected future, having a plan for it is key to making them still feel like a cohesive, singular character.
#musings#dungeons and dragons#take my advice with a grain of salt since not all groups will put the same weight into class levels as i do#but the reason most wizards are depicted as elderly is because wizardry is extremely difficult and takes a long time to master#class levels being rare or hard to achieve is kind of necessary from a worldbuilding perspective#if becoming a wizard was possible after what amounts to a college course there'd be wizards everywhere#and the players wouldn't be as important because their own abilities wouldn't be anything special for a long time#i didn't talk about optimization very much since i think most d&d players don't care about that as much as roleplay and thematics#but if you're questioning if multiclassing would be good for you#look at the benefits you'd get from even one level of another class and ask if that's worth setting your main class back permanently#even one bad multiclass level can become a problem with initiative is rolled and you're functionally one level lower than you should be#it's also why timing when to multiclass is important!#it's tempting to multiclass as soon as you hit level 2 but unless you're starting as your secondary class you should really wait#until you're at least level 5 or so because that's a big power spike#and once you achieve that it doesn't hurt as much to delay levels in your main class in favor of another#that's variation in this of course#if you're a paladin who plans to take just one level of hexblade you really should do it at level 2 if you dumped strength#you don't want to be relying on 13 strength for weapon attacks any longer than you have to#and if you're only interested in the thematic elements of a class remember that flavor is free!#plus you can use things like your background to give you a feel akin to a different class#a warlock entertainer who makes a deal with the devil to save their music career is a cool way to get bard flavor without multiclassing#especially since if you manage to become a true bard you probably don't need the devil's help anyway
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